The Khaavren Romances are a series of fantasy novels written by Steven Brust and set in the fictional world of Dragaera. The novels are swashbuckling adventure stories involving war, intrigue, and romance. They are heavily influenced by and homage the d'Artagnan Romances written by Alexandre Dumas.Books by Steven Brust - The Dream Cafe The series is written by Brust in the voice and persona of a Dragaeran novelist, Paarfi of Roundwood, whose style is a tongue-in-cheek parody of Dumas, matching both his swashbuckling sense of adventure and his penchant for tangents and longwindedness.
|
|
Five Hundred Years After is a fantasy novel by American writer Steven Brust, the second novel in the Khaavren Romances series. It is set in the fantasy world of Dragaera. Like the other books in that series, the novel is heavily influenced by the d'Artagnan Romances written by Alexandre Dumas, and is written by Brust in the voice and persona of a Dragaeran novelist, Paarfi of Roundwood, whose style is a tongue-in-cheek parody of Dumas, matching both his swashbuckling sense of adventure and his penchant for tangents and longwindedness. The title of Five Hundred Years After corresponds with the second Musketeer novel, Twenty Years After.
|
|
It is not the richest musically," going on to note "And Wagner's creative powers? For a man of his age and his method they are astounding ... [but] It would be foolishness to declare that Wagner's fantasy, and specifically his musical invention, has retained the freshness and facility of yore. One cannot help but discern sterility and prosaicism, together with increasing longwindedness." The conductor Felix Weingartner found that: "The Flowermaidens' costumes showed extraordinary lack of taste, but the singing was incomparable... When the curtain had been rung down on the final scene and we were walking down the hill, I seemed to hear the words of Goethe 'and you can say you were present.
|
|
The Phoenix Guards is a fantasy novel by American writer Steven Brust, the first novel in the Khaavren Romances series, set in the fictional world of Dragaera. Like the other books in that series, the novel is heavily influenced by the d'Artagnan Romances written by Alexandre Dumas, and is written by Brust in the voice and persona of a Dragaeran novelist, Paarfi of Roundwood, whose style is a tongue-in-cheek parody of Dumas, matching both his swashbuckling sense of adventure and his penchant for tangents and longwindedness. Brust describes the book as "a blatant ripoff of The Three Musketeers."Books by Steven Brust - The Dream Cafe The Khaavren Romances books have all used Dumas novels as their chief inspiration, recasting the plots of those novels to fit within Brust's established world of Dragaera.
|
|
The Baron of Magister Valley is a fantasy novel by American writer Steven Brust, set in the fictional world of Dragaera and part of the Khaavren Romances. Like the other books in that series, the novel is heavily influenced by the d'Artagnan Romances written by Alexandre Dumas, and is written by Brust in the voice and persona of a Dragaeran novelist, Paarfi of Roundwood, whose style is a tongue-in-cheek parody of Dumas, matching both his swashbuckling sense of adventure and his penchant for tangents and longwindedness. The Khaavren Romances books have all used Dumas novels (particularly the Three Musketeers series) as their chief inspiration, recasting the plots of those novels to fit within Brust's established world of Dragaera. The Baron of Magister Valley follows suit, using The Count of Monte Cristo as a starting point.
|
|
Longinus de subl.13.3, cited by David Cambell, Loeb, pages 55 Modern scholars tend to accept the general thrust of the ancient comments – even the 'fault' noted by Quintillian gets endorsement: 'longwindedness', as one modern scholar calls it, citing, as proof of it, the interval of 400 lines separating Geryon's death from his eloquent anticipation of it.David A. Campbell, Greek Lyric III, Loeb Classical Library (1991), page 4 Similarly, "the repetitiveness and slackness of the style" of the recently discovered Lille papyrus has even been interpreted by one modern scholar as proof of Stesichorean authorshipCharles Segal, 'Archaic Choral Lyric' – P. Easterling and E. Kenney (eds), The Cambridge History of Classical Literature I: Greek Literature, Cambridge University Press (1985), page 186, note 2 – though others originally used it as an argument against. Possibly Stesichorus was even more Homeric than ancient commentators realized – they had assumed that he composed verses for performance by choirs (the triadic structure of the stanzas, comprising strophe, antistrophe and epode, is consistent with choreographed movement) but a poem such as the Geryoneis included some 1500 lines and it probably required about four hours to perform – longer than a chorus might reasonably be expected to dance.
|
|