Even loopier speeches from elected officials like Christie or Florida Gov.
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I'm a little loopier, but I've got just enough Blossom to pay my mortgage.
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Sometimes it's more "tool" oriented, and a little bit deeper, and loopier and more repetitive, where music is like flowing into each other.
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His press conference was a semi-coherent farrago of lies, contradictions, and non-sequiturs — even loopier than Trump's Paris speech, which is saying something.
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The descriptor "tool tracks" gets thrown around a lot for a lot of loopier music that's really good and begging to be mixed, but not necessarily listened to on it's own.
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If the original Ghostbusters was filled with snarky stars—the culmination of the Animal House/Stripes/Saturday Night Live era of wise-ass big-screen comedy—this new movie is a gentler, loopier, more cheerful creation.
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Wright's throws have appeared loopier since he started dealing with spinal stenosis last year, and the Royals took advantage at a key moment in Game 5 of the Series when Hosmer broke for home, scoring the tying run on a ground ball to Wright.
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His heater, put at the spot by the hitter's knees where those hitters will always complain when umpires always call strikes, is an out-of-the-shadows dagger; his slider is a flying saucer if flying saucers were even loopier and more dazzlingly off-putting than popular media has led us to believe.
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As things grow loopier and more leaden — there's a subplot about Eliot's obsession with volunteer firefighters (long back story) and another about his fascination with a science fiction writer named Kilgore Trout — you may begin to pine for the coherence, emotional nuance and less blunt-edged humor of, um, I don't know, maybe a Disney movie?
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" At Rolling Stone, Joe Gross noted that all the artist needed was "a little time off" to come up with a collection like this one. Slant Magazine's Annie Galvin highlighted that "Mala attests to a discipline that was absent in Banhart's recent, loopier ventures, proving that his eccentric songwriting works best when harnessed in service of good storytelling." At Spin, Andy Beta rated the album a 7-out-of-ten, and affirmed that the effort "is a more gratifying listen than the oft-grating Banhart had any right to deliver to non-believers in 2013.
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You rarely hit it, and again, that's the joy of playing live, because there you can be just at that point where you've lost balance. I'm always walking between polarities, trying to find the opposing sides." In her early career, Garside's stage presence was noted by critics for its disheveled appearance, marked by torn clothing and her body covered in dirt. Caroline Sullivan of The Guardian writing in 1992: "In clinical terms, Garside is probably no loopier than Belinda Carlisle, but her fizzing nervousness imparts a sense of great fragility, and her candour is almost embarrassing.
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The carton board mill at Whakatāne began as a small operation in 1939 and continues operating to this day. The Whakatāne River once had a much longer and more circuitous route along the western edge of the Whakatāne urban area, having been significantly re-coursed in the 1960s with a couple of its loopier loops removed to help prevent flooding and provide for expansion of the town. Remnants of the original watercourse remain as Lake Sullivan and the Awatapu lagoon. The original wide-span ferro-concrete bridge constructed in 1911 at the (aptly named) Bridge Street was demolished in 1984 and replaced by the Landing Road bridge.
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After its premiere in Berlinale, the Guardian's film critic Peter Bradshaw gave the film a 3/5 star review, calling it "A Lynchian psychodrama in the sun" and "a disquieting spectacle of strangeness". The Hollywood Reporter and Screen International praised the film for its direction, imagery and the committed performances of Angeliki Papoulia and Youla Boudali, while criticising elements of the script's narrative construction and pace. Guy Lodge in Variety wrote that "“A Blast director Syllas Tzoumerkas returns with an agitated, atmospheric and sometimes confounding exercise in modern Greek tragedy. Tzoumerkas’ latest invites comparisons to the loopier, trash-skirting genre outings of Herzog or Lynch, with the gradual unpeeling of layered madness and corruption in the sleepy working town of Missolonghi occasionally calling to mind an aggressively sunburned Twin Peaks".
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