139 Sentences With "looks away" | Random Sentence Generator

She looks away from his open mouth, sips her coffee.

He looks away, or scowls, or dismisses it out of hand.

The eagle looks away once again, as my minds continues to wander.

Another looks away, not wanting to have anything to do with it.

She looks away when she sees fans wearing Saints jerseys and shirts.

Shirtless and with a shaved head, Country looks away from the camera.

While the governor looks away, Wisconsin is storing-up problems for future generations.

Those questions of why one looks at or looks away from an artwork.

In a rare moment of mercy from Black Mirror, the camera looks away.

" Fotis looks away again for a split second before he says, "I do.

"I'm sorry," he says softly to one troubled woman as he looks away.

He tenses up, letting out an uncomfortable chuckle as he briefly looks away.

Faced with anything other than kindness, my daughter backs down, steps back, looks away.

When the person looks away, the screen goes right back to the messaging app.

And as soon as Dwight looks away, Eugene bites him right in the crotch.

In two follow-up images, Wilkinson is smiling as she looks away from the camera.

If you're speaking to someone who looks away to check his phone, stop talking immediately.

Her arms bob, the tarp pulses, she looks away, and the face under the cover forms.

Then she drops her eyelids, tilts her head down and to the side, and looks away.

The Kashmiris are not the only Muslim group to be oppressed as the world looks away.

He studiously looks away from the camera towards the screen, the image of a model Cannes attendee.

With your palm down, Sphero looks away from you; with your palm up it looks toward you.

This week's episode, "Vengeance is Mine," looks away from war and toward a reckoning with the past.

"This is so weird, oh my God," she is heard saying while she covers her face and looks away.

If a viewer looks away for even a second, it's highly likely they'll miss some essential piece of information.

In "Smoking Girl", she looks away into the distance, taking one long drag on a cigarette, cool and defiant.

Like Velázquez, the curator includes the main event; but he also looks away, curious to see what was going on elsewhere.

In a seperate post , the actress shared a picture of herself baring it all as she looks away from the camera.

Meanwhile, the alliance's role as the U.S. looks away from Europe and toward a rising China is still to be determined.

For example, if someone who stutters looks away from the avatar during the moment of a stutter, they will be told this.

"I think this is going to have a bad ending," she says to no one in particular, and with effort looks away.

" In the same scene she looks away and adds, "But … Palmira … A long time ago a man hurt your mother very much.

He's so desperate to escape from this moment of human contact that he starts munching on his mayonnaise-y sandwich and looks away.

When confronted about it, Fleabag glances, panicked, into the camera, looks away and then back again, as if worried about the audience's reaction.

In her 2004 nude self-portrait "Feeling Me," Elinor Carucci looks away with riveting ambivalence as her husband's hand touches her pregnant belly.

" She's silent for a few seconds, and looks away before adding: "I just hope nobody comes and tries to take my life away from me.

It is a life of searching for increasingly rare drugs, desperately hoping their relatives do not harm themselves, or others, the moment someone looks away.

"Repression and retaliation against demonstrators continue in Nicaragua as the world looks away," U.N. human rights chief Zeid Ra'ad al-Hussein said in a statement.

A tiny camera mounted on the rearview mirror tracks the driver's eyes and triggers a warning sound if the driver looks away for too long.

In the picture, captioned "Bonjour Cannes," Fanning looks away from the camera demurely as she sits with her robe off her shoulders in a hotel room.

When our society looks away from the complex story of the gender gap in tech, we fail to address the problem, because we don't understand it.

Oftentimes, he looks away from his screen to check on something in the room around him or chat with Ito, who's also a highly proficient gamer.

In the video titled "Message to Mr. Trump (why I climbed your tower)," the man is dressed in a hoodie and looks away from the camera.

In the photo, Delevingne looks away from the camera as she grasps the bottom of her gold bedazzled mini dress, which has sheer mesh panels throughout.

A window containing a Skype call can be placed onto an office wall, disappearing when the user looks away and returning when he looks back at it.

"Repression and retaliation against protesters continues in Nicaragua as the world looks away," said Zeid Ra'ad al-Hussein, the United Nations human rights chief, in a statement.

My friend neither blinks nor looks away, and the woman is forced to hold herself there as the seconds tick by, her small eyes open and straining.

You can see the tiger slowly start to creep -- then stop when the boy turns around -- and lunge into a full sprint when the boy looks away again.

In the photo, the star looks away from the camera as she reveals a hint of her backside while maintaining some modesty by covering her chest with white bedsheets.

And now the U.S. looks away in regard to human rights violations in Egypt and Bahrain, and Saudi abuses -- even war crimes -- in the war against the Houthis in Yemen.

If the driver looks away from the road too long, the car will issue a series of haptic, visual, and audio alerts until the driver turns his or her gaze back.

Today China, tomorrow the world As Joffe looks away from China's shores he points to opportunities around 3D printing, health technologies and even the coming reality of cyborgs in the world.

Lawrence looks away from the camera and explains: She was getting ready to meet Stone at the parties when Stone said she'd rather just come over and hang out at home.

Houston Rockets Aside from launching more threes—not so easy against defenses that will prioritize taking those looks away—it's unclear how Houston gets any better on offense in the postseason.

Yes, a performance-artist may be unfair, exaggerated, reductive in his targeting of (usually foolish) adversaries, but he is always entertaining; one never looks away, one simply stares, listens, admires, applauds.

The scene shows a pink-clad performer with her arms firmly clasped as she looks away from a top-hatted patron who may be looming "ominously," as Ms. Jones put it.

Dressed in a dark hooded sweatshirt and gray jeans, Sheikha Latifa -- the daughter of UAE Prime Minister Sheikh Mohammed bin Rashid Al Maktoum -- either looks away from the camera or towards Robinson.

Unless they've taken the love of your life after repeated attempts to escape a time paradox and save the world -- in which case Amy Pond does the unthinkable and looks away from the angels.

"This president defies legal rules, standards, principles, and norms — including how he even looks away when our system of government is under attack by a hostile foreign power — to an alarming degree," he said.

One of his recent segments was called "Men In Decline As The Ruling Class Looks Away," where he argued that when women make more money than men, it leads to all types of societal ills.

I am reminded of Gerard Richter's 1988 portrait of his daughter Betty, where she too looks away, but while Richter delved deeply into the details of her hair and patterned clothing, Taylor gives us much less.

"I look at her and I just don't want to stop looking at her and I want to just kiss her and just —" He looks away, at a loss for words, and doesn't finish the sentence.

If the driver looks away from the road for more than a few seconds, the car starts beeping, the seat vibrates, and ultimately the car will flash its hazards and pull over if the driver doesn't regain control.

In "Portrait of Blond Youth in Turquoise Jacket," a young man with rock-star hair looks away, distracted or lost in thought, while in "Blond Youth with Brown Jacket," a more preppy type twists back to face the viewer.

If a driver looks away for a period of time, such as at a smartphone, or fails to keep their hands on the steering wheel, a representative from Volvo's on-call assistance centers will call them to check in.

Its obviously not the first time you've had a giggle and made comments about another girl but when you do it normally, the person you talk about probably looks away and you actually make them feel really sad inside.

"It could be numerous reasons — the operator looks away for 20 seconds, or goes to grab a cup of coffeeand misses it," said Cedric Coetzee, the general manager for rhino security at Ezemvelo KwaZulu-Natal Wildlife in South Africa.

During the National People's Congress last night (Tuesday morning in Beijing time), Liang, who's with the Shanghai-based business channel Yicai, looks back at the reporter next to her who's going on and then looks away out of disdain, rolling her eyes hard.

The arresting temporal and spatial threshold of "Betty" is activated by the young girl's spontaneous turn as she looks away; similarly, the provisional frames of reference alluded to in What's Inside — movement, spillage, disorganization and disarray — indicate a threshold, passage, or becoming.

Demming asks her what she is looking for and she merely looks away.

240px Example movie which produces distortion illusion after one watches it and looks away. See Motion aftereffect.

Though he pleads with Makak, claiming that Makak has grown mad, old, and blind as king, Makak looks away. Moustique is taken away to be executed. Finally, the apparition of the white woman is brought forth.

While walking to the restaurant, they walk past the same burglar who robbed their house, and the burglar nods at them in recognition. Louise looks away and walks away quickly, and Ian looks stunned (implying she organized the burglary).

He then puts his hands in his pockets, looks away, and smiles, which Mrs. Landingham understands to mean that he has decided to act, and will talk to his father. Bartlet and his staff attend Mrs. Landingham's funeral at the National Cathedral.

The second level of the game. The player has to get to the tree by jumping on rocks that change position when the player looks away from them. The game is 3D first-person adventure game. It is set in dream world that player explores.

Dorothy accidentally catches them in the act and thinks Joe is a willing participant. To protect her, he is forced to knock her out. Then, the two men start collecting the money. When Zepp briefly looks away, Joe attacks and kills him, but not before getting shot.

Osvaldo tries to help but Lucy rebuffs his efforts and rides on. The next day, Lucy poses outdoors for Ian's sketch studies, at one point exposing one of her breasts. Niccolò and Osvaldo arrive in a car. Niccolò ogles Lucy, but Osvaldo looks away, decrying Lucy's lack of propriety.

He looks away to take photographs of flowers. On the bridge, Minoru tries to catch Chieko when she stumbles, but she recoils from his touch as she shouts at him to get away from her. They stare at each other for a few tense seconds. Minoru asks if she's leaving him for Takeru.

The video is featured in a diner with flashbacks of Joey with his ex-girlfriend. He feels depressed during the video and sees his ex with a new boyfriend and looks away. When he leaves, Joey then hides from her inside the kitchen while trying to tell he loves her. After telling her, Joey enlightens everyone with some dance.

This is done to guarantee that neither mother, nor experimenter bias the infant's response. During each trial, one sidelight flashes, urging the infant to look at it. Once the infant turns his or her head and looks at the light, the sound stimulus is played. The stimulus continues to play until the sound finishes or the infant looks away.

Concluding that the prison is a safe place for his family, The Governor scouts the prison and observes Rick (Andrew Lincoln) and his son Carl (Chandler Riggs) digging in the prison yard. He looks away and notices Hershel (Scott Wilson) and a smiling Michonne (Danai Gurira) burning walker corpses. Angered, he aims his pistol at them.

She takes a toothbrush and then walks through Sloan, who becomes transparent--making a reference to how he was never really there for her. She goes out of the bathroom, to the door, and stops to look back at the band playing. Sloan looks at her, then looks away. She then leaves the house, presumably for good.

The execution of Cavaradossi at the end of act 3. Soldiers fire, as Tosca looks away. Photograph of a pre-1914 production by the Metropolitan Opera The third act's tranquil beginning provides a brief respite from the drama. An introductory 16-bar theme for the horns will later be sung by Cavaradossi and Tosca in their final duet.

Pamela, meanwhile glances back and giggles at them. She casually yet playfully shakes her platform heel, and A. Jay and the others struggle to keep from falling off. When they don't fall off, she looks away and rolls her eyes. This is followed by them performing on her head, her knee, back to her rear, and walking across her breasts.

Sean confesses his love for Cassie, who claims she feels the same way. When Sean returns to the club, Matt convinces Cassie to give him a last 'goodbye' kiss. Sean sees this, and reacts badly to it, giving Cassie the silent treatment as they drive off. Cassie, who is behind the wheel, continually looks away from the road until the car crashes.

When the boyfriend looks away from her, she confronts him and gets back into the car. Thalia sees her boyfriend in the rear view mirror trying to be apologetic, but she takes one last look at him before driving away. Scenes of Thalia singing are shown, dancing in front of a car, dancing with a microphone and sitting on a chair.

Mi-ho knows of Yo-han's crimes but looks away from them and encourages them. It is later revealed that Yo-han killed his father after he found him molesting Ji-ah, and Ji-ah killed her mother who was pimping her out to throw suspicion off Yo-han. In the end, Yo- han kills himself to protect Ji-ah.

Mike follows Simbaza through the streets of London and onto a city bus, but when Mike gets aboard, Simbaza has vanished. Then, when Mike sits down and looks over his shoulder, Simbaza is sitting behind him. Mike looks away, but when he glances back, Simbaza has again disappeared. At his hotel that night, Mike is awakened by someone rattling his room's doorknob.

By contrast she looks away to the right. He wears contemporary 16th-century dress, as do any small figures in the landscape backgrounds, and has a sword or dagger at his belt. A large red drape takes up the top left corner, and the top right corner in the less wide versions. There is a wide landscape outside, falling into two types.

"[The] present moment always looks away. Everyone knows that," said Fueki. Chie Fueki's paintings incorporate symbolism from art of the Early Renaissance to ukiyo-e art of Japan and inspiration "from all the great influences in my life", including Piero della Francesca to Philip Guston and her contemporaries. Fueki renders several kinds of spaces in her paintings all at once.

Cally herself was later killed by Servalan's explosives on Terminal in series four opener Rescue, whilst calling out to Vila with her last thoughts. Avon confirmed her death after returning to the ruined and collapsing tunnels. He was very certain when he tells Tarrant, his voice becoming softer, as it is often when talking to or about Cally, and then he looks away in the distance.

This is the first of the sparks to ignite the ground under the horses. The horse on the left has a face of agony and is crying out. The horse on the right is more accepting of his fate of oncoming death and looks away from the fire. The next spark to hit is the tan line that is right across the blue deers neck.

Boyd feigns trying to break the lock, when Topher looks away, he simply uses a key card. Boyd takes Topher with him explaining that they are going after Echo and that Ballard and Mellie would be responsible for taking down the mainframe. Inside the Dollhouse, Topher 2.0 rants about Boyd's betrayal. Priya attempts to track down Mellie through her tracking device, but it is deactivated.

The qualitative division of the activity is completely different from the two quantitative divisions. It occurs when color is presented to the eye. Schopenhauer described the way in which various points or places on the retina become fatigued from being overstimulated. After staring at a black figure on a white background, the overactive and excited retinal points become exhausted and do not react to stimulation when the eye finally looks away.

Lara remains intrigued by the motives that led Diana to murder all those people and Simon looks away compromised, saying that it is time to care more about their lives. At the hospital, Lara and Humberto hug each other happy, knowing that Liliana will be discharged. Humberto tries to convince Valdemar to go to the marriage of Augusto by a matter of dignity. Valdemar is sensitized by his son's words.

After hearing the news, Yesterday is very upset. Yesterday understands that she will die from this disease, leaving her daughter alone. She makes a plan to travel to the mine where her husband, John, works to tell him the news and to tell him that he also is sick. He reacts to this news very badly and beats her, while his supervisor looks in and then looks away.

The music video was directed by Sophie Muller, and shows Studt in an old house with crucifixes on the wall playing a piano while silhouettes of people are dancing on the dancefloor. She then gets up and dances herself when the first chorus kicks in. Then Studt is shown at a beach with a man and she is playing with him. He then looks away and she pushes him over.

He closes by wishing her the best of luck. In the late afternoon, from inside a café on the rue Dauphine, Mr Mackenzie notices Julia approach on the street. He shields his face so as not to be seen, but she sees him anyway, looks away and passes aimlessly with her head down. Having second thoughts, he leaves and catches up with her at a kerb where she waits to cross.

When Jamil declares his love and proposes monogamous marriage to her, Diana passively accepts. But at the ceremony, she throws the water from their ceremonial cup in his face, humiliating him in front of his father and his tribe. Devastated by her rejection, Jamil furiously strikes her three times with his whip. When Diana neither flinches nor takes her eyes off his face, Jamil cannot meet her gaze and looks away.

Here David meets the Crooked Man, who promises David the life he had before his mother's death. The ground reflects what looks like his father, Rose, and Georgie dancing happily. The image transforms into one of Rose and David's father making love; David looks away, so overcome with anger that he cuts the Crooked Man with his sword. In the distance, howls fill the air as the wolves find another bridge to cross the canyon.

Example movie which produces distortion illusion after one watches it and looks away. The motion aftereffect (MAE) is a visual illusion experienced after viewing a moving visual stimulus for a time (tens of milliseconds to minutes) with stationary eyes, and then fixating a stationary stimulus. The stationary stimulus appears to move in the opposite direction to the original (physically moving) stimulus. The motion aftereffect is believed to be the result of motion adaptation.

The door is thrown down, and the hallway is filled with a bright, incandescent light, followed by a horrific growl. Pipes and the remains of the steel door shift around, as if being stepped on. Laura, unaware of what is happening, uses the video phone above her sleep chamber to contact one of her crewmates, Parker. Laura watches in confusion as Parker looks away from the monitor, to his room's entryway doors.

German fashion photographer Jürgen Teller shot the album cover The artwork was photographed by German fashion photographer Juergen Teller. In the black-and-white cover, Minogue sports a 1960-style bouffant and looks away from the camera, with three men appear in the background. She wears a sleeveless minidress designed by Nobuhiko Kitamura for Japanese fashion brand Hysteric Glamour. It is a stretch lycra piece with multi-coloured vanity print, and has shoestring shoulder straps in the same fabric.

Harry draws his own gun and shoots both Mr. Varga and his henchman dead and takes the car to the bus station. Iris, who had left the city for California to be with her brother, is delighted to have Harry going with her. They sit on the bus, overjoyed to breakaway from the city and the mob altogether. Harry looks away across the seat with a smile, and shows Kate's body bag resting casually in the seat.

Winslet at the alt=A casual Kate Winslet looks away from the camera. To avoid typecasting in historical dramas, Winslet sought out films set in contemporary times. She found it in the science fiction romance Eternal Sunshine of the Spotless Mind (2004), in which she played the neurotic and impetuous Clementine, a woman who decides to erase memories of her ex-boyfriend (played by Jim Carrey). Unlike her previous assignments, the role allowed her to display the quirky side to her personality.

Sean plans to kill him Al, he breaks into his flat and starts threatening and intimidating him. He then tells him to finish the job he started, implying that Al should kill him. When Al looks away, Sean assaults and gags Al before taking him to a remote location where he hangs him upside down and begins torturing him. Sean tells Al that he did not sleep with his girlfriend because he did not want to betray him, despite his girlfriend encouraging Sean to do so.

When her brother sees a vision of his loved ones drowning, he hurries out of the tent to save them, but he is too late. Hengov eventually finds his nephew's body at the bottom of the lake but can't cut it loose from the rock due to his disability. Hengov grieves on the cliff from where Agrin jumped to her death. Meanwhile, a disabled Satellite loses any charm he had about the American intervention and looks away when the American soldiers finally pass by him.

They are partly inspired by mythological figures known as "men in black" that became popular amongst UFO conspiracy theorists during the 1950s and 60s, as well as grey aliens. The four-fingered hands of the Silence, with one finger much longer than the other, were inspired by the aye-aye lemur. Reviewers have noted that, in creating the Silence seen in "The Impossible Astronaut", Moffat again uses a psychological gimmick. The Silence are perceived only while being viewed; they are instantly forgotten once a viewer looks away.

Szczęsny Potocki, with the blue sash, looks to the ground, embarrassed. Behind the overturned chair, his father, Franciszek Salezy Potocki, also embarrassed, drops a quill pen and looks away. Between the two Potockis Jacek Małachowski is engaged in discussion with Samuel Korsak, while Karol Radziwiłł simply observes the situation, amused. On the ground, turned over, lies an armchair, with Branicki's hat and a coin purse, from which the coins spill towards Poniński, alluding to the real reason he is intent on concluding the debate.

Meanwhile, The Smoking Man (William B. Davis) meets with Mulder's mother Teena (Rebecca Toolan), and the two argue as someone photographs them from a distance. Later, Assistant Director Walter Skinner (Mitch Pileggi) notifies Mulder that Teena has suffered a stroke. At the hospital, Teena writes the word "PALM" on a notepad, which Mulder takes to mean her stroke is connected to Jeremiah Smith. Mulder finds footage of Smith being interviewed, and sees that someone else appears in Smith's place when the detective looks away.

Avon reported her death after returning to the ruined and collapsing tunnels, however it still remains somewhat ambiguous as he does not definitely say he saw her body. His voice becomes softer as it often does when talking to or about Cally, and then he looks away into the distance. During the show, a romantic attraction was often teased between Avon and Cally. The first indication of this was during the episode "The Web", when Cally tells Avon "I'm interested in your work", and the two share a long, lingering glance.

At this point Chad, despite having previously told Howard that his girlfriend, Suzanne, had left him, shows Howard that she is still there, asleep in his bed. Chad says that he carried out the plan "because I could," and cruelly asks Howard how it feels to have truly hurt someone. Howard, who had never done anything like that before, leaves, horrified. Howard later travels back to the city and to a bank where he sees Christine working there, and tries to speak to her, but she looks away in anger.

Singer wrote that Elisabet wears "thick and artificial eyelashes" even when she is not acting. Scholar Egil Törnqvist noted that when Elisabet is onstage as Electra, she looks away from the theatre audience and breaks the fourth wall by looking at the camera. According to Törnqvist, Elisabet makes a fist, symbolizing her revolt against the notion of meaningful performance. Singer concluded that although Elisabet develops a very personal relationship with Alma, she cannot shed her persona as an actress and will remain lonely with "the hopeless dream of being".

Jude Law showing an eyebrow flash The eyebrow flash is an unconscious social signal, wherein a person, wishing to approach another whom they recognize and are preparing for social contact (such as a greeting), raises their eyebrows for approximately one-fifth of a second. People generally return an eyebrow flash, unless it was given by someone whom they do not know, or someone who looks away immediately after. The message must be interpreted in context. Psychologists and sociologists say that eyebrow raising can be a reaction to fear or surprise.

In a staring contest, a mutual staring can take the form of a battle of wills when an eye contact is reciprocated, it could be an aggressive-dominating game where the loser is the person who looks away first. Staring conceptually also implies confronting the inevitable – ‘staring death in the face’, or ‘staring into the abyss’. Group staring evokes and emphasizes paranoia; such as the archetypal stranger walking into a saloon in a Western to be greeted by the stares of all the regulars. The fear of being stared at is called Scopophobia.

Stechow, 219 and Figure 14 Different moments from the shooting scene are shown. In the anonymous drawing the archers are taking aim, in Mair's print one son has shot and the next is about to, while the youngest son looks away in disgust. Wolfgang Stechow, who first set out the history and depiction of the story, describes the print as the "most subtle and moving interpretation of the story in art, despite its many awkward details".Stechow, 223 It emphasizes the moral interpretation of the story, and Solomon is absent.

Raul looks away to shout to Pepe and Andrew knocks him over with a shovel, then Andrew and Melissa escape to the car and drive away. They hide Jonny's body in a blanket off a dirt road in the hills then drive to a hotel for the night. During the night, Andrew leaves and wakes up Carlos (as well as his mother) to help him fix the broken window on the car to avoid suspicion at the border. Melissa notices him leaving and she leaves with the car herself.

She tells him to trust her father and runs away to confront Kikuri, revealing that she has a similar relationship with Kikuri in Futakomori that she had with Ai in the first season. :She is a nurse at Yuzuki's school in the third season. During The Six-script Lantern ceremony she advises Yuzuki not to go in the Gates of Hell, and then disappears in the fog mysteriously when Yuzuki looks away. She appears to have uncanny knowledge of the supernatural, having known that Yuzuki wouldn't be able to come back if she entered the Gate of Hell.

Daryl pulls out his knife but flinches and looks away as Sasha dispatches the dogs with a silenced weapon before they can get any closer. Rick stands up and begins to collect branches to make a fire. In the next scene they are shown to be cooking meat on the fire and eating and, as the camera pans out, Noah is seen to be sitting on the ground with them and staring at a blue dog collar that is lying, discarded, in the dirt. As they eat, Father Gabriel throws his priest collar into the fire, signifying his lost faith.

He immediately looks away and mourns in pain, asking why it had to be Gabrielle and wishes that it was him instead of her and vows revenge for the person who did this to his granddaughter and eventually finds Tomas' watch for which he was framed for killing Gabrielle. He organises his granddaughter's funeral straight away before he loses strength. He talks in his behalf in Gabrielle's funeral and shares that fourteen years ago he held a funeral for Gabrielle's parents: Capt. Roberto Marcelo and his wife 1st Lt. Margarita Marcelo who both died in the line of duty.

In the pool, the picture shows a possibly female or childish body in an upside-down position with only the waist and legs above the water level. The person appears to be diving or is drowning. In the foreground is an armless stature-like figure that appears to have been made out of clay, throwing a shadow in the direction of the pool, similar to another shadow originating from outside the picture. The person looks away from the pool and bears a handlebar mustache resembling that of Ernst's father, but also has features which could be interpreted as female.

Bartlet and his entourage then travel to the State Department to give a press conference on the disclosure of his MS. Shots of the motorcade driving in the rain are intercut with shots in the cathedral, where a janitor finds the extinguished cigarette. Beginning the press conference, Bartlet disregards advice to first call upon a handpicked reporter who will not ask about re-election, choosing instead one who immediately asks if he will seek a second term as President. Bartlet puts his hands in his pockets, looks away, and smiles, indicating his intention to seek re-election.

His reasons for helping Meg is because he never stood up to his bully, and doesn't want Meg to go through the same thing. After extensive training with Quagmire, Meg faces Mike at school on Friday. Initially getting beaten up where some of the punches to Meg's face causes it to switch between her normal face (which is considered the ugly one) and the beautiful face, Meg decides to kiss Mike grossing him out. Meg then further grosses him out by popping a pimple onto him before finally lifting up her shirt in front of Mike, while everyone else looks away.

Furthermore, she takes off the glove of her left hand and keeps it in view of Herr Friedemann for the duration of the show. He reacts in a childlike way, by sucking on a finger and caressing his breast. Her attempts are the result of the Colonel's impotence according to Dr. Freud, which is the reason why she is without a child after four years of marriage. A double-entendre by asking him to play his violin in a duet with her, but having no experience with women, which he renounced as a child he merely blushes and looks away.

Medieval interpretations focused on the diagnostic potential of the bird: if it looks into the face of a sick person, the person will live; if it looks away, the person will die.For a thorough interpretation of the emphasis on diagnostic power, see Herbert L. Kessler, 'Christ the Magic Dragon' Gesta Vol. 48, No. 2, Making Thoughts, Making Pictures, Making Memories: A SPECIAL ISSUE IN HONOR OF MARY J. CARRUTHERS (2009), pp.119-134. This is compatible with the idea that the caladrius' look draws the sickness into itself; the bird is then said to fly up to the sun, where the disease is burned up and destroyed.

Staying true to the gameplay mechanic of previous games featuring Boo, if Mario looks away from Boo, it will attempt to move closer and attack Mario. However, if Mario retains eye contact with Boo, it will become translucent and impervious to attack. King Boo (left) and Luigi (right) in Luigi's Mansion: Dark Moon promotional artwork In the 2001 GameCube launch title, Luigi's Mansion, the Boos were given the role of primary villains, alongside other miscellaneous ghosts of the mansion. The game's primary antagonist is King Boo, their king who leads the Boos of the mansion and who is responsible from trapping Mario inside a portrait.

The EP consists of seven tracks in total with Hoya and Dongwoo participating in the composition of several songs on the EP. The title track, Fly Again is a dub-step song which serves as an intro track. The promotional track, 예뻐 (Pretty) is an upbeat love song about how in love they are with such a beautiful girl that they even hate it when she looks away from them. The third track, 어디안가 (Aren't You Going Somewhere?) is a song with the influence of '80s pop and features vocalist Yang Da Il. The fourth track, 부딪쳐 (Bump) is a song with a R&B; rhythm labelmate, Lovelyz's Su-jeong.

The gods hung in the north and those hung in the west would have appeared to be looking at each other when hung, except for Jajihong'i-agissi, who looks away towards the south. The names of the gods are written in red in Chinese characters, in upper left for the northern portraits and in upper right for the western ones. All names are given in three characters with the final character being 位 wi "seat", so that the painting of the god Surang-sangtaeja-manora "Lord High Prince of the Spirit of Water" is simply titled Suryeong-wi "Seat of the Spirit of Water".

Ferris Bueller Night at Wrigley Field, October 1, 2011. Wrigley Field is featured in two interwoven and consecutive scenes. In the first scene, Rooney is looking for Ferris at a pizza joint while the voice of Harry Caray announces the action of a ballgame that is being shown on TV. From the play-by-play descriptions, the uniforms, and the player numbers, this game has been identified as the June 5, 1985, game between the Atlanta Braves and the Chicago Cubs. The batter rips a foul ball into the left field stands, and as Rooney looks away from the TV briefly, the TV cameras show a close up of Ferris a moment after catching it.

Sophia Tong (May 23, 2008) Sherlock Holmes: Nemesis Review IGN, Retrieved 4 May 2013. Note has also been made of a prominent element in the areas in which player plays as Holmes: in the original release, Watson does not have a walking animation, resulting in a "creepy" Watson who apparently always stands still when in view, but seems to silently teleport closer when the player looks away. "Creepy" Watson became a viral meme after Youtuber tdous uploaded a video of himself playing the Sherlock Holmes: Nemesis demo. To promote Sherlock Holmes: Crimes and Punishments, Frogwares made a short video entitled "Crimes & Punishments - The Return of Creepy Watson" which recreates Creepy Watson in their new game engine.

Michael Cerveris played September The Observer September (portrayed by Michael Cerveris), often referred to as The Observer, is a mysterious figure seen at the scene of many Pattern-related events. Like other Observers that have appeared on the show, September is only seen wearing a plain black suit and black fedora, and is pale, bald, and lacks eyebrows. They exhibit several strange mannerisms such as awkward phrasing when talking, a preference for extremely flavored, like spicy or salty foods due to an extremely dulled sense of taste, and the ability to appear or disappear when one looks away. They also use an alien written language with which they maintain copious documentation in small notebooks.

The line of gaze in a staring contest A staring contest is a game in which two people stare into each other's eyes and attempt to maintain eye contact for a longer period than their opponent can. The game ends when one participant blinks, looks away, or smiles. A popular variation of the game exists in which the participants not only attempt to maintain eye contact, but also must resist the urge to blink, creating a physical challenge as well as a psychological one. Most other variations revolve chiefly around either of these two core objectives, with some allowing the aggressive use of distracting actions to force an opponent into defeat, while others prohibit virtually any action but staring.

Tough cop Prabha Narayan (Bipasha Basu) is haunted by the demons of her past. Being an illegitimate daughter of a prostitute, she has had a very bad childhood and there once occurred an incident in her life when she was driven to the point of committing a murder. But today, now that she is a cop, she believes that she can clear her conscience by reforming a criminal. Prabha’s life is turned topsy-turvy with the entry of Aditya Srivastava (Dino Morea), who is a good person at heart but was forced to take the path of crime due to the wrongdoings of the police system. Prabha goes to Aditya’s house to nab him, but gets distracted when she sees him bathing and looks away.

Shepherd with a flute, or Boy with a Pipe, is a painting in oil on canvas of perhaps 1510–15, in recent decades usually attributed to Titian, though in the past often to Giorgione. It is now in the Royal Collection, and in 2018 was in the King's Closet at Windsor Castle.Whitaker and Clayton, 185; RC Since at least 1983 it has been called Boy with a Pipe ('The Shepherd') by the Royal Collection;Shearman and Whitaker and Clayton, 185 use this title, as does RC in December 2018 previous titles the collection recognise include Shepherd with a pipe, and The Shepherd.RC A boy or young man now in a loose white shirt looks away from the viewer out of the picture space, apparently "lost in thought".

Stratton continued his experiments on perception, branching into studies on pseudoscopic vision, stereoscopic acuity, eye movements, symmetry and visual illusions, how people perceive depth seeing surroundings either one-eyed or two-eyed, acuity and limits of peripheral vision, apparent motion, afterimages impressed on the eye when a person stares at an object for long and then looks away, and problems with sight in half the visual field (hemianopsia). He both reviewed earlier studies on motion and conducted two of his own, concluding perceiving movement was more than the sum of seeing successive sequential images. He also surveyed and reported in reviews in the Psychological Bulletin experiments at various labs, including those in Europe, on matters related to sensation and perception.

Critically acclaimed, the film's cast was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast. On stage, Williams played Varya in a 2004 production of Anton Chekhov's drama The Cherry Orchard, alongside Linda Emond and Jessica Chastain, at the Williamstown Theatre Festival. The theater critic Ben Brantley wrote that "she cannily plays her natural vibrancy against the anxiety that has worn the young Varya into a permanent high-strung sullenness." alt=A headshot of Heath Ledger as he looks away from the camera The German filmmaker Wim Wenders wrote the film Land of Plenty (2004), which investigates anxiety and disillusionment in a post-9/11 America, with Williams in mind. Kevin Thomas of Los Angeles Times praised Wenders' thoughtful examination of the subject and took note of Williams' screen appeal.

When Pam, sitting in the passenger seat, cautions her to not be a litterbug, Meredith replies, "My car, my rules." In a later scene at the Steamtown Mall parking lot, she attempts to wedge her minivan into a parking space too small, damaging several cars in the process. In "Beach Games" she accidentally exposes herself to the camera after forgetting she was not wearing her swimsuit underneath her clothes, also in another deleted scene she orders for the bus to stop because she needs to use the bathroom, even though there are no bathrooms in sight, but instead of going behind a bush she instantly squats right in front of the bus which everyone looks away in disgust (except for Creed). In "The Job", she describes Jim's haircut as "sexy-hot" and orders him to turn around so she can see it from all angles.

Ainsworth and Bell theorised that the apparently unruffled behaviour of the avoidant infants is in fact as a mask for distress, a hypothesis later evidenced through studies of the heart-rate of avoidant infants. Infants are depicted as anxious-avoidant insecure when there is: "...conspicuous avoidance of the mother in the reunion episodes which is likely to consist of ignoring her altogether, although there may be some pointed looking away, turning away, or moving away...If there is a greeting when the mother enters, it tends to be a mere look or a smile...Either the baby does not approach his mother upon reunion, or they approach in 'abortive' fashions with the baby going past the mother, or it tends to only occur after much coaxing...If picked up, the baby shows little or no contact-maintaining behavior; he tends not to cuddle in; he looks away and he may squirm to get down." Ainsworth's narrative records showed that infants avoided the caregiver in the stressful Strange Situation Procedure when they had a history of experiencing rebuff of attachment behaviour. The child's needs are frequently not met and the child comes to believe that communication of needs has no influence on the caregiver.

Ainsworth and Bell theorized that the apparently unruffled behaviour of the avoidant infants was in fact a mask for distress, a hypothesis later evidenced through studies of the heart-rate of avoidant infants. Infants are depicted as anxious-avoidant when there is: > ... conspicuous avoidance of the mother in the reunion episodes which is > likely to consist of ignoring her altogether, although there may be some > pointed looking away, turning away, or moving away ... If there is a > greeting when the mother enters, it tends to be a mere look or a smile ... > Either the baby does not approach his mother upon reunion, or they approach > in "abortive" fashions with the baby going past the mother, or it tends to > only occur after much coaxing ... If picked up, the baby shows little or no > contact-maintaining behavior; he tends not to cuddle in; he looks away and > he may squirm to get down. Ainsworth's narrative records showed that infants avoided the caregiver in the stressful Strange Situation Procedure when they had a history of experiencing rebuff of attachment behaviour. The infant's needs were frequently not met and the infant had come to believe that communication of emotional needs had no influence on the caregiver.