It's metallic, bluish-purple, and sports an amorphous, latticed spike plate.
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Just 2100 feet tall, it looks like a miniature chrome-latticed skyscraper.
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Their limestone villas, with arched colonnades and latticed windows, still line Berbera's unkempt streets.
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Their pattern — a latticed shape, a double-diamond — gives each woman her own space.
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Latticed gold cuffs and rings, meanwhile, evoke the ornate designs of the country's stupas.
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The structure's white latticed encasement is one of the most recognizable sights in downtown.
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A brick patio beyond the folding-glass doors is partially covered by a latticed canopy.
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The building is topped by a white latticed dome almost six hundred feet in diameter.
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The glass tower would be wrapped in latticed wood, which acts as a load-bearing brace.
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The paneled, gold-leafed chancel shone under the watchful eyes of plate-haloed saints and latticed glass.
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Ever seen fur latticed into lace as light as georgette, or fluffy flowers embedded in lace and chiffon?
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These were not silvery, romantic mists slinking through latticed rooftops; this was a miasma of damp and despair.
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Many of Mangum's photos — both stand-alone portraits and latticed negatives — bear multiple exposures, one over top another.
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Japan is hosting the games in 2020 with a wooden latticed stadium, now under construction, as the dramatic centerpiece.
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The precisely arranged lines you had familiarized yourself with may have since converged into a new, lightly latticed pattern.
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The red-and-white latticed Guavaberry Emporium beckoned passers-by with reggae music and free tastings of spiced rums.
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The "tree suites" will be elevated above the surrounding forest by latticed wooden structures and accessible by glass elevator.
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It's got a dark blue body with a latticed front plate, flouting the VR industry's love of black-on-black minimalism.
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The 7,000-tonne latticed structure is the centrepiece of a new Louvre that will finally open in Abu Dhabi next month.
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Each suite will be accessible by a glass elevator, hidden in the wooden latticed structure on which the suites are elevated.
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I would stare at the wooden houses with latticed balconies in the alleys that my mother had known as a girl.
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The one atom-thick latticed carbon material has been proposed as a way of revolutionizing everything from upload speeds to sports equipment.
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Graphene refers to the one atom-thick latticed carbon material that's been exciting scientists with its potential for more than a decade.
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Dewdrop has rejoined the group, which here arrives behind her in a single horizontal line, again with latticed arms and swaying heads.
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In the piece, he sat blindfolded and gagged in front of one of his latticed sculptures, holding a broom and sweeping the floor.
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While borrowers are encouraged to preserve classic machiya features, such as latticed wood exteriors, they are allowed ample leeway in renovating their homes.
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The local burrata was just as flavorful, a huge scoop, latticed with dribbles of balsamic vinegar, resting atop a hillock of piquant caponata.
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His gangly-limbed character, outfitted in red, blue, and latticed webbing, founded the design of one of the comic world's most beloved protagonists.
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The Translation: For a look less reminiscent of "Waterworld," opt for a netted bag or latticed skirt that is every bit as texturally interesting.
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Mr. Nouvel's striking design features a 180-meter-wide (590-foot) latticed dome that casts speckled shadows over the buildings and outdoor plaza beneath.
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Its pages unfold to reveal a gold-and-white ziggurat, a pyramid composed of nesting triangles, a sphere of intersecting paper circles, and elegant latticed arches.
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Until the first half of the 20th century, this was a small city of spacious stone houses famed for their mashrabiyah, or latticed windows and balconies.
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The house, known as the Ramada House for the 2,900-square-foot latticed ramada above it, was built in 1975 and updated about 10 years ago.
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Multitiered but relatively squat (at under 50 meters high, it is one-third lower than Hadid's design), its roof unpeels to reveal a latticed wood framework.
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Jeff Moore, the prop master for the show's second season, chose standard sweet-cherry bakery pies, latticed and double-crusted, and always had both on set.
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Designed by Shigeru Ban, an architect admired for his innovative use of wood, the complex includes a serpentine company headquarters wrapped in a spectacular latticed timber facade.
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A branch of the Louvre museum is housed in a sumptuously latticed dome on Abu Dhabi's seafront; and Doha boasts one of the finest museums of Islamic art.
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INDOORS: A cedar-and-brick structure with a slate roof and an ornately latticed wraparound porch, the house was built in 1879 and updated about 20 years ago.
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Their ideas deeply affected Araeen and other minorities throughout the UK. By now Araeen had converted his sketches into colorful constructed sculptures, many designed with his signature latticed grids.
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It is adorned with latticed columns, clad in solar panels and surrounded by crab apples, with space for 0003,000 and a mission to become a force for climate good.
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Provincetown is laid out like a ladder: two side-by-side streets about two and a half miles long, Commercial Street and Bradford Street, latticed together with one-way streets.
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Due to their fragility, museum staff periodically rearrange the timeworn, latticed cubes of Araeen's "Chaar Yaar (Four Friends)" (1968/2010), instead of visitors doing so as the artist first intended.
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Two burials had disintegrated headpieces with intricate latticed arrangements of mammal incisors...Another individual was buried with 12 perforated hippo tusks that may have been strung together and worn in life.
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If you really want the full-on Mac Pro cheese grater look, Dune is apparently going to sell a "sound dampening accessory" that's an entirely new front panel with latticed holes.
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It carries on a family lineage — from the original Mac Pro, pretending the 22019 "trash can" never happened — expressed in the pair of steel handles and the latticed front and rear.
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The animosity I caused with my guerrilla landscaping only ended when I removed the offending wall of organic detritus and she invested in a tasteful latticed fence to stop my whining.
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Masked monsters ("Somos Monstros," 2016) flower from found iron-on patches, plastic jewels, and latticed layers of vintage millinery patches of roses, leaves, golden stars, and pink and white bunny rabbits.
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The house is Victorian, with gingerbread details like honeycomb shingles and an elaborate latticed porch, which are rare in the southwest, and because the house is constructed indoors, it is always nighttime.
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The bodysuits were made from a dimpled polyurethane material designed to divert air drag; designers placed a large, latticed vent in the back of the suit to let the athletes bodies breathe.
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Her pavilion design offers a partially enclosed courtyard framing a triangular pool, with latticed walls made out of British gray cement roof tiles, echoing a traditional breeze wall found in Mexican architecture.
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As part of a 7-star hotel project, their team has proposed a series of latticed, wooden "tree suites" elevated above a remote forest in the ritzy Austrian ski town of Kitzbühel.
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Background: Beijing has embarked on a mammoth project to link China to the rest of Asia, the Middle East, Africa, Russia and Europe with a latticed network of trains, highways and shipping corridors.
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Background: Beijing has embarked on an ambitious project to link China to the rest of Asia, the Middle East, Africa, Russia and Europe by a latticed network of trains, highways and shipping corridors.
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They are modeled after traditional Japanese shoji screens, typically fashioned from latticed bamboo and washi, or mulberry paper, though no one in Japan, Sugimoto says mournfully, uses shoji screens anymore; they're too expensive.
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The cool composition is characteristically Brandt: the latticed rails and the shadows cast on the sooty walls by exposed the stairwell harmonize into a fantastic spiral alive with pulsing rhythms of light and dark.
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Two guest bedrooms and a sitting room, all with angled ceilings, dormer windows and latticed, shingled or bead-board walls, are on the top floor, along with a bathroom with restored subway and hexagonal tile.
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The structure, as Bardaouil explains, was rather 'a multi-latticed network of fluid hubs spread over a disparate number of cities across the world'; individuals moved between them, transmitting ideas as they went, like honey bees.
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The expanded library building and new education center would erase Russell Page's signature, illusionary techniques on the north wall used to visually elongate his viewing garden — four "blind" latticed windows, which would be replaced with glass.
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In "Golden Grid" (1966), the linear order of a latticed square with the golden threads of an attached carpet of yarn, vomit out a tumorous appendage whose chaotic presence impugns and is impugned by the grid's stiffness.
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Everyone's in formalwear, Hagner teeters on towering heels, and Early's outfitted in an elaborate getup involving a long black coat, a yellow scarf, motorcycle gloves, and an architectural, latticed baseball cap over a bandana covering his head.
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Advertise on Hyperallergic with Nectar Ads HONG KONG — Maurice Benayoun's new show at the Osage Gallery in Hong Kong, Just Dig It, consists of five latticed, skeletal metal sculptures capped by circular projector screens showing various 203D projections.
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Their white bonnets are also marked with customary talismans to ward off evil spirits from the sea: the Seiman — a star symbol — and the Doman — a latticed pattern — are placed side-by-side on various Ama tools for protection.
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The four strips of bread latticed across the top of the sweet bread roll are meant to symbolize the extremities of a corpse, and the ball of baked dough in the center of the bread resembles a human skull.
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Over the course of almost seven decades, Araeen's work has run the full gamut, from nascent engineering drawings to latticed, minimalist structures; from drawing and sculpture to writing and critical theory; and from angry separatist rhetoric to a new, unnamable ineffable.
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While some photographs are obvious, as in gridded manhole covers or glass-panned doors, others are more subtle and only make sense when seen in a group (for example, a person's torso wearing a checkered shirt or pies with latticed tops).
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And it is housed under the vast latticed dome of the Louvre Abu Dhabi, a dazzling multimillion-dollar effort by the United Arab Emirates, opened in 28.2 as part of the cultural and architectural arms race raging in the Gulf.
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Some aspects of the interior, including woodwork and wall tapestry in the dining room, are original, while much of the rest of the house has been renovated to period, with crown molding, latticed and leaded windows, and grandly proportioned living areas.
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Particularly charming is Ninenzaka Street, a sloping lane lined with machiya — centuries-old dwellings with clay roof tiles and latticed wood doors — and the new 70-room Park Hyatt Kyoto, which is situated between the street and an Edo-era temple.
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I've subsequently renounced flakiness, crimped edges and latticed lids in favor of grated crusts just thick enough to cradle wobbly curds, and tender enough that they crumble when I try to eat a slice like a piece of pizza, without a plate.
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A dozen activists from the Greenpeace advocacy group were arrested on Friday after climbing the north face of the vast metal-latticed Eiffel Tower, one of the world's most visited sites, to hang a banner carrying the French national motto, "Liberte, Egalite, Fraternite" (Liberty, Equality, Fraternity).
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In Chicago-based artist Jacob van Loon's work, the geometric line and artistic line fuse in hypnotic harmony, with geometries that recall architectural drawings, cartography, x-y-z graphs and even cubist works, which serve as a latticed foundation upon which the artist then paints abstract watercolors.
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But for the most part, Kestler's discoveries are from farther afield: a beaded yellow parakeet from Syria, an inflatable blue cat from Japan, a pair of latticed gold jutti slippers from northern India and a papier-mâché mask depicting the Hindu goddess Kali, with her lolling blood-red tongue.
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When Buddhism declined in India, and a resurgent Hindu faith rose, between the fourth and seventh centuries C.E., it was the ghost of Buddhist architecture, visible in both the apsidal shape of certain temples and in the use of stone-latticed windows, that was resurrected in a new tradition of Hindu temple architecture.
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Ms. Ruben, who last year catered the November wedding of the tennis champion Serena Williams and the Reddit co-founder Alexis Ohanian in New Orleans, likes to mix the familiar with the unexpected, so short ribs come to the table inside a one-piece latticed pastry dome that seems to defy gravity.
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Here, we see the latticed intersections of whiteness' moral economy of racial purity, a material economy of race and gender pay disparity, and a sexual economy of violence and racial production—wherein the creation and maintenance of race has historically been enacted through the sexualized violence and humiliation of Black people, and white men's continual assertions of dominance.
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Sure, there were other shades on view, most notably white (see Sarah Paulson in Rodarte, Ms. Johansson, Jennifer Ehle in Temperley and Chrissy Teigen in Pamela Roland), black (Alex Wek in Oscar de la Renta, Uma Thurman in a slinky long shirtdress, Tina Fey in peekaboo latticed Sally Lapointe) — and black and white (Anna Kendrick in Miu Miu).
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Size: 6,491 square feet Price per square foot: $208 Indoors: Orient Lodge, as the three-story house is called, is a trove of period details, including etched-glass windows, chinoiserie wallpaper, vertically striped wainscoting, beamed and latticed ceilings, and monumental cobblestone fireplaces built with rocks from a stream on the property and ornamented with welcoming messages inscribed in gold leaf.
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When combined with modern and powerful design tools that optimize simulation and analysis to generate an optimal design solution — such as newer generative design tools used to produce lightweight, latticed designs that are functionally optimized and accurate for production via additive manufacturing — the resulting parts not only take less time to design, but are also significantly stronger and lighter than part designs that are produced using conventional manufacturing methods.
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For Easter, there are pani di pasqua, plaited honey-glazed loaves embedded with bright-hued hard-cooked eggs and decorated with rainbow sprinkles; pastiere, traditional latticed pies filled with sweetened ricotta and soft wheat berries; struffoli, deep-fried marbles of dough, sticky with honey, mounded on a plate and dotted with red and green glacé cherries; and pizze rustica, rich savory pies stuffed with provolone, salami, prosciutto and ham.
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In the living room, a black-and-white photograph of two nude bathers by the turn-of-the-century German artist Wilhelm von Gloeden, purchased in Berlin, hangs above a latticed ebonized wood daybed by the American Art Deco designer Donald Deskey; in the opposite corner, a life-size ceramic cat from a market in Istanbul stretches on a delicate turned-leg walnut end table from the 19th-century Aesthetic Movement.
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The blueprint for the district also included a serpentine performing-arts center, by the Iraqi-born Zaha Hadid, who died this spring; a maritime museum arching delicately over the ocean, by the Japanese architect Tadao Ando; the Zayed National Museum, designed by Norman Foster to evoke the feathers of a falcon; and the Louvre Abu Dhabi, by Jean Nouvel, topped by a white latticed dome almost six hundred feet in diameter.
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The monastery is full of artistic facades of latticed windows and engraved columns.
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72 The latticed windows are classified as pata jali where perforations are square or rectangular in shape. In addition, there are trellised windows with slabs of stone sculptures depicting dancers and musicians.Ghosh 1950, p. 32 Light enters the interior through doors and the latticed windows.
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A latticed guardrail runs the length of each side of the deck. The bridge allows a clearance of .
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The latticed shitomi and the stewards separate Murasaki Shikibu from the outside world, keeping her a prisoner in the room.
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The main hall has traditional latticed windows, whilst the bedchamber has windows set high into the wall that can be opened.
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The small shell is, subcylindrical. It contains few whorls. The base is concave. The sculpture consists of radial ribs latticed by spiral cords.
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Clathrina cancellata is a species of calcareous sponge from the United States. The species name is derived from a Latin word meaning "latticed".
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Consisting of plates or scales laid over each other. Lanceolate. Gradually tapering to a point. Lateral. Pertaining to the side. Latticed. (See decussated.) Lobulate.
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The umbilical perforation is minute.Tryon (1889), Manual of Conchology XI, Academy of Natural Sciences, Philadelphia This is a very distinct little shell, with coarsely latticed sculpture.
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The length of the shell attains 12 mm. The whorls are rather ventricose and spirally irregularly ridged. The interstices between the ridges are very minutely latticed. The sinus is small.
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The imperforate shell has a turbinate-depressed shape. Its spire is a little elevated. The convex whorls are transversely lirate, articulated with red, and crenulated. The interstices are closely latticed.
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The latticed portals feature decorative cast iron crests and finials, and a plaque with the builder's inscription. The bridge is described by History Colorado as one of the most ornamental in Colorado.
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There are about twelve broad ribs that are minutely scabrous. These ribs are crossed by three buff, radiating bands. The radiating ribs are distant and corrugated. The interstices are deeply latticed and corrugated.
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In the Haeckel's work, Collodaria was named the first order of Radiolaria, and defined as “Spumellaria without latticed shell.” This definition of Collodaria was further expanded to include organisms that either completely lack the skeleton or have numerous spicules that loosely scatter throughout the calymma around the central capsule. In recent literature, the definition of Collodaria has been altered with molecular phylogenetic characteristics. In Haeckel's phylogeny, the second order in Radiolaria, Sphaerellaria, includes all Radiolaria with any trace of latticed or fenestrated shell.
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The shell grows to a length of 7 mm. The shell is conspicuously latticed with coarse sculpture. The aperture is large and truncate at the yellowish white base.George Washington Tryon, Manual of Conchology vol.
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The length of the shell attains 7 mm. The purplish shell is solid. It is very closely granosely latticed throughout.G.W. Tryon (1884) Manual of Conchology, structural and systematic, with illustrations of the species, vol.
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Fruit a small (8–12 mm long, 5–7 mm wide), oblong, dark, mainly black berries, crowned by the stigma, many-seeded; seeds small, subglobose, testa deeply latticed; embryo very small; endosperm fleshy and oily.
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The sculpture shows fine radial threads that traverse the whole shell. There are about sixty of these on the body whorl. Their interstices are closely latticed by rather finer spirals. The simple aperture is free and circular.
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The latticed heath (Chiasmia clathrata) is a moth of the family Geometridae, belonging to the subfamily Ennominae, placed in the tribe Macariini. The genus was erected by Carl Linnaeus in his 1758 10th edition of Systema Naturae.
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The size of the shell varies between 2.5 mm and 4 mm. The thick, solid shell has a turbinate shape. The spire is relatively elevated. The convex whorls are regularly latticed with equidistant spiral and longitudinal ribs.
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A latticed pavilion over the principal spring, bath houses, latticed pergola, and croquet court were part of the grounds. The hotel was one of the largest wooden hotels ever built in Alabama and together with the grounds earned for the springs the nickname the "Saratoga of the South." The hotel operated through the Civil War, finding full operation again by 1870, then saw diminishing popularity in the 20th century, until it closed "sometime after 1913." Logging crews found lodging there until the hotel was purchased by the state in 1934 for state employee housing.
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The back façade of the house consists of two floors and faces a slope. The structure is noted for its covered balcony with latticed wood railing. The balcony provides a view of the city of Cachoeira, the Paraguaçu River, and its neighboring city, São Félix, across the river. The latticed balcony at the rear of a residence is found in two other structures Cachoeira: the Sobrado at Praça da Aclamação, 4 and Solar Estrela; the house may be modeled after the Casa do Conde da Palma in Salvador.
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The oval shell is obliquely conical with a backward-pointing recurved apex. There is a deep incision in the anterior margin. A distinct anal fasciole extends upwards from this incision. The surface is latticed, sculptured with radial ribs.
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The height of the shell attains 5 mm. The small shell has a subconic shape. It contains 6–7 more or less convex whorls. These are latticed by transverse cinguli (6 on penultimate whorl), and longitudinal elevated, oblique lines.
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The length of the shell varies between 3 mm and 7 mm. (Original description) The shell is somewhat fusiformly ovate. It is longitudinally stoutly ribbed every alternate black and white and latticed with fine transverse ridges. The interstices are shallow.
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Also on the property is a late-19th century latticed well house. The house now serves as the residence for the president of Sweet Briar College. and Accompanying photo It was added to the National Register of Historic Places in 1970.
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The length of the shell attains 8.5 mm. The ribs are latticed with conspicuous transverse striae. The shell is yellowish white, with a central, narrow, chestnut band.G.W. Tryon (1884) Manual of Conchology, structural and systematic, with illustrations of the species, vol.
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The rectangular mill stands on a fieldstone foundation. The wooden body of the mill is faced with shingles. The boat- shaped roof is also covered with shingles. It has latticed vanes with a span of , designed to be covered with sailcloth.
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Clathrina is a genus of calcareous sponge in the family Clathrinidae. Several species formerly in Clathrina were transferred to the newly erected genera Arturia, Ernstia, Borojevia, and Brattegardia in 2013. The name is derived from the Latin word "clathratus" meaning "latticed".
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These are Raja Mahal or Raja Mandir, Sheesh Mahal, Jahangir Mahal, a temple, gardens and pavilions. The battlements of the fort have ornamentation. Notable architectural features in the fort complex are projected balconies, open flat areas and decorated latticed windows.
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Two inside doors were sealed , one near the old RSL door located at the front of the building and another on the other side of the main entrance door. The stage is accessed by two wooden steps. Vertical timberwork now fronts the top of the stage, partly concealing one of the latticed air vents in the roof. A small, heavily latticed bar (formed by enclosing the rear of the addition) with a pulldown hatch and lockable door is accessed on the left prior to ascending the steps to toilet facilities at the southern end of the building.
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The length of the shell varies between 4.5 mm and 7 mm. The shell is oblong-ovate. The sutures of the spire are rather deep. The shell is longitudinally crossed by bold, sinuous ribs, interstices between the ribs latticed with conspicuous striae.
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It is as per the simple tenets of Islam. The surrounding beautiful structure of walls have latticed panels with geometrical and floral design. The delicate polished stucco work and Jali is art is tic which represents the general style of the period.
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The tower continues in stages divided by horizontal moulded bands. In the first stage, an oculus pierces the west elevation. In the second stage, the tower rises above the line of the roof with a round-arched, latticed window in each face.
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Limnotilapia dardennii, the latticed cichlid, is a species of cichlid endemic to Lake Tanganyika, where it prefers rocky areas near the coast. It may also be found in the aquarium trade. This species is currently the only known member of its genus.
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The famous Cumalıkızık houses are made out of wood, adobe, rubblestones. Most of them are triplex houses. The windows upstairs are generally latticed and with a bay window. The handles and knockers on the main entry doors are made of wrought iron.
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Both levels are only linked via stairways and escalators, rendering the station unfriendly to disabled users. The styling of the station is similar to most other stations in the line, featuring curved roofs supported by latticed frames, and white plastered walls and pillars.
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The tomb is located in the village of Khuldabad, in the district of Aurangabad, from Aurangabad city. It is located in the south-eastern corner of the complex of the dargah of Sheikh Zainuddin. Aurangzeb's Tomb, with marble jaali (latticed screen) around it.
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The length of the shell attains 7 mm, its diameter 2.5 mm. (Original description) The fusiform, elongated, slender shell is dark chestnut-brown throughout. It contains six whorls, slightly convex, separated by narrowly impressed sutures. The earlier two whorls are smooth, the remainder strongly latticed.
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In addition to the normal supporting microtubules or axoneme, each contains a rod (called paraxonemal), which has a tubular structure in one flagellum and a latticed structure in the other. Based on this, two smaller groups have been included here: the diplonemids and Postgaardi.
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The principal styling of the station is similar to most other stations in the line, featuring curved roofs supported by latticed frames, and white plastered walls and pillars. Because the tunnel linking both platforms are connected only by stairways, the station is not accommodative to disabled users.
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The main trusses are through type lattice trusses, continuous over two spans. They are connected together above the track by characteristic arched latticed braces. They are supported on twin cast iron cylinder piers. The superstructure was fabricated by Westwood, Baillie; Halliday and Owen were the principal contractors.
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All the windows are latticed with a lozenge pattern; the schoolroom windows have stone mullions and transoms. The two entrances to the front face have a pointed arched top. The building stood vacant in 1987,Bevington et al., plate 58 but has since been converted to residential use.
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Despite Dring's renaming, and the subsequent acceptance of his subsuming of the genus Simblum into Lysurus,Kirk et al. (2008), p. 634. the species is still occasionally referred to Simblum sphaerocephalum. The specific epithet periphragmoides means "fenced in all around", and refers to the latticed structure of the cap.
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The building has a rectangular ground plan of 12 x 7.5 square meters. In the main axis of the building, the flat roof carries two octagonal tholobates with latticed arched windows. They also have octagonal domes. The floor of the mosque is about 4.50 meters below the earth's surface.
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The length of the shell attains 4 mm, its diameter 1 mm. The very minute shell is narrow, white, latticed, and cancellate, the junctions of these cancellated lirae being gemmuled The shell contains six whorls, two being apical. The aperture is sinuous. The siphonal canal is very short.
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The main trusses are simply supported, through type lattice trusses. They are of constant depth with seven triangulations and are connected together above the track by characteristic arched latticed braces. The trusses rest on twin, cast iron cylinder piers. There are extensive approaches, particularly on the south side.
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Clathrus ruber is a species of fungus in the family Phallaceae, and the type species of the genus Clathrus. It is commonly known as the latticed stinkhorn, the basket stinkhorn, or the red cage, alluding to the striking fruit bodies that are shaped somewhat like a round or oval hollow sphere with interlaced or latticed branches. The fungus is saprobic, feeding off decaying woody plant material, and is often found alone or in groups in leaf litter on garden soil, grassy places, or on woodchip garden mulches. Although considered primarily a European species, C. ruber has been introduced to other areas, and now has a wide distribution that includes all continents except Antarctica.
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The length of the shell varies between 5 mm and 15 mm. The protoconch is multispiral. (Original description) The reddish-brown shell has an oblong-fusiform shape. The six whorls show about 20 pronounced axial ribs, crossed by transverse riblets (about 5 in the upper whorls) forming a latticed structure.
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They are found on palaces, private residences and sacred houses across Nepal Mandala. Pages 80-86. Desay Maru Jhyā is famed for being the only one of its kind. While most traditional windows are bay windows carved with elaborate details, Desay Maru Jhya is a latticed window with multiple frames.
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Externally, the garbhagriha is cruciform in shape and contains projections in each side. Internally, it is square in shape and rests on 12 pilasters of granite. The eastern projection contains the main doorway, and the western projection contains a smaller doorway. Latticed windows are present on the remaining two lateral projections.
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In the nineteenth century a single story building with a hipped slate roof was built next to the north-west tower. On the south side the entrance is through a gabled rustic timber porch; to its right there is a three-light casement window with four-centered head and latticed lights.
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The columella is curved and slightly reflected at the upper part. The interior of aperture is smooth and nacreous. The operculum is many-whorled, outer 2 whorls broad;. The whorlsare sculptured by radiating and concentric striae, causing a latticed appearance, radiating striae stronger on the distal half of each whorl.
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The principal styling of the station is similar to most other stations in the line, featuring curved roofs supported by latticed frames, and white plastered walls and pillars. Because stairways are only used to link street level with the station's ticket areas and platforms, the station is not accommodative to disabled users.
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The principal styling of the station is similar to most other stations in the line, featuring curved roofs supported by latticed frames, and white plastered walls and pillars. Because stairways are only used to link street level with the station's ticket areas and platforms, the station is not accommodating to disabled users.
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Medicago species are used as food plants by the larvae of some Lepidoptera species including the common swift, flame, latticed heath, lime-speck pug, nutmeg, setaceous Hebrew character, and turnip moths and case-bearers of the genus Coleophora, including C. frischella (recorded on M. sativa) and C. fuscociliella (feeds exclusively on Medicago spp.).
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The Second Street Bridge has a single-span Whipple truss design, made of steel and iron. The bridge is wide and spans over the Kalamazoo River with of water clearance. Its abutments are made of granite fieldstone. The structure is decorated with lattice work, iron end post finials, and latticed metal handrails.
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Ernst Haeckel is the main contributor to species description in the phylum Radiolaria, which contains the order Collodaria. Members of Collodaria were first described in 1862. In 1881, Collodaria was defined by Haeckel in 1881 as “Spumellaria without latticed shell.” The story behind this order involved the historic voyage of HMS Challenger.
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The length of the shell varies between 5 mm and 16 mm. The depressed shell is thin but rather solid, with very short, conical spire. It is greenish gray, obscurely longitudinally striped with dull, pale reddish brown. The surface is lusterless, with numerous unequal spiral threads, latticed by wavy riblets of growth.
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The surface is slightly striate above, and on the first half of the base. The last half whorl is regularly latticed or malleate in a diamond pattern. The shell has 5 whorls; the first one is flattened. The last half-whorl is straightened out: it runs to the periphery and is then upturned.
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Built in 1921, the three-story building is the tallest in Paso Robles. August Nyberg, the owner and architect of the bank, designed it in the Renaissance Revival style. The brick building's design features quoin-like corners, semicircular windows on the second floor with latticed glass and radiating brick borders, and recessed transoms.
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At the time, the town comprised five neighborhoods: Al-Amir, Ghadir, Karama, Al Shuhada and Zahra. A few typical timber-latticed shanasheel buildings are still standing – albeit in poor conditions. The great Mosque of Qalat Saleh, built in 1868 during the Ottoman Empire, is one of the town’s most significant heritage landmarks.
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The principal styling of the station is similar to most other stations in the line, featuring curved roofs supported by latticed frames, and white plastered walls and pillars. Because stairways are only used to link street level with the station's ticket areas and platforms, the station is not accommodative to disabled users.
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They are of constant depth with seven triangulations and are connected together above the track by characteristic arched, latticed braces. The abutments are of brick. The super structure was fabricated by J. and C. Brettell, Worcester, England; A. and R. Amos were the principal contractors. The bridge was placed in service on 2 August 1882.
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The tomb's gateway stands on a podium reached by stairs. The square head doorway of the gate chamber has been built in Hindu architectural style. Inside the mausoleum, the tomb is enclosed by an inner octagonal wall. Other than the southern and western walls, the other walls consist of jalis (latticed screens), which are recessed.
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The Bridge was designed by S.G. Frazier. The three metal spans are each 95ft long, each consisting of pairs of twin cross braced bow-string girders of part N-truss and part latticed members. The piers and bridge abutments are made of local limestone. The bridge was repaired in 1950 and closed in 1960.
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In India, the house of a rich or noble person may be built with a baramdah or verandah surrounding every level leading to the living area. The upper floors often have balconies overlooking the street that are shielded by latticed screens carved in stone called jalis which keep the area cool and give privacy.
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For these purposes the 1888 and c.1914 components are regarded as the original building. Parts of the quarters' verandah were later walled in with glazing and weatherboard aprons, which now seems to have been removed. A diagonal-latticed screen was added to the verandah at its west end and screened occupants from Maitland Street.
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The mosque's inner courtyard is paved entirely with marble, and has a unique design. Glass panes have been fitted in the arched sections of the doors, windows and other artistic feature. Wooden grills are provided in the interior while latticed iron work form the external features. The mosque is painted in light red colour.
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The principal styling of the station is similar to most other stations along the Ampang Line and Sri Petaling Line, featuring multi- tiered roofs supported by latticed frames, and white plastered walls and pillars. The platforms and tracks are at-grade, while the single ticket area is elevated at the same level as the footbridges crossing the tracks.
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The length of the shell varies between 6 mm and 7 mm. The shell is slightly angulated above, longitudinally distantly ribbed, latticed with narrow raised revolving ridges and cavernously grooved near the base. The color of the shell is chestnut, lighter on the ridges. G.W. Tryon (1884) Manual of Conchology, structural and systematic, with illustrations of the species, vol.
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It has retained a high reputation for its begonia displays. The original aviary was donated by Dr Wally Maws, Mayor of Orange 1936-44 and 1948-50. It was enlarged in 1995. The latticed fernery was completed in 1938: incorporating two pieces of Daltoniana: the John Gale Memorial Fountain of 1891 is now located inside the fernery.
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The Victoria Bridge is a long, narrow suspension footbridge, situated to the west of Aberlour in Moray and spanning the River Spey. Its lattice truss walkway is suspended from wire rope cables with a diameter of . These are supported by tapering, latticed iron pylons, with ball and spike finials. It has a span of between its supporting towers.
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Of the three surviving post mills on Bornholm, Egeby is the most characteristic. A timber structure with a wooden roof, the mill has four latticed sails. The single millstone is of Nexø sandstone. During the restoration work completed in 1999, much of the original machinery was retained but the sails, base, roofing and external cladding were replaced.
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In July 1857, the present building was consecrated. Architect E. B. White designed a structure described then as a “handsome cruciform Gothic building”, which indeed it remains today. Fanned arches with a look of palmettos top its mullioned windows that are framed by latticed shutters. The builders sent to England for the rose-colored glass in the windows.
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The ground floor with the portals and mullion windows create the ABBABBA (A portal, B-latticed screens) plan. The east portal was the entrance for women and children and the west one for men. The whole plan with its divisions probably refers to the menorah (7 bays, porch as the middle frame from which other candles were lit).
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The sculpture consists of narrow spiral riblets with interstitial smaller threads. The interstices are finely latticed by raised close longitudinal striae. The spire contains about four whorls with the last 1½ very rapidly widening, descending anteriorly. The large aperture is oblique, oval, lightly sulcate within and brilliantly iridescent, with red, skyblue and green reflections, neither predominating.
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The main trusses are through type lattice trusses, continuous over two 48.5m spans (spans of this length are considerable for a bridge of this type and date). The trusses are of constant depth with six triangulations and are connected together above the tracks by characteristic arched latticed braces. They are supported on twin cast iron cylinder piers.
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The Latticed Butterflyfish (Chaetodon rafflesii) is a species of butterflyfish (family Chaetodontidae). It is found in the Indo-Pacific region from Sri Lanka to the Tuamotu Islands, north to southern Japan, south to the Great Barrier Reef, and from Palau (Belau) to the eastern Caroline Islands in Micronesia. (2008): Chaetodon rafflesii . Version of 2008-JUL-24.
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CPF liners are typically constructed of 100% polypropylene fibres, spun and thermally bonded, with a woven texture of 0.7 mm thickness. Some systems may be laminated to a plastic latticed net to ensure drainage whilst providing stiffness to the liner. They are robust and chemically inert and may be supplied in rolls of varying length to construction sites.
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The interior is partitioned into two rooms connected by a large opening; this partition is not of cultural heritage significance. The interior walls and ceiling are lined with v-jointed tongue and groove timber boards. The ceiling is coved and has a latticed ventilation panel. Timber tie beams at cornice level are exposed in the space.
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The shell contains 3½ whorls, including a protoconch of 1½ whorl. The protoconch shows fine spiral grooves, continued on the adult as broad, shallow furrows, which are broadest at the suture becoming smaller and closer anteriorly. On the body whorl are twenty- two spiral ribs, on the penultimate whorl six. The latter are latticed by fine radial riblets.
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A croline is a flaky (typically puff) pastry parcel filled with various (traditionally) salty or spicy fillings. Normally the top side of the pastry is latticed. Crolines are produced in various shapes and sizes and with different fillings. Though sweet versions are beginning to be produced, typical savoury fillings are mushroom, ham/cheese and salmon/herb.
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Non- original timber framed French doors with obscured glass panes and sidelights are located at the top of the stair, the verandah has been enclosed with glass louvres and compressed sheeting, and latticed timber panels are located between the brick piers supporting the verandah. The eastern gable end of the roof has decorative timber bargeboards, and a deck opening from the first floor of the rear wing is located adjacent to the gable end and is supported by timber posts above the enclosed eastern verandah. The deck has cross-braced timber balustrades and a decorative porch/aedicule forming the entrance to the first floor. The porch/aedicule has paired timber posts with cross-bracing, latticed timber valance, louvred timber shutters above balustrade height, and decorative timber gable with battens and curved timber elements.
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All classrooms retain their original latticed ceiling vents. Original timber double-hung windows and double doors with large, three-light fanlights remain in the internal corridor walls. A bronze plaque in the entrance reads "Opened 26 September 1941 by HA Bruce MLA". Non-significant elements include modern carpet or linoleum floor linings, cupboards and kitchenettes, and added doors and partitions.
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The length of the shell attains 8.5 mm, its diameter 4 mm. (Original description) The shell is fragile, short and has a biconic shape. The brown protoconch consists of 4½ whorls, the apical 1½ with close spiral lirae, punctate between, the rest latticed by the crossing of two sets of crowded oblique lirae. The whorls are convex with deep sutures.
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Facade of Puy launay linac castle The Château de Puy-Launay is a ruined castle in the commune of Linac in the Lot département of France.Ministry of Culture: Château de Puy-Launay A castle has existed on the site since the 14th centuries. It underwent major building works in the 15th century. The building is a three-storey latticed quadrangular structure.
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The window on the ground floor has two latticed shutters; all three windows sit on simple, straight lintels. It is covered by a gable roof ending in a small sloop. The ground floor has a trapezoidal plan and consists of a living room, hallway, and two bedrooms. The corridor leads to the stairs and kitchen at the rear of the house.
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Built in white marble, the temple is designed with stupas, spires, domes, ornate doors and latticed windows. With its pillar-less meditation halls covering over 22,500 sq feet, largest of such halls in Asia, the temple is a symbol of modern engineering. The temple complex, designed to the Golden Ratio, has a span of 50 metres. The temple consists of three floors.
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The result was a two- story, open-plan box concept, with operable jalousie windows on all sides to facilitate natural ventilation. Over this box was built a large simple frame with a latticed ‘parasol’ (flat umbrella roof) overlaying the house, the rear patio, and the pool. It served as a tropical pavilion, or pergola, creating patterns of shade over virtually the entire property.
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The shell of the adult snail varies between 12 mm and 20 mm. The shell is numerously narrowly and delicately longitudinally ribbed and is latticed by revolving striae. The shell is yellowish white, interruptedly narrowly brown-banded at the slight shoulder, and occasionally tinged with brown elsewhere.G.W. Tryon (1884) Manual of Conchology, structural and systematic, with illustrations of the species, vol.
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The H. P. Boult House is a historic house located at 1123 South 2nd Street in Springfield, Illinois. The house, which was built in 1889, has a Queen Anne design with Eastlake ornamentation. The two-story wooden house has horizontal siding and X-shaped bracing. The front porch features a gable with a carved pediment, projecting carved panels, and a latticed base.
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Maj. James Scarborough House is a historic plantation house located near Saratoga, Wilson County, North Carolina. It was built about 1821, and is a two-story, five bay, Federal style frame dwelling with a rear shed addition and exterior end chimneys. It has a one-story rear kitchen wing connected by a breezeway. Also on the property is a contributing latticed well-house.
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A cherry lattice pastry Lattice pastry is a pastry used in a criss-crossing pattern of strips in the preparation of various foods. Latticed pastry is used as a type of lid on many various tarts and pies. The openings between the lattice allows fruit juices in pie fillings to evaporate during the cooking process, which can caramelize the filling.
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W.D), P.S. 315, Queens, New York (2015); Bells and Whistles, The New School, New York, (2014). Mae West (2011), one of McBride's most known public works, is a 52-meter tall carbon structure in Munich. Built for the Effnerplatz, a hub for public and private transit in eastern Munich, it remarkably includes access for a tram line to run through its latticed base.
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The scene is the prophet Mokanna's palace in Merow (Persia). It opens with choruses expressing homage to the prophet. The young soldier Azim is appointed to lead Mokanna's troops against the advancing Caliph. Zelica, watching through a latticed window, sees the departure of the warriors, with her beloved Azim at their head, and implores Mokanna to give her back her lover.
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A latticed tank stand housed the water tanks capable of holding 83,000 litres (22,000 gallons) and a summer house stood to the south. At the time Pennefather was the Attorney General for Western Australia having been elected to the West Australian Legislative Council in 1897 as the member for Greenough. His headstone lies at the south west corner of the building and was relocated from Karrakatta cemetery.
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Queen-post trusses form the roof with a horizontal boarded ceiling under the collar beam which rakes away to the cornice. The ceiling features square latticed vents, and the projecting transept houses the organ and has a flat ceiling with two curved timber brackets. Internal timber is unpainted. A carved timber cross and the organ pipes are positioned above the tie-beam in front of the transept.
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Ventilation is provided in the ceiling by a centrally placed latticed vent and by means of moveable floor vents situated at the base of the front wall. Cross ventilation is provided by casement windows on the north and south walls. Each pair of casements has a three paned hopper above, which can be opened. Fittings on the windows on the southern wall are original.
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Oak Lawn, also known as Burford House, is a historic home in Madison Heights, Amherst County, Virginia. Its original section was built around 1810, and enlarged around 1859. It is a two-story, three bay frame dwelling with weatherboard siding, four exterior end chimneys, and Federal and Greek Revival-style design elements. A late-19th century latticed well house is also on the property.
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Crystal structure of neon clathrate hydrate A clathrate is a chemical substance consisting of a lattice that traps or contains molecules. The word clathrate is derived from the Latin (), meaning ‘with bars, latticed’.Latin dictionary and completely envelop the guest molecule, but in modern usage clathrates also include host–guest complexes and inclusion compounds.Atwood, J. L. (2012) "Inclusion Compounds" in Ullmann's Encyclopedia of Industrial Chemistry.
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A platform bed, also known as a cabin bed, is a bed with a base consisting of a raised, level, usually rectangular horizontal solid frame, often with rows of flexible wooden slats or latticed structure meant to support just a mattress. This platform alone provides adequate, flexible support and ventilation for a mattress, eliminating the need for a box-spring or separate bed base (foundation).
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Pilgrimage is the theme of many of the scenes on the vimana. The other notable descriptive representation on the vimana is the hunting scene above the central niche on the south side, where stags are depicted running away from a hunter. On the outermost frame around the latticed window of the jaganamohana, delightful scenes of monkeys playing all manners of pranks are depicted.Ghosh 1950, p.
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The main hall is rectangular with crows ash flooring. It is divided by the support beams of the addition to its southern side. The main hall has two raked timber ceilings with latticed air vents (one partially obscured) and six large, sashed windows which open top and bottom, on its northern wall. Four louvered airvents (windows) have been recently installed at floor level below the original windows.
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Daejangjeon's ceiling is latticed while the interior construction utilizes two tiered multiclustered brackets on top of the columns in the middle section. Single tiered multiclustered brackets are utilized on top of the columns on the outer tie beams between the columns in each of the side sections. The architectural study of this era's wooden pagodas is greatly enhanced by this small simple modified hall.
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This water was called the Water of the Blessed Mantle (Hırka-ı Saadet Suyu) and was purported to have miraculous qualities.Davis (1970), p. 151 After the ceremony, the sultan had the mantle packed back into its forty bohças, the small golden box, the other bohças and then into the large golden box which itself was placed under the silver latticed canopy until next year.
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As an antenna system, it used an umbrella aerial, which was mounted on a 70-metre-high, guyed central mast and supported at the corners by sixteen 30-metre-high timber masts. The central mast was wood- latticed with a weight of 10.2 tons, guyed in 5 levels. As transmitters, arc and machine transmitters were used, which served mainly for the purpose of telegraphy.
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The design of the Zarih (the box-like latticed enclosure which is placed on top of the tomb), roof, door and cellar in the shrine of the 8th shiite Imam, Ali ibn Mus'ar-Reza in Mashhad and his membership in the committee supervising the construction of the shrine, is another artistic work of the master. Farshchian resides in New Jersey. His son Alimorad Farshchian is a doctor.
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Exposed timber trusses with curved struts are a distinctive feature of the dining halls. Passive ventilation system consisting of latticed ceiling panels and vented ridge is worthy of note. External brick fireplace and chimney to kitchen highly visible from a distance. Originally a dining hall with kitchen facilities and staff accommodation wing at the rear, it was later used as self-catering conference accommodation.
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The Macquarie River underbridge is made of wrought iron with lattice girder. The bridge carries a single railway with transomes on timber stringers on metal cross girders which frame into the sides of the lower chords. The main trusses are through type lattice trusses, continuous over three spans. They are of constant depth with seven triangulations and are connected together above the track by characteristic arched latticed braces.
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As an elevated station, Taman Melati station contains three levels: The access points at street level, and the ticket area and adjoining platforms on the two elevated levels. All levels are linked via stairways, escalators and elevators designated for disabled passengers. The station uses a single island platform for trains travelling in both directions of the line, and is entirely sheltered by a gabled roof supported by latticed frames.
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As an elevated station, Dato Keramat station contains two levels: The access points at street level, and the ticket area and adjoining platforms on the two elevated levels. All levels are linked via stairways, escalators and elevators designated for disabled passengers. The station uses a 2 side platforms along two tracks for trains traveling in opposite direction and it is entirely sheltered by a gabled roof supported by latticed frames.
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As an elevated station, Setiawangsa station contains three levels: The access points at street level, and the ticket area and adjoining platforms on the two elevated levels. All levels are linked via stairways, escalators and elevators designated for disabled passengers. The station utilises a single island platform for trains travelling in both directions of the line, and is entirely sheltered by a gabled roof supported by latticed frames.
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In the introduction to the series, the reporter wrote: > ...his house is located on the (north) side of Higashi Kumagaya-Inari. > Although his residence is just a partitioned tenement house, it has an > elegant, latticed door, a nameplate and letterbox. Inside, the entry...leads > to a room with worn tatami mats upon which a long hibachi has been placed. > The space is also adorned with a Buddhist altar.
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An elaborately outlined oval window adorns the center of the pediment. The main entry is surrounded by a latticed transom and sidelights, which are flanked by pilasters with capitals that match the main columns. Above the main entrance is a balcony with wrought iron railings, which features a door with similar transom and sidelights as that below. The portico is framed by pilasters against the house which match the main columns.
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It is this enclosure which is now known as Paigah tombs., are in the shape of chaukhandis with latticed panels but open to sky. As all the Nizam's tombs till the ascending to the throne by 7th Nizams were exposed to the sky, to emulate the tomb of Mughal emperor Aurangazeb, of whom the Nizam were the governor. So the Paigah nobles preferred their graves to be without any roof.
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The chapel is a plain structure, built of gritstone with quoins at the corners and a slate roof. It has a small, hexagonal bellcote on the west gable. The side walls have two cross-windows with rectangular panes of glass and the gable walls have windows with small diamond-latticed panes of glass. On the south side are two doorways with chamfered surrounds; over one door is a lintel dated 1703.
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The house has a slate covered gable roof. A small one-story weatherboard addition was built onto the rear about 1915. Also on the property are the contributing outdoor kitchen (later used as a schoolroom), a smokehouse, an icehouse, a latticed covered well, a barn, and the large Richardson/Bowles family cemetery. and Accompanying two photos It was listed on the National Register of Historic Places in 2001.
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The Suzhou Museum of Opera and Theatre or China Kunqu Museum is a theatre museum in Suzhou, China. It is located in a Ming dynasty theatre of latticed wood and has display halls with old musical instruments, hand-copied books, lyrics and scores, masks and costumes. It also has other paraphernalia including a life size orchestra and photographs of performers. The museum also covers kunqu's 500-year-old history.
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The classroom interior is lined with VJ boards and retain bulkheads that demonstrate the former layout. Former ventilations flaps are evident at the base of the verandah walls. The classroom and teachers room ceilings are coved and lined with VJ boards, and retain centred metal tie rods and vent frames; the teachers room vent is latticed. The timber floors are covered with modern carpet and other floor linings.
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The building was expanded between 1854 and 1861 after the original building was torn down. Governor Fernándo Norzagaray y Escudero personally helped raising the necessary funds and inspected the work daily. Certain elements stand out in the facade of the chapel, besides the entrance, the pair of Tuscan columns, the two towers and the latticed choir arch. The frieze above the door is interrupted for a legend that never was placed.
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Image of the Temple of Janus on a coin from the reign of Nero (54-68 AD). Note the ornate roof decoration, latticed window (left), and garland hung across the closed double doors (right). The Janus stood in the Roman Forum near the Basilica Aemilia, along the Argiletum. It had gates at both ends, and inside was a statue of Janus, the two-faced god of boundaries and beginnings.
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The temple treasure house contains a complete collection of Buddhist scriptures completed in 1678 and comprising approximately 60,000 printing blocks, which are still in use. The production of the printing blocks was funded by donations collected throughout the country for many years. The temple's main statue is a seated Gautama Buddha. Sculptures by the Chinese sculptor known as Han Do-sei and latticed balustrades can also be seen.
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Le Soleil ("The Sun") was founded in 1973 by Rolande Bisserth, originally on 10th Avenue between 57 - 58th Streets in an area called Bois Verna, named after a neighborhood in Port-au-Prince known for its ancient latticed houses, where New York's version once boasted bookstores, churches, cafés, and bodegas called petit magasins. Its decor entails colorful primitive-style tropical landscapes decorated on peach- colored walls above brown wainscoting.
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The colossal double storied Durbar Hall has latticed windows above for the queens to view the proceedings below. The fort is enveloped by a deep moated wall which makes it one of the most formidable forts of Rajasthan. Entry to this Fort is restricted & is open only for the Guests residing in adjacent Hotel Phool Mahal Palace, which is also owned by the Royal Family of this Fort.
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The principal styling of the station is similar to most other stations in the line, featuring curved roofs supported by latticed frames, and white plastered walls and pillars. Currently, only stairways are used to link street level with the station's ticket areas and platforms, so the station is not accommodative to disabled users. Lifts were installed around July 2011, but as of December 2011 they are still not yet operational.
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The second floor, called The Tower of Sound Waves (潮音洞, Chō-on-dō ), is built in the style of warrior aristocrats, or buke-zukuri. On this floor, sliding wood doors and latticed windows create a feeling of impermanence. The second floor also contains a Buddha Hall and a shrine dedicated to the goddess of mercy, Kannon. The third floor is built in traditional Chinese chán (Jpn.
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The body whorl is densely and evenly latticed by alternately larger and smaller spiral cords intersecting scarcely less prominent, but rather closer, longitudinal rib-striae. The color of the shell is pale brown, every fourth cord marked with brown in narrow lines along the cord, alternating with diffused white spots. A row of alternately brown and white squarish spots appear below the suture: the early whorls brown. The aperture is smooth within.
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The structure featured latticed walls of British made cement which allow both light and wind to pass through; the open, yet enclosed structure Escobedo designed is intended to create an illusion of secrecy. She also makes use of a small pool and a mirrored ceiling which creates a contrast between light and shadow that changes throughout the day as the sun moves angles, the shadows that shift resembles the passage of the day.
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Casement window, with latticed lights A casement is a window that is attached to its frame by one or more hinges at the side. They are used singly or in pairs within a common frame, in which case they are hinged on the outside. Casement windows are often held open using a casement stay. Windows hinged at the top are referred to as awning windows, and ones hinged at the bottom are called hoppers.
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1846 oil painting of Thomas Powell by James Bard. Compare the solid es in this image with the latticed design (see photo above) later adopted. Thomas Powell made her maiden voyage from New York to Newburgh on 30 April 1846. She thereafter maintained a regular schedule, departing from Warren Street, New York, for Newburgh at 4 pm Monday through Saturday, with intermediate stops at Van Courtland's Dock, Peekskill, West Point, Cold Spring and Cornwall.
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The hall's walls and ceiling were paneled in dark, mahogany coffering, with a narrow, latticed stair in the center of the room rising steeply like a ship's gangway.Dolobran's hall from Lower Merion Historical Society. Surrounding this are blue-and-white, Delft-tile murals and a Jacobean chimneypiece - gifts from the Queen of the Netherlands, in gratitude for one of Griscom's ships helping to rescue a Dutch ship that was sinking.County Lines Magazine, January 30, 2012.
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The extension at the rear of the building is clad in weatherboards and has multi-paned sash windows, which match the dormer window. The front verandah of the house also has a hipped roof that has a convex profile. The verandah has timber posts, brackets and top rails and cast iron balustrading. A pair of latticed screen doors provides access to the verandah and an early louvred infill panel exists at the verandah's southern end.
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Paralabrax clathratus was first formally described in 1854 as Labrax clathratus by the French ichthyologist and herpetologist Charles Frédéric Girard (1822-1895) with the type locality given as San Diego, California. The generic name Paralabrax is a compoun of the Greek para meaning "the side of" and labrax, meaning a fish such as the European sea bass (Dicentrarchus labrax), the specific name is Latin and means "latticed", a reference to the patterning of this species.
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Latticed window at Lacock Abbey, August 1835. A positive from what may be the oldest existing camera negative.A contemporary letter by Talbot states that his January 1839 Royal Institution exhibit included "...various pictures, representing the architecture of my house in the country ... made with the Camera Obscura in the summer of 1835." A basis for naming this famous image as the oldest among the surviving camera negatives of similar date is not apparent.
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The sutures are deeply impressed. The surface of whorls are encircled by narrow spiral lirae, separated by spaces about 1 mm wide (in a specimen of 15 mm diam.). These interstices are closely latticed by oblique raised striae, and bear on the last part of the whorl from one to three minute spiral interstitial threads. There are about 16 principal threads on the body whorl of the largest specimen, but this character is extremely variable.
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Jali screens in the tomb of Akbar the Great near Agra, India A jali or jaali, (jālī, meaning "net") is the term for a perforated stone or latticed screen, usually with an ornamental pattern constructed through the use of calligraphy and geometry. This form of architectural decoration is common in Indo-Islamic architecture and more generally in Islamic architecture.Lerner, p. 156 The jali helps in lowering the temperature by compressing the air through the holes.
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The main facade is three bays wide on the first floor and four on the second, with entrance at the center, framed by sidelight and transom windows. A single-story porch extends across the front, supported by latticed square posts. The house was probably built in the 1850s, when the Newton Corner area was dotted with country estates of wealthy Boston businessmen. In 1874 it was home to Seth Adams, one of Newton's wealthiest residents.
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A masonry retaining wall separates this area from a raised lawn and garden on the eastern side of Lochiel. A storage shed is located to the east of Lochiel at the northern end of the lawn. The shed has a gable roof with ribbed pan and corrugated iron sheeting and chamferboard walls. The southern gable has decorative timber bargeboards surmounting a gabled porch with latticed timber gable panel and decorative timber detailing.
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Palaces in the Orchha Fort complex The fort complex, accessed from an arched causeway, leads to a large gateway followed by a large quadrangular open space which is surrounded by palaces such as Raja Mahal or Raja Mandir, Sheesh Mahal, Jahangir Mahal, a temple, gardens and pavilions. The fort walls have battlements, which have ornamentation. Notable architectural features seen in the fort complex consist of projected balconies, open flat areas and decorated latticed windows.
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They left for France, and fought in the Battle of the Somme on 1 July 1916. The War Department built one single and three double aircraft hangars, which were completed in 1917. These hangars had a unique latticed timber roof construction – Belfast Trusses - which were originally used in the Belfast shipyards to cover large working areas, and which provided strength at low cost. Hooton Park then became the No. 4 Training Depot Station.
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A timber board listing the names of the school's principals since 1888 is also located in the foyer. The remainder of the range, on both the first and second floors, comprises classrooms. Most classrooms throughout the building retain original partition bulkheads, which indicate the original layout, and latticed ceiling vents are retained on the second floor. Most classrooms and offices have plaster walls, timber-framed floors covered in recent carpet or linoleum, and flat-sheeted ceilings with timber battens.
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A latticed window in Lacock Abbey, photographed by William Fox Talbot in 1835. Shown here in positive form, this may be the oldest extant photographic negative made in a camera. The house eventually passed to the Talbot family. It is most often associated with amateur scientist and inventor William Henry Fox Talbot, who in 1835 made what may be the earliest surviving photographic camera negative: an interior view of the oriel window in the south gallery of the abbey.
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Coventry, p. 90 A yett (from the Old English and Scots language word for "gate") is a gate or grille of latticed wrought iron bars used for defensive purposes in castles and tower houses.Coventry, p. 10 Unlike a portcullis, which is raised and lowered vertically using mechanical means, yetts are hinged in the manner of a traditional gate or door, and secured by bolts attached to the yett, or by long bars drawn out from the wall or gateway.
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Verandahs have corrugated iron skillion roofs and the north verandah has an entrance porch with projecting gable. The east and southeast verandahs sit on timber stumps and have latticed valance and cast iron balustrades. The south verandah has timber arches with lattice infill and opens off a hall with a corrugated iron barrel vault roof which is lined with tongue and groove boards. This vault has glazing to the western end and a central square raised skylight.
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The layout of Jo-an Latticed bamboo window Jo-an is approached through the roji ('dewy ground') garden. It consists of a chashitsu (tea room), a three tatami mat mizuya (preparation room), and a one-and-a-half tatami mat rōka no ma (corridor room). The chashitsu is composed of two and a half tatami mats, a daime (three quarter tatami mat), and a toko. The building has a shake roof and a nijiriguchi ('crawling-in entrance').
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Tafl games (pronounced [tavl], also known as hnefatafl games) are a family of ancient Nordic and Celtic strategy board games played on a checkered or latticed gameboard with two armies of uneven numbers. Most probably they are based upon the Roman game Ludus latrunculorum. Names of different variants of Tafl include Hnefatafl, Tablut, Tawlbwrdd, Brandubh, Ard Rí, and Alea Evangelii. Games in the tafl family were played in Norway, Sweden, Denmark, Iceland, Britain, Ireland, and Lapland.
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View of the facilities from the access road Kettrichhof transmitter is a facility for FM- and TV-broadcasting at Kettrichhof, a village which is part of Lemberg, Rhineland-Palatinate, Germany. It is located at an elevation of a.s.l. The antenna support is a guyed mast of latticed steel with a square cross section which was built in 1985 and was originally tall. When new antennas were added in 2007, the height of the mast was increased to .
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At the rear of the site, an orchard was planted and fenced. A narrow fenced path appears to have run between the orchard and the garden from the rear service wings of Linnwood to the stables and cottage. It appears from early photos that this might have been latticed, and provided a screen between the family recreation areas and the passage of staff and workmen. This presents an insight into physical barriers to reflect class segregation at the time.
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The protection of the BMPT is superior to most MBTs, as active and passive protection is used, and additional armor (the vehicle lacks a manned turret), is distributed to the hull of the vehicle. The BMPT is fitted with additional ERA, on the front and sides. The side skirts are equipped with dynamical protection and latticed screens, which provides protection against RPGs. According to the characteristics of protection boards, the BMPT is superior to the T-90 tank.
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This elevation is asymmetrical about a central gabled bay. Three separate pedestrian bridges cross from Herston Road to the upper level connecting with the latticed porch entrance to the living quarters and the dining room. The south-west and south-east corners continue as wrap-arounds from the main elevation. A plain pilaster with a round tile decorative coping above the capital is located one-third the way along each side elevation and finishes the corner.
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The station is a typical elevated Ampang Line and Sri Petaling station, the platform level is on the topmost floor, consisting of two sheltered side platforms along a double tracked line; there is a single concourse housing ticketing facilities between the ground level and the platform level. The design is similar to that of most other stations on the line, with multi-tiered roofs supported by latticed frames, and white plastered walls and pillars. All levels are linked by stairways and escalators.
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Alameda de Paula during 1940s renovation The promenade was the subject of various transformations in the course of the 19th century; the embankment was tiled, a fountain was located there and the back of the seats was latticed. By that time it was considered the most popular and busiest place in the city. Toilets were built which increased its popularity. In the 1940s, squares were drawn at its ends, widened, and provided with access stairs and seats, street lamps were updated.
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Mughal architecture emerged in the medieval period during the reign of the Mughal Empire in the 15th to 17th centuries. Mughal buildings have a uniform pattern of structure and character, including large bulbous domes, slender minarets at the corners, massive halls, large vaulted gateways and delicate ornamentation, usually surrounded by gardens on all four sides. The buildings are usually constructed out of red sandstone and white marble, and make use of decorative work such as pachin kari and jali-latticed screens.
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When that got so packed with plants he couldn't move, he started an annex by building a tier of shelves on the rear wall of his house." "It wasn't long until both were overflowing and he had to construct a latticed roof and screened-in, vine-clad, wire mesh walls." "The establishing of the garden was actuated by the act of Mrs. A. H. Bryan presenting Mr. Powell with about a thousand plants, and a further donation by Charles H. Beetham.
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The 16th-century forework, or "spur", which provides additional protection for the main gate, is largely the work of Sir James Hamilton of Finnart, and contains numerous defensive features. Originally a rock ditch ran in front of the entrance, and was crossed by a drawbridge. The original 1693 yett, a latticed iron gate, is still in place. Once through the entrance, any attacker would have had to negotiate a dog-leg passage, exposing his back to fire from the caponier.
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Sculpture: the third, fourth and fifth whorls carry distinct spiral grooves latticed by oblique threads, which do not cross the intervening ridges. On the latter whorls this sculpture gradually fades away, leaving the body whorl smooth and polished. Around the axis on the base run four profound spiral grooves, the outer deepest, separated by smooth, prominent, narrow cords. The narrow umbilicus is bounded by a tuberculate rib, within which it is excavate, and spirally ascends the full height of the shell's interior.
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Tarte Tatin, a French variation on apple pie An apple pie is a pie in which the principal filling ingredient is apple, originated in England. It is often served with whipped cream, ice cream ("apple pie à la mode"), or cheddar cheese. It is generally double-crusted, with pastry both above and below the filling; the upper crust may be solid or latticed (woven of crosswise strips). The bottom crust may be baked separately ("blind") to prevent it from getting soggy.
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View of interior courtyard Exterior view of the Mosque with latticed Khirkis on the second floor The Mosque has a x square plan in an area of . It is raised on a plinth of . There are four open courtyards (square in size of on each side) encircled by arcades built with 180 square structural columns and 60 pilasters, which run in north-south direction and divides into aisles. The open courtyards are the source of light and ventilation to the internal prayer spaces.
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The Adomi Bridge (originally the Volta Bridge) is a latticed steel arch suspension bridge crossing the Volta River at Atimpoku in Ghana in West Africa. It is the first permanent bridge to span the Volta River, which drains south into the Gulf of Guinea, and is Ghana's longest suspension bridge. It provides the main road passage, just south of the Akosombo Dam, between the Eastern Region and the Volta Region of Ghana. It was opened in 1957 by Kwame Nkrumah, Ghana's first president.
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Mr. Jenkins and Mr. Hastings only crushed, fermented, and aged a few cases of that year's grapes for personal use. The first private labels created were very simple and had only the basic information (i.e., year, variety, and percent alcohol content). The original Blackbird Vineyard label was designed by Mr. Jenkins and Mr. Hastings and based on the signage at the vineyard. It depicted a white latticed background with a single blackbird feather sitting on top of the “Blackbird Vineyard” banner.
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The exterior of the trains were of two main styles: the original cars had a clerestory roof, and those built from the late 1920s onward had a simpler arched roof. From 1971 the interior was simplified to cut maintenance costs, with some doorway windows being replaced by metal and plywood, and the wooden latticed sun blinds being removed. The motor bogies on the trains were originally of pressed steel construction, being changed for a new design in cast steel in the 1930s.
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Each block has three unornamented doorways with arched heads. Above the central doorway is a cast-iron plaque bearing the coat of arms of the Tollemache family and the date 1870.Simpson, plate 117 The ground floor has four casement windows, one of two lights and three of three lights; there are four two-light casements to the attic floor, two of which are gabled dormers. All the windows are latticed in iron with a diamond pattern and have arched heads.
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This allowed for natural light to enter from the student's left, an optimum arrangement espoused by educators at the time. The ceiling was coved with an exposed tie rod and an off-centre latticed ceiling vent between the doors. The understorey provided sheltered play space and was partly enclosed with timber battens and corrugated metal; timber seats ran along the south wall and into the southwest corner.ePlan, DPW Drawing 13918333, "Standard Type School for 60 Pupils at Maroon", 1933, last update 1937.
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Ileodictyon cibarium is a saprobic species of fungus in the family Phallaceae. It is found in Australia, New Zealand and South Africa, where it commonly known as the basket fungus or the white basket fungus, alluding to the fruit bodies that are shaped somewhat like a round or oval ball with interlaced or latticed branches. While the immature volvae are edible, the mature fruit body is foul-smelling and covered with a slime layer containing spores on the inner surfaces.
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Each half arch consists of two adjacent trusses laced together at top and bottom chord level and each truss consists of a top and bottom chord laced together in arch form. Each truss is therefore made up of four main timber chords sprung into arch form, and light timber bracing nailed into position to form a curved open-latticed box truss. The structures were originally sheeted in corrugated iron, however igloos nos. 1-3 have been re-sheeted with ribbed metal sheeting.
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The station also serves as a public crossing across the railway tracks between Salak South and Bandar Sri Permaisuri via a walkway running underneath the STAR line and platforms. The principal styling of the station is similar to most other stations in the line, featuring multi-tiered roofs supported by latticed frames, and white plastered walls and pillars. Because stairways are only used to link street level with the station's ticket areas and platforms, the station is not accessible to disabled users.
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The enclosed courtyard has a corrugated iron skillion roof supported by timber posts, with louvred glass panels and compressed sheeting forming the exterior wall. A recessed entrance is located centrally, with multi-paned bifolding timber doors. A rendered masonry chimney is located at the rear of the original section of the building adjacent to the enclosed courtyard. The "museum" wing is constructed of chamferboard and has a corrugated iron gable roof and is supported by brick piers with latticed timber infill panels.
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On the South-East end of the complex is the square Lat ki Masjid made of red sandstone taken from the destroyed Hindu and Jain temples, the pillars have inscribed Hindu design and doors have Hindu temple style chabutra. There is one door each in four directions, there is a stone jali (perforated latticed stone screen) above each door. The roof has stone brackets that can be seen from outside of the building. The roof is altered with later-era addition of a brick wall.
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Beneath, a 1.7 bay section of the wooden outer wall was uncovered, including base stones with lotus designs; columns, with marked entasis; base and head penetrating tie- beams; middle non-penetrating tie-beams; latticed windows; sections of lath for plastering; and bracket blocks. Additional elements discovered the following year include bracket arms, rainbow beams, rafters and purlins. Traces of red paint on the timbers and fragments of plaster were also uncovered. Further discoveries in 1984 included better-preserved windows and ground plates and pivot blocks for doors.
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In 1860, the New Grammar School was founded from the amalgamation of this school with the Blue Cap School, a charity school founded around 1700 which had closed in 1852. It occupied a large schoolhouse and headmaster's house at 108 Welsh Row. In 1885, it incorporated the grammar school of Acton, and became known as Nantwich and Acton Grammar School. The former schoolhouse and headmaster's house at 108 Welsh Row is listed at grade II; it has diapering, latticed windows and an octagonal bell tower.
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An egg cut in half lengthwise reveals internal layers, including a tough white outer peridium, and a thick layer of firm, translucent, gelatinous matter transversed by strands (trabeculae) of denser white tissue. The strands are anastomosing partitions, connecting with the peridium externally and with the bars of the receptaculum within. The gelatinous layer is therefore divided up into many irregular longitudinal chambers. Close-up of latticed receptaculum The egg eventually ruptures as the stalk expands and breaks through, creating a volva at the base of the stipe.
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The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies) and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling. JCJ Architecture of New York City designed renovations with Schuler Shook as theater consultants. In patron areas, the plan replaced and reconfigured all seats and carpeting. The reconfiguration created two aisles in the orchestra level, which previously featured continental-style seating, with no center aisles.
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The egg was created by Faberge's workmaster, Henrik Wigström (Russian, 1862–1923) and is crafted of gold, green and pink enamel in various shades, portrait diamonds, rose-cut diamonds and satin lining. This egg is enamelled in translucent pale green and latticed with rose-cut diamonds and decorated with opaque light and dark pink enamel roses and emerald green leaves. A portrait diamond is set at either end of this egg, the one at the base covering the date "1907". Unfortunately the monogram has now disappeared.
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Construction progress in September 2017 55 Hudson Yards was originally conceived as a , building with 56 stories at 550-570 West 34th Street. It was expected to keep the latticed glass facade and a curved roof, as well as many of the old design plans of the World Product Center because Extell was designing One Hudson Yards. However, in late 2013, a design change was made that downsized the building to . Also, the building would have had a modified beige façade, as well as a flat roof.
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The gleba found on the disc and inner side of the arms is slimy, foetid, and green colored. Spores are hyaline, with dimensions of 4–6 1.5–2 μm. Aseroë rubra, an Australian and Pacific species which has spread to Europe and North America. ;Blumenavia Möller (1895) ; Clathrus P. Micheli ex L. (1753):Clathrus columnatusFruiting bodies are latticed (clathrate), and made of hollow tubular arms that originate from the basal tissue within the volva. Spores are elliptical, smooth, hyaline, with dimensions of 4–6 ×1.5–2.5 μm.
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Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795 and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju.
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The walls and ceilings of the upper level are lined with v-jointed, tongue-and- groove boards with moulded architraves and timber splay skirtings. It has high-waisted, panelled timber doors with fanlights and original hardware. The main room has a latticed ventilation panel in the ceiling and in 2012 the building houses various items of early school furniture and school equipment. The later extension to Block F is clad externally on both levels with weatherboards and the gable roof is clad with corrugated metal sheeting.
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The grandstand facing the number one oval was opened in September 1936. The Brisbane City Council Register of new buildings lists the grandstand on 13 February 1936, with H. Sanham as the contractor, and the Brisbane City Council as the architect. The cost of the brick and timber building was listed at . The two changing rooms and storage area within the brick ground floor have been renovated and reconfigured over time, and the current latticed balustrade at the front of the seating was introduced since 1985.
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The domed gateway is decorated with red sandstone and inlaid white marble decorations, inscriptions in Naskh script, latticed stone screens and showcases the remarkable craftsmanship of the Turkish artisans who worked on it. This is the first building in India to employ Islamic architecture principles in its construction and ornamentation. The Slave dynasty did not employ true Islamic architecture styles and used false domes and false arches. This makes the Alai Darwaza, the earliest example of first true arches and true domes in India.
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The station also features an island platform for its two adjoining tracks, instead of side platforms. Both segments of the station are linked by a footbridge, which, like the initial KTM halt, did not accommodate disabled passengers as the footbridge is only accessible via staircases. This has since changed when lifts were added to both the KTM and LRT stations. The principal styling of the station is similar to most other stations along the Ampang and Sri Petaling lines, featuring multi-tiered roofs supported by latticed frames, and white plastered walls and pillars.
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The amphitheater was built in 1868 under the direction of Civil War General John A. Logan. Gen. James A. Garfield was the featured speaker at the Decoration Day dedication ceremony, May 30, 1868, later being elected as President of the United States in 1881. The amphitheater has an encircling colonnade with a latticed roof that once supported a web of vines. The amphitheater has a marble dais, known as "the rostrum", which is inscribed with the U.S. national motto found on the Great Seal of the United States, E pluribus unum ("Out of many, one").
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Master craftsman Biaglo Gugliuzzo of Garnerville created walks and latticed walls of Haverstraw brick. It was the only W.P.A. landscape architecture project designed and supervised by a woman. The garden features a one-story tea house whose interior features a brick fireplace with carvings of mountains, windmills and other serene symbols representing aspects of Dutch- American history, others of motifs popular in 1930s: Popeye, the Baker Cocoa and Old Dutch Cleanser maids. Also in the garden is a bandstand, a serpentine brick wall, and a small round brick table.
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The sheet would then be broken off the pipe and trimmed to form a rectangular window to fit into a frame. At the center of a piece of crown glass, a thick remnant of the original blown bottle neck would remain, hence the name "bullseye". Optical distortions produced by the bullseye could be reduced by grinding the glass. The development of diaper latticed windows was in part because three regular diamond-shaped panes could be conveniently cut from a piece of Crown glass, with minimum waste and with minimum distortion.
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As part of the 1964 naval program, the Royal Canadian Navy planned to improve the attack capabilities of the Restigouche- class. Unable to convert the vessels to helicopter-carrying versions like the St. Laurents due to budget constraints, instead Restigouche-class ships were to receive variable depth sonar (VDS) to improve their sonar range, placed on the stern, and the RUR-5 anti-submarine rocket (ASROC). The destroyers also received a stepped latticed mast. Called the Improved Restigouche Escorts (IRE), Terra Nova was the first to undergo conversion, beginning in May 1965.
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On the upper portion of one column on the left is a symbol or device somewhat resembling a dagoba, with a rude canopy over it. The arched roof has had wooden rafters as at Karle and elsewhere, but they are gone, and the only remains of the woodwork is a portion of the latticed screen in the front arch. The façade bears a strong family likeness to that at Bhaja. On the left side is a fragment of sculpture in high-relief part of the head of a single figure about twice life-size.
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Three-phase alternating current transmission towers over water, near Darwin, Northern Territory, Australia Tower structures can be classified by the way in which they support the line conductors.American Society of Civil Engineers Design of latticed steel transmission structures ASCE Standard 10-97, 2000, , section C2.3 Suspension structures support the conductor vertically using suspension insulators. Strain structures resist net tension in the conductors and the conductors attach to the structure through strain insulators. Dead-end structures support the full weight of the conductor and also all the tension in it, and also use strain insulators.
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Bosbyshell had been elected vice-president of the Fidelity National Life Insurance Company in February 1893; in December of that year he was elected treasurer instead, a post he still held as of 1908. President McKinley appointed him a member of the 1898 Assay Commission. Bosbyshell in his later years In September 1893, a major theft at the Philadelphia Mint had been discovered. Henry Cochran, weighing clerk, had been surreptitiously extracting gold bars from a vault sealed in 1887, not with a solid door but with a latticed one that was somewhat loose.
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Like its extension counterparts, Bermondsey station was designed with a futuristic style in mind by Ian Ritchie Architects. Extensively using natural light, it is built in both a cut-and-cover and tube design.Bermondsey Beacon - design of Bermondsey station of the London Underground The Architectural Review Retrieved 2007-12-01 The cut-and-cover section is supported by latticed concrete beams allowing light to penetrate to the platform level. The escalators down to this area are lined by flat concrete with a high ceiling to give a feeling of spaciousness.
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Mr Brontë's counsel was that she should leave her husband. Mrs Collins returned to Haworth in the spring of 1847, while Anne was writing The Tenant, and told how she had managed to build a new life for herself and her two children. Wildfell Hall, as depicted by Edmund Morison Wimperis The Brontë biographer Winifred Gérin believed that the original of Wildfell Hall was Ponden Hall, a farmhouse near Stanbury in West Yorkshire. Ponden shares certain architectural details with Wildfell, including latticed windows and a central portico with a date plaque above.
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Kirton Lindsey railway station serves the town of Kirton in Lindsey in North Lincolnshire, Lincolnshire, England. The station was opened in 1849 on the former main line of the Great Grimsby and Sheffield Junction Railway which became part of the Manchester, Sheffield and Lincolnshire Railway. The station was built with two flanking platforms with the main station building on the Sheffield-bound side at the top of a long approach road. The Grimsby-bound platform had a simple waiting shelter and the platforms were linked by a latticed footbridge.
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The coved ceiling features an exposed metal tie rod and a latticed vent. The east and west facing verandahs have been enclosed (with weatherboard and aluminium framed windows) and are accessed by timber stairs. Both verandahs have raked ceilings lined with VJ boards and the verandah walls are single-skin with externally exposed studwork, except for the southern end of the west verandah, which is lined with flat sheeting. Doorways occupy their original positions in the verandah walls - slightly north of centre - and align with the modern external verandah doors.
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In that palace Tvashta had arranged canopies with hanging strands of pearls; there were also seats and beds fashioned of ivory and precious jewels. In attendance were many well- dressed maidservants bearing lockets on their necks, and also armor-clad guards with turbans, fine uniforms, and jeweled earrings. The glow of numerous jewel-studded lamps dispelled all darkness in the palace. My dear king, on the ornate ridges of the roof danced loudly crying peacocks, who saw the fragrant aguru incense escaping through the holes of the latticed windows and mistook it for a cloud.
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Early architectural style photograph by William Henry Fox Talbot, c. 1845. The first permanent photograph, View from the Window at Le Gras by Nicéphore Niépce, was also the first architectural photograph as it was a view of buildings. Similarly, photographs taken by early photographer William Henry Fox Talbot were of architecture, including his photograph of a Latticed window in Lacock Abbey taken in 1835. Throughout the history of photography, architectural structures including buildings have been highly valued photographic subjects, mirroring society's appreciation for architecture and its cultural significance.
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The Hachisuka scroll contains paintings which are not associated with any text sections of the scroll. The fifth painting of the scroll corresponds to a scene described in the second text section of the Hinohara scroll, where Murasaki Shikibu is looking back to her first time at court. The painting shows Murasaki Shikibu inside a room with closed tsumado (hinged plank door) and shitomido (latticed shutters). Next to her is an old- fashioned interior light-fixture consisting of a wooden pole with an oil- filled dish and wick on top of it (tōdai).
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Sri Petaling Line is visible in the background. Overall, the Miharja station was built as a low-rise station along two tracks for trains traveling in opposite direction. Because the station is nearly subsurface and features two side platforms, the station designates individual ticketing areas for each of the station's two platforms at their level, ensuring access to trains traveling the opposite direction is not freely possible. The principal styling of the station is similar to most other stations in the line, featuring curved roofs supported by latticed frames, and white plastered walls and pillars.
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The Admiral's House is two stories tall, with a high basement to its east, where the land slopes downward. The original (1843) wing was described as having "the character of a country villa with some unusual exterior woodwork" as well as a cornice with scalloped molding as well as latticed porch columns. The porches on both the east and west sides have two- story-high Doric wooden columns. The porch on the west side contains granite steps, while the porch on the east side has a veranda that branches out to semicircular brick steps.
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Cancelli are lattice-work, placed before a window, a door-way, the tribunal of a judge, or any other place. This led to the occupation of cancellarius, which originally signified a porter who stood at the latticed or grated door of the emperor's palace. According to the Historia Augusta, the emperor Carinus (reigned 283-285) gave great dissatisfaction by promoting one of these cancellarii to city prefect, although the veracity of this account is disputed. Other cancellarii were legal scribes or secretaries who sat within the lattice-work which protected the tribunals of the judges from the crowd.
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The central bay has a canted bay window surmounted by a stone balustrade with foliage decoration and cross-shaped openings. The flanking bays each have a single window, and all three windows to the front face have stone mullions and transoms and hexagonal-latticed lights. The main entrance is in a gabled porch attached to the St Anne's Lane (left) face; the doorway, reached by a short flight of stone steps, is undecorated and has a stone top. The sides of the Welsh Row face and the edges of the central bay have decorative stone quoins.
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This composition has an optical absorption edge at 0.75 eV, corresponding to a cut-off wavelength of λ=1.68 μm at 295 K. By increasing the mole fraction of InAs further compared to GaAs, it is possible to extend the cut-off wavelength up to about λ=2.6 µm. In that case special measures have to be taken to avoid mechanical strain from differences in lattice constants. GaAs is lattice-mismatched to germanium (Ge) by 0.08%. With the addition of 1.5% InAs to the alloy, In0.015Ga0.985As becomes latticed-matched to the Ge substrate, reducing stress in subsequent deposition of GaAs.
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In maturity, the fruit bodies, are up to tall, with a latticed spherical cap (the receptaculum) atop a long yellow or reddish stipe. In general, Old World specimens tend to be yellow, while New World specimens are reddish, although exceptions have been noted in the literature. The receptaculum is typically in diameter and forms a red or orange lattice, or mesh. There are typically between 20 and 100 small pentagonal to hexagonal meshes in the receptaculum; the arms of the mesh have sharp ridges on the outer surface, corrugations on the sides, and are flat to weakly ridged on the inner surface.
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Lysurus periphragmoides, commonly known as the stalked lattice stinkhorn or chambered stinkhorn, is a species of fungus in the stinkhorn family. It was originally described as Simblum periphragmoides in 1831, and has been known as many different names before being transferred to Lysurus in 1980. The saprobic fungus has a pantropical distribution, and has been found in Africa, Asia, Australasia, and the Americas, where it grows on fertile ground and on mulch. The fruit body, which can extend up to tall, consists of a reddish latticed head (a receptaculum) placed on top of a long stalk.
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The interior walls are lined with v-jointed timber boards (original) or plasterboard sheeting (modern). In parts, the rooms have an operable timber ventilation board at the wall base that is original. This appears to relate to the original locations of classrooms (ventilated) and hat and coat rooms (unventilated). The former head teacher's room and the library and record clerk's rooms retain original sheet and battened ceilings in a decorative pattern with a central latticed ventilation panel, but all other rooms have a modern suspended ceiling, behind which the coved timber board lined ceiling and iron tie rod probably survive.
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On approaching the end of this avenue, I got my first glimpse, of the observatory towering among Norfolk Island pines and gigantic bamboos. The latter were waving and creaking above the gate at which we had just arrived. The gentlemen then dismounted and handed us out of the carriage, and we passed along a broad, winding walk, bordered with ornamental shrubs and monthly roses, through which glimpses of the lake were to be seen. Beds of various shapes and sizes, well filled with flowers, and well-kept walks met the gaze, and a very pretty latticed summer-house attracted my notice.
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The Duke has had the place made not only > serviceable, but very picturesque in its design and finish. The general > outline seems to be that of a Swiss chalet, and this appearance is not > lessened by the surrounding hilly district. The windows are latticed, and > look very cosy, whilst all the waiting-rooms and other necessary adjuncts to > such a station are well fitted up. With true patriotism his lordship > determined that Scotch pine should be used as far as possible in the > construction of his station, so that he had it built of that wood.
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The Tuckerman Water Tower is a historic waterworks facility at the south end of Front Street in Tuckerman, Arkansas. It is a tall metal structure, with four latticed legs, braced with rods and sloping inward, to support a water tank that is bowl-shaped at the bottom and topped by a conical roof. A pipe traverses the center of the tower for the movement of water to and from the tank. Built in 1935 with funding support from the Depression-era Public Works Administration (PWA), it is the only remaining PWA tower of its type in the county.
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Images of England: Sparrows Roost (accessed 13 February 2008) Wrexham Road in Burland village is lined by several grade-II-listed buildings dating from around 1870, formerly cottages of the Peckforton Estates. The red-brick cottages feature hexagonal latticed windows, ornate timber gabling and a prominent central chimney stack.For example: Images of England: 1 & 2 Tollemache Cottages (accessed 13 February 2008) Burland Farm House, also built for the Peckforton Estate, is of a similar date.Images of England: Burland Farm House (accessed 13 February 2008) Ravensmoor Windmill, a former windmill dating from the early 19th century, has been restored as a residential property.
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The windows on the upper floor are rectangular with latticed shutters and elaborate iron balconets. The elaborate portals and windows of the sobrado, have straight lintels and mortar borders, are in contrast to the adjacent House at No. 4, which has a simple door and a single sash window on the ground floor. The ground floor the Sobrado at No. 2 has an irregular, trapezoidal plan and consists of four large rooms on the ground floor and six smaller rooms on the upper floor. A small corridor leads to the stairs from a door on Rua Ana Nery.
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Ginling's first home was an old-style Chinese residence in Embroidery Alley () known locally as the Garden of the Lis () because it was previously owned by the fifth son of Li Hongzhang, the famous statesman of the Qing dynasty. It consisted of “two large, rambling, Chinese mansions set side by side, each containing four paved courts, set one behind the other, with a fifth court at the side. The buildings were all of gray brick with gray tiles and overhanging caves. Each court had about ten rooms, in most of the rooms delicately latticed windows covered the larger half of the walls.
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Northall is a hamlet in the civil parish of Edlesborough, in Buckinghamshire, England, situated halfway between Edlesborough and Billington, Bedfordshire. It has one large Baptist chapel which is still in use and one pub,The Swan The village was formerly part of the Ashridge Estate of the Earls and Dukes of Bridgwater. Like nearby Slapton, it has a few very high gabled cottages, with thickly latticed window panes, which are indicative of having been designed by the architect retained by the estate in the 19th century. The hamlet contains some recently built houses, but most houses are predominantly 19th century.
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It retains its gable roof; early timber joinery; single large classroom; generous verandahs (now enclosed) with hat rooms; coved ceiling with latticed vent and tie rod; VJ board linings; and single skin verandah walls. An early school bell hangs from the eaves of the western verandah. The playshed is a good example of its type and retains its hipped timber-framed roof, supported on six braced timber posts. The Maroon War Memorial is important in demonstrating the principal characteristics of its class of cultural places, being a substantial and highly intact commemorative structure erected as an enduring record of a major historical event.
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The massive balusters and huge posts surmounted by lofty pinnacles, and the dim light from the small latticed window, gave a dark appearance to this part of the building. In a room north of the hall at the north-east corner, the remains of a small winding staircase of brick and stone, which led originally to the upper part of the mansion was found on taking down the wainscot. The wainscoting was taken to Southam House, Lord Ellenborough's seat, near Cheltenham. The general character of the original structure was distinguished by long windows divided into numerous lights by massive mullions and transomes.
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A splendid three-storey rectangular volume with a towering vaulted ceiling, the chapel has a projecting apse to the east, a mezzanine gallery to the west and holds a congregation of over 350 persons. Lit to each side by five, tall, narrow, coloured glass windows with decorative geometric grids featuring crosses and arcade motifs, the interior is finished in white painted plaster with ribs, compound columns and decorative features picked out in gold. Latticed ceiling roses vent the space. The sanctuary is within the projecting apse, lit by a small narrow light to each side and encircled by a blind arcade.
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An entrance to the rear lean-to, with a corrugated iron hood with curved timber brackets, is located on the western side. A porch with decorative timber detailing protects a second entrance located mid-way along the western elevation (this entrance was possibly originally a bay window). The porch has a gable roof with latticed timber gable panel and balustrade, curved valance and paired timber posts with cross-bracing. A continuous window hood surmounts several non-original casement windows, and two dormer windows with arched leadlight panels are located on the western side of the roof.
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Entrance archway Other rooms on the ground floor include a clothes room, a 6 by community room, a 6 by kitchen, a by 2.1-metre pantry and a by 3.65-metre lavatory. Bathrooms and shower bathrooms are fitted with hot and cold showers that are controlled from the lavatory. The laundry is with copper and tubs; the laundry also has a heater that supplies the whole building with hot water. The block which contains the sanitary requirements for the building is connected by a covered way and is well ventilated by air shafts, latticed doors, and louvres.
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The median one (the most prominent of all) is situated in the middle of the whorls, and the lowermost a little above the lower suture. The interstices between the carinations are finely latticed with spiral thread-like lirae and raised incremental lines. The former are about three or four in number in each of the interstitial spaces, and the latter very arcuate between the central and uppermost keel, and very oblique beneath the former. The body whorl has about twelve additional carinae or lirae, whereof the four uppermost are stouter and further apart than those beneath.
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Flat-sheeted ceilings were also added; however, it is possible the original coved ceilings, tie rods and latticed vents remain above. Further remodelling of the interiors was undertaken in 2000 when large openings were created in the former verandah walls and classrooms were reconfigured in Block B (four classrooms), D and E (three classrooms). An external lift was added to the east of the link between Block B and Block C in 2016. The Boulton & Paul buildings with DPW extensions, Block F, remains fairly intact externally apart from enclosure of the verandahs to the 1954 sections with awning windows and crimped-metal cladding to the western wall.
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Most of the houses are constructed of unbaked bricks, with the incorporation of wooden structures for protection against earthquakes, with many composed of wooden doors and latticed wooden balconies. Numerous examples of the city's old architecture can still be seen in areas such as Sethi Mohallah. In the old city, located in inner-Peshawar, many historic monuments and bazaars exist in the 21st century, including the Mohabbat Khan Mosque, Kotla Mohsin Khan, Chowk Yadgar and the Qissa Khawani Bazaar. Due to the damage caused by rapid growth and development, the old walled city has been identified as an area that urgently requires restoration and protection.
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At a subsequent date the corner bays were moved to the front, the central pediment porch was removed and two gables were constructed over the relocated bay windows. Internally, the walls were sheeted with innovative narrow, vertically jointed pine boards and the ceilings with pressed metal of Art Nouveau design. The service wing at the rear projected to the west at right angles to the main house, and contained kitchen, two pantries and a ground level washhouse. It had a blank wall to the street, relieved only by two oval-shaped windows to the kitchen itself, but opening onto a latticed verandah at the rear.
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In Mediterranean climates with lower snow loads high roof pitches and their greater consumption of materials and labor are unnecessary. Simple gable roofs are also problematic, as the lower low eaves made possible by a shallow pitched hip roof provide the opportunity for both shade and rain protection in the form of an overhang or latticed porch. The shade these create keeps a structure cooler, their covered space is an attractive place for relaxation and escape from heat trapped inside, and the rain "shadow" created by overhangs greatly reduces the moisture content of the soil. This inhibits both foundation decay and subterranean termites common in these areas.
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The town, as "Novioduni xli", on the Roman map Tabula Peutingeriana Ruins of the Noviodunum fortress; the tall latticed towers form part of the Vetrino–Isaccea–Yuzhnoukrainsk powerline The land where the town is now has been inhabited since prehistoric times: the remains of a neolithic settlement, belonging to the Boian-Giulești culture (4100–3700 BC) were found in the northwestern part of the town, in a place known as "Suhat".Integratio: Dobrogea de Nord: Isaccea: History , a project of the Centro Universitario Europeo per i Beni Culturali, accessed December 2006.Constantin Haită. "Studiu sedimentologic preliminar pe situl neolitic Isaccea-Suhat. Campania 1998", Peuce (), 2003, 14, p.447-452.
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Above this gate is the Suhag Mandir where ladies of the royal family used to watch functions held in the Diwan-i-Aam through latticed marble windows called "jâlîs". ; Sila Devi temple Embossed double leaf silver door entry into the Sila Devi temple On the right side of the Jalebi Chowk, there is a small but an elegant temple called the Sila Devi temple (Sila Devi was an incarnation of Kali or Durga). The entrance to the temple is through a double door covered in silver with a raised relief. The main deity inside the sanctum is flanked by two lions made of silver.
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The Glover Residence is noted for its blend of Western and Japanese elements and is an example of treaty port building. This type of architecture closely resembles one-story bungalows used by foreigners in Hong Kong or Shanghai and imported to Japan by British traders. Rather than following contemporary Victorian styles, this type of building more closely reflects the Georgian aesthetic popular in Britain during the previous generation. The stone-floored verandas, latticed arches, and French windows are several of the distinctive foreign elements included in the residence, while Japanese influence can be seen in the tile roof with its demon-headed tiles intended to ward off evil.
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The next consists of a small hall, lighted by the door and a small latticed window, with a bench running along the left side and back and a cell on the right with a stone bed in it. The veranda has had a low screen wall connecting its two octagon pillars with the ends. Outside, on the left, is a large recess and over it two long inscriptions. Close to this is another cave with four benched chambers; possibly it originally consisted of three small caves, of which the dividing partitions have been destroyed; but till 1853 the middle one contained the ruins of four small dagobas, built of unbumt bricks.
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However,the foyer in front of the mihrab is not well lighted since light from the latticed windows on the second floor do not penetrate this space. The approach to the roof of the mosque is from the east gate, and the view from the roof leaves a lasting impression of the geometrical design of the Mosque. The mosque's walls are of rubble masonry construction with plastered surface on the outside. The interior walls are bland but provided with traditional carved stone screens. The symmetrically designed admirable mosque is considered as one of “the finest architectural compositions of the Sultanate history.” It was considered Firuz Shah's architectural benefaction.
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Adomi Bridge steel arch supporting two- lane roadway Adomi Bridge hangers from arch to the transverse beams The single-span arch bridge was designed by William Brown of the engineers Freeman Fox & Partners. It is a two-hinged silver latticed steel crescent-shaped arch bridge with a two-lane road deck suspended by cables. The lower-chord arch rises above the hinges and the main span is long. To make an aesthetically pleasing crescent-shaped arch, the lower curve formed by the lower chords is a parabola, and the upper curve is derived from it by offsets decreasing logarithmically from the center to the hinges.
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The sides of the platforms not adjoining the main building are surrounded by walls constructed in the same style as the main building. The platforms and main building are linked to each other via two underground passageways. The design of the extended platform for the 1986 refurbishment of the station took a more modernist approach, consisting simply of large concrete pillars supporting a latticed roof and a ticket office on concrete slabs at the north end, suspended two stories above ground. White walls and arches that serve as decorations to the extension mimic design cues from both the old station and the Dayabumi complex.
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The most sunny and open area of the gardens is what is referred to as the Flower Garden located to the southwest of the house. Planted with several varieties of roses, the layout combines rectangular forms with irregular, curved paths and ornamented with one of three latticed gazebos with onion-domed roofs found on the property. Nearby is a subterranean hothouse (heated greenhouse) and brick tool shed that had at one time been connected to a greenhouse which is no longer extant. The other two gazebos center the large gardens on each side of the allée, and are placed directly opposite from each other to imply a cross-axis.
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House at No. 17 Rua Benjamin Constant (, or Casa à Ladeira da Cadeia, 17) is a former home and archive building in Cachoeira, Brazil. Its date of construction is unknown but is likely between the end of the 18th century and beginning of the 19th century. The house is noted for its latticed balcony at its rear façade, which provides a view of Cachoeira, its neighboring municipality Sao Felix, and the Paraguaçu River. The house was listed as a historic structure by the National Institute of Historic and Artistic Heritage in 1941; it now functions as the archives of the municipality of Cachoeira and may be visited.
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It displays many features of the Colonial Regency style, including a symmetrical facade, four-room plan with a double pitched roof and a central valley, flat timber posts and decorative fascia boards. Its principal elevation is four-rooms wide, two rooms flanking either side of a central hall. Each room has a separate access to the front verandah in the form of French doors with full-height shutters. The detailing is minimal presenting twin post and latticed columns supporting the verandah roof and just above, it is edged with a scalloped fascia board (the bargeboard at the rear and gabled ends is also scalloped).
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164-5 He then spent 23 years rebuilding and embellishing Champaner, which he renamed Muhammadabad, after which he moved the capital there from Ahmedabad. Sultan Begada also built a magnificent Jama Masjid in Champaner, which ranks amongst the finest architectural edifices in Gujarat. It is an imposing structure on a high plinth, with a central dome, two minarets 30 meters in height, 172 pillars, seven mihrabs, and carved entrance gates with fine latticed windows called "jalis". In 1535, after chasing away Bahadur Shah, Humayun led 300 Mughals to scale the fort on spikes driven into rock and stonework in a remote and unguarded part of the citadel built over a precipitous hillside on Pavagadh Hill.
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The library interior is often regarded as one of the most beautiful libraries in the world. Completed in 1878, it was designed by Baltimore architect Edmund G. Lind in collaboration with the first Peabody provost, Nathaniel H. Morison, that described it as a "cathedral of books." The visually stunning, monumental neo-Greco interior features an atrium that, over an alternating black and white slab marble floor, soars 61 feet high to a latticed skylight of frosted heavy glass, surrounded by five tiers of ornamental black cast-iron balconies and gold- scalloped columns containing closely packed book stacks. Between July 2002 and May 2004, the now historic library underwent a $1 million renovation and refurbishment.
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A long, rectangular, two-storey, facebrick building with a hip-roof drawn down over latticed lateral verandahs, the former Workshops building is sited west of F, G and H blocks and closes the courtyard visually to the west. Though different in form, the building is unified with the other buildings in the group in scale, detailing and materials. It is distinguished by dark red facebrick rusticated verandah columns which split to two thinner paired columns in the centre bay at first floor level. There also is contrasting dark red brick banding to sill levels, the flat arched double hung windows to the ground floor and segmental arched double hung windows with fanlights to the first floor.
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For special purpose or colored tubes the halophosphor was mixed with small quantities of other phosphors, particularly in De-Luxe tubes with higher color rendering index for use in food market or art studio lighting. Prior to the development of halophosphor in 1942, the first generation willemite latticed, manganese-II activated zinc orthosilicate and zinc beryllium orthosilicate phosphors were used in fluorescent tubes. Due to the respiratory toxicity of beryllium compounds the obsolescence of these early phosphor types were advantageous to health. Since about 1990 the third generation tri-phosphors, three separate red, blue and green phosphors activated with rare earth ions and mixed in proportions to produce acceptable whites, have largely replaced halophosphors.
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The hall's ceiling has a large rectangular cut-out, framed by a latticed railing, that allows natural light to stream down from second-story windows. Architectural historian Michael J. Lewis sees the influence of the German Gothic Revival's "love of picturesque vagaries and eccentricity" in Dolobran. Rather than the "disciplined picturesque[ness]" of H. H. Richardson, Stanford White or Bruce Price, who "sought to impose classical values of calm and repose on plans that were rather irregular," Furness embraced a "restlessness and turbulence" in his complex and sometimes unorthodox massing of volumes. Dolobran was an artistic breakthrough for the architect, a milestone on the road to "an original synthesis" that would inform his later buildings.
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Early iron structures using a Town-type lattice replicated this appearance, leading to the instantly recognisable lattice-work shown in the bridges in Part A of this list. However, design considerations required that an iron (as opposed to a wooden) structure required many of the latticed bars to be stiffened in the third dimension. Thus, on closer examination, the delicate appearance of these early iron lattices is belied by this much more complex stiffening in the thickness or third dimension. This complex stiffening is itself also sometimes described as a ‘lattice girder’, being composed of (typically) two or four parallel flat or angled steel bars, closely spaced but linked by lattice work.
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Designed by C W Chambers with J Mason the contractor, the building comprised five floors on Queen Street and three floors on Adelaide Street. The use of reinforced concrete for structural purposes was one of the first occasions in Queensland. The Adelaide Street site was previously occupied by the Gaiety Theatre and part of its southern wall was incorporated in the new structure. The building featured innovative display windows on Queen Street, silky oak staircases, lifts decorated in latticed ironwork and silky oak, pneumatic tubes for exchanging cash, a roof-top water tower and a large generator providing electricity to the lights, lifts, pneumatic system and the 400 sewing machines in the workrooms.
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In 2016, it was announced that Japanese architect, Kengo Kuma, and museum design consultancy, Event Communications, had won an international competition to design a new House of Fairytales concept for the Hans Christian Andersen Museum (also called the New Hans Christian Andersen Museum). Kuma's designs revolve around "a series of cylindrical volumes with glass and latticed timber facades, and scooped green roofs". Event Communications said that the museum would follow an "immersive theatre" that "taps into a fundamental aspect of fairytales – they are journeys where the line between the everyday and the transformative is blurred". The project is being managed by Odense City Museums and is planned to open in late 2020.
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The Minories Galleries Many of the artist's more recent works have featured renewable energy sources intended to power the works and interact with the gallery space. 1994's Perpetual Motion featured a video monitor powered by a wind turbine, with the wind being supplied by a fan plugged into the gallery's power. Mothlight (1998) and Mothlight II (2001) featured solar-powered video screens powered by halogen lights. His 2002 installation 2002, For William Henry Fox Talbot (The Pencil of Nature) consisted of a solar-powered video camera at Lacock Abbey, reproducing a live image of William Henry Fox Talbot's 1835 photograph of a latticed window at the abbey (the world's oldest surviving photograph), then transmitted to the Victoria and Albert Museum in London.
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These large igloos used small pieces of timber (sometimes green, unseasoned timber) nailed together to form a trussed framework roofed with corrugated iron. The igloo is a light nailed hardwood timber arch construction, where each arm is made up of two half arches more or less freely pinned at two abutments close to the ground level, and at a central or crown pin. Each half arch consists of two adjacent trusses laced together at top and bottom chord level and each truss consists of a top and bottom chord laced together in arch form. As a result, each truss is made up of four main timber chords sprung into arch form, and light timber bracing nailed into position to form a curved open-latticed box truss.
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The decorative work in a mosaic of mirror glass, the inscriptions in stucco, the ornamentation, the doors covered with panels of silver, the portico, and the wide courtyard are most attractive. The tomb, with its latticed railing, is in an alcove between the space beneath the dome and the mosque. And this custom of placing the tomb in this position, so that it is not directly under the dome, is to be seen in other famous places of pilgrimage in the city of Shiraz, and may be considered a special feature of Shiraz shrines. Two short minarets, situated at each end of the columned portico, add impressiveness to the Mausoleum, and to the spacious courtyard, which surrounds it on three sides.
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Confessional at the Toulouse Cathedral Luther Church (Helsinki, Finland) A confessional is a box, cabinet, booth, or stall in which the priest in some Christian churches sits to hear the confessions of penitents. It is the usual venue for the sacrament in the Roman Catholic Church and the Lutheran Churches, but similar structures are also used in Anglican churches of an Anglo-Catholic orientation. In the Catholic Church, confessions are only to be heard in a confessional or oratory, except for a just reason.1983 Code of Canon Law, Canon 964.3 The confessional is usually a wooden structure, with a centre compartment—entered through a door or curtain—in which the priest sits, and on each side there is a latticed opening for the penitents to speak through and a step on which they kneel.
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Most of the buildings lining this street are in the Spanish Colonial Revival architecture style, a richly ornamented mixture of European Spanish architecture and the Spanish Colonial architecture of New Spain-Mexico. Along this boulevard are many of the park's museums and cultural attractions, including the Museum of Us, the San Diego Museum of Art, the Museum of Photographic Arts, the San Diego Art Institute, the San Diego Model Railroad Museum, the San Diego Natural History Museum, the San Diego History Center, the Reuben H. Fleet Science Center, and the Timken Museum of Art. Other features along El Prado include the Reflection Pond, the latticed Botanical Building, and the Bea Evenson Fountain. Next to the promenade are the San Diego Air & Space Museum and the San Diego Automotive Museum.
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After the investigation at Baia Mare, the two were sent to Oradea prison, which "[...] was in fact a dungeon, reminiscent of the Hungarian times, with one meter thick walls and iron bars latticed windows, behind which, visible from the outside, the broken glass and peeled plaster gave the impression of a deserted building." Here they reunited with the rest of the escapees, who had also been recaptured. During the cross- examination preceding the trial, it became clear that one of them was a denouncer, as the investigators had a very deep insight about the escape plans, connections between the Cavnic prisoners and civilian workers and personal details about the escapees. It turned out that the culprit was Alexandru Ciocâlteu, a surprise at first for Ioanid, since Ducu was one of the most actively involved prisoners in the escape planning.
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His Quaker-instilled respect for nature lead him to let the idiosyncrasies of a site inform his architectural improvisations, rarely is a topography line marred or a tree uprooted. This saves construction cost as well, since working around difficult site conditions is much more cost- effective than clear-cutting. ("I think it's a waste of money to level a well- moulded site") Resistant to "high-technology" that addresses building environment issues by ignoring natural environment, at the Centre for Development Studies (Trivandrum, 1971) Baker created a cooling system by placing a high, latticed, brick wall near a pond that uses air pressure differences to draw cool air through the building. Various features of his work such as using recycled material, natural environment control and frugality of design may be seen as sustainable architecture or green building with its emphasis on sustainability.
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The British resident, Major Missett, having urged the importance of taking Rosetta and Rahmanieh in order to secure supplies for Alexandria, General Fraser, with the concurrence of the admiral, Sir John Thomas Duckworth, detached the 31st regiment and the Chasseurs Britanniques, accompanied by some field artillery under Major-General Wauchope and Brigadier-General Meade. Those troops entered Rosetta without opposition; but as soon as they had dispersed among the narrow streets, the local garrison opened a deadly fire on them from the latticed windows and the roofs of the houses. The British retreated towards Aboukir and Alexandria, with 185 killed and 281 wounded, General Wauchope and three officers being among the former, and General Meade and nineteen officers among the latter. The heads of the slain were fixed on stakes on each side of the road crossing the Ezbekia in Cairo.
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Superintendent of the US Census at the time of its creation, Walker was determined to modernize the Census collection and analysis methods and used the Atlas to present the final data set using unprecedented visual forms, including many beautiful examples of small multiples. Persons with gainful occupations and attending school, Walker (1874) Adjacent is a chart showing the population broken down by occupation, including a count of those attending school, according to the 1870 Census. This graphic is innovative in its use of both a treemap display and a latticed layout of small multiples. Additional examples appearing in the Atlas include side-by-side geographic maps showing the changes in population over time, as well as tiled mosaic charts showing population demographic breakdowns, and diverging bar graphs showing deaths broken down by age and gender, tiled by state.
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Close-up of the spongy latticed "arms", showing the ribbed and wrinkled outer surface, and gleba on the inner surface Before the volva opens, the fruiting body is egg-shaped to roughly spherical, up to in diameter, with a gelatinous interior up to thick. White to grayish in color, it is initially smooth, but develops a network of polygonal marks on the surface prior to opening as the internal structures expand and stretch the peridium taut. The fruit body, or receptacle, bursts the egg open as it expands (a process that can take as little as a few hours), and leaves the remains of the peridium as a cup or volva surrounding the base. The receptacle ranges in color from red to bright pink to pale orange, and it is often lighter in color approaching the base.
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More elaborate conventions included regulating fanlights, ceiling vents and louvered openings on both sides of the roof or in gable ends. The second Innisfail court house incorporates these more common ventilation features with more advanced techniques. Plans and sections showing extensions to the building in 1933 reveal an elaborate ventilation system to cope with Innisfail's hot and humid climate. The system featured latticed ventilation spaces in the ceiling that delivered hot air into pipes in the ceiling and out through a cupola-shaped ventilation fleche in a decorative casing on the court house roof. Although not in use since the building's removal from Innisfail in 1988, the necessary elements of the ventilation system are still present in the ceiling. Bell (1984:178) confirms that intact examples of ceiling ventilation such as this are rare, as many have been removed or destroyed during installation of electric lights or ceiling fans.
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The place is important in demonstrating the principal characteristics of a particular class of cultural places. Moorooka State School is important in demonstrating the principal characteristics of a Queensland state school with later modifications. The school is a good, intact example of a suburban school complex, comprising: timber-framed teaching buildings constructed to standard designs by the Queensland Government; a non- standard brick and concrete building; and a landscaped site with mature shade trees, retaining walls and assembly / play areas. The three connected Sectional School buildings (1929, 1933 and 1946) are fine, intact examples of their type, comprising: timber framed structure; Dutch-gabled roofs; highset form with play space beneath (1929 and 1946 buildings); blank end walls; northern verandahs, with linkages between buildings; large banks of south- facing windows; projecting teachers rooms (1929 and 1933 buildings); hat room enclosures; single-skin verandah walls; coved ceilings with metal tie- rods and latticed vents; and early joinery and internal linings.
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Closeup of the front of the prison building showing the latticed windows and heavy oak door By the first decades of the nineteenth century the jailer's house was already sorely in need of repair, and consequently the county began to study the possibility of finding an alternative use for the property. At around the same time a state law had been passed requiring provision of separate facilities for debtors and felons. Thus, in 1824 a committee that was set up by the county court reminded that body that the law did not actually require the county to provide quarters for a jailer; furthermore, such an arrangement was highly unusual, if not unheard- of, in any other county in Virginia. Consequently, it was recommended that the house be reappropriated and reconfigured to serve as a debtors' prison, especially as it was thought that the proximity of the jailor's house to the jail posed a security risk.
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Plastic deformation of the hexagonal lattice is more complicated than in cubic latticed metals like aluminium, copper and steel; therefore, magnesium alloys are typically used as cast alloys, but research of wrought alloys has been more extensive since 2003. Cast magnesium alloys are used for many components of modern automobiles and have been used in some high-performance vehicles; die-cast magnesium is also used for camera bodies and components in lenses. Practically, all the commercial magnesium alloys manufactured in the United States contain aluminum (3 to 13 percent) and manganese (0.1 to 0.4 percent). Many also contain zinc (0.5 to 3 percent) and some are hardenable by heat treatment. All the alloys may be used for more than one product form, but alloys AZ63 and AZ92 are most used for sand castings, AZ91 for die castings, and AZ92 generally employed for permanent mold castings (while AZ63 and A10 are sometimes also used in the latter application as well).
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The old latticed windows, the stone porch, the walls, the roof, the chimney-stacks, were rich in crayon touches and sepia lights and shades. The trees behind were fine, bold, and spreading; the cedar on the lawn in front was grand, and the granite urns on the garden wall, the fretted arch of the gateway, were, for an artist, as the very desire of the eye." Charlotte Brontë; Shirley (1849) Elizabeth Gaskell described the house when discussing Shirley: "From the ‘Bloody Lane’, overshadowed by trees, you come into the field in which Oakwell Hall is situated... The enclosure in front, half court, half garden; the panelled hall, with the gallery opening into the bed-chambers running round; the barbarous peach-coloured drawing- room; the bright look-out through the garden-door upon the grassy lawns and terraces behind, where the soft-hued pigeons still love to coo and strut in the sun, – are described in Shirley. The scenery of that fiction lies close around; the real events which suggested it took place in the immediate neighbourhood.
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Anchored to this nucleus are a group of trunks wired in steel which keep the external strips in traction where the latticed structures of the attics are located, which compress themselves towards the nucleus and collaborates with the overall static system. The wind pressure is minimized by the helix shape made by the trunks in the skyscraper, described by the three sails made by the overlapping of the habitable floors which revolve around the central trunk creating in planimetry a growing movement based on the golden spiral. The form reacts to the action of the wind, whatever direction it comes from, in a uniform and dissipative way. The result is the elimination of two of the main negative phenomena vis-à-vis the typology of skyscrapers: the excess static caused by the asymmetry of traditional structures of rectangular design, where the pressure of the wind is highest on the long side and lowest on the short one and the Von Karman effect typical of cylindrical structures which provokes a sinusoidal whirlwind and consequently lateral pulsating forces.
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Prior to the Globe of Death came what is known as the Basket of Death. Little is known about this Corbeille de la Mort (which translates to ‘Basket of Death’) other than that these extended cycle whirl tracks were impetus for fully enclosed metal globes. The basket has paltry bracing, making it incredibly dangerous for two people to ride together in tandem in the basket. The circus act now known as the Globe of Death first started to appear in 1901 as the cycle whirl, which had slatted vertical columns instead of a complete sphere. Several carnival historians, including A.W. Stencell, attribute the premier Globe of Death act to Thomas Eck in 1903; however, others consider Arthur Rosenthal of Grand Rapids, Michigan the first as he patented the “Bicyclist’s Globe” in 1904. This patent claims to have invented “certain new and useful improvements in Bicyclists Globes”: these new and useful improvements delve into the specifications for the creation of a latticed globe so the bicyclists could attain sufficient momentum to perform the act.
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On 21 October 1896 The North Queensland Register reported that Daking-Smith's new residence, one of the finest in the town, was approaching completion. The position of the building, facing the corner, was apparently designed to secure an expansive outlook, while increasing privacy. The building's style, the bungalow, was seen as the most suitable for the local climate, and features mentioned at the time included: a handsome flight of front steps; a spacious verandah with cast iron railings; glass front and rear doors, both with sidelights; an arch in the hallway and one between the dining and drawing rooms; cedar cornices and an embossed stamped paper frieze in the dining and drawing rooms; two floor-to- ceiling bay windows to the front verandah; varnished interior woodwork; three large bedrooms in the main building; ventilation tubing from the ornamental panels in each ceiling, with an iron ventilator on the roof; and bedrooms on either side of the latticed back verandah, separated from the main building. There was also a separate pantry, on piles set in vessels of water, off the rear verandah; and the kitchen wing included the kitchen, a bathroom and three bedrooms (counting the bedroom on the south end of the rear verandah).
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