Hell, he rarely lets fly from outside the restricted zone.
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God only knows how much profanity Cousins lets fly during hot sculpting.
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Musk gives a "yeah" and von Holzhausen, unable to act against his better judgment, goes into a half-hearted windup and lets fly.
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They watch him grin and scowl and listen as he lets fly with the most ugly kinds of rhetoric, and find themselves excited by his enthusiasm and lack of restraint.
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Rayman opens with a tribal drum beat, then the hair-raising, screechy sound of giant flowers being bent at the neck—Rayman's mischievous titter, which he lets fly every time he finishes a stage, gets right on my nerves.
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Plaintive as her appeals to common sense may be ("I honestly don't believe the stuff you're coming out with," she lets fly at Edward), Gayle doesn't command the author's attention to the same degree as the professionals in her midst.
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So 15 years after the Drive-Bys brought in a tenor who could write, 10 years after he quit them while his first wife stayed on, five years after he got sober, and two years after there was a baby on the way, here are some of the words his tenor lets fly.
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"You will leave behind everything you love / most dearly, and this is the arrow / the bow of exile first lets fly" — Dante wrote these words some 700 years ago, but they seem especially relevant when speaking about "In Other Words," a book that is everywhere about displacement and the discoveries it can lead to.
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Beyond even what Robert Downey Jr. has done in the Iron Man series, Reynolds lets fly here in a manic, sly, self-conscious way that leaves you not quite knowing what hit you; the irreverence slides quickly into lewd comic territory, the inside jokes about Marvel in particular and pop culture in general come fast and furious, the fourth-wall breakage is disarming and the actor's occasional fey, high-pitched voicings add yet another strange element.
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In a contemporary review of Alf, Rolling Stone commented: "Even when she verges on melodrama – and on "For You Only" she reaches it – Moyet shows no shame. She rocks back on her heels and lets fly." Writing for Pop Rescue, Andrew Martin described the song as "somewhat downbeat and a little sad" and commented on Moyet's "soulful" vocals.
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Not only has she lost all of her money, but she has lost Donald as well. She blames herself, and doesn't see how anyone will ever love her again. ("Fools Like Me") Donald and the cricketers return to the game after the interval, but Donald ignores Emma. The Earl, however, lets fly at Emma and Vincent.
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Kiernan McCarthy of Allmusic Guide praised the album's humor, writing, "Not every joke Mojo Nixon lets fly on Bo-Day-Shus! is a knee-slapper, but one cannot deny his persistence. If you don't like the first quip, he might catch you on the second one, or the tenth." He specifically referred to "Elvis is Everywhere" and "I Ain't Gonna Piss In No Jar" as the best examples of this.
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End of the road for Australia's open speed limit: BBC News 8 September 2016Porsche lets fly at NT Government's 'nanny state' approach to open speed limits: ABC 8 September 2016 Gunner ordered a moratorium on fracking, and also undertook a review of all water licences issued under the previous government. The moratorium commenced on 14 September.Fracking moratorium takes effect in NT, Chief Minister Michael Gunner says: ABC 14 September 2016 On 17 April 2018, the moratorium was revoked.
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Wah has to cut his visit short after receiving a call from Tony, who demands money in exchange for Fly's life. After arriving at Tony's place, Wah surprises Tony by pulling a gun and forcing the barrel down his pants, threatening to blow apart Tony's penis and testicles. Tony gives into Wah's demands and lets Fly go. Wah and Fly convene in a bar and Wah urges Fly to return to his family in the countryside, an order which Fly refuses out of shame.
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For a native New Yorker, Stewart Lewis (Gabe Kaplan) has a strange—some would say twisted—ambition: he wants to own a country-music club. His wife and kids hate the idea. Despite their misgivings, Stewart moves his family to Luckenbach, Texas, where he bought the Nassau County Cafe, a joint that has had nine owners in the last six years and sports a sign that says "Always Under New Management". While his sidekick Roscoe Clark (Guich Koock) stands by, Stewart lets fly one-liners and bad puns.
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As the description progresses it becomes increasingly clear in the text that umm 'iyal is a man: "a companion of sa'alik, there is no veil before her" gives to way "she rushes upon the battle-ready foe, baring her leg to the knee" and then "when they panic she lets fly a white cutting; she shoots her store of arrows, then draws her blade" (lines 22–25). The reason for the gender inversion in this passage has not been fully explained. The climax of the poem occurs in the line 28: According to Al-Anbari's commentary, this line depicts al-Shanfara killing Haram ibn Jabir, the murderer of his father. Whether historical or strictly literary, the story is striking for its violation of cultural taboos.
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The Willamette Week noted his recent work as King Berenger I in Eugène Ionesco's Exit the King that was produced by Arts Equity Theatre in 2008 and directed by Llewellyn J. Rhoe. "King Berenger (Rod Harrel) and his court speak with thick Texas accents and Berenger himself makes apelike facial expressions and frequently lets fly a sinister airy cackle-heh heh heh-that will be instantly familiar to anyone with a TV."Exit the King, by John Minervini, Willamette Week, February 2008 Since 2008, he has also worked behind-the-scenes for the Wanderlust Circus and The Circus Project and continues to produce videos on the YouTube channel Orthicon Ghost. In 2012, he left Portland for Los Angeles to get work.
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Within days he was attacked outside a restaurant by four armed men, leading to rumours that he had been killed or facially disfigured. It is probable that he took a long time to convalesce, and it is difficult to link more than a handful of works, and most of them hesitantly, to this second stay in the city. The Saint Ursula, however, can be positively identified. It marks yet another change in style: in Sicily he had continued the compositional scheme introduced with The Beheading of Saint John the Baptist, a small group of figures dwarfed by massive architecture, but Ursula marks a return to a scene which brings the action directly into the space of the viewer, at the very moment when the Hun king lets fly his arrow, and Ursula looks down with an expression of mild surprise at the shaft sticking out of her chest.
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