Additionally, the category for best director features no women at all, with many online lamenting for the exclusion of Little Women director Greta Gerwig and The Farewell's Lulu Wang, among others, alongside nominees Sam Mendes (22020), Martin Scorsese (The Irishman), Todd Phillips (Joker), Quentin Tarantino (Once Upon A Time... In Hollywood), and Bong Joon-ho (Parasite).
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Isabella pretends to be in love with the Spanish Captain, so that when she dies she would more hurt his insatiable desires. Scene 4. As soon as the Captain is gone Isabella bursts out lamenting for Lucio. She draws courageously a dagger to depart from life.
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Seeing that the same hath drowned a comely noble man, > to me it is an affliction that ever Cael sought to encounter it. A woeful > booming, and O a boom of woe, is that which the wave makes upon the > northward beach! Butting as it does against the polished rock, lamenting for > Cael now that he is gone.
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Depending on the regional custom, they would either bury it by the river, or put it in a little casket and let it flow down the river. Two of the girls would then start lamenting for the doll. Asked by the others why they were crying, they would answer, "We are crying for German; because of the drought German has died for the rain to fall." If the amount of rain would become excessive after that, the doll was dug out.
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He ends up playing 9 people at once without any chess boards in front of him (effectively playing blind), and he beats most of them easily. The final match ended in a draw, with Wang Yisheng having played against an old man who was too fragile to leave the house, and had to send his chess moves via a messenger。 Wang Yisheng burst into tears after the match, lamenting for his dead mother. The old man left his house to praise him personally.
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Producer Rodney Jerkins decided on the inclusion of a 2-step groove section during the middle of the song, following a gig in London months before where he was inspired by artists like Craig David and Artful Dodger. "Apart", produced by Keith Crouch, blends neo soul sensibilities, airy pop, and modern R&B; with Middle Eastern music. Lyrically, it has the protagnoist lamenting for her partner's attention, resulting in her decision to leave him for the better. "Can We" is a lightweight hip-hop track coated in a batter of futuristic elements on which Brandy requests her partner to clarify their problems, while committing to working through them.
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The oldest portion of the epic Ramayana, the Valmiki Ramayana, is tentatively dated for its composition by Robert P. Goldman to 750–500 BCE.See in particular his discussion on the preceding pages of conclusion given at An important strand in Goldman's argument for the dating concerns which cities are considered capitals, and which are not Anant S. Altekar says that no instances of sati occur in this earliest, archaic part of the whole Ramayana. According to Ramashraya Sharma, there is no conclusive evidence of the sati practice in the Ramayana. For instance, Tara, Mandodari and the widows of Ravana, all live after their respective husband's deaths, though all of them announce their wish to die, while lamenting for their husbands.
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Though the description of the text as a woman's song or frauenlied—lamenting for a lost or absent lover—is the dominant understanding of the poem, the text has nevertheless been subject to a variety of distinct treatments that fundamentally disagree with this view and propose alternatives. One such treatment considers the poem to be allegory, in which interpretation the lamenting speaker represents the Church as Bride of Christ or as an otherwise feminine allegorical figure. Another dissenting interpretation holds that the speaker, who describes herself held within an old earth cell (eald is þes eorðsele) beneath an oak tree (under actreo), may indeed literally be located in a cell under the earth, and would therefore constitute a voice of the deceased, speaking from beyond the grave. Both the interpretations, as with most alternatives, face difficulties, particularly in the latter case, for which no analogous texts exist in the Old English corpus.
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