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"lavish with" Definitions
  1. to give (someone or something) a large amount of (something)

48 Sentences With "lavish with"

How to use lavish with in a sentence? Find typical usage patterns (collocations)/phrases/context for "lavish with" and check conjugation/comparative form for "lavish with". Mastering all the usages of "lavish with" from sentence examples published by news publications.

A new layer of perks atop an existence already lavish with them.
Be lavish with praise, but only in a genuine way, he advised.
She writes precise, sensual prose, lavish with adjectives that shouldn't quite work but always do.
The inside of the playhouse is equally lavish, with a loft bed and tons of toys to go around.
The books are so lavish with family secrets, they seem not shameless so much as an attempt to annihilate the very concept of shame itself.
Systema Solar's new album makes a huge leap from the group's previous recordings; its fusions are far more sleek, seamless, comic and lavish with ideas.
Decades later, the dish at the center of the family's Thanksgiving table is mashed turnips, though lavish with the butter that a more affluent generation can afford.
Bardugo is lavish with her details, and her version of the school feels like the kind of world you can walk into, equal parts enchanting and corrupted.
Just as clearly, Trump's style of governing — bereft of truth, lavish with chaos, crude and divisive — has diminished his standing and given his rivals an enormous window of opportunity.
But Trump's hurricane talk and hurricane tweets were like his fair-weather fare: childishly intent on superlatives, puerilely obsessed with size, laden with boasts and lavish with discordant asides.
While there are moments they might claim it — Mary Stuart and Elizabeth could be lavish with the concept in their letters — beneath the obligatory courtesy there's little evidence of any nascentfeminism.
The Londoner, which is a rebranding of the existing Sands Cotai Central resort, is set to be just as lavish, with 600 suites, 13 ballrooms, 3 spas, 20 restaurants, and over 200 iconic British retailers.
There are things that have to be tossed away or burned for fuel in this flight to the stratosphere; there is not enough time for frivolous things that many of us choose to lavish with our attention.
But the US military—which Trump has promised to lavish with more funding and resources—has for years explored alternative energy sources and studied how pollution, environmental degradation and climate change can harm service members, affect military operations and contribute to new conflicts around the world.
Rich refinement shows up everywhere: in the natural shades of toffee, rhododendron, and sunlight filling the lovely corner space; in the creative cocktails, such as a refreshing rhubarb shrub and an easy-drinking sorrel-vodka soda; and on the rotating menu, lavish with uni, escargot, duck, and lamb.
Although their big day was lavish, with over 300 guests, exquisite emerald and blush decor, and a beautiful four-tiered wedding cake that was adorned with tiny biscuits paying tribute to each partner's heritage, the couple opted for a unique, culturally immersive honeymoon on the banks of the Napo River in the Amazon River basin.
Showrunner Roberto Aguirre-Sacasa has been lavish with the witty little background flourishes; be sure to keep an eye on the cemetery in the front yard of the sprawling gothic mansion/mortuary where Sabrina and her aunts live, as well as the tiny, vicious-looking cigarette-holder wielded with deadly insouciance by Sabrina's Aunt Zelda (a terrific Miranda Otto).
Among the most eye-catching gifts is the Vessel of Friendship, a model of the treasure ship sailed by navigator and diplomat Zheng He of the Ming Dynasty, presented by Chinese President Xi Jinping during his state visit in 2015 (when Prince William and Princess Kate made their dazzling debut  at a state banquet.) Kennedy's gift, in comparison, was much less lavishwith good reason.
Excavations have shown that the interior of the castle and rooms were quite lavish with elegantly carved decorations in the rooms, oil lamps, incense holders, and walls decorated with silks and brocades, and with bronze, gold and silver ornamentation.
The building cost about $35,000 to complete. The interiors were lavish, with hard oak doors, window facings and wainscoting. There were two elevators, one electric. The building was constructed to allow for up to 3 additional stories,Atlanta Constitution, Dec.
The New York Times described the lobby as, "distinctly lavish," with a huge limestone fireplace, oxidized bronze details, ebony woodwork and white onyx walls. The New York Times credits DeWitt Tishman with helping create a "distinctive" skyline for the New Jersey riverfront.
It received three and a half stars in the Bollywood guide Collections.Collections - Google Books The film grossed 3 crores at the box office in 1982. It took two years in making 1980-82 and the muhurat was lavish with MGR switching on the camera.
83 "The production was lavish, with a large cast and a delectable chorus line. One critic felt that the production itself was the star."Greenspan, Charlotte. "Chapter:Librettos Instead of Lyrics" Pick Yourself Up: Dorothy Fields and the American Musical, Oxford University Press US, 2009, , pp.
On December 13, 1922, Angelo and Lucille Spingola applied for a marriage license and on January 10, 1923, Angelo and Lucille got married. Spingola was the sister of Genna ally Peter Spingola. The wedding was lavish, with 3,000 guests and a 2,000 pound cake.
Surviving illustrated manuscripts from Western India, mainly Gujarat, begin around the 11th century, but are mostly from the 13th onwards. Initially surviving examples are all Jain. By the 15th-century they were becoming increasingly lavish, with much use of gold.Rowland, 341-343}} The manuscript text most frequently illustrated is the Kalpa Sūtra, containing the biographies of the Tirthankaras, notably Parshvanatha and Mahavira.
The bodywork was altered dramatically, even further than the earlier "Thomassima Zero", resulting in an extremely low, muscular, front-engined coupe featuring gullwings, twisted exhausts on both sides and centerlock wheels. Interiors were lavish, with a steel-casted steering wheel. Meade claimed to have put a particular emphasis into the finish. The car was branded Tom Meade Modena Italy with a standing goat as its logo.
The production was lavish, with sets by James Thornhill. It was mostly funded by subscribers, who received tickets for the first three performances. The fourth performance was staged at court as part of Queen Anne’s fortieth birthday festivities with a special prologue written and pronounced by William Congreve. The continuo was provided by Charles Dieupart on the harpsichord and Nicola Haym on the cello.
The manuscripts begin around the 11th century, but are mostly from the 13th onwards, and were made in the Gujarat region. By the 15th-century they were becoming increasingly lavish, with much use of gold. The manuscript text most frequently illustrated is the Kalpa Sūtra, containing the biographies of the Tirthankaras, notably Parshvanatha and Mahavira. The illustrations are square-ish panels set in the text, with "wiry drawing" and "brilliant, even jewel-like colour".
After competing with several other painters, he was chosen to become the Court Painter in 1905. In addition to painting the Royal Family, he portrayed several ambassadors as well as landscapes and village scenes. Lavish with honors, the Emperor awarded him the Order of Solomon, the Order of the Star of Ethiopia and other lesser-known medals. In 1907, he returned to Athens to marry, travelled extensively, and settled in Smyrna in 1913.
The scandals of his turbulent life were often also a source of news. He was imprisoned on several occasions, almost always due to crimes against women or noncompliance with the Juvenile Court. Besides being married five times, Julio had children with other women: it's estimated he had up to twenty-eight children. He never denied his humble origins, was always very generous and lavish with his friends, and a stereotype of machismo from his early upbringing.
The manuscripts begin around the 11th century, but are mostly from the 13th onwards, and were made mainly in Gujarat, with some in Rajasthan. By the 15th-century they were becoming increasingly lavish, with much use of gold.Rowland, 341-343 The manuscript text most frequently illustrated is the Kalpa Sūtra, containing the biographies of the Tirthankaras, notably Parshvanatha and Mahavira. The illustrations are square-ish panels set in the text, with "wiry drawing" and "brilliant, even jewel-like colour".
Lyons's ‘bravery, spirit, and commitment’ earned him the loyalty of the subordinate officers and rank-and-file whom he commanded, with whom he shared his glories: he has been described as ‘as lavish with his praise of others as he was anxious to be praised by his superiors [the High Command]. However Lyons was described by the Foreign Secretary, Lord Clarendon, whom he had disobeyed, as ‘irritable and one of the vainest men I ever knew’.
The house is three stories high, with a volume offset to one side which is contrasting with the otherwise consistent symmetry. The refurbish facade is slightly reddish with a frieze under the third floor's row of windows. Also the interior is lavish with wood-paneled walls, except in the so-called Spanish Hall, whose renovated walls are covered in mosaics from Spain. The front door at the main entrance has a scene in relief that is designed by Ragnar Östberg.
When not occupied with professional work he wrote Hebrew poems, which were known to Al- Ḥarizi, and in his "Taḥkemoni" (xviii.) the latter speaks highly of them. Maimonides, to whom Joseph sent his poems together with other compositions from Alexandria, was not so lavish with his praise. He appreciated only the great longing for higher studies which found expression in Joseph ben Judah's poems. Joseph ben Judah went from Alexandria to Fusṭaṭ (Cairo) and studied logic, mathematics, and astronomy under Maimonides.
The college has an active Students' Union. The SU provides a varied social scene; major functions include the 'Freshers Ball' in September 'X-mas ball' in December and the 'Summer Ball' in June, the latter being particularly lavish, with several marquees, fairground rides and semi formal meal. In 2011 the summer ball features DJ's Chase & Status and was reportedly so loud that some local residents complained about the noise levels. The 2012 ball was re-located to an alternative indoor venue on campus as a result.
The book was released to positive reviews, with Edmund Fuller, reviewing for The New York Times, saying "(Davies) is lavish with character and laughter, wise and perceptive about life and art, capable of touching the sorrowful as well. In short, from Canada, a thoroughly rewarding writer with a fine new book." Each character is strikingly drawn, and, true to life, exhibit frailties, for which Davies shows considerable understanding, although he scorns the pompous and self-important. It's a comic novel with its share of cruelty, cupidity and even tragedy, leavened with wisdom and triumph.
An official railway ticket booth in the hotel meant that they did not even need to bother queuing up at the station either. When the dramatic renovation was complete the Hotel Excelsior accommodated 600 rooms, 750 beds, 250 bathrooms, 9 restaurants, a library, as well as such everyday amenities as a tailors, cobblers, butchers and bakers. It also provided guests with a choice of 200 daily newspapers from around the world. The interior decoration was equally lavish with marble covered walls and adornment by the Berlin-born artist Carl Langhammer (1868–1956).
The present theatre’s location is Edinburgh’s longest continuous theatre site, for there has been a theatre in that location since 1830. From being Dunedin Hall, the Royal Amphitheatre, Alhambra Music Hall, the Queen’s Theatre, Pablo Fanque's Amphitheatre, and Newsome’s Circus, the site became the Empire Palace Theatre, the first of the famous Moss Empires’ chain, opening on 7 November 1892. Designed by the great British theatre architect, Frank Matcham, (who built the London Coliseum, among others) its décor was lavish, with elephants with Nubian riders, nymphs and cherubs in abundance on the plasterwork, and it seated 3000 people on four levels.
Buses caused a further reduction in traffic in the late 1920s and Sunday trains were withdrawn in December 1938, but by 1946 the service was still surprisingly lavish with one through coach working to King's Cross, running from Halifax to Bradford in 22 minutes. It was only after a survey showed the line was losing £48,000 a year that regular passenger trains were withdrawn on 23 May 1955. All lines west of Horton Park were completely closed by 1965, and those east of this point followed suit in 1972. Queensbury and Lees Moor tunnels were abandoned in 1956 owing to their poor state of repair.
Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images. Books of hours were usually written in Latin (the Latin name for them is horae), although there are many entirely or partially written in vernacular European languages, especially Dutch.
Follino's account records that although the duke had strictly limited the numbers from his household entitled to be there, many distinguished foreign visitors could not be seated and were obliged to crowd around the doors. Although contained within a single stage set, the production was lavish, with 300 men employed to manipulate the stage machinery. Follino's report described the set as "a wild rocky place in the midst of the waves, which in the furthest part of the prospect could be seen always in motion". As the action began, Apollo was revealed "sitting on a very beautiful cloud ... which, moving down little by little ... reached in a short space of time the stage and ... disappeared in a moment".
However, he suggests, Paul's policy "came less of the fact that he realised the existing order to be inequitable and inadequate than of the fact that he still bore antipathy to his mother, and still cherished wrath against her assistants". Even, argues Kluchevsky, desisting from progressive policies if they seemed overly similar to his mother's. He also made the crown a major employer: the administration of his decrees required a drastic increase in personnel, and Paul paid well. McGrew notes that, while both Catherine and Paul were lavish with personal gifts to those that supported them, the latter spread his munificence more broadly, and "pour[ed] literally millions of roubles in salaries, pensions and land grants" to hundreds of government employees.
The couple also were joint first cousins of Charles IV of Spain and Ferdinand I of the Two Sicilies, Maria Carolina through her Spanish mother and Anthony through his father. Another first cousin of Maria Carolina was the famous princesse de LamballeShe was a Savoyard princess by birth, she was a resident at Versailles with Maria Carolina's older sisters Maria Giuseppina and Maria Teresa Despite the pleas of Maria Carolina, she was married by proxy at the Palazzina di caccia of Stupinigi on 29 September 1781 followed by another ceremony in Dresden on 24 October 1781 with her actual groom. The celebrations in Savoy were lavish with parties at the Royal Palace of her birth and at the Palazzo Gontieri.Luigi Bassignana, Torino in Festa, pp.
Adolphe Adam, Lithograph, 1850 Si j'étais roi (English: If I Were King)There is no connection between Adam's opera and the novel If I Were King later made into a film of the same name is an opéra comique in three acts by Adolphe Adam. The libretto was written by Adolphe d'Ennery and Jules-Henri Brésil. It was first performed in Paris at the Théâtre Lyrique (Théâtre-Historique, Boulevard du Temple) on 4 September 1852, opening with a dual cast to allow performance on successive evenings (it made up half of all performances at the Théâtre Lyrique in the last four months of the year and reached over 170 performances in its first ten years). The production was considered lavish, with expensive costumes and jewels being worn by the cast.
After the two years Koos voyaged to Paris to design window displays for the famous Galeries Lafayette but realizing he needed more formal training, in 1961 he enrolled in L'Ecole Guerre Lavigne (l'Ecole Supérieure des Arts et techniques de la Mode, Esmod) which was located in the same building as the Christian Dior workrooms. Every year Christian Dior picked the most gifted students for an apprenticeship and in 1963 Koos was selected. After three years at Dior and learning every detail about crafting beautiful clothes he moved back to the Netherlands and started his own business opened up his first store in The Hague where he slept in a small room in the back. The window displays were lavish with chic and theatrical with influences from American movies such as Carousel and movie stars such as Audrey Hepburn dressed by Hubert de Givenchy.
In June 1943, Harris was assigned as executive officer of 1st Marine Regiment and served in this capacity during the New Britain campaign. For his service in this capacity, Harris was decorated with the Bronze Star Medal with Combat "V". In February 1944, now Lieutenant Colonel Harris, was appointed intelligence officer and assistant chief of staff, 1st Marine Division and served under command of Major General William H. Rupertus during the Battle of Cape Gloucester. Harris was appointed commanding officer of the 5th Marine Regiment on September 15 and led this unit during the Battle of Peleliu Commanding at Pelelieu, he is known for the phrase "be lavish with ordnance and stingy with men's lives" after aerial reconnaissance convinced him siege tactics would be required, using artillery and napalm or 'blowtorch and corkscrew' instead of frontal assault.
The theme of the Minotaur and/or the labyrinth, had already appeared in the work of several artist and writers including Georges Bataille, André Breton, Max Ernst, André Masson, as well as a number of drawings that Pablo Picasso had made on Greek mythology subjects. In the age of Freud, the metaphor of the Minotaur and the labyrinth had been popular in several circles of intellectuals in the 1920s and 1930s; the labyrinth being analogous to the mind, the Minotaur representing mysterious irrational impulses hidden within, and Theseus - the conscious mind, entering the labyrinth and slaying the Minotaur, emerging victorious, - with a greater self-knowledge; a paradigm for psychoanalyst and the surrealist theater as well. Minotaure was a luxurious review in its day, featuring original artworks on the cover by prominent artists like Matisse, Picasso, Duchamp, Miró, and Dali, and it grew more lavish with each passing year. Some volumes had various entries printed on papers of different colors, textures, and thicknesses bound into one.
Criticism was less severe in Europe and Asia though many commentators were not as lavish with their praise as they had been with his previous films. 2003's Zatōichi, directed by and starring Kitano, silenced many of these dissenters. With a new take on the character from Shintaro Katsu's long-running film and TV series, Zatōichi was Kitano's biggest box office success in Japan, did quite well in limited release across the world, and won countless awards at home and abroad, including the Silver Lion award at the Venice Film Festival. Kitano revealed that he was approached by others to create the film and therefore differed from his own techniques and followed the common filmmaking process in order to please them and make a pure-entertainment film. From April 2005 to 2008, Kitano was an instructor at the Graduate School of Visual Arts, Tokyo University of the Arts. Kitano's film, Takeshis' was released in Japan in November 2005, as the first installment in his surrealist autobiographical series. This was followed in 2007, by his second surrealist autobiographical film Glory to the Filmmaker! (appearing as Beat Takeshi), and a third in 2008, titled Achilles and the Tortoise.

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