After husband and wife hugged Yuja, Dutoit stood back to look with elaborate mock lecherousness at her tight trousers.
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Some of the loudest echoes of the present come in a long Pepys monologue delivered by Mr. Lazar with a nauseatingly garden-variety lecherousness.
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In the film, Norman uses "Susanna" to cover the peephole through which he spies on Marion, the painting's depiction of voyeurism (and more) mirroring Norman's own lecherousness.
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At a stage of the game where the story is presenting lecherousness taken to its extreme as a root of much greater evil, the player is perversely tasked with controlling a character seemingly exclusively drawn to titillate.
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She is aware of Ryosuke's lecherousness and it doesn't seem to bother her. Mina is untroubled when Lisara's true identity is revealed and lets Lisara continue her "business" with Ryosuke. She makes a contract with Quele so that she can help Ryosuke and her energy charge for Quele develops when she talks about him. ; : :Lisara's distant cousin and another Grim Reaper.
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Senhime's grave at Chion-in, Kyōto The dramatic life of Senhime produced many legends. Some legends talk about her tenderness, such as how she saved a daughter between her husband Hideyori and another wife of him at the Siege of Osaka. Some other tell her lecherousness during her later days at Edo. Today, Senhime figures prominently in jidaigeki and taiga dorama (period dramas) in Japan.
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A joyful and sometimes childish man, he is infamous for his devilish pranks, mistakes, and his apparent lecherousness, though he proved himself a great leader as well. While in the manga, his role is not expanded much over his duty as Director of JUDA. Ishigami originally served in the Japanese Navy and was Katou's subordinate. He piloted the Arma Susano-O and destroyed remaining Machina alongside him before becoming Juda's factor.
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Another semantic belonging to argr, ragr and ergi was, from the Gray Goose, "being a sorcerer's friend." Examples from Old Scandinavian Laws: The Gulathing law referred to "being a male bottom," "being a thrall (slave)," "being a seiðmaðr (wizard)," the Bergen/Island law referred to "being a seiðmaðr," "being a sorcerer and/or desiring same-sex activities as a [passive] male (kallar ragann)," the Frostothing law to "desiring male same-sex activities as a bottom." Thus, it is apparent that ergi of a níðingr was strongly connoted not only with sorcery, unmanliness, weakness, and effeminacy but also especially with lecherousness or sexual perversion in the view of Old Scandinavian people during the Early and High Middle Ages. Ergi of females was considered as excessive lecherousness bordering raging madness, ergi of males as perversity, effeminacy and the passive role within same-sex intercourse between men, while an active role of a man, who had been included into same-sex intercourse, was not to be tanged by ergi, ragr, argr or níð.
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However, there are quite a few minor details that have been omitted from the anime or were completely changed: the relationship between Hyosuke and Kaede is deflected, with Hyosuke ending up with Ichigo; Yamada is never introduced; Minoru is much more overt with his lecherousness, but is a great deal of help in Kei and Mizuho's relationship; Koishi's role is diminished somewhat; Hatsuho is only shown in only two frames, as a transmission call to the couple warning them of Maho's wrath and in the other world when Kei has a standstill; and finally, the Okinawan honeymoon is never shown or mentioned.
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He falls in love with Lisara, and can only fully charge his lecherous spirit energy if he thinks of her body alone or with his "Invisible Dictionary". He lives on his own (until Lisara moved in) because his mother works overseas; his father died when he was 3 (his mother later reveals that his father isn't actually dead but that he disappeared). At the end of the anime, he and Lisara became a couple even though Lisara still feels uneasy about his lecherousness. ; : :The heroine of the story, a beautiful Grim Reaper who makes a deal with Ryosuke and uses his lecherous "spirit" for energy.
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Another series that may have contributed to the term is City Hunter. One of the lead characters in City Hunter—Kaori—makes extensive use of the "transdimensional hammers" as they are sometimes called, as they are one of the two main running gags in the series; the other is the extreme lecherousness of the other main character—Ryo—which almost invariably leads to the use of said hammers. The City Hunter hammers also require more explaining in terms of storage, as they are often considerably larger than the characters themselves, and thus more likely to inspire questions like, "Where did she get that from!?" At the very least, City Hunter predates Ranma ½ by two years, and already had an extensive fanbase.
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