120 Sentences With "long player" | Random Sentence Generator

"Long Player," his 2007 argument about the album format as an aesthetic unit, is subtle and capacious.

Dizzee returned the favour by jumping on "Two Type of Bitches" from UGK's penultimate long-player Underground Kingz.

One album that fits that kind of action is the third long player from Philadelphia's gloomiest sons, Psychic Teens.

The long-player sold 293,000 total copies in its first week, marking the best performance period since Taylor Swift released reputation last November.

The band's label, Decca Records, abandoned plans for a second long player and slashed their promotional budget, effectively condemning the Zombies to commercial death.

At this point, the weirdest thing MGMT could do is release a relatively straightforward pop album—and, lo and behold, that's the name of the game on their fourth (and, possibly, best) long-player, Little Dark Age.

Dawn Oberg: Nothing Rhymes With Orange (Blossom Theory) It's not good that the most satisfying anti-Trump "long player" yet to surface comprises three compact download-only songs by a Berklee-trained Nashville-to-Frisco lounge DIY-er.

In a parallel timeline, the enigmatic project—now as ever shepherded by multi-instrumentalist MSW—is poised to release its next great beneficence, an eponymous long-player that marks the Salem, OR entity's first new full-length since 2012.

It's a shame the best long player of the spring comes in the form of a reissue, but thanks to the dark-minded nerds at Blackest Ever Black, this enigmatic masterpiece sees a remaster for the first time since its release in 1987.

On release the Valley of the Dolls long- player reached #51 in the UK Albums Chart.

The re-recording of a Wedding Present long player by Cinerama had been a long term ambition of David Gedge.

On 15 July 2018, Chan was unveiled as a Yuen Long player, resuming his career after two years away from the game.

Valley of the Dolls is the second studio long-player by the British post-punk band Generation X, which was produced by Ian Hunter.

For LPs the label chose the prefix ILP (meaning: Island Long Player) with a number of three figures beginning with 900, later supplemented by ILPS (meaning: Island Long Player Stereo) to distinguish between Mono and Stereo records. Some records were issued in both forms. For those records in stereo, the catalogue number was changed by adding a fourth figure (e.g.: ILP 970 was the mono equivalent of ILPS 9070).

Let's Get Killed was Holmes's first album release in the United States, following the domestic acclaim of his debut long-player This Film's Crap Let's Slash the Seats.

Witching Waves are a DIY indie post-punk band from London, England. Drowned in Sound hailed their debut long-player as one of the best albums of 2014.

Love Shines follows Ron Sexsmith as he attempts to turn his niche following into mainstream success by recording his album Long Player Late Bloomer with legendary producer Bob Rock.

In 1983, during a break from playing music, he produced Swedish punk-funk band Zzzang Tumb's debut long-player. He joined the band the Armoury Show which included Doyle as well as ex-Skids members Richard Jobson and Russell Webb. Their album Waiting for the Floods released in 1985, features some of McGeoch's best guitar work. He contributed to former Bauhaus singer Peter Murphy's debut solo long-player Should the World Fail to Fall Apart.

On 15 July 2018, Yip was announced as a Yuen Long player. On 2 July 2020, R&F; head coach Yeung Ching Kwong announced that Yip had joined the club.

ABO's fourth long player, Wild Crush, hit the shops on 19 May 2014, again on Domino Records. By now, the band was down to Sam and Arp with additional musicians playing on the record.

Hollie Smith (born 17 November 1982) is a New Zealand soul singer-songwriter based in Wellington. Her debut album Long Player reached number one on the RIANZ albums chart in 2007, and certified double platinum.

They also recorded two sessions for John Peel. Against Nurture, the only Suckle long player, was released in May 2000 on Chemikal Underground. On 10 April 2006, McKee released her first solo album, Sunny Moon.

"Rain" is a rock song by English band The Cult, which on release in 1985 reached #17 in the United Kingdom's Singles Chart. It was the second single from the band's second long-player, Love (1985).

3 (2016) and Tone Poet Vol.4 (2018). In 2019 Andrews released a compilation long-player of the Tone Poet series, paradoxically entitled Smash Hits (2019), with an introduction to the material written by Henry Rollins.

A review by Allmusic said that Ricky Nelson "remained a slavish imitator of the Sun Records rockabilly style on his sophomore long-player, but he had improved enormously in the endeavor", and gave the album a positive rating.

In late 2008, the Luxembourgish dance rock band INBORN! were approached by Robinson. Having heard the band on the net, he offered to record their first official long player. The band entered Robinson's studio on October 1, 2010.

Coburn is a London, UK-based electronic band. Its members are Pete Martin and Tim Healey. The duo are producers, remixers, DJs and LIVE festival performers and active on the global dance scene whose debut long-player was released June 2007 on Great Stuff Recordings.

Originally Paul Weller had wanted to exclude the song from the All Mod Cons long-player release, on the grounds that the arrangement had not sufficiently developed during the recording sessions. He was persuaded to include it by the record's producer Vic Coppersmith-Heaven.

In 1983, a third long-player, entitled Revenge is not the Password, was released on the Code Black label. He later released a fourth solo album entitled Code Black (1997). In 1986 Pursey reformed Sham 69 with Dave Parsons, and a new line-up.Ogg, pg.

Robin Murray, "Premiere: Snax – Up and Coming Children", Clash Magazine, May 16, 2014 The year 2017 saw the release of Snax's fourth long player, Shady Lights."Snax announces ‘Shady Lights’ LP", Data Transmission, Oct 25, 2017 These were all released on his own label Random Records.

Long Player Late Bloomer is the 12th studio album by Canadian singer- songwriter Ron Sexsmith, released in 2011. On June 16, the album was named as a longlisted nominee (one of 40) for the 2011 Polaris Music Prize."2011 Polaris Music Prize Long List announced" . aux.tv, June 16, 2011.

Review: Pro Tools. Slant Magazine. Retrieved on April 27, 2010. Tiny Mix Tapes writer Larry Fitzmaurice gave the album 3½ out of 5 stars and wrote "while its power as a long-player doesn’t hold up very well, random dissection brings out tracks destined for analog and digital freaks alike".

"I'm All Alone"45 discography for Apollo Records. Globaldogproductions.info. Retrieved April 7, 2011. and "No Man Walks Alone", later collected as his first long-player, Solomon Burke. These early records did not sell well, although the self-titled album was re-released in 1964 after Burke had experienced some chart success.

14 June 2012. Retrieved 1 August 2017. Self-titled magazine called the music "a magical instance of mood manipulation," which was impressive given the type of sounds Kirby worked with that would've otherwise resulted in a "monotonous listen.""Long Player Of The Day: The Caretaker, ‘Patience (After Sebald)’". Self-titled.

The song was written and first recorded by Generation X during demo sessions in mid-1979 at Olympic Studios in West London (this demo-recording was first commercially released retrospectively on the long-player K.M.D.-Sweet Revenge (1998)). After that band had split later in that year Billy Idol and Tony James re- branded the act as 'Gen X', and in production sessions with Keith Forsey for a new long-player at AIR Studios in London in mid-1980 the song was re-recorded for commercial release as a single. The guitar parts of the song were a mix of the playing of three guitarists with distinctively differing styles, viz. Steve New playing the lead, Steve Jones playing rhythm, with another layer being added by Danny Kustow.

Producer Ian Catt has worked on every Trembling Blue Stars release. Lips That Taste of Tears, the band's second album, was released in April 1997. The album received acclaim again, although the group proved reluctant to tour extensively. Broken By Whispers, their third long player, was released in 2000 and saw them getting more press and radio play.

It features Tony Allen and Nigerian spoken word poetess Wana Wana. In September 2020 BANTU released "Everybody get Agenda" a long player that showcases the band's tightly knit horn section accompanied by driving rhythms and socio political lyrics that address issues of police brutality, corruption, urban alienation, xenophobia and migration. The album also features Afrobeat artist Seun Kuti on the song "Yeye Theory".

The album was a collection of live recordings and unreleased tracks from the period 2004–2011. In March 2014, the band released the long-player Niagarama, recorded at Glasgow's Green Door Studios. The album's opening track, "Niagara", featured the famous sea organ from Zadar, Croatia in its arrangement. The band travelled to Zadar in 2012 specifically to record the instrument.

Britt and Frankee, meanwhile, display just as much lively > vocal charm as they did first time out. Of course, this is only likely to > make you crave that Long-Player more, but as your mum used to say when you > asked for a dollop of Angel Delight before you finished your fishfingers and > chips, all good things... The song was awarded a 4 star.

Hope Downs received universal acclaim in reviews from critics. Juan Edgardo Rodriguez of No Ripcord and Simon Vozick-Levinson of Rolling Stone praised the high quality of all of the songs. Critic Adam Turner-Heffer of Under the Radar wrote "perhaps the only disappointment here is that their sound doesn't feel particularly expanded upon in the long-player format". Despite this, Turner-Heffer considers Hope Downs an impressive debut album.

On 16 June 2011, Sexsmith and his band performed the Kinks' song "Misfits" with Ray Davies at the Meltdown Festival in London, England. The same year, he won a songwriter of the year Juno Award for "Whatever It Takes," and a Canadian Indy Award. The album Long Player Late Bloomer was shortlisted for the Polaris Music Prize. Sexsmith's 14th full-length album, Carousel One, was released in March 2015.

Promis articulated this transformation compellingly with Electric Cabaret (2017) and most recently Lust & Found (2020). The former record is his ninth effort and debut release on Darumeshi Records; it went on to produce the singles "Dragons," "We're Grown Up People", and "Can I Just See What it Feels Like to Kiss You." The latter long player, his tenth, Lust & Found continues to move Promis' dashing and compelling sonic approach forward.

The long-player featured dark twisted electronic rhythms, haunting vocals, and hypnotic grooves that came to set the benchmark for a new developing house scene. The album's hit single ‘Love In Traffic’ became a worldwide underground hit. Another source of house music renovation, Satoshi and Hector Romero's record label SAW Recordings has continued to refine the Chicago and New York City house blueprint over the last 10 years.

In November 2012, the band played some US dates with Weezer and went on to headline their own shows on the East Coast. They played at South by Southwest in Austin, Texas in 2013, along with seven other US cities, and supported the Smashing Pumpkins at Wembley Arena. After declaring in 2007 that Ash would no longer release albums, the band brought out new long-player Kablammo! in May 2015.

The LP label claims a 1954 copyright by "Radio Rarities Inc.," while the '6834' jacket says 1955. It was no secret that Radio Rarities was one of the labels run by Sidney Frey's Dauntless International which advertised in The Long Player monthly record catalog. The original dark grey labelled copies were manufactured without credit by the Custom Division of Columbia Records with undisguised matrix numbers of XTV 22476 and XTV 22477.

In 2010, a new Steve Adey track (excerpt) was featured in an advert for Mercedes-Benz. A five-song EP entitled These Resurrections was released in May 2011. A new studio "long player" The Tower of Silence was released in November 2012 to positive critical response. The Tower of Silence made The Sunday Times Album of the Week and Q Magazine cited the album as "beautiful and grandly".

However, the band played five gigs in America and Canada in October of that year. In 2012, Thomas published 'The Book of Hieroglyphs', in which he ruminated on America and the nature of being an American. The book drew on lyrics from Pere Ubu, The Two Pale Boys and other Thomas works, supplemented by a number of essays. The Pere Ubu long player Lady from Shanghai was released, January 7, 2013 on Fire Records.

The group changed their name to The Cult minutes before a live performance of the song Spiritwalker on UK TV's Channel 4 series The Tube. Stewart continued to play bass on all Cult recordings until 1990. He also played keyboards on several songs on the Love. Following the recording of the band's third long-player, Electric, in 1987, the band felt that a second guitarist was needed on tour to reproduce the music of Electric.

Form was to a large extent influenced by the Parallel software Conor was writing at the time. Track titles, album artwork and the aural visual language all adhere strictly to the spatial concept of Form. In 2008 Sonnamble was established by Conor and Peter Marsh to explore the possibilities of real-time improvisation between acoustics instruments and extensive digital processing. In March 2010 Sonnamble released their debut long player on the Forwind label.

Although regularly being on tour and in the studio, Gentleman generally considers himself a rather family oriented person, which becomes apparent in his music projects such as his long-player Journey to Jah, that was inspired by the birth of his first son Samuel. His song Mama from the collaborative album Conversations that he recorded with Ky-Mani Marley deals with his deep spiritual relationship to his mother. Gentleman at the 2011 Ilosaarirock festival.

The group returned to the East Coast, again with Copelin, for their third long-player, 2013's Up, On & Over. The album debuted at #17 on the Billboard Heatseekers chart, landed in the Top 30 on the iTunes Alternative chart and Top 130 overall. Google Play, Slacker Radio and Amazon all featured the lead single "Further On". The record was also featured as a part of the Pandora Premieres series the week before its release.

Chan joined Wong Tai Sin's academy as a U13 player, eventually earning his a professional contract with the club on 7 December 2015. He did not make any appearances for the club and was released after the club was relegated at the tend of the season. On 25 August 2018, Chan was officially announced as a Yuen Long player. In the preseason, he was asked by head coach Kenneth Kwok to switch from defensive midfield to striker.

Respect is the fourth studio album released by Shaquille O'Neal. It was released on September 15, 1998 for A&M; Records and featured production from Clark Kent and DJ Quik. Although Respect peaked at #58 on the Billboard 200, it made #8 on the Top R&B;/Hip-Hop Albums - O'Neal's highest-charting long player on that chart. The album had 19 tracks, that Vibe said all "straddle the line between mediocre and unlistenable" The album sold 104,000 units.

Dido's turn on Feelin Good is also a highlight, the vocalist sounding better than ever," but lamented a generally mediocre album; "too many token gestures ensure any lasting impression is extremely brief. Should they plan another long-player, Faithless would do well to return to their own source in search of the spark that first fired their career into life." Chris Flynn from The Vine.com.au was very critical of the album, saying that "The Dance is a complete anachronism.

Vandal's first vinyl release was in 2000 through big beat label Plastic Raygun, Vandal went on to release three more singles and five remixes via Plastic Raygun before moving to Meat Katie's LOT49 record label in 2005. Vandal released the album Tonight We Riot through LOT49 in 2010. Although Vandal had been releasing singles for a decade, Tonight We Riot was his debut long player, featuring collaborations with Ryan Shuck from the American band Julien-K amongst others.

Inflatable arches are commonly used by professional and amateur sports teams and organizations. Their use started becoming more prominent in the 1980s. The Tour de France utilizes inflatable arches in their event while the 70’ long player introduction tunnel used at several modern day Super Bowls is actually an extension of the first inflatable team arch used by the Indianapolis Colts in 1998. Many NFL teams use an inflatable arch for pre game fan fest activities.

In September 2004 the band and the label severed ties. In November 2004 Matt Wheeler decided to move to Melbourne, resulting in the remaining members of the band decided to call it a day. The Fergusons played a farewell gig early in 2005 to a packed Amplifier Bar with support from a host of Western Australia's favourite indie bands. Though their debut album was in the pipeline for a couple of years, the long-player was never completed.

The LP topped the US Billboard 200 albums chart, their third long player in a row to do so, selling over 270,000 album-equivalent units. Fear Inoculum topped five other national album charts in its opening week as well. Two songs off the album received Grammy nominations, first single "Fear Inoculum", for the Grammy Award for Best Rock Song, and the closer "7empest", for the Grammy Award for Best Metal Performance, with the latter winning the award.

Somewhat of an Anthology is a limited edition Compact Disc on the Dacoit label (catalog number 120101) that compiles material from throughout the Slickee Boys' career. With the exception of one live song, every cut on the CD had previously been released, albeit many of them on vinyl records pressed in small numbers (e.g. Separated Vegetables, the band's first long-player had an initial pressing of only 100 copies). This collection showcases the songwriting talents of the band's rotating membership over the years.

Wall of Arms is the second studio album by the English indie band The Maccabees, released on 4 May 2009. The album was preceded by the single "Love You Better" on 27 April. The LP was produced by Markus Dravs, who has collaborated with Björk, Arcade Fire and Coldplay in the past. Wall of Arms was also worked on in various cities including Liverpool and Paris, unlike their first long-player which was recorded in "dribs and drabs" according to frontman Orlando Weeks.

Long Player is the second album by the British rock group Faces, released in February 1971. Among the highlights are a soulful live cover version of Paul McCartney's "Maybe I'm Amazed", the wistful ballads "Richmond" and "Sweet Lady Mary", the rollicking party tune "Had Me a Real Good Time", and uptempo saloon bar rocker "Bad 'n' Ruin". Two tracks, "Maybe I'm Amazed" and "I Feel So Good", were recorded live at the Fillmore East, New York on 10 November 1970.

On February 23, 2010, Clem Snide released their seventh long-player, The Meat of Life, also on 429 Records. The band's music featured in the series Californication, when "Faithfully" was played during the end credits of "Waiting for a Miracle", the fourth episode of season 5 (originally broadcast January 2012). In February 2013, Clem Snide released a new track, "The Woods", which was written for "Senses", the second episode of the Professor Brian Cox- presented BBC science and nature show Wonders of Life.

Reflecting on the album in an early 1986 fan club interview, Hill said: "Nobody's Fools was a bit different, wasn't it? That was recorded in America, but it didn't happen over there."Slade International Fan Club newsletter March - April - May 1986 The album has been noted for still standing up today as a "varied and highly entertaining listen" and the band themselves remain proud of the album. Both drummer Don Powell and Holder rate it as their favourite Slade long player.

In a five-starred review for The Guardian, Robin Denselow said that O'Hooley & Tidow "sing together with the ease of a married couple, matching delicate and increasingly brave harmony vocals against O’Hooley’s thoughtful piano work. And they are exceptional songwriters, as they prove with this unusual set". In a four-starred review for Mojo, Colin Irwin said that "the overriding tone of this album is as deep and subtly dramatic as the piano instrumental that gives the long-player its title".

Mahal began writing and performing music as a child, gigging from age 5. She has worked with artists including TV on the Radio, Sharon Jones & The Dap Kings and Fat Freddy's Drop. Mahal provided backing vocals on Hollie Smith's Long Player and Fat Freddy's Drop's album Based on a True Story, track "Wandering Eye". She also collaborated with keyboardist Steph Brown in the band "Fredericks Brown" The duo toured and put out a pair of EPs together with guitarist Michael Taylor.

The music on the album straddles Afrobeat, Highlife, Funk and Hiphop, while the lyrics have been described as witty, political and satirical. In September 2020 BANTU released "Everybody get Agenda" a long player that sees BANTU showcasing a tightly knit horn section accompanied by driving rhythms and hard hitting lyrics that comment not only on the socio political atmosphere in Nigeria but on the entire African continent while addressing issues of urban alienation, xenophobia and migration. The album also features Seun Kuti on the song "Yeye Theory".

Booming Back at You has received mixed, but generally positive reviews from a wide range of professional music critics. David Jeffries, a reviewer for Allmusic, described the album as "reliable and unoriginal", and said that it was "...not enough to raise him above 'the guy who remixed Elvis' and no great disappointment either". More favourably, Billboard writer Kerri Mason praised Junkie XL for creating "a fully realized, addictive long-player", and related some songs on the album to British electronic duo Goldfrapp.Mason, Kerri (15 March 2008).

It was recorded with Nicky Bomba producing at his Freeburgh Station studios, near the Victoria rural town of Bright; he also provided steel drum on a track. Girl.com.au's reviewer found, "[it] seamlessly melds elements of reggae, blues, rock and funk to create a long-player that is jam-packed with catchy songwriting, deft instrumentation and an almost tangible live sensibility." In August 2015 they started an east coast tour in support of the album's release. In August 2018 they performed at WilderFeast on Flinders Island, Tasmania.

Before releasing the critically acclaimed Le Jardin de Heavenly, Cathy Rogers (keyboard, back-up vocals) joined the band. Her harmony vocals and keyboards became an integral part of the group's sound. Another strikingly different element of the group's second album was the inclusion of the track, "C is the Heavenly Option," featuring the guest vocals of K Records founder Calvin Johnson, who released Heavenly's records in the US. Before their next long-player, Heavenly released two non- album 7" singles, "P.U.N.K. Girl" and "Atta Girl.

In April 1977 the 18 year old Laff was recruited as a replacement drummer into the upcoming punk rock band Generation X a few months before it signed to Chrysalis Records and released its first single, Your Generation. He was Generation X's drummer through its two long-players, the self-titled Generation X (1978), followed by Valley of the Dolls (1979); which saw the band amidst a heavy performance schedule across Great Britain gaining momentum, drawing recognition and impacting the British pop music charts with its releases. However, after the relative commercial failure of the Valley of the Dolls long-player, internal disagreements about the band's musical direction and personality clashes within it came to a head in late 1979 during the recording of its abortive third long-player (which would be released retrospectively 20 years later under the title K.M.D. - Sweet Revenge). Lead guitarist Bob "Derwood" Andrews quit the band in December 1979, followed by Laff in January 1980, when he was asked to leave after a disagreement with the act's frontman/singer Billy Idol and bass player Tony James over song-writing credits for the band's recorded work.

The music press referred particularly to the fact that Brunner gave his own imprint to the previously known acid and created a "incredibly listenable" record. The appreciative echo that gave the music journals and the online portals, along with the ongoing success of his live shows, led Recondite to his first US gig at New York in 2012. With his second long-player Hinterland, released in 2013 on the US label Ghostly International, Recondite became a worldwide-booked live act. Since then he has constantly been seen on stages in Europe, America, Asia, and Australia.

The tracklisting of the original release of this compilation still remains unique however, in that the version of "Had Me A Real Good Time" presented here is the original 1970 single release, which is actually a noticeably different earlier mix to the 1971 'Long Player' album version, rather than just a simple edit of it. This version, which runs at 3.49, has still not been recompiled elsewhere or released on CD as of 2019 as subsequent reissues of this compilation replace it with an edit of the LP version.

Swayzak is a tech house duo from the United Kingdom that consists of James S. Taylor and David Brown. They live and work in London and released their first 12" single "Bueno" / "Fukumachi" in February 1997 to much acclaim. It was followed up by the 12" "Speedboat" / "Low Rez Skyline" to become part of the burgeoning tech-house scene in the UK. Their debut long player, Snowboarding in Argentina was released by The Medicine Label (United States) and Pagan Records (UK) in May 1998. It garnered many positive reviews.

It is also the best Beach Boys long player since 1970's Sunflower, although Wilson is the only Beach Boy on it. The songs are full of sunshine choirboy harmonies and sing-along hooks, while the rich, expansive arrangements echo the orchestral radiance of Wilson's spiritual mentor, Phil Spector." Sun-Sentinel reviewed: "Wilson's clever, mostly upbeat ideas flow magnificently throughout the record, easily transcending his emotional madness. His introspective poems and barbershop harmonies are framed in a series of bouncy melodies that never take a trite or simple path.

The supporting acts were The Strange Death of Liberal England and Rival Consoles, as well as a live DJ set from Maps. Although it is the second full-length release in the band's discography (excluding the self-titled mini-album), Dead Waves was the first full-length release to be made available outside of Asia and was promoted as the band's "first proper long-player" by their UK based label Kids Records. Several of the songs on the album are new versions of songs that appeared on the band's previous release, Science For The Living.

There is no clear definition of what constitutes a "concept album". Fiona Sturges of The Independent stated that the concept album "was originally defined as a long-player where the songs were based on one dramatic idea – but the term is subjective." A precursor to this type of album can be found in the 19th century song cycle which ran into similar difficulties in classification. The extremely broad definitions of a "concept album" could potentially encompass all soundtracks, compilations, cast recordings, greatest hits albums, tribute albums, Christmas albums, and live albums.

The rest of the set was a mixture of songs from Valentina and the back catalogue. In April of the year, The Wedding Present toured Australia for the first time, playing concerts in Adelaide, Sydney and Melbourne. On 25 October 2012, the 4 Songs Extended Player was released on download only. These four new songs ("Journey Into Space", "Pain Perdu", "1000 Fahrenheit" & "Can You Keep a Secret") recorded during the Valentina sessions could be downloaded following the purchase of 'Valentina: The Story of a Wedding Present, a book documenting the making of the long player itself.

Summer 2004 saw Bell X1 return to Wexford on the South-east of Ireland to commence writing on what would become their third long-player, Flock. Following a headline show in Dublin’s Olympia Theatre in December 2004, the band entered Dublin’s Westland Studios in early 2005 to record with producer Roger Bechirian and engineer Phil Hayes. In June of that year, the band recorded a live session for Nic Harcourt's Morning Becomes Eclectic radio show on KCRW in Los Angeles. "Bigger Than Me" was the first single to be taken from the album and went to No.16 in Ireland in September 2005.

Having won the competition the band went on to sign a multi-album contract with Ibiza-based independent label 'Off Yer Rocka'. Their second studio album, Fight The System, was released in 2014 on Off Yer Rocka and a live/rarities album, The Good The Bad And The Ugly, was released in late 2015. Returning to the studio in April 2016, Massive Wagons recorded their third studio long player, Welcome To The World, which featured singles "Tokyo" and "Ratio". Welcome To The World saw the band's first chart success, entering the iTunes Top 100 charts in several territories.

The limited edition single sold out within days. After the inclusion of "Let Me Down" on an Artrocker magazine cover-mount, Polytechnic's second single for Transgressive was released in July 2006, the live favourite "Pep". This was coupled with another live tour and several appearances at festivals across the country, including the Leeds Carling festival and Manchester's own D-Percussion, where the band signed their first album deal with Shatterproof, a local independent label. In the autumn, the band repaired to Bryn Derwen studios, near Bethesda in north Wales to begin work on their debut long- player.

The crowd of the famous Adiós Sui Generis farewell concert of 1975. Finally, on September 9, 1975, Sui Generis scenified its farewell at the Luna Park Stadium, giving two shows for 20 thousand people — the largest audience in the history of Argentine rock at the time. The shows have been recalled as delirium-inducing, adrenaline-fueled delivery of great music. Two LPs recorded at the live shows were released that year, Adiós Sui Generis ("Goodbye Sui Generis") volumes I and II. In 1976, Sui Generis also recorded a long player with Argentine musicians León Gieco, Raúl Porchetto, and María Rosa Yorio.

Later that year, Childish produced the Fire Dept's first album, L'Oeuf d'Or, all the material on which was recorded by Liam Watson during various sessions at Toe Rag Studios, in its original location in Shoreditch, from 1991 to 1995. This first album was cited as an ancestor of The White Stripes' Elephant album by the analogue recording neo-pioneer and Black Keys producer, Mark Neill, who helped set up Toe Rag Studios in Hackney, after its move from Shoreditch. Their second long-player, a punk rock concept album, Elpee for Another Time, was released through Yep! Records of Hove in 1996.

She signed then with Static Caravan Recordings, which released the single "Golden"/"Nightswimmer", produced by Adem, and her second EP, Hot Toast, Vol. 1 (produced by Mike Lindsay of the band Tunng), both of which earned acclaim from the UK press. Houghton signed in early 2011 with Mute Records, releasing her debut long-player, 'Yours truly, cellophane nose' in early 2012. The album was recorded with Ben Hillier whose previous production credits include Blur, Depeche Mode and Elbow. The album Yours Truly, Cellophane Nose by Beth Jeans Houghton & The Hooves of Destiny was released on 6 February 2012 and reached number 83 in the UK Albums Chart.

Together they released the maxi Nada Para Mí and the Tu Madre Es una Foca long-player. Nada Para Mí 2002 allowed Tote King and Shotta to receive the Hip-Hop Nation award for Best Rookie MC.Both of these albums were produced on the Superego label. Tote King then went on to produce another solo album called Matemáticas. His second solo album was known as Un Tipo Cualquiera three years later through the Boa Music label and produced by Big Hozone, Vast Aire, and Cannibal Ox. Tote King released his third album, T.O.T.E, which is known to be of a different style than his previous ones.

Upon its release, "Not Myself Tonight" received mixed to positive reviews from music critics. Stephen Thomas Erlewine from AllMusic picked "Not Myself Tonight" as one of the highlights from Bionic, while Michael Menachem from Billboard complimented Aguilera's vocal delivery and suggested that the track proved that "the current dance-pop craze would be incomplete without [Aguilera]". Digital Spy editor Nick Levine gave the single a four out of five stars rating, writing that "on first listen, it feels a bit too ordinary to be trailing such a potentially audacious long-player. However, after a few spins it becomes clear that this is far from a flop".

After a highly successful career as a recording artist with Columbia Records from 1956 to 1963, Mathis moved to Mercury Records, for which he recorded exclusively from 1963 to 1967, releasing thirteen singles and ten studio albums (as well as recording an 11th long player, Broadway, that went unreleased until 2014). The change was motivated by a desire for greater control over his recordings that would include owning the masters. This album was the first to be recorded by the singer's own production company, Global Records, for distribution by Mercury. In the liner notes for The Complete Global Albums Collection, Mathis commented on two of the songs he chose.

He recorded his first long-player right after graduation, on his own budget, which was almost US$300. This allowed 2 days in a cheap studio to record the acoustic instruments, like vibraphone, accordion, sax and vocals. Everything else like keys, synth, guitars, bass, scratches were recorded at home, and the material got produced and mixed on an average home PC. The album titled Shallow and Profound came out in 2000 and its success put Yonderboi on the international map of electronic music. He was amongst the pioneers of downtempo and trip hop, the youngest member of the movement, and the only one from the former Eastern Bloc.

The whole song is performed, at times in the foreground, at times in the background. Closeups of Phillips wearing an ape mask (as is his penchant during live performances of the song), and Tarzan-like rope swinging by the singer, are featured. A gap of 5 years between studio albums number 3 and 4 having elapsed (notwithstanding the Killer Klowns EP), a writer at the Los Angeles Times was led to connect the title of their 1989 long player, Second Coming, to the band's "comeback status". The writer noted that this album had some Beatles-like melodicism and some "art-rock aspirations", while retaining the Dickies' characteristic punk "silliness".

The disc presents five singles with five B-sides, five tracks from his debut album, and six tracks from his second long-player, Elvis. All were both recorded and released in the title year of the disc, 1956, except for "Too Much," released in January 1957. An alternate and earlier take of "Heartbreak Hotel" included is previously unreleased. By concentrating on the rhythm numbers rather than the country material and the ballads, this compilation showcases Presley the early icon of rock and roll in the 1950s, also arguing for this particular year as being his most notable in the decade, and perhaps even that of his entire career.

Tolhurst was one of the co-founders of English rock band The Cure, and was the band's drummer from 1976, playing on the albums Three Imaginary Boys, Seventeen Seconds, Faith and Pornography. After the Pornography tour in 1982, he became the band's keyboardist. In late 1989 during the recording of the Cure's eighth studio long-player, entitled Disintegration, Tolhurst was asked to leave the band by Robert Smith due to alcohol and narcotic use adversely affecting his professional reliability. Despite receiving a credit for "other instrument" on Disintegration, the other members of the band have said that Tolhurst did not play on the album.

Theakston, Rob "Remixed on the 24th of July Review", Allmusic. Retrieved 16 June 2014 After five years of touring and production, 2007 saw the release of a definitive three-disc Webster compilation project on Defected Records,Nicholson, Peter (2008) "Charles Webster: Long Player", XLR8R, 12 May 2008. Retrieved 16 June 2014 followed in 2008 by a Coast 2 Coast compilation for NRK Records and Strictly Rhythms Vol. 4. 2013 saw the release of two albums from Webster — a retrospective compilation on Defected called House Masters: Charles Webster, and a modern big band jazz album with Pete Wraight (as the Wraight-Webster Ensemble), No Lucky Days.

He also worked around this period as a record producer on the early releases by Cockney Rejects, and the Angelic Upstarts. His first solo material was released via Polydor Records, being the single Lucky Man (1980), and a long-player entitled Imagination Camouflage (1980), recorded with Derwood Andrews and Mark Laff, formerly of Generation X as session musicians, who also received co-writing credits for two of the LP's songs).Entry for 'Imagination Camouflage' in the 'Discogs' website (2019). Pursey then moved to Epic Records for three further singles releases, including "Animals Have More Fun" (1981), co-written with Peter Gabriel, and a second solo LP entitled Alien Orphan (1981).

Phil Ochs in Concert is Phil Ochs' third long player, released in 1966 on Elektra Records. Despite its title, it was not entirely live, as several tracks were actually recorded in the studio, owing to flaws in the live recordings made in Boston and New York City in late 1965 and early 66. The album's producers retained the essence of a live album by including song patter and audience reactions between and during the songs. Phil Ochs in Concert features many of the folksinger's most enduring songs and represents the culmination of Ochs' folk career, the last of his original albums to be all-acoustic.

Wrath of Caine was met with generally favorable reviews from music critics. Omar Burgess of HipHopDX said "Pusha is essentially on cruise control for the duration of his freebie prelude to My Name Is My Name. None of this is to say that Wrath of Caine isn’t worth the five minutes it should take to download and play or stream it on the device of your choice. Even when most of his focus is likely on his upcoming Def Jam long player, Pusha T can show off, be humble, recount his rock chopping days and actually rap with the best of them. And in a bleak, boring first quarter, that’s more than a lot of people are offering".

Ex-Griz coach, athletic director defend record, say there's more to story, The Missoulian, July 27, 2013 Pflugrad, known in coaching circles for his clean-cut approach, was shocked by his dismissal, and defenders pointed to team lectures on drugs, alcohol and behavior and his crackdown on a decades-long player initiation ritual as examples of his button-downed philosophy.Football party ended by staff and players. Montana Kaimin, March 28, 2012 When Pflugrad returned to Missoula as an opposing coach for the Montana vs. Weber State game in November 2013, he spoke openly about his love for the team he left behind and what he believed were political machinations that cost him the head job there.

In Smith's opinion, Miles Davis is "the most revolutionary artist" in the book, while the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967) is the album that most clearly satisfies the three criteria for inclusion. He comments that the featured albums show artistic ambition and influence in the areas of, variously, technological experimentation, mixing musical genres, presentation of alternate realities, and commentary on contemporaneous music – the latter being demonstrated especially by the Mothers of Invention's Freak Out! (1966), which ridiculed "both the status quo and the counterculture". The book includes a timeline of key events in the history of recorded sound and divides the main discussion into seven chapters, starting with "The Birth of the Long Player, 1952–1962".

Scoundrel Days was the second long-player release from A-ha, which was highly anticipated after the success of their critically acclaimed first L.P., Hunting High and Low (1985), which had reached #2 in the United Kingdom's Album Chart, and #15 in the United States' Billboard 200 Chart in the previous year. Scoundrel Days was recorded in England in early 1986 at R.G. Jones Studio in Beulah Road in Wimbledon, South-West London. The record was produced by Alan Tarney, who had produced the band's big hit single releases "Take On Me" and "The Sun Always Shines on T.V." in the previous year, and it was engineered by Gerry Kitchingham.Cover sleeve production credits for Scoundrel Days (1986).

The band in 1966 Manfred Mann & The Beatgirls on the Dutch TV programme Moef Ga Ga on 22 March 1968 Jones was replaced by Mike d'Abo in July 1966, and the group switched labels to Fontana Records, where they were produced by Shel Talmy. Their first Fontana single, a version of Dylan's "Just Like a Woman", released in July, scraped into the UK top ten and reached number one in Sweden. Their new long-player, As Is, followed in October; the group's increased studio technique sidelined their jazz, soul and blues roots. The next two singles, "Semi-Detached, Suburban Mr James" and "Ha Ha Said The Clown", both reached the Top 5.

Music & Media wrote about the song: "Maybe it had to happen at some point... so blame the Voelker brothers (Achim and Klaus), a German production team who initially came up with the unlikely idea of an album combining rap with opera. This is the first single to be taken from the resulting long player, The Rapsody Overture: Hip Hop Meets Classics (due on November 3). The single uses Borodin's Prince Igor as a foundation over which Warren G raps and Norwegian folk singer Sissel provides "classical" vocals. At German AC com mercial station Radio Gong in Nurnberg, Bavaria, programme director Marc Stingl considers the track to be "a perfect chartbreaker because of the combination of rap with classical music.

In 1994, Andrews with Elizabeth Westwood came back to live in London from the U.S. and set up a new experimental Electronic pop/rock act entitled 'Moondogg', working in collaboration with Martin Lee Stephenson in a Hoxton recording studio. The act released several records over the next decade, published by varying small labels in the United Kingdom, U.S. and Japan without impacting any commercial charts. A single entitled 'Wonderfool' (1995) was first released, followed by a long-player entitled Fat Lot of Good (1996) carrying a commercially counterintuitive cover art image. The album was supported by the release of an E.P. titled 'Silver Lining', and the singles 'Black Pain' (1996), and 'Nothing's Sacred' (1996).

October 2003 saw the release of Boxcar Satan's third long player Upstanding and Indigent, again for DogFingers, expanding its already diverse sonic palette by ornamenting its noisy, post-punk take on pre-war blues with touches of Cajun music, gospel and even tasteful prog rock. Honing their songs with a newfound melodicism and complexity, the Boxcars spin tales of train-wreck lives, bandit queen Phoolan Devi and carnival freakshow stars. And their take on the Depression-era song "How Can a Poor Man Stand Such Times and Live?" seems all too appropriate in the current political environment. Recorded after the addition of former Worm, 1.0 and Shit City Dreamgirls drummer Ken Robinson, at Tribal Studios in San Antonio, Texas by Chad Garrett.

Kidda is the artist name for UK electronic music and video producer Ste McGregor. Described by one national newspaper in the UK as "a bearded 30-something one-man cottage industry", he is signed to the Brighton-based Skint Records – the home of Fatboy Slim, aka Norman Cook. McGregor has released one album on Skint, "Going Up", and his second long-player "Hotel Radio" is scheduled for release in the summer of 2011. His track "Under The Sun" was used in Bacardi's worldwide TV advertising campaign, and other singles from his debut sample-based album such as "Strong Together" have made the charts in several European countries including Italy, Belgium and Holland, and has recently been licensed to Ultra Records in America.

His eponymous debut album was released in 2005 and revealed that Promis was already influenced by the French chanson method and adult pop music structure, but there was a decidedly lo-fi element to the long player. The second album Promis issued, Promis 2 (2007), uncovered further sonic touchstones which included classical, Gothic, Mediterranean, and Balkan music. In a review of Promis 2, reviewer Leonard Lair remarked of the album, "Promis 2 is too long an album to take in one sitting, but overall it's the slower, subtler songs that should ensure Promis has a future beyond the reputation of a showman." From 2008 Promis teamed up with British producer Ian Matthews in Los Angeles, who produced the third album Promis III.

After hearing the fairy-tale introduction, "Terry Magnifica," and the loopy yodeling in the opening minutes of "These Days Are Old," you can't help but recognize Spookey Ruben as eccentricity in its purest form. He also, however, proves himself an undeniably superb and original stylist on this debut long-player. If Andy Partridge and Colin Moulding had continued to explore the most cracked and esoteric terrain of Oranges & Lemons rather than further refining their pop/rock, or if Roland Orzabal and Curt Smith had lightened up considerably during the sessions for Seeds of Love, the results might have approached Modes of Transportation, Vol. 1. The songs range from the bizarre to the childlike to the strangely haunting, all with impeccably crafted pop hooks.

Paprika has received positive reviews from film critics. It holds an 84% "Certified Fresh" approval rating on the review aggregator website Rotten Tomatoes, based on 90 reviews, with an average rating of 7.29/10 and the consensus reading, "Following its own brand of logic, Paprika is an eye- opening mind trip that is difficult to follow but never fails to dazzle." Metacritic, which assigns a weighted average score, rated the film 81 out of 100 based on 26 critic reviews, indicating "universal acclaim". Paprika won the Best Feature Length Theatrical Anime Award at the sixth-annual Tokyo Anime Awards during the 2007 Tokyo International Anime Fair. Andrez Bergen of Yomiuri Shimbun praised the Paprika as the "most mesmerizing animation long- player since Miyazaki's Spirited Away five years ago" (in 2001).

It then became a top 20; which it stayed at until being replaced by the Record Retailer top 50. It also inaugurated the countries first Long Player chart, which commenced as a top five on 28 July 1956. By March 1962, Record Mirror adopted publication of Record Retailers top 50 from 24 March 1962. After 21 April 1966, Record Mirror published a "Bubbling Under List" right under the main chart (at the time the Singles Top 50, the Albums Top 30 and the EP Top 10). "The Breakers", as it was called later in the year, were 10 to 15 records (for the singles chart) which had not made the top 50 that week, but were poised to reach the big chart the next week ranked in sales order i.e.

In 1983, he launched his vinyl long player In 't midden van' t gewoel (In the middle of the hustle and bustle). "Very strong, if not virulent in his Flemish protest, was Brussels singer Jef Elbers, who always profiled himself as an illustrious opponent of Belgium", as Peter Notte writes in his (except for Internet) unpublished thesis, while noting that, of all the singers dedicated to the Flemish cause, he probably was the most committed Fleming, while singers such as Wannes Van de Velde stood rather for a more lenient inclination, whereas a group of singers like De Elegasten embodied the superlative that provided Elbers the opportunity to raise the bid.Peter Notte, ”De Vlaamse Kleinkunstbeweging na de Tweede Wereldoorlog, Een historisch overzicht” , (The new wave of Flemish singers after the Second World War.

The rest of the album was equally strong, with "Mandolin Wind" again showcasing that instrument; "(I Know) I'm Losing You" adding hard-edged soul to the mix; and "Tomorrow Is a Long Time", a cover of a Bob Dylan song. But the ultimate manifestation of the early Stewart solo style was the Stewart-Wood-penned "Every Picture Tells a Story" itself: powered by Mick Waller's drumming, Pete Sears's piano and Wood's guitar work in a largely acoustic arrangement; it is a song relating to the picaresque adventures of the singer. The second Faces album, Long Player, was released in early 1971 and enjoyed greater chart success than First Step. Faces also got their only US Top 40 hit with "Stay With Me" from their third album A Nod Is as Good as a Wink...To a Blind Horse released in late 1971.

Also recorded during this period was the band's blistering take on Motown classic "(I Know) I'm Losing You" which later appeared on lead singer Rod Stewart's solo album Every Picture Tells a Story rather than on "Long Player" or as a Faces single release. This practice led to increased murmurings of discontent in some quarters that Stewart's management was keeping the best Faces studio performances for Stewart's solo projects, to the detriment of the band as a unit. While the sessions for both albums did unquestionably overlap, Stewart's dual recording contracts with different labels, as both a solo artist and as a member of the Faces, complicated matters greatly. This led to the odd situation where his Faces colleagues could only be credited individually and not explicitly as 'Faces' for their efforts on his solo albums at the time.

Some of the other tracks would benefit from less-overbearing production, most notably the chilling "Where Hides Sleep," making Alf one of those albums that sounds better once the listener has mentally undressed the songs a bit." Speaking of the 2016 deluxe edition, Attitude magazine writer Josh Lee stated: "Switching from the synth-pop she'd made with Vince Clarke to a mainstream pop sound fashioned by the writing/producing duo of Steve Jolley and Tony Swain, Moyet sang the hell out of hits like "Love Resurrection", "All Cried Out" and "Invisible" on a long-player that sounds just as fresh and bright today. The deluxe edition remastering helps, but three-plus decades later the songs still stand up as pop classics." Gay Times magazine writer Darren Howard wrote: "Listening to Alf now, it still holds up.

" At Paste, Evan Rytlewski noted that "the result is the purest late-night album that Camera Obscura has recorded yet". This Is Fake DIY's Gareth Ware found this to be "literate, swooning pop music in the shape of new long-player 'Desire Lines'." At The A.V. Club, Annie Zaleski noted that the album "unlike previous Camera Obscura efforts, its songs aren’t as immediate or arresting" because it "has a few sleepy spots" that "causes it to drag on occasion." In the realm of lyrics, Thomas said it has the "now trademark mixture of heartbreaking and sharply astute lyrical turns guiding the songs through either romantic longing, dour tragedy, or touches of the band's more and more familiar dry sense of humor." Horowitz noted that "her slightly retro, girl group pop features often edgy lyrics that belie the music’s droolingly pretty, perky and persistent melodies.

Two subsequent full lengths – 2007's Distance and Time and 2009's Sort of Revolution (which featured song-writing collaborations with John Legend) have seen Fink further develop this new sound. On the topic of sound, noise manipulator Amon Tobin came back around at the beginning of 2007 with Foley Room, his sixth studio album, and a long player that was called his "darkest work yet". Tobin was inspired by the work of foley artists: a foley room is where the sound effects are recorded for films; foley artists use their imagination and ingenuity to make the right noise for the situation they are presented with. Amon and a team of assistants headed out into the streets with high sensitivity microphones and recorded found sounds from tigers roaring to cats eating rats, from wasps to falling chickpeas, kitchen utensils to motorbikes to water dripping from a tap.

In early 1980, Andrews and Laff recorded as session musicians on Jimmy Pursey's first solo album Imagination Camouflage (1980) (Andrews receiving co-writing credit for two of the LP's songs, Freak Show and Situation's Vacant), before in mid-1980 Andrews and Laff with the bassist Simon Bernal formed the three man post-punk band Empire, with Andrews as the act's lead vocalist. Empire commercially released via the new label Dinosaur Discs, backed by a record shop of the same name at No. 17 Barons Court Road in West Kensington, the song "Hot Seat" (1981), with a B-side entitled "All These Things", which failed to enter the UK Singles Chart. A long-player entitled Expensive Sound (1981), recorded without a producer at Alvic Studios in Barons Court, also failed to enter the UK Album Chart. The band played a handful of gigs around London before Bernal left.

Interview with Tony James, April 2002, for the 'Generation X Anthology' (2003). On commercial sale in October 1980 as a pre- release single from the new band's forthcoming long-player Kiss Me Deadly (1981), 'Dancing with Myself' was a retail failure, reaching only #62 in the UK Singles Chart. In late 1981 Idol, now a solo artist after Gen X had broken up, had Forsey remix the record for its release as a single in the United States, fading down the guitar(s) and bass tracks from their dominance in the 1980 U.K. release and accentuating the vocal and percussion tracks to produce a more rhythmic sound for the American commercial market. It became his first hit single in the United States and launched his career there, two versions being issued: the 3:20 single version (which was later included on Idol's 11 of the Best compilation) and the 4:50 extended version that appeared on Idol's Don't Stop EP.

Cooper and Hammond first worked together in the band, A Primary Industry, during the mid-1980s. Following the split of that band, they formed Ultramarine and released their debut album Folk in April 1990 on the Belgian label Les Disques du Crépuscule. The duo's second long player, Every Man and Woman Is a Star (initially released in 1991 by Brainiak Records and reissued as an expanded version by Rough Trade in 1992), as described by music writer Simon Reynolds in his book Energy Flash as "Perhaps the first and best stab at that seeming contradiction-in-terms, pastoral techno... all sun-ripened, meandering lassitude and undulant dub-sway tempos... like acid-house suffused with the folky-jazzy ambience of the Canterbury scene." Ultramarine in Essex, 2013 Live appearances during this period included a US tour in 1992 with Meat Beat Manifesto and Orbital and US and European tours in 1993 supporting Björk.

The switchover between venues is handled in a clever segue in the opening minute of the track "A Wild and Crazy Guy" which opened Side Two of the original vinyl long-player – Steve reads a bogus financial disclosure report to the audience at The Boarding House nightclub, and when he gets to calculating concert revenues he reveals his desire to make over $2 million on a single show; the audience reaction quickly segues from the enclosed intimacy of The Boarding House to the far more raucous open amphitheatre of Red Rocks near Denver. Martin reprises his role as Georg, one of the Czech Festrunk Brothers (a role he had popularized with Dan Aykroyd on Saturday Night Live) on two tracks – the second half of "A Wild and Crazy Guy" and "You Naive Americans". The album won the Grammy Award in 1979 for Best Comedy Album.Grammy Awards and Nominations for Steve Martin, Grammy.com.

In 1986 Andrews formed a retro-1950s Americana style "beatbox rock'n'roll"/rockabilly band called Westworld, with the singer Elizabeth Westwood and the guitarist/drummer Nick Burton. It had an early hit with its debut single "Sonic Boom Boy", which reached No. 11 in the UK Singles Chart in February 1987, which was subsequently commercially used as a backing music track by Sony for one of its television product advertising campaigns. Between 1986-1990 the band performed as a trio utilizing a drum machine and sequencers with two guitarists, Andrews (lead), Burton (rhythm), fronted by Westwood as the singer, and commercially released in the United Kingdom via R.C.A. six singles, five of which entered the top 80 of the UK Singles Chart: Sonic Boom Boy (1987), Ba-Na-Na-Bam-Boo (1987), Where the Action Is (1987), Silvermac (1987), and Everything Good is Bad (1988). A long-player entitled 'Where the Action Is' reached No. 49 in the UK Albums Chart in September 1987.

In 1996 Andrews joined a provisional new London band consisting of Glenn Matlock, "Rat Scabies" and Gary Twinn called Dead Horse, but the act failed to develop beyond some rehearsals and a demo recording session, after Matlock abandoned it to join the reformation of the Sex Pistols. From this line-up, Andrews and the vocalist Gary Twinn formed a hybrid British-American alternative country act entitled Speedtwinn, which they relocated to Joshua Tree, California in 1998, combining British rock music from the 1970s with American country music.Press release briefing note on 'Speedtwinn', produced by Orange Recordings for the commercial release of the long-player 'California', August 2003. After gigging in small venues in the area, and recording music videos of cover songs ranging from T-Rex to Johnny Cash, they wrote and commercially released in the United States a self-produced album entitled California (2003), which failed to enter the U.S. charts.

Five Guys Walk into a Bar... is a comprehensive four-disc retrospective of the British rock group Faces released in 2004, collecting sixty-seven tracks from among the group's four studio albums, assorted rare single A and B-sides, BBC sessions, rehearsal tapes and one track from a promotional flexi-disc, "Dishevelment Blues" - a deliberately-sloppy studio romp captured during the sessions for their Ooh La La album, which was never actually intended for official release. Eight of ten tracks from 1973's Ooh La La appear (along with a live version of "My Fault"), as do eight of nine from 1971's A Nod Is as Good as a Wink...To a Blind Horse, five of nine from 1971's Long Player (with an additional two in alternative versions) and three of ten from 1970's First Step (originally credited to Small Faces). Other vintage Faces tracks long sought-after by collectors and completists had never been compiled before (such as the studio-recorded US-only single version of their take on Paul McCartney's "Maybe I'm Amazed", or the obscure dobro-driven B-side "Skewiff (Mend the Fuse)"). The song that opens this set, "Flying", is a subtly remixed version of the track which originally appeared on First Step.

Releases include T-Total's version of Brian Eno's "Baby's on Fire" – with guest 'featured vocals' from Soft Cell's Marc Almond – and the debut long player "A Slow Walk Down The Stairs" from Heavy Deviance, themselves favourites of Chris Coco, Mark Rae, Rob Da Bank, KCRW (LA), [Laurent Garnier, Bent, Crazy Penis etc. A Slow Walk Down The Stairs was voted 16th best album of 2005 by M8 Magazine. The label has moved away from its originally exclusive dance release-base to include electropop (T-Total ft Marc Almond), indie folk (Nigel of Bermondsey), ex Gay Dad – nominated for the XFM 2009 New Music Award rock (Hungary's FreshFabrik), indie-dance (Elevator Suite), political satire (Margo Guryan's 16 Words) and breaks (Michael Morph), with collaborations and artist releases from Long Range (Phil Hartnoll from Orbital and Nick Smith]), Yo Majesty, Aquasky, Alex Metric and others. As of November 2009, the label's catalogue comprises approximately 25 releases (singles, 12 inch vinyls and LPs) On 4 December 2009 Hall resigned from the BPI Rights Committee and the IFPI's International Legal Committees citing irreconcilable differences over the industry's approach to file sharing and their support of the draft Digital Economy Bill (DEB) going through the UK parliament at the time.