Hartinger & Sohn, Wien' – identifies the chart's lithographer, who died in 1890.
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The earliest of these, the lithographer and portraitist Emil Orlík (1870–1932), came to London in 33.
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Susee and James Wiechmann donated 500 works by painter and lithographer Jules Chéret to the Milwaukee Art Museum.
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McDermott was "a little lank fellow," The Eagle wrote, and he worked during the week as a lithographer.
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In the mid-eighteen-sixties, the French artist Jules Chéret, having apprenticed with a lithographer in England, returned to Paris.
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Ms. Leiber died just hours after the death of her husband of 22016 years, the painter, lithographer and sculptor Gerson Leiber, who was known as Gus.
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It is also clear that he had become a masterful lithographer who, drawing on stone, connected himself to two traditions: Asian calligraphy and improvisational gestural marks.
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In that case, the owners of the post-mortem rights of the Three Stooges sued a celebrity lithographer, Gary Saderup, for selling T-shirts bearing the comedy trio's images.
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He is a son of Mary Louise Korney of Avon Lake, Ohio, and the late William J. Korney Jr. His father was a lithographer with American Greetings in Cleveland.
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Show Us Your Wall Next to the table where Deborah Cullen eats breakfast, there's an orange, red and blue abstract print by Robert Blackburn, the lithographer who founded the Printmaking Workshop in Chelsea.
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Mr. Leiber, 95, a painter, lithographer and sculptor, has works in the Metropolitan Museum of Art and the Brooklyn Museum, while Ms. Leiber, also 95, has purses on display at the Smithsonian Institution.
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Recently rediscovered prints from the end of Annan's career, as well as his photographically illustrated books, will further show how he experimented with visual techniques, going back to his roots as a lithographer.
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In 2012, 2,300 of Cremes's works were reported stolen from a storage locker owned by lithographer Michael Flaum, a friend of the artist who worked with Creme to make the prints in the 1960s and '70s.
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Starting out as a hopeful young artist who became a commercial lithographer to survive, Mr. Hollander was part of the revival of fine art printing and especially lithography that took hold in the United States around 1953.
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They're rare examples of the painstaking photochrom process, a printing technique originally developed by lithographer Hans Jakob Schmid, the chief engineer at Zurich printing firm Orell Füssli & Co., that allowed black-and-white photographs to be reproduced in color.
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On leaving home he claimed to have become a crop-picker, tuna fisherman, gun for hire, nitroglycerine truck driver, lithographer, short-order cook, door-to-door salesman both of books and brushes (not at the same time) and a customer-services representative in a department store.
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While critics writing about these drawings have mentioned that her sources include William Hogarth, Breughel and Degas, I am more interested in her work based on drawings and prints by von Bayros and the French artist and lithographer Achille Devéria, because they are hardly known to the public.
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A trained draftsman, painter and lithographer, he had strong theories about composition and light, as well as a desire to distill "some aspect of each place," whether it be fishermen on the Seine, geometrically framed by the overlapping arches of a bridge, or an old woman unwittingly anchoring an angular shadow in the South of France.
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Alexander Kaiser (26 February 1819, in Graz – 25 October 1872, in Graz) was an Austrian painter and lithographer. He was the son of the bookbinder and lithographer Joseph Franz Kaiser and brother to the lithographer and painter Eduard Kaiser.
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Biografias and María de Mater O'Neill an artist, lithographer, and professor.
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The first ascent was recorded by painter and lithographer Bolton Brown.
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The affair ended with Day & Son delivering the notes to the Bank of England where they were duly burnt.Colebrook, F., "A Fine Old Lithographer", ‘Modern Lithographer’, 1906, p.537. As cited by K.K. Tidman Op. cit.
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His son, , was also a well-known painter and lithographer in Vienna.
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Waldemar Rösler (1882-1916) was a German Impressionist landscape painter and lithographer.
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Leo Marchutz (1903–1976) was a German painter, lithographer, and art educator.
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"South western portion of Western Australia shewing land districts" (map), Government Lithographer, Perth.
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Thomas Fairland (1804 – October 1852) was an English lithographer, engraver and portrait painter.
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Denise Voïta (1928–2008) was a Swiss painter, designer, lithographer, and tapestry designer.
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Hermanus Ellen (Herman) Mees (September 19, 1880 in Veendam – November 28, 1964 in Zuidlaren) was a Dutch artist, active as painter, watercolorist, draftsman, pastelist, lithographer, and academy lecturer.Herman Mees ; male / Netherlandish ; painter, watercolorist, draftsman, pastelist, lithographer, academy lecturer. at rkd.nl, 2015.
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Louise-Joséphine Sarazin de Belmont (1790–1871) was a French landscape painter and lithographer.
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John Stockton de Martelly (1903–1979) was a lithographer, etcher, painter, illustrator, teacher and writer.
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Henry Houghton Trivick (1908 — 1982) was a British painter, lithographer and author of art books.
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Niels Simonsen (10 December 1807 – 11 December 1885) was a Danish painter, lithographer and sculptor.
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Luigi Loir (22 December 1845 – 9 February 1916) was a French painter, illustrator and lithographer.
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Prudent-Louis Leray, (29 August 1820 – 25 May 1879) was a French painter and lithographer.
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Peter Henrik Gemzøe (6 February 1811 - 3 October 1879) was a Danish painter and lithographer.
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Niels Kjærbølling (11 October 1806 - 2 January 1871) was a Danish ornithological writer and lithographer.
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Jean Fernand (born 19 November 1948) is a French impressionist painter, lithographer, sculptor and illustrator.
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Guido "Wedo" Georgetti (May 18, 1911 – December 12, 2005) was an American painter, etcher and lithographer.
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Fermin Rocker trained as a lithographer. His early works consisted of sketches, watercolours, and graphic work.
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Duchess Helene in Bavaria, 1859 Erich Correns (1821–1877) was a German portrait painter and lithographer.
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Barend Cornelis Koekkoek (October 11, 1803 – April 5, 1862) was a Dutch landscape artist and lithographer.
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Yves Corbassière (16 May 1925 – 27 April 2020) was a French painter, sculptor, engraver, and lithographer.
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Rudolf Heinrich Zille (10 January 1858 – 9 August 1929) was a German illustrator, caricaturist, lithographer and photographer.
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Henry Heath Glover Jr. (c. 24 May 1827 – 15 June 1904) was an Australian artist and lithographer.
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Charles Philibert de Lasteyrie (4 November 1759 – 5 November 1849) was a French agronomist, lithographer and philanthropist.
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Louise Hervieu (26 October 1878 – 11 September 1954) was a French writer, artist, painter, draftsman, and lithographer.
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His father was the lithographer, . His older brother, , also became a lithographer and a writer. In 1852, his family moved to Stuttgart, where his father set up his own lithography business. After completing an apprenticeship in his father's shop, he studied painting at the State Academy of Fine Arts.
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Jacques Yankel, born Jakob Kikoïne (14 April 1920 – 2 April 2020) was a French painter, sculptor, and lithographer.
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Self-Portrait, 1878 Armand Guillaumin (; February 16, 1841 - June 26, 1927) was a French impressionist painter and lithographer.
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The Custom House in London, 1842 Thomas Shotter Boys (1803–1874) was an English watercolour painter and lithographer.
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Francis Ernest Jackson (15 August 1872 – 11 March 1945) was a British painter, draughtsman, poster designer and lithographer.
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Agnes Tait (1894–1981) was an American painter, pen-and-ink artist, lithographer, book illustrator, muralist and dancer.
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Gudmar Olovson Gudmar Olovson (1 March 1936 – 17 April 2017) was a Swedish sculptor, artist, engraver and lithographer.
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Charles Henri Pellegrini (28 July 1800 – 12 October 1875) was an Italian Argentine engineer, lithographer, painter, and architect.
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Samuel P. Ziegler (January 4, 1882 — April 7, 1967) was an American university professor, painter, lithographer, and etcher.
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Ralph Hurt Barger, Jr. (January 24, 1923daughter Martha M Barger – April 2, 2002) was a printer, lithographer, publisher, and politician. Born in Oak Park, Illinois, Barger graduated from Glenbard High School. He served in the United States Army Air Corps and was a photographer. Barger was a printer, lithographer, and publisher.
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Self portrait, 1894 Allers, the son of a merchant, was born in Hamburg. He first worked as a lithographer, and in 1877 he moved to Karlsruhe where he continued to work as a lithographer. In the Kunstakademie (state academy of fine arts) he was a scholar of Prof. Ferdinand Keller.
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Henri Charles Loeillot or Loeillot-Hartwig (1798-1864), usually known as Karl Loeillot, was a French painter and lithographer.
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Charles-Victor-Hilaire Ratier (13 January 1807 – 6 August 1898) was a 19th- century French playwright, lithographer and printer.
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De Sterrenhemel in Café De Eenhoorn (1989). Matthijs Nicolaas Röling (born March 31, 1943 in Oostkapelle) is a Dutch painter, active as graphic designer, wall painter, painter, draftsman, lithographer, pen artist, etcher, and academy lecturer.Matthijs Röling; male / Netherlandish; graphic designer, wall painter, painter, draftsman, lithographer, pen artist, etcher, academy lecturer at rkd.nl, 2015.
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The Journalist rating was established in 1948 from the ratings of Specialist (X) (Journalists), Specialist (X) (Naval Correspondents), and Specialist (X) (Public Information). Lithographer (LI). The Lithographer rating was established in 1948 from the ratings of Specialist (P) (Photographic Specialists), Printer, Printer (L) (Lithographers), and Printer (M) (Offset Process). Photographer's mate (PH).
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C.B., and the British and Indian Army officers who participated in the war. His sketches and drawings were made into Lithographs mainly by the lithographer and engraver Robert C. Carrick. Other lithographers were Edmund Walker Plate nos. 2, 19, 20, 22, 24, and 25; landscape artist and lithographer William L. Walton Plate nos.
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Self-portrait (1933) Willy Jaeckel (10 February 1888, Breslau - 30 January 1944, Berlin) was a German Expressionist painter and lithographer.
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Self-portrait, c.1810 Joseph Lanzedelly the Elder (also Lancedelly; 6 February 1772 – 5 December 1831) was an Austrian lithographer.
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Maxime Maufra (May 17, 1861 in Nantes - May 23, 1918), was a French landscape and marine painter, etcher and lithographer.
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Son of lithographer Isac Wilhelm Tegner, Hans studied at the Royal Danish Academy of Fine Arts from 1869 to 1878.
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He has a large extended family. A painter and lithographer, Burman's art has mythic and fantasy content and rich colors.
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Charles Kassler Jr (September 9, 1897, Denver, Colorado — April 3, 1979, San Diego, California) was a painter, printmaker, and lithographer.
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Wheeler was born in London. He briefly worked as a lithographer in Edinburgh.Flynn, Tom. (2007). The New Encyclopedia of Unbelief.
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Pierre Michel Delaporte (5 September 1806 – 30 September 1872) was a 19th- century French playwright, painter, lithographer and political caricaturist.
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François Stroobant (14 June 1819 Brussels – 1 June 1916 Elsene) was a Belgian painter and lithographer, and brother of the lithographer Louis-Constantin Stroobant (1814–1872) noted for his part in Flore des Serres et des Jardins de l'Europe. He attended the Brussels Académie des Beaux-Arts between 1832 and 1847, studying under François-Joseph Navez, Paul Lauters and François-Antoine Bossuet (1798–1889). In 1835 he worked in the studio of the lithographer Antoine Dewasme-Plétinckx (1797-1851) in Brussels.Biographical notes @ the Université de Liège (Belgique) - Collections artistiques.
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Carl Friedrich Irminger (8 November 1813 in Aadorf, Switzerland - 27 March 1863 in Zürich) was a Swiss draughtsman, lithographer and engraver.
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Nathaniel Currier (March 27, 1813 – November 20, 1888) was an American lithographer. He headed the company Currier & Ives with James Ives.
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Cows at a Ford Oskar Frenzel (12 November 1855 – 15 May 1915) was a German landscape-artist, animal painter and lithographer.
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As a lithographer, he is believed to have been among the first to use aluminum plates, rather than stone or zinc.
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Paul Müller-Kaempff (1861–1941) was a German painter, illustrator and lithographer. He is associated with the Düsseldorf school of painting.
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The British watercolorist and lithographer Anthony Raine Barker was an enthusiastic supporter and member of the club's committee in the 1920s.
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John Skinner Prout (1805-1876) was a British painter, writer, lithographer and art teacher who worked in Australia in the 1840s.
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Bernard Romain Julien or Bernard-Romain Julien (16 November 1802 – 3 December 1871) was a French printmaker, lithographer, painter and draughtsman.
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Charles Bargue (c. 1826/1827 – April 6, 1883) was a French painter and lithographer noted for devising an influential drawing course.
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Barnett Freedman CBE, RDI (19 May 1901 - 4 January 1958) was a British painter, commercial designer, book illustrator, typographer, and lithographer.
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Lithograph issued from Bufford's Print Publishing House, Boston, 1864 John Henry Bufford (1810-1870) was a lithographer in 19th-century Boston, Massachusetts.
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The Actress' Family Karl Jakob Theodor Leybold (19 March 1786, Stuttgart - 20 July 1844, Stuttgart) was a German painter, engraver and lithographer.
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Susanna Robert Pötzelberger (9 June 1856 in Vienna – 2 August 1930 in Reichenau, Baden-Württemberg) was an Austrian painter, sculptor and lithographer.
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Andreas Borum (1799, Hamburg - 29 April 1853, Munich) was a German painter and lithographer who also worked in stone, and a collector.
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Interested in art, he collected bozzetti (models for sculpture) for 50 years and initiated the career of Horst Janssen as a lithographer.
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Landscape near Heemstede, collection Teylers Museum Arnoldus Johannes Eymer (1803, Amsterdam1863, Haarlem), was a painter, draftsman, lithographer and watercolourist from the Northern Netherlands.
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The lithographic artist Alfred Concanen had a studio at no. 12 for many years.Irons, Neville - 'Alfred Concanen, Master Lithographer' Irish Arts Review Vol.
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Biographer James Kaplan describes her as having a "politician's temperament—restless, energetic, unreflective". Her father was a lithographer. He was also a peasant.
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Sofia Carolina Ahlbom (25 November 1803 – 8 June 1868) was a Swedish drawing artist, engraver, lithographer, photographer, map maker, writer, poet and feminist.
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Claudius Schraudolph the Elder Claudius Schraudolph the Elder (2 October 1813 - 13 November 1891) was a German history painter, lithographer and woodcut artist.
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Charley Toorop (March 24, 1891 - November 5, 1955) was a Dutch painter and lithographer. Her full name was Annie Caroline Pontifex Fernhout-Toorop.
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Fountain (1972), Willemsplein Tilburg Johannes Jacobus (Joop) Beljon (January 11, 1922 - December 12, 2002) was a Dutch artist, academy lecturer, director of academy and writer. As artist he was active as sculptor, fiber artist, lithographer, jeweler, environmental artists, and jewelry designer.Joop Beljon; male / Netherlandish ; sculptor, fiber artist, lithographer, jeweler, environmental artists, jewelry designer, academy lecturer, director of academy at rkd.nl, 2015.
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Nieuwmarkt in Amsterdam, c. 1897, collection Teylers Museum Hendrik Adriaan Christiaan Dekker (1836, Amsterdam - 1905, Rheden) was a 19th-century Dutch painter and lithographer.
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John White Allen Scott (1815- March 4, 1907) was an American painter and lithographer associated with the Hudson River School and White Mountain art.
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Six characters of Victor Hugo Louis Boulanger (11 March 1806, Vercelli, Piedmont – 5 March 1867, Dijon) was a French Romantic painter, lithographer and illustrator.
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Wiktor Kurnatowski (?-1846) was a Polish lithographer and conspirator. He fought in the November Uprising. In July 1841 Kurnatowski opened his own factory in Poznań.
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Self-portrait by Selous, 1871 Henry Courtney Selous (b.Panton Street, Haymarket, London 1803; d.Beaworthy, Devon, 24 September 1890) was an English painter, illustrator and lithographer.
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Eugène Louis Gabriel Isabey (22 July 1803, in Paris - 25 April 1886, in Montévrain) was a French painter, lithographer and watercolorist in the Romantic style.
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August Prinzhofer (12 September 1816 in St. Veit an der Glan – 4 August 1885 in Bad Steinerhof bei Kapfenberg) was an Austrian painter and lithographer.
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Portrait of Virginia governor John M. Patton, by Martin John Blennerhassett Martin (September 5, 1797 - October 27, 1857), was an American painter, engraver and lithographer.
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Thomas Edwin La Dell (7 January 1914 - 27 June 1970) was a British printmaker, lithographer, illustrator and painter active during the 1940s, 1950s and 1960s.
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Jean-Jacques Champin, by David d'Angers (1850) Jean-Jacques Champin (8 September 1796, Sceaux - 25 February 1860, Paris) was a French painter, watercolorist and lithographer.
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Conrad Christian August Bøhndel (7 March 1779 - 18 December 1847 ) was a Danish painter and lithographer. He lithographed the Hans Brüggemann's altarpiece between 1824-1832.
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Josef Kriehuber was born in Vienna, Austria on 14 December 1800. He was first trained by his brother Johann Kriehuber, then studied at the Vienna Academy under Hubert Maurer, then moved to Galicia, where he devoted himself to horse painting. He worked as a lithographer for several Viennese publishing houses. With nearly 3,000 works, Josef Kriehuber was the most important portrait lithographer of the Viennese Biedermeier period.
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Henry changed his name to Henry Heath "Harry" Glover. He died in Adelaide on 2 March 1858. In the short time he spent in Australia, he distinguished himself as an artist and lithographer credited with recording some of the earliest depictions of colonial era South Australia. Henry's son, now known as Henry Heath "Harry" Glover Jr., also distinguished himself as an artist and lithographer in Australia.
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Celia Frances Bedford (11 February 1904 – 23 February 1959) was a British artist, notable for her portrait and figure paintings plus her work as a lithographer.
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Kirill Gorbunov (Russian: Кирилл Антонович Горбунов; 1822 (1815?), Vladikino, Penza Oblast — 8 November 1893, Tsarskoye Selo)RusArtNet: Brief biography was a Russian portrait painter and lithographer.
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Lorenzo Quaglio the Younger (19 December 1793 – 15 March 1869) was a genre painter and lithographer, born in Munich to the long Italian pedigree of Quaglios.
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Eduard Kaiser (22 February 1820 in Graz – 30 August 1895 in Vienna) was an Austrian painter and lithographer, as was his brother Alexander Kaiser (1819–1872).
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Alfred A. Hoffy (1796–1872) was a mid 19th century American lithographer and botanical illustrator who founded the first American periodical devoted solely to fruit cultivation.
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Self-portrait with His Children (c.1870) Adrian Mikołaj Głębocki (8 September 1833, Panki - 15 May 1905, Warsaw) was a Polish painter, lithographer and art teacher.
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Mathieu Barathier; by Pascal Barthe The Delights of the Harem Mathieu Barathier (23 March 1784, Narbonne – 6 January 1867, Narbonne) was a French painter, engraver and lithographer.
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View of San Francisco in 1850, painted in 1878 George Henry Burgess (June 8, 1831 – April 22, 1905) was an English landscape painter, wood engraver and lithographer.
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Return of the Herring Fishermen (1860), Teylers Museum Petrus Franciscus Greive (25 March 1811 in Amsterdam – 4 November 1872 in Amsterdam) was a Dutch painter and lithographer.
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Alphonse Stengelin (1852-1938) was a French painter, engraver, and lithographer who spent much of his life working outside France. He is remembered mostly for his landscapes.
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William Henry Barribal (1874–1952) was a London artist who began his career as a lithographer before going on to study at the Académie Julian in Paris.
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He apprenticed with a lithographer as a teenager and went on to study painting with Henry G. Keller in night school at the Cleveland School of Art from 1905 to 1907. In 1908, Zorach moved to New York in enroll in the National Academy of Design. In 1910, Zorach moved to Paris with Cleveland artist and lithographer, Elmer Brubeck, to continue his artistic training at the La Palette art school.
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View of Ratzeburg (1824) August Albrecht Christian Tischbein (29 July 1768, Hamburg - 10 September 1848, Rostock) was a German painter and lithographer from the Tischbein family of artists.
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A Miner in His Cabin, Henry Walton, ca. 1853, California Henry Walton (1804–1865) was an American painter and lithographer active chiefly in Ithaca, New York and California.
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Cavalryman (1909) Robert von Haug (27 May 1857, Stuttgart – 3 April 1922, Stuttgart) was a German impressionist painter, illustrator and lithographer who specialized in scenes from the "Befreiungskriege".
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Self-portrait (mid-1920s) Émile Laboureur, known as Jean Émile (16 August 1877, Nantes16 June 1943, near Pénestin) was a French painter, designer, engraver, watercolorist, lithographer, and illustrator.
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Léon-Jean-Joseph Dubois, was a French illustrator and lithographer, also an archaeologist and curator at the Louvre museum. He was born in 1780 and died in 1846.
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Grafton Tyler Brown (1841–1918) was an American painter, lithographer and cartographer. Brown was the first African American artist to create works depicting the Pacific Northwest and California.
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Ruytchi Souzouki (August 2, 1904, Yokohama – 1985, Paris), also written Ryuichi Suzuki (Japanese: 鈴木龍一), was a Japanese painter, decorator, illustrator, lithographer, engraver and art critic.
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Adam Stefanović (, 27 November 1832 – 6 May 1887) was a Serbian lithographer and painter. Together with Pavle Čortanović, he authored illustrations of the Kosovo Cyclus (of Serbian epic poetry).
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Frederick Vezin and his wife, Ida (1895) Frederick Vezin also Fred or Frederik (14 August 1859, Philadelphia - c.1933, Düsseldorf) was an American-born German painter, engraver and lithographer.
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Ferslew was originally intended for a career as an engraver but following his father's early death he was instead sent to Berlin to apprentice as a lithographer in 1854.
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Ralston Crawford, Lights in an Aircraft Plant, 1945, oil on canvas, National Gallery of Art (Washington, D.C.) Ralston Crawford (1906–1978) was an American abstract painter, lithographer, and photographer.
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Hermelindo Fiaminghi (October 22, 1920 – June 29, 2004) was a Brazilian painter, designer, graphic designer, lithographer, professor, and art critic, known for his geometric works and exploration of color.
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View from the Artist's Studio in Alservorstadt toward Dornbach, 1836 Couple in love in moonshine Jakob Alt (27 September 1789 – 30 September 1872) was a German painter and lithographer.
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Self-portrait (1855) Portrait of the Doeppi Family (1845) August Georg Wilhelm Pezold (9 August 1794, Rakvere – 12 March 1859, Saint Petersburg) was a Baltic-German painter and lithographer.
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Portrait of Jean Baptiste Madou (from Bruxelles à travers les Âges, Hymans frères, 1884) Jean-Baptiste Madou (3 February 1796 - 31 March 1877) was a Belgian painter and lithographer.
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Jean Gigoux (1880); portrait by Léon Bonnat Illustration from Gil Blas Jean François Gigoux (6 January 1806 – 11 December 1894) was a French painter, lithographer, illustrator and art collector.
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Emanuel Labhardt (date unknown) View of Schaffhausen, from the West Emanuel Labhardt (11 March 1810, Steckborn - 10 June 1874, Feuerthalen) was a Swiss landscape painter, graphic artist and lithographer.
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Feldmann completed a lithographer apprenticeship at Nordrepro in Flensburg, after which he was drafted for basic military service where he fell ill with tuberculosis. In 1971 he started work as lithographer at Geisel in Flensburg. Because he drew cartoons and comics all the time – especially caricatures of his superiors – he was dismissed in 1972. Being out of work throughout the 1970s, Brösel mainly drew comics about the „Bakuninis“, an anarchistic family, satirizing the radical left.
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One of his most prominent students was his nephew, Johann Heinrich Wilhelm Tischbein, known as the "Goethe-Tischbein". His son, August Albrecht Christian Tischbein, was also a painter and lithographer.
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Gottlieb Bodmer by an unknown artist Otto of Greece Grave of Gottlieb Bodmer at Alter Südlicher Friedhof in Munich Gottlieb Bodmer (1804–1837) was a German painter, designer, and lithographer.
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Joseph Germain Mathieu Roubaud, called "Benjamin", (29 May 1811 – 13 January 1847), the son of Mathieu Aubert Roubaud and Rosalie Caillol, was a 19th- century French painter, lithographer and caricaturist.
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Portrait of Willem Pieter Hoevenaar by his son Jozef Willem Pieter Hoevenaar (1808, Utrecht - 1863, Utrecht), was a 19th-century painter, draughtsman, lithographer and watercolor artist from the Northern Netherlands.
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Paul et Virginie (1844) chromolithograph from the 1856 Alexander II Coronation Book. Henri Pierre Léon Pharamond Blanchard (1805–1873) was a French lithographer, and painter of landscapes and historical subjects.
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David Dellepiane (early 1900s) Davide Paolo Dellepiane, known as David Dellepiane (16 October 1866, Genoa - 25 June 1932, Marseille) was a French painter, lithographer and poster artist of Italian origin.
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Eberhard Emminger (1835) Schiller's Birthplace (1850) Markus Eberhard Emminger (21 October 1808, Biberach an der Riß - 27 November 1885, Biberach an der Riß) was a German lithographer and landscape painter.
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Portrait of Friedrich Ludwig Schröder. Lithography, ca. 1810, by Aldenrath and Gröger. Heinrich Jakob Aldenrath (17 February 1775, Lübeck – 25 February 1844, Hamburg) was a portrait painter, miniaturist, and lithographer.
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Battle of Castiglione, painted in 1836, now at the Musée national du Château de Versailles Jean Victor Adam (28 January 1801 – 30 December 1866) was a French painter and lithographer.
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Per Södermark; from the Svenskt Porträttgalleri Bedřich Smetana (1858) Johan Per Södermark (5 June 1822, Mossebro, Karlsborg Municipality - 16 November 1889, Stockholm) was a Swedish military officer, painter and lithographer.
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Village Dances Imperial Yacht, L'Aigle Adolphe-Hippolyte Couveley, originally Couvelet (16 November 1802, Charleville-Mézières27 April 1867, Le Havre) was a French painter and lithographer who specialized in maritime subjects.
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An Emu, a Cape Barren Goose and a Magpie Goose, in a Landscape, Painting by Henry Bernard Chalon, 1813 Henry Bernard Chalon (1770–1849) was an English painter and lithographer.
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1836 1860 1875 James Shaw (12 January 1815 – 1 September 1881) was a Scottish painter, photographer, engraver, lithographer, surveyor, and lawyer. He was also an early colonist of South Australia.
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Self-portrait (1810) Portrait of Bertel Thorvaldsen (c.1810) Rudolph Friedrich Carl Suhrlandt (19 December 1781, in Ludwigslust – 2 February 1862, in Schwerin) was a German portrait painter and lithographer.
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He married the lithographer in 1824. After 1849, they lived in Schwerin. His son also became a painter and his daughter was a concert violinist as well as a painter.
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André Friedrich (1860) André Friedrich or Andreas Friederich (17 January 1798, in Ribeauvillé – 9 March 1877, in Strasbourg) was an Alsatian artist, sculptor and lithographer active in Germany and France.
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Canterbury Cathedral by Thomas Mann Baynes Thomas Mann Baynes (1794–1876) was an English artist and lithographer. He is known for his drawings and watercolours of landscapes, buildings and outdoor events.
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Ouvrié by Nadar, c. 1870 Pierre Justin Ouvrié or Ouvrié (19 January 1806 - 22 October 1879) was a French painter and lithographer. He was known as Justin Ouvrié from 1852 onwards.
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Les bains de mer à Entretat. Lepoittevin became a painter, lithographer and caricaturist. Some of his drawings were published in La Caricature. He did many landscape paintings of Étretat in Normandy.
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Johann Georg Haeselich (standing) and Hermann Kauffmann in Kauffmanns Atelier in München (1830) Johann Georg Haeselich (also Haselick; 30 August 1806 - 6 December 1894) was a German genre painter and lithographer.
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Felix Jenewein (1890s) Felix Jenewein (4 August 1857, Kutná Hora – 2 January 1905, Brno) was a Czech painter, illustrator and lithographer. Many of his best known works have a somber tone.
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Due to the lack of experienced engravers in Portugal he hired, in France, the Polish lithographer Jan Nepomucen LewickiNote: Jan Nepomucen Lewicki (1795–1871), Polish graphic artist, engraver, lithographer, painter and photographer and made him responsible for the drawing and lithography of the maps. Chełmicki took part in the team led by Lewicki and produced some of the most important Portuguese cartography works of that period.Exhibition "Portugallia Cartographica"Luis Urteaga and Francesc Nadal Piqué (1991). Geo crítica 88 -I-.
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In 1840, a Spanish lithographer created an image of the battle, which was later expanded by English lithographer John Outhwaite. The image depicts the evacuation of French troops via the Danube flotilla (see Infobox image) on a moonlit night. In fact, the moon was in its last quarter phase 48 hours later, and on 11 November probably did not provide as much light as depicted in the image.National Aerodynamics and Space Administration, Phases of the Moon: 1801–1900.
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Battle of Montmirail, painting by Horace Vernet, lithograph by Louis Stanislas Marin-Lavigne Louis Stanislas Marin-Lavigne (1797 - 1860) was a French painter and lithographer. Many of his lithographs today are in major collections in London and New York City. He obtained his first instruction in painting from Anne-Louis Girodet de Roussy-Trioson, and from 1814 to 1819, followed the courses of the Ecole des Beaux Arts. He first exhibited both as a painter and lithographer in 1824.
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Underground; the moving spirit of London (1910) Thomas Robert Way (1861 - 1913) was an English painter of landscapes and portraits, lithographer and printer, who exhibited in London between 1883-1893. Way was born in London. He trained at the South Kensington Art Schools and designed posters for London Underground between 1910 and 1913. T. R. Way's father, Thomas Way (1837–1915), was an lithographer, engraver and general printer who founded the firm Thomas Way and Son.
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Watercolour of Katherine and Petruchio (The Taming of the Shrew) Sir James Dromgole Linton (26 December 1840, St Pancras, London – 3 October 1916, Hampstead, London) was an English painter in oil and watercolour and a lithographer. He was knighted in 1885.Linton, Sir James Dromgole (1840–1916) Knight, Artists' Papers Register: Authority Record Linton was educated at Leigh's School of Art. At the beginning of his career he was an illustrator and lithographer for The Graphic.
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Born on 2 November 1812 in Paris, Joséphine Jeanne Hélène Feillet was the daughter of the painter and lithographer Pierre Jacques Feillet (1794–1855) and Hélène Pernotin. She was introduced to art by her father before studying portraiture under the Dutch artist Ary Scheffer (1795–1858). Her elder sister, Blanche Hennebutte-Feillet (1815–1886), was also a lithographer. In 1929, during a visit to Madrid with her father and sister, she created lithographs as illustrations in Spanish journals.
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Self-portrait (date unknown) Posthumous portrait of Petar Beron (c.1886) Nikolai Pavlovich (Bulgarian: Николай Павлович; 9 December 1835, Svishtov – 13 February 1894, Sofia) was a Bulgarian Nationalist painter, lithographer and illustrator.
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Emil Gottlieb Schuback (1877); photograph by Laura Lasinsky (fl. 1860s-1890s) In Grandfather's Workshop Emil Gottlieb Schuback (28 June 1820, Hamburg – 14 March 1902, Düsseldorf) was a German genre painter and lithographer.
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Satan tempting Booth to the murder of the President by Magee, c. 1865 John L. Magee (c. 1820-1870s?) was an American artist, lithographer, and engraver. Magee was born in New York.
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The Studio of Pyotr Basin (1833) Living Room With Columns on the Mezzanine Kapiton Alekseyevich Zelentsov (Russian: Капитон Алексеевич Зеленцов; March 1790 - 15 May 1845) was a Russian painter, lithographer and illustrator.
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Féréol Bonnemaison, Young Woman Overtaken by a Storm, ca. 1799, oil on canvas, 100 × 80.5 cm. Brooklyn Museum Féréol Bonnemaison (1766 - 1827) was a French portrait painter, lithographer, restorer, and art dealer.
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In 1946, Bentley was discharged. His specialty was portraiture. Among many others, his subjects included, Fred R. Zimmerman, Cardinal Mooney, Wisconsin Governor Oscar Rennenbohm, and Conrad Elvehjem. Bentley was also a lithographer.
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Philip Howard Francis Dixon Evergood (born Howard Blashki; 1901–1973) was an American painter, etcher, lithographer, sculptor, illustrator and writer. He was particularly active during the Depression and World War II era.
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Italian Cavalry in East Africa, 1885–86 Quinto Cenni (20 March 1845 – 13 August 1917) was an Italian painter, engraver, lithographer and illustrator who specialized in depicting military personnel and their uniforms.
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He continued to work both as a lithographer and artist until 1866 when he painted the portrait of Cosmus Bræstrup for the Freemasons lodge in Helsingør. He died on 14 February 1868.
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Beethoven's Study at the Schwarzspanierhaus. Johann Nepomuk Hoechle (16 September 1790, Munich - 12 December 1835, Vienna) was an Austrian painter and lithographer who specialized in scenes from military actions and current events.
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Jean-Baptiste David (called Jules David; 1808–1892) was a French painter and lithographer. His illustrations appeared in many books and magazines. He was particularly known for his illustrations of contemporary Parisian fashions.
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Ipomoea batatas Étienne Denisse (1785 Carcassonne – 1861 Mourens) was a French botanical artist, lithographer, botanist and horticulturist. Mourens (Gironde, France), Registre d'état civil. Sépulture ou décès. 1853-1872. Archives départementales de la Gironde.
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Jules Chéret (31 May 1836 – 23 September 1932) was a French painter and lithographer who became a master of Belle Époque poster art. He has been called the father of the modern poster.
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Albín Brunovský (25 December 1935, Zohor, Czechoslovakia - 20 January 1997, Bratislava, Slovakia) was a Slovak painter, graphic artist, lithographer, illustrator and pedagogue, considered one of the greatest Slovak painters of the 20th century.
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Celestino Martínez (date unknown) Celestino Martínez Sánchez (19 May 1820, Caracas - 23 December 1885, Caracas) was a Venezuelan painter, lithographer, illustrator and photographer. He also spent part of his career working in Colombia.
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Thomas Brittain Vacher (1805–1880) was a British lithographer, legal stationer, and printer. He founded Vacher's Parliamentary Companion, a parliamentary reference work which continues to this day as Vachers Quarterly, published by Dods.
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Wouter Bernard (Wout) van Heusden (September 25, 1896 in Rotterdam – July 9, 1982 in Rotterdam) was a Dutch graphic artist, who also worked as etcher, lithographer, manufacturer of woodcuts, painter, draftsman, and painters.Wout van Heusden ; male / Netherlandish ; graphic artist, etcher, lithographer, manufacturer of woodcuts, painter, draftsman, painters at rkd.nl, 2015. Van Heusden attended evening art classes in graphic techniques at the Academie voor Beeldende Kunsten (now Willem de Kooning Academy) in Rotterdam, and kept living and working in Rotterdam-Zuid.
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Carmelo Fernández Páez was a Venezuelan engineer, soldier, cartoonist, lithographer and watercolorist. He was born in the town of Guama, Yaracuy State, on June 30, 1809 and died in Caracas on February 9, 1887.
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Nicolae Tonitza (; April 13, 1886 - February 27, 1940) was a Romanian painter, engraver, lithographer, journalist and art critic. Drawing inspiration from Post-impressionism and Expressionism,Drăguţ et al., p.191, 192, 193; Grigorescu, p.
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Xavier Leprince was born in Paris. His father, Anne Pierre Leprince, was a painter and a lithographer. His brothers, and Gustave Leprince (1810-1837), were also painters. He painted Parisian street scenes and landscapes.
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Ruins Along the Hudson by Harry Gottlieb, c. 1937, oil on canvas, WPA Collection, Oklahoma City Museum of Art Harry Gottlieb (1895 – July 4, 1992) was an American painter, screen printer, lithographer, and educator.
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Nicolaas Pieneman (; 1 January 1809 – 30 December 1860) was a Dutch painter, art collector, lithographer, and sculptor. His work was part of the painting event in the art competition at the 1928 Summer Olympics.
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Adele-Anaïs Colin Toudouze (1822 – 1899) was a fashion plate illustrator born in the Ukraine. She was born to a painter and lithographer, Alexandre-Marie Colin and his wife, who was also a painter.
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Emilius Ditlev Bærentzen, usually known as Emil Bærentzen, (30 October 1799 – 14 February 1868) was a Danish portrait painter and lithographer, active during the Golden Age of Danish Painting. He founded Em. Bærentzen & Co..
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Ferdinand Wolfgang Flachenecker was born in Southern Germany in 1792. He worked as a painter and lithographer. He studied at the Royal Danish Academy of Fine Arts in Copenhagen. Later he settled in Munich.
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Alexandre Debelle; portrait by Jacques Gay (1881) Day of the Tiles (1890) Alexandre Joseph Michel François Debelle (21 December 1805 in Voreppe - 22 July 1897 in Grenoble) was a French painter, designer and lithographer.
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5 Regent Terrace, Edinburgh The Gibb grave, Warriston Cemetery William Gibb (1839-1929) was a 19th/20th century Scottish landscape artist, book illustrator and lithographer. He was elder brother to the artist Robert Gibb.
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Census Returns of England and Wales & Channel Islands Census, 1871. Kew, Surrey, England. The National Archives of the UK: Public Record Office. Vincent Brooks is listed as ‘Lithographer (employing 148 men and 40 boys)’.
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As a result, he was sometimes referred to as the "Austrian Raffet", after the French lithographer, Auguste Raffet.Ulrich Thieme (Ed.), Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. Leipzig, 1937, Vol.XXXI, pg.
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Trekkie Ritchie Parsons (born Marjorie Tulip Ritchie; 15 June 1902 – 24 July 1995) was an English artist and lithographer, perhaps best known as the (perhaps chaste) lover of Leonard Woolf after his wife Virginia's death.
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Louis-François, Baron Lejeune (3 February 1775 in Strasbourg – 29 February 1848) was a French general, painter, and lithographer. His memoirs have frequently been republished and his name is engraved on the Arc de Triomphe.
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Pierre Clayette in his studio Pierre Clayette (24 March 1930-18 December 2005) was a French painter, etcher and lithographer, illustrator and scenographer. Active for five decades, much of his work was architectural in style.
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Albert Kappis, portrait by Friedrich Eckenfelder (1890) Fisherman's House by the Lakeside (1890) Albert Kappis (20 August 1836, Wildberg - 18 September 1914, Stuttgart) was a German painter and lithographer specializing in landscapes and genre motifs.
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Portrait of French naval officer Zacharie Allemand by Antoine Maurin, 1836 Antoine Maurin (Perpignan, 5 November 1793 - Paris, 21 September 1860) was a French lithographer. He was the son of Pierre Maurin, and brother to .
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Self-portrait 1916 Herman Heijenbrock (1871 in Amsterdam - 1948 in Blaricum), was a Dutch writer, painter, pastel draughtsman, and lithographer. He founded the "Museum van den Arbeid" in 1923, which later became NEMO Science Museum.
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Frenzel was originally a lithographer. He became an animal and landscape painter in addition to his work as a lithographer from 1879 in the evening classes of the teaching institute of Museum of Decorative Arts Berlin. Between 1884 and 1889 he studied at the Prussian Academy of Arts in Berlin under Paul Friedrich Meyerheim and Eugen Bracht. With his colleague Paul Müller-Kaempff in 1889 he "discovered" the fishing village of Ahrenshoop on the Baltic Sea, where an artists' colony emerged in the following years.
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Huysmans was born in Paris in 1848. His father Godfried Huysmans was Dutch, and a lithographer by trade. His mother Malvina Badin Huysmans had been a schoolmistress. Huysmans' father died when he was eight years old.
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Musch made oil paintings and watercolors and his subjects include landscapes and portraits in naturalistic-impressionistic style. He also worked as a lithographer and illustrator of books, including "Kinderen in verstand en boosheid", by the writer .
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While in London, Géricault witnessed urban poverty, made drawings of his impressions, and published lithographs based on these observations which were free of sentimentality.See , p. 5. He associated much there with Charlet, the lithographer and caricaturist.
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Pierre-Jules Jollivet; photograph by Pierre-Jules Jollivet (26 June 1794, Paris - 7 September 1871, Paris) was a French painter and lithographer who worked mostly in the Romantic style and is largely known for genre scenes.
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Mikhail Peskov. Portrait by Alexei Korzukhin (1863) Appeal to the Citizens of Nizhny Novgorod by Kuzma Minin (1861) Mikhail Ivanovich Peskov (; 1834, Irkutsk – 13 August 1864, Yalta) was a Russian history and genre painter and lithographer.
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Cornelis Lieste; portrait by Adrianus Johannes Ehnle Landscape with a Couple, Alone at Sunset Cornelis Lieste (26 October 1817, Haarlem - 24 July 1861, Haarlem) was a Dutch painter and lithographer. He specialized in Romantic style landscapes.
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Georges Gimel (March 8, 1898 - January 21, 1962), was a French expressionist painter of portraits, landscapes, mountain landscapes, still lifes and flowers. He was also a wood carver, lithographer, illustrator, set designer, sculptor, and enamel painter.
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Edward Ernest Green (20 February 1861–2 July 1949) was an Ceylon-born English mycologist and entomologist who specialised in the scale-insects, Coccidae. An accomplished artist, and lithographer, he illustrated the five volume Coccidae of Ceylon.
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The with a Ferry (and an atypical factory chimney) The (city gate) Jan Elias Kikkert (24 June 1843, Amsterdam – 11 April 1925, Leiden) was a Dutch lithographer and watercolorist, best known for his street scenes of Leiden.
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Portrait of Niels Christian Kierkegaard by Budtz Müller, 1882 Sketch of Søren Kierkegaard by Niels Christian Kierkegaard, Royal Library, Denmark, circa 1840 Niels Christian Kierkegaard (24 September 1806 – 14 August 1882) was a Danish draftsman and lithographer.
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His son Henry Constantine Richter (1821–1902) became a well recognised draftsman and lithographer, noted for his illustrations of birds and mammals which were reproduced in the works of the English ornithologist and bird artist John Gould.
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Richard A. Florsheim (1916 – 1979) was an American painter, lithographer, and sculptor. His work is in the permanent collections of the Art Institute of Chicago, the Smithsonian American Art Museum, and the Whitney Museum of American Art.
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Jan Baptiste de Jonghe was a painter, draughtsman, etcher and lithographer. He was specialised in landscapes and city views. His output was relatively limited. As he rarely dated his works his chronology is sometimes difficult to determine.
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Carlo Bossoli (6 December 1815, in Lugano - 1 August 1884, in Turin) was a Swiss-born Italian painter and lithographer, who spent his early career in Russia. He is best known for historical scenes from the Risorgimento.
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Self-portrait, Yokoyama Matsusaburō. A shashin abura-e, made between 1881 and 1884. was a pioneering Japanese photographer, artist, lithographer and teacher. Yokoyama was born Yokoyama Bunroku () in Iturup (then under Japanese control) on 10 October 1838.
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W. R. Bock in 1928 William Rose Bock (5 January 1847 - 3 August 1932) was a New Zealand engraver, medal designer, illuminator, stamp designer, lithographer and publisher. Bock was born in Hobart, Tasmania, where his father Thomas Bock was a notable engraver, lithographer and daguerrotypist, important for his paintings of Tasmanian Aborigines. Bock left for New Zealand in 1868, settling in Wellington. In the 1870s he was responsible for the design and preparation of the dies for the first fiscal and postage stamps to be produced wholly in New Zealand.
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Note that there are several creeks in South Australia called Pine Creek, including a tributary that joins the River Wakefield at Undalya and forms part of the boundary between the Hundred of Upper WakefieldMap of the Hundred of Upper Wakefield: Surveyor General's Office, Adelaide, A. Vaughan Photo-lithographer, August 1893. and the Hundred of Saddleworth.Map of the Hundred of Saddleworth: Surveyor General's Office, Adelaide, A. Vaughan Photo- lithographer, November 1891. Use the South Australia Property and Planning Atlas (SAPPA) to find all creeks and homesteads in South Australia called Pine Creek.
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Romantic Rhine landscape with ruin at sunset Lonely Fisherman at Twilight, 1841 Peter Ludwig Kühnen (also known as Pieter Lodewyk Kuhnen or Pierre-Louis Kuhnen) (14 February 1812 - 23 November 1877) was a German painter, watercolorist and lithographer.
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Richard Roland Holst (1910) Richard Nicolaüs Roland Holst (4 December 1868, Amsterdam - 31 December 1938, Bloemendaal) was a Dutch painter, draftsman, lithographer, book cover designer, etcher and writer. Many of his works were in a modified Symbolist style.
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Fritz Roeber (1904) Fritz Roeber (15 October 1851, Elberfeld – 15 May 1924, Düsseldorf) was a German illustrator, lithographer and history painter, associated with the Düsseldorfer Malerschule. As Director of the Kunstakademie Düsseldorf, he carried out some significant organizational changes.
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Portrait of Theo van Reijn by Cock Pijnacker Hordijk, 1949 Theo van Reijn (Breda, May 28, 1884 - Haarlem, August 6, 1954) was a Dutch sculptor.Theo van Reijn ; male / Netherlandish ; sculptor, designer, construction sculptor, draftsman, lithographer, painter at rkd.nl, 2015.
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Charles Stafford Duncan (1892–1952) was a San Francisco painter and lithographer perhaps best known for his mural in the Paramount Theatre in Oakland, California. He won the Benjamin Altman Prize from the National Academy of Design in 1937.
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Joseph Franz Kaiser, 1875 Joseph Franz Kaiser (11 March 1786 in Graz – 19 September 1859 in Graz) was an army officer, bookbinder, lithographer and publisher from the Styrian region of Austria. His sons Eduard and Alexander were also lithographers.
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Bataille de Poitiers, en octobre 732, Palace of Versailles, 1837 Baron Charles Auguste Guillaume Steuben (April 18, 1788 - November 21, 1856), also Charles de Steuben, was a German-born French Romantic painter and lithographer active during the Napoleonic Era.
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Anthony Maxtone Graham by Daniel A. Wehrschmidt. Oil on canvas, 1904. Daniel Albert Wehrschmidt (1861-1932) was an American artist from Ohio who made a career for himself in England as a portrait painter, lithographer and engraver.Daniel A. Wehrschmidt.
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Theo van Hoytema (date unknown) Theodorus van Hoytema, or Hoijtema (18 December 1863, The Hague - 28 August 1917, The Hague) was a Dutch lithographer, illustrator and graphic designer, known for his book covers and calendars; especially those depicting birds.
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Johan Hendrik Louis Meijer (9 March 1809 – 31 March 1866) was a Dutch painter, etcher, lithographer, and draftsman."Louis Meijer", RKD, 2014. Retrieved 18 December 2014. He painted in the Romantic tradition and is best known for his seascapes.
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Louis Loeb (November 7, 1866 — July 12, 1909) was a Jewish illustrator in the United States. In his time, he was one of the best known in his field. He was also a draftsman, a painter, and a lithographer.
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R. V. Cassill, full name Ronald Verlin Cassill, (May 17, 1919 - March 25, 2002) was a prolific writer, reviewer, editor, painter, and lithographer. He is most notable for his novels and short stories, through which he won several awards and grants.
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Self-portrait (1854) Eugène Joseph Verboeckhoven (9 June 1798 – 19 January 1881), a Belgian painter, was born at Warneton in West Flanders. He was a painter, a sculptor, an etcher, an engraver, and a lithographer of animals, animated landscapes, and portraits.
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Emil Orlík Emil Orlik (21 July 1870 – 28 September 1932) was a painter, etcher and lithographer. He was born in Prague, which was at that time part of the Austro-Hungarian Empire, and lived and worked in Prague, Austria and Germany.
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Interior of the old Masonic Temple (demolished) of Philadelphia, drawn and chromolithographed by Max Rosenthal (1854) Max Rosenthal (born in Turek, Kingdom of Poland, 23 November 1833; died 8 August 1918) was a Polish-American painter, lithographer, draftsman and etcher.
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Opening of the Suez Canal Évremond de Bérard (30 June 1824, Sainte-Anne, Guadeloupe - 25 January 1881, Paris) was a French painter and lithographer. He spent much of his life travelling, and was present at the opening of the Suez Canal.
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Joop Beljon; male / Netherlandish ; sculptor, fiber artist, lithographer, jeweler, environmental artists, jewelry designer, academy lecturer, director of academy at rkd.nl, 2015. In 1948 van Reijn wrote a book about the foremost Dutch contemporary sculptures, which was published by Elsevier.Reyn, T. (Theo).
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In addition to being a lithographer, he was also a New York City volunteer fireman in the 1850s. He was a Unitarian. Currier was a friend of P.T. Barnum of Barnum and Bailey fame. Currier was fond of fast horses.
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He went to college in Seattle and was listed as student in Polk's Seattle Directory, 1891-1892.Polk's Seattle Directory, 1892, page 467. Accessed through Ancestry.com In 1893 he began to be listed as a lithographer in the city directory.
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A hunter, threatened by a wild boar, takes refuge in a tree Siege of Buda Josef Anton Strassgschwandtner (17 October 1826, Vienna – 3 May 1881, Vienna) was an Austrian painter and lithographer, who specialized in hunting, military and genre scenes.
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Boston almanac and business directory. 1877. As a teacher and artist, he was associated with the Boston Artists' Association. He also worked as "an artist, drawing teacher and lithographer" for Francis Oakley in Boston, probably in the 1850s-1860s.Peter C. Marzio.
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He moved to Canada at age two. He became an apprentice at a lithographer in Toronto, Canada when he was fifteen. He went on to work for Rolph-Clark-Stone for sixty years. Much of his work consisted of illustrating calendars.
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Charles Edward Conder (24 October 1868 – 9 February 1909) was an English-born painter, lithographer and designer. He emigrated to Australia and was a key figure in the Heidelberg School, arguably the beginning of a distinctively Australian tradition in Western art.
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Arruabarrena is coached by Andoni Vivanco. Her father, Juan, is a lithographer, and her mother, Blanca, is a nurse. She also has one younger sister. Arruabarrena started playing tennis at age of eight when took lessons with a friend for fun.
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Carabodes femoralis is a species of mite in the family Carabodoidae. It was originally described as a species of Tegeocranus in 1855 by Swiss lithographer and entomologist Hercule Nicolet. It feeds on the fruit bodies of the bolete mushroom Boletus badius.
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Edmund Bults (1804 – 21 June 1854), better known by his alias Edmund Edgar, was an English-born painter, engraver and lithographer who was transported as a convict to the British penal colony (now the Australian state) of New South Wales.
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In 1876, she exhibited three paintings at the Philadelphia Centennial Exposition. That year, many of her paintings were reproduced and sold by publisher and lithographer Louis Prang. St. Nicholas Magazine and the August 1876 edition of Scribner's Monthly contained her illustrations.
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Adolf "Adi" Tuma (born 27 June 1956) is an Austrian painter and lithographer. His activities comprise decorative architecture, paintings, stamps and cancellations. Tuma's primary subject is nature. He is best known for his designs used for stamps by various postal administrations.
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Portrait of a Woman with a Biedermeier Hairstyle (1838) Miniature of Mikhail Lermontov (1839) Alexander Julius Klünder (Russian: Александр Иванович Клюндер; 20 February 1802, Tallinn – 8 January 1875, Tallinn) was a Baltic- German painter and lithographer, known primarily for his portraits.
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John Woodrow Wilson (1922–2015) was an American lithographer, sculptor, painter, muralist, and art teacher whose art was driven by the political climate of his time. Wilson was best known for his works portraying themes of social justice and equality.
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Von Piloty was born in Munich. His father, Ferdinand Piloty (d. 1844), enjoyed a great reputation as a lithographer. In 1840, Karl was admitted as a student of the Munich Academy, under the artists Karl Schorn and Julius Schnorr von Karolsfeld.
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Born in Hesse, Germany, he was apprenticed to a lithographer in Offenbach am Main at a young age and showed considerable artistic talent, taking first place in exhibitions while attending an art school there. However, after his two years of compulsory military service, he found he had lost his apprenticeship and moved to England to try his luck. Unable to find work there, he joined the British German Legion and went to fight in the Crimean War. After the war, he was still unable to gain employment as a lithographer, so he became a sailor for several years.
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The bureau, however, was decommissioned in 1829 by order of the Governor of Buenos Aires, General Juan José Viamonte. He then returned to his early talent, drawing, and sold a number of watercolour paintings, notably cityscape impressions. He was hired by his fellow countryman, journalist and lithographer César Hipólito Bacle, in October 1830 as a portrait painter, and by the end of his commission in September 1831, he had earned around 17,000 pesos (around US$700). He continued to live as a successful lithographer and painter until 1837, when he purchased an estancia, La Figura, in Cañuelas.
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Jakab Marastoni; lithograph from a self-portrait (date unknown) Greek Woman (1845) Jakab Marastoni, originally Jacopo Antonio Marastoni (24 March 1804, Venice, Archduchy of Austria–11 July 1860, Pest, Kingdom of Hungary, Austrian Empire) was an Italian-born Hungarian portrait painter and lithographer.
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Jean-Louis André Théodore Géricault (; 26 September 1791 – 26 January 1824) was an influential French painter and lithographer, whose best-known painting is The Raft of the Medusa. Although he died young, he was one of the pioneers of the Romantic movement.
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Alexander Rembrandt McClintock (generally known as Rem) was a professional lithographer based in Melbourne, Australia, active in the 1930s through the 1950s. He was son of the artist Alexander McClintock, cousin of Herbert McClintock, and mentor to the artist Peter Benjamin Graham.
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Bryce Canyon c. 1930 Fanny Adele Watson (1873-1947) was an American painter and lithographer. Watson was born on April 30, 1873 in Toledo, Ohio. She studied at the Art Students League of New York, and then moving to California in 1917.
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Self-portrait (1909) Kazimierz Sichulski (17 January 1879, Lviv - 6 November 1942, Lviv) was a Polish painter, lithographer and caricaturist; associated with the Young Poland movement. His work was part of the painting event in the art competition at the 1928 Summer Olympics.
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Jesus Before the Synagogue Ernő Grünbaum (29 March 1908, in Nagyvárad – between December 1944 and April 1945, in Mauthausen) was a Transylvanian- Hungarian painter, graphic artist, lithographer and illustrator. He worked in a variety of styles, including Art Nouveau, Expressionism and Cubism.
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Olof Johan Södermark; portrait by Johan Gustaf Sandberg (1831) Josephine of Leuchtenberg Olof Johan Södermark (11 March 1790 – 15 October 1848) was a Swedish military officer, painter, graphic artist and sculptor. His son, Per Södermark, was also a well-known painter and lithographer.
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Alphonse Léopold Boilly (3 Mai 1801 in Paris – 8 December 1867 id., Petit- Montrouge) was a French engraver and lithographer. Boilly was a son of the artist Louis-Léopold Boilly (1761–1845). He was a student of Alexandre Tardieu and François Forster.
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Henry Wellge (1850-1917) was a lithographer in the United States. He produced panoramic maps. He had an office in Milwaukee, Wisconsin. His view of Bangor, Maine depicts the era when sail and steam power were both in use on the Penobscot River.
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Lithograph of Delphinium cashmerianum by Gauci, 1833 Maxim Gauci (11 February 1774 – 3 November 1854), born Massimo Gauci, was a Maltese lithographer who was active in the United Kingdom in the 19th century. He was an early exponent of lithography for botanical illustration.
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He was an apprentice lithographer before being appointed as secretary of the hairdressers union. Skirving was President of the Queensland Industrial Council from 1914 to 1916 and, representing the seat of Maree, an alderman with the Brisbane City Council for four years from 1931.
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Julius Bien (27 September 1826, Naumburg - 21 December 1909, Manhattan, New York) was an American lithographer originally from Germany, as well as president of B’nai B’rith for more than three decades. He also produced a lithographed edition of John James Audubon's The Birds of America.
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Elizabeth Campbell Fisher Clay (1871-1959) was an American lithographer and etcher. Clay studied art in Boston, New York, and Paris. After her marriage, she lived in Halifax, West Yorkshire, England and exhibited in London, including two exhibitions at the Royal Academy of Arts.
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Eugène Lepoittevin (1806-1870) was a French landscape painter, lithographer and caricaturist. He was appointed as Peintre de la Marine for the French Ministry of Defence in 1849. His work is exhibited in many museums in France and at the Victoria & Albert Museum in London.
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Georg Wilhelm Timm, also known as Vasily Fyodorovich Timm (Russian: Василий Фёдорович Тимм; 21 June 1820, Riga - 19 April 1895, Berlin) was a Baltic- German painter, lithographer and ceramic designer, known for his genre and battle scenes. He was also the publisher of the '.
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St. Martin's Day at the in Düsseldorf Flower Market in Amsterdam Heinrich Hermanns (19 May 1862, Düsseldorf 21 December 1942, Düsseldorf) was a German lithographer and landscape painter. He was also known for architectural paintings and vedute and was associated with the Düsseldorfer Malerschule.
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Franz Seitz, 1856 Portrait of Franz von Seitz by Franz von Lenbach, c. 1878 Franz von Seitz, born Franz Seitz (31 December 1817 - 13 April 1883) was a German painter, lithographer, engraver and costume designer as well as an art teacher and theatre director.
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Wessels was born in Cape Town, South Africa. He emigrated to the United States with his family as a child. He attended the University of California, and he was trained by Hans Hofmann in Munich, Germany. Wessels was a painter, etcher, lithographer and arts educator.
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Henri Fantin-Latour, Self-portrait (1859), Museum of Grenoble Self-Portrait (1861) Henri Fantin-Latour (14 January 1836 – 25 August 1904) was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers.Rosenblum 1989, p. 162.
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Claude Bonnefond; portrait by Sébastien Melchior Cornu Claude Bonnefond, or Jean-Claude Bonnefond (27 March 1796, Lyon - 27 June 1860, Lyon) was a French painter and lithographer; noted for his portrayals of peasant life. His work was heavily influenced by a visit to Italy.
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Wat Ngong (1785–1867), also known by various other names, was a Chinese Protestant convert, evangelist, and writer from Guangzhou during the Qing dynasty. He was an early lithographer in Malacca, Macao, Guangzhou, and Hong Kong, possibly the first Chinese to master the craft.
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MacIntyre was born on 20 September 1973 in Lochgilphead, Argyll and Bute, Scotland. His family moved to Fort William when he was ten years old. He attended Lochaber High School, leaving in the sixth year and then he trained as a printer and lithographer.
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Hermann Kauffmann, photo, c. 1880 Hermann Kauffmann (the elder) also Herrmann KauffmannAlfred Lichtwark, "Herrmann Kauffmann und die Kunst in Hamburg", 1893, p. 68 (7 November 1808 - 24 May 1889) was a German painter and lithographer, and one of the main representatives of the Hamburger Schule.
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John Thompson (or Thomson) Willing was born on August 5, 1860 in Toronto, Canada. He trained as a lithographer at the Ontario School of Art. Willing was the art director of Metropolitan Magazine. In 1906, he was the art manager of Associated Sunday Magazines.
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Queen Louise in a riding habit (c.1810) Italian Brigand Friedrich Wilhelm Ternite (5 September 1786, Neustrelitz - 22 October 1871, Potsdam) was a German portrait painter, miniaturist and lithographer. In Berlin, he served as a court painter and inspector of the Royal Art Gallery.
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Her first novel, Brynjolfur Sveinsson biskup, was published in Reykjavík in 1882 and was both the first novel and first work by a female author to be formally printed in Iceland."Continental and Foreign Jottings." The Printing Times and Lithographer. XIII (15 November 1882).
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Luis Seoane (1910–1979) was a lithographer and artist. Born in Buenos Aires, Argentina on June 1, 1910, of Galician immigrants, he spent much of his childhood and youth in Galicia (Spain). He was educated in A Coruña. His first exhibition was held in 1929.
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Charles Chabot (baptised 19 March 1815 – 15 October 1882) was an English graphologist who, as part of the firm of Netherclift, Chabot and Matheson, was an early practitioner of questioned document examination. Chabot was born Battersea, the son of Charles, a lithographer, and Amy née Pearson, a couple of Hugenot descent.Henderson (2004) Beginning as a lithographer, he developed as an expert in handwriting and became sought after as an expert witness in a variety of famous trials including the Roupell case and the Tichborne Case. In 1871, Chabot became involved in establishing the identity of Junius and concluded that he was Sir Philip Francis.
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Bernhard Wachtl was an Austrian lithographer whose printing firm was based in Vienna. His work is dated mainly in the latter half of the 19th century and can be traced in Austria as well as in the Mediterranean region. Bernhard Wachtl, like the Vienna-based lithographers K. Krziwanek, Trapp & Munch, Turkel & Steiner, Ipop & Turkel, and Eisenschiml, designed and printed the logos of photographic studios at the verso of the cartons supporting 19th century photographic prints. As a lithographer and printer of this specific product, Wachtl formed contracts throughout the Balkans and the East, from Athens to Batoum, Trebizond, Philippople and from Adrianople to Constantinople (Istanbul), Smyrna and Cairo.
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James M. Ives, photographed by Napoleon Sarony James Merritt Ives (March 5, 1824 - January 3, 1895) was an American lithographer, bookkeeper, and businessman. He oversaw the business and financial side of the firm, Currier and Ives, which he co-managed with his business partner, Nathaniel Currier.
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Self-portrait in his workshop (c.1850) Maksymilian Fajans (May 5, 1827 in Sieradz - July 28, 1890 in Warsaw) was a Polish artist, lithographer and photographer. Fajans won several prizes at the International Photographic Exhibition organized in 1865 in Berlin and, in 1873, at the Vienna Exhibition.
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Bernarda Bryson Shahn (March 7, 1903 – December 13, 2004) was an American painter and lithographer. She also wrote and illustrated children's books including The Zoo of Zeus and Gilgamesh. The renowned artist Ben Shahn was her "life companion" and they married in 1969, shortly before his death.
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Gallo Gallina (1778–1837) was an Italian painter and engraver, active in a Neoclassic style. He was active also as a Lithographer. He helped Giulio Ferrario complete the volumes of Costumi antichi e Moderni. He became the custodian of the Archeologic museum in the Brera Academy.
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Arie Johannes Lamme by an unknown artist (1842) The Big Studio. Arie Johannes Lamme, also spelled Ary (27 September 1812, Dordrecht - 25 February 1900, Berg en Dal) was a Dutch painter, etcher, lithographer, art dealer and museum director. He specialized in genre scenes and historical works.
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Brief biography @ the History of South Holland. At the age of seventeen, he found employment with the lithographer, . From 1860 to 1869, he worked as a designer at the silversmithing firm of in Voorschoten. He then returned to work with Bos, preparing the stones for color lithographs.
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Richard James Lane (16 February 1800 – 21 November 1872) was a prolific English Victorian engraver and lithographer. The National Portrait Gallery has some 850 lithographs of his portraits and figure studies, done between 1825 and 1850. The images include portraits of royalty, society notables and theatre personalities.
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Painting of the Great Comet of 1843, by Mary Morton Allport. Mary Morton Allport (17 May 1806 – 10 June 1895) was an English Australian artist who is thought to be Australia's first colonial professional female artist, lithographer, etcher and engraver. Allport painted landscapes and miniature portraits.
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Félix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted Théophile Gautier's attention at the Salon.
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The Gaals moved again in 1957, to the University of Minnesota, where Lisl Gaal is an associate professor emeritus. In later life, Gaal became a lithographer, making prints that combined mathematical themes with Minnesota scenes. Her book A Mathematical Gallery collects some of her mathematical illustrations.
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Cornelis Kruseman (; 25 September 1797 – 14 November 1857) was a Dutch painter, draughtsman, etcher, lithographer, silhouettist, paper-cut artist, and art collector.Cornelis Kruseman, Netherlands Institute for Art History, 2015. Retrieved on 16 May 2015. His works included portraits, biblical scenes, and depictions of Italian peasant life.
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Clarence Wheeler Bolton (September 16, 1893 – January 7, 1962) was an American painter and lithographer from Woodstock, New York. He was a prominent member of the Woodstock Art Colony in the early and mid-20th century whose works have been exhibited throughout the United States and internationally.
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Josef Kriehuber (14 December 1800 – 30 May 1876) was an Austrian lithographer and painter. He made numerous portraits for nobility and government officials. Josef Kriehuber left more than 3000 lithographs, with portraits of many people. AEIOU Encyclopedia: "Kriehuber, Josef", 2008, (see webpage URL in References below).
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The Burmese peacock softshell turtle, Nilssonia formosa, illustrated by Berjeau, 1878 Philibert Charles Berjeau (10 July 1845 – 1927) was a natural history illustrator and lithographer, active in London in the late Victorian era. His subjects varied widely, including mammals, reptiles and especially birds, as well as fossils.
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In 1820, he was given another major commission from the architect, , to paint a mural at the Collegium Maius depicting the history of the Jagiellonian University. He also worked as a lithographer and illustrated the Monumenta regum Poloniae Cracoviensia (Tombs of the Kings of Poland in Kraków).
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Bruno Weber was born in 1931 in Dietikon, Switzerland. In 1947, he completed college in Zürich under Johannes Itten, the inventor of a "color sphere". Afterwards he began training until 1949 as a lithographer with Orell Fuessli (Zürich); later he studied in Italy, Greece and Czechoslovakia.
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His father was a master carpenter. He spent three years as an apprentice at his father's company, painting furniture, signs and crosses. Encouraged by the lithographer and art dealer, , he enrolled at the Academy of Fine Arts, Vienna. His teachers there included Leopold Kupelwieser and Thomas Ender.
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George Johann Scharf (1788–1860) was a water color painter, draughtsman and lithographer, and father of Sir George Scharf and Henry Scharf. He exhibited his paintings at the Royal Academy from 1817 to 1850, and was a member of the New Society of Painters in Water Colours.
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Another painter named Pietro Gualdi was born in 1808 in Carpi in the region of Emilia-Romagna, but practiced as a panorama painter, architect and lithographer who was active in Mexico City from 1838 to about 1851, and in New Orleans from about 1851 to 1857.
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Marie Battu playing Ines in L'Africaine by Giacomo Meyerbeer. Watercolored lithography by Pierre-Auguste Lamy (v. 1865). Pierre-Auguste Lamy (1 July 1827 in Paris –6 October 1883 in Paris), was a 19th-century French engraver, lithographer and watercolourist. He made his debut at the Salon of 1850.
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The Lacemaker Shepherdess and Her Flock at Rest Edmond Antoine Anne Tapissier (14 June 1861, Lyon – 27 April 1943, Treignac)Archives municipales de Lyon en ligne, naissances 1861 1er arrondissement, acte n°649 du 15/06/1861, vue 112/229 was a French painter, illustrator, lithographer and tapestry designer.
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The set was published by the lithographer, Paul Gauci, 9 North Crescent, Bedford Square, London. There are three notable features in all the Peacocke drawings. First, the play of sunlight in the background of these landscapes is realistic and supplies the title the Sunlit Hillscapes to this series.
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As a printmaker, Traill worked on zinc plates in etching and aquatint. Her biographer Mary Lee observed that in the 1920s Traill "worked with the largest plates that the press would take and achieved dramatic chiaroscuro". She was also a lithographer, a technique in which she was similarly accomplished.
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Ruth Armer (May 26, 1896 - August 29, 1977) was an American abstractionist painter, teacher, art collector, and lithographer, from the San Francisco Bay area in California. Her art is held in the collections of San Francisco Museum of Modern Art, and the Fine Arts Museums of San Francisco.
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Trained as a lithographer, in 1900 he settled in Paris to practice his trade. There he developed a passion for drawing, painting and engraving. Additionally, he began contributing to Jean Grave's Temps Nouveaux. Mobilized during World War I, he nevertheless contributed to Pierre Chardon's clandestine newspaper Semeur in 1916.
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Carel Nicolaas Storm van 's-Gravesande; portrait by Jan Toorop Carel Nicolaas Storm van 's Gravesande (21 January 1841, Breda - 7 February 1924, The Hague) was a Dutch painter, etcher and lithographer; associated with the Hague School. He is best known for seascapes, interior portraits and still-lifes.
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By 1870 Hart had become Gould's chief artist and lithographer. After Gould's death in 1881, Hart was employed by Richard Bowdler-Sharpe of the British Museum to complete Gould's work on the birds of New Guinea and to produce illustrations for Sharpe's monograph on the birds- of-paradise.
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Bolton Coit Brown (November 27, 1864 – September 15, 1936) was an American painter, lithographer, and mountaineer. He was one of the original founders of the Byrdcliffe Colony in Woodstock, NY, part of what is now referred to as the Woodstock Art Colony. Bolton Brown, Sketch of Mount King, 1896.
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Battle of the Dunes by Charles Philippe Larivière, Galerie des batailles, château de Versailles. Levée du Siège de Malte by Charles-Philippe Larivière (1798–1876). Salle des Croisades, Versailles. Charles-Philippe Larivière (28 September 1798 in Paris – 29 February 1876 in Paris) was a French academic painter and lithographer.
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There is some evidence he had been trained as a lithographer. In fact, most of his works are circled by vignettes, which was common practice in contemporary lithographs.Biography @ the National Gallery of Art. He would be intermittently confined to almshouses for drunkenness throughout the remainder of his life.
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1832 Portrait of Franz Hanfstaengl (1804-1877) by Friedrich Dürck. Franz Hanfstängl in later life. Franz Seraph Hanfstaengl (1 March 1804, in Baiernrain near Bad Tölz – 18 April 1877, in Munich) was a Bavarian painter, lithographer and photographer.This article contains translations from the German Wikipedia, 30 January 2008.
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Beginning in 1888, after completing his formal art training in New York City at the Art Students League of New York, where he studied with William Merritt Chase, among others, and at the Académie Julian in Paris, France, Stark worked as a lithographer, commercial artist, and illustrator in New York City and in Philadelphia, Pennsylvania. He returned to the Midwest after the death of his French wife, Marie, in 1891, and worked as a lithographer in Cincinnati until 189, when he established his home and studio in Indianapolis. Stark raised his four children in Indianapolis and continued his career there as a painter and art educator for the remainder of his life.
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Stark began his career in the mid-1870s as a lithographer in Cincinnati, Ohio, and, after completing his art studies in France in 1888, worked as a lithographer, commercial artist, and illustrator in New York City and in Philadelphia, Pennsylvania. Stark returned to the Midwest after the death of his French wife in 1891, and established his home and art studio in Indianapolis in 1893. Stark was supervisor of art instruction at Emmerich Manual High School in Indianapolis from 1899 to 1919, and worked part-time on the faculty of the John Herron Art Institute from 1905 to 1919. He retired from teaching in 1919 to work as a full-time painter.
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The son of a librarian in the Conseil d'État, a teacher of English in the high school of Bourges, he abandoned this business, became a journalist at the Journal du Cher, then a lithographer and printer, patented in Paris February 14, 1829 in succession to Pierre-François Ducarme. In 1829 he founded with the lithographer printer Sylvestre Nicolas Durier the illustrated periodical '. We owe him numerous lithographs and engravings for theatrical publications and magazines such as Album pour rire or Miroir des dames, and many poster prints. He was also the printer and translator of English language novels such as Uncle Tom's Cabin by Harriet Beecher Stowe (1853) or Evangeline by Henry Longfellow (1864).
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Napoleon Sarony (March 9, 1821 – November 9, 1896) was an American lithographer and photographer. He was a highly popular portrait photographer, best known for his portraits of the stars of late-19th-century American theater. His son, Otto Sarony, continued the family business as a theater and film star photographer.
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Joseph John Jones (1909–1963) was an American painter, landscape painter, lithographer, and muralist. TIME magazine followed him throughout his career. Although Jones was never a member of the John Reed Club, his name is closely associated with its artistic members, most of them also contributors to the New Masses magazine.
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Loÿs Delteil self-portrait (1898) Loÿs Henri Delteil Leo Delteil (1869–1927), was a French engraver and lithographer, publisher, dealer, art historian and compiler of 19th-century graphics catalogues. A sale of his extensive print collection was held after his death at the Hôtel Drouot on 13–15 June 1928.
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The soldier's wife accompanying him in his foreign deployment died on the same day after hearing of her husband's death. Kemmis was to adopt Philippa, together with his sister, who continued to raise her in Cheltenham after Kemmis' death. Philippa was to marry renowned Cheltenham topographical artist and lithographer George Rowe.
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His father was a teacher and amateur artist, who gave him some of his first lessons. He was also apprenticed to a lithographer in Mirecourt.Brief biography @ the Le Vésinet website. In 1856, he enrolled at the École des Beaux-arts, where he studied with Sébastien Cornu (1804-1870) and Charles Gleyre.
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Rudolf Schlechter was born on 16 October 1872 in Berlin, the third of six children. His father Hugo Schlechter was a lithographer. After finishing school at the Friedrich Wilhelm Gymnasium he started a horticulture education, first at the gardening market of Mrs. Bluth and then at the University of Berlin garden.
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Alfred Cornelius Howland (12 February 1838 – 17 March 1909) was an American painter. Fourth of July Parade, c.1886, High Museum of Art, Atlanta He was born February 12, 1838, in Walpole, New Hampshire. As a youth, he worked as an engraver in Boston and a lithographer in New York.
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Portrait of Encarnación Ezcurra; possibly done with Carlos Morel. (c.1835) Portrait of Juan Manuel de Rosas. (c. 1850) Fernando García del Molino (23 March 1813, Santiago - 1899, Buenos Aires) was a Chilean-born Argentine portrait painter, miniaturist and lithographer. Many of his portraits were done from photographs or daguerrotypes.
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The Odalisques (Museum of Grenoble). Jacqueline Marval was the pseudonym for Marie Josephine Vallet (1866–1932), a French painter, lithographer, and sculptor. Vallet was born 19 October 1866, in Quaix-en-Chartreuse into a family of schoolteachers. She separated from her husband in 1891 and earned a living making waistcoats.
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Grafton Tyler Brown, View of Yosemite Valley, 1886. Brooklyn Museum, 2012.92 Brown moved to San Francisco in 1858 and worked as a hotel steward and porter. He worked as a lithographer before becoming known as a painter in the 1880s. In San Francisco, he worked at Kuchel & Dressel from 1861–1867.
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His father was the lithographer Thomas Driendl (1805–1859). While fighting in the Franco-Prussian War, he met and befriended the painter Georg Grimm.Brief Biography @ the Enciclopédia Itaú Cultural. After the war, in 1873, he joined Grimm at the Academy of Fine Arts, Munich,Brief biography @ Dicinário de Artistas do Brasil.
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Merritt Mauzey (1897-1973) was an American lithographer and noted children’s book author and illustrator in the mid-20th century. Associated closely with the Dallas Nine group of artists, Mauzey was a self-taught artist known for his depictions of rural life and the cotton industry in his native Texas.
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Bergold was born in Saxony. His father was a lithographer and porcelain painter who later worked as a library administrator. Wolfgang Bergold successfully completed his school career in 1932 and then started to study Economics, Russian and Chinese at the Dresden University of Technology. However, he was excluded in 1933.
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William Victor "Bill" Gropper (December 3, 1897January 3, 1977) was a U.S. cartoonist, painter, lithographer, and muralist. A committed radical, Gropper is best known for the political work which he contributed to such left wing publications as The Revolutionary Age, The Liberator, The New Masses, The Worker, and The Morning Freiheit.
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Marian Maguire (born 1962) is a lithographer from New Zealand. She is known for juxtaposing landscapes, historical characters, and mythical figures from New Zealand and from ancient Greece, mixing the realism of 19th-century colonial prints with the more stylized designs of Greek black-figure pottery and Māori wood carvings.
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One of the daughters was the sculptor Julie Marstrand. Marstrand's second wife was children's book writer Margrethe Lønborg Jensen (30 March 1874 - c. 15 October 194), a daughter of lithographer Harald Christian Jensen (1834-1913) and Andrea Petrine Lønborg (1836-1912). They were married on 8 July 1915 in Frederiksberg.
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Gösch's "o.T." (1928). Paul Gösch (30 August 1885 - 22 August 1940), also Goesch or Göschen, was a German artist, architect, lithographer, and designer of the early twentieth century; he was associated with the main elements of German Expressionism.Anonymous, Paul Gösch, 1885-1940: Aquarelle und Zeichnungen, Berlin, Berlinische Galerie, 1976 (exhibition catalogue).
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Blanche Hennebutte-Feillet View of Biarritz (Blanche Hennebutte-Feillet, c.1840) Blanche Hennebutte-Feillet (1815–1886) was a French lithographer and painter. She is remembered in particular for the lithographs she created for albums illustrating Bayonne and the Basque Country. As a painter, she exhibited in the Paris salon from 1841.
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Adolf Dauthage, self-portrait, 1848 Adolf Dauthage (20 February 1825, Vienna – 3 June 1883, Rustendorf (now a part of Rudolfsheim-Fünfhaus), near Vienna) was an Austrian lithographer who produced many portrait lithographs. After a period of study at the Vienna Academy, he worked in the studio of Josef Kriehuber for four years.
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Painting by Abraham Hulk the Elder Abraham Hulk Senior (1 May 1813 in London – 23 March 1897 in Zevenaar) was an Anglo-Dutch painter, draughtsman and lithographer. He initially trained as a portraitist, but became a well-known as a marine-painter and the patriarch of a whole family of Anglo-Dutch artists.
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Johan Gudmann Rohde (1 November 1856 – 18 February 1935) was a Danish painter, lithographer and designer. He was the principal founder of Den Frie Udstilling, established in 1891 to allow artists to exhibit works which did not fall within the Academy's selection criteria."Om Den Frie" , Den Frie Udstilling. Retrieved 30 January 2013.
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Albert Robida (14 May 1848 – 11 October 1926) was a French illustrator, etcher, lithographer, caricaturist, and novelist. He edited and published La Caricature magazine for 12 years. Through the 1880s, he wrote an acclaimed trilogy of futuristic novels. In the 1900s he created 520 illustrations for Pierre Giffard's weekly serial La Guerre Infernale.
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He quickly gained a reputation as an accomplished lithographer. In 1840, he produced "Awful Conflagration of the Steam Boat Lexington", which was so successful that he was given a weekly insert in the New York Sun. In that year, Currier's firm began to shift its focus from job printing to independent print publishing.
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Henriette Hahn-Brinckmann Henriette Hahn-Brinckmann: Dansk Ingefær (Danish Ginger) in the Japanese woodcut style (1933) Henriette Christine Hahn- Brinckmann (1862–1934) was a Danish-German painter and lithographer. Among her most interesting works are those created with Japanese woodcutting tools which her husband, the museum curator Justus Brinckmann, brought to Hamburg.
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His hunting-pieces, races, landscapes, and work as a lithographer were also very popular. Carle's sister was executed by the guillotine during the Revolution. After this, he gave up art. The Plaster Kiln at Montmartre When he again began to produce under the French Directory (1795–1799), his style had changed radically.
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Bedford was the son of the successful church architect Francis Octavius Bedford. He was christened at St Giles in Camberwell on 11 September 1815. He began his career as an architectural draughtsman and lithographer, before taking up photography in the early 1850s. He helped to found the Royal Photographic Society in 1853.
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He was born in Ortona a Mare. His father Basilio, who was a painter, engraver, ceramist, lithographer and illustrator, was his first and most influential teacher. Before Michele was born, he lived and worked in Naples, Milan, Turin, Venice, London and Palermo. In 1895, Basilio moved the family from Ortona to Pescara.
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American Progress, 1872 John Gast (b. 21 December 1842 in Berlin, Prussia – d. 26 July 1896 in Brooklyn) was an American painter and lithographer. His most famous work is American Progress (1872); this painting and many of his drawings are found in the Autry Museum of the American West in Los Angeles.
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Octave Tassaert (date unknown) Nicolas François Octave Tassaert (Paris, 26 July 1800 – Paris, 24 April 1874)Art Fact - Octave Tassaert Biography was a French painter of portraits and genre, religious, historical and allegorical paintings, as well as a lithographer and engraver. He was the grandson of the sculptor Jean- Pierre-Antoine Tassaert.
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Harry was born in Lambeth, Surrey, the eldest son of Henry Heath "Harry" Glover (ca.1810 – 2 March 1858) and his wife née Gerrard, and brother of Sydney George Glover (ca.1828 – 6 January 1908). He served an apprenticeship as lithographer with his father, then gained experience with several London lithographic firms.
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He was already an accomplished draftsman and painter with considerable talent and many scientific interests, particularly in the natural sciences and ethnography. Soon after his arrival, he got a job in a women's fashion store and then as a lithographer in a bookstore and printing shop, owned by his compatriot Pierre Plancher.
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Eastman Johnson, The Funding Bill also known as Portrait of Two Men, 1881. Depicts Robert W. Rutherford and Samuel W. Rowse (right). Samuel Worcester Rowse (January 29, 1822 – May 24, 1901) was an American illustrator, lithographer, and painter. He was most famous for his drawings of Ralph Waldo Emerson and Henry David Thoreau.
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Cruz, Manila. Felipe Mendoza, a lithographer and Cruz's right-hand man, was elected President. Crisanto Evangelista, a typesetter, was Secretary-General; this was the first occasion Evagelista was associated with the labor movement as a leader. Ciriaco Cruz was indicated as an official, however his position is not mentioned in the records.
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After returning to Cincinnati in 1885 he resumed his studies with Noble. In 1886, he departed for Paris, where he studied with Fernand Cormon. In 1895 he relocated to New York City and remained there until his death in 1927. Until the age of thirty-nine Potthast earned a living as a lithographer.
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Heinrich Vianden, better known as Henry Vianden (July 9, 1814 – February 5, 1899), was a German American lithographer and engraver. He was nicked "The Bear" by his friends and is often considered as "father of Wisconsin art".Lifetime Achievement Awards honor first group of visual artists: Henry Vianden (1814-1899) at www.portalwisconsin.org.
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Born in Paris on 5 November 1815, Blanche Feillet was the daughter of the painter and lithographer Pierre Jacques Feillet (1794–1855) and Hélène Pernotin. On 24 January 1844, she married Charles Henry Firmin Hennebutte, a publisher, with whom she had two children: Henri Joseph Ernest (1845) and Pierre Louis Gaston (1856). She moved to Madrid with her family in 1829 before settling in Bayonne in 1834. Unlike her sister Hélène, she was more of a lithographer than a painter. She did nevertheless exhibit in the Paris Salon in 1841 with "Vue d’un moulin près de Saint-Jean-Pied-de-Port" and in 1848 with "Naufrage dans les rochers de Biarritz près de Bayonne" and "Vue de l’entrée de la Barre de Bayonne".
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Tower of the old church, today called Vieux Saint-Sauveur, at the start of the 19th century. 1818 Henri IV exhumé/ Dédié au Roi by Eustache-Hyacinthe Langlois from a painting by Théodore Basset de Jolimont François Gabriel Théodore Basset de Jolimont (8 February 1787 - 1854) was a French artist, lithographer, painter and antiquary.
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Adolphe Willette in 1913 Adolphe Léon Willette (30 July 1857, Châlons-sur- Marne4 February 1926, Paris) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections.
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Maxine Albro (January 20, 1893 Ayrshire, Iowa - July 19, 1966 Los Angeles) was an American painter, muralist, lithographer, mosaic artist, and sculptor. She was one of America's leading female artists, and one of the few women commissioned under the New Deal's Federal Art Project, which also employed Jackson Pollock, Mark Rothko, and Willem de Kooning.
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Reiffel was born in 1862 in Indianapolis, Indiana. Reiffel was initially a lithographer, and he took up painting in 1912. He was self-taught, and he painted en plein air as a post-impressionist. Reiffel first moved to the art colony of Silvermine, Connecticut, where he was the president of the Silvermine Artists' Guild.
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Hoffensberg was born in Copenhagen, the son of military officer and lithographer Frantz Hoffensberg (1804–419) and Else Kirstine Møller. His father was later married second time to Caroline Sørensen. Hoffensberg was educated as a typographer in W. Laub's book printing business in Nykøbing Falster and later worked as anassistant in the Ministry of Defence.
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Among Johannes' collection were works by Andreas Schelfhout and Bartholomeus van Hove. Johannes' cousin Jan (1822–80) was a well-known painter of townscapes. Another cousin Frederik Hendrik (1828–87) was a lithographer, while his younger brother Frederik Johan, his uncle Daniel and his nephew Isaac (1826-1912) were all engravers.de Leeuw et al p.
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Louis Kurz first worked as a lithographer in Milwaukee, together with Henry Sifert. After the Civil War, he was one of the founders of the Chicago Lithographing Company. He worked there until the company was destroyed in the Great Chicago Fire of 1871. He then returned to Milwaukee, and started the American Oleograph Company.
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Francis Ernest Jackson was born on 15 August 1872 in Huddersfield, the son of a printer. He was apprenticed as a lithographer, and later attended life-drawing classes at the Yorkshire College. He then studied in Paris at the Académie Julian and the École des Beaux-Arts under Bouguereau, Ferrier, J.-P. Laurens and Constant.
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1000 Hungarian korona banknote (1920) designed by Ferenc Helbing Ferenc Helbing (25 December 1870 - 28 January 1958) was a Hungarian graphic artist and painter. Helbing was born in Érsekújvár, Kingdom of Hungary (today Nové Zámky, Slovakia). He started his career as a lithographer. After studying applied graphics and applied arts, he became a printing manager.
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A portrait of Napoléon Aubin from the archives of the city of Montreal Napoléon Aubin (9 November 1812 - 12 June 1890), christened Aimé-Nicolas, was born from a Swiss family in Chêne-Bougeries, a district of Geneva, at the time a territory of France. He was a journalist, writer, publisher, scientist, musician and lithographer.
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His first art lessons were in the workshop of his father, the French-born lithographer, José Adolfo Hequet (1826-1888). In 1886, he went to Paris to perfect his etching techniques with . Two years later, he enrolled at the municipal art school in the 14th arrondissement, operated by .Brief biography @ Porton de san Pedro.
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Union Troops Upon Fort Thompson, Near New Bearne, ca. 1862 by Francis H. Schell Francis H. Schell (1834–1909) was an American artist, illustrator, and lithographer, active in Philadelphia and New York. Many of his works appeared in Frank Leslie's Illustrated Newspaper, where he headed the art department, the Century, and several other publications.
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The withdrawing room of Bramall Hall, Cheshire. Stafford House (now Lancaster House, London) central hall and principal staircase, 1850. Joseph Nash (17 December 180919 December 1878) was an English watercolour painter and lithographer, specialising in historical buildings. His major work was the 4-volume Mansions of England in the Olden Time, published from 1839–49.
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Raskin was born in 1878 in Nogaisk in the Russian Empire now known as Prymorsk in Ukraine. He studied lithography in Odessa and then traveled extensively in Germany, France, Italy and Switzerland visiting art schools and working as a lithographer. Raskin immigrated to the United States arriving in New York City in 1904 or 1905.
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Ann Chernow who is a painter, lithographer, and creates a cemetery concerning oil and war. James Read who is a master print maker who operates a lithography press and "who is not that different in many respects from the old-time pressmen and women who worked in the bowels of a largely dying print industry".
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Upon his release he joined the U.S. Navy as a Lithographer, 3rd class (LI3). He graduated from the National Geospatial-Intelligence School, Fort Belvoir, VA, for graphic design in Adobe Photoshop. In 2002 he was stationed at Naval Air Station Fallon AKA "TOPGUN" in Fallon, NV, where he worked in the Reprographics department's print shop.
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There is very little information available about Frederick Fiebig. He was probably of German origin and became a lithographer in Calcutta in the 1840s. He should not be confused with his contemporary and German compatriot, the Letton born post impressionist and expressionist painter Frédéric Fiebig. He was possibly also a piano teacher for a time.
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Josef Eduard Teltscher, born 15 January 1801 in Prague, Bohemia, was an Austrian painter and lithographer. He was one of the best Viennese portrait lithographers and watercolourists of the first half of the nineteenth century in Central Europe, and as a miniaturist, according to his contemporaries, he was no less than Moritz Daffinger himself.
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Denis Auguste Marie Raffet, portrait by Auguste Bry Michel Ney at the battle of Kowno by Raffet Sape Volante, 1853, Dallas Museum of Art Denis Auguste Marie Raffet (2 March 180416 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire.
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Fowler was born in Lichfield. He was a pupil of Lichfield architect Joseph Potter junior.Colvin, H; A Biographical Dictionary of English Architects, 1600–1840; Yale University Press, revised 3rd edition (1995), At Louth he was initially in partnership with Joseph Maughan, a surveyor and lithographer in Grimsby. The partnership lasted from 1851 until June 1859.
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Ramón Torres Méndez (29 August 1809 - 16 December 1885) was a Colombian painter and lithographer considered one of the most prolific and important costumbrismo artists of the 19th century in Colombia, best known for his genre works into everyday Colombian life documenting the costumes, occupations, and pastimes of the common people of his time.
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Die Einquartierung ("Occupying New Quarters") (c. 1890) Julius Adam was a member of the important Adam family of Munich artists. His grandfather was Albrecht Adam, his uncles were Benno, Franz and Eugen Adam, and his cousin Emil Adam, all painters. His father, also called Julius Adam (1821–1874), was primarily a lithographer and photographer.
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Masquelier's engraving of the singer Marie-Anne Barilli-Bondini, after a drawing by Sophie-Clémence de Lacazette Claude-Louis Masquelier, Masquelier fils or Masquelier the Younger (March 1781 – 5 April 1851) was a French lithographer and engraver. He was born in Paris, where he also died. He studied under his father Louis-Joseph Masquelier.
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State and local archives in New York may contain even more of Burleigh's views. He was listed in an 1883 city directory for Troy as a civil engineer and become a lithographer and view publisher by 1886. The period of his greatest productivity of prints continued until 1890. Burleigh was born in Plainfield, Connecticut.
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Due to Lili's jealous behavior, Belleroche and his wife moved to England, first living with his mother in St John's Wood, Westminster. In 1912, they moved to West Hampstead and six years later they moved to Rustington, Sussex. The couple had a daughter Alice and two sons, Harry and William. Belleroche became a master lithographer.
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Darius Cobb (August 6, 1834 – April 23, 1919) was a noted American painter. Cobb was considered to be one of America's best painters during his lifetime, as well as a painter of society portraits, landscape, religious themes and historical costumes. He was also noted as a musician, singer, poet, lecturer, lithographer, and art critic.
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Another son, Edward Stanley Poole (1830–1867), became an Arabic scholar and editor of the Encyclopædia Britannica. Sophias' brother was Richard James Lane, a distinguished engraver and lithographer. Her other brother, Edward William Lane was an orientalist like her and so were her sons Reginald Stuart Poole and Stanley Lane-Poole who were notable orientalists and archaeologists.
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He became a prominent Post-Impressionist painter, art nouveau illustrator, and lithographer, and, through his works, recorded many details of the late-19th-century bohemian lifestyle in Paris. Toulouse-Lautrec contributed several illustrations to the magazine Le Rire during the mid-1890s. After initially failing college entrance exams, he passed his second attempt and completed his studies.
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Andreas Staub (17 October 1806 – 5 April 1839) was an Austrian watercolour painter and lithographer. Staub was born in Markirch in Alsace and committed suicide in Vienna at the age of 32. Of his life little is known. He entered the Vienna Academy of Fine Arts at the age of 19 and shortly thereafter was exhibiting his watercolours.
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Vernon Hill was born in 1887 in Halifax, Yorkshire. He began formal training in print-making at an early age; at the age 13 he was apprenticed to a lithographer. In about 1908, at the age of 21, Hill moved to London and took up poster illustration, working under John Hassall, a poster designer and illustrator.Vernon Hill.
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Otto Botticher (19 May 1811 - 1 Jul 1886) was a German-born painter and lithographer best known for his 1864 rendering of a baseball game at a prisoner of war camp during the American Civil War. That illustration, Union Prisoners at Salisbury, NC, was based on Botticher's experience as a prisoner at the camp in 1862.
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François-Séraphin Delpech (1778 – 25 April 1825) was a French artist and lithographer. Delpech served as an art critic for the Mercure de France during the period of the First French Empire. In 1818, he opened a printmaking studio in Paris. From 1819 onward, Delpech produced lithographic portraits of a number of leading figures of his time.
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George Albert Harris, also known as George Harris (1913-1991), was an American painter, muralist, lithographer, and educator. He was a participant in the WPA Federal Art Project and was among the youngest artists on the mural project at Coit Tower. Harris' style is California Modernism, often working in abstraction, focusing primarily on still lifes and portraits.
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He also liked the opera and depicted several scenes from popular operas. He was also listed as a lithographer and was involved in publishing books and images. He had several daughters and one of them, Carola Crosio, married the famous mathematician Giuseppe Peano (of Peano axioms fame) in 1887. In 1898 he painted the famous Refugium Peccatorum Madonna (i.e.
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Karl Bryullov on his deathbed (1832) Son of an artisan Luigi and his wife Paola Marazzi, he was born in Pavia. He followed his brother Giuseppe, an engraver and lithographer at Milan. When he was early 12 years of age, he was admitted to the Brera Academy.La Pittura lombarda nel secolo XIX., Tipografia Capriolo e Massimino, 1900, page 58.
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Gaetano Gigante (1770 in Naples - 1840) was an Italian painter and engraver, active mainly in Naples, Italy. He was the father of Giacinto Gigante, one of the main painters of the School of Posillipo, Emilia Gigante and Ercole Gigante (1815-1860); and Achille Gigante (1823-1846), a lithographer and designer of acquaforte. Gaetano received his training with Giacinto Diano.
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Following his wife's death in November 1891, Stark moved his four children to Indianapolis, Indiana, so that his father and sister could care for them while he worked as a lithographer in Cincinnati, Ohio. Stark returned to Indianapolis in late 1893 to establish an art studio and begin his career as an Indianapolis art instructor and continued to paint.
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The docks at Hoboken, early 20th century When Sinatra's mother, Natalina, was a child, her pretty face earned her the nickname "Dolly". As an adult, she stood less than five feet tall and weighed approximately 90 pounds. Sinatra biographer James Kaplan describes her as having a "politician's temperament—restless, energetic, unreflective". She was the daughter of a lithographer.
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Seitz was a native of Munich, Bavaria, son of Johann Baptist Seitz. He studied at the Munich Academy of Art under Joseph Schlotthauer and afterwards worked independently as a lithographer and engraver. In 1848 he took over the artistic direction of the satirical newspaper Leuchtkugeln. From 1855 he was the costume director of the Munich Hoftheater.
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Calavera oaxaqueña, 1903, one of his many broadsheets. José Guadalupe Posada Aguilar (1852 – 1913) was a Mexican political lithographer who used relief printing to produce popular illustrations. His work has influenced numerous Latin American artists and cartoonists because of its satirical acuteness and social engagement. He used skulls, calaveras, and bones to convey political and cultural critiques.
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She was the daughter of portrait painter Gustav Graef and Franziska Liebreich (1824-1893), a lithographer. She studied with her father and, in 1892, married the painter Reinhold Lepsius. She and her husband were held in equal regard and were very popular with the business community and the wealthy. Her brother was the art historian Botho Graef.
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The Raft of the Medusa ( ) – originally titled Scène de Naufrage (Shipwreck Scene) – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Completed when the artist was 27, the work has become an icon of French Romanticism. At ,Berger, Klaus. Géricault and His Work. Lawrence: University of Kansas Press, 1955. 78.
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Clifford Webb RBA 1936, RE 1948 (14 March 1894 – 29 July 1972) was an English artist, illustrator and writer. He specialised in animal drawings. He was apprenticed as a lithographer, but served in the British Army (Wiltshire Regiment) during World War I and then studied at the Westminster School of Art. He fought at Mons, Gallipoli and in Mesopotamia.
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Bower Featherstone was a Canadian civil servant who was convicted of espionage in 1966. Featherstone was a lithographer who worked for the Department of Energy, Mines and Resources. A promising young officer in the RCMP Security Service, Gilles G. Brunet, played a significant role in his conviction, work for which he won a promotion. His handler was Eugen Kourianov.
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Hans Rudi Erdt (31 March 1883 – 24 May 1918)A few German sources place Erdt's death in different years: Alexander Kauther - 1925; the German National Library - 1924. The most commonly used date is 1918 was a German graphic designer, lithographer and commercial artist known for his contributions to the Sachplakat movement created by Lucian Bernhard.Consuegra, p. 1924Vit, p.
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His twin brother Luigi BartezagoPalazzo Morando , history of collections. (he appears to have also died the same year) was a painter, lithographer, photographer, and costume designer for the Teatro La Scala of Milan starting in the 1870s.Lombardia Beni Culturali, costume for I promessi Sposi. It is said that he also signed his vedute as Bartezaghi, Battezzati.
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Andrew Picken was born in Paisley, Scotland, the son of a rich clothing manufacturer. He was in business in the West Indies and in Glasgow and Liverpool, but not being successful, he went to London to try his fortunes in literature. Picken married Janet Coxon, daughter of an Edinburgh bookseller. They had four sons, including Andrew Picken the lithographer.
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Neoditrema ransonnetii is a species of surfperch native to the Pacific coasts of Korea and Japan. This species grows to a length of FL. This species is the only known member of its genus. The specific name honours the Austrian diplomat, painter, lithographer, biologist and explorer Eugen von Ransonnet- Villez (1838-1926), who obtained the type specimens in Japan.
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Carl Nicolaj Marius Simonsen (30 November 1828 – 5 December 1902) was a Danish lithographer and publisher. He operated C. Simonsens Kunst- og Stentrykkeri from 1868 to 1898 and published the Danish magazine Punch from 1873 to 1895. His company was based at Gammel Strand 50 in Copenhagen. He was the father of the writer Konrad Simonsen.
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George Dunn was an American music publisher and lithographer. He entered the music publishing business in 1863, during the American Civil War and rapidly rode to prominence.Abel, pgs. 269-271 His firm was George Dunn & Company, and during the War Dunn published thirty-two works on his own and twenty-four with partner Julian A. Selby.
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Portrait of French politician Adolphe Billault. Charles-Louis Bazin, a French painter, sculptor, engraver, and lithographer, was born in Paris in 1802, where he died in 1859. He was a pupil of Girodet-Trioson and of Gérard, after the latter of whom he engraved a portrait of Albertine de Stael, Duchesse de Broglie. Portrait of Józef Zaliwski, Polish officer.
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Furthermore, the leading lithographer Vincent Brooks was able to produce an exact imitation of the "ground" of one of the examples exhibited at South Kensington by taking an impression from an aquatint engraved plate on paper used for transfer lithography.George Wallis. The Ghost of an art-process (The Art Journal, volume 5, pub. Vertue, 1866) pp. 251-5.
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Rojo Garcia was born on 2 March 1949 in the city of a village of Burgos. He moved to Vitoria-Gasteiz when he was very young. A lithographer and graphic artist by trade he moved into politics in 1976, and rose quickly through the ranks of the PSE-EE (Basque Socialist Party). He is married, and has two daughters.
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Henry Heath "Harry" Glover (14 July 1801 – 2 March 1858) was an English artist who emigrated to South Australia in 1849. He is noted for producing what may have been the first lithographs in the young colony. His elder son Henry Heath Glover Jr. had a career as artist and lithographer in Melbourne, Sydney, and Christchurch, New Zealand.
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Evangeline "EJ" Montgomery (born May 2, 1930 in New York, New York) is an American artist known primarily for her metal work. She has also worked as a printmaker, lithographer and curator. She received the Women's Caucus for Art Lifetime Achievement Award in 1999. Art historian Floyd Coleman has said she “is an important figure in American art.
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Daumier was not only a prolific lithographer, draftsman and painter, but he also produced a notable number of sculptures in unbaked clay. In order to save these rare specimens from destruction, some of these busts were reproduced first in plaster. Bronze sculptures were posthumously produced from the plaster. The major 20th-century foundries were F. Barbedienne Barbedienne, , and .
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Karl Albiker (16 September 1878 in Ühlingen-Birkendorf – 26 February 1961 in Ettlingen) was a German sculptor, lithographer and teacher of fine arts. Albiker studied with Auguste Rodin in Paris. From 1919 to 1945 he was a professor at the Dresden Academy of Fine Arts. His monumental statues, like those of Georg Kolbe, reflected National Socialist heroic realism.
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He began as a main caricaturist in 1866 for the satirical periodical A Pacotilha (English: Fake, later Pandokeu (Joker)). In September 1869 he started with his brother Adolfo the weekly O Mosquito (The Mosquito). In April 1871 he bought O Lobisomen (The Werewolf) from the lithographer António Alves do Vale. Faria and Vale signed some works together.
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A Couple Embracing - 1881 Eugène Louis Lami (12 January 1800 – 19 December 1890) was a French painter, watercolorist, lithographer, illustrator and designer. He was a painter of fashionable Paris during the period of the July Monarchy and the Second French Empire and also made history paintings and illustrations for books such as Gil Blas and Manon Lescaut.
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Jean-François-Ernest Jaime (28 April 1804 - 7 June 1884) was a French watercolourist, lithographer, art historian and playwright. He was the father of dramatist Adolphe Jaime (1824–1901). He collaborated to Le Figaro and La Caricature. His plays were presented on the most significant Parisian stages of the 19th century: Variétés, Gaîté, Palais-Royal, etc.
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John Henry Matthews IV (1888 - July 7, 1956) was the Mayor of Brantford, Ontario, Canada (1946-1947), Known as Jack to his friends, he married in 1914 to Florence Honoura Yeune. They had ten children. He was a lithographer with the Brantford Expositor. He was involved in many political situations including losing his deposit as a CCF candidate.
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Ottinger has also worked as a photographer, lithographer and painter.The St. James Women Filmmakers Encyclopedia (edited by Amy L. Unterburger), Visible Ink press, 1999, p.319 Since 2019, she has been a member of the Academy of Motion Picture Arts and Sciences.Academy Invites 842 To Membership Academy of Motion Picture Arts and Sciences, press release of August 1, 2019.
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Cornelis Rol (September 2, 1877 – January 31, 1963) was a Dutch graphic artist, painter, lithographer and illustrator. He was best known for his participation in sixteen Verkade albums. Rol received his artistic education at the Teken school in Edam and at the Rijksnormaal school in Amsterdam . He later became a drawing teacher at the Applied Arts Quellinus Amsterdam.
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The landscape artist and lithographer William James Blacklock lived in Cumwhitton from 1818 to 1836 and from 1850 to 1854. He painted scenery in Cumbria, the Lake District, and the Scottish Borders. In 1818 Blacklock moved from London to Cumwhitton.William Blacklock's Biography, Retrieved 26/04/2012 He is believed to have lived in Cumwhitton House with his family.
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McDermott worked as a lithographer. After the outbreak of the First World War in August 1914, McDermott enlisted in the Royal Scots. He was serving as an appointed lance corporal when he received facial wounds at Gallipoli on 28 June 1915, from which he died of wounds on 12 July 1915. He was commemorated on the Helles Memorial.
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Johanne louise Heiberg and Ludvig Phister in Johan Ludvig Heiberg's play No at the Royal Danish Theatre, 1937 Edvard Lehmann (1815-1892) was a Danish painter, illustrator and lithographer who is mainly remembered for his work as a theatre painter. His drawings and watercolours are an importance source of knowledge about Danish theatre during the Danish Golden Age.
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Victor Huen (2 March 1874, Colmar - 15 December 1939) was a painter, lithographer and illustrator, specializing in military subjects and uniform illustrations. He is most notable for his part in the series of uniform cards Les uniformes du Premier-Empire headed by commandant Louis-Eugène Bucquoy. He also collaborated with the illustrator Hansi on children's books.
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Louis-Joseph Masquelier or Masquelier the Elder (21 February 1741 – 26 May 1811) was a French draughtsman and engraver. Born in Cysoing near Lille in northern France, he died in Paris. He was very close to François-Denis Née, with whom he studied under Jacques-Philippe Le Bas. His son Claude-Louis Masquelier was also an engraver and lithographer.
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1, Hall & English, Birmingham. who was to eventually take over after his father's death. Vincent's eldest son Alfred William Brooks had preceded his younger brother into the firm but ‘never had very robust health’ and by 1901 had left the business.The 1901 Census records Alfred’s occupation as ‘retired Lithographer’. Census Returns of England and Wales & Channel Islands Census, 1901.
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England and Wales Civil Registration Indexes. London, England. No. 245, Seventh August 1921, 27 Hornsey Rise Gardens, Male, 72 years, Lithographer, Cause of death:(1)Hodgkiss disease [Hodgkins] (2)Asthenia, Informant: F A Brooks, Son present at death 27 Hornsey Rise Gardens Islington. and the business passed to two of his sons, Wilfred Vincent Brooks and Frederick Allan Brooks.
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Braquehais was born in Dieppe, Seine-Maritime, in 1823. Deaf from a young age, he attended the Institut royal des sourds et muets (Royal Institute of the Deaf and Mute) in Paris. He worked as a lithographer in Caen until 1850, when he met photographer Alexis Gouin (ca. 1790s–1855), and moved to Paris to work in Gouin's studio.
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Poster for a Salon des Cent exhibition in December 1899 Fernand Louis Gottlob was born in Paris in 1873. He studied under the painter-decorator Armand Félix Marie Jobbé-Duval (1821–1889). He was also taught by Laporte and G. Fuchs. He became a painter, lithographer, caricaturist, commercial artist, illustrator and graphic designer for song scores.
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He left the Academy in 1893 and began spending the winters with his family in Bacskó. In 1902, he became a lithographer and went to Besztercebánya, where he helped to create a literary and art magazine called "Havi Szemle" (Monthly Review), which he edited. His brother was a major contributor. It was published for only three years.
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Self-portrait, circa 1850 Hermann Krone (14September 182717September 1916) was a photographer from Saxony, Germany, who was born in Breslau. His father was a lithographer and he began an apprenticeship with him 1843. He produced his first calotype and daguerreotype photographs in 1843.Hermann Krone IAPP He opened a studio in Leipzig in 1851 and in Dresden from 1852.
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Adolf Dietrich was born to poor farmers in the canton of Thurgau as the youngest of seven children. Upon discovering his exceptional graphical talents, his schoolteacher suggested that he become a lithographer. His parents, however, refused: their youngest son was needed as a farmhand. Dietrich would remain in the house of his parents, as a bachelor, for the rest of his life.
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Carol Szathmari. Carol Szathmari (Hungarian: Szathmáry Pap Károly; Romanian: Carol Popp de Szathmary; 11 January 1812 Kolozsvár - 3 July 1887 Bucharest) was an Austro-Hungarian-born painter, lithographer and photographer. He is considered the world's first combat photographer for his pictures of the battlefield taken during the first year of the Russo-Turkish war, later known as the Crimean War.
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He went on to study with lithographer, Charles Stetfield, who worked in the same building as Bannister. Stetfield was not as talented as Bannister, but he was a better teacher and mentor. Nelson worked part-time as a carriage painter, general painter, photo colorist, and waiter. He painted portraits when he was not working day-jobs, and often struggled to sell his work.
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Henry Davy (1793–1865) was an English landscape painter, engraver and lithographer active in East Anglia. Seventeenth-Century Barn by Henry Davy Davy was born on 30 May 1793 in The Poplars, what is now Birketts Farm, on Westhall Common, near Halesworth, Suffolk. He was the tenth and the youngest child in his family. His father, Thomas Davy, was a farmer.
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Alfred Ronalds was born in Highbury, London in 1802, the 11th of 12 children. His father was a successful merchant and his eldest brother, Sir Francis Ronalds, became famous for pioneering the electric telegraph. In 1817 at the age of 15, Ronalds took an apprenticeship as an engraver, lithographer and copper-plate printer. In 1830 he moved to Tixall, Staffordshire.
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Pseudocarcinus gigas John James Wild (born Jean Jacques Wild, 1824 – 3 June 1900) was a Swiss linguist, oceanographer and a natural history illustrator and lithographer, whose images were noted for their precision and clarity. He participated in the Challenger expedition of 1872–76. In 1881 he emigrated to Australia, where he contributed to Frederick McCoy's Prodromus of the Zoology of Victoria.
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Son of Jacob Arnold, lithographer, and Anna Barbara Sennhauser,Tuggener biography, Historisches Lexikon der Schweiz. Jakob Tuggener took his first photographs in 1926 and taught himself the medium. He was apprenticed as a technical draftsman at Maag Zahnräder AG Zurich, Switzerland before studying in Berlin 1930/1931 at the Reimann School,S. Kuhfuss-Wickenheiser: Die Reimann-Schule in Berlin und London 1902–1943.
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Charles-Louis Baugniet (27 February 1814 – 5 July 1886) was a Belgian painter, lithographer and aquarellist. His name remains attached to the lithographing of portraits of famous and lesser-known figures from Belgium, France and England. They are politicians, senior officials, prominent clergy, both from the Roman Catholic and Anglican Church, industrialists, professors, artists, musicians, actors, and people from the vaudeville world.
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Although the subject is unknown, the fashionably and expensively dressed young woman was probably painted for her future or present husband. At least eight of Serangeli's private portraits were exhibited at the Salon. He also painted mythological and religious subjects. Serangeli opened a studio in Paris in 1805, and taught some well-known students such as Claudio Linati, who was also a lithographer.
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They also complimented Zapf's work, but did not do lithography and did not need an apprentice lithographer. However, they allowed him to become a retoucher, and Zapf began his four-year apprenticeship in February 1934. In 1935, Zapf attended an exhibition in Nuremberg in honor of the late typographer Rudolf Koch. This exhibition gave him his first interest in lettering.
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Jaime Lynn Herrera was born in Glendale, California, the daughter of Candice Marie (Rough) and Armando D. Herrera. Her father is of Mexican descent, and her mother has English, Irish, Scottish, and German ancestry. She was raised in Ridgefield, where her father was a lithographer. She was home-schooled through ninth grade, and graduated from Prairie High School, where she played basketball.
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Portrait of the Dutch lawyer Gerlach Scheltinga Carel Isaak de Moor (1695, Leiden – 1751, Rotterdam) was an 18th-century painter from the Northern Netherlands. Carel Isaak de Moor was a pupil of his father, Carel de Moor. He was also a lithographer. He became a teacher himself and taught the anatomy writers Petrus Camper and Johannes le Francq van Berkhey.
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Simonsen was born in Copenhagen, the son of student Niels Simonsen and Caroline Hagemeister. He enrolled at the Royal Danish Academy of Fine Arts in 1841 where he won the small silver medal in March 1852. He later trained as a lithographer under Charles Lorilleux in Paris. He was represented on the Charlottenborg Spring Exhibition four times in the period 1848-1865.
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Armand Gautier, Henri Rochefort in Mazas Prison, 1871, oil on canvas. Musee d'Art et d'Histoire, Saint-Denis, France Armand Désiré Gautier (19 June 1825 - 29 January 1894) was a French painter and lithographer. He was a student of Léon Cogniet. He was named "the Painter of the Sisters of Charity", and the E. Boudin Museum preserves one of his works.
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The Horst-Janssen-Museum building in Oldenburg. Horst-Janssen-Museum is an art museum located in Oldenburg, Lower Saxony, Germany. It is dedicated to the work of Horst Janssen, the draftsman, etcher, lithographer, wood engraver, poster artist and illustrator. The Horst-Janssen-Museum was opened in 2000, showing 1,800 pieces from the collection of the couple Carin and Carl Vogel.
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Because he was a trained lithographer and typographer, and because he had access to some of the postal sources of the Confederate States of America, he became interested in the postage and philatelic history of the Confederate States. Today he is regarded as the Father of Confederate Philately. He established himself in Richmond at 900 West Clay Street, Station A, Richmond, Virginia.
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Gran Teatro Nacional de México/Teatro Santa Anna, Mexico City Interior of the Royal and Pontifical University of Mexico Pietro Gualdi, aka Pedro Gualdi (22 July 1808 – 4 January 1857), was an Italian-born artist, panorama painter, architect and lithographer who was active in Mexico City from 1838 to about 1851, and in New Orleans from about 1851 to 1857.
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Portrait of a Woman (Henrietta De Fonseka) Charles Henry D. Freegrove Winzer (1886-1940) was a British painter and lithographer. He lived in Paris, and was interned by Germany in World War I. Afterwards, he worked in Sri Lanka, until retirement to Vienna. He is widely regarded as a leading light in the introduction of modern art to Sri Lanka.
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After the premature death of his mother in 1888 Otto Meyer was sent to live with foster parents. He was sent to an orphange in Bern in 1892 where he lived until 1900. He attended secondary school in Bern from 1901-1903, and then worked as an apprentice Lithographer in Zürich from 1903-1906. During this time he made symbolic watercolor paintings.
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William Robinson AO (born 1936 in Brisbane) is an Australian painter and lithographer. Robinson studied art at Ballarat High School from 1955 to 1956. After graduating, he began working as an art instructor, eventually becoming head of the Painting Department at the Brisbane College of Advanced Education in 1982. In 1989 he retired to work full-time on his paintings.
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Marius Alexander Jacques Bauer (25 January 1867 - 18 July 1932) was a Dutch painter, etcher and lithographer, best known for his Oriental scenes. His style was largely Impressionistic, although it also derived to some extent from the Hague School. Many of his works were based on photographs he bought during his travels, some of which were by famous photographers such as Félix Bonfils.
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Street Scene Alex Leon was born into a Jewish family in Petroşani, Romania, in 1907. In 1916 his family moved to Oradea, where he finished the four-year middle school in 1922. In 1923 he began a men's tailor apprenticeship, which he finished in 1926 with a certificate. Being unsatisfied with that handicraft, he began working as a lithographer in 1927.
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In 1933, he participated in a major exhibition of young artists at a hotel called the , together with his friend Leon, Imre Földes, and others. His first solo exhibition came in March, 1936. Over the next few years, he advertised in Budapest as a draftsman and lithographer. In addition to his paintings, he designed the covers and title pages for several books.
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As a painter and muralist, Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott and the German author Johann Wolfgang von Goethe.
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One of the greatest influences in Meltzer's artistic development was muralist-lithographer-painter-art historian Dr. Louis Henri Jean Charlot. Charlot was a master teacher at the University of Hawaii when Meltzer was completing his MFA. Meltzer was impressed by Charlot's emphasis on scholarship, which led to Meltzer's artistic focus on Native American, American Southwest, and rural California landscape subjects.
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Reginald Stuart Poole (27 January 18328 February 1895), known as Stuart Poole, was an English archaeologist, numismatist and Orientalist. Poole was from a famous Orientalist family as his mother Sophia Lane Poole, brother Stanley Lane-Poole, and uncle Edward William Lane were famous for their work in this field. His other uncle was Richard James Lane, a distinguished Victorian lithographer and engraver.
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Her interest in art was inspired by her father, who worked as a lithographer. However, according to an article in the November 15, 1957 edition of the Rollins College Sandspur, Ortmayer became interested in sculpting due to her tutor. In 1926, Ortmayer began studying under Austrian–born sculptor Franz Plunder. Ortmayer spent five years in Europe, graduating from the Royal Academy in Vienna.
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Adolphe Philippe Millot (1 May 1857, Paris –18 December 1921, also Paris) was a French painter, lithographer and entomologist. Adolphe Philippe Millot, who illustrated many of the natural history sections of Petit Larousse, was the senior illustrator at Muséum national d'histoire naturelle. He was a member of the Salon des Artistes Francaise (honourable mention, 1891) and the Société entomologique de France.
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Photo of Friedrich Loos, 1864 Friedrich Loos was an Austrian Biedermeier style painter, etcher and lithographer. He was born in Graz on 29 October 1797. He studied at the Vienna Academy with Joseph Mössmer and also went on study tours through the Austrian Alpine regions. From 1835 to 1836 he lived in Vienna, and as of 1846 he sojourned in Rome.
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Buenos Aires. 2010. After the wars for independence, a long period of internal struggle followed. During the period between 1826 and 1852, some Europeans settled in the country as well -sometimes hired by the local governments. Notable among them, Savoyan lithographer Charles Pellegrini (President Carlos Pellegrini's father) and his wife Maria Bevans, Neapolitan journalist Pedro de Angelis, and German physician/zoologist Hermann Burmeister.
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These editions are highly prized by bibliophiles. A skilled lithographer, he worked with the greatest engravers of his time including Gusman, Eugene Decisy, Raoul Serres, Florian and Perrichon. His first works were full of symbolism and art nouveau mixed with many references to mythological and allegorical subjects. His later works show greater academic rigor and an obvious fascination for the female anatomy.
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Carl Friedrich (C.F.) Schmidt (1811, Stettin - 1890, Berlin) was a German botanical artist. He was a specialist in spermatophytes and was a renowned botanical artist (akademischer Künstler zu Berlin) and lithographer who illustrated many of the Germanic botanical works of the 19th century. He is not to be confused with Carl Friedrich Schmidt, born 1832, the Baltic German geologist and botanist..
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Médard Tytgat (8 February 1871 – 11 January 1948) was a Belgian painter, lithographer, book illustrator and poster artist known for portraits, nudes, and landscapes. He was born in Bruges. From 1890 to 1894, he studied at the Académie Royale des Beaux-Arts of Brussels with Jean-François Portaels. He took part in the art competitions at the 1924 Summer Olympics.
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Eliott was the son of a lithographer. An Anglophile, he took up an English pseudonym at an early age and tried to pass for an Englishman. He was called up for the army in 1914, and married a young woman from Normandy in 1915, where he settled in 1917 after treatment for depression. The couple also lived in England for a while.
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In addition to painting, Schlesinger worked as a lithographer. His most famous current painting is the portrait of Hegel in his last year of life (1831), which has been widely reproduced. Annik Pietsch's book, Weder Haut noch Fleisch: Das Inkarnat in der Kunstgeschichte (Neither skin nor flesh: The flesh tones in the history of art) contains a detailed discussion on the Hegel portrait.
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He was born in Birmingham and his father was a journeyman tailor.1861 Census, RG9; Piece: 2136; Folio: 72; Page: 8 At 15 he was apprenticed to a lithographer. At 21 he won a scholarship to South Kensington and he studied designing there for two years. The sometimes highly ornate work is mainly in gold and silver and in a Renaissance style.
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Galsworthy's sister Lilian (1864–1924) was married to the German painter and lithographer Georg Sauter from 1894. With the beginning of World War I Sauter was interned as an enemy alien at Alexandra Palace and later expelled. Their son Rudolf Sauter (1895–1971) was also a painter and graphic artist, who among other things, illustrated the works of his uncle.
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Frederick Schoenfeld aka Fritz Schoenfeld (1810, Switzerland – 21 April 1868, Richmond, Victoria), was a Swiss-born Australian artist, printmaker, lithographer and art teacher. He is noted for providing the illustrations for the 6 volumes (1859–68) of Fragmenta phytographiae Australiae by Ferdinand von Mueller, then director of the National Herbarium of Victoria, and for The Plants Indigenous to the Colony of Victoria (1860–65) and Analytical Drawings of Australian Mosses (1864). Schoenfeld arrived in Australia on 8 May 1858 on board the Scottish Chief, and worked in Melbourne as a freelance artist, lithographer and drawing master. He was employed over the period 1859 until 1862 by Frederick McCoy, director of the National Museum of Victoria in Melbourne, to draw and lithograph plates for McCoy's books, Prodromus of the Palaeontology of Victoria and Prodromus of the Zoology of Victoria, both published in the 1870s.
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Human interest in these phenomena can be traced back to antiquity. The fascination with multistable perception probably comes from the active nature of endogenous perceptual changes or from the dissociation of dynamic perception from constant sensory stimulation. Multistable perception was a common feature in the artwork of the Dutch lithographer M. C. Escher, who was strongly influenced by mathematical physicists such as Roger Penrose.
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Portrait of Gröger, lithograph by H. J. Aldenrath, 1828 Friedrich Carl Gröger (14 October 1766 in Plön - 9 November 1838 in Hamburg) was a north-German portrait painter and lithographer. One of the most respected portraitists of his time in northern Germany, his works are to be found in several museums, including the Hamburger Kunsthalle, as well as in north German, Holstein and Danish private collections.
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In his early teens Varlin and his remaining family moved to St. Gallen. Here he attended high school, eventually taking a year-and-a-half apprenticeship as a lithographer. This gave him easy access to Bavarian limestone, the same material used by Manet, Daumier, and Gavarni to make prints. However he found lithography to be hard work, and was frustrated not to be creating his own works.
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He was born in Morges as the son of Émile Martin, an engraver and lithographer. Milo Martin studied in Lausanne (notably under Carl Albert Angst), Rome and Florence, but disapproved of art schools' teaching methods and decided to work alone. He specialised in neo-classical nude sculptures, realistic portraits and medal designs. He set up a studio in the Orangerie of Parc Mon-Repos.
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Throughout his life, despite his unusual versatility, Liez had difficulty in earning a living from art alone. Despite his work as a painter, lithographer, sculptor and decorator, he still found it necessary to teach, even on Sundays for those who had jobs during the week. He renovated the facades of old buildings and sculpted monuments and gravestones. Liez is also credited with bringing photography to Luxembourg.
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He was the son of Josef Kriehuber, a well-known portrait painter and lithographer. Beginning in 1848, he attended the Academy of Fine Arts, Vienna. Initially, he was a landscape painter but later turned to portraits and, as an employee of his father, lithography. Many of his works were published by Eduard Hallberger as illustrations for his magazine Über Land und Meer (Over Land and Sea).
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Untitled (1950), Rotterdam Pieter Antonie (Piet or Pieter) van Stuivenberg (January 10, 1901 - December 16, 1988) was a Dutch artist, who was active as sculptor, painter, lithographer, and graphic artist.Piet van Stuivenberg ; man / Nederlands ; beeldhouwer, schilder, lithograaf, graficus at rkd.nl, 2015. Born in Schiedam, Van Stuivenberg received his art education at the Academy of Fine Arts and Applied Sciences now Willem de Kooning Academy) in Rotterdam.
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Aimé Maeght (27 April 1906 – 5 September 1981) was a French art dealer, collector, lithographer, and publisher. He founded the Galerie Maeght in ParisJackie Wullschlager, Black, in full colour, Financial Times, 15 September 2006. and Barcelona, and the Fondation Maeght in Saint-Paul-de-Vence near Nice (southern France). Though the original Flemish pronunciation is pronounced "," the French pronunciation of surname Maeght sounds more similar to '.
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He was born in Dittelsheim at Worms, and began his studies with Franz Nikolaus Jung in Worms. When he was 17 years old he started to work as a lithographer. His first important work was a panorama over the Rhine from Mainz to Cologne. Between 1833 and 1841 Becker studied at the Academy of Art in Düsseldorf; his professors were Johann Wilhelm Schirmer and Wilhelm von Schadow.
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Ufer was born in Germany and moved with his family to Louisville, Kentucky in 1880 where Ufer grew up. After an apprenticeship as a lithographer, he went to Europe where he was a traveling journeyman. Like many of his fellow artists with ties to Indianapolis's German-American community, he went to Germany to study; he trained in Hamburg and Dresden.Eldredge, Charles, et al. (1986).
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Louis Atthalin Louis Marie Baptiste Atthalin, Baron Atthalin (born 22 June 1784 at Colmar, Haut-Rhin - 3 September 1856) was a French Army officer, politician, painter, watercolorist, and lithographer. He died in Colmar on 3 September 1856. Louis-Philippe I sent Atthalin to Nicholas I of Russia to inform him of the former's accession. He was also present at the reburial of Napoleon's remains in 1840.
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Later, various hues of powdered pigment eventually replaced the primary charcoal ingredient found in most early 19th century products. References to crayons in literature appear as early as 1813 in Jane Austen's Pride and Prejudice. French lithographer Joseph Lemercier was also one of the inventors of the modern crayon. Through his Paris business circa 1828, he produced a variety of crayon and color related products.
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Shaw Maxwell in the 1890s. James Shaw Maxwell (1855–1928), known as Shaw Maxwell, was a Scottish socialist activist. Born in Glasgow, Maxwell joined the Liberal Party and worked as a lithographer and journalist. He left the Liberals in 1880 in opposition to their local opposition to Irish nationalism, and became a leading supporter of Henry George and an activist in the Scottish Land Restoration League.
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He, Français, Gigoux and Célestin Nanteuil were co-creators of many compositions, notably for the lithography workshop and publishing firm of Bertauts.Bertauts @ the Bibliothèque nationale de France Shortly after being named a Chevalier in the Legion of Honor, he died in Geneva, where he had maintained a part-time home since his marriage. His brother, Jules-Aimable Baron (1814-1899), was also a designer and lithographer.
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These included different addresses in the Trongate between 1818 and 1841 when he relocated to St Vincent Street, adjacent to the Western Club. Other premises were at Exchange Square, Bothwell Street, Buchannan Street, and Parliamentary Road where the renowned Swan’s Universal Copy Books were manufactured for use in schools worldwide. He was listed in the Post Office Directory as an engraver and lithographer into the 1860s.
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Franz Xaver Winterhalter (20 April 1805 – 8 July 1873) was a German painter and lithographer, known for his flattering portraits of royalty and upper- class society in the mid-19th century. His name has become associated with fashionable court portraiture. Among his best known works are Empress Eugénie Surrounded by her Ladies in Waiting (1855) and the portraits he made of Empress Elisabeth of Austria (1865).
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In 1840 he was appointed professor of drawing and composition in Dieppe. His mother, Elisa, née Méri, was a miniature painter and the professor of drawing at Écouen. His sister, Caroline, also a student of their father's, practiced in Paris and was a frequent exhibitor at the Salon from 1831 onwards. Charles Swagers' son, Édouard, was a painter and lithographer who also practiced in Paris.
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He is the son of Heinrich Konrad "Leopold" Gast (1810-1898) and Bertha Pauline Henriette Volkmann (1819-1902). The family emigrated from Berlin to central Missouri wine country (present day Hermann, Missouri) before 1850. From there, the family moved to St. Louis a few years later. Leopold was a master lithographer, and with his brother August established the August Gast Banknote and Lithograph Company.
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Le Capelain, Landscape from Jersey. Jean Le Capelain (plaque in Saint Helier). A plaque in St Helier marks the approximate site of the artist's house and studio. John Le Capelain, later known as Jean, (1812–1848) was a painter often claimed to have been born in Saint Helier, Jersey, the son of Samuel Le Capelain, a printer and lithographer, and Elizabeth Anne Pinckney, his English wife.
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Self- portrait (1846) After graduating from high school in 1834, he enrolled at the Vienna Academy of Fine Arts in 1835. Here, in addition to his studies, he taught art lessons, taught drawing and worked as lithographer to provide for his basic necessities of life. In particular, he was the student of Johann Ender and Leopold KupelwieserMagyar Életrajzi Lexikonban: Brief biography., who taught the history of aesthetics.
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Ettore "Ted" DeGrazia (June 14, 1909 – September 17, 1982) was an American impressionist, painter, sculptor, composer, actor, director, designer, architect, jeweler, and lithographer. Described as "the world's most reproduced artist", DeGrazia is known for his colorful images of Native American children of the American Southwest and other Western scenes. DeGrazia also painted several series of exhibitions like the Papago Legends, Padre Kino, Cabeza de Vaca.
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Comocrus behri Arthur Bartholomew (3 December 1833 Bruton, Somerset – 19 August 1909 Melbourne) was an English-born Australian engraver, lithographer and natural history illustrator. He was the son of Thomas Bartholomew, a builder, and Charlotte Wright. Bartholomew was apprenticed to an engraver in Exeter and acquired some lithographic training. He sailed for Australia aboard the Oriental in 1852, arriving in Melbourne in December 1852.
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Illustration for Pestalozzi's "Lienhard und Gertrud". Hans Bendel, of Schaffhausen, in Switzerland, was an historical painter and lithographer, and attended the Academy of Munich, under Kaulbach. The son of a master tailor, Bendel completed an apprenticeship as a painter. During his travels as a youth, he visited Munich where he found work as a craftsman at the Munich Residenz while he improved his painting.
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Jijel in 1664 by Stanley Lane-Poole Stanley Edward Lane-Poole (18 December 1854 – 29 December 1931) was a British orientalist and archaeologist. Poole was from a famous orientalist family as his mother Sophia Lane Poole, brother Reginald Stuart Poole and uncle Edward William Lane were famous for their work in this field. His other uncle was Richard James Lane, a distinguished Victorian lithographer and engraver.
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His father was a glazier. As a student at elementary school, he took art lessons from Johann Baptist Pflug until the age of thirteen. At that time, he was apprenticed to the book publisher Georg Ebner in Stuttgart where he received lessons in business, as well as drawing and engraving. He was self-taught as a lithographer and was allowed to work independently, even during his apprenticeship.
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Ricketts's last years were overshadowed by the illness of Shannon. They had remained together since they first met, despite several affairs Shannon had with women. While hanging a picture at their house in Regent's Park in January 1929, Shannon fell and suffered permanent brain damage.Darracott, Joseph. "Shannon, Charles Haslewood (1863–1937), lithographer and painter" , Oxford Dictionary of National Biography, Oxford University Press, 2009. Retrieved 2 November 2019.
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The Het Loo Palace, 1838 Frozen Waterway, 1845 Winter Landscape with 'koek en zopie' at night, 1849 Andreas Schelfhout (1787–1870) was a Dutch painter, etcher and lithographer, known for his landscape paintings. Schelfhout belongs to the Romantic movement. His Dutch winter scenes and frozen canals with skaters were already famous during his lifetime. He became one of the most influential Dutch landscape artists of his century.
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In 1875, he moved his family to Iowa, not far from the Amana community where he was raised, and married his second wife, Susanna Gefaller. With Susanna, who died in 1882, he had a daughter, Lillian. He set up as a lithographer in Iowa City and practiced this trade for a decade or so. Watercolor of wild cherry (Prunus avium) by William Henry Prestele, 1892.
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Richard Sedlon was born on August 26, 1900, in the Bohemian section of Baltimore, MD. The second son of Vincent and Hortense Sedlon, Sedlon found his artistic calling early in life and by eighteen was already a journeyman lithographer with Morgan Lithography in Cleveland. Sedlon was also a professional artist who dabbled in carvings, oil paintings and sketches. He lived in Bedford, Ohio, with his wife Anne.
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His father was a conductor of theatre orchestras who encouraged Roland's interest in art. The family moved to Ipswich where Roland attended the Ipswich School of Art. After serving an apprenticeship as a lithographer, Roland started freelancing for such magazines as The Autocar and The Motor Cycle. However, when The Modern Boy was launched in 1928 he received regular work providing illustrations for covers and adventure stories.
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In 1975, Sébire became the official painter of the Marine National, or French Navy, and established himself as a lithographer. Also in 1975, he was made Chevalier dans l’Order National du Merite. A retrospective of the artist’s figurative paintings was presented at the Musee de la Marine in Paris. The Amateurs Rouennais d’Art published a literary work including his biography and more than 200 of his pieces.
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His father was a decorative painter who gave him his first lessons. After attending the Arts and Crafts school in Magdeburg, he was apprenticed to a lithographer. Before he had completed his training, the music publisher, Wilhelm von Heinrichshofen (1782-1881), a distant relative, helped him to enroll at the Kunstakademie Düsseldorf and study with Friedrich Wilhelm Schadow. He was there from 1837 to 1841.
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Fisher was granted permission to complete paintings of Chateau La Grange, Lafayette's estate outside Paris. His four views of La Grange were then drawn on lithographic stones in France by the noted lithographer Isadore Deroy, and brought back for printing on one of the first lithographic presses used in the United States. Portfolios of these prints were sold as souvenirs building on the popularity of General Lafayette.
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Ada Vorhaus Gabriel (July 28, 1898 – 1975) was an American female Mid-century modern painter and lithographer. She studied at Barnard College, the New York School of Design, with Erich Gletter in Munich, and with Emil Ganso in New York. Her work is featured in the collections of The National Gallery of Art, Yale University Art Gallery, Fogg Museum, and Indianapolis Museum of Art.
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His father was the painter . During the Siege of Hamburg, his family sought refuge at the estate of a local banker. The lithographer was living there at the time and his collection inspired Erwin's first interest in art. His father provided some of his first painting lessons, along with the local artist Friedrich Carl Gröger, while he attended a famous private school operated by Leonhard Wächter.
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Martina “Tine” Baanders (1890 – 1971) was a Dutch illustrator, graphic designer, typographer, lithographer, teacher and made items out of leather. She is known for ex-libris designs and protective book covers. She studied at the Instituut voor Kunstnijverheidsonderwijs in Amsterdam. In 1919 she became a teacher in design and calligraphy at the book binding department of the Dagteeken- en Kunstambachtsschool voor Meisjes in Amsterdam.
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Taylor's first lithograph was "Negro Head," composed in 1931. His last composition was "Church at Trampass," composed in 1983. In his 52 years as a lithographer, Taylor created 137 lithographs (to our knowledge) – many of which follow the parameters of realism. Taylor also traveled extensively, particularly in the American Southwest and Mexico, whose landscapes and culture heavily flavor and influence his perspective and style of lithography.
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Belle Goldschlager Baranceanu (July 17, 1902January 17, 1988) was an American painter, teacher, muralist, lithographer, engraver and illustrator.Falk, Peter Hastings, Who Was Who in American Art, Sound View Press, Madison Connecticut, 1985 She was born Belle Goldschlager in Chicago, Illinois (Baranceanu was her mother's maiden name).Kovinick & Yoshiki-Kovinick 1997, p. 344. Her parents, both Romanian Jewish immigrants,"Belle Baranceanu" , Sullivan Goss, retrieved January 9, 2014.
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In the Woodshed (1838) Militia Training (1841) James Goodwyn Clonney (28 December 1812, Liverpool (?) – 7 October 1867, Binghamton, NY) was an English- born American genre painter and lithographer. Most of his works were rather small and many are miniatures. He focused on rural subjects. A number of his paintings are subtle political and social commentaries; notably those showing white and black men interacting as equals and friends.
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After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.Smit (2016), pp. 34-45 In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces.
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Philippe Burty, Étienne Carjat, 1873 Portrait de Philippe Burty, Carolus- Duran, 1874 Philippe Burty (6 February 1830 – 3 June 1890) was a French art critic. He contributed to the popularization of Japonism and the etching revival, supported the Impressionists, and published the letters of Eugène Delacroix. Burty was born in Paris in 1830. He was best known for his art criticism, and was also an informed art collector, artist, and lithographer.
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Vernon Hill (1887–1972), born in Halifax, Yorkshire, England, was a sculptor, lithographer, illustrator and draughtsman. He began his work in print-making and lithography, and branched out into other artistic forms, such as sculpture. He illustrated several works and created etchings. His more notable works were commissions from Sir Edward Maufe for interior and exterior architectural sculptures on Maufe's buildings, including Guildford Cathedral, the Runnymede Memorial and several churches.
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Born on 20 December 1852 in Santiago de Compostela, Prudencia Eugenia Juana Osterberger was the daughter of Jorge Osterberger, an Alsatian lithographer, and his Galician wife Emilia Luard Álvarez. She received an unusually extensive education for women of her times, both in France (at Juilly, Seine-et-Marne) and locally. Her uncle, Justo Luard, ensured her introduction to the piano. In October 1877, she married the French engineer François Saunier.
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While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer.
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Otto Sillier (7 November 1857 - 4 March 1925) was a German trade union leader. Born in Berlin, Sillier completed an apprenticeship as a printmaker, and joined the Senefelder Union. Due to the Anti-Socialist Laws, this later became a friendly society. He joined the Berlin Union of Lithographer and Lithographic Printers in 1885, and in 1891 became the founding president of the Union of Lithographers and Lithographic Printers.
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M. Bernard Loates (born May 3, 1945) is a Canadian artist, lithographer and publisher in the manner of the private press movement., History of the Private Press Movement. The private press movement refers to a printing press or publishing method that is artistic based, with great attention to detail as opposed to commercially based. The proprietor controls all elements of the publication, from concept, to design, to the final execution.
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Mikhail Terebenyov was born in Saint Petersburg in 1795. His father Ivan Efimovich Terebenyov (1759–1799) was an artist who graduated from the Academy of Arts in 1779, his brother Ivan (1780–1815) was a sculptor, painter and graphic artist, another brother Vladimir (1808–1876) was an artist and lithographer. In 1803, he entered the Imperial Academy of Arts. The artist died in Saint Petersburg on December 25, 1864.
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Oberthur Technologies was a French digital security company, providing secure technology solutions for Smart Transactions, Mobile Financial Services, Machine-to-Machine, Digital Identity and Transport & Access Control. As of 2008, Oberthur's revenue was €882 million. Oberthur Technologies was the successor of the Oberthur printing which was founded in 1842 by the master printer and lithographer, François-Charles Oberthür. Oberthur merged with Morpho to form IDEMIA on 28 September 2017.
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Bartholomew had some professional instruction in art early on, but was largely self-taught. Between 1821 and 1827, he worked for and lived with the lithographer Charles Hullmandel, whose daughter Adelaide he married at the end of this period. She died in January 1839, and the next year, he married Ann Charlotte Turnbull (d. 1862), an author and flower and miniature painter, the widow of the composer Walter Turnbull.
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Schwabinger Tor in Munich, 1850 Carl August Lebschée (1800–1877) was a German a painter, etcher, and lithographer, born at Schmiegel (modern Śmigiel), Poland. He studied at Munich, where his parents settled in 1807. He painted landscapes and architecture in oil and watercolours, and designed in the style of different masters. His etchings are executed with great spirit, and he signed with the initials C. L., or a monogram.
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Wolf Vostell was born in Leverkusen, Germany, and put his artistic ideas into practice from 1950 onwards. In 1953, he began an apprenticeship as a lithographer and studied at the Academy of Applied Art in Wuppertal. Vostell created his first Dé-coll/age in 1954. In 1955–1956, he studied at the École Nationale Superieur des Beaux Arts in Paris and in 1957 he attended the Düsseldorf Academy of Arts.
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Stand of trees at river's edge Paul Émile Berton (May 4, 1846 in Chartrettes, Seine-et-Marne – February 15, 1909 in Paris) was a French landscape painter. He is sometimes confused with the French Art Nouveau painter, poster designer and lithographer Paul Berthon (March 15, 1872 in Villefranche-sur-Saône, death date and place unknown). In the arts trade many lithographs by Paul Berthon are often attributed to Paul Émile Berton.
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Around 1866, he moved to New York and sold some works at an auction in the Henry H. Leeds & Miner art gallery. In the 1870s he began a collaboration with the lithographer Louis Prang to create a series of works under the title "Desserts". Later, he opened a studio with his brother, Morston. Seeking new markets, he moved to Chicago in 1878 and established a studio with (Judge Freer?).
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When he was eight, he accompanied his father on a voyage that would last for six years. He received his education from local, private schools while the ship was in port. Upon their return to Sweden, he was apprenticed to the lithographer, Karl Fredrik Natanael Schultén (1797-1868), who was his mother's half-brother. At the same time, he took classes at the Royal Swedish Academy of Fine Arts.
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Charles' Church in Tallinn. Otto Pius Hippius (, Saint Petersburg — , Saint Petersburg) was a Baltic German architect, particularly noted for several buildings in present-day Estonia. Otto Hippius was born in the family of a painter and lithographer Gustav Adolf Hippius who taught his son Art since the earliest childhood. At the teenage age Otto Hippius studied in Germany and in 1849 he graduated with honors from Karlsruhe Institute of Technology.
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The teacher was supportive, and during a discussion of his future career aspirations, encouraged Zille to become a lithographer. Zille's father wanted Heinrich to become a butcher. Heinrich could not stand the sight of blood, however, so he went to the draughtsman Fritz Hecht on Jakobstraße for his education. Zille's grandniece is Helen Zille, the former mayor of Cape Town and Premier of the Western Cape province in South Africa.
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Rosella Hartman (May 23, 1895 — March 5, 1984) was an American painter, etcher and lithographer. She studied at both the Art Institute of Chicago and the Art Students League of New York. She was awarded a Guggenheim Fellowship in 1934 and 1938 to study graphic arts abroad. Hartman married a sculptor, Paul Fiene (1899–1949) and lived in Woodstock, New York, then a leading center for the arts.
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Born in Benediktbeuern, Bavaria,Meissner, p. 307 he trained as a lithographer and became a student of Maximilian Dasio at the Munich School of Applied Arts. He joined Hollerbaum und Schmidt around 1908, becoming part of the "Berlin School",Aynsley, p. 78 where he created what is considered one of the most enduring examples of Sachplakat, an advertisement for the nascent racing division of the Opel car manufacturer.
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Early in his artistic career, Homer apprenticed to a lithographer creating images for sheet music and other publications. After the apprenticeship ended, he began making illustrations on a regular freelance basis for the magazine Harper’s Weekly. When the Civil War began, Harper's made him an artist-correspondent with the Army of the Potomac. Over the next few years, the artist directly witnessed and recorded life in the Union Army.
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Early in his artistic career, Homer apprenticed to a lithographer creating images for sheet music and other publications. After the apprenticeship ended, he began making illustrations on a regular freelance basis for the magazine Harper’s Weekly. When the Civil War began, Harper’s made him an artist-correspondent with the Army of the Potomac. Over the next few years, the artist directly witnessed and recorded life in the Union Army.
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Sispara - Traveller's Bungalow (1847) by Stephen Ponsonby Peacocke lithography by Paul Gauci Paul Gauci (fl. 1830s-1860s), was a lithographer of Maltese extraction, carrying on a business in London with his father, Maxim Gauci, and brother, William. The firm, located at 9 North Crescent, Bedford Square, was among the leading lithographers of the day, ranking with Charles Joseph Hullmandel and Vincent Brooks, Day & Son. Castellamare, drawn by Paul Gauci.
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Unlike the fine arts, artesanía is created by common people and those of indigenous heritage, who learn their craft through formal or informal apprenticeship. The linking of artesanía and Mexican identity continues through television, movies, and tourism promotion. La Calavera Catrina a zinc etching by the Mexican printmaker, cartoon illustrator and lithographer José Guadalupe Posada. Most of the artesanía produced in Mexico consists of ordinary things made for daily use.
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In 1846 Sperl started attending school from which he graduated in 1854 as class winner. The local pastor assisted Sperl in securing an apprenticeship as a colorist. With the death of his father in 1856, Sperl became the sole provider of his sick mother and started an apprenticeship to become a lithographer. In the winter of 1858–59 Sperl fulfilled his wish of attending drawing courses at Nürnberger Kunstgewerbeschule.
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Percheron in a Landscape Stable Boy with Two Horses Jean François Achille Giroux (13 May 1816, Mortagne-au-PercheArchives de l'Orne Registre d'état civil Mortagne-au-Perche N + T 3NUMECEC293/3E2_293_30 (1815-1818) \- 26 March 1854, Saint-LéonÉtat civil Lot et Garonne - ville de Saint-Léon - Naissances, Mariages, Décès 1853-1862) was a French painter and lithographer in the Realist style. Most of his works feature animals; primarily horses.
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His earliest works of 1900 were landscapes, still life studies, and portraits of himself and his mother and father. In 1906 he was apprenticed as a lithographer at Sands and McDougall Lithographers, in Melbourne. He soon transferred to the art department where he did illustrations for jam tin labels and department store advertisements. His first major illustration was a poster for Carlton Brewery in Melbourne of Sam Griffis,Wannan, Bill.
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Sometimes, he would paint the cows in Schleich's landscapes. He found employment as a lithographer but continued to paint Bavarian landscapes through the 1830s. While visiting the Netherlands in 1841, he saw Der Junge Stier, a painting by Paulus Potter and, from there on, devoted himself primarily to animal painting. During a tour of Belgium and the Netherlands in 1846, he absorbed the style of the Dutch Stimmungsmalern ("mood painters").
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His family originated from the borders of County Roscommon and County Galway, while one of his ancestors was a well-known artist in that area in the 1760s. His parents were Edward John Concanen (c. 1814–1868), a portrait painter in Ireland in the early decades of the 19th century, and Mary Ann Concanen (née Burgess) (1815–1884).Irons, Neville - 'Alfred Concanen, Master Lithographer' Irish Arts Review Vol.
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Erwin Ferlemann (16 March 1930 - 24 September 2000) was a German trade unionist. Born in Wuppertal, Ferlemann's father was interned by the Nazi government for several years in the 1930s. Ferlemann attended school during World War II, then completed two apprenticeships: one as an export clerk, and one as a lithographer. He joined the Printing and Paper Union (IG Druck), and became more active in it after moving to Cologne.
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They encouraged a plebiscite conducted by the United Nations instead."100 Pickets Protest Dividing Of Ireland", The New York Times, June 1, 1949, pg. 36. Gilbert Gabriel, drama critic for Cue magazine and president of the New York Drama Critics Circle, resided at the hotel until his death in September 1952. While away from New York City he had lived with his wife, painter and lithographer Ada Vorhaus Gabriel, since 1931.
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Born in Philadelphia, Pennsylvania in 1839, John B. Bradley was a Civil War veteran, having served as a Sergeant in Company C, 95th Pennsylvania Infantry Regiment. He lived at 814 Locust Street in Philadelphia and was a lithographer by profession. Bradley using the alias name James A. Stewart joined the Marine Corps from Washington, D.C. on April 13, 1868. By February 1, 1872, he was serving as a corporal on the .
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Barbara Tisserat (1951–2017) was an American artist and lithographer born in Denver, Colorado. She taught lithography at Virginia Commonwealth University's School of the Arts. She was a member of One/Off Printmakers and also taught at the Virginia Museum of Fine Arts Robinson House lithography workshop with Marilyn Bevilacqua. She was active with the Richmond Printmaking Workshop and served on the Advisory Board of Studio Two-Three in Richmond, Virginia.
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Pinchus Krémègne, aka Pinchus Kremegne (; ; 28 July 1890 – 5 April 1981), was a Lithuanian Jewish-French artist, primarily known as a sculptor, painter and lithographer. He was a native of Zhaludak near Lida, and was a friend of both Chaim Soutine and Michel Kikoine. He studied sculpture at the Vilnius Academy of Art. He became a target of the pogroms because he was a Jew and fled to Paris in 1912.
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The Convoy Brook, Abbott Collection, Paintings of Naval Aviation during World War II'' Adolf Dehn (22 November 1895 – 19 May 1968) was an American lithographer. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. Two-time recipient of the Guggenheim Fellowship, he was known for both his technical skills and his high-spirited, droll depictions of human foibles.
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Gisbert Combaz was a versatile personality who combined a variety of artistic pursuits with scholarly studies and academic education. He is mainly known for poster design and postcards and was active as a lithographer, illustrator, furniture designers and potter. He was talented painter whose works show the inspiration of Maurice Denis who also directed him towards religious subjects. His paintings have a decorative character and a great tenderness of tone.
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Constance Ortmayer (July 19, 1902 – May 15, 1988) was an American artist well known for designing the 1936 Cincinnati Musical Center half dollar. Ortmayer was inspired to become an artist by her father, Rudolph Ortmayer, who worked as a lithographer. In 1926, Ortmayer began studying under Austrian born sculptor Franz Plunder. She graduated from the Royal Academy in Vienna, Austria and studied Master School of the Royal Academy.
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François-Charles Oberthür (1818, Strasbourg – 1893) was the founder of the French printing group Imprimerie Oberthur (fr). In Strasbourg, François- Charles, an engraver, ran a printing press, with Alois Senefelder, the inventor of lithography. He moved to Rennes in 1838, qualified as a lithographer in 1842 and then founded a printing company, with a partner. He became the sole owner in 1855, calling his enterprise the Imprimerie Oberthür.
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His father was a fisherman and farmer who served as mayor of Concarneau for fifteen years.Museum of Pont Aven: Exhibition notes with biography. (Cached) He received his first art lessons from the lithographer Théodore Le Monnier (1815–1888), who was visiting Concarneau. On his advice, Guillou moved to Paris in 1862, where he attended the Académie Suisse for a short time, then found a position in the workshop of Alexandre Cabanel.
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Yokoyama had trained as a painter and lithographer as well as a photographer, and he took advantage of his extensive repertoire of skills and techniques to create what he called shashin abura-e (写真油絵) or "photographic oil paintings", in which the paper support of a photograph was cut away and oil paints then applied to the remaining emulsion.Yokoe, F. (1997). Part 3-3. Yokoyama Matsusaburo (1838-1884).
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Edward Sachse (1804-1873) was an artist and lithographer whose business E. Sachse & Co. in Baltimore, Maryland published prints of regional sights and cities. Works include a 12 sheet aerial view of Baltimore that employed several artists over a three year period. The firm also produced a four sheet rendition of Syracuse. Prints of Washington D.C. include a version of the Washington Monument that was planned but never built.
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Her work has frequently been awarded prizes for Best Dutch Book Design. World Editions covers are edited by lithographer Bert van der Horst of BFC Graphics (Netherlands). Suzan Beijer (Netherlands) is responsible for the typography and careful interior book design of all World Editions titles. The text on the inside covers and the press quotes are set in Circular, designed by Laurenz Brunner (Switzerland) and published by Swiss type foundry Lineto.
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McKenna was born on October 1, 1844, in Pittsburgh, Pennsylvania, the son of James McKenna (1800 – 1846) and Ann Mullen McKenna (1801 – 1884). His father died before Charles was one year old. Charles had four brothers, James, Edward M., Patrick A, and Bernard, and one sister, Catherine. At 14, he became the apprentice of a lithographer which will lead him to draw precise recollections of his war stories.
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His birthplace is in doubt, but was most likely Liverpool. By 1830, he was in the United States working as a lithographer; in New York and Philadelphia. He is known to have been a student at the National Academy of Design in 1833,Biographical notes @ the Oxford Index where he won several prizes. His early works display signs of classical, academic training and cover a wide variety of subjects.
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Jovanović was born in Vienna, capital of the Austrian Empire, to first Serbian photographer Anastas Jovanović, a lithographer and early photographer from Vratsa (in modern Bulgaria), who was superintendent of the Serbian royal court in Belgrade under Prince Michael. Konstantin Jovanović finished a classical high school in Vienna and graduated from the Zürich Polytechnic in Switzerland in 1870 with honours. After his graduation, he visited Italy, where he studied Italian Renaissance art first- hand.
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Entering the Académie Julian in 1906, painter, draughtsman and lithographer Henri Sollier, born in Bagnolet, near Paris, on 7 December 1886, graduated to the École des Beaux-Arts in 1908, and worked in the ateliers of François Flameng, and, after 1910, of François Schommer. In spring 1919 he celebrated the victory of the Allies with two eloquently titled paintings, Pour elle! and Par elle !, which he exhibited at the Devambez Gallery in Paris.
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Herman Roderick Volz (1904–1990) Swiss-American painter, muralist, lithographer, set designer, decorative artist and ceramist. He was politically active, vocal and often made social statements through his imagery and he was especially taken by the industrial horizon of his adopted home of San Francisco Bay Area. Many of his art pieces done for the Federal Art Project (FAP), for example, were of men at work and of docks, piers, and railroad yards.
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These seafaring subjects were executed at the time when his older brother Alexander Glassford Allan became a qualified ship's captain.Ancestry.com: Alexander Glassford Allan qualified as 'second mate' on 3 February 1868 and as 'master' on 21 April 1873. Later in 1875, David Allan died, providing Robert and his siblings with a useful inheritence.1875 Scotland, National Probate Index (Calendar of Confirmations and Inventories), 1876–1936: probate for David Allan (Lithographer) 27 January 1876.
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Much of his work was also published in sensationalistic broadsides depicting various current events. From the outbreak of the Mexican Revolution in 1910 until his death in 1913, Posada worked tirelessly in the press. The works he completed in his press during this time allowed him to develop his artistic prowess as a draftsman, engraver and lithographer. At the time he continued to make satirical illustrations and cartoons featured in the magazine, El Jicote.
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May 2, 1855, Black hired San Antonio lithographer Wilhelm Carl August Thielepape, Texas State Historical Association and laid out Encina, the town later known as Uvalde. Texas Escapes – Blueprints For Travel, LLC. City of Uvalde Waresville settlement by Capt. William Ware in the upper Sabinal Canyon and Patterson Settlement by George W. Patterson, John Leakey, and A. B. Dillard on the Sabinal River coincided with Reading Black's development of the Leona River at Encina.
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Alt was born at Frankfurt am Main in 1789, where he received his early artistic education. Later he moved to Vienna and entered the Academy. He soon became noted as a landscape painter and made various journeys throughout Austria and Italy, painting, as he went along, views in the neighborhood of the Danube and in the city of Vienna. In later life Alt painted a lot in watercolor; he was also a lithographer.
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Tessa Spencer Pryse, RBA is a British Impressionist artist based in Wivenhoe, Essex. The daughter of Gerald Spencer Pryse, a noted Welsh lithographer, Spencer Pryse had an unusual childhood, attending schools in France, rural Wales and Switzerland. She gained a scholarship to Byam Shaw Art School aged 17, where she met her future husband and father of her two children. Based for a time in Scotland, she moved to Wivenhoe in 1991.
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Jette Thyssen with Rudi Olsen and Åge Delbanco at the Montmartre Jazz Club, February 1959 Jette Thyssen (born 1933) is a Danish textile artist, painter and lithographer who produces brightly coloured, geometrically patterned compositions. She has decorated many buildings, including the Montmartre Jazz Club in Copenhagen for its opening in 1959 and the town hall in Frederikssund with a tapestry in 1987. Since the early 1970s, she has exhibited widely in Denmark and abroad.
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John Sampson, the eldest, left school at the age of 14, after his father's death, and was apprenticed to the engraver and lithographer Alexander MacGregor. MacGregor retired when Sampson was aged 22, and from 1888 he ran his own printing business, in Liverpool's Corn Exchange. Sampson became librarian at University College, Liverpool in 1892, largely self-taught. His printing business had failed that year, and his application was supported by Kuno Meyer.
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However, it was his aunt, famous in the family for her verses, from whom he inherited his poetic gift. Deleanu studied at a cheder and at a Romanian gymnasium. At age 11, he began an apprenticeship as a lithographer and a proofreader, and quickly entered the literary life. He joined the magazine Vitrina Literarǎ (Literary showcase) as a staff-member at the age of 16, where he wrote under the pseudonyms Cliglon and C.L. Deleanu.
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He started drawing in minute detail battles and campaigns to glorify Napoleon. His drawings of Napoleon's Italian campaign won acclaim as did the Battle of Marengo, and for his Morning of Austerlitz Napoleon awarded him the Legion of Honour, and Louis XVIII of France awarded him the Order of Saint Michael. Afterwards he excelled in hunting scenes and depictions of horses. In addition to being a painter and lithographer, Carle Vernet was an avid horseman.
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Nicolaas van der Waay (1855–1936) was a Dutch decorative artist, watercolorist and lithographer. He worked in many genres, including stamp, coin and banknote designs. He is perhaps best known for the allegorical illustrations he created for the Golden Coach and a series of paintings depicting the lives of girls from the Amsterdam Orphanage. His work was also part of the painting event in the art competition at the 1928 Summer Olympics.
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He then moved to the United States in 1964 at the age of 24. He trained several years in Tae Kwon Do and was about to test for the black belt, but discovered his passion when he discovered the Wing Chun system. While practicing and teaching Wing Chun, Chong worked as a lithographer for 20 years. He retired from lithography in 1989 to completely dedicate his life and efforts to teaching and promoting Wing Chun.
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Leon Kroll (December 6, 1884 – October 25, 1974) was an American painter and lithographer. A figurative artist described by Life magazine as "the dean of U.S. nude painters", he was also a landscape painter and also produced an exceptional body of still life compositions. His public art includes murals for the Department of Justice Building in Washington, D.C. He created his only mosaic for the chapel ceiling at Normandy American Cemetery and Memorial.
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By day a lithographer, each and every night driven by discipline, he drew and painted. By the time he was in his early 30s, Abramowitz had become a celebrated star in the growing Washington, DC-Baltimore regional art scene. From the 1940s on, critics, curators and collectors enthusiastically sought out his work. His work began to be purchased for major regional collections among them, the Baltimore Museum of Art and the Phillips Collection.
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In 1996, Dumas married Sophie Bouilhet, a member of the Christofle silver-manufacturing family. They have three children. He is one of the directors of the Protestant Solidarity of France and Armenia association, and treasurer of L'imprimerie d'art de Montparnasse — CFF: Centre Français des Fonds et Fondations (Endowment Fund for the Preservation of the Artistic Printing House de Montparnasse), which since 1881 has managed the preservation of lithographer Charles Alphonse du Fresnoy's work.
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Sophie Gengembre Anderson (1823 - 10 March 1903) was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. She began her career as a lithographer and painter of portraits, collaborating with Walter Anderson on portraits of American Episcopal bishops. Her work, Elaine, was the first public collection purchase of a woman artist. Her painting No Walk Today was purchased for more than £1 million.
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Notable General Society members include Duncan Phyfe (furniture maker), James Harper (publisher, 66th mayor of NYC), Peter Cooper (inventor, industrialist), Nathaniel Currier (lithographer), John Bishop Putnam (printer and publisher), Andrew Carnegie (industrialist and philanthropist), Abram S. Hewitt (Glue Manufacturer, 87th mayor of NYC) and former presidents of the society: Stephen Allen (sailmaker, 55th mayor of NYC), Gideon Lee (shoemaker, 61st mayor of NYC), and Jacob Aaron Westervelt (shipbuilder, 72nd mayor of NYC).
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He was the third son of painter Carl Joseph Begas. Because of his drawing skills, his father encouraged him to become an engraver and sent him to study at the Prussian Academy of Art with the copper engraver and lithographer Gustav Lüderitz (1803-1884). In 1849, he went to Paris to complete his studies. His encounters with the works of the old masters there led to his decision to become a painter instead.
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Tucker was born to Bertha Hampton and William Tucker in Toronto, Canada, on November 2, 1894, and was the second of three sons. He joined the Royal Canadian Air Force and became a pilot and an officer but World War I ended before he was due to be sent to Europe. He moved to New York City and began working for Daniel Petigor, a lithographer. He later started his own lithography business, Spurgeon Tucker, Inc.
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He is the author of Scenery, Inhabitants & Costumes, of Afghaunistaun from drawings made on the spot by James Rattray. Artist: James Rattray 1818–1854, Lithographer: Robert Carrick, Published by Day & Son in 1847. A second edition was published the next year in London: by Hering & Remington, 137 Regent street, 1848. The artist dedicated this collection to the Kandahar Force that he belonged under the command of Major-General Sir William Nott,G.
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The Checkered Game of Life board The game was originally created in 1860 by Milton Bradley as The Checkered Game of Life, and was the first game created by Bradley, a successful lithographer. The game sold 45,000 copies by the end of its first year. Like many 19th-century games, such as The Mansion of Happiness by S. B. Ives in 1843, it had a strong moral message. The game board resembled a modified checkerboard.
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Largo da Matriz da Boa Vista by Emil Bauch. Emil Bauch (1823 in Hamburg, Germany – after 1874 in Rio de Janeiro, Brazil) was a German painter, lithographer and teacher who came to reside in the city of Rio de Janeiro. He painted panoramic city scenes and portraits, as well as some views of Recife and Salvador. His landscapes are conspicuous by his close observation of all the details and the intense variety of motifs of his palette.
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Berg, P. G. & Stålberg, Wilhelmina (red.), Anteckningar om svenska qvinnor, P. G. Berg, Stockholm, 1864-1866 In 1865, she introduced swimming for women in Oslo in Norway, and then travelled to Saint Petersburg in Russia on a scholarship and recommendation from the royal couple to the Russian Emperor and Empress. Edberg introduced swimming for women in Copenhagen, Trondhjem and a multitude of Swedish cities "from Ystad to Östersund". She married the Danish lithographer Carl Andrésen (d. 1873) in 1867.
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Self-portrait (1826) Franz Krüger (10 September 1797, in Großbadegast, Köthen, Anhalt – 21 January 1857, in Berlin), known as Pferde-Krüger (“Horse-Krüger”), was a German (Prussian) painter and lithographer. He was best known for his romantic and lively portraits and pictures of horses, which made him the most in demand military and portrait painter in Berlin. His paintings of military parades and hundreds of portraits led to him painting many of the "well to do" of the city.
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He returned to Frankfurt in 1849, briefly practicing law but, feeling dissatisfied with the legal profession and inspired by what he had seen in Italy, he took another trip in 1852, visiting Algiers and Madrid. There he met the painter Fritz Bamberger who suggested that Burnitz go to Paris to study art. With Bamberger's recommendation, he made contact with the lithographer Karl Bodmer, who introduced him to the Barbizon School. He soon began studying with Emile Lambinet.
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French illustrator and caricaturist Amédée de Noé a.k.a. Cham (1818–1879) A Cham satire on women's fashions Charles Amédée de Noé, known as Cham (26 January 1818, Paris – 6 September 1879, Paris), was a French caricaturist and lithographer. Raised by a family who wished for him to attend a polytechnic school, he instead attended painting workshops hosted by Nicolas Charlet and Paul Delaroche and began work as a cartoonist. He eventually took up the pseudonym of "Cham".
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Each artist maintained his independence and own artistic style. Inlet, Gloucester Harbor (1892) by Richard Buckner Gruelle, Julius F. Pratt Fund, Indianapolis Museum of Art In 1897, Boston, Massachusetts, lithographer Louis Prang commissioned Gruelle to paint marine landscapes in Gloucester, Massachusetts. The trip provided the artist's first opportunity to see the Atlantic Ocean. Gruelle later made annual trips to paint at Cape Ann, Massachusetts, spending six weeks to two months each summer sketching and painting in the area.
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In later years, he helped obtain in 1865, the admission of engravers to the honour of full academician. In 1837, he was appointed lithographer to the queen, and in 1840 to Albert, Prince Consort. In 1864, when he had almost given up lithography, he became director of the etching class in the science and art department at the South Kensington Museum, and retained the post almost till his death, which took place on 21 November 1872.
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Jean-Baptiste-Ambroise-Marcellin Jobard (17 May 1792 – 27 October 1861) was a Belgian lithographer, photographer and inventor of French origin. Founder of the first significant Belgian lithographic establishment, first photographer in Belgium on 16 September 1839, director of the Musée de l’Industrie de Bruxelles (Industry Museum of Brussels) from 1841 to 1861, Jobard played a role, in the artistic, technological, scientific and industrial development of Belgium during the Dutch period and the reign of Leopold I.
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Both his father Adolf (1813–1868) an engraver and lithographer, and his grandfather Johan (178012 March 1863) an engraver, were well known artists. Schönberg attended the Imperial and Royal Unified Academy of Fine Arts in Vienna from 1858 to 1860, where his father had also studied. He travelled to Munich to work under Hermann Anschütz at the Academy of Fine Arts, Munich. However, he had to abandon his studies to Vienna to assist his impoverished father.
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One notable project in 1870 involved the restoration of medieval limestone paintings at the 14th century Västeråker Church in Uppsala County.Biography @ the Svenskt Biografiskt Lexikon by Stellan Mörner This made him part of a group of painters who were favored by King Karl XV. As a lithographer, he is best known for illustrating Frithiofs Saga, an epic poem by Esaias Tegnér. He also contributed drawings and text for the ', a popular weekly cultural journal. He never married.
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He painted in the following churches of Turin: Church of San Massimo (1853), Church of Santi Maurizio e Lazzaro (1858-1859), the Church of the Visitazione, and, in collaboration with Rodolfo his brother, in the Church of San Carlo. In collaboration with Luigi Hartmann (1807-1884), he helped decorate (1861-1866) the cathedral of Fossano and the parish church in Santhià. He painted the apse of Mondovì Cathedral. Paolo Emilio was also active as an engraver and lithographer.
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Lillie was born in Minneapolis on October 3, 1884. Her education began in Minnesota, but then she headed east to attend the School of the Art Institute of Chicago and New York School of Fine Arts. She studied with Ambrose Webster and Kenneth Hayes Miller, and worked with George Miller and the German master printmaker Theodore Cuno in creating several lithographs. She then worked as a visual artist, lithographer, painter, screen printer, and craftsperson in Vermont and Florida.
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George Biddle in 1936, at work on his mural Society Freed Through Justice, in the Robert F. Kennedy Department of Justice Building in Washington, D.C. George Biddle (January 24, 1885 – November 6, 1973) was an American painter, muralist and lithographer, best known for his social realism and combat art. A childhood friend of President Franklin D. Roosevelt, he played a major role in establishing the Federal Art Project (1935–43), which employed artists under the Works Progress Administration.
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Pages 1 to 16 were issued on 1 November 1839; pages 17 to 32 on 1 December 1839; and the remaining 26 pages on 1 January 1840. It also contained four woodcuts based on sketches by Lindley, and nine hand-coloured lithographic plates, the artist and lithographer of which are unacknowledged and are now unknown. According to Helen Hewson, the woodcuts are of high quality, but the plates "do not measure up to the standard of contemporary illustration".
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From 1835 to 1839 he was employed together with D. Leon,Rheinische Provinzial-Blätter für alle Stände. Volume 3 Rubensfest 1835, p. 221 Eduard Gerhardt and Bonaventura Weiß (born 1812) at the "lithographic- artistic" institute of the Kehr brothers,Der Verleger Johann Friedrich Cotta. Digitalisat sometimes called Kehr & Niessen, which was founded in Cologne by the lithographer Carl Kehr and his brother Johann Philipp KehrJohann Erhard Prieger: Kreuznach und seine Heilquellen: zur Belehrung und Unterhaltung der Badegäste.
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A student of the French landscape painter Eugène Cicéri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris.
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William Matthew Hart (1830-1908) was an English bird illustrator and lithographer who worked for John Gould. Hart started medical training, but was unable to complete his studies for financial reasons. He began working for Gould in 1851, beginning an association that was to last thirty years. Early during this period he made the patterns for the lithographic plates for Gould's work on hummingbirds, as well as working on The Birds of Great Britain with Henry Constantine Richter.
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Colker was born to parents of Russian Jewish and Lithuanian descent. His father, Edward Colker, was a graduate of New York University, a noted lithographer, a maker of rare hand-bound books, and a Guggenheim Fellowship recipient.International Print Collectors' Society Newsletter January 2005, Vol II, Issue III His mother, Elaine Galen, was a graduate of the University of Pennsylvania and an abstract painter. Colker received a baccalaureate degree in June 1988 from Manhattanville College in Purchase, New York.
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Aesculus hippocastanum – Horse chestnut (1905) Tulipa gesneriana (1905) Luite Klaver (21 September 1870 – 28 November 1960) was a Dutch painter, lithographer and inventor. Klaver was born in Hattem, Gelderland, the son of Hendricus Jacobus Klaver, a carpenter and grocer, and Evelina Lubberta Barendsen. His talent as artist was apparent from an early age. He worked as an apprentice carpenter for some years and received painting tuition from another Hattem resident, the landscape painter Jan Voerman Snr.
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From 1850 to 1857, Kappis trained as a lithographer in his uncle's workshop. he also took drawing lessons and, from 1855 to 1860, attended classes at the Royal Art School in Stuttgart under Heinrich von Rustige and Bernhard von Neher. In 1860, he began his studies at the Academy of Fine Arts Munich under Karl von Piloty. While there, he made friends with fellow painters from Swabia, including Anton Braith, Ludwig Willroider, Friedrich Salzer and Jakob Grünenwald.
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August Maximilian Zimmermann, painter and lithographer, was born at Zittau, in Saxony on 7 July 1811. His father, the impresario Karl Friedrich August Zimmermann, brought him up as a musician, but in his leisure he practised lithography. At the age of twenty-three he abandoned music to devote himself entirely to lithography, and joining his brother Albert in Munich, studied drawing under his direction. He finally took to landscape painting, which he practised with some success.
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Cypripedium measuresianum Laelia anceps stella John Nugent Fitch (24 October 1840–11 January 1927) was a British botanical illustrator and lithographer, best known for his contribution of 528 plates to The Orchid Album,, 10 volumes, (1882-1897) a landmark work of eleven volumes published between 1872 and 1897. Fitch was the nephew of botanical artist Walter Hood Fitch (1817-1892).St George, Ian, 1989 Botanical artists of New Zealand orchids: 2l. John Nugent Fitch (1843-1927).
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Edmund Blampied (30 March 1886 – 26 August 1966) was one of the most eminent artists to come from the Channel Islands, yet he received no formal training in art until he was 16 years old. He was noted mostly for his etchings and drypoints published at the height of the print boom in the 1920s during the etching revival, but was also a lithographer, caricaturist, cartoonist, book illustrator and artist in oils, watercolours, silhouettes and bronze.
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A pair of mass communication specialists interviewing the US ambassador to Trinidad and Tobago, Roy Austin in September 2007 The Navy MC rating was established on July 1, 2006 when the illustrator draftsman, journalist, lithographer and photographer's mate ratings merged. The merge of the four legacy ratings was announced by the Chief of Naval Operations in NAVADMIN 339/05. The legacy ratings were merged to improve efficiency, support optimal manning, and better align the rating with commercial industry practices.
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After completing his secondary education, he began an apprenticeship as a lithographer. He then worked for a short time in Nuremberg before heading to Verona for further studies with Achille Carrillo; returning to Basel in 1872. The following year, he went to Munich and made the acquaintance of Arnold Böcklin at a private art school. Through his intercession with Wilhelm von Kaulbach, Sandreuter was able to attend the nude drawing classes at the Academy of Fine Arts.
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Hooker in 1834 His years at Glasgow were the his most productive, when he was known as the most active botanist in the country. In 1821 he brought out the Flora Scotica, written to be used by his botany students. He was awarded a doctorate by Glasgow University in 1821. He worked with the lithographer and botanist Thomas Hopkirk to establish the Royal Botanic Institution of Glasgow and to lay out and develop the Botanic Gardens.
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Barbara Swan (1922-2003), also known by her married name, Barbara Swan Fink, was an American painter, illustrator, and lithographer. Her early work is associated with the Boston Expressionist school; later she became known for her still-life paintings in which light is refracted through glass and water, and for her portraits. She is also known for her collaboration with the poets Anne Sexton and Maxine Kumin, and for her archived correspondence with various artists and writers.
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In the 1840s, she began creating textile designs, as well as designs for tiles and needlework. In the 1840s, she began also to teach watercolor painting. In the late 1860s, after the introduction of chromolithography, the lithographer Louis Prang hired her to create a series of flowers and autumn leaves specifically to be sold as prints. Through contacts among prominent Bostonians like Henry Ward Beecher, she was invited to create a frieze (since destroyed) at Wellesley College outside Boston.
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It is remotely possible that C.F. Schmidt was the proprietor of the C.F. Schmidt Photography Studio in Halberstadt, Saxony-Anhalt, Germany, in the mid 19th century. C.F. Schmidt, the botanical artist/lithographer, lived in Blankenburg am Harz, the village of his son's birth, in 1833.Staatsarchiv HamburgEmigration paper from St. Michaelis Kirche The C.F. Schmidt Photography Studio in Halberstadt is 16 km from Blankenburg. More research needs to be performed in this area to establish any connection.
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Gaetano or Cayetano Palmaroli (1801 - December 1, 1853) was an Italian painter, but mostly remembered as a lithographer. He was born in Fermo, but studied painting in Rome under Tommaso Minardi, and there gained the patronage of the Spanish ambassador who recruited him to paint for the Spanish monarchy. There he made lithographic prints of the works collected in the Prado Museum and Palace of El Escorial. He was knighted into the order of Order of Isabella the Catholic.
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Lucien Rinaldo Burleigh (1853–1923), whose work was often signed L. R. Burleigh, was an artist and lithographer in Troy, New York who drew and published panoramic maps. His business has been identified as Burleigh Lithograph Company or Burleigh Lithograph Establishment. He produced views of approximately 280 locations of which 120 have been established as his while the others include work by other artists. The Library of Congress has 163 panoramic city plans produced by Burleigh.
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60 July 24, 1915 Ernest and Elizabeth had two children, Hildegarde and Eben. During this period Haskell was doing much work in the line of creating etchings, in Maine as well as in California and Florida. When exhibited, these met with critical acclaim, so Haskell became known as a "fine" artist as well as a portraitist and poster lithographer. He belonged to the group of artists who were exhibited at Alfred Steiglitz' famed 291 Gallery in New York City.
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She graduated from Andover's Abbott Academy, where she learned painting and drawing, in 1836, and spent the next few years painting miniature portraits of prominent locals before moving to Boston at the age of twenty-six. In 1855 she married the French-born Leopold Grozelier, a portraitist and lithographer. In that year she showed three miniatures at the Boston Athenaeum. The following year she showed another, at the Brooklyn Art Association, under the sobriquet "Madam Grozelier".
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John Singer Sargent, Albert de Belleroche, c. 1882 Albert de Belleroche, also known as Albert Belleroche, (1864 – 14 July 1944) was a Welsh-born painter and lithographer, who lived most of his childhood and his adulthood in Paris and England. He began as a painter, but at the turn of the century focused on lithography, for which he is most well-known. He was awarded the Chevalier de l’Ordre de Leopold by King Albert I of Belgium in 1933.
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Born in Brussels in 1923, Somville lost his father, a worker in marquetry, at an early age. He and his mother faced a precarious material existence. His uncle, a lithographer and early Marxist, was a source of ideological influence. He took drawing lessons at the Académie Royale des Beaux-Arts in Brussels (1940–1942), and then went to The Higher National school for Architecture and the Decorative Arts of Brussels, (in the architect atelier Lucien François' atelier).
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Ioannis Mazarakis – Ainian, Τα ακρόπρωρα του Εθνικού Ιστορικού Μουσείου, Athens, 2007. After the Greek Revolution the figure of Alexander the Great was the inspiration to artists or writers who wanted to stimulate the self-knowledge of the Greeks with their works. A good example is the release of an etching in 1849 in Athens which was created by the lithographer Ioannis Koronaios.Dimitra Koukiou-Mitropoulou, «Μια εικόνα του Μεγάλου Αλεξάνδρου φιλοτεχνημένη το 1849 στην Αθήνα από τον Ιωάννη Κορωναίο», Τεκμήρια Ιστορίας.
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Ervin Marton was born in Budapest, Austria-Hungary, in 1912 to István Preisz and his wife Janka Csillag, a Hungarian-Jewish couple. He had two sisters. Marton started drawing as a child; and as a teenager, he began to work in photography, although he never studied it formally. A cousin-in-law by marriage was Lajos Tihanyi (1885–1938), one of the Hungarian artists' circle known as The Eight (Nyolcak) (1909–1918 in Budapest), who became a renowned painter and lithographer.
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Black and Stratton purchased an undivided league and labor on the Leona River in 1853 at the future site of Uvalde. Black then began raising sheep. He opened a store, cleared a garden, and operated a limekiln and two rock quarries. In 1854, he purchased more for town expansion and stock raising. On May 2, 1855, City of Uvalde Black hired San Antonio lithographer Wilhelm Carl August Thielepape, Texas State Historical Association and laid out Encina, which would later be known as Uvalde.
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Neuhuys went to the Municipal Drawing School in Utrecht from 1858–1860 and then worked for the lithographer Van de Weyer in Utrecht, who unfortunately went bankrupt two years later. From that time on, Neuhuys devoted himself to drawing and painting. From 1868 to 1872, he took lessons at the Antwerp Academy, where he was supported by a royal stipend. Here he painted interiors, specializing in the shine of satin clothes, after the example of the 17th-century artist Pieter de Hooch.
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Rowel Boyd Friers MBE, born Belfast, 13 April 1920, died Holywood, County Down, 21 September 1998, was a cartoonist, illustrator, painter and lithographer. Friers grew up in the Lagan Village area of Belfast. He was apprenticed to the Belfast lithographic firm S. C. Allen and Co, and studied at the Belfast College of Art from 1935 to 1942. He began publishing his cartoons in the 1940s, concentrating on political cartooning with the advent of the "Troubles" in the late 1960s.
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Miyake and Tani then joined forces, opening a jujutsu school and co-authoring a book titled "The Game of Ju-Jitsu". In London, he sat for the well-known English artist and lithographer Albert de Belleroche. Beginning in 1908, Miyake toured Europe along countrymen Sadakazu Uyenishi and Mitsuyo Maeda, and he once launched a challenge to famous Great Gama. In 1914, he reached United States and stayed there for 20 years, settling down in Seattle, where he set his school.
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Hermann Fidel Winterhalter was born in the small village of Menzenschwand (now part of Sankt Blasien) in the Black Forest, Grand Duchy of Baden. His father, Fidel Winterhalter, made him follow a career as a painter in the footsteps of his older brother. Hermann Winterhalter was first trained as a lithographer and later went to study painting in Munich and Rome. He settled in Paris where he assisted his brother and exhibited at the Salon 1838-41, 1847 and 1869.
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As a youth, Maeght studied art and music, training as a lithographer at the Ecole des Beaux-Arts in Nîmes.Watkins (2008) His first commercial encounter in the art world came in 1930, when Pierre Bonnard came to his Cannes shop and had Maeght print a program for a Maurice Chevalier concert with a Bonnard lithograph. After the programs were produced, Maeght put the lithograph in the print-shop window. A quick sale encouraged the artist to give him a second picture.
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Armer was regarded as "one of San Francisco's more profound abstractionists." She had solo exhibitions at the Cleveland Museum of Art, and at the San Francisco Museum of Art in 1936 and 1939, and in the Quay Gallery in San Francisco in 1972 and 1975. She painted landscapes, portraits, and abstract works, and was also a lithographer. Her art was influenced by her experience living in California, and her subject matter included the California desert and the cityscapes of San Francisco.
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His first work using American Indian and Western subjects was heavily art deco, and a deco edge would remain in his work even as it developed into a more solidly realist style. Cassidy moved from Albuquerque to Denver to work as a lithographer. In 1912 he moved and settled in Santa Fe, New Mexico where he met Edgar L. Hewett, founding director of the Museum of New Mexico. Hewett commissioned him to paint his first mural at the Panama-California International Exposition.
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The plates were drawn, variously, by Parker and George West, and West was the lithographer. Text diagrams are unsigned, but probably by the same, or by Parker alone. One of the chief results of this work was, by demonstrating the true homologies of the various bones of the shoulder-girdle in fishes, to overthrow Owen's theory of the nature of limbs. Parker showed (contrary to Owen) that the true shoulder-girdle is from the first totally independent of the skull.
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Ophelia Jean-Baptiste Bertrand (25 March 1823 Lyon - 26 Sept 1887 Orsay, Seine-et-Oise), was a French painter and lithographer. At first he was a student of Étienne Rey (1789–1867) and later of Jean-Claude Bonnefond (1796–1860) at the École des Beaux-Arts in Lyon from 1840 to 1843. Alphonse P?rin (1798–1874) suggested that he move to Paris, where he enrolled at the École des Beaux-Arts in 1844 and had his first Salon exhibition in 1857.
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Knud "Ken" Arensbak (1923-1997) was a Danish-born lithographer and artist who, along with his wife Neta (born Agnete), is best known for making fanciful handcrafted figures of trolls in the Smokey Mountains of Tennessee, United States. The family still operates 5 Arts Studio, which makes and sells Arensbak trolls to collectors all over the world. Arensbak and his wife moved from post-war Denmark to Montreal, Quebec, Canada, in 1949. They started a family, then moved to Columbus, Ohio.
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Sketches and watercolours by Mends survive from as early as 1838 and as late as 1865. Over 80 of these works are in the collection of the National Maritime Museum, more than half of which are from a sketchbook that covers the period of 1850 to 1853, immediately before and during his time on HMS Trafalgar, with some examples in private hands. The lithographer and artist Thomas Goldsworthy Dutton used some of his work, and other notable artists also copied it.
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The principles of lithography are still in practice around the world today. The club provided a forum for the artists to meet and exchange information on this heretofore semi-secret process. Further, it provided a means to instruct artists and their patrons that lithography was an art as well as a craft. In 1909, Ernest Jackson, A.S. Hartrick, and James Kerr-Lawson called a meeting to form a society for the artist lithographer and in the following year, the Senefelder Club was formed.
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Kurt Heinig (born 19 January 1886 in Leipzig; died 21 May 1956 in Stockholm) was a German lithographer, politician and journalist. After travelling through the USA he wrote about his experiences in Vorwärts and the Wettelbüne Mitte during the 1920s. Heinig meant that Germany should modernize itself through technological progress and development of a larger domestic market. He did however, point out that Germany could not fully adopt the American model, because of the very different backgrounds of the two nations.
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Akbar Padamsee (12 April 1928 – 6 January 2020) was an Indian artist and painter, considered one of the pioneers in Modern Indian painting along with S.H. Raza, F.N. Souza and M.F. Husain. Over the years he also worked with various mediums from oil painting, plastic emulsion, water colour, sculpture, printmaking, to computer graphics, and photography. In addition, he worked as a film maker, sculptor, photographer, engraver, and lithographer. Today his paintings are among the most valued by modern Indian artists.
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Leaving school at the age of 11, he worked a short while as clerk in a rope factory, then serving in a grocers shop, and thirdly as a sort of apprentice to a lithographer. At 13 he became an apprentice to a druggist, also taking lessons in Latin, and learning Pitman's Shorthand. His mother took him as a boy of 10 to hear John Thomas speak in Aberdeen, Scotland. He formally and briefly, became a member of his mother's church when aged 12.
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Adam was born in Milan, Italy, to painter Albrecht Adam, a German who had spent the prior several years in Italy. Franz Adam's first notable work was a collection of lithographs on the Revolutions of 1848 in the Italian states, done jointly with noted lithographer Denis Auguste Marie Raffet. He painted his first masterpiece during the Second Italian War of Independence of 1859, a scene from the Battle of Solferino. His best-known works, meanwhile, depict the Franco-Prussian War of 1870.
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Scottish born painter, illustrator, engraver and lithographer, George Baird Shaw also lived in Darling House around 1857. It was during his residence at Darling House that Shaw published a highly finished engraving on steel of the Lord Bishop of Sydney, Bishop Frederic Barker.Sydney Morning Herald, 17 February 1857 p.5 from Trove Archives Rosaleen Norton, also known as the Witch of Kings Cross, lived in Darling House at the time that it was a boarding house in the early 1900s.
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Tyrus Wong (October 25, 1910 – December 30, 2016) was a Chinese-born American artist. He was a painter, animator, calligrapher, muralist, ceramicist, lithographer and kite maker, as well as a set designer and storyboard artist. One of the most-influential and celebrated Asian-American artists of the 20th century, Wong was also a film production illustrator, who worked for Disney and Warner Brothers. He was a muralist for the Works Progress Administration (WPA), as well as a greeting card artist for Hallmark Cards.
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Schlageter was born in Caracas, Miranda on November 17, 1893. His parents were Pius Schlageter and Laura Singre, who met in Germany and got married. After that the couple moved to Venezuela in 1893 from the Grand Duchy of Baden where they were living. The reason of the family's move was because the government of the Venezuelan president Antonio Guzmán Blanco contracted Pius to assume the general direction of the Venezuelan National Imprent, because he was a widely known lithographer.
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Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time.
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He was born at Fintry in Stirlingshire. At the age of thirteen he was apprenticed, alongside Horatio McCulloch and Leitch the water colourist, to the landscape artist John Knox. He afterwards worked for a year as a lithographer, and was employed by a company in Cumnock, Ayrshire (Smiths of Cumnock), to paint the ornamental lids of their sycamore-wood snuff-boxes. He studied in Edinburgh at the Trustees' Academy, where he supported himself by illustrating publications for William Home Lizars the engraver.
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Jovanović, was of Bulgarian origin and during his life he always felt himself a Bulgarian and at the same time a Serb.During his life, Anastas Jovanović always felt himself a Bulgarian, and at the same time a Serb. For some time, Jovanović signed under his lithographs as a "Bulgarian lithographer". In his memoirs about his teaching in Belgrade in 1871-1874, the Bulgarian ethnographer Dimitar Marinov noted that Anastas Jovanović was an honorary member of the Bulgarian Society in the city.
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A.R. Barker became a painter in the traditional school of English watercolour as well as an engraver, lithographer and etcher. He exhibited over many years at the Royal Academy and examples of his work are owned by the Victoria and Albert Museum, the British Museum and the Walker Art Gallery in Liverpool. In the 1920s he was a leading member of the Senefelder Club. He published two children's books illustrated with his own wood-cuts, The Fairyland Express (1925) and Hidden Gold (1926).
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Arabs Drinking Coffee in Front of a Tent Street barricade 26 May 1848, Vienna right Count Franz von Schlick on battlefield during the Hungarian Revolution of 1848 Joseph Heicke, Josef Heicke (Josef Heike), (12 March 1811, in Vienna, Imp.-R. Austria – 6 November 1861, in Vienna, Imp.&R.; Austria), was an Austrian painter and lithographer, producing landscapes, portraits, natural history water-colours and images of historic events. He studied at the Vienna Academy and travelled in the Middle East, Italy and Hungary.
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Born in Porto Alegre, to a family of German immigrants, he began his artistic career as an amateur, helped by his brother Inácio, who was a lithographer, and possibly also by the painter Delfim da Câmara. In 1878 he moved to Germany in order to study in the Grossherrzoglisch Badische Kunstschule, in Karlsruhe. There he became a pupil of Ferdinand Keller, Theodor Poeckh and Ernst Hildebrand. In 1880 Keller moved to Berlin, being followed by Weingärtner, who then enrolled in the local Academy.
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Willem Roelofsby Jozef Israëls, 1892 Willem Roelofs (10 March 1822, Amsterdam – 12 May 1897, Berchem) was a Dutch painter, water-colourist, etcher, lithographer and draughtsman. Roelofs was one of the forerunners of the Dutch Revival art, after the Romantic Classicism of the beginning of the 19th century, which led to the formation of The Hague school. His landscapes, especially the early ones with their dominating cloudy skies, demure bodies of water and populated with cattle, are typical for the School of Barbizon.
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With his two brothers Elver and Charles L. Reason, Patrick attended New York's African Free School. At the age of 13, his drawing of the school building was engraved for the frontispiece of Charles C. Andrews's history of the school published in 1830. He was apprenticed to Stephen Henry Gimber (1806-1862), an English engraver and lithographer in the city.Porter, Dorothy B., "Patrick H. Reason", Dictionary of American Negro Biography, edited by Rayford W. Logan and Michael R. Winston, 1982.
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Davis was born in New York City and studied at the American Academy of Fine Arts, the New-York Drawing Association, and from the Antique casts of the National Academy of Design. Dropping out of school, he became a respectable lithographer and from 1826 he worked as a draftsman for Josiah R. Brady, a New York architect who was an early exponent of the Gothic revival style: Brady's Gothic 1824 St. Luke's Episcopal Church is the oldest surviving structure in Rochester, New York.
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Born March 11, 1884, in Richmond, Virginia, Rohland was the fourth of seven sons of Clara Marie (née Thilow) and Otto Friedrich Rohland.1900 United States Federal Census, Ancestry.com, Paul H. Roland [sic] At the age of 14 he went to work as a photo engraver for the Christopher Engraving Company in Richmond. He studied in evening art classes at the Virginia Mechanics Institute under the painter and illustrator Wm. L. Sheppard, and the artist and lithographer, Richard A. Duckhardt.
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Prentiss Taylor (December 13, 1907 – October 7, 1991) was an American illustrator, lithographer, and painter. Born in Washington D.C., Taylor began his art studies at the Corcoran Gallery of Art, followed by painting classes under Charles Hawthorne in Provincetown, Massachusetts, and training at the Art Students League in New York City. In 1931, Taylor began studying lithography at the League. Taylor interacted and collaborated with many writers and musicians in his time in New York in the late 1920s and early 30s.
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Several men also came forward claiming to be the "missing Duke". One of the more publicised claims came in May 1945 when a German born lithographer living in Kristiansand, Norway named Alexander Hugo Køhler made a deathbed confession claiming that he was Johann Salvator. Køhler claimed that, as Johann Orth, he "bought" the identity of Alexander Hugo Køhler and assumed his life. Køhler claimed that the real Alexander Hugo Køhler posed as Salvator and it was he who died at sea.
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View into the apse of Bologna Cathedral showing in the cupola Trebbi's frescoes of Saint Anne in Glory Cesare Mauro Trebbi (1847–1931), also known as Mauro Cesare Trebbi, was an Italian painter and lithographer best known for his historico-religious set pieces and especially valued for his figure painting. He worked principally on large-scale public compositions for religious buildings. His frescoes are to be found in many churches in Emilia- Romagna. He was born and died in Bologna.
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The pond-facing facade has a two-story Greek temple portico with four columns. This house was built in 1854 for Henry Call, and was for over 40 years the home of George Bartlett. Bartlett was an English draftsman and lithographer, educated at the South Kensington Schools, who played an important role in teaching the arts at the state normal school. The house is one of several more formally decorated Greek Revival homes in the town's local Pleasant Street historic district.
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His portfolio includes the lithograph Sketches of Character, In Illustration of the Habits, Occupation, and Costume of the Negro Population in the Island of Jamaica, which was published in collaboration with the lithographer Adolphe Duperly in 1837–38, documents activities of the former slaves immediately after the emancipation.Tim Barringer, Gillian Forrester, Barbaro Martinez-Ruiz (eds), Art and Emancipation in Jamaica: Belisario and his Worlds, Yale Center for British Art, 2007. Some prints are the earliest visual representation of the masquerade of John Canoe.
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Casanova descended from a multinational family. Her paternal grandfather, Vicente Pérez Losada, was Portuguese by birth; he married a Madrid girl, herself daughter to a family born in Mexico but of Basque origin. They settled in Orense and this is where the father of Sofía, Vicente Pérez Eguía, was born; he worked as a lithographer. Casanova's maternal grandfather, Juan Bautista Casanova Pla Canela, was from El Ferrol, but he spent many years in navy service in Spanish possessions in Nueva España.
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Hélène Feillet, pianted by her sister Blanche Arrival of the Duke and Duchess of Orleans in Bayonne (Hélèene Feillet, 1840) Pêcheuses de St Jean de Luz (Hélène Feillet, c.1940) Joséphine Jeanne Hélène Feillet (2 November 1812 – 9 December 1889) was a French painter and lithographer. She is remembered in particular for the vignettes she engraved for albums illustrating Bayonne and the Basque Country. She was also a competent painter of both portraits and landscapes, exhibiting in the Paris salon from 1836.
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Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Although Shahn attended New York University as a biology student in 1919, he went on to pursue art at City College in 1921 and then at the National Academy of Design.
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Abraham Jacobus Wendel was born in 1826 in Leiden, the son of Jacobus Cornelis Wendel (1796-1860) and Johanna Vegt (1801-1869). In 1849 he married Jannetje Koolen (1826-1904) and had six children, including Abraham Jacobus Johannes Wendel (Leiden, 9 July 1854 - 3 April 1930),Abraham Jacobus Wendel in myheritage.comErfgoedleiden.nl Abraham Jacobus Johannes Wendel who became a lithographer and botanical artist in his own right, using signature AJJW. His father Abraham Jacobus Wendel created the botanical illustrations for many books and scientific journal articles.
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François Poels (12 April 1881 - 27 December 1926) was a Belgian trade union leader. Born in Elsene, Poels completed an apprenticeship as a lithographer. In 1906, he joined the Union of Lithographers in Brussels, becoming its deputy general secretary in 1911, and general secretary in 1912. He argued in favour of a single union covering the whole printing trade, and as a step towards this, in 1913, he merged his union into the new Union of Workers in Lithography and Kindred Trades, becoming its first general secretary.
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A panoramic landscape, with Ernest Slingeneyer Nicolaas Johannes Roosenboom (23 August 1805 - 1 March 1880), was a Dutch painter, etcher, lithographer, watercolorist, and illustrator who was specialised in landscape art.Nicolaas Johannes Roosenboom at the Netherlands Institute for Art History He painted various types of landscapes but was mainly known for his winter landscapes.Nicolaas Johannes Roosenboom , Skaters on a frozen waterway at Master Art Roosenboom's work is situated in the Dutch Romantic movement. He collaborated with various artists who painted the staffage in his landscapes.
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Madsen was born in 1888 in Bergen as the son of carpenter Simon Madsen (1857–1928) and Hansine Christensen Skiftesvig (1857–1890). He graduated from middle school in 1904, and took an education as a lithographer and engineer between 1904 and 1910. He worked as an engineer in Montreal and New York City between 1910 and 1912, and in Germany between 1913 and 1914. In 1912, during an intermittent stay in Norway, he had become active in Norges Socialdemokratiske Ungdomsforbund, and became acquainted to Martin Tranmæl.
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Henry Leonardus van den Houten (1801-17 February 1879), was a Dutch-Australian painter, lithographer and art teacher. Van den Houten was born in the Hague, Netherlands in 1801 and produced portraits in the Netherlands before emigrating in 1853, with his family, to Victoria, Australia. In Australia, he was employed as a drawing master and an art teacher, and his work was displayed at the Victorian Intercolonial Exhibition in 1875. He died in St Kilda, Victoria and was buried at the St Kilda Cemetery.
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Ferslew returned to Copenhagen in late 1855 to work in the family firm. In 1856, he imported a lithography press from Germany, which was the first of its kind in the country. The collaboration with the much elder Bing was not without difficulties but Ferslew often came out with the upper hand and, on 1 October 1857, bought him out of the company in a partnership with lithographer Philip Berendt. The company was renamed C. Ferslew & Co.. It purchased the building at Store Kongensgade 24.
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Eduard Kaiser was the son of Joseph Franz Kaiser, the owner of a lithographic business in Graz. He studied at the Wiener Akademie beside Josef Danhauser and soon became a serious competitor for the top Vienna portrait-lithographer Josef Kriehuber. Enthused by the ideas of the revolution, in 1848 Kaiser joined the Academic Legion - during this time he made portraits of almost all the main figures of the March Revolution (Josef Radetzky, Franz Schuselka, Hans Kudlich Adolf Fischhof, Carl Giskra). In 1852/53 he lived in Rome.
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He began as an apprentice to Charles Verneau (1850-1950), a printer who specialized in posters, and became a lithographer. During this period he made the acquaintance of several notable poster artists, including Adolphe Léon Willette, Jean-Louis Forain and Théophile Alexandre Steinlen. In his spare time, he studied painting at the Académie Julian and developed an admiration for Jules Chéret; an innovator in poster design. In the 1890s, he opened his own workshop and began designing posters, initially under contract to Verneau, then with Pierre Vercasson.
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In 1914, Rose married William Searls Rose, who was from a wealthy family. They lived near New York City and adopted two children. They spent summers at Hope House and at the adjoining farm, Pickbourne, which had been given to Rose as a wedding gift.Ruth Starr Rose is dead: Artist and lithographer The New York Times, October 26, 1965 Harlem Renaissance artist Prentiss Taylor and Weyhe Gallery's Carl Zigrosser, founder of the Prints Department at the Philadelphia Museum of Art, were her lifelong friends and mentors.
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Claudio Linati (1 February 1790 – 11 December 1832) was an Italian painter and lithographer who studied under Jacques-Louis David in Paris and established the first lithographic press in Mexico. He co-founded and edited El Iris, a periodical that published the first political cartoons in Mexico, and was forced to leave the country for his political activism. Linati was also involved in revolutionary causes in Italy and Spain. He is known for his hand- colored book illustrating costumes of different types of people in Mexico.
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Between 1890 and 1914 he worked as a lithographer (both in color and in black and white) and as an illustrator for weekly publications such as La Faridondaine, Le Courrier Français, Le Cri de Paris, Le Figaro, Le Petit Bleu, Gil-Blas and Le Rire. Despite great elegance and beauty, his work was imbued with social criticism from the start. Although the bourgeoisie received the brunt of his mockery, Hermann-Paul prodded all aspects of Parisian society. He was critical of rich and poor alike.
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David was a painter and lithographer that worked with Adolphe Goubaud, a publisher. When fashion plates became a popular form of illustration this provided a way for Anaïs's work to be mass produced. Instead of making the illustrator redraw the same exact image over and over, the artist would either etch, engrave, or lithograph the image and then color it in by hand. This form of production was much more efficient and realistic to produce fashion magazines at the weekly rate they were being printed.
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Two years later, he married Élisa Honorine Petiet, a watercolorist and lithographer who specialized in floral still- lifes,Dictionnaire Benézit and they had a daughter in 1840. Much of their time was spent visiting the estate of in Sceaux, where she worked on her paintings and he developed an interest in depicting the railroad that was being constructed through that area. Musée du Domaine départemental de Sceaux, Jean- Jacques Champin dans les collections Online. He also provided illustrations for publications such as ' and L'Illustration.
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The W.S. Pendleton Houses at 1 & 22 Pendleton Place are designated landmarks of New York City, and 1 Pendleton Place was additionally listed on the National Register of Historic Places in 2014. Both houses were once owned by W.S. Pendleton, a prominent local businessman who worked in real estate and owned a local ferry boat company. Pendleton, born in New York City in 1795, later became a pioneer lithographer in Boston. Built in 1861, 1 Pendleton Place was designed by Charles Duggin in the Stick style.
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The Evening Herald was founded in 1906 by Fred Cronemiller and his family, who later moved to Lakeview, Oregon. Wesley O. Smith and E. J. Murray purchased the paper in 1908, and expanded its size. By one account, Murray sold the paper to F. R. Soule in 1922;American Printer and Lithographer, Volume 74, Moore Publishing Company, 1922, p. 71. by another, after having bought Smith's share, he sold it to Bruce Dennis, who had an extensive history as a newspaper owner in the state, in 1926.
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Daumier showed in his youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, for whom he was employed as an errand boy, and later, with a bookseller. In 1822, he became protégé to Alexandre Lenoir, a friend of Daumier's father who was an artist and archaeologist. The following year Daumier entered the Académie Suisse. He also worked for a lithographer and publisher named Belliard, and made his first attempts at lithography.
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Paul Collomb (8 October 1921 – 6 October 2010) was a French painter and lithographer. A native of Ain, he studied art in Paris before World War II. He won the Premier Second Grand Prix de Rome in 1950. Collomb's work has drawn comparisons to that of Maurice Boitel. His work may be found in the Musée d'Art Moderne de la Ville de Paris, the Centraal Museum in Utrecht, the Museum of Jakarta, the Museum of Tel Aviv, and the Museum of Modern Art in New York City.
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Cafe Rajah L'Heure du Silence Henri Meunier (born Henri Georges Jean Isidore Meunier; 25 July 1873 Ixelles – 8 September 1922 Brussels) was a Belgian Art Nouveau lithographer, etcher, illustrator, bookbinder and poster designer of the Belle Époque. Henri Meunier was the son of the etcher Jean-Baptiste Meunier and was the nephew of the sculptor Constantin Meunier. He received his first training in engraving in his father's workshop. After studying at the academy in Ixelles, he diversified into printmaker, poster designer, graphic reporter and book binder.
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Poster by Faria for La poule aux oeufs d'or (1905), a French silent film directed by Gabriel Moreau (?) and Gaston Velle for Pathé Frères. Collection EYE Film Institute Netherlands. Cândido Aragonez de Faria (artist's name Faria, 12 August 1849 in Laranjeiras, Sergipe (Brasil) – 17 December 1911 in Paris) was a Brazilian caricaturist, painter, lithographer and poster designer who emigrated to France in 1882. Faria designed posters for performers in café-chantants and the cinema but also for music scores (lithographies in small and large formats).
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Hayes was born in Chicago, the youngest child of five of Mary Hayes (1939-2018), the director of a non-profit food bank called the Northern Illinois Food Bank, and Ronald Hayes, a lithographer. He is of Irish descent and was raised as a Roman Catholic in the Chicago suburb of Glen Ellyn, Illinois. His father, an alcoholic, left when Hayes was five years old, and he and his siblings were raised by their mother. He has not spoken to his father in many years.
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Adolphe Hastrel de Rivedoux was a 19th-century engraver and painter, watercolourist, lithographer and former artillery captain in the navy. Well known for his travels and his writing, he is best known as an artist who drew many watercolors, with a predilection for landscapes and the city of St. Paul, on Ile Bourbon from September 1836 to October 1837. In 1847, ten years after his passage for Réunion, he published an album of 36 views under the title Album de l’île Bourbon with Charles Lemercier.
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Jean Paul Alaux (1788–1858), also known as Gentil, was a French landscape painter and lithographer born at Bordeaux on 4 October 1788. His father Pierre-Joseph Alaux was also an artist as were his two older brothers, Jean Alaux, who had the nickname of "the Roman", and Jean-Pierre Alaux (1783–1858). A pupil of Pierre Lacour and Horace Vernet, he went on to teach at the Lycée de Bordeaux between 1807 and 1858. Later he became director of the School of Design at Bordeaux.
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The Destruction of Roehampton Estate in the parish of St. James's in January 1832 the property of J. Baillie Esq. Lithograph, Adolphe Duperly, Jamaica 1833. Falmouth taken from the Church Tower Adolphe Duperly (1801-1865) was a French engraver, lithographer and printer who settled in Kingston, Jamaica, and who produced daguerreotypes and then founded a photography business. Duperly was born in Paris, but was in Jamaica in the 1830s and produced a lithograph of the 1831 Baptist War and the emancipation celebrations in Kingston in 1838.
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During hard economic and social times in 1824, he took part in a Lyons carnival parade that was deemed seditious; he was arrested, but ultimately charges were dropped. Charles Philipon finally left Lyon for Paris where he reunited with old friends from the workshop Gros. One of them, Charlet, a renowned artist, took him under his wing and introduced him to lithography, a technique spreading in France in the 1820s. Philipon found employment as a lithographer and artist drawing for picture books and fashion magazines.
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He was largely self-taught, but received instruction early on from artist and commercial lithographer Julius Melchers. He apprenticed with the Detroit Calvert Lithograph Company for seven years but in 1890 he traveled to Europe where he trained with Professors Johann Herterich, Ludwig Schmid, and Adolph Menzel. In 1907 he accepted a position with the Otis Lithograph Company of Cleveland, Ohio and in 1911 he co-founded the Kokoon Arts Club to promote modern art in Cleveland. In 1914 he relocated to Brandywine, Ohio.
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He was the son of German-born Louis Maurer, a lithographer with a pronounced disdain for modern art. At age sixteen, Maurer had to quit school to work at his father's lithographic firm. In 1897, after studying with the sculptor John Quincy Adams Ward and painter William Merritt Chase, Maurer left for Paris, where he stayed the next four years, joining a circle of American and French artists. Finding the instruction at the Academie Julian too limited, he spent most of his time copying in the Louvre.
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300px Inglewood Cottage is a Gothic Revival villa, built c. 1850, located at 150 Bethlehem Pike, in the Chestnut Hill section of Philadelphia, Pennsylvania. It was designed by famed American architect Thomas Ustick Walter, Fourth Architect of the U.S. Capitol, and built by Cephas Childs, a prominent Philadelphia lithographer and director of the Chestnut Hill Railroad. The home was among the first summer cottages built in and around Chestnut Hill, Philadelphia, Pennsylvania in the mid to late 19th century for wealthy Center City Philadelphians.
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Louis Haghe (17 March 1806 – 9 March 1885) was a Belgian lithographer and watercolourist. His father and grandfather had practised as architects. Training in his teens in watercolour painting, he found work in the relatively new art of lithography when the first press was set up in Tournai. He visited England to find work, and settled there permanently in 1823. Together with William Day (1797–1845), around 1830 he formed the partnership Day & Haghe, which became the most famous early Victorian firm of lithographic printing in London.
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34, 55-57, 97, 98, 99, 402, 412 In parallel, a Jewish and Zionist application of Art Nouveau, directly inspired by the art of Galician lithographer Ephraim Moses Lilien, was developed in drawing by Reuven Rubin (whose paintings of the time experimented with primitivist aesthetics).Milly Heyd, "The Uses of Primitivism: Reuven Rubin in Palestine", in Ezra Mendelsohn (ed.), Art and Its Uses: The Visual Image and Modern Jewish Society. Studies in Contemporary Jewry, Vol. VI, Oxford University Press, Oxford etc., 1990, p.61-64.
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Hermann Hendrich was born in the vicinity of the storied Kyffhäuser, his parents were Auguste Friederike Hendrich née Ziegler and the baker August Hendrich. From 1870 to 1872 he served his apprenticeship as lithographer; one year shorter than the regular duration due to his evident talent. He then started a job in a Hanoverian lamp factory where he had to draw a catalogue. At that time, he first attended a Wagnerian opera, Tannhäuser, and the wish emerged to be able to draw such musical impressions.
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Ivory-billed Woodpecker by Theodore Jasper, from Studer's Popular OrnithologyJacob Henry Studer (26 February 1840 Columbus, Ohio - 2 August 1904 New York City) was a printer, lithographer, painter, and popular ornithologist active in Columbus, Ohio from the 1860s to the 1880s. He was also the author of a work entitled Columbus, Ohio; its History, Resources, and Progress (1873). He founded the Board of Trade of Columbus in 1872 (New York Times, 1904). Studer was active in the American Ornithologists' Union and the Ohio Society of New York.
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His first recognition was as a lithographer, with his work included in a catalog called Estampas de la Revolución Mexicana published in 1947. In 1960, he received a gold medal from the Visión magazine in Buenos Aires. In 1966, he was named an honorary professor at the Academy of Design and Engraving in Florence, Italy, with an engraving called El Chiclero winning a prize from the same institution. He won first place at an engraving contest organized by the then Secretaría de Recursos Hidráulicos.
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Julie Mihes (Breslau, July 13, 1786 - Vienna, January 16, 1855) was a Polish painter and lithographer. She was born in Breslau in 1786, and studied in her native city, as well as in Dresden, and at Vienna. Here she was married in 1823 to the custos A. Primisser, after whose death in 1827, she became a nun. She is remembered for reproducing the characteristics of the Old Masters, as in copies of a 'Christ', by Bellini, and a 'Madonna', after Annibale Carracci (both at Dresden).
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Johann Baptist Stuntz (1753, in Arlesheim - 1836, in Munich) was a Swiss- German landscape painter and lithographer. Arlesheim, Grotte der Ermitage by Stuntz He lived as an artist in Biel, during which time, he painted landscapes in gouache - his paintings of St. Peter's Island in Lake Biel were highly thought of. He later worked as an art dealer in Strasbourg, and from 1808 operated a lithography business in Munich. He also worked as a gilder and sculptor in wood and marble for a church in Boécourt.
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Ilha dos Ratos by Pieter Godfried Bertichen, 1856 Pieter Godfried Bertichen (5 February 1796 – 1856) was a Dutch painter and lithographer who also lived and worked in Brazil.Pieter Godfried Bertichen in the RKD Bertichen was born in Amsterdam and initially trained by Jurriaan Andriessen and worked there, until in 1833 he moved to Rio de Janeiro where he continued to live and work. He primarily painted and printed depictions of buildings and landscapes. He traveled around Brazil, and eventually settled in Petrópolis where he died in 1856.
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As one of the important Dutch artists of his time he often participated in the organisation of exhibitions of Dutch art and especially graphic art in the Netherlands and abroad. Among others he was co-organisator of the graphic exhibition in Leipzig (Germany) in 1914 and an important exhibition of Dutch fine arts in Brighton 1920. It was in Brighton where he met the British lithographer John Copley and made friends with him. In 1934 Moulijn earned special merits for his part in the organisation of an Exhibition of Dutch fine arts in Budapest.
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Born in Kennington on 4 November 1865,General and Heraldic Dictionary of the Peerage and Baronetage of the British Empiree, Burke's Peerage Limited, 1914, p. 2151 Bacon was the second son of the lithographer John Cardanall Bacon, and showed artistic talent from a young age. He trained at the Westminster School of Art and the Royal Academy Schools in London. In his teens he acquired a reputation as an outstanding black-and-white illustrator, and at the age of 18 set off on a professional tour of India and Burma.
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She was born in Iglau (now Jihlava, in the Czech Republic) where her father, the Austrian Imperial court painter Johann Nepomuk Steiner, was working at the time. She was taught painting by her father and accompanied him to Vienna, where she exhibited her first painting in 1786 at the Academy of Fine Arts. Wolfgang Amadeus Mozart by Barbara Krafft, posthumous portrait, 1819 In 1789 she married the Viennese pharmacist Josef Krafft. Their son Johann Nepomuk Krafft, born in 1792 and taught by his mother, later became a painter and lithographer.
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Madou is a Brussels metro station on the northern segment of lines 2 and 6. is located under the small ring at the /, near the Flemish Parliament and Madou Plaza Tower, in the municipality of the Saint-Josse-ten-Noode, north of the City of Brussels (Belgium). The station opened on 20 December 1970, then serving as a premetro (underground tram) station, and became a heavy metro station when this line was converted on 2 October 1988. It is named after the painter and lithographer Jean-Baptiste Madou.
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Oscar Maurer was born in New York City and moved with his family to San Francisco in 1886. His uncle, the lithographer Louis Maurer, encouraged him to take up photography as an important new artistic medium. The teenaged Oscar got a box camera, set up a darkroom in the basement, and was soon selling a line of San Francisco scenes to local art stores. He studied chemistry and physics at the University of California but didn’t pursue a scientific career. Between 1891 and 1898, he worked as a salesman for Bass- Hueter Paint Company.
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After completing his primary education, in 1880, he moved to Barcelona, where he worked as a decorative painter in the studios of Manuel Marqués (born c. 1840). At the same time, he and a few friends operated a small art academy. With the assistance of a lithographer named Francisco Tió, he was able to move to Madrid in 1884, to study at the Real Academia de Bellas Artes de San Fernando with the landscape painter, Carlos de Haes, and make copies of Velázquez at the Museo del Prado.Biography @ Nomenclàtor.
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La Calavera Catrina Posada's La Calavera Garbancera in 1913 La Calavera Catrina or Catrina Ljazmun a Calavera Garbancera ('Dapper Skeleton', 'Elegant Skull') is a 1910-1913 zinc etching by the Mexican printmaker, cartoon illustrator and lithographer José Guadalupe Posada. She is offered as a satirical portrait of those Mexican natives who, Posada felt, were aspiring to adopt European aristocratic traditions in the pre-revolution era. La Catrina has become an icon of the Mexican Día de Muertos, or Day of the Dead. The zinc etching depicts a female skeleton dressed only in a hat.
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However much cheaper prints could be produced by simplifying both the number of colours used, and the refinement of the detail in the image. Cheaper images, like advertisements, relied heavily on an initial black print (not always a lithograph), on which colours were then overprinted. To make an expensive reproduction print, once referred to as a "chromo", a lithographer, with a finished painting in front of him, gradually created and corrected the many stones using proofs to look as much as possible like the painting, sometimes using dozens of layers.Clapper, Michael.
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From 1950 on, Vostell implemented his first artistic ideas, in 1953 he began an apprenticeship as a lithographer and attended the Werkkunstschule at the Bergische Universität with Ernst Oberhoff in Wuppertal. On September 6, 1954 in Paris, he found the word décollage (i.e. to lift off, loosen, loosen the glued, separate) on the title page of Le Figaro, which was used in connection with the crash of a Lockheed Super Constellation into the Shannon. Vostell changed the spelling to Dé-coll/age and applied the term to his poster tear- offs and happenings.
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From 1875 until 1882 in association with Arthur James Stopps who was a lithographer in the same public offices that he worked at, FitzGerald published seven parts of his work Australian Orchids. The exquisite lithograph plates detailing FitzGerald's dissections of orchids, were hand-coloured by artists following his samples and instructions. Australian Orchids made FitzGerald famous in the botanical world and Joseph Dalton Hooker another botanist, considered the work one "which would be an honour to any country and to any Botanist". Australian Orchids included descriptions of more than two hundred species.
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He also spent time in London and Paris and, when he returned in 1836, he was appointed a Professor of history painting at the "Academia de Belas- Artes" (now part of the University of Lisbon).Biographical notes from the Diccionario bibliographico portuguez @ Google Books. In 1838, he designed costumes for a play by Almeida Garrett and did set designs for the opera Robert le diable by Giacomo Meyerbeer. Together with the lithographer, Maurício José Sendim (1786-1870), he created illustrations for the Quadros históricos by António Feliciano de Castilho.
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Stark received an early education at private schools in Indianapolis before beginning an apprenticeship to a Cincinnati, Ohio, lithographer at the age of sixteen. In 1877, while living with an aunt and uncle in Cincinnati, Stark began art school during the evenings at the Art Academy of Cincinnati, a department of the University of Cincinnati. His first public exhibition occurred in June 1878 at the School of Design's Tenth Annual Exhibition when he was nineteen years old. Stark's entry for the exhibition was Musical Faun, a classical drawing.
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Stark began work as a lithographer in Cincinnati, Ohio, in the mid-1870s. After completing his formal art training in New York City and Paris, Stark returned to the United States in 1888 with his French wife, Marie, and one-year-old daughter, Gretchen. Stark found work in New York City as a commercial artist, but supplemented his income with additional work as an illustrator for magazines such as Scribner's Monthly and Harper's Weekly. In 1890 Stark and his family moved to Philadelphia, Pennsylvania, where he continued to work as a commercial artist and illustrator.
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Allocasuarina littoralis Blandfordia grandiflora Edward William Minchen/Minchin (25 June 1852 – 1913) was an Australian botanical artist. Minchen was born in Middle Swan, Perth, Western Australia, the son of James Minchen and Elizabeth Fisher, and had a fairly checkered career pursuing jobs at sea, trades, an attempt at the stage and the National Art Gallery. He ended up working as a lithographer in New South Wales for the Lands Department, the Survey Office and the Government Printer. He often collaborated with Henry Baron (1863-?), a lithographic artist who joined the Government Printer in 1891.
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Stein was born as Ethel Levy on June 22, 1917, to Tanya Levy in New York City. She was raised by her aunt and Uncle, Ella and Abbo Ostrowsky, in Croton-on-Hudson. Stein attended Hessian Hills school and was taught woodworking by sculptor Wharton and painting by painter/muralist/lithographer George Biddle In the latter half of the 1930s, she worked as an assistant at the Educational Alliance Art School where her uncle, Mr. Ostrowsky, was the director. While working there, Stein learned from sculptor Chaim Gross studying with Louise Nevelson.
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The colony issued its first postage stamp on 1 August 1854. The 1d black stamp featured the black swan, a design used for most of the colony's later stamps as well. This stamp was engraved in England and printed by Perkins Bacon; later in the year, local lithographer Horace Samson produced 4d and 1sh values by taking an impression of the 1d's swan vignette and adding different frames. Alfred Hillman's mistake in the repair of the printing stones in 1855 resulted in the frame being inverted, yielding the extremely rare Inverted Swan error.
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He was born in Aachen on 1812 as the son of a local businessman, Simon Gerlach Kühnen and his wife, Anne Plum and was orphaned at the age of thirteen. Supported by the Aachen city council, he subsequently received training as a lithographer in the Joseph La Ruelle (de) printing house in Aachen. He learned painting with Johann Baptist Joseph Bastiné (de) then created his own landscapes on 1830. He was commissioned to paint Prosper Louis, 7th Duke of Arenberg son, a fact that exposed him to a wider audience.
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Nándor Mikola (born Nándor Josef Mikolajcsik, , 27 November 1911 – 3 May 2006) was a watercolor painter from Vaasa, Finland, but born in Budapest, Hungary. Following in the footsteps of his father Ignác Mikolajcik, Mikola started studying lithography at the Budapest University for Art and Design in 1928. At the same time he studied painting at the Budapest Free Art Academy under the guidance of . He graduated as a lithographer in 1932 and participated for the first time in a public exhibition at the Obuda district culture house in Budapest, where he displayed his watercolour paintings.
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Before moving to New York City in 1979, Clayton Patterson studied art at Alberta College of Art, University of Calgary, University of Alberta (Edmonton) and the Nova Scotia College of Art and Design University. He taught printmaking at University of Alberta, etching at NSCAD, and high school art at Memorial Composite High School in Stony Plain, Alberta. He also worked for other artists as a freelance lithographer and print maker. In 1972 he began living and collaborating with artist Elsa Rensaa; though never married, they have remained lifelong partners.
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His mother, the former Katherine Grunder, was met by Maurice after his arrival. Horace was the fifth child of seven born to the couple. He left school at an early age, going to work at the age of 12 as a paperboy before working variously as a printers' assistant, lithographer, cub reporter at a newspaper, and bank clerk. Early in his life he came to know Walt Whitman, whose volume of poetry Leaves of Grass was the subject of much hostile commentary among the literary critics of the day.
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Bennett Cerf in 1932 (by Carl Van Vechten) Bennett Cerf was born on May 25, 1898, in Manhattan, New York, to a Jewish family of Alsatian and German origin. Cerf's father Gustave Cerf was a lithographer; his mother Frederika Wise was heiress to a tobacco-distribution fortune. She died when Bennett was fifteen; shortly afterward, her brother Herbert moved into the Cerf household and became a strong literary and social influence on the teenager. Cerf graduated from Townsend Harris High School in 1916, the same public school as publisher Richard Simon and playwright Howard Dietz.
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Müller- Kaempff was a successful landscape artist. He produced watercolours, pastels and drawings as well as furniture designs and a multitude of postcards. He was also an accomplished lithographer and produced bird illustrations for the revised edition of Naumann's "Naturgeschichte der Vögel Mitteleuropas". During his lifetime his works were acquired by museums in Rostock, Oldenburg, Kiel and Hamburg, and bought by numerous private collectors as far afield as Argentina and China. Prince Eitel Friedrich, the second son of Emperor Wilhelm II, acquired several of Müller-Kaempff's pieces for the imperial court in 1908.
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Thomas Talbot Bury (26 November 1809 – 23 February 1877) was a British architect and lithographer. Bury was articled to Augustus Charles Pugin in 1824 and started his own practice in Soho in 1830. At various times he collaborated with other notable architects including Charles Lee (partners between 1845 and 1849), Lewis Vulliamy and A. W. N. Pugin, with whom he detailed the Houses of Parliament under Sir Charles Barry. Edge Hill Bury's works included thirty-five churches and chapels, fifteen parsonages, twelve schools and twenty other large public buildings and private homes.
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He was the second of the four sons of Andrew Picken the novelist. He became a pupil of Louis Haghe, and in 1835 received from the Society of Arts their silver Isis medal for a lithographic drawing of the ruins of the Houses of Parliament after the fire of 1834. In the same year he exhibited, at the Royal Academy, a view of a tomb in Narbonne Cathedral. Picken then established himself as a lithographer, and had earned a reputation by the excellent quality of his work when in 1837 his health broke down.
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He was born in Barcelona, and studied at the Escola de la Llotja under Ramón Martí Alsina and in the lithography workshop of .EPdLP: Brief biography At the age of seventeen, he travelled to Paris with his brother Enric, who was also an engraver, with the intention of finding employment in the workshop of the French lithographer Alfred-Léon Lemercier. However, once there, he decided to become a painter and enroll at the École des Beaux-arts. To prepare for his entrance exam, he worked in the studios of Alexandre Cabanel and Tony Robert-Fleury.
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Adolph Friedländer (17 April 1851 – 7 July 1904) was a famed German lithographer of posters and a publisher hailing from Hamburg. His printshop produced over 9,000 posters between 1872 and 1935, predominantly for artists, magicians and circus and vaudeville performers. First learning lithography at his father's shop in Hamburg, he received formal training in Berlin and returned to operate independently in 1872. First concentrating on labels for businesses, he turned to poster printing to cater to the many artists and performers which operated nearby to the location of his business.
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Biehle was a lithographer for Otis Lithography and Continental Lithography Corporation where he remained from 1913-52. Around 1919 he began painting with Henry Keller at Berlin Heights, Ohio, an artist's colony near Sandusky, Ohio. Biehle contributed paintings of both urban and rural Ohio to the American Scene movement of the 1920s and 1930s. Biehle was a member of the Kokoon Arts Club in Cleveland, Ohio, which was founded in 1911 by a group of young Cleveland artists including William Sommer, Carl Moellmann, Morris Grossman, Elmer Brubeck, and Harry Stebner.
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His father, , was the Director of the Walloon Orphanage, but was also known as a landscape painter and lithographer and gave Jan his first lessons.Profile @ the Rijksbureau voor Kunsthistorische Documentatie At the age of thirteen, he presented his first landscape at one of his father's exhibitions in Groningen and would continue to exhibit frequently throughout his life. In 1855, he moved to The Hague, seeking a more affluent clientele, and joined the Pulchri Studio. During his time at the studio, he held several positions, such as Librarian, Secretary and Treasurer.
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During his twenties, LeBoit (who had changed his name, along with his sister, Shirley, a commercial artist) developed skills as a draftsman, printer's devil and lithographer. In the mid-1930s, Joseph Lebowitz changed his last name to LeBoit; whether this was to avoid anti-semitism, or to capitalize on interest in French artists is not known. He was drawn to graphic arts, which he believed to be more democratic than painting, as works could be widely disseminated and inexpensive. In 1935 he joined the Graphic Arts Project of the Works Progress Administration.
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Brunet also had great admiration for Claudi Castelucho. Brunet won awards at some contests, in 1891 his teacher Eusebi Planas recommended him going to Paris, where he learned with the lithographer Mercier. In France he started raising money because of the precarious situation of his parents, to whom he sent money periodically, however he had to abandon temporarily his studies. Short after this, he returned to studies and he stayed in Oran and Algiers for some time practising painting and drawing and also worked as an illustrator for important French and Spanish publishing houses.
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In the early 1930s, Smith began his studies at Karamu House under the leadership of Karamu House Studio director Richard R. Beatty. A lithographer trained at the Carnegie Institute of Art and The School of The Art Institute of Chicago, Beatty served as Smith's mentor affording him the opportunity to explore the various techniques and styles of printmaking. With Beatty's influence in 1932, Smith became an instructor of the arts of Karamu House Studios. Continuing his apprenticeship, Smith attended Saturday morning classes at the Cleveland Museum under the teachings of artist Paul Travis.
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Perham Nahl was employed as a lithographer at H. S. Crocker & Co. when in 1894 he married Nanette (“Nan”) Woods in Berkeley; the couple continued to live in Alameda.Alameda Daily Argus, 14 May 1894, p.1. In the mid-1890s he staged before large audiences several risqué tableau vivants where naked models of both sexes were covered only with a thin layer of bronze pigment. His arrest and trial in New York City, where William Merritt Chase appeared in his defense, and subsequent scandals at home ended his theatre career.
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As its temporary accommodation was inadequate, land was purchased for the construction of a new building in 1886 on the corner of Dubrovacka and Prince Lazar streets. Interior, vestibule of the older part of the building In 1887, a draft plan for the new building was adopted, drawn up by two architects employed in the Ministry of Construction. However, the Board of Directors decided to assign project development to Konstantin Jovanović, then already affirmed architect, and son of a lithographer Anastas Jovanović. The Bank project was also his first job in Belgrade.
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Lajos Tihanyi (29 October 1885 – 11 June 1938) was a Hungarian painter and lithographer who achieved international renown working outside his country, primarily in Paris, France. After emigrating in 1919, he never returned to Hungary, even on a visit. Born in Budapest, as a young man, Tihanyi was part of the "Neoimpressionists" or "Neos", and later the influential avant-garde group of painters called The Eight (A Nyolcak), founded in 1909 in Hungary. They were experimenting with styles of Post-Impressionism and rejected the naturalism of the Nagybánya artists' colony.
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Portrait of Jan Baptiste de Jonghe Jan Baptiste de Jonghe or Jean-Baptiste de Jonghe (Kortrijk, 8 January 1785 – Schaerbeek, 14 October 1844) was a Belgian painter, draughtsman, etcher and lithographer. He is known for his Romantic landscapes with people, herds and ruins.Jan Baptiste De Jonghe at the Netherlands Institute for Art History In his graphic work he also made views of cities in the area of what is now Belgium and the Netherlands. He was an art professor at the Academy of Kortrijk and the Antwerp Academy of Fine Arts.
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He was the son of a captain in the merchant marine,Brief biography @ Ygeia Online. and grew up on the island of Hydra, which was one of the main strongholds for the Greek fleet during the War of Independence. Some sources claim that he was actually the brother of Prime Minister Antonios Kriezis, but this seems very unlikely and the relationship, if any, remains unclear. Rather than follow his family's traditional maritime occupations, he went to Athens, where he worked as a lithographer at the Royal Printing House.
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Nieuwenkamp by Nico Jungmann (1909) Wijnand Otto Jan Nieuwenkamp (Amsterdam, July 27, 1874 – Fiesole, April 23, 1950), was a Dutch multi-faceted autodidact. As an artist he was active as a painter, draftsman, sculptor, etcher, lithographer, and designer of book covers and of ex-libris. In addition, he was also known as a writer, architect, explorer, ethnologist and collector of East Asian art. He was the first European artist to visit Bali, being greatly influenced by and himself influencing the island's art and culture, and making it better known in wider world.
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The current renaissance of letterpress printing has created a crop of hobby press shops that are owner-operated and driven by a love of the craft. Several larger printers have added an environmental component to the venerable art by using only wind-generated electricity to drive their presses and plant equipment. Notably, a few small boutique letterpress shops are using only solar power. In Berkeley, California, letterpress printer and lithographer David Goines maintains a studio with a variety of platen and cylinder letterpresses as well as lithography presses.
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In 1809 he replaced his father's building with a substantial house and it was here that Thomas Hopkirk, the botanist and lithographer, was born on 4 July 1785 . His mother, Christian Glassford, was the daughter of another famous Glasgow merchant, after whom "Glassford Street" is named. James was granted a Coat of Arms by the Lord Lyon King of Arms in 1815 and was recognised as the Chief of the name of Hopkirks in Scotland. The motto on the arms was "SPERO PROCEDERE" (that is, " I hope to progress").
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Returning to the U.S., Engel continued his films on artists, directing a film for Tamarind Lithography Workshop called A Look at a Lithographer and American Sculpture of the Sixties and also a film, Max Bill, about the Swiss artist. In 1969, Engel became the Founding Director of CalArts' Animation Program; subsequently becoming the Founding Director of the Experimental Animation Department in the School of Film and Video. Engel's department became known for its animation teaching. CalArts is the first higher education institution in America to offer a formal degree in animation.
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Coates was born in Emerald Hill (now South Melbourne, Victoria), the son of John Coates, an artist-lithographer of English stock, and his wife Elizabeth, a daughter of Ephraim Irwin who came from Ireland. George Coates was educated at St James Grammar School, then at the age of 15 was apprenticed to a firm of glass-stainers, Messrs. Ferguson and Urie. He attended the North Melbourne school of design and then joined the evening classes at the National Gallery of Victoria Art School in Melbourne under Frederick McCubbin.
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She was engaged to Don Bessant, a lithographer and art teacher, in 1965,Julie Christie, Anthony Hayward (Robert Hale, 2000) before dating actor Warren Beatty for several years. In the late 1960s, her advisers adopted a very complex scheme in an attempt to reduce her tax liability, giving rise to the leading case of Black Nominees Ltd v Nicol (Inspector of Taxes). The case was heard by Templeman J (who later became Lord Templeman), who gave judgment in favour of the Inland Revenue, ruling that the scheme was ineffective.[1975] STC 372.
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He was born in Zarzalejo, the son of Gaetano Palmaroli, an Italian painter and lithographer, who was his first teacher. After his father's death in 1853, he took over his official position at the royal art collections. He requested leave in 1857 to go to Rome and complete his education, using some surplus money from the collection fund. While there, he joined a group of Spanish painters who met at the Antico Caffè Greco, including Luis Álvarez Catalá, Dióscoro Puebla, José Casado del Alisal, Eduardo Rosales, Benet Mercadé, Marià Fortuny and Alejo Vera.
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Legrady was born in Budapest, Hungary, and emigrated to Montreal, Quebec, Canada at age 6 with his parents and brothers Miklos and Thomas under political refugee status in November 1956 during the Hungarian Revolution. His father, :nl:Thomas Legrady was a musician and composer. His paternal great-grandfather Légrády Tivadar was a lithographer and co-founder with his brother :hu:Légrády Károly, of the Légrády Testvérek publishing house in Budapest. His maternal great-grandfather, :hu:Váradi Antal, was a playwright, poet, and director of the Hungarian National Academy of Dramatic Arts in Budapest.
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Arthur Farwell Starting left, back row: Arthur Farwell, Peter William Dykema, Walter Kirkpatrick Brice, front row, from left: John Christian Freund, and Harry Horner Barnhart in 1917 at the Community Chorus luncheon in Manhattan Arthur Farwell (March 23, 1872 – January 20, 1952) was an American composer, conductor, educationalist, lithographer, esoteric savant, and music publisher. Interested in American Indian music, he became associated with the Indianist movement and founded the Wa-Wan Press to publish music in this genre. He combined teaching, composing and conducting in his career, working on both coasts and in Michigan.
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Lane was from a notable Orientalist family. His sister, Sophia Lane Poole, was an Oriental scholar, as were his nephews Reginald Stuart Poole and Stanley Lane-Poole, who were themselves distinguished Oriental scholars and archaeologists. His brother, Richard James Lane, was a notable Victorian-era engraver and lithographer known for his portraits. In 1840, Lane married Nafeesah, a Greek- Egyptian woman who had originally been either presented to him or purchased by him as a slave when she was around eight years old, and whom he had undertaken to educate.
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Boza was born in Camagüey, Cuba in 1941 and moved to Havana in 1959 in order to study at Escuela Nacional de Bellas Artes "San Alejandro". He was expelled from San Alejandro due to "political issues" and became a lithographer with the Experimental Graphic Workshop in 1965. Boza was fired as a result of the Congress of Education and Culture which convened in 1971 and led to the censorship of many artists in Cuba. In the years between 1971 and his exodus from Cuba in 1980 Boza restored religious statues to earn a living.
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The stamps were printed at the shop of lithographer O.K. Travlos in Vathy and signed ΘΣ, the initials of Samian president Themistoklis Sophoulis. Red ink was used for the signatures on all values except the 25 drachmae, on which black ink was used. An illustrated postal card was issued along with the Hermes set; printed on one side was the 5 lepta value from that set and the Greek coat of arms, the other side depicted Vathy palace and portraits of Sophoulis and Lykourgos Logothetis, the island's leader in the Greek War of Independence.
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Spurgeon Tucker (November 2, 1894 – June 5, 1968) was an accomplished 20th- century American painter and successful lithographer. He was primarily known for his portraits of Hollywood celebrities, but many would contend that his finest works were of the things he loved most: his family, everyday items from his Long Island home and quiet countryside scenes. He received acclaim in the 1950s after several exhibitions, including a showing at the Smithsonian, but chose to protect his amateur status and to keep the paintings in his family. Many of his paintings are unsigned.
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Born in Terre-Neuve in 1824, Octave de Rochebrune is the grandson of Claude Tendron de Vassé who bought the château in 1805. Student at Stanislas College in Paris, he later entered the studio of the painter and lithographer Justin Ouvrié known for his depictions of monuments and cities. Returning to Fontenay-le-Comte in 1848, Octave de Rochebrune marries Alix Grelier du Fougeroux whose grandfather took part in the Vendée war as a vendean lieutenant (his sword is exposed in the château). Little by little, Octave de Rochebrune indulges in the technique of etching.
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Originally published in sets of ten between 1899 and 1904 and collectively in two volumes in 1904, it consists of 100 prints of various organisms, many of which were first described by Haeckel himself. Over the course of his career, over 1000 engravings were produced based on Haeckel's sketches and watercolors; many of the best of these were chosen for Kunstformen der Natur, translated from sketch to print by lithographer Adolf Giltsch.Breidbach, Visions of Nature, p. 253 A second edition of Kunstformen, containing only 30 prints, was produced in 1924.
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Charles Walter Radclyffe (17 January 1817 – 2 February 1903)England, Select Births and Christenings, 1538-1975England & Wales, National Probate Calendar (Index of Wills and Administrations), 1858-1966, 1973-1995 was a British watercolourist, printmaker and lithographer. The son of artist William Radclyffe (1783–1855), he was elected into the Birmingham Society of Artists in 1846. Radclyffe was a key part of Birmingham Art Societies, exhibiting 454 works between 1846 and 1902. His work was mostly typographical landscapes and urban scenes, including his works for Perry Hall and Blenheim Palace in the mid-1800s.
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This work, entitled "The Continentals" was "commended for excellence in chromo-lithographic art" by the judges.Supplement to Group XXVII, Reports of Judges on Appeals, International Exhibition, 1876, Reports and Awards, Group XXVII, United States Centennial Commission, Philadelphia, 1877; page 112. August Hoen patented his lithocaustic method (originally spelled lithokaustik) in 1860. This covered etching with a mix of citric acid and gum arabic so that the lithographer could see the progress of shaded patterns as they were etched into the stone.August Hoen, Composition for etching stone, U.S. Patent 27,981, Apr 24, 1860.
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1909 Frontispiece for Le Solitaire de la lune by François de Curel (1854–1928) At the age of twenty-eight Rassenfosse decided to leave the family business and devote himself entirely to art. His work for Bénard provided a living, and Bénard also introduced him to the practice of lithography. In 1896, he became an intern under Jules Chéret, a lithographer known for his high-quality artistic posters, at the Chaix printing works in Paris. The same year he exhibited in the third salon of "La Libre Esthetique" in Brussels.
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On arrival, Andrew was taken under the wings of his Uncle, George Laszlo, who was a painter, inventor and lithographer already living in New York City. Andrew quickly adjusted to life in Manhattan. As he stated in his own words for the documentary Cinematographer Style: > My main objective was to keep my head above water, work and have enough > money to live, learn the language, the faster the better, because that was > the most essential element in getting work. Most importantly, I was trying > to get work that was in some ways connected with photography.
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He then focused on military subjects and established himself as a painter of battle scenes in the 1860s. The following decade saw the introduction of anecdotal themes of a patriotic character, treated in a domestic and sentimental style, reflecting the models developed by the Induno brothers, the constant point of reference for all his work as a painter. He obtained a teaching post at a professional training school for young women in Milan in 1876 and was commissioned by various charitable institutions to paint portraits of their benefactors. A lithographer and illustrator, he also drew satirical cartoons for humorous journals.
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By 1930 Mura Dehn had immigrated to New York City with her husband Adolf Dehn, an American painter and lithographer she had met in Paris. The Dehns divorced, but remained friendly. One night in New York Dehn stumbled across the Savoy Ballroom. Inside, she witnessed dancing that was completely foreign to her and she loved it. It was in 1930 while performing in Billy Rose’s “Sweet and Low” that she met another performer, Roger Pryor Dodge, the ballet dancer turned jazz dancer who had been performing his choreography to Bessie Smith, Louis Armstrong, and Duke Ellington.
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He studied and was influenced by Bar, Cassadio and the School director lithographer Víctor Puig, in choosing Indigenism as his artistic focus. Egas combined the Costumbrista painting tradition of Ecuador with the influences of contemporary art movements in other countries. He used his knowledge of European art techniques to create dramatic, large-scale oil paintings of Andean indigenous peoples and themes, bringing Indigenismo to the European ‘high art’ world. Egas’s ideology and aesthetic of the 1910s and 1920s connect him to Spanish modernism, a movement espoused by the School of Fine Arts at Quito, which was inspired by its modernity and nationalism.
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Le seul oiseau qui vole au dessus des nuages Growing up as he did in a printing shop, it was inevitable that André Devambez would also take up printmaking. He produced a considerable number of etchings, including an album of Douze Eaux-fortes, issued in an edition of 150 copies in 1915. The twelve etchings in this rare album are of First World War subjects, with the following titles: Le Froid; Les Trous d'obus; Le Bouclier; L'Incendie; Un Schraprell; La Pluie; L'Espionne; Les Otages; Gare la Marmite; Les Réserves; Le Charbon; Le Fou. Devambez was also a lithographer.
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Newton, Eckert, Eckert, and Gerdts, pp. 35–36. Stark moved to New York City in 1879 to continue his art studies at the Art Students League of New York, and supported himself as a lithographer. Stark studied at the Art Students League under William Merritt Chase, James Carroll Beckwith, and Thomas Dewing, among others. During these early years Stark also exhibited his work, including Street Arab at an annual exhibition at the National Academy of Design in New York City, and On the White River at Indianapolis at an annual exhibition of the American Watercolor Society.
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Captain Stephen Ponsonby Peacocke (1813 – 29 May 1872) was a British officer of the Bombay Army and an artist notable for his 17 paintings of historic landscape views in the Nilgiri Hills in South India. Tinted lithographs were made of these views and published in imperial folio in London by the lithographer Paul Gauci in 1847. Peacocke's lithographs reflect the romantic escape to a temperate hilly area that all British people in the plains yearned for in those days. His career culminated as a member of the New Zealand Legislative Council from 1866 until his death in 1872.
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Born on 14 January 1849 in Copenhagen, Laura Christiane Bierring was the daughter of the herbalist Lauritz Jørgen Bierring (1816–1854) and Christine Clausen (1816–1971). Brought up in a modest Copenhagen home, on 20 October 1871 she married the lithographer Carl Julius Aller (1845–1926) who had become known for inventing a new photolithographic process facilitating the production of multiple copies of the same image. Following their marriage, Laura Aller demonstrated her understanding of what people liked to read by publishing recipes in the Nordisk Mønster Tidende in 1874. Even more successful was Illustreret Familie- Journal which came out three years later.
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Thomas Hart Benton, People of Chilmark (Figure Composition), 1920, Hirshhorn Museum and Sculpture Garden, Washington, DC Benton was a painter, illustrator, and lithographer from Neosho, Missouri, who became widely known for his murals. His subject matter mostly focused on working-class America, while incorporating social criticism. He heavily denounced European modern art despite the fact that he was regarded as a modernist and an abstractionist. When Regionalism lost its popularity in America, Benton got a job as a teacher at the Kansas City Art Institute, where he became a teacher and lifelong father figure for Jackson Pollock.
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Devéria was born in Paris on 8 March 1844 to a family of artists. His father was Achille Devéria (1800–1857), a renowned painter and lithographer, and his uncle was the Romantic painter Eugène Devéria (1805–1865). His mother Céleste, who married his father in 1829, was the daughter of a lithographic printer, Charles-Etienne Motte (1785–1836). He was one of six children, including Théodule Devéria (1831–1871), who became a photographer and Egyptologist. After the death of his father in 1857, when he only thirteen years old, his older brother Théodule took responsibility for his education.
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Edouard Travies painted by Fink in the year 1859 at Musée Lombart in Doullens Édouard Traviès de Villers (24 March 1809 – 18 November 1876) was a French watercolourist, lithographer and illustrator. He regularly exhibited works at the Paris Salon between 1831 and 1866 and was primarily known for his paintings of natural history subjects, especially birds. His greatest work was Les oiseaux les plus remarquables par leurs formes et leurs couleurs (The most remarkable birds for their form and colour). Simultaneously published in London and Paris in 1857, Les oiseaux contains 79 hand-colored lithographic plates made from Traviès's original paintings.
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Eric Stephens (1909–2001) was a British comic strip artist who contributed to Jack and Jill, drawing episodes of the cover strip 'Jack and Jill of Buttercup Farm' and colouring a number of centre-spread features such as 'There Was An Old Woman Who Lived in a Shoe' and 'Our Village'. Stephens also contributed episodes of 'Sonny and Sally' to Playhour and 'Paddington Park' to Bonnie. Though trained as a lithographer, his talent as a draughtsman soon led him into advertising work. After serving in the RAF during the second world war, he became a stationery designer.
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Under the new political regime, Zapf was not able to attend the Ohm Technical Institute in Nuremberg, and therefore he needed to find an apprenticeship. His teachers, aware of the new political difficulties, noticed Zapf's skill in drawing and suggested that he become a lithographer. Each company that interviewed him for an apprenticeship would ask him political questions, and every time he was interviewed, he was complimented on his work but was rejected. Ten months later, in 1934, he was interviewed by the last company in the telephone directory, and the company did not ask any political questions.
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The two came to an agreement to collaborate as the war was ending, Kendall having apparently been familiar with Nebel's earlier work. While Kendall went to Paris to cover events in 1848, Nebel remained in Mexico for an unknown length of time to complete the initial sketches for the book's illustrations. Nebel had returned to Hamburg, and Kendall chafed at the slowness of completion of the project, but it was completed in 1850 and published in 1851. The book contained twelve color lithographs done by Adolphe Jean-Baptiste Bayot and was printed by Joseph-Rose Lemercier, a leading lithographer.
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Rudolf Rocker was born to the lithographer Georg Philipp Rocker (1845-1877) and his wife Anna Margaretha née Naumann (1869-1887, daughter of Heinrich Naumann) as one of their four children, in Mainz, Hesse (now Rhineland-Palatinate), Germany, on March 25, 1873. (His siblings were Philipp, 1870-1873; Catharina Barbara, 20 March 1870 - 3 April 1870; and Friedrich, b. 1877.) This Catholic, yet not particularly devout, family had a democratic and anti-Prussian tradition dating back to Rocker's grandfather, who participated in the March Revolution of 1848. However, Georg Philipp died just four years after Rocker's birth.
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George Henry Johnston was born in Melbourne and spent his childhood in the family home in ElsternwickKinnane, page 5 and following and was educated in local secondary schools before taking up an apprenticeship as a lithographer. He was subsequently taken on as a journalist for the Melbourne Argus newspaper. He achieved a certain fame due to his dispatches as a correspondent during World War II. With his second wife, Charmian Clift he was posted to London as a European correspondent. In 1951, Albert Arlen tried to engage Johnston's services as writer of his musical The Sentimental Bloke, but he was not interested.
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William H. Conn (1895–1973) was an Irish cartoonist, illustrator, watercolourist and poster artist. The son of a lithographer, he was educated at the Ulster Provincial School, now Friends' School, Lisburn. From 1936 he was a staff artist for the Belfast Telegraph and its sports sister paper Ireland's Saturday Night, creating a regular strip, "The Doings of Larry O'Hooligan", for the latter. He drew a monthly full-page illustration (two pages in the Christmas edition) for Dublin Opinion magazine, sometimes satirical, sometimes observational scenes of rural and urban Irish life, sometimes ghostly gothic scenes, and also contributed spot cartoons.
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Of the eight brothers and sisters, only four survived infancy. Throughout his life Franz Xaver remained very close to his family, in particular to his brother Hermann (1808–1891), who was also a painter.Ormond & Blackett-Ord, Franz Xaver Winterhalter and the Courts of Europe, p. 19. After attending school at a Benedictine monastery in St. Blasien, Winterhalter left Menzenschwand in 1818 at the age of 13 to study drawing and engraving.Ormond & Blackett-Ord, Franz Xaver Winterhalter and the Courts of Europe, p. 20. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Schüler (1785–1852) in Freiburg im Breisgau.
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The Three Maries at the Grave of Jesus, about 1835 View from the Church in Annaberg over the Ötscher, 1842, Von der Heydt Museum Ludwig Ferdinand Schnorr von Carolsfeld (11 October 1788 – 13 April 1853) was a German Romantic painter, engraver and lithographer. Schnorr von Carolsfeld was born in Königsberg, the son and pupil of the artist Veit Hanns Schnorr von Carolsfeld. His younger brother was Julius Schnorr von Carolsfeld and his nephew was the opera singer Ludwig Schnorr von Carolsfeld. At the age of 16 he moved to Vienna, where he lived for the rest of his life.
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François-Louis Français (1814–1897), also known as Louis Français, was a French painter, lithographer and illustrator who became one of the most commercially successful landscape painters of the 19th century. A former pupil of Gigoux, he began his career by studying lithography and wood engraving, becoming a prolific illustrator and print-maker. His work as an illustrator is to be found in around forty books and numerous magazines from the late 1830s to the 1860s. Français also produced a large number of pen and ink drawings, enhanced by sepia, notable for their attention to detail and for their technical adroitness and conciseness.
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Initially a pupil of Pietro Anderloni, who he helped engrave the medical depictions of Antonio Scarpa. He later worked with Giuseppe Longhi in the engravings of the Erodiade by Bernardino Luino, The Holy Family by Raphael, and a Portrait of Charles. he moved to Florence to work with the lithographer Luigi Bardi, engraving the David found at the Palazzo Pitti and originally painted by Guercino; a Child Jesus by Carlo Maratta, a Jacob by Appiani, and the Madonna della seggiola. He engraved the Magdalen by Carlo Dolci, and a Madonnina by Villardi, the painting of Beatrice Cenci by Guido Reni.
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In 1860 he published, with the photographer Hartmann, a series of sixteen lithographs entitled Album of Demerara, and in that same year contributed one of the scenes in Album Martiniquais, published by Hartmann and the lithographer, Eugène Cicéri. In 1862, Cazabon moved with his family to Saint Pierre in Martinique. He hoped that Saint Pierre, described then as the Paris of the New World, would offer a metropolitan spirit that Trinidad lacked, and provide a greater appreciation for his art. Finding much the same attitudes prevailing, he returned to Trinidad about 1870 and attempted to pick up the threads of his former life.
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They are represented in various collections throughout Australia, including the State Library of South Australia, the National Library of Australia in Canberra, the Art Gallery of South Australia, the State (Mitchell) Library of New South Wales, and the National Portrait Gallery in Canberra. Henry was an established artist, illustrator, lithographer and caricaturist in England, prior to leaving for Australia. There is a substantial collection of his work in the National Portrait Gallery, London, bequeathed by Sir Edward Dillon Lott du Cann. Henry took over the licence of the Stag Inn, corner of Rundle Street and East Terrace, on December 1849.
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Abraham Sutzkever, with whom Kaczerginski collaborated from his time in Yung Vilne until his death, in 1950 Kaczerginski was born on 28 October 1908 in Vilna, Russia, to Volf and Alte Kaczerginski. Both of his parents died in early 1914, leaving Kaczerginski and his younger brother Yankl in the care of their grandfather. He was sent to the Talmud Torah for his education, where he was "a good scholar and even better comrade". After graduating he enrolled in night school and supported himself by working for a lithographer named Hirsh Ayzenshtat, whose shop apparently served a mostly proletarian clientele.
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Lane acquired such "lessons" by way of his employment at Pendleton's Lithography shop in Boston, which lasted from 1832 to 1847. With the refinement and development of his artistic skills acquired during his years working as a lithographer, Lane was able to successfully produce marine paintings of high quality, as evidenced in his being listed, officially, as a "marine painter" in the Boston Almanac of 1840. Lane continued to refine his painting style, and consequently, the demand for his marine paintings increased as well. Lane had visited Gloucester often while living in Boston, and in 1848, he returned permanently.
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Johann Carl BodmerSwiss Artist Encyclopedia (1905) (11 February 1809 – 30 October 1893) was a Swiss-French printmaker, etcher, lithographer, zinc engraver, draughtsman, painter, illustrator and hunter. Known as Karl Bodmer in literature and paintings, as a Swiss and French citizen, his name was recorded as Johann Karl Bodmer and Jean-Charles Bodmer, respectively. After 1843, likely as a result of the birth of his son Charles-Henry Barbizon, he began to sign his works K Bodmer. Karl Bodmer was well known in Germany for his watercolours, drawings and aquatints of cities and landscapes of the Rhine, Mosel and Lahn rivers.
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Lawrence Beall Smith (October 2, 1909 – 1995) was an American painter, illustrator, sculptor and lithographer. Examples of his original lithographs, paintings and sculpture are included in the permanent collections of such major galleries as the Metropolitan Museum of Art, Addison Gallery of American Art, Fogg Art Museum, Harvard University, the University of Chicago, the University of Minnesota, the Fine Arts Museums of San Francisco, the National Gallery of Art, and the Library of Congress. The art collections of the United States Air Force and United States Navy, both in Washington, D.C., hold examples of Smith's paintings and prints depicting World War II.
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Lithograph created by Prestele of Rubus crataegifolius (Korean Raspberry) and Rubus ursinus (California Blackberry). Prestele was born on October 13, 1838, in Hesse-Darmstadt, Germany, to Franz Joseph Martin Prestele and Karoline Russ. The family emigrated to America in 1843, settling first in New York and later in the Amana Colonies in Iowa. His father, known in America as Joseph Prestele, was also a painter and lithographer of flowers and fruits and prior to emigrating had been head gardener for King Ludwig I of Bavaria as well as a staff artist for a time at the Royal Botanical Garden in Munich.
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When he returned to Munich, he left his establishment at Dresden to his brothers Max and Hans. In 1833 he founded in Munich a lithographic establishment of his own, which he operated until 1868, and to which he later attached a fine art printing shop and (in 1853) a photographic workshop. Hanfstaengl won for himself much popularity as the portrait lithographer of Munich society, being nicknamed 'Count Litho'. Later, he became court photographer and produced portraits of distinguished persons, amongst others of the young King Ludwig II, of Franz Liszt, Otto von Bismarck and Empress Elisabeth of Austria.
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David Law Proudfit (October 27, 1842, Newburgh, New York – February 23, 1897, New York CityHerringshaw, T. W., Herringshaw's national library of American biography, 5 vols, 1909-14) was an American poet and lithographer, who also wrote under the pseudonym Peleg Arkwright. Son of a clergyman, Proudfit was educated at the common schools until the onset of the Civil War. Enlisting as a private in the 1st Regiment New York Mounted Rifles aged nineteen, he spent four years as a soldier, rising to the rank of major. He then went to New York and entered business in lithography.
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Over the next several years it toured the US, until "at one point, five different productions of the play were showing in San Francisco". John Frederick Herring Sr., an Englishman who had started out as a stagecoach driver, painted several versions of the story: two are "after Horace Vernet" (circa 1833, Tate and in 1842 "MAZEPPA". In 1846, the American lithographer Nathaniel Currier, of Currier and Ives, prepared four plates, with Byronic quotations; the artworks are now at Bridgeman Art Library. Juliusz Słowacki, a major figure in the Polish Romantic period, wrote a play entitled Mazeppa (1840).
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Homme et Femme Cafres (1888) Le Maréchal Andrés de Santa Cruz (1861) Achille- Louis-Joseph Sirouy (29 November 1834 Beauvais - January 1904 Paris) was a French engraver, lithographer, painter and illustrator. He worked in Aurillac, Beauvais and Paris between 1849 and 1904. A pupil of and Thomas Couture, Sirouy produced numerous lithographs after Delacroix, Alexandre-Gabriel Decamps, Meissonier, Tassaert and Ludwig Knaus, and large numbers of portraits of celebrities, statesmen and politicians. He depicted many mythological and biblical scenes, such as The Punishment of Tantalus (1866), The Mirror (1868), The Prodigal Son (1873) and The Sphinx (1880).
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Ann Lea sometimes "Anne" (1661–1728) was a British lithographer, map and globe seller and publisher in London who prepared maps for several works including Christopher Saxton's The Traveller's Guide being the best map of the Kingdom of England and Principality of Wales (20 sheets) and Robert Morden's A new mapp of the West-Indies, or the islands of America 1702. Born Anne Fitz or Fitch in Southwark about 1661 to William Fitch. In 1684 she married mapmaker, globemaker and bookseller Philip Lea. Ann took over the business from her husband upon his death in 1700.
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He was born in Tropplowitz, Silesia, Prussia (present-day Opawica, Poland), and moved with his family to New York in 1849, when he was 8 years old. His father, Gustavus Mosler, had worked as a lithographer in Europe, but in New York he found work as a cigar maker and tobacconist. In 1851, the family relocated to Cincinnati, Ohio, the site of a substantial German-Jewish community. Henry was apprenticed to a wood engraver, Horace C. Grosvenor, while still in his early teens, and also was taught the basics of painting by an amateur landscape painter, George Kerr.
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Hyder Ali, ruler of Mysore by William Dickes Cranesbill Geranium by William Dickes William Dickes (1815-1892) was an English illustrator, engraver, printmaker and lithographer. Dickes worked as apprentice to the wood-engraver Robert Edward Branston, Allen Robert Branston's son, in about 1831. He studied at the Royal Academy Schools in 1835 and displayed examples of oil-colour printing at the Great Exhibition. He founded William Dickes & Company in London about 1864, his workshop and office being at 48 Salisbury Square, Fleet Street, London (1846–48); 4 Crescent Place, Bridge Street, Blackfriars, London (1849–51); 5 Old Fish Street, Doctor's Common, London (c.
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T.H. Hair (as he signed his work) was born in Newcastle upon Tyne or the nearby village of Newburn on 23 December 1808, the son of John Hair, a lamp-black maker and tanner from Scotswood, Newcastle upon Tyne, and Hannah Harrison. He was baptised at All Saints' Church, Newcastle upon Tyne on 22 January 1809. Little is known of his early life but he probably trained in the workshops of Mark Lambert (1781–1855), a Tyneside engraver and lithographer. Lambert had been assistant to Thomas Bewick (1753–1828), the famous wood engraver from Cherryburn, Northumberland.
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Born in Middlesex in 1848, his father was Lewis John Wood (1813–1901), the 19th- century architectural artist and lithographer renowned principally for his specialisation in architectural scenes from across Belgium and Northern France. In 1875, he married Louisa Howard Watson in the church of St Saviour in Hampstead, Middlesex. They had four children; the illustrator and designer Clarence Lawson Wood (1878–1957), Eveline, Esmond and Enid. In early married life Pinhorn Wood lived and worked at Burnside in the village of Shere, Surrey, before moving to Highgate, London, and latterly to Homefield Road in Chiswick.
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Carl Sieg (4 August 1784, in Magdeburg - 13 April 1845, in Magdeburg) was a German painter and lithographer. The son of bookbinder Friedrich Christian Sieg, he studied painting at the Academy of Arts in Berlin and at the provincial art school in Magdeburg. From 1808 he studied with Franz Ludwig Catel in Paris, where he also took classes in the painting school of Jacques- Louis David. From 1813 to 1816 he lived in Italy, mainly Rome, where he helped found the Künstlerhilfskasse and worked alongside artists Peter von Cornelius, Johann Friedrich Overbeck and Wilhelm von Schadow.
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The Roupells returned to Madras in 1845 where Arabella Roupell continued her botanical painting. When Wallich retired to London from Calcutta in 1846, he persuaded her to allow him to take along some of her paintings to show to Sir William Jackson Hooker. Hooker was delighted with her work and with Arabella's botanist brother-in-law, George Roupell, chose ten of the plates for publication. Having received the blessing of both Hooker and Wallich, the plates were handed to the eminent Victorian lithographer, Paul Gauci, who prepared the illustrations for the printer W. Nicol of the Shakespeare Press on Pall Mall.
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The son of Violet Eileen Concanen and Arthur De Marney, and the grandson of noted Victorian lithographer Alfred Concanen, his career in the theatre began in 1923 and continued almost without interruption, taking in film, radio and television parts. He toured with Mrs Patrick Campbell in The Last of Mrs. Cheyney. In 1930 he played Gustave in The Lady of the Camellias, and toured South Africa as Raleigh in Journey's End. In 1934 he played Tybalt in Romeo and Juliet at the Open Air Theatre, and Giovanni in 'Tis Pity She's a Whore at the Arts.
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Rubén Martínez (born 1962, Los Angeles) is a journalist, author, and musician. He is the son of Rubén Martínez, a Mexican American who worked as a lithographer, and Vilma Angulo, a Salvadoran psychologist. Among the themes covered in his works are immigrant life and globalization, the cultural and political history of Los Angeles (Martínez's hometown), the civil wars of the 1980s in Central America (his mother is a native of El Salvador), and Mexican politics and culture (he is a second-generation Mexican-American on the father's side of his family). In August 2012 his book Desert America: Boom and Bust in the New Old West was published by Metropolitan Books.
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Established in 1960, the Nevada City Classic is the largest and oldest bicycle race on the West Coast, as well as the second-oldest bicycle race in the country. It was initiated by Charlie Allert, a native of Dresden, Germany, who had been a bicycle racer and master lithographer before arriving in Nevada City by way of San Francisco. With a course laid out by Allert, the first race was held on Father's Day 1961. The 1961 and 1962 races were won by Bob Tetzlaff, a Los Gatos school teacher. Starting in 1963 when he was 18 years old, Bob Parsons from Pasadena won the race the next five years.
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"Celebrated Teams in the Park" from Illustrated London News of 28 May 1887 "Not this Time" : John Sturgess, engraved by C & Son Hunt John Sturgess (fl. 1864-1903) was a hunting and racing artist and lithographer who worked mainly for the Illustrated London News between 1875 and 1885, and also exhibited widely in the London galleries, in particular at the Royal Society of British Artists and also at the Royal Hibernian Society in Dublin. He was known for being an accomplished illustrator of books and magazines, but is probably best remembered for his portrait of "Blair Athol", the winner of the Derby in 1864.
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Westerik in 1955 Born in The Hague on 2 March 1924, Westerik received his education at the Royal Academy of Art, The Hague from 1942 to 1947. After his graduation he made a study trip to the United States in 1948. After his return to the Netherlands, he settled as an independent artist in The Hague. With the artists Herman Berserik, Jan van Heel, Willem Hussem and Jaap Nanninga he participated in the Verve group,Co Westerik ; male / Netherlandish ; watercolorist, etcher, photographer, gouache painter, ceramicist, lithographer, painter, draftsman, wall painter, serigrapher, academy lecturer at rkd.nl, 2015. which they founded in 1951 and dissolved in 1957.
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Retrieved 21 April 2018. Judge Harold Dowdall was the subject of a 1909 painting by Augustus John made at the end of his term as Lord Mayor of Liverpool.Now in the National Gallery of Victoria, Melbourne, Australia. Retrieved 21 April 2018. One account of the painting contains incidental information on the work and on the Dowdalls.Richard Warren Retrieved 21 April 2018. Mary Frances Dowdall herself had her portrait painted in oils by the British lithographer and painter Charles Hazelwood Shannon, whose surviving papers include correspondence with Harold Chaloner Dowdall and his mother and wife about the arrangements for portrait sittings and exhibitions of their portraits.
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Thomas Herbert Maguire (1821 – 1895) was an English artist and engraver, noted for his portraits of prominent figures. Maguire was a brilliant pupil of master lithographer and line-engraver, Richard James Lane (1800-1872), one of the favourite collaborators of the Swiss portrait painter, Alfred Edward Chalon in the pages of the Illustrated London News. William Jackson Hooker by Thomas Herbert Maguire The series of 60 scientific portraits by MaguirePortraits of the Honorary Members of the Ipswich Museum (Portfolio of 60 lithographs by T.H. Maguire) (George Ransome, Ipswich, 1846-1852). was privately commissioned by George Ransome, FLS, of Ipswich, in connection with the foundation of the Ipswich Museum.
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Hermann A. Müller: Biographisches Künstler-Lexikon, Bibliographischen Instituts, Leipzig, 1882 Upon his return to Königsberg, he married a former acquaintance from his drawing class, the painter and lithographer Franziska Liebreich (1824–1893), who came from a prominent Jewish family.Petra Wilhelmy-Dollinger: Die Berliner Salons: Mit historisch-literarischen Spaziergängen, Walter de Gruyter, 2000 One of their sons, Botho, became a noted art historian. Their daughter Sabine married the painter Reinhold Lepsius and became a well-known painter herself. In 1849, he received the contract to paint frescoes in the south dome hall of the Neues Museum; designed by Wilhelm von Kaulbach, depicting Widukind's reconciliation with Charlemagne.
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Frühling im Walde (Spring in the forest) Gebäude der Patriotischen Gesellschaft (Building of the Patriotic Society), 1897, Hamburg Rathaus His father was a lithographer and, in 1842, his family moved to Hamburg to open their own shop. From 1863 to 1866, he studied under Arnold Böcklin, Ferdinand Pauwels and Alexander Michelis at the Weimar Saxon Grand Ducal Art School. After a brief return to Hamburg in 1869, prompted by his father's illness, he went to Berlin for further studies then, in 1871, went back to Hamburg, where he took up permanent residence. After his father's death he closed the shop and devoted himself entirely to painting.
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The African antelope, Nyala (Tragelaphus angasii), was named in his honour.Tragelaphus angasii – Nyala, Taxonomy and General Characteristics, www.ultimateungulate.com Many of Angas's original watercolours are held in National Library of Australia, as well as in a number of South Australian institutions: Art Gallery of South Australia; University of Adelaide; South Australian Museum; and Royal Geographical Society of South Australia. The State Library of New South Wales has four letters written by Angas – the first is addressed to his publisher, Joseph Hogarth, and is dated 31 January 1848, requesting that two drawings be released to the lithographer James William Giles (1801–1870), and for an advance in payment.
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The son of Violet Eileen Concanen and Arthur De Marney, and the grandson of noted Victorian lithographer Alfred Concanen, he appeared on the London stage from 1922 and films from 1928. It was his performance in the lead role of the play Young Mr Disraeli at the Kingsway and Piccadilly theatres that brought him the offer of a long term film contract from Alexander Korda. He is perhaps best remembered for his starring role as Robert Tisdall, falsely accused of murder in Alfred Hitchcock's Young and Innocent (1937). Other early film roles include Benjamin Disraeli, this time in Victoria the Great (1937) and its sequel, Sixty Glorious Years (1938).
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Ruth Starr Rose (1887–1965) was an American artist. She was a painter, lithographer and serigrapher, and best known for her paintings of African American life in Maryland in the 1930s and 1940s.Ruth Starr Rose Smithsonian American Art Museum, accessed April 8, 2016Before 'Black Lives Matter,' there was Ruth Starr Rose The Washington Post, October 6, 2015 This important woman artist's work is toured throughout Maryland, the United States, and Europe as a unique example of an early American Shared Community expressed through pigment and paint. Additionally, Rose is credited as the first white artist to create a work of art for a black church.
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Amana Block, Figure A lithographer of some renown – Block taught stone lithography at John Herron for a number of years—the artist felt very comfortable in the complex and demanding medium of printmaking. Her press was for two decades the only private lithograph press in the state of Indiana, donated to John Herron for her students upon her retirement. Eschewing the often blocky and repetitive style of her contemporaries, not interested in the facile or geometrical designs running through the art of the day, Block's prints fall vaguely into two categories. Figural art and landscape art, the two most common themes throughout all her work.
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Florinda is an oil on canvas painting by a German painter and lithographer Franz Xaver Winterhalter. It was completed in 1853 and is now in the Metropolitan Museum of Art in New York City where it is not on display.The Letters of William Cullen Bryant: 1809–1836 by William Cullen Bryant, The picture depicts the legend of King Roderic of Spain spying on Florinda la Cava and the other palace girls while they bathe in a garden in Toledo, in order to decide the fairest. After Roderic selects and courts Florinda, her father takes revenge by inviting the Moors to invade and conquer Spain.
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Portrait of Finch, kept in the Royal Danish Library Andreas Christian Ferdinand Flinch (3 February 1813 – 16 August 1872), a wood-engraver, was born at Copenhagen in 1813, and studied at the Academy there from 1832 to 1838. He had previously worked as a goldsmith, but he afterwards took to wood-engraving from self-tuition, and introduced a special method of his own into Denmark, consisting in drawing the outline upon the block and working out the details with a free hand. In 1840 he settled down as a lithographer, and published the popular Flinchs Almanak with woodcut illustrations. He died at Copenhagen in 1872.
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L'Etendard Français, Chéret's 1891 poster for the bicycle shop on the Quai d'Orsay Born in Paris to a poor but creative family of artisans, Chéret had a very limited education. At age thirteen, he began a three-year apprenticeship with a lithographer and then his interest in painting led him to take an art course at the École Nationale de Dessin. Like most other fledgling artists, Chéret studied the techniques of various artists, past and present, by visiting Paris museums. From 1859 to 1866, he was trained in lithography in London, England, where he was strongly influenced by the British approach to poster design and printing.
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Supported by his brother-in-law Kliemann, probably out of self-interest, Friedrich Eduard Goldschmidt, a lithographer and counterfeiter who had escaped from prison in Königstein on the night of 27 September 1854, forged Anhalt- Dessau five gulden notes in a cave near the cattle hut. It is commonly assumed that it was the cave that now bears his name, Goldschmidt Cave, however, it is possible that he hid in the rather drier Falken Cave. Another theory is that he only went to the cave during the day, but used to stay overnight in his brother-in-law's hut. Goldschmidt was arrested in Dresden at the end of November 1854.
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An 1892 excursion into Tierra del Fuego Territory introduced him to lithographer Antonio Bosco, who trained Malharro in an art which proved to be the young artist's first reliable source of income. His presentation at the Second National Atheneum in 1894, which consisted mainly of landscapes, particularly wheat fields, was well received by critics. This relative success allowed him to travel to Paris in 1895, where he befriended Realist sculptor and fellow Argentine Rogelio Yrurtia. Malharro also drew on his experience at the Ramos Mejía ranch to refine his skill as a landscape impressionist, drawing influences from Camille Pissarro, Claude Monet and the Naturalist Barbizon School.
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Gerson Leiber (November 12, 1921 – April 28, 2018) was an American painter, lithographer and sculptor. He has exhibited his work in more than 200 national and international shows including the Long Island Museum of American Art, History, and Carriages, the Kennedy Galleries and The Israel Museum. His work is part of many permanent collections around the world at the Metropolitan Museum of Art, the Smithsonian, the Brooklyn Museum, the Malmo Museum in Sweden, the Seattle Museum of Art and others. Between 1953 and 1985, he received more than 30 awards and prizes for his work and was a member of the Society of American Graphic Artists.
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Dickinson was born in Kilburn, London and was one of eleven siblings. He obtained his first apprenticeship with his father, a Bond Street lithographer and art publisher, after attending Topsham School, and Dr Lord's School in Tooting. After his father's death in 1849, he became a partner with his two eldest brothers, Gilbert Bell Dickinson and William Robert Dickinson, in the firm of Dickinson Brothers of Bond Street. As well as continuing to publish lithographs, the firm were photographers, by appointment to Queen Victoria, and many of Dickinson's portraits were painted from photographs (when portraits were required of people too busy to sit for them, abroad, or dead).
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A Banksia Album: Two Hundred Years of Botanical Illustration - Page 122 Alex George - 2012 "Painter and lithographer Schoenfeld moved to Melbourne from Switzerland in 1858. He worked with Ferdinand von Mueller at the Melbourne Botanic Gardens and with Frederick McCoy at the National Museum ofVictoria, producing botanical " In the 1860s Schoenfeld gave drawing classes at the "", but when the club’s premises were destroyed by a fire in December 1866 he was left with no regular income. He became depressed about his straitened circumstances and after an unsuccessful first attempt at suicide, drowned himself in a water-filled quarry at Richmond. He was survived by his wife Philippine, née Phen.
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Roveda in 1948 Giovanni Roveda (4 June 1894 - 17 November 1962) was an Italian trade union leader, communist politician and anti-fascist activist. Born in Mortara, Roveda moved to Turin when he was 13, to undertake an apprenticeship as a lithographer. In 1909, he joined the youth federation of the Italian Socialist Party, and demonstrated against the Italian-Turkish War, and then World War I. Although he was conscripted in 1915, because of his politics, he was not sent to the front. After the war, Roveda became a full-time trade union organiser, and in 1919, he was elected as the national secretary of the Italian Federation of Wood Workers.
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In his long, pioneering career as a local artist, Wong is a seasoned > painter, muralist, ceramicist, lithographer, designer, and kite maker. The > exhibit also featured Wong's imaginative kites, which he has been building > and flying for the past 30 years. Drawn from public and private collections, > several of the pieces chosen for this exhibition have not been shown > publicly since the 1930s. In 2007, Wong was one of three illustrators featured in The Art of the Motion Picture Illustrator: William B. Major, Harold Michelson and Tyrus Wong, an exhibit in the Academy of Motion Picture Arts and Sciences's Grand Lobby Gallery in Beverly Hills.
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Only in the early 1970s a number of new success series and authors appeared . The main contributor for the next decades was Raoul Cauvin, a lithographer who worked as a cameraman for the Dupuis animation studios and wrote stories for series like Musti. He became the main story writer for Dupuis, with major series like Sammy with Berck, Les Tuniques Bleues with Lambil, and later Cédric with Laudec and Agent 212 with Daniel Kox, among many others. Other important new authors were François Walthery with Natacha and Roger Leloup with Yoko Tsuno, together with Isabelle by Will evidence of the new wave of adventurous female-oriented comics of the decade.
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People noticed his talent for drawing, and it was arranged that he should study at the Royal School of Drawing with sculptors Julius Middelthun and Mathias Skeibrok. Later he was employed by the Norwegian Mapping and Cadastre Authority (then known as Norges Geografiske Oppmåling) as lithographer and terrain drawer. He won two scholarships, including the Houens legat in 1887, which enabled him to travel to study abroad, first to Copenhagen and then to Paris. In Norway there was no art printing expertise so a committee was established to work towards establishing a study of graphic art at the Arts and Crafts School (Kunst- og håndverksskolen).
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In 1830, Hoffy left the army and emigrated to the United States, landing in New York, where he went into business with the British lithographer J.T. Bowen. In 1837, he created a well-known lithographic portrait of the conjoined twins Chang and Eng Bunker. Around 1838, Bowen and Hoffy moved their lithography business to Philadelphia, where Hoffy created lithographic illustrations for the local newspaper, The North American. His subjects ranged from news events—the arrival of an Egyptian sarcophagus in Philadelphia; the 1835 Great Fire of New York—to portraits drawn from daguerreotypes of such well-known people as General Santa Anna and financier Cyrus West Field.
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Adriana Johanna Wilhelmina (Jeanne) Bieruma Oosting (1898–1994) was a Dutch sculptor, engraver, graphic artist, lithographer, illustrator, glass artist, painter, illustrator and book designer. She studied at the School of Arts and Applied Arts in Haarlem, the Academy of Art in The Hague and the Academie de la Grande Chaumiere in Paris. As a graphic artist, she is best known for designs for book covers, designs for stained-glass, bookplates, stamps and crafted artwork about trees, interiors, landscapes, mountain landscapes, portraits, self-portraits, figure shows, cityscapes, still lifes, flower paintings, fruit still lifes, and gardens. She was invested as a Knight of the Order of Orange Nassau.
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The whole work has a romantic tinge in line with contemporary European works. The illustrations echoed Pérez Villamil's style which celebrated a romantic medieval aspect. The Paris publishing house Hauser published the work between 1842 and 1850 in three volumes - around twenty French and one Spanish lithographer worked on the plates. Despite the variety of authors and lithographers whole had a consistent style thanks to the good direction Pérez Villamil with the lithographers allowed to used interpretive licenses when working from the originals.. The work contains 44 views of Toledo, 19 of Burgos, as well as illustrations of various places of Castile, Aragon, Andalusia, the Basque Country, Navarre, and Galicia.
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Eastman Johnson's career as an artist began when his father apprenticed him in 1840 to a Boston lithographer. After his father's political patron, the Governor of Maine John Fairfield, entered the US Senate, the senior Johnson was appointed by US President James Polk in the late 1840s as Chief Clerk in the Bureau of Construction, Equipment, and Repair of the Navy Department. The family moved to Washington, DC and first lived in rental housing. In 1853, they bought a new rowhouse at 266 F Street, between Thirteenth and Fourteenth streets and a few blocks from the White House and the Navy Department offices, which became their permanent home.
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He published his account of an expedition to Iceland in 1809, but even though his notes and specimens were destroyed during his voyage home. He married Maria, the eldest daughter of the Norfolk banker Dawson Turner, in 1815, afterwards living in Halesworth for 11 years, where he established a herbarium that became renowned by botanists at the time. He held the post of Regius Professor of Botany at Glasgow University, where he worked with the botanist and lithographer Thomas Hopkirk and enjoyed the supportive friendship of Joseph Banks for his exploring, collecting and organising work. in 1841 he succeeded William Townsend Aiton as Director of the Royal Botanic Gardens, Kew.
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Poster for the annual salon of La Libre Esthétique Gisbert Combaz or Ghisbert Combaz (Antwerp, 23 September 1869 – Saint-Gilles, 18 January 1941) was a Belgian painter, lithographer, illustrator, poster artist, furniture designer, sculptor, art educator, art historian and lawyer.Gisbert Combaz biography at Stephen Ongpin Fine ArtsGhisbert Combaz at the Netherlands Institute for Art History Illustration 'Villain! This is your work!' at the British LibraryJane Block, Gisbert Combaz, Gisbert Combaz, 1869-1941: fin de siècle artist, Pandora, 1999 He originally trained and practised as a lawyer, but gave up his legal career to dedicated himself to art education and art. He was one of the leading Belgian Art Nouveau artists.
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The bullring at the Puerta de Alcalá, in an aerial painting of Madrid in 1854, drawn by the French engraver, lithographer and architect Alfred Guesdon. Buen Retiro Palace, the Puerta de Alcalá and the gardens of the Buen Retiro zone, which will become the site for the future Cybele Place, are also visible.Grabado de Alfred Guesdon (Nantes, 1808-1876) realizado hacia 1854 y publicado en la revista «La Illustration, Journal Universel de París». Madrid was growing in population and size in the seventeenth century after the decision of Philip II of Spain to transform the city onto an administrative and political centre for the nation.
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Among the first to use his drab surroundings as a canvas was Benito Quinquela Martín, whose vaguely cubist pastel-colored walls painted in his Buenos Aires neighborhood of La Boca during the 1920s and 1930s, have become historical monuments and Argentine cultural emblems, worldwide. Lithographs, likewise, found a following in Argentina sometime after they had been made popular elsewhere. In Argentina, artists like Adolfo Bellocq, used this medium to portray often harsh working conditions in Argentina's growing industrial sector, during the 1920s and 1930s. Antonio Seguí, another lithographer, transferred his naïve style into murals in numerous nations, as did Ricardo Carpani, though in a realist style.
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Peers was elected a member of the South African Society of Artists in 1905, and became chairman of the South African Fine Arts Association. He won the Cape Times poster competition in 1924, and became a member of the South African Institute of Art in 1926. Peers subsequently was president of the Owl Club in 1934, president of the K Club in 1935, was invited by the New Group to participate in their first exhibition in 1938, and subsequently was elected President of the group, an office he held until his death. Peers made a living as a chromo-lithographer with various printing companies, including Galvin & Sales in Cape Town.
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David Pièrre Giottino Humbert de Superville, portrayed by Jacobus Ludovicus Cornet around 1840-1849 David Pierre Giottino Humbert de Superville (The Hague, 18 July 1770 – Leiden, 9 January 1849) was a Dutch artist and art scholar. He was a draughtsman, lithographer, etcher, and portrait painter, and also wrote treatises on art, including the influential work Essai sur les signes inconditionnels dans l'art (Leiden, 1827). His 1815 painting of the jurist and statesman Johan Melchior Kemper is now part of the collection of the Rijksmuseum in Amsterdam. His 1801 etching Allegory may have been a direct visual inspiration for Paul Gauguin's Spirit of the Dead Watching.
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Frost was born on January 17, 1851, in Philadelphia, Pennsylvania, the eldest of ten children; his father was a literature professor. He became a lithographer, and in 1874 he was asked by a friend to illustrate a book of humorous short stories, "Out of the Hurly Burly", by Charles Heber Clark, which was a commercial success, selling more than a million copies. In 1876, Frost joined the art department at the publisher Harper & Brothers, where he worked with such well-known illustrators as Howard Pyle, E. W. Kemble, Frederic Remington and C. S. Reinhart. While there, he learned a wide variety of techniques, from cartooning to what later came to be called photorealistic painting.
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Stark frequently exhibited his paintings at international, national, regional, and local exhibitions, including the Paris Salon of 1886 and 1887; the Five Hoosier Painters exhibition (1894) in Chicago, Illinois; the Trans-Mississippi Exposition (1898) in Omaha, Nebraska; the Louisiana Purchase Exposition (1904) in Saint Louis, Missouri; and international expositions (1910) in Buenos Aires, Argentina, and Santiago, Chile. He also supervised the Indiana exhibition at the Panama-Pacific International Exhibition (1915) in San Francisco, California. Stark remained an active artist and member of the Indianapolis arts community until his death in 1926. Stark began his career in the mid-1870s as a lithographer in Cincinnati, Ohio, and attended evening classes at the Cincinnati Art Academy.
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Champollion began writing his Grammaire on his return from Egypt to France on 5 March 1830, it contains a number of drawings reproduced in Egypt, by Champollion himself and his assistants; but he died in 1832 without being able to publish it. It was his brother, Jacques-Joseph Champollion, who would handle its publication in 1836. Marcellin Jobard, a lithographer from Brussels, whom claimed to have advised Champollion the use of lithography for the printing of the Grammaire égyptienne. The printing combines lithography and typography, with lithographic stone transfer methods improved by Jules Feuquières, used by 's lithographic workshop in Paris, which was responsible for the lithographic printing process of the Grammaire.
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From 1936 to 1939, Fiaminghi worked at Companhia Melhoramentos, where he did book illustration and lithography. After a job at another lithography company in 1940, Fiaminghi worked at Companhia Lithographica Ypiranga from 1941 to 1944, where he saw the lithographer, Lasar Segall, create his Mangue series, which showed the poverty in the slums of Rio de Janeiro. In 1944 and 1945, he worked at two other lithography companies, Graphicars F. Lanzara and Indústria Gráfica Siqueira Salles Oliveira & Cia, before he started his own company, Graphstudio Ltda. From 1949 to 1952, after selling his printing business, Faiminghi was hired an advertising art director at Lintas International Advertising S.A., where he worked on the ad account for Gessy-Lever.
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That year he worked as a lithographer in Budapest but continued studies at Graphic Institute of Vienna, Austria, the same year. In 1935 Mikola arrived in Helsinki, Finland to help his Hungarian artist friend Josef Miklos to decorate a restaurant called "Hungaria". He started studying graphics at the Art Industrial Central-school in Helsinki under the guidance of , and in 1938 the firm Lassila & Tikanoja in Vaasa employed him as a draughtsman of commercials (he later became the company's director of PR). Mikola, who rather painted with his heart than his mind, found most of his inspiration in the colors and forms of nature, in the rhythm of the landscape and in light and shade.
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Louis E. Schwend (1875–1900) was an architect in North Carolina at the firm of Hayden, Wheeler, and Schwend. He designed the Iredell County Courthouse (1899), prototype for a series of similar courthouse designs executed by the successor firms of Oliver Duke Wheeler and his partners.Louis E. Schwend by William B. Bushong with contributions from Catherine Westergaard and updates by Angie Clifton and Catherine W. Bishir, North Carolina Architects and Builders (2009) Schwend was born in Cincinnati, Ohio to Max Schwend, a lithographer from Saxony, and Mary Schwend of New York. Oliver D. Wheeler and Luke Hayden moved their office from Atlanta to Charlotte and brought Schwend on as a partner in 1899.
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Batocera wallacei Hercule Nicolet (18 January 1801 Neuchâtel – 16 September 1872) born Louis-Ami-Hercule Nicolet, was a Swiss lithographer, natural history illustrator, librarian at École nationale vétérinaire d'Alfort from 1861 to 1870, and entomologist who specialized in Thysanura and Collembola. Hercule Nicolet was the son of Bénédict-Alphonse Nicolet (1743-1807). He was the business partner of Jean Coulin (1822-1883) in the lithographic firm of Hercule "Nicolet and Coulin fils", pressing the plates for Mémoires de la Société des Sciences Naturelles de Neuchâtel co-edited by Louis Agassiz and many other geological and natural history works. He wrote Recherches pour Servir á l'Histoire des Podurelles. Nouv. Mém. Soc. Helvet. Sci. Nat.
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Lucía Maya (born 1953 in Santa Catalina Island, California) is a Mexican painter, sculptor and lithographer whose work has been displayed at the Ronna and Eric Hoffman Gallery of Contemporary Art, Portland, Oregon and the Puerto Rico Museum of Contemporary Art.ArtFacts - Lucia Maya She was born on Santa Catalina Island in California in 1953, but moved with her family to San Pedro Tlaquepaque, Jalisco, Mexico in 1957. In 1971 she began studying at the University of Guadalajara and, in 1974, she moved to Spain to study at the Academia de Bellas Artes San Fernando in Madrid. In 1978 she married the art history professor Gutierre Aceves Piña, from whom she separated in 1993.
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Olearia flocktoniae PlantNetAcacia flocktoniae PlantNet The lion's share of Flockton's work consisted of botanical illustration and she produced the necessary lithographs herself, being at that time the only female lithographer in Australia. She published various books on her own, such as a small volume "Lichens", "Australian Wildflowers" (1908), illustrated with her coloured lithographs, and produced the wildflower borders for butterfly studies in "Scenic Gems of Australia", by Dr Riches. Much later in life she wrote and illustrated "Children's Stories - Little Stories of Little People", describing the life-history of plants and insects, but which remained unpublished. One of the students in her oil and watercolour classes, was Mary Maiden, daughter of Joseph Henry Maiden.
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Loss of the Kent, Théodore Gudin, Musée national de la Marine, Paris The loss of the Kent was highly newsworthy and led a number of artists to paint their own versions of the tragedy. In addition to William Daniell, artists that dealt with the tragedy included Théodore Gudin, Thomas Marie Madawaska Hemy (1874–1931), and an anonymous lithographer whose "Loss of the Kent" is in the National Maritime Museum, as are a number of other renditions. (The National Maritime Museum Cornwall has an aquatint of Daniell's painting.) Thomas Buttersworth (1768–1842) also painted "The East Indiaman Kent on Fire in the Bay of Biscay". The loss of the Kent was later commemorated in a poem by William McGonagall.
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In 1902 White joined forces with Ralph Radcliffe Whitehead (1854–1929) and painter-lithographer Bolton Brown to found the Byrdcliffe Colony in Woodstock, New York, conceived as a utopian community of studios, workshops, and artistic gatherings which would nurture creative freedom in the idyllic setting of the Catskill Mountains. Byrdcliffe was based on models provided by the Arts and Crafts movement in England, including Ruskin's own unsuccessful artists' colony, St. George.Nancy E. Green, "The Reality of Beauty: Ralph Whitehead and the Seeds of a Utopia in John Ruskin, William Morris, and Victorian England", in Byrdcliffe: An American Arts and Crafts Colony, exh. cat. Ithaca: Herbert F. Johnson Museum of Art, 2004, pp. 38–40.
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For instance, he was the guest of honour at a dinner on 19 October 1842, at which Lord Cockburn presided. On his return to Britain, Roberts worked with lithographer Louis Haghe from 1842 to 1849 to produce the lavishly illustrated plates of The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, originally published as Sketches in the Holy Land and Syria, 1842–1849 and Egypt & Nubia series. He funded the work through advance subscriptions which he solicited directly. The scenery and monuments of Egypt and Holy Land were fashionable but had hitherto been hardly touched by British artists, and so Roberts quickly accumulated 400 subscription commitments, with Queen Victoria being subscriber No. 1.
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Charles-Caius Renoux (born in Paris,1795; died in Paris, 14 March, 1846) was a French painter, lithographer, and illustrator. He first achieved success with paintings of medieval churches, particularly the ruins of cloisters and monasteries destroyed during the French Revolution, works for which he is still best known. Renoux also painted landscapes, large-scale battle scenes, and historical subjects, works which uniquely prepared him for the final phase of his career, the creation of spectacular dioramas, the “moving pictures” of the era.In the dioramas, it was in fact the audience, standing or seated in a revolving theater, that moved; the images were stationary, though light effects created the illusion of movements and transformations within them.
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He was Orthodox but she less so and supported David's painting ambitions."David Bomberg: an East End childhood" In 1895, his family moved to Whitechapel in the East End of London where he was to spend the rest of his childhood. After studying art at City and Guilds, Bomberg returned to Birmingham to train as a lithographer but quit to study under Walter Sickert at Westminster School of Art from 1908 to 1910. Sickert's emphasis on the study of form and the representation of the "gross material facts" of urban life were an important early influence on Bomberg, alongside Roger Fry's 1910 exhibition Manet and the Post-Impressionists, where he first saw the work of Paul Cézanne.
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He was introduced to mesmerism in Brussels, in 1831, by the Belgian lithographer, inventor, and scholar Jean Baptiste Ambroise Marcelin Jobard (1792-1861), who later become the director of the Royal Museum of Industry at Brussels. He then went on to study the works of Marquis de Puységur (1751-1825) and Joseph-Philippe-François Deleuze (1753-1835) and, abandoning the theatre altogether,Although his brother continued to pursue a theatrical career (Lafontaine, 1866, I, pp.29-34). he began touring parts of Europe. A detailed description of Lafontaine's magnetization technique, translated directly from the text of the fifth (1886) edition of his L'art de magnétiser, is presented at Hart (1903), pp.66-69.
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Shepperson worked in a wide variety of media including oil, watercolour, chalk, charcoal, paster, ink and pencil, and he was a practised etcher and lithographer. Bryant notes that for line drawings, Shepperson would first sketch nudes in charcoal on very thin banknote paper and draw clothes in ink over this, usually at near-reproduction size. Percy Bradshaw, commenting on a Punch reader's remark that Shepperson was a Sketcher of Aristocrats, said that Shepperson would rather be called an aristocrat who sketches. Shepperson was one of the leading illustrators selected by Percy Bradshaw for inclusion in his The Art of the Illustrator (1917-1918) which presented a separate portfolio for each of twenty illustrators.
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By his will he directed that after the death of his sister and residuary legatee, Miss Ellen Elizabeth Dunkin, his library and collections are to go, under certain conditions, to the Guildhall Library. On failure of such conditions the collections are to be presented to the trustees of the British Museum; and that the family monuments at Dartford and Bromley may be maintained and renewed when necessary, he left to the lord mayor, the vicars of Dartford and Bromley, and the principal librarian of the British Museum freehold estates at Stone, Erith, and Bromley; ten guineas annually to be spent in a visitation dinner to examine the tombs and memorials ('Printing Times and Lithographer, 15 April 1879, page 89).
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Giuseppe Quaglio (2 December 1747 - 23 January 1828) was an Italian painter and stage designer, active in scene painting in Mannheim, Frankfurt, and Ludwigsburg. Born in the town of Laino, between Lake Como and Lake Lugano, Giuseppe is part of the Quaglio family of scene painters, architects, and artists. Giuseppe's sons include the scene designer Simon (1795–1878), active mainly in Munich, Angelo Quaglio the Elder (1784—1815), an architect and painter. He designed and painted landscapes and architectural pictures for Boisserée's work on Cologne Cathedral, Domenico (1787–1837), a landscape and architectural painter, scene painter, engraver, and architect, born in Munich and died at Hohenschwangau; and Lorenzo (1793–1869), a genre painter and lithographer.
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The work was created by a collaboration of writer Patricio de la Escosura, with lithographer Louis-Julien Jacottet (1806–1880), and the artist Jenaro Pérez Villaamil who also acted as editor. Illustrated travel books of this type became popular during Romantic movement of the 19th century. España Artística y Monumental was one of the most beautiful works in this genre works along España pintoresca y artística (Francisco de Paula Van Halen) and Recuerdos y bellezas de España (Francisco Javier Parcerisa with José María Quadrado). Most of the illustrated plates were done by Villaamil, many of them drawn from his own paintings; in these cases the illustration included his signature at the bottom «».
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Elfriede Paul came from a petite bourgeoisie family background and was the daughter of a lithographer. Between 1905 and 1915, she attended middle school in Görlitz and later Harburg. The visit to her father in the infirmary, who had been wounded during the war, and the lack of food during the last years of World War I, led her to contemplate the meaning of war. Planning to be a fine artist while at school, she was inspired by the anthroposophical ideas of the Austrian philosopher Rudolf Steiner, but later took the rational view that she was unlikely to be successful, and would prefer to be an ordinary teacher rather than a mediocre artist.
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The second daughter of Oscar James Akhurst, a lithographer, and his wife Jessie Florence (née Smith), Daphne Akhurst won the women's singles title at the Australian Championships five times, in 1925, 1926, 1928, 1929, and 1930. She is fourth on the list of most women's singles titles at the Australian Championships; behind only Margaret Court with eleven titles, Serena Williams with seven and Nancye Wynne Bolton with six titles. She won the women's doubles title at the Australian Championships five times: in 1924 and 1925 with Sylvia Lance Harper, in 1928 with Esna Boyd Robertson, and in 1929 and 1931 with Louie Bickerton. She and Marjorie Cox were the runners-up in 1926.
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Christopher Richard Wynne Nevinson (13 August 1889 – 7 October 1946) was an English figure and landscape painter, etcher and lithographer, who was one of the most famous war artists of World War I. He is often referred to by his initials C. R. W. Nevinson, and was also known as Richard. Nevinson studied at the Slade School of Art under Henry Tonks and alongside Stanley Spencer and Mark Gertler. When he left the Slade, Nevinson befriended Marinetti, the leader of the Italian Futurists, and the radical writer and artist Wyndham Lewis, who founded the short-lived Rebel Art Centre. However, Nevinson fell out with Lewis and the other 'rebel' artists when he attached their names to the Futurist movement.
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Laurent Geedts was born in Leuven where he appears to have been active throughout his career. He is the first artist in the Geedts family and was followed by a large number of painters, sculptors and engravers. His nephew Josse-Pieter Geedts was a genre, history and religious artist and Josse- Pieter’s son Pieter Paul was a portrait painter, lithographer and sculptor. The artists in the Geedts family further included Guillaume-Auguste (1802–1866) and his three sons Auguste, Hippolyte and Paul.Laurent Geedts, Trompe l’oeil still life of birds hanging from nails against a wooden wall at John Bennett Fine Arts, London Laurent Geedts was the master of François Xavier Joseph Jacquin (1756–1826).
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George Foggo (1793–1869) was a historical painter, born in London on 14 April 1793. Foggo received his early education with his brother, James Foggo, in Paris, and joined him in London in 1819, after which the two were inseparably associated in their work and life. They founded a society for obtaining free access to English museums, public edifices, and works of art, of which the Duke of Sussex was president, Joseph Hume chairman of committees, and George Foggo honorary secretary. He also worked as a lithographer with his brother, and they lithographed their large picture of Parga and other original works; in 1828 he published by himself a set of large lithographs from the cartoons by Raphael.
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Heinrich Egersdörfer "A halt at a country roadside hotel" "Fording a river" Heinrich "Heiner" Egersdörfer (1853 Nuremberg, Germany - 29 April 1915 St. Pancras, London), was a German-born artist, illustrator and cartoonist who settled in South Africa. Coming from a family of artistic talent (his brothers Andreas Egersdörfer (1866-1914) and Konrad Egersdörfer (1868-) were both accomplished artists and both died in World War I), he was trained as a lithographer in Germany and worked for the Leipziger Illustrierten Zeitung. He took part in the Franco-Prussian War of 1870, and then worked in England, before emigrating to South Africa in 1879. In 1884, he and his partners founded The South African Illustrated News in Cape Town.
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The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Prentiss Taylor. The collection consists primarily of subject and correspondence files, reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material, several hundred photographs, notes and writings, sketchbooks, drawings and a few prints by Taylor, and scrapbooks dating from 1885-1956.
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Aitken was born in Glasgow where her father, Robert Thomson Aitken, was a well regarded commercial printer and lithographer. Between 1887 and 1902 she studied at the Glasgow School of Art before continuing her studies in Paris at the Academie Colarossi. Returning to Glasgow, after some time in Spain, she became part of the circle of artists associated with Charles Rennie Mackintosh and a member of the informal group of artists known as "The Immortals", which also included Agnes Raeburn, Margaret Macdonald Mackintosh, Jessie Newbery, Ruby Pickering, Katharine Cameron, Jessie Keppie and Frances McNair. Aitken also became a leading member of the Glasgow Society of Lady Artists and won that Society's Lauder Prize in both 1928 and 1937.
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John Farleigh John Farleigh (16 June 1900 - 30 March 1965), also known as Frederick William Charles Farleigh, was an English wood-engraver, noted for his illustrations of George Bernard Shaw's work The Adventures of the Black Girl in Her Search for God, which caused controversy when released due to the religious, sexual and racial themes within the writing and John Farleigh's complementary (and risqué) wood engravings commissioned by Shaw for the book. He is also known for his illustrations of D. H. Lawrence's work, The Man Who Died,London Transport Museum and for the posters he designed for London County Council Tramways and London Transport. He was also a painter, lithographer, author and art tutor.
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Bishop et al., 1996, p. 6 In the early 1960s Kerslake's imagery became grotesquely figurative in prints such as “The Shape of Anxiety” of 1962 and “Anxiety Devouring Itself” of 1963, where the artist's inspiration sprang from such works as Kafka's story The Metamorphosis and Breughel's print Large Fish Eat Small Fish.Bishop et al., 1996, p. 7 The artist's first foray into the medium of lithography was in the spring of 1964, when Kerslake based some lithographs on paintings that he had created in response to the November 22, 1963 assassination of President Kennedy. On a grant awarded by Tamarind Institute, Kerslake spent six weeks at the Herron Art Institute in Indianapolis creating the prints under the tutelage of master lithographer Garo Antreasian.
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Stow Wengenroth (1906-1978) was an American artist and lithographer, born in 1906 in Brooklyn, New York. Wengenroth was once called "America's greatest living artist working in black and white" by the American realist painter Andrew Wyeth, and he is generally considered to be one of the finest American lithographers of the twentieth century. He studied at the Art Students League of New York under George Bridgman and John Fabian Carlson from 1923 to 1927, then at the Grand Central School of Art under Wayman Adams. Wengenroth was elected a member of the National Institute of Arts and Letters (renamed the American Academy of Arts and Letters) in 1942 and was also a member of the Connecticut Academy of Fine Arts and the Prairie Printmakers.
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Here he found his first illustrated ornithology book (by Johann Conrad Susemihl—he went on to illustrate a later edition of it in the collection of a trader with an interest in birds, and was surprised by the poor quality of the plates). He returned home after three years of apprenticeship, and for a while took up a temporary job with the village headman in searching homes for illegally concealed liquor. Wolf travelled to Frankfurt and introduced himself as a lithographer to the ornithologist Eduard Rüppell. Rüppell was just beginning to work on the birds of Abyssinia and he encouraged Wolf to work for him either by living in Frankfurt or Darmstadt where he suggested Wolf could work for Johann Jakob Kaup.
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Henri Cadiou (26 March 1906, Paris – 6 April 1989) was a French realist painter and lithographer known for his work in trompe-l'oeil paintings. He is credited with being a founder of the l’école de la réalité in 1949 (called nowadays Mouvement Trompe-l’oeil-réalité). 'De la Réalité' was reaction against abstract art, seen at the Salon de Mai of 1960 where he exhibited paintings that were almost photographically realistic, in particular Shower Curtain and Electoral Panel, with which he caused a stirReacting against abstract art. He was also president of the Association for the Protection of the Cité Fleurie (the "Flowering City"), a wooded area around the boulevard Arago in Paris's 13th arrondissement where about thirty artist’s studios are located.
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Cour à Clichy (etching, 1910) Les blessés - Parc de Saint-Cloud (etching, 1915) Auguste Brouet was born and raised in a poor family in the popular north-east quarters of Paris and in Les Lilas, in the near suburbs. While apprenticed to a lithographer, he struggled for artistic education through the evening drawing classes of Eugène Quignolot (Dijon, 1847- Jouarre, 1921), also briefly attending Gustave Moreau's atelier. Starting from around 1895 he would make a living by doing hack work for fashionable artists and also crafting reproductive etchings in color, in the workshop of . Around 1902 he started to devise original etchings, sometimes larger pieces in color, more often smaller works in black and white, as was the growing trend at the time.
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Hardie's first job came at the very young age of seven, when he was put to work as a message boy for the Anchor Line Steamship Company. Formal schooling henceforth became impossible, but his parents spent evenings teaching him to read and write, skills which proved essential for future self-education. A series of low-paying entry-level jobs followed for the boy, including work as an apprentice in a brass-fitting shop, work for a lithographer, employment in the shipyards heating rivets, and time spent as a message boy for a baker for which he earned four shillings and sixpence a week. A great lockout of the Clydeside shipworkers took place in which the unionised workers were sent home for a period of six months.
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In 1856, Persac along with William G. Vail opened a daguerreotype photography studio on Florida Street in Baton Rouge. The daguerreotype photography studio did not last long, and Persac went on to work as an artist and lithographer for the press Pessou and Simon. While working at the press he published B. M. Norman's 1858 book Norman's Chart of the Lower Mississippi River which he added many illustrations. In 1859 he moved to New Orleans and he remained in the south during the American Civil War (1861–1865). While in New Orleans he completed 43 property drawings between 1859 and 1869, and 21 drawings were collaborations with civil engineer Eugene Surgi (1826–1914) and they are used by the New Orleans Notarial Archives and Research Center.
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The museum's grand opening was on November 16, 1941, and Sylvester Jerry was named the first director. The first exhibit was 96 paintings by Wisconsin artists, followed by a collection of contemporary lithographs from the Redfern Gallery in London, and watercolors by Midwestern artists. The museum's permanent collection began with a donation of 294 Works Progress Administration (WPA) artworks including textiles from the Milwaukee Handicraft Project, and paintings, photographs, and block prints from Wisconsin- and New York-based artists. Jerry, who was a supervisor for the WPA Art Program before joining the museum, arranged a 99-year lease for the collection which contained works by artists such as lithographer Mabel Dwight, painter Rufino Tamayo, and photographers Brett Weston and Bernice Abbott.
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Methodic Discord Startles ..., a double spread in Russian Ballet, 1919 Russian Ballet is a small softback book featuring 6 coloured lithographs, each one facing a line from a poem celebrating the experience of watching the Ballet Russe. The prints are almost entirely abstract, and evoke the disorientating mood without recourse to specific detail. The entire poem, also written by Bomberg, reads: > —Methodic discord startles > —Insistent snatchings drag fancy from space > —Fluttering white hands beat—compel. Reason concedes > —Impressions crowding collide with movement round us > ——the curtain falls—the created illusion escapes > —The mind clamped fast captures only a fragment, for new illusionRussian > Ballet at the Internet Archive Bomberg, who had trained as a lithographer, printed the images; his wife sewed the binding.
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Samuel Rowse, Ralph Waldo Emerson In 1852, Rowse worked for a lithographer and then opened a studio in Boston, Massachusetts, due to the demand for his crayon (pastel) and charcoal portraits. He developed a reputation for his drawings of people in the news. Rowse boarded with the family of Ralph Waldo Emerson in the summer of 1854, and while there sketched Henry David Thoreau, which was considered to be a good likeness by Sophia Thoreau. The drawing, which had hung in the Thoreau house, was donated to the Concord Free Public Library by Amos Bronson Alcott after he purchased the house in 1877. In June 1858, Rowse made a sketch of Emerson, considered by William James Stillman to be "the most masterly" depiction of him.
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The band was named after a line from the poem "A Coney Island of the Mind" by Ferlinghetti. Bristol Sound band Unforscene used Ferlinghetti's poem "Pictures of the Gone World 11" (or "The World is a Beautiful Place ...") in the song "The World Is" on its 2002 album New World Disorder. In 2011, Ferlinghetti contributed two of his poems to the celebration of the 150th Anniversary of Italian unification: Song of the Third World War and Old Italians Dying inspired the artists of the exhibition Lawrence Ferlinghetti and Italy 150 held in Turin, Italy (May–June 2011). On the book of lithographs The Sea Within Us first published in Italy as Il Mare Dentro in 2012, Ferlinghetti collaborated with lithographer and abstract artist James Claussen.
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In 1936 she was listed as one of America's best printmakers in Prints magazine and that year produced what would become her most popular print, Queer Fish, which was one of a group of pictures made at the New York Aquarium in Battery Park. That same year a newspaper critic called her "a foremost American lithographer" who had "climbed to the top of a difficult and highly competitive field." When, during the second half of the 1930s, Dwight made lithographs for federal arts projects,Between 1935 and 1939, she worked first for the Public Works of Art Project and then for the Federal Art Project of the Works Projects Administration. she retained her wry sense of humor and continued to show New Yorkers at their leisure.
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In 1880 Georg Sauter began training as a house painter and then worked in Munich with a painter master. Later he took drawing lessons. He studied painting from October 1884 in the antic class of the Royal Academy of Fine Arts in Munich."00056 Georg Sauter", Matrikelbuch 1884–1920, Academy of Fine Arts, Munich There he was a pupil of the landscape painter Ludwig von Löfftz (1845-1910) and received also suggestions by the portrait painter Franz von Lenbach (1836-1904). Georg Sauter undertook study trips to Holland, Belgium, France and Italy, then lived in London from 1889 as a painter and lithographer, where he married in 1894 Lilian Galsworthy (1864–1924), the sister of the English novelist John Galsworthy.
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Except for the years 1819–21, when he worked in Berlin, he spent the rest of his life in his hometown, working primarily as a lithographer and portraitist. In Magdeburg, he created numerous portraits of members from various families as well as portraits of clergymen and politicians.Magdeburger Biographischen Lexikon (biography) Among his better works was an altarpiece depicting the laying of Christ's body at the foot of the cross by Joseph of Arimathea (Niederlegung des Leichnams Christi am Fuße des Kreuzes durch Joseph von Arimathia, 1818) for the church of St. Sebastian in Magdeburg. In commemoration of the 200th anniversary of the destruction of Magdeburg (1631) during the Thirty Years' War, he painted a portrait of celebrated Lutheran pastor Reinhard Bake (1587–1657).
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Schober and Torup castle, painted by L. Kupelwieser An die Musik – Schober's poem – one of Schubert's autograph manuscripts Franz Adolf Friedrich Schober, since 1801 von Schober (born 17 May 1796, Torup Castle at Malmö, Sweden; died 13 September 1882 in Dresden), was an Austrian poet, librettist, lithographer, actor in Breslau and Legationsrat in Weimar. Schober was born to Austrian parents in Sweden. Educated in the Schnepfenthal Salzmann School, Akademisches Gymnasium (Vienna) and Kremsmünster Abbey, he returned to Vienna, where he began to study philosophy and met the composer Franz Schubert, his friends Johann Mayrhofer, Joseph von Spaun and the painters Leopold Kupelwieser and Moritz von Schwind. Between 1823 and 1825, Schober was an actor at the theatre in Breslau under the pseudonym "Torupson".
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Cropped image of Edmond Dantès illustration by Pierre Gustave Eugene Staal. Pierre-Gustave-Eugène Staal (2 September 1817 in Vertus – 19 October 1882 in Ivry), was a French artist , Lithographer , Illustrator and draughtsman.Véronique Gély-Ghedira Mythe et récit poétique 1998 -- Page 198 "[Gustave-Pierre] Staal (Vertus, 1817 - Ivry, 1882) façonna pourtant un type, « ces femmes contemplatives de l'époque de Louis-Philippe »7, donna un visage aux héroïnes de Balzac8 et dota les Causeries du Lundi d'une galerie9.L'arioste en France - Des Origines a la Fin Du Xviii Siecle Page 332 "Staal (Pierre-Gustave-Eugène)"Revue de Champagne et de Brie - Volumes 12 à 13 1882 - Page 389 "Pierre-Gustave Staal est mort à Ivry, des suites d'une maladie de cœur.
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The following is a > list of the club's membership: Charles J. Mulligan (later head of the > sculpture department at the Art Institute), David Hunter and W. J. > Hutchinson, sculptors; Ray Brown, chief of the Times-Herald art department, > and F. Holme, of the Evening-Post; Henry Hutt, illustrator and designer for > J. Manz & Co.; Carl Mauch, of the Werner Company's art staff; Will > Carqueville, poster designer and lithographer; Curtis Gandy, Capel Rowley, > Richard Boehm, Edward Loewenheim and C.C. Senf, designers and illustrators; > L. Pearson, F.J. Thwing and H.L. Bredtschneider, fresco painters and > decorators; Fred Mulhaupt, display advertiser; Ancel Cook, scenic artist; A. > Sterba and W.H. Irvine, portrait artists; Arthur Carr, H. Wagner, L.M. > Coakley and J.S. Shippen, art students. Fred Larson is a "proofer", and the > printer's trade is represented by W.A. Randall.
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Grigsby married Emma Alvina Miller (1868-1930)California Death Index 1905-1939LA Times, October 10, 1930, Emma Alvina Grigsby, obituary in 18951910 United States Federal Census, Los Angeles, California. They had one child who died very young before 19101920 United States Federal Census, Los Angeles, California. They lived at 1473 W Adams Blvd, Los Angeles, CaliforniaLos Angeles, California, City Directory, 1913 in an 1895 Victorian home. Emma's parents were Ohio lithographer Ewald Miller and Louise The Cincinnati Enquirer, Cincinnati, Ohio, October 15, 1910, Wills Filed For ProbateThe Evening World, New York, New York, June 3, 1893, Threatened Suicide Before, Flourished a Revolver. Emma was previously married to Bernard Hermann Gueterbock (1847-1893)New York City, Deaths, 1892-1902on September 27, 1877 in Hamilton, Ohio Ohio, County Marriages, 1774-1993.
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He was born in Magdeburg. As of 1914, Oelze attended the School of Decorative Arts in Magdeburg, where he was trained as a lithographer until 1918. He learned nude drawing in evening classes. Among his teachers there were Richard Winckel and Kurt Tuch, as of 1918. From 1919 until 1921, he completed his studies at the same school as a Stipendiat (a person receiving a scholarship). Between 1921 and 1925, he was a student at the Bauhaus, at first in Weimar with Johannes Itten, and then in Dessau, where he received a special teaching post at the Bauhaus. From 1926 until 1929, he lived in Dresden, and participated in an exhibition of the "Dredner Secession" there in 1929. He lived in Ascona in Switzerland from 1929 through 1930, and then in Berlin until 1932.
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Gould was born as William Holland in Liverpool, Merseyside, England. While little is known of his early life, it is thought that he received artistic training under Irish painter William Mulready, R.A., in London, and German lithographer Rudolph Ackermann in The Strand, and that he worked in Spode's factory in Stoke-on-Trent, Staffordshire, as a painter of porcelain. Gould evidently moved around England quite a bit, and on 7 November 1826 he was convicted in Northampton, East Midlands, of having by "force of arms stolen one coat", and was subsequently sentenced to "seven years beyond the seas", a phrase indicating transportation to the then British penal colony of Australia. While the sentence was for the fairly standard term of seven years, as with most convicts, Gould would never return to England.
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David Bomberg, In the Hold (c. 1914)The most radical artist associated with the city during this period was David Bomberg, who was born to a Polish-Jewish family on Sutton Street in the Lee Bank area of Birmingham in 1890. Growing up in Whitechapel in the East End of London he returned to Birmingham to train as a lithographer before studying under the Birmingham-born Henry Tonks at the Slade School of Art. Loosely associated with the vorticist movement, he was one of the few English artists to wholeheartedly embrace cubism and futurism in the years leading up to the First World War, painting a series of strikingly angular works before his disillusionment with the mechanised slaughter of World War I led him to develop a more representational style from the 1920s onwards.
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He produced dozens of lithographs, most based on his paintings, and described himself as a "full-time painter and a Sunday lithographer." Among his popular lithographs were Lunch Hour (1942), depicting a black youth asleep at his school desk; Banquet (1945), a closeup of a black man and an old white man sitting side by side at a lunch counter; and a color lithograph of the Boston Tea Party, published at the time of the 1976 Bicentennial. The U.S. Bureau of Reclamation commissioned him in the late-1960s to create illustrations documenting construction of the Soldier Creek Dam (completed 1974), in Wasatch County, Utah.Joseph Hirsch (1910-1981), from U.S. Bureau of Reclamation In his mature period, the 1960s and 1970s, Hirsch used a series of layered planes to compose a painting.
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Originally, she wanted to become an actress, but was met with solid resistance from her parents, so she decided to become a painter instead. With her father's support, she enrolled at the Swedish Craft Association's School (Svenska Slöjdföreningens skola). Founded in 1844 as a part-time art school for artisans, the first female students were admitted to the school during 1857. She studied at the school, which is now known as Konstfack, from 1869 to 1871. She then became a student of Mårten Eskil Winge at the Royal Swedish Academy of Fine Arts from 1871 to 1875. She also took lessons from the lithographer, Carl Oskar Cardon (1812-1899). In 1875, she married the landscape painter, Reinhold Norstedt (1843-1911), and had a daughter who died in infancy.
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204x204pxIn 1882 Fiveash was commissioned by the government conservator of forests John Ednie Brown to illustrate Forest Flora of South Australia. Each of nine parts of this work, that were published between 1892 and 1890, contained five illustrations of Fiveash drawn in no particular botanical order. The commission to illustrate Forest Flora of South Australia established Fiveash her reputation as a botanical illustrator. Her works were described as outstanding detailed depiction of the flowering branches, as well as the floral parts, timber and bark of eucalypts. After painting Fiveash’s works were prepared for lithography by the South Australian Government lithographer Haucourt Barrett, who received a smaller share of credit comparing to Fiveash. Enlarged drawings from Forest Flora were reproduced upon the walls in the South Australian Court of the 1886 and Indian Exhibition in London.
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Menzel was born to German parents in Breslau, Prussian Silesia (now Poland), on December 8, 1815. His father was a lithographer and intended to educate his son as a professor; however, he would not thwart his taste for art. After resigning his teaching post, Menzel senior set up a lithographic workshop in 1818. In 1830 the family moved to Berlin, and in 1832 Adolph was forced to take over the lithographic business on the death of his father. In 1833, he studied briefly at the Berlin Academy of Art, where he drew from plaster casts and ancient sculptures; thereafter Menzel was self-taught. of Berlin published his first work in 1833, an album of pen-and-ink drawings reproduced on stone, to illustrate Goethe's little poem, Kunstlers Erdenwallen.
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He developed a method for reproducing gradations in tones and for creating the effect of soft colour washes which enabled the printed reproduction of Romantic landscape paintings of the type made popular in England by J. M. W. Turner. Hullmandel's essay The Art of Drawing on Stone (1824) was an important handbook of lithography. In 1843 he went into partnership with Joseph Fowell Walton (born 1812, living 1863), a cousin of the landscape artist and lithographer W. L. Walton, the firm then becoming known as Hullmandel & Walton.Michael Twyman, "Hullmandel, Charles Joseph (1789–1850)", in Oxford Dictionary of National Biography, Oxford University Press, 2004 , accessed 9 October 2007 The Aventino, from Twenty-four views of Italy (1818) The Monte Pincio, from Twenty-four views of Italy (1818) He died at Westminster in 1850.
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John Doyle (Dublin 1797 - 2 January 1868 London), known by the pen name H. B., was a political cartoonist, caricaturist, painter and lithographer. He was the eldest son of a Dublin silk mercer, and came from a Roman Catholic family which in the 17th century had been granted extensive estates, possibly in County Offaly or County Laois, and their own coat of arms, but had suffered for their religion and since been dispossessed. In his youth he learned to paint landscapes under Gaspare Gabrielli, and miniature portraits at the Royal Dublin Society's drawing school under John Comerfield. He won a gold medal in 1805. He was commissioned to paint equestrian portraits of the Marquess of Sligo and Lord Talbot, the Irish viceroy, and in 1822 he produced six prints entitled The Life of a Racehorse.
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Professionally, Dowson was a machinist as a youth and later a lithographer and printer by training, but spent almost his entire working life as a full-time paid staffer (at times the only one) for the organization, for many years living in the organization's bookstore. For the new generation of recruits in the 1960s and early 1970s, he was the major link to the older generation of class-struggle militants and Marxists who had built the labour and socialist movements in previous decades. He suffered a stroke in 1989 which left him paralyzed and almost unable to communicate for the rest of his life. Dowson was a closeted gay man at a time when homosexuality was illegal and not accepted socially and concealed his sexual orientation through a celibate lifestyle.
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In June 1918 Kanae co-founded the Nihon Sōsaku- Hanga Kyōkai ("Japan Creative Print Cooperative Society") with lithographer Kazuma Oda, etcher Takeo Terasaki, and woodblock artist Kogan Tobari; this last had been a member of the Pan no Kai and had also recently returned from several years in Europe. The group held its first exhibition at the art gallery in the Mitsukoshi building in Nihonbashi on 15–20 January 1919. It represented 277 works by 26 artists, including seventeen woodblock prints and two etchings by Kanae. The show drew twenty thousand visitors and was widely reported in the media, including a special sōsaku-hanga issue that March of the prominent art magazine Mizu-e which included an article in which Kanae outlined the principles of the artform and the goals of the Nihon Sōsaku-Hanga Kyōkai.
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The first son, Thomas Jeffery Parker, became Professor of Zoology and Comparative Anatomy in the University of Otago, New Zealand; the second, William Newton Parker, became Professor of Biology in the University College, Cardiff; the third was a draughtsman and lithographer; the fourth was a surgeon. In his work on the vertebrate skull Parker became close to Thomas Henry Huxley, and named one of his sons after him. His first son was sent to study under Huxley, and became in 1872 one of Huxley's demonstrators.Parker, Thomas Jeffery – Biography – Te Ara Encyclopedia of New Zealand Parker was elected FRS in 1865, and a few years afterwards the Royal Society gave him an annual grant to aid his work, and a generous Wesleyan friend more than once presented £100 towards the cost of publishing some of his plates.
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Freedman had by that time become interested in the difficult medium of auto-lithography, where the artist draws his own designs on to the stones without the intervention of a trade craftsmen or photomechanical means. Freedman received advice from T. E. Griffits, the most influential lithographer of the time, who held sway at Vincent Brooks, Day & Son. Following work on an annual report for the Post Office, Freedman was chosen to design the 1935 postage stamp issues to commemorate the Silver Jubilee of King George V. The distinctive and handsome nature of this work brought him to wider public notice. His work - which took him just a weekend"More war artists chosen", Yorkshire Post and Leeds Intelligencer, 7 March 1940 \- and the subsequent printing of the stamps was the subject of The King's Stamp, a documentary film by the GPO Film Unit.
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Juan Boza Sánchez or Juan Stopper Sanchez (1941 in Camagüey, Cuba – March 5, 1991 in New York City, New York) was a gayRandy P. Conner & David Hatfield Sparks, Queering Creole Spiritual Traditions: Lesbian, Gay, Bisexual, and Transgendered Participation in African Inspired Traditions in the Americas; (Haworth Press, Binghamton, New York, 2004); Afro-Cuban-American artist specializing at painting, drawing, engraving, installation and graphic design. Boza studied at the Escuela Nacional de Bellas Artes "San Alejandro" from 1960 to 1962 and then from 1962 to 1964 at the Escuela Nacional de Arte (ENA) both located in Havana, Cuba. He was expelled from San Alejandro due to "political issues" and became a lithographer with the Experimental Graphic Workshop in 1965. Boza was fired as a result of the Congress of Education and Culture which convened in 1971 and led to the censorship of many artists in Cuba.
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Edgar is known for his portraits of members of Sydney's ex- convict emancipist class, including that of Mary Ann Turner (pictured), painted in 1835 (Sydney Living Museums). Born in England in 1804, Edgar worked as a house painter, engraver and lithographer in London. In 1825, at London's Old Bailey, he was convicted of robbery and initially sentenced to death, but due to his "respectable" connections, his skills as an artist, and also possibly his "elegant appearance", Edgar was instead transported for life to the penal colony of New South Wales, Australia. He arrived in Sydney aboard the convict ship Marquis of Huntly on 13 September 1826, and was quickly assigned to leading colonial artist Augustus Earle, who regarded the convict as sufficiently talented to join him at his lithographic press and help produce Views in Australia—an album containing the first lithographic views printed in the colony.
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Tinterow, G., Lacambre, G. and Roldán, F.L. Manet/Velázquez: The French Taste for Spanish Painting, Metropolitan Museum of Art, 2003, p. 75 He was a frequent exhibitor at the Salon of genre subjects and interiors of churches, and was also a lithographer. After completing his studies, in around 1829, he accompanied, Baron Taylor, a playwright, soldier and archaeologist to the Middle East and visited Egypt, Syria, Mount Sinai, Palestine and other locations,Tinterow, G., Lacambre, G. and Roldán, F.L. Manet/Velázquez: The French Taste for Spanish Painting, Metropolitan Museum of Art, 2003, p. 375 for the purpose of making illustrations for Baron Taylor's travel books, including: Voyages Pittoresques et Romantiques de l'ancienne France: 1820-63; Voyage Pittoresque en Espagne, en Portugal, et sur la côte d'Afrique, de Tanger à Tetouan: 1826-32; La Syrie, I'Egypte, la Palestine et la Judée: 1835-39, and other books.
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He was born as Charles Girardet in Le Locle, a part of the French Republic as the eldest son of the lithographer Charles-Samuel Girardet. After 1822, he lived in Paris, where he trained as a painter with Louis Hersent and Léon Cogniet. On a study trip to Switzerland in 1833–35, he made the acquaintance of the aristocratic painter Maximilien de Meuron, by whose influence he obtained commissions for two panoramas of Lausanne. In 1836, he presented his first exhibits in the Salon of Paris and started working as a copyist for the French royal court. An alpine landscape presented at the 1837 Salon obtained him a first distinction, and he successfully collaborated with Cogniet on two great battle scenes exhibited at Versailles. He embarked on travels across Europe, filling his sketchbook with landscapes in Düsseldorf (1838), Tyrol and Croatia (1839), and Italy (1840).
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The titled subscribers and those with high military ranks are listed separately. From 1829 he started to publish the present work in Beith with surveys of all 16 parishes, on a scale of 2 inches to 1 statute mile. The atlas is dedicated to Archibald William Montgomerie, 13th Earl of Eglinton, 1st Earl of Winton (1812–1861), and contains a detailed distance table of towns within the county. The publication was a folio of 14 maps, surveyed by Robert Aitken and W. Ballantine of 14 Terrace, Leith Street, Edinburgh was the lithographer for all the parish maps. It is not recorded how many atlases were printed, however 86 subscribers are listed. One copy bears the unusual bookplate of a fellow contemporary land surveyor, Andrew Crawford of Dalry, a gentleman of some standing, who was the chairman of Dalry Burns club from 1828 to 1843.
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By 1773 he was advertising his skills as a drawing master: ...have received Instructions from the most eminent Masters of London in the new and expedious Method of Painting Pictures in Oil… [he] engages to teach Ladies and Gentlemen the Art in a few Lessons, so as any Person may be able to paint History or other Pictures in an elegant and pleasing Manner. (Fawcett, Eighteenth-Century Art in Norwich, pp. 79-80, 85.) In about 1799 Thirtle moved to London to serve another apprenticeship, possibly under a Mr. Allwood, again learning to make picture frames. During his years as an apprentice in London he studied the works of John Sell Cotman at Rudulph Ackerman's print shop at 96, The Strand,For more information about Rudolph Ackerman (1764-1834), an early lithographer and colour printer whose shop in the Strand was set up in 1796, see the article by Heatons of Tisbury.
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Michael Woolworth moved to Paris from the United States in 1979 and began working with Franck Bordas (grandson of the French master printer and lithographer Fernand Mourlot), who had just established his own lithography studio. He worked there for six years, working with artists as Gilles Aillaud, Jorge Camacho, Henri Cueco, Erró, Daniel Pommereulle, Jean Messagier, Hervé Di Rosa, François Boisrond, Roberto Matta and Jean Dubuffet. He opened his own Parisian atelier in 1985 with a project with the Surrealist Matta, bringing together 90 scenes inspired by Cervantes’ Don Quixote. He then undertook collaborations with Daniel Pommereulle and Jorge Camacho, and with several others, in particular the Spaniard José Maria Sicilia, with whom he began a long collaboration of more than 200 editions, among them, in 2004, a “rug” in lithography on 84 pieces of plaster measuring 3 m x 9 m, for an exhibition of contemporary art at the Louvre Museum.
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During the twenties and thirties the art of the poster reached its pinnacle. Under the guidance of Frank Pick, the London Underground embraced the likes of John Hassall and Edward McKnight Kauffer. Artists were directly commissioned and it was believed that the influence of good design could extend to enrich every aspect of life. This was a common theme during the thirties. Wilfred Vincent Brooks served as chairman of the Commercial Printing Section of the Royal Academy of Art's exhibition ‘British Art in Industry’ held during 1935. He expressed his own sentiments in a speech soon after, During this period Wilfred was ‘a valuable member of the Colour Lithography Committee of the London Master Printers’ Association and was also a member of the London Central Districts Master Printers’ Association.’British & Colonial Printer & Stationer Volume 100, Number 2. 13 January 1927, Page 22. ‘Who’s Who in the Printing & Allied Trades; A Prominent London Lithographer’.
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Heinrich Adolph Baumhauer (October 26, 1848, Bonn, Germany - August 1, 1926, Freiburg, Switzerland) was a German chemist and mineralogist. Baumhauer was the son of lithographer and merchant Mathias Baumhauer (1810–70) and Anna Margaretha Käuffer (variously Kaeuffer, Keuffer, Kaufmann) of Bonn. He studied in Bonn from 1866 to 1869 with Friedrich August Kekule von Stradonitz, Hans Heinrich Landolt and Gerhard vom Rath, receiving his doctorate for the dissertation “Die Reduction des Nitrobenzols durch Chlor-und Bromwasserstoff.” He spent an additional year studying at Göttingen in 1870. In 1871 Baumhauer became a teacher at the Technical University in Frankenberg, Saxony. After a short period of teaching at the Handelsschule in Hildesheim in 1872, he became a chemistry teacher from 1873 to 1896 at the agricultural school of Lüdinghausen, Westphalia. From 1895 to 1925 he was professor of mineralogy and after 1906/1907 also a professor of inorganic chemistry in Freiburg, Switzerland. He was appointed Director of the newly created Department of Mineralogy at the University of Freiburg in 1896, and led the Freiburger Institut für Mineralogie until 1925.
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1841), is his rendering of a 17th Century Bearded Gentleman with a Ruff, a copy of the Portrait of Cornelis van der Geest, by Anthony Van Dyck.Image, 17th Century Bearded Gentleman with a Ruff, courtesy of its owner, was obtained through David Gardner, Art 'n' Antiques, Trefin, Haverfordwest, Pembrokeshire England in 2014. Lock worked for a time in England as a lithographer. An 1841 mezzotint proof print of Lock's drawing of Queen Victoria and Prince Albert returning from their wedding ceremony, engraved by Samuel William Reynolds Jr., is in the British Museum collection.(Accessed 2015-12-18). That drawing by Lock was later reformatted and published in 1844 by John William Laird, bearing the title The Bridal Morn (Queen Victoria; Prince Albert of Saxe-Coburg-Gotha) is in The National Portrait Gallery collection, London.(Accessed 2016-02-17). Another of Lock's drawings, a portrait entitled The Fair Domino, engraved and printed by T. W. Huffman in 1844, is also in the British Museum collection.(Accessed 2015-12-18).
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Fort Sumter, reduced to a shapeless pile of rubble, photographed by Haas & Peale across an active front (Note the Confederate flag flying above the parapet), soon after the evacuations of batteries Greg and Wagner on Sept. 7, 1863 Philip Haas (1808–1871) and Washington Peale (1825–1868) While but little is known of Haas' early personal history, almost nothing is known about Peale. In 1839–40, Haas, a lithographer based in Washington D.C. endeavored to learn the new art of the "daguerreotype." By 1852, forty-four year old Haas was an accomplished wet- plate photographer, with a studio in New York City "near the corner of White Street." On September 23, 1861, fifty-three year old Haas enlisted with the 1st N.Y. Engineers, claiming he was forty-three. Haas was mustered in January 17, 1862 as a 2nd Lt. in Company A. In 1863, the engineers were in South Carolina, and 2nd Lt. Haas was detailed to take photographs of General Quincy Gilmore's siege operations on Morris Island.
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While developing his skills as an etcher and lithographer in the early 1920s Blampied continued to work extensively for magazines and contributed hundreds of political cartoons and decorative drawings to The Bystander magazine between 1922 and 1926; he illustrated short stories by E.F. Benson and other authors in Hutchinson’s Magazine, and continued to design book jackets for publishers including Hodder & Stoughton, Herbert Jenkins, T. Fisher Unwin, Eveleigh Nash, William Collins and Constable. The books for T. Fisher Unwin included dust jackets for new impressions in 1923 of eleven of E. Nesbit's famous children’s novels and James Hilton's rare second novel called Storm Passage. Blampied also illustrated a film edition of Black Beauty by Anna Sewell and a new edition of The Roadmender by Michael Fairless. Blampied held his first exhibition of paintings and drawings, rather than prints, at the Leicester Galleries in February 1923 while continuing regularly to exhibit his prints at the annual shows of the Royal Society of Painter Etchers and Engravers and the Senefelder Club of British lithographers, named after Alois Senefelder, the inventor of the method.
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He was sworn into office as Secretary of State of Puerto Rico on January 2, 2009 by Chief Justice Federico Hernández Denton, fulfilling the role of Lieutenant Governor (first in the line of succession in the executive branch; the office of Secretary of State in Puerto Rico is the equivalent of Lieutenant Governor in the fifty states of the Union) on the island, serving until January 2, 2013. Among the members of the O'Neill family, whose contributions to Puerto Rican culture are evident today, are Héctor O'Neill, Mayor of Guaynabo, Ana María O'Neill, an educator, author, and advocate of women's rights, and María de Mater O'Neill, an artist, lithographer, and professor. Puerto Rican beauty queens of Irish descent who represented their country in the Miss Universe beauty pageant are the following: Ada Perkins, Miss Puerto Rico (1978),"Make Your Life Prime Time: How to Have It All Without Losing Your Soul"; author: María Celeste Arrarás; page 26; Publisher: Atria Books; ; Deborah Carthy Deu, Miss Universe 1985 Fundación Nacional para la Cultura Popular. Biografías: Deborah Carthy-Deu.
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Fifteen years later, in 1859, Jan Gaykema was able to become the main illustrator of the new international magazine Annales d'horticulture et de botanique, ou Flore des jardins du royaume des Pays-Bas, et histoire des plantes cultivées et ornementales les plus intéressantes des possessions néerlandaises aux Indes orientales, en Amérique et du Japon. This was a publication of the Koninklijke Nederlandsche Maatschappij tot Aanmoediging van den Tuinbouw (Royal Dutch Horticultural Society), edited by professor Willem Hendrik de Vriese, the famous collector of Japanese plants nobleman dr Philipp Franz Balthasar von Siebold, and university head gardener Heinrich Witte. In its short period of existence Gaykema - whether or not he drew them from life in the Leiden Hortus Botanicus - made nearly thirty colored plant drawings, of which the Ghent artist Louis-Constantin Stroobant (1815-1874) made engravings on stone, which were printed in color with the latest techniques by the company of this lithographer. The printed text was provided by the Leiden printing company A.W. Sijthoff, which was still young at that time.
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4 September 1909 brought Education Department recognition as a Prahran Technical Art School, but unlike for other such schools Prahran did not receive government maintenance grants and though by August 1911 the School had an enrolment of forty-eight, Furneaux was obliged to continue lobbying for a new building. When Levick resigned to take up a permanent position at the Melbourne college Furneaux strategically left the appointment of his replacement to the Education Department which on 6 February 1912, hired William R. Dean, a lithographer and commercial artist who had gone on to study at the National Gallery in London and was made Associate of the Royal College of Architecture. "Prahran Tech", combining secondary and tertiary schools, began in 1915 with costs shared largely by the Prahran Mechanics’ Institute and Prahran Council. In 1931 Dean, then inspector of art education in Victoria, continued to express favour for a generalist, rather than vocational, art education in saying that "originality should be encouraged and that Australian forms, feelings and colouring should be stressed as much as possible."Minutes of Council, Working Men’s College, 26 October 1932 quoted in S. Murray-Smith and J. Dare, The Tech.
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In 1929 Dehn returned to New York with his wife. In New York Dehn began to focus his art on depicting scenes of Manhattan, showcasing the skyline and views of the city from the Staten Island Ferry. As the Great Depression had taken hold of the country, they were desperately poor, and their financial difficulties contributed to their ultimate divorce. In the 1930s, his work began to appear in magazines such as the New Yorker and Vogue. During his period as a lithographer, his striking images of New York City, including Central Park, captured the essence of the Roaring 20s and the 1930s Depression era. Beginning in 1930, Dehn made numerous trips back to his home in Minnesota, where he could live cheaply, and he executed a significant number of drawings and lithographs based on Midwest scenes. Dehn also summered on Martha’s Vineyard, from 1933-36, often in the company of Thomas Hart Benton, Jackson Pollock, Georges Schreiber, and others in thevicinity of Gay Head and Menemsha, and joined by his girlfriend at the time, Eileen Lake. In the early 30s Dehn established The Adolf Dehn Print Club and became a founding member of the Associated American Artists.
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Victor F. Christ-Janer (March 27, 1915 – March 24, 2008) was an American architect who along with the world-renowned Harvard Five helped define the Modernist architectural movement in New Canaan, Connecticut. He was also an educator, artist and inventor. Victor Christ-Janer was born in Elysian, Minnesota on March 27, 1915 and raised in nearby Waterville. Christ-Janer trained in liberal arts, sculpting, painting, and architecture at St. Olaf College from 1933 to 1935. From 1937 to 1939, he served along with his friend, Adolf Dehn (water colorist, lithographer) as director of a summer art school at Stephens College. From 1941 to 1942, he was the chief graphic designer for Nelson Rockefeller's Office of the Coordinator of Inter-American Affairs. He continued his education at Yale University, where he received his Bachelor of Fine Arts with honors in 1940. His studies were interrupted when he served in World War II. Christ-Janer was a pacifist who applied for and secured a conscientious objector status after being drafted in November 1941. In December 1942, he was inducted into the United States Army as a volunteer in a non-combatant position where he served in the European theater as a camouflage artist and also in intelligence for the Army’s Department of Engineers and Military Intelligence.
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