60 Sentences With "lacquering" | Random Sentence Generator

The high sheen of his sculptures comes courtesy of buffing and lacquering know-how picked up at his parents' auto garage.

It was mid-day on a Wednesday and, aside from a janitor lacquering the floors with cleaning solution, Sanders and his crew were alone in the building.

From the sparse, ghoulish chill of "Take Ya Pik, Nik!!!" to the reverberating judders of "Smash," The Best sees Omar-S in world-building mode, taking his inimitable knack for big house tunes and lacquering them with aching pathos—bravado, weighed down by a world-weary melancholy.

To be fair, all this changed when Mr. Stone made his next Vietnam movie, "Heaven and Earth," which broke new ground because the central character was a Vietnamese woman and because the movie paid attention to the details of Vietnam village custom — from lacquering teeth as protection against cavities to chewing betel nut.

Kang applies traditional lacquering techniques of two thousand-year history in an attempt to feature the delicate and iridescent quality of mother-of-pearl.

The excess paint or ink is wiped away and allowed to dry before lacquering or sealing, which may or may not be desired by the artist.

Gaspar owns his workshop in the town and works with his wife, herself an accomplished artisan. For his maque lacquer work, she creates the natural pigments, stating that the nature of this work requires family involvement. Maque is a pre Hispanic lacquering technique which Gaspar prefers, but more modern lacquering, called “laca” is done at the workshop, mostly by Ortega Ruiz. She draws her designs from memory, most of which are traditional but she has a few of her own invention.

Russet is a dark brown color with a reddish-orange tinge. As a tertiary color, russet is an equal mix of orange and purple pigments.Miskella, William J. (2004) [1928]. Practical Color Simplified: A Handbook on Lacquering, Enameling, Coloring and Painting 1928.

1, i.1, October 1936, pp. 2-3 As stated in that issue, the magazine's staff would undertake the task of "searching out and disseminating the newest and best information available concerning metal finishing methods...including cleaning, polishing, buffing, plating, [and] lacquering".

Although a qin may have duanwen, one can still play it, providing the duanwen is not flaking off or lifting off the surface. Otherwise, it would have to be re-lacquered, partially if the flaking is not too severe, entirely if it is literally unplayable. Qin makers tend to avoid removing the old lacquer when re-lacquering and maintain as much of the duanwen as possible since real duanwen cannot be created overnight but through centuries of natural ageing. Some makers when re-lacquering would use a different hue or colour of lacquer so that the lacquer underneath can contrast with the new, and thus be seen more clearly.

Since some of them have multiple designations, the total count is 714. cultural properties including five National Treasure buildings suffered damage. The affected National Treasures are Zuigan-ji (Main Hall and Priest's Quarters),Cracked walls and pillars, some broken sculptures. Ōsaki Hachiman-gū,Slightly broken walls, lacquering and sculptures.

Ashikaga Yoshimasa initiated plans for creating a retirement villa and gardens as early as 1460; Yamasa: Gikaku-ji. and after his death, Yoshimasa would arrange for this property to become a Zen temple. "Protecting Ginkaku-ji, the Beauty of Wabi-sabi; Reluctance to Black Lacquering the Outer Wall," Kyoto Shimbun. January 23, 2008.

In the past, lacquer makers also created the wood objects, but with the introduction of power woodworking tools, this aspect has been outsourced to local carpenters who can make them cheaper.Thele, p. 66 However, the wood pieces must be completely dry, sanded fine and cracked filled before any lacquering begins.De P. León, p.

Once shaped, the surface of the toy is smoothened using a file and the toy is sent for painting. Toys are given several coats of paint, and finished with a clear or coloured lacquer. Paint brushes made out of the hair from squirrel’s tail are used for painting fine lines. Lacquering may also be done on a lathe.

Tinware is strong, easily shaped, solder able, and is non- toxic. In addition, it has a good appearance which can be further enhanced by lacquering it. Of extreme importance is its property of corrosion resistance, especially against attack by food products. These properties are due to the properties of tinplate, as tinware is made of tinplate.

Lacquer ware bowls and dishes are regarded as common tableware in the town. These are believed to have been produced in the town, since a lot of lacquering tools were excavated from the site. On many of the lacquer vessels there are designs of living things such as birds and plants. Other finds include coins and carpenters' tools.

Charles was Gray's first introduction to lacquering and she took lessons in the technique from his company in Soho. In 1902, Gray moved to Paris with Kathleen Bruce and Jessie Gavin. They enrolled at the Académie Colarossi, an art school popular with foreign students, but soon switched to the Académie Julian. In 1905, Gray returned to London to be with her ill mother.

Delpech was born in Hanoi on 1 May 1916. His father was an architect. He studied at the Albert-Sarraut High School Hanoi (formerly Tonkin) (from 1926–1934) where he was a classmate of North Vietnamese general Võ Nguyên Giáp and Phạm Văn Đồng. After graduating, Delpech joined the School of Fine Arts in Hanoi, where he studied lacquering and painting.

In 1969, the university merged with a Kyoto college that became its Faculty of Music. The largest and most diverse faculty is Faculty of Fine Arts, which offers courses in traditional and modern fine arts and traditional crafts such as the ceramics, urushi lacquering, and dyeing and weaving. As of 1999, the university had 307 full- and part-time faculty members and 902 students.

Merck started working on effect pigments in 1957. An example for these pigments are alumina effect pigments sold under brand name Xirallic. Currently, this business unit pools all activities for pigments in lacquering, printing, and plastic applications, in the field of security technology (for instance counterfeiting protection), pigments for applications in the food and pharmaceutical areas, functional materials, and active substances and pigments for cosmetics.

Lacquering is one of Mexico's oldest crafts. In Mexican Spanish, it is usually called either laca or maque (from Japanese maki-e), somewhat interchangeably but the term maque is most often used in Michoacán and can be used to distinguished work that uses the wax from the aje insect larvae.Thele, p.12 In Olinalá, lacquered pieces are referred to as obras (works of art) .

Chemische Werke Kluthe GmbH was founded in 1950 by Maria and Wilhelm Kluthe. At this time, laboratory and production line were set up in a garage.color and varnish, 09/1998, Kluthe ..., S.114 The first product was a universal solvent and thinner. In 1953, the firm developed the first de-lacquerer applicable at room temperature, an advance on to the then customary hot alkaline de-lacquering.

Generally, resin is collected for the following uses: wood lacquering, draught-proofing of boats and traditional medicine. When mixed with beeswax, it is used in bandages for ulcerated wounds. The bark of young trees is also used in traditional medicine, taken against rheumatism and diseases of the liver, and to stimulate appetite in cattle. In Myanmar, one of the largest of the species is in Kengtung, see photos.

Colors are made with minerals, anilines and other materials obtained locally. After the lacquering and decorating is complete, the drying process can take up to a month. Colors are added one by one and allowed to dry before the next is added. He does not use stencils nor repeats designs exactly, creating his works spontaneously, using brushes made from bird feathers or cat hair because they allow for fine lines.

Cuir de Cordoba was usually made of fine leather; often calf skins were used. The technique consisted of shaping panels of wet leather over wooden moulds, then painting them, then oil-gilding and lacquering them. Sometimes smooth panels of painted Cuir de Cordoue were used. Patterns for these panels followed fashions in silk damask, at some lag in time, since the high-relief wooden moulds were laborious to make.

Some schools cover the entire bamboo in the sleeve and add a tsuba, like Kashima Shinden Jikishinkage-ryū does. In Shinkage-ryū, the sleeve is lacquered Kamakura Red, and rather than covering the entire length, is tied off at the non-split end. This particular kind of fukuro-shinai is also called a , or toad-skin shinai. The name comes from how the leather looks after lacquering; the sleeves are actually made of cow or horse-hide.

Lacquering is the process of creating a hard durable finish on the surface of an object such as wood or metal. Polished silver is sometimes lacquered to protect against tarnish and to prevent over-polishing. There are different types of resins that are used such as Acryloid B-72 and Incralac. If silver pieces are being displayed in the open, such as in a house or museum exhibit case, it is difficult to prevent corrosion from air exposure.

Examples of nominated entities in the field of architecture are the Japanese Association for Conservation of Architectural Monuments (for repairs and woodwork), the National Association for the Preservation of Roofing Techniques for Shrines and Temples (techniques for organic roofing materials: cypress bark, shingles, thatch) and the Association for the Conservation of Cultural Properties (paintings and lacquering of architectural monuments) In addition to the prestige associated with the nomination, the government provides subsidies for training, courses and documentation.

Father Pierre Coomans wrote of the practice among Chamorro women of teeth blackening/dental lacquering (also a widespread custom in ancient maritime Southeast Asia, Japan, southeastern China, and parts of Indochina), which they considered beautiful as a distinction apart from animals. Fernberger wrote in his account of the Chamorro that “penis pins” were employed as a chastity measure for young males, a type of genital piercing similar to those employed by inhabitants of precolonial Maritime Southeast Asia.

Akha woman from Myanmar with blackened teeth Teeth blackening or teeth lacquering is a custom of dyeing one's teeth black. It was most predominantly practiced in Southeast Asian and Oceanic cultures, particularly among Austronesian, Austroasiatic, and Kra-Dai-speaking peoples. It was also practiced in Japan prior to the Meiji era, as well as in India. It was also performed among some groups in the Americas, most notably among the Shuar people of northern Peru and Ecuador.

It is the largest pen manufacturer in Japan, with competition globally from other pen companies like Japanese Pentel Co., Mitsubishi Pencil Co. (Uni-ball) and American Paper Mate. Pilot has many subsidiaries throughout the world, including in the Philippines, United Kingdom, Indonesia, Malaysia, India, Brazil, South Africa, Germany and France. Most Pilot pens are made in Japan, France and the US. Namiki, Pilot's fountain pens with maki-e lacquering designs, are made in the Hiratsuka factory.

After the Conquest, indigenous carpenters began making European style furniture and indigenous lacquer makers began decorating them with European motifs.Thele, p. 13 The lacquering process remained the same, with changes only in the enhancement of the color palette, and in the introduction of new coloring agents. This lacquer was cheaper than importing items from Europe or Asia and items includes large chests (called baúl or arcón), trays, wood storage boxes, along with church furniture and other items.

They believed that they would be able to manipulate him to their own ends, and thus effectively control the empire. Qin Er Shi was, indeed, inept and pliable. He executed many ministers and imperial princes, continued massive building projects (one of his most extravagant projects was lacquering the city walls), enlarged the army, increased taxes, and arrested messengers who brought him bad news. As a result, men from all over China revolted, attacking officials, raising armies, and declaring themselves kings of seized territories.

Gaspar's maque projects start with wooden pieces already formed by other artisans, usually made from Alnus jorullensis (Mexican alder) or Tilia mexicana (Cirimo) as both are low in resin content and absorb the maque better. Before the process begins, the piece is thoroughly dried, alternating between sun and shade, turning the pieces so that they do not warp or split. Then they are sanded thoroughly and sometimes repaired with plaster. The decorating and lacquering processes are intricate and require patience.

Today the remnants of the provincial government and two monasteries can still be seen in the city. Kurayoshi was officially founded on October 1, 1953 though historical Kurayoshi predates this foundation and the grid outline of the streets reflects a certain amount of Edo Period planning. Additionally there are many 'soil lacquered' warehouses (dozo, 土蔵) that survive, 'soil lacquering' being a traditional Japanese style of architecture. On March 22, 2005 the town of Sekigane (from Tōhaku District) was merged into Kurayoshi.

For every craft, each artisan has its own way of working. If his/her movement is gentle rather than firm, the final piece will turn out to be slightly different from the other ones, which makes of each craft work a unique piece. Artisans Angkor also masters the arts of polychrome and lacquering which have different processes depending on the medium used as a basis (wood or stone). Lacquerware and polychrome products are often gilded with copper or golden leaves.

Thele, p.44 If gold leaf is to be applied, it must be done after all lacquering and the piece is completely dry. Technique, colors and motifs vary somewhat from region to region as well as quality, which may even be noticeable to the untrained eye. Since the early 20th century there has been a change in the materials used, substituting plaster for dolomite, linseed oil and even car wax for chia or aje and commercial pigments for natural ones.

For the next two years, she studied lacquering with Dean Charles before returning to Paris. When she returned to Paris, Gray began training with Seizo Sugawara. Sugawara was from Jahoji, a village in northern Japan famous for its lacquer work, and he was in Paris to restore the lacquer pieces Japan had sent to the Exposition Universale. Gray was so dedicated to learning the trade that she suffered the so-called lacquer disease, a painful rash on her hands, but that did not stop her from working.

The picric acid would form very sensitive picric salts within days of filling the shells and would often detonate from the shock of firing. Lacquering the insides of the shells and spraying them with a turpentine/starch solution neutralized the picric acid and prevented it from forming picric salts. The barrel of this gun was mounted on the carriage of the 10.5 cm Feldhaubitze 98/09 as the 7.7 cm Kanone in Haubitzelafette (i.e. "cannon on howitzer carriage") to allow it greater elevation and range.

The Budokwai offered tuition in jujutsu, kendo, and other Japanese arts to the British people. Koizumi secured a location in Lower Grosvenor Place, along the back wall of Buckingham Palace, and the Budokwai's premises opened on 26 January 1918. In 1919, Koizumi helped establish the Kyosai Kai, a society that aimed to provide medical, employment, and housing assistance to Japanese people in England. Koizumi served as General Secretary of this organisation, which was based in the Budokwai's premises. In July 1920, Jigoro Kano, founder of the Kodokan, visited the Budokwai while on his way to the Olympic Games in Antwerp. After some discussion, Koizumi and Yukio Tani (another Budokwai instructor) agreed to change to the judo system, and Kano awarded them 2nd dan judo certifications. In 1922, Koizumi, an expert in Oriental lacquerware, was appointed as a consultant to the Victoria and Albert Museum—and later catalogued the museum's entire lacquerware collection. Koizumi's book, Lacquer work: A practical exposition of the art of lacquering together with valuable notes for the collector, was published in 1923.Koizumi, G. (1923): Lacquer work: A practical exposition of the art of lacquering together with valuable notes for the collector.

The fashioning of high end gunstocks calls for an extremely high level of skill and craftsmanship, as the finished product must be pleasing aesthetically, fit the shooting customer like an orthopedic device, all the while having the ability to withstand high levels of recoil from the firing of many thousands of rounds. Wood gunstocks may be fashioned with automated machinery (for production firearms) while high end gunstocks are hand made using saws, chisels, gouges, rasps, and files. The surfaces are then finished by sanding, scraping, staining, oiling, or lacquering.

American Inquisition is the thirteenth studio album by the band Christian Death. The album was released on Season of MistSeason Of Mist Records, official site on October 15, 2007 worldwide, and on October 23, 2007 in USA and Canada in an exclusive digipak complete with embossing and spot lacquering. The catalogue number is SOM166. It was previously thought that the next Christian Death album would be called Ten Excuses for Suicide as announced on the official site back in 2003, but this has proved not to be the case.

Some pencils from Musgrave's Heritage series By the late 1920s, Tennessee Red Cedar became scarce, and the industry looked for a viable replacement. A Western species “incense-cedar, which grows abundantly in California and Oregon forests, was an ideal substitute for Eastern Red Cedar as a pencil wood due to the ease of machining, sharpening, lacquering, and imprinting.” The wood traveled via train to Shelbyville, where workers would place it to be stacked and dried before being cut into pencil slats. Incense cedar soon became the standard species for high-quality pencils.

Diaoqi or carved lacquer dish with dragon amid clouds, China, Ming dynasty, Wanli era (1573–1620) Maki-e sake bottle with Tokugawa clan's mon (emblem), Japan, Edo period Laquered seoham(Stationery box) made in 18th century Korea. Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved.

There is a great diversity of wood work and its techniques in Indian Art . It is possible that a grammar of decorative art might be written from the study of wood carving alone and there is a circumstantial fact that the wood and the stone carvers belong to one and same caste. This may be accepted as an additional evidence in favour of gradual production of the one form the other and that at not very ancient date. There are various techniques by which the 'Wood' has been ornamented in several specific ways such as by carving, inlaying, veneering, lacquering, etc.

Maque plate competing at the annual state handcrafts competition, with image of the Paricutin church There are two kinds of lacquer, laca, using more modern chemicals and maque, a pre Hispanic method using a wax derived from the female insect coccus axin found in the Tierra Caliente, as well as chia, chicalote or more recently linseed oils. These are mixed with dolomite limestone or lime-enriched plaster, locally called teputzchuta. Colorings are usually mineral in origin but sometimes from animal and vegetable sources as well. Lacquering mostly developed in the state during the colonial period in Uruapan, Patzcuaro and Quiroga.

The mother, without her husband's knowledge, had him instructed in drawing in the local academy. Having lost his father in early youth, Frank was apprenticed to his godfather Neubert, who carried on at Nuremberg the business of lacquering and decorating wooden boxes and caskets. His progress in this work was rapid, but he stayed less than a year with Neubert. After returning to the house of his mother, who had married a second time, he once more devoted himself to the study of drawing, meantime painting boxes for other manufacturers at Nuremberg and earning enough to pay his expenses.

Maque is lacquer made from the seeds of the chia plant, mixed with crushed aje, an insect found in various parts of Mexico. In Michoacán it comes from the Tierra Caliente region. Gaspar insists on chia oil, even though some artisans have switched to linseed. He states that the latter is not of the same quality and is not water resistant. Gaspar working on a gold piece at the workshop in Patzcuaro The background coloring and lacquering is applied first, the most traditional of which is “charanda” or a dark red, which traditionally uses natural pigments.

Lacquered gourd from Uruapan, Michoacán Prior to the arrival of the Spanish, lacquering was known in all of Mesoamerica from central Mexico into Guatemala, with the use of aje grease documented in areas such as modern Oaxaca, Veracruz, Yucatán, Chiapas, Guerrero and Michoacán.De P. León, p. 28 However, most of what is known of the period is from early colonial texts of chronicler such as Bernardino de Sahagún and Francisco Ximénez describing the lacquered objects they came in contact with. However, the Spanish did not identify the work as lacquer until the 18th century, with records only stated that the items were painted.

An assortment of Channapatna toys and dolls Channapatna toys are a particular form of wooden toys (and dolls) that are manufactured in the town of Channapatna ( 12.87 Sq.K.M) in the Ramanagara district of Karnataka state, India. This traditional craft is protected as a geographical indication (GI) under the World Trade Organization, administered by the Government of Karnataka.GI for Channapatna toys and dolls is mentioned by As a result of the popularity of these toys, Channapatna is known as Gombegala Ooru (toy- town) of Karnataka.A brief history of Channapatna toys is provided by Traditionally, the work involved lacquering the wood of the Wrightia tinctoria tree, colloquially called Aale mara (ivory-wood).

In the Fuji River area (Hayakawa Town), an old fishing method using bamboo cages in rivers to catch Japanese mitten crabs (as well as ayu, eel, dace, carp, and catfish) is still in practice. The charr and amago trout that are caught in the streams have long been an important source of protein for the local residents. Another popular business is the lunchboxes known as Ikawa Mempa which is a traditional folk art that melds bentwood and lacquering techniques, a complex process that is still used today. Minami-Alps City engages in extensive fruit cultivation, making it possible to taste freshly-picked fruits including cherries, peaches, plums, and grapes.

An example of Kamakura-bori Enlargement showing how polishing reveals layers is a form of lacquerware from Kamakura, Japan. It is made by carving patterns in wood, then lacquering it with layers of color. It is then polished. The genre is said to date to the Kamakura period, when (or, according to another theory, , a busshi (a sculptor specializing in Buddhist images), began carving racial Buddhist implements in the manner that Chin Na-kei (or Chin Wa-kei) had introduced from Chinese carved lacquer of the Song Dynasty in China, which until modern times always built up the lacquer on a flat base surface before carving.

A craftswoman lacquering at Artisans Angkor Artisans Angkor is a semi-public company whose story started in 1992 with an educational project called "Les Chantiers-Ecoles de Formation Professionnelle" (CEFP) implemented by the Cambodian Ministry of Education. This project aimed at rebuilding the country after the war period by training young people in the building sector, such as masonry, plumbing, tiling, painting, etc. Hence, "Les Chantiers-Ecoles de Formation Professionnelle" developed an educational methodology to provide those skills to underprivileged young Cambodians with little education. In the mid-1990s, this training was extended to traditional Khmer craftsmanship, as this essential part of the Khmer cultural heritage had almost disappeared.

The company has developed its own training program (independent from the CEFP) in the craft sector, giving young Cambodians aged from 18 to 25 years free vocational training in stone or wood carving, or lacquering, or silver plating. Young people mostly from remote rural areas close to a new workshop built by Artisans Angkor can apply for this training; they have to pass some of manual and motivational tests. The compensated training period lasts from 6 to 9 months and at the end of this apprenticeship, the trainees are granted the status of "artisans". If they wish, they can then join Artisans Angkor where an employment opportunity is guaranteed to them.

On the back side, the snowflower emblem of the Games sits above a maki-e image of the mountains surrounding Nagano glowing in the morning sun rise. Artisans from the region of Kiso, Nagano handcrafted the initial lacquering, and the medal was completed at the Mint Bureau of the Japanese Ministry of Finance. In addition to the top three athletes in each event, more than 19,000 commemorative medals were given to all athletes, offices, members of the IOC, media personnel, and others. These medals, made by the Mint Bureau in cooperation with NAOC, were made with an alloy of 90% copper and 10% zinca.

Roberta Smith (January 2, 2014), The Silent Totems of a Restless Quest The New York Times. To create the Forgings, he cut, plugged, flattened, pinched and bent each steel bar, later polishing, rusting, painting, lacquering or waxing its surface."David Smith: The Forgings, October 29, 2013 - January 11, 2014" Gagosian Gallery, New York. Beginning in the mid-1950s, Smith explored the technique of burnishing his stainless steel sculptures with a sander, a technique that would find its fullest expression in his Cubi series (1961–65). The scale of his works continued to increase - Tanktotem III of 1953 is 7' tall; Zig I from 1961 is 8'; and 5 Ciarcs from 1963 is almost 13' tall.

Sometimes, the player may attempt minor repairs to the instrument (major repairs like structural faults and splitting of the joints, warping of the wood, etc. are best done by professional qin makers). Minor repairs include re-lacquering areas of the surface of the qin that have had the lacquer chipped, re-patching areas of the surface where the lacquer is worn causing "running-cloud markings", repairing cracks in lacquer, etc. Because these are relatively minor and can often happen due to ageing and constant use, it is more easier to do repairs by oneself than call a qin maker to do it, especially if there isn't a qin maker available to do the work.

The distinct influence of European sculpture on these African knick-knacks manifests itself in this suggested prototype of modern plastic art. Reyle uses traditional techniques; enlarging the original found object before casting it in bronze, chroming and lacquering it. This process creates a work with great tension as the traditional hand sculptural technique is contrasted with the highly engineered bronze work. The viewer’s foreknowledge of the techniques that Reyle underwent to create and transform the object is vital to communicate this intentional paradox. While he is well known for his use of unusual materials and physical alterations, Reyle’s work is grounded in art historical schools of abstraction dating from the early 20th century, including Art Informel, Cubism, Op-Art, Minimalism and Pop Art.

It is used not only as a finish, but mixed with ground fired and unfired clays applied to a mould with layers of hemp cloth, it can produce objects without need for another core like wood. The process is called "kanshitsu" in Japan. Advanced decorative techniques using additional materials such as gold and silver powders and flakes ("makie") were refined to very high standards in Japan also after having been introduced from China. In the lacquering of the Chinese musical instrument, the guqin, the lacquer is mixed with deer horn powder (or ceramic powder) to give it more strength so it can stand up to the fingering. A Chinese lacquer coffin decorated with birds and dragons, from the State of Chu, 4th century BC There are a number of forms of urushiol.

The distillery has been fully refurbished including renovation and re-lacquering of the two stills as well as the Dunnage warehouse being expanded and renovated to allow the ageing of the whisky to be completed on site, exposing the casks to the unique salty sea air from the West Coast of Scotland. The shop area has been totally renovated with the addition of a tasting area on the site to allow visitors to purchase whisky at the Distillery and visitor tours will be possible by prior appointment. In addition to the recent improvements, the general managers office has been relocated to the originally, old managers office and a new canteen has also been built adjacent to the managers office. A new boiler is also being invested in to replace to the outdated boiler that is currently being used.