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25 Sentences With "lack of refinement"

How to use lack of refinement in a sentence? Find typical usage patterns (collocations)/phrases/context for "lack of refinement" and check conjugation/comparative form for "lack of refinement". Mastering all the usages of "lack of refinement" from sentence examples published by news publications.

The videos actually capture the rawness, the sheer lack of refinement.
We're reluctant to out ourselves because what we'd be revealing is our lack of refinement, our own ignorance.
Is a few hundred dollars off really worth the lack of refinement you want in a last-mile vehicle?
And where the port city's champions see a swaggering no-nonsense metropolis free of bourgeois pretensions, others see a lack of refinement.
Many of his supporters cheer him on because of his lack of refinement — they consider him a refreshing change from patrician politicians born with a silver tie bar clutched in their long elegant fingers.
Momoa also gets to tap into his inner lunk, frequently bouncing off of Heard's dutiful and squarish Mera or Wilson's self-serious Orm with physical comedy or barbed comments about his (lack of) refinement.
Of the two longest novellas, 'The Bridal of Polmood' and 'Basil Lee', the former was preferred as more artistically finished in contrast to the latter's lack of refinement.
Waley 1938: 141), "The Master wanted to settle among the Nine Wild Tribes of the East. Someone said, I am afraid you would find it hard to put up with their lack of refinement. The Master said, Were a true gentleman to settle among them there would soon be no trouble about lack of refinement." Yidi 夷狄 "Eastern and Northern Barbarians" occurs twice (3/5, tr. Waley 1938: 94–5; 13/19, 176), ""The Master said, The barbarians of the East and North have retained their princes.
However, several German media outlets criticized the magazine's lack of refinement. Der Spiegel, for example, said: "When rubbish is turned into a magazine, it calls itself Landlust." Although Landlust has a website, it just covers limited service offerings and features an online shop.
The Times, Monday, 27 January 1936; pg. 3; Issue 47282. The forward doors opened rearwards which was considered safer, steering was now by worm and sector with an hour-glass worm. The road-tester described the engine in The Times as having "a steady plodding nature'" and advised that its trustworthiness and simplicity made up for any lack of refinement.
She refuses to accept money for nothing, but offers to work as a maid at the Rawlston family mansion. Bob hands her over to Walpole, the head butler, who has worked for the family for 30 years. One of the guests, Link Phillips, makes a pass at her the next morning, but she disdainfully rejects him. The other guests ridicule her for her lack of refinement.
A series of concerts featuring music from the soundtrack were held to promote the film. The film was released in North America on November 2, 2012. Critics were divided over the film's homage to martial arts films, considering it well-choreographed and representative of the genre, but offering nothing original, and the direction was criticized for a lack of refinement. The performances of Crowe and Mann were well received.
Some critics described Seth Lorinczi's production on 1,000 Years as lo-fi, with Slant noting a lack of refinement in the production, especially on "Doubt" and "Dragon". Tucker, in an interview with The Aquarian Weekly, wrote that Lorinzci's approach to production was to "make each song complete sonically," adding that, in her new project, she was trying to build on her past role as a member of Sleater-Kinney.
Nor was she the first witness who tried to > stare him down and, failing that, who seemed as if she were about to leap > out of her seat and strike him. She was not the first witness to be evasive, > sarcastic and crude. She was, however, the first witness to use her bad > memory, truculence, and total lack of refinement, and at times, even > ignorance, to great advantage.Goodman, p. 127.
She toured as "Yum-Yum" in The Mikado in 1885. In 1889 she starred in Ardriell, a comic opera staged at the off-Broadway Union Square Theatre. Critic Alan Dale commented that "Miss Paullin can certainly make herself heard, and that is about all that can be favorably said about her performance, which was characterized by an intense lack of refinement, and a pretty well defined mispronunciation of the English language." In 1897 she appeared in Geisha in Chicago.
She also has to fend off a besotted schoolteacher. One evening, feeling the need for some excitement, she goes to a boxing match and sits next to the ebullient Martin. Soon the two are lovers, and when Martin finishes his villa he gives it to her (thereby losing its capital value and depressing his creditworthiness). Though passionate in private, she finds his lack of refinement embarrassing in public: he drinks only Pernod and chain-smokes Gauloises.
During his stay in Chile, Darío had to endure continuous humiliation from the Chilean aristocracy that scorned him for his lack of refinement and for the color of his skin. Nonetheless, he managed to forge a few friendships, like the one with the son of the then president, the poet Pedro Balmaceda Toro. Soon after he published his first piece, Abrojos, in March 1887. He lived in Valparaiso for several months until September 1887 where he participated in several literary contests.
The idea for the name GameFan came from the Japanese Sega magazine called Megafan. Although it began as an advertising supplement to sell imported video games mostly from Japan, the small text reviews and descriptions soon took on a life all their own, primarily due to the lack of refinement and sense of passion. Caricatures were given in place of actual editor profile, with profiles drawn exclusively by Terry Wolfinger. This particular method of reviewing and commenting seemingly freed its editors from the creative restraints commonly associated with competing publications.
Hunstanton School They first came to prominence with Hunstanton School, completed in 1954, which used some of the language of high modernist Ludwig Mies van der Rohe but in a stripped back way, with rough finishes and a deliberate lack of refinement that kept architectural structure and services exposed. They are arguably among the leaders of the British school of New Brutalism. They referred to New Brutalism as "an ethic, not an aesthetic". Indeed, their work sought to emphasize functionality and connect architecture with what they viewed as the realities of modern life in post-war Britain.
Meanwhile, Hayes's girlfriend, Julie (Kerry Washington) grows tired of waiting for him to grow up and decides to move to Seattle, Washington. After the CIA successfully persuades Hayes to participate and begins to train Hayes for a mission that is to take place in Prague, Czech Republic, they are initially dismayed by his lack of refinement. Agent Oakes (Anthony Hopkins) confronts Hayes, telling him he doesn't trust him. When Hayes begins paying attention, the CIA sets him up in his brother's old apartment in Manhattan to test him and try to bait the men who killed his brother.
The Blackburne Tomtit engine was developed from Blackburne's motorcycle engines. The first one adapted to aircraft use was the best performing engine at the Lympne light aircraft trials of 1923, despite its lack of refinement. The Tomtit was a modified version of the Lympne 696 cc V-twin, marketed specifically for flight. The Tomtit could run upright or inverted and was the first British engine to fly inverted, in the ANEC I. The inverted configuration was more common, but the Avro 558 used it in the upright arrangement, and the Avro 560 flew with both upright and inverted Tomtits.
The Cuban lexicographer Felix Ramos y Duarte, in his Diccionario de Mejicanismos (1895), records the word for the first time. He explains it as usual in Tlaxcala (Mexico) and defines it with the following terms: "Indian dressed in blue cotton, white underpants and guaraches". The term naco is generally used to describe people, behaviors or aesthetic choices seen as unrefined or unsophisticated, often in a comic way. As a person, the "naco" may display a general lack of refinement by adopting a "gangster mentality", unrefined verbal expressions or slang, peculiar accents, lack of social manners, or comically bad taste.
A difficulty encountered in the creation of models is that often Leonardo had not entirely thought through the mechanics of a machine before he drew it, or else he used a sort of graphic shorthand, simply not bothering to draw a gear or a lever at a point where one is essential in order to make a machine function. This lack of refinement of mechanical details can cause considerable confusion. Thus, many models that are created, such as some of those on display at Clos Lucé, Leonardo's home in France, do not work, but would work, with a little mechanical tweaking.
This is more like the classical idea that the moduli problem is to express the algebraic structure naturally coming with a set (say of isomorphism classes of elliptic curves). The result is then a coarse moduli scheme. Its lack of refinement is, roughly speaking, that it doesn't guarantee for families of objects what is inherent in the fine moduli scheme. As Mumford pointed out in his book Geometric Invariant Theory, one might want to have the fine version, but there is a technical issue (level structure and other 'markings') that must be addressed to get a question with a chance of having such an answer.
Dargis praised Crowe's performance and Byron Mann's "gaudy baddie with heavy-metal hair and a psycho grin", but considered RZA's central role a mistake, saying "with his sleepy eyes and an affect so laid-back ... [he] is too recessive a screen presence to make the character pop, much less hold your interest". The A.V. Club's Nathan Rabin credited RZA's conceptualization of the "rich, bloody, dense universe he created down to the most insignificant details", and praised RZA's "powerful inner calm" and Crowe's "defiantly theatrical turn". The Los Angeles Times Betsy Sharkey called it a martial-arts spectacle that "may just be one of the best bad movies ever." Sharkey said that some uneven performances and lack of refinement were the result of RZA's lack of directing experience, but appreciated the choreography of the "extreme action" and the film's visual aesthetic, which she described as "a blend of French Baroque and ancient China".

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