He leers at her and threatens to suck her lesbian tits.
|
|
"I think they might want a handshake," he leers at Trudeau.
|
|
I don't know if you know what that feels like, but he just leers at you.
|
|
It leers at him, it sneers at him, it cracks family-friendly jokes in an inexplicable New York accent.
|
|
Later, in the courtyard, Tormund leers at Brienne as he prepares to leave for Eastwatch, because that's what he does.
|
|
Each Animoji leers at you at the start of the video, grinning ear to ear and swinging their heads back and forth.
|
|
Suddenly, out of the window of the driver's cab, a familiar face bursts forth and leers at you with a laddish grin.
|
|
He leers at Liza and pushes her to wear the revealing costume of Princess Pam Pam, one of Crown of Kings' main characters.
|
|
Cunty, sipping his coffee, comes up behind the woman, as if psychically sensing that he might be needed to rescue someone's reputation, and idly leers at Madison.
|
|
The movie leers appreciatively at her long limbs, but then it leers at everything else as well, from her costars to the neon-lit furnishings of the room Lorraine commandeers for herself.
|
|
Me: And you don't have a problem with a candidate who demeans women as sexual playthings, who critiques women based more on busts than brains (in his words: "A person who is very flat-chested is very hard to be a 10"), who insults or leers at half the population?
|
|
The three couples intertwine in a series of violent intimacies, with the white partners lingering over apparently anachronistic artifacts of black culture (Jim leers at Kaneisha as she twerks to Rihanna; Alana orders Phillip to play R. Kelly for her on the violin), and the black partners alternately thrilled and repelled.
|
|
He leers at Courtenay and makes rude comments of a sexual nature, in Japanese nonetheless. Mardo provokes Duncan and Steele, and each feels he must defend Courtenay's honor. Ultimately Courtenay defends her own honor rather than submit to shame. Mitchell's half-breed antagonist, Juan Mardo, lurks in the shadows of the story and has no dialogue.
|
|
The play is over the course of a sunny afternoon at the centre. Bruno, a worker who helps out Ruth Benson and Becky Hedges, the nurses, and tends to the garden, brings the patients out one by one, where the nurses are giving patients serum, some sun and some fresh air. As he goes back and forth, he “leers” at Hedges, attempting to seduce her.
|
|
However, Barry Nicholson from NME named it the weaker track on the double A-side and stated that it "leers at you for a bit, then staggers off to puke up that last Bacardi Breezer". Marianne Gunn from The Herald called the track's strings "inferior" and wrote that it contains "the same cheesy sentiment" as American singer Britney Spears' song of the same name.
|
|
Dutch claims that he understands how it feels to be an outsider like Patrick, an Irish Catholic. Since the innkeeper does not have any food, the men return to Patrick's house where his wife, Audrey, makes a meal for them. Dumb Dumb (the man from the store) leers at her. After the meal, Dutch returns to the innkeeper and buys his hotel to turn it back into a saloon.
|
|
Don then retrieves Dr. Rosen his promised Leica camera (M2 model) while Rosen leers at a passing secretary. The doctor lets Don in on the New Year's Eve plans their wives have been making, sharing that he'd instructed his wife, Sylvia, to "keep it in the building." As Roger tries to arrange a date with his new girlfriend, his secretary, Caroline, walks into his office visibly upset. She informs Roger that his mother died that morning of a stroke.
|
|
He has detected activity in the emergency cloning lab. He questions Crypto about it, then realizes that Crypto has cloned Natalya, and is extremely infuriated by this and begins yelling at him, just before Crypto abruptly shuts off the video monitor mid-sentence. Lying next to him, Natalya awakens briefly and favors Crypto with a smile and an invitation to wake her when he's ready for "re-entry." As the game ends, Crypto leers at the player and admits to having made "a few adjustments".
|
|
In the present, Detective Munch does not believe Byers' story, but it is soon corroborated by Mulder. After the Lone Gunmen are released, they encounter Susanne after she has failed to get the press to believe her story; she tells them to reveal the truth to as many people as possible. Susanne is then captured by X, who leers at the Lone Gunmen as he departs with her. Later, the three of them meet Mulder in the convention center and explain what happened to him.
|
|
She is then run over by a car and a few bystanders gather around her. The young man and the young woman watch these events unfold from the apartment window. The young man seems to take sadistic pleasure in the androgynous young woman's danger and subsequent death, and as he gestures at the shocked young woman in the room with him, he leers at her and grasps her breasts. The young woman resists him at first, but then allows him to touch her as he imagines her nude from the front and the rear.
|
|
The video of the song was set at Tintern Abbey and Chislehurst Caves, and features Monty Python’s Graham Chapman; this would be one of his last appearances on television before his death in October 1989 of cancer. In the video, Chapman plays an irritable art instructor who criticizes a young student for including Iron Maiden's mascot Eddie in his sketch of the abbey ruins. The teacher then falls down a hole in the ground, discovers an underground vault and finally encounters an animated version of Eddie, who leers at him from inside a refrigerator. The band appears on a TV screen showing footage from "The Number of the Beast" video and the Live After Death concert film.
|
|
Later, Hoyt is present during Leatherface's first chainsaw murder, urging him to go forward and cheering him on at the same time. A gruff, perverse, foul mouthed, mean-spirited bully, who often uses false arrest and police brutality (usually with his police baton) on young adults, whom Hoyt hates and looks at as dope smoking, hippie protesters, Hoyt not only makes no effort to conceal his contempt for everyone around him, he seems to revel in it. For example, when he is called to investigate the suicide of a young girl in the first film, he leers at the corpse and cracks jokes about his predilection for "copping a feel" on dead female bodies. He's killed in the remake when the only survivor, Erin runs him over repeatedly in his own police car while escaping from the Hewitts.
|
|
In the meantime, the owner of the factory listens to live musicians in his room, with a remote control, as Madonna is shown lying naked on her bed, with one end of a chain attached to her neck, the other end going long down into the factory. As the owner leers at the musicians in the room, the worker is shown caressing Madonna's cat, while looking up expectantly towards her room. Perhaps the owner in a suit is Madonna's husband and she is trying to escape him. As the final verse of the song begins, a soaked Madonna, wearing the same black lingerie, like a stalking cat, is shown crawling on the floor among her furniture, like under the table with lightning flashing, along with a brief scene through a clear globe held up by 3 male statues, the scene interspersed with Madonna sitting on a sofa and smoking.
|
|
Curwood's adventure books were popular and films based on them were well received. But in this period, city and state film censorship boards often made cuts before allowing screening of films within their jurisdictions. Like many American films of the time, Baree, Son of Kazan was subject to restrictions and cuts that reduced the violence between the men, attacks on Nepeese, and the sexual suggestiveness of the factor toward her. For example, the Chicago Board of Censors cut, in Reel 2, the intertitle "I guess I'm about through with you"; and made numerous cuts in Reel 4: all but the first and last fight scenes between McTaggart and Nepeese, where he suggestively leers at her; reduces the length by half of the fight scenes between men, cuts the shooting of Perriot, cut all struggle scenes except first and last, the intertitle "From now on you belong to me", and the arson scene.
|
|