Cada área de retención tenía un baño y un lavabo.
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So, I was stuck on LAVABO, and ORLE crossing at the end didn't help things any, but that's Friday for you.
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En general la estética es tipo Home Depot: un lavabo de color neutro, un tablero bajo con un gran espejo fijo por encima, puertas recubiertas y ductos de aire acondicionado.
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Un entrenador llevó al ave de manera rápida a un cuarto trasero donde Geraldy Rodríguez Pérez, de 21 años, lo limpió en un lavabo y llenó su cresta con ungüento antiinflamatorio.
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Technically speaking, a EWER is not a "Ceremonial basin" anyway (although a EWER could be part of the set, holding water to be poured over the hands), but I could not dredge up the word LAVABO to save my life.
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These small liturgical towels got... the name of Lavabo cloths or Lavaboes.
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A 19th-century lavabo. Though ecclesiastical lavabos are ordinarily of metal, a familiar lavabo consists of a terra cotta tank with a faucet attached and a small basin below it. Today it is a common feature in many gardens in Europe and the U.S. as a decoration whose practical use has been long forgotten. The lavabo may be considered the forerunner of the modern sink.
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The Lavabo, where the monks washed before services A lavabo, or washing fountain, stands in the cloister in front of what had been the entrance to the refectory. It is placed in its own hexagonal structure, with a ribbed vault roof. The water came from a nearby spring, and was used by the monks for washing, shaving, tonsure, and doing laundry. The lavabo is a reconstruction, based on a fragment of the original central basin.
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Verses 6-12 are said during the Lavabo (washing of the hands) of the Tridentine Mass.
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The lavabo is opposite the refectory so that the monks could cleanse their hands before meals.
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The lavabo has a convex base and faucett, and is decorated with florians and surmounted by pinnacles.
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In several European languages (French, Italian, Serbo-Croatian, Spanish, Turkish), lavabo is the modern word for sink or washbasin.
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It has a small altar with carving work, two chests of drawers, and a lavabo of Lias stone imported from Portugal.
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Excavation in the cloister garth has revealed the foundations of the lavabo, occupying the usual position near the door of the refectory.
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Giuliano de' Medici, c. 1475–1478, National Gallery of Art Around 1465 Verrocchio is believed to have worked on the lavabo of the Old Sacristy in San Lorenzo, Florence.The lavabo has not always been accepted as his work. Covi reviews at length the various attributions it has received, but he prefers to think it was executed by Verrocchio and his workshop in the period 1464–1469.
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Lavabo, Le Thoronet Abbey, Le Thoronet, France In the Roman Rite, the celebrant washes his hands privately before vesting for Mass, perhaps using the prayer (Da, Domine, virtutem). Within the rite of Mass he washes his hands after preparing the offerings on the altar. This is the lavabo ceremony proper. It appears in both the Tridentine and the post-Vatican II forms of the Roman Rite Mass.
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A manuterge for use at the Lavabo. Manuterge is the name given by the Roman Catholic Church to the towel used by the priest when engaged liturgically.
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The sacristy has a lavabo in white marble; it has dolphin motifs and a shell-shaped washbasin, similar to other lavabos in Bahia of the same period.
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"Bo le lavabo (WC Kiss)" is a 1990 novelty song recorded by the French TV presenter and humorist Lagaf'. It was his debut single and achieved success in France.
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Probably there were earlier, less permanent, cross partitions. The hall has a large blocked fireplace, a lavabo, aumbries, and what may be a buffet recess in the north wall.
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Mellifont Abbey is now a ruin. Little of the original abbey remains, save a 13th-century lavabo (where the monks washed their hands before eating), some Romanesque arches and a 14th-century chapter house.
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On the ceiling is the Coronation of Esther decorated by Stradanus, with an inscription in honor of Eleonora di Toledo. The room contains a lavabo and two tapestries by Van Assel representing Spring and Autumn.
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The wine and water are taken in their cruets to the altar to be poured into the chalice. After the altar has been incensed (if incense is used), two servers wash the priest's hands. The priest holds his hands over the lavabo bowl and the first server (if there are two) will pour water over the priest's hands; the second server then hands the priest the lavabo towel for him to dry his fingers. During the washing, the priest says some words from Psalm 25.
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The clergy will also wash their hands after receiving Holy Communion, but this is not accompanied by special prayers. In the Syriac and Coptic rites, the lavabo takes place after the recitation of the Nicene Creed.
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The lavabo of the church was listed by the National Institute of Historic and Artistic Heritage in 1938; the site of the ruins of the convent and church were listed as a historic structure at a later date.
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Two new chapels were added to the north side of the nave in the 15th century. One, which served as the sacristy, contains the 18th century lavabo, or washing basin, and the other protected the charters of the Abbey.
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The first Lavabo, followed by a Kushapa ("beseeching", i.e., prayer said in kneeling) and a form of the "Orate fratres", with its response. Then the variations of the three Anaphora begin. The Kiss of Peace, preceded by a G'hantha, i.e.
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The older Chaldean and the Malabar Catholic books have inserted the Words of Institution with an Elevation, after the Epiklesis. But the 1901 Mosul edition puts the Words of Institution first. Here follow a Prayer for Peace, a second Lavabo and a censing.
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There are no prescriptions as to material and form for the towel used in the sacristy. It is usual to have it hanging over a roller, the two ends being sewn together so as to make it into a circular band. The custom of washing the hands before Mass may date from Early Christian tradition since the ceremony is expressly mentioned in the sacramentaries of the ninth and tenth centuries. The other manuterge is used in the Mass for drying both the hands at the Lavabo, an action performed by the priest after the Offertory as he recites the psalm, "Lavabo", and also by the bishop before the Offertory and after the Communion.
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The facilities situated above ground responded to the need to circulate men, coal and equipment in the same limited space. In order to manage traffic flow near the pit, the site was organized under a system of platforms where former quarries used to be. Washing rooms and sorting plants were installed on the lower platform called the "plâtre"(the plaster) and were demolished in 1969. For the most part, the buildings of the intermediary platform, which have been preserved, date back to the First World War (administrative buildings, boiler room, former lamp room, engine room and the "petit lavabo" (the small washroom)) and to the post-war era ("grand lavabo" and lamp room of 1948).
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The local primary school, Tullyallen National School, is a co-educational national school which was founded in the 1950s. As of 2016 it had more than 460 pupils enrolled. The school crest depicts the Mellifont lavabo, the Salmon of Knowledge, a quill writing in a book and the Boyne cable bridge.
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Fountain in the lavatorium of the Zwettl Abbey. In the Roman Rite, the celebrant washes his hands before vesting for Mass, but with another prayer (Da, Domine, virtutem). This is said privately in the vestry. He will then wash his hands again after the offertory—this is the ceremony that is known as the lavabo proper.
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Refectories vary in size and dimension, based primarily on wealth and size of the monastery, as well as when the room was built. They share certain design features. Monks eat at long benches; important officials sit at raised benches at one end of the hall. A lavabo, or large basin for hand- washing, usually stands outside the refectory.
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Carvings of lioz, a stone imported from Portugal, covers parts of the interior; this is an element common to 18th-century churches in Salvador, notably the churches of Pilar, Conceição da Praia and Lapa. Lioz carvings are found in the baptismal font, two seashell basins, and the stairway of the presbytery, and a lavabo with carvings of dolphins.
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The sacristy of the Parish Church of Our Lady of Pilar is richly furnished and decorated. A large sacristy cabinet spans the length of the north wall of the room. Six richly painted panels are above the cabinet; they are the work of José Joaquim da Rocha (1737-1807) and completed in 1796. An ornate stone lavabo is on the south wall.
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They were rare in England until the 13th century, after which there is scarcely an altar without one. They frequently take the form of a double niche, with a shaft between the arched heads, which are often filled with elaborate tracery. If there is no drain, a niche for washing is a lavabo, though the usage of the two terms is confused.
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The sacristy of the Lapa Convent was built behind the wall of the high altar and was the width of the church. This original sacristy, although humbly decorated, once had rich ceiling paintings, a lavabo, and sacristy chest. The original sacristy had a retable designed in 1785 by José Nunes de Santana. It has been missing since the mid-20th century.
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Originally, the album should have been titled "Apocalypso" (keeping up with the front cover of the tom-tom player surrounded by flames), but it was renamed "Play blessures" (from a lyric on the song "Lavabo" ("Washbasin")) because the American band The Motels recorded an album with the same title at the same time. The 28th of March 2011 a show written by Pierre Mikaïloff and Arnaud Viviant premiered at the Théâtre Marigny of Paris, [Re]Play Blessures, which recounted the birth of the album. Irène Jacob was the narrator, while the singers on the scene were: Alain Chamfort who sang "Chasseur d’ivoire" ("Ivory hunter"), Boris Bergman who sang "Junge Männer", Axel Bauer who sang "C’est comment qu’on freine ?", Barbara Carlotti who sang "Lavabo", Irène Jacob and Florent Marchet who sang "Volontaire", and Joseph d'Anvers who sang "J’envisage" ("I envision").
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It is kept on the credence table with the finger-bowl and cruets. There are no ecclesiastical regulations regarding the form and material of this manuterge. The towel, which is used after the Offertory during the recital of the psalm "Lavabo", is usually small (18 in. by 14 in.), only the points of the thumb and two fingers, and not the whole hand, being usually washed.
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The tower is 11m, in height, and around 9m in diameter, tapering slightly to the top. A corbelled parapet forms the top of the walls, with a gabled caphouse covering the spiral stair, which is within the 1.8m thick wall. Inside, a vaulted cellar occupies the ground floor. Above this was a main room with fireplace, deep windows with seats, and a carved lavabo or piscina.
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The nave and sanctuary are separated by a tall lancet arch standing on rectangular columns. The sanctuary, which has windows on all three sides, has retained the vaulting and tracery windows in their period shapes. Of the old furnishings, the lavabo and the sacramental niche are preserved. In 1998, the denominational breakdown in Niedereisenbach was as follows: Evangelical 283; Catholic 57; other 1; no answer 7; none 30.
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"La Zoubida" is a 1991 novelty song recorded by the French TV presenter and humorist Lagaf'. It was the second single from his album Le Lavabo. It became the summer hit of 1991, staying at the top of the French Singles Chart for three months. The song formed the basis for a side-scrolling platform game, Lagaf': Les Aventures de Moktar — Vol 1: La Zoubida, developed by Titus Interactive.
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Mariano Filho removed or sold the church images, azulejos, floors, linings of the nave, furniture in jacaranda, and lavabo in lioz; elements of the church that were removed to Solar Monjope, his residence in Rio de Janeiro were lost with its demolition in the 1970s. The balustrades in carved jacaranda of the church and convent were transferred to the entrance of the Federal Ministry of Education building in Salvador.
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Lavabo at Le Thoronet Abbey, Provence, (12th century) In Nepal there were public drinking fountains at least as early as 550 AD. They are called dhunge dharas or hitis. They consist of intricately carved stone spouts through which water flows uninterrupted from underground water sources. They are found extensively in Nepal and some of them are still operational. Construction of water conduits like hitis and dug wells are considered as pious acts in Nepal.
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The Holy Rule of St. Benedict This usage is also legislated in the Rule of St. Benedict, as a result of which, many medieval monasteries were built with communal lavers for the monks or nuns to wash up before the Daily Office. The principle of washing the hands before celebrating the holy Liturgy began as an practical precaution of cleanness, which was also interpreted symbolically.Fortescue, Adrian. "Lavabo." The Catholic Encyclopedia Vol. 9.
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The etymology given by Oxford Dictionaries is "Mid 18th century: perhaps humorously from gaze, in imitation of Latin future tenses ending in -ebo: compare with lavabo." L. L. Bacon put forward a derivation from Casbah, a Muslim quarter around the citadel in Algiers.Bacon, Leonard Lee. "Gazebos and Alambras", American Notes and Queries 8:6 (1970): 87–87 W. Sayers proposed Hispano-Arabic qushaybah, in a poem by Cordoban poet Ibn Quzman (d. 1160).
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Religions prescribe hand washing for both hygienic and symbolic purposes. Symbolic hand washing, using water but no soap to wash hands, is a part of ritual hand washing featured in many religions, including the Baháʼí Faith, Hinduism, tevilah and netilat yadayim in Judaism, Lavabo in Christianity, and Wudhu in Islam. Religions also prescribe hygienic hand washing, especially after certain actions. Hinduism, Judaism and Islam mandate washing of hands after using the toilet.
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The sacristy of the São Francisco Church and Convent is located directly behind the high altar and is accessed via chapels to either side of the chancel. It has a massive sacristy cabinet with an altar at center and other carved Baroque furniture. The walls are covered in 17th- century Portuguese azulejos; the ceiling is elaborately coffered. The lavabo is in white and red lioz limestone with the motif of the Franciscan order at center, an image in the niche at top, and elaborate masks motifs at the two taps.
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It was painted green and has a floral pattern in relief. The altar had a large niche at center that once housed an image of Our Lady of Victory. Oval-shaped oculi are placed to the left and right of the high altar; the left of the chancel had a door to the ossuary, and the right of the chancel opened to the right- side sacristy. The lavabo dated to the 18th-century and was composed of Lioz limestone and the baptismal font was of Carrara marble, all imported from Portugal.
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The groin vaulted cloister of Valmagne surrounds a large garden courtyard, with five large arches on each of the four sides. The chapter house is on the east side of the cloister and is one of the oldest parts of the abbey. It is unusual in that it has a single-span vaulted roof and therefore does not need the internal columns which are typical of chapter houses in other monasteries. On the south side of the cloister is an open octagonal structure containing a lavabo fed by a spring.
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The Grand Cloister An elegant portal, with sculptures by the Mantegazza brothers and Giovanni Antonio Amadeo, leads from the church to the Small Cloister (in Italian: Chiostro Piccolo.) This has a small garden in the center. The most striking feature is the terracotta decoration of the small pilasters, executed by Rinaldo de Stauris between 1463 and 1478. Some arcades are decorated by frescoes by Daniele Crespi, now partially ruined. Also noteworthy is the late-14th century lavabo in stone and terracotta, with scenes of the Jesus with the Woman of Samaria at the Well.
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The Lavabo, 1902 Drawing of the doorway to the chapter house from 1755, shortly before it was removed from the site. The abbey was founded in 1142 on the orders of Saint Malachy, Archbishop of Armagh."Old Mellifont Abbey", Heritage Ireland By 1170, Mellifont had one hundred monks and three hundred lay brothers. The abbey became the model for other Cistercian abbeys built in Ireland, with its formal style of architecture imported from the abbeys of the same order in France; it was the main abbey in Ireland until its dissolution.
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It probably developed from the need to wash the hands after receiving the gifts brought by the people at the offertory as was used at Rome.Duchesne, Louis, Origines du Culte chretien (Paris, 1898), 167, 443. In the Gallican Rite the offerings were prepared before Mass began, as in the Eastern Liturgy of Preparation, so in those rites there was no long offertory rite nor need for a lavabo before the Eucharistic Prayer. In the Middle Ages, the Roman Rite actually had two washings of hands, one before and one after the offertory.
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Afterwards, the subdeacons replace the towel over the server's neck, and all three bow to the bishop and return to the sanctuary. An 18th-century brass lavabo used in the Russian army. Just before the Great Entrance the same ceremony takes place as during the Little Hours, except now it takes place in front of the Holy Doors of the iconostasis. After drying his hands, the bishop goes to the prothesis to make his personal commemorations for the living and the dead, as he removes particles from the prosphora.
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In the Middle Ages, the Roman Rite actually had two washing of hands, one before and one after the offertory. This first one has since disappeared, and the one which remains is the second. In the Tridentine Mass and in the similar Anglo-Catholic Mass, the term "ablutions" refers to when the priest rinses his hands first in wine and then in water following the Communion. It is to be distinguished from the lavabo, when the celebrant washes his hands with water only, reciting the words of (KJV—in the Septuagint it is Psalm 25) at the offertory.
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Dacre Castle is a moated tower house in the village of Dacre, south-west of Penrith, Cumbria. It was constructed in the mid-14th century, probably by Margaret Multon, against the background of the threat of Scottish invasion and raids, and was held in the Dacre family until the 17th century. The tower house is tall, built out of local sandstone, topped by crenellations, with four turrets protruding from a central block, and includes an ornate lavabo in the main hall. Renovated during the 1670s and 1960s after periods of disrepair, the castle is now used as a private home.
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This room, known as the “Lavabo” Room due to the ancient function for which it was originally equipped, is also accessible from the cloister and is in front of the Large Refectory, next to the kitchen. Monastery rules imposed the ritual washing and purification of the hands before eating. Above the entrance door is a badly deteriorated fresco by Fra Angelico depicting Christ in Pietà, alluding to the Resurrection awaiting those who nourished by him. Today the room contains works presenting the artistic activity of the second great painter who lived in San Marco at the beginning of the 16th century: Fra Bartolomeo.
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Church viewed from the cloister The cloister Lavabo Valmagne Abbey was founded in 1138 by Raymond Trencavel, Vicomte de Béziers, with monks from the Benedictine monastery of Sainte-Marie d'Ardorel near Albi. In 1145 the second abbot, Pierre, requested that the abbey be placed under the authority of the Cistercian movement. Trencavel opposed the request but in 1159 Pope Hadrian IV affirmed the affiliation and the abbey took on the law of Saint Bernard, as a daughter house of Bonnevaux Abbey. Valmagne then experienced a time of rapid growth as local landowners bestowed both land and money on the monastery.
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In the newer Mass the celebrant says the prayer: "Lord, wash away my iniquity and cleanse me from my sin" (Psalm 50:2, Psalm 51:2 in the Hebrew). A bishop at high Mass wears the "precious" mitre (mitra pretiosa) while he is censed and then washes his hands. A larger silver basin and cruet are generally used for a bishop, though there is no official requirement for this. For the lavabo, the priest will use a simple linen towel, which is often considered to be one of the altar linens, though technically it is not.
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This washing appears in both the Tridentine Mass, the 1962 edition of which is still an authorized extraordinary form of the Roman Rite), and in the post-Vatican II Mass. The reason for this "second" washing of hands probably developed from the long ceremony of receiving the loaves and vessels of wine from the people at the offertory that was used in Rome.Duchesne, Louis, Origines du Culte chretien (Paris, 1898), 167, 443. In the Gallican Rite the offerings were prepared before Mass began, as in the Eastern Liturgy of Preparation, so there was no long version of the offertory nor place for a lavabo before the Eucharistic Prayer.
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The building was originally entered through the south-west turret on the ground-floor, but since the 17th century the entrance way has been directly into the central block up an exterior staircase. The ground floor of the central block contains two vaulted chambers and the first-floor forms a hall containing an ornate lavabo, with smaller chambers in the turrets.; The second floor similarly forms a single large chamber, high, with rooms in each of the adjacent turrets, and is traditionally called the "Room of the Three Kings", after the legend described by William of Malmesbury. In the 14th century, these large chambers would have been subdivided into smaller rooms.
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In the Tridentine Mass, Psalm 42 (43) is omitted at ferial Masses until Holy Thursday inclusive, as is the short doxology (Gloria Patri) at the Introit and the Psalm Lavabo at Mass. It is likewise omitted in Psalm 94 at Matins, and the responds at Matins, Prime, Terce, Sext, None, and Compline. Also in the ferial Mass, the Preface for Lent gives way to the Preface of the Cross. In the 1955 Holy Week revisions, Passion Sunday was formally renamed from Dominica Passionis or Dominica de Passione ("Sunday of the Passion") to Dominica I Passionis, "First Sunday of the Passion" or "First Sunday of Passiontide".
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Bronze aquamanile in the form of a mounted knight, second half of the 13th century, Lower Saxony The Byzantine Empire's cultural connections with Sassanid Persia and the Abbasid caliphate, never peaceful in the political sphere, nevertheless brought the aquamanile into the Christian Mediterranean world. The earliest European portable aquamaniles date to the eleventh century. Ewers and basins were needed in Christian liturgy for the ritual of the lavabo, in which the officiating priest washes his hands before vesting, again before the consecration of the Eucharist and after mass. As a ritual object, metal was considered more suitable than pottery, although most examples in pottery no doubt were broken and discarded.
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Cantharus of Pamplona Cathedral in Spain Churches from the time of Constantine the Great were built with an exonarthex that included a fountain known as a cantharus, where Christians would wash their hands, face and feet before entering the worship space. The practice of ablutions before prayer and worship in Christianity symbolizes "separation form sins of the spirit and surrender to the Lord." Canthari continue to be used in some Orthodox churches, where worshippers also remove their shoes before entering into the presence of God. In many early and medieval monasteries, there would be a large lavabo (lavatorio) where the brethren would wash their hands before entering the church.
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The altar card on the left contains the Last Gospel (John 1:1–14), which is said at the very end of the Mass. The card on the right contains the prayer for blessing the wine and water ("Deus qui humanæ substantiæ") and the Lavabo ("I shall wash", from the words of Psalm 26[25 in the Septuagint/Vulgate]:6–12). The larger, centre card contains the Gloria, the prayer Munda cor meum recited before reading the Gospel, the Credo, the prayer for offering the Host (Suscipe, Sancte Pater), the Words of Consecration, and portions of the Canon of the Mass. Usually, the card's centre contains a picture of the Crucifixion.
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An elaborate Rococo credence table with marble top A credence table is a small side table in the sanctuary of a Christian church which is used in the celebration of the Eucharist. (Latin credens, -entis, believer). The credence table is usually placed near the wall on the epistle (south) side of the sanctuary, and may be covered with a fine linen cloth. It is sometimes tended by an acolyte or altar server, and contains on it the implements that are used in the Eucharistic celebration, which may include the bread and wine prior to their consecration, a bowl, perforated spoon, ewer and towel for the lavabo and the ablutions after Holy Communion, etc.
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The parallelepiped altar, in marble with diamond cross, consists of covered wood, plastered and painted in red, forming panels of acanthus in gold, interspersed with flowers and gold relief. From the presbytery two lateral painted doors provide access to the sacristy and the archive room (to the right and left of the altar, respectively). The sacristy is small and its walls painted white, with a painted chest, topped with painted backrest (laterally and frontally decorated with floral motifs and drapery). In the archive room, to the left, is a wardrobe (interiorly divided in two) with painted motifs, while between pillars is a rectangular lavabo with an arch of ashlar and double frieze below.
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In Monaco's painting the angel and Mary are separated by two small spaces, one external and one internal, similar to the city-scape and domestic lavabo panels in the Ghent annunciation. The style of the furnishings of the room and the modernity of the town visible through the arched window set the panels in a contemporary 15th century setting. The interiors have been cited as one of the first representations of medieval "bourgeois domestic culture".Borchert (2011), 27 Borchert sees this familiar setting as a device to allow 15th century viewers to connect with the panel and so reinforce the conceit that the two saints are apparitions occupying the same space and time as the donor or observer.
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Lumley Castle on a copperplate print in the 18th century Lumley Castle in 2005 It is named after its original creator, Sir Ralph Lumley, who converted his family manor house into a castle in 1389 after returning from wars in Scotland. However, after being implicated in a plot to overthrow Henry IV he was imprisoned and ultimately executed, forfeiting his lands to the Earl of Somerset. In 1421 the ownership of the castle reverted to Sir Ralph Lumley's grandson, Thomas. During the time of John Lumley, 1st Baron Lumley, he altered the windows of the castle to let more light in, installed a new fireplace in the great hall along with a lavabo of black and white marble, adorned by a pelican, which is the crest of the Lumley coat of the arms.
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In 1990, the French TV presenter Lagaf' used the sample of the song in a parodic version under the name "Bo le lavabo (WC Kiss)." The song was also sampled on a remix of "The Loco-Motion" for Kylie Minogue's Enjoy Yourself 1990 Tour titled "The Oz Tour Mix," which remained unreleased in studio form for many years until it was finally released on the bonus disc of remixes of the 2002 Greatest Hits '87–'92. The track was featured on the 1999 Carl Cox DJ album Non-stop 2000—CD 1, starting roughly midway through track six, "Funk on the Roll." Carl seamlessly mixes it in the background continuously, through the whole of the next track, "Let it roll," before it plays in its entire original form as track eight.
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In 1987, Vincent Lagaf', who had just arrived in Paris, came to national attention as a comedian when he appeared on the TV show (La Classe) aimed at discovering young comedians. With his first one-man show, Lagaf' became popular thanks to the song "Bo le lavabo", which was a success in France in 1990. A year later, he had a similar success with "La Zoubida" which was in the list of the 100 best-selling singles in France during the 1990s. (A side-scrolling platform game developed by Titus Interactive based on this song was also produced, later altered and released as Titus the Fox in other markets.) Until 1995, working with the producer Hervé Hubert, he continued to act in many sketches on stage or for television and to interpret new funny songs like Casse toi and Sweet Georgia Brown.
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Mediaeval lavabo in the right-hand transept of Saint Mark's Church in Milan. The name ' ("I shall wash" in Latin) is derived from the words of Psalm (KJV; in the Septuagint it is Psalm 25), which the celebrant traditionally recites while he/she/they washes his/her/their hands: "I will wash my hands in innocence, so will I compass thine altar, O Lord". The washing of hands during the recitation of these psalm verses is of very ancient usage in the Catholic Church: > In the third century there are traces of a custom of washing the hands as a > preparation for prayer on the part of all Christians; and from the fourth > century onwards it appears to have been usual for the ministers at the > Communion Service ceremonially to wash their hands before the more solemn > part of the service as a symbol of inward purity.Report of the Royal > Commission on Ecclesiastical Discipline (Church of England) 1906 In most liturgical traditions, the priest washes his/her/their hands after vesting, before the beginning of the liturgy.
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