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23 Sentences With "key up"

How to use key up in a sentence? Find typical usage patterns (collocations)/phrases/context for "key up" and check conjugation/comparative form for "key up". Mastering all the usages of "key up" from sentence examples published by news publications.

They're missing a couple of key up-the-middle pieces in Trevathan and Jackson.
For the first 20, Flynn, a bit wooden with his delivery, struggled to key up the crowd.
"I couldn't key up" on the radio, Deputy Brian Hayes said, describing his attempts to call paramedics to help the injured.
So I break through the prosthetics with the key, I get the fucking key up my nose, and I do two hits.
It even went so far as devoting a full button to Bixby, even as it made a big show of ditching the big home key up front.
The opening — in which we see Julie tapping with the chorus of "Tickled Pink" — is a neat minor key up-tempo number in the style of Irving Berlin.
"Any offer that was made to Time Warner was prefaced with the notion that the key up-and-coming leadership within Time Warner would not be jettisoned," Mr. DiClemente said.
Those hopefuls won't receive a direct cash infusion, but the group's stamp of approval -- as voted on by its members -- is expected to key up individual donations and activist energy around the campaigns.
The short-lived Fraction series nonetheless cemented Kate as a key up-and-comer in the Marvel Comics universe, and led to subsequent appearances in Young Avengers, another Hawkeye series, and eventually her own (sadly cancelled) Marvel NOW!
To use it as a second factor, you plug the key into a USB port on your computer, or, if it has an NFC wireless chip in it, hold the key up to your NFC-enabled Android phone.
The northern royal flycatcher is usually inconspicuous and quiet, but sometimes gives a repeated sharp clear pree-o or key-up, sounding rather like a Manacus manakin or a jacamar.
After visiting Kimball's steam train at his home, Disney saw his calico cat and remarked, "Hey—there's your model for Lucifer". Reitherman animated the sequence in which Jaq and Gus laboriously drag the key up the flight of stairs to Cinderella.
Martin Maier was born January 20, 1840 in Langensteinbach (Baden). He learned the saddler's trade eventually becoming a master saddle maker. At age twenty-one, he immigrated to the United States from Baden, Germany, living with his sister in Monroe, Michigan. Later, he moved to burgeoning Detroit, where he would key up with the Wolfe Brothers in the trunk and saddlery business.
Such a system can be used to widen coverage to low power mobile radios or handheld radios that otherwise would not be able to key up the central location, but can receive the signal from the central location without an issue. Voting systems require no knowledge or effort on the part of the user - the system just seems to have better-than-average handheld coverage.
Upon looking at rough storyboards, Reitherman recalled, "I just went in his office, which I rarely did, and I said, 'Gee, that looks great. We ought to do it.' It might have been a little nudge to say, 'Hey, let's get going again and let's do a feature'." On Cinderella, he was the directing animator of the sequence in which Jaq and Gus laboriously push and pull the key up the stairs to Cinderella.
The Village, Los Angeles. Bowie, using a 12-string acoustic guitar that had only six strings, played Rodgers a 2-chord pattern, which the latter would later describe as "dark sounding" and a "folk song"; Bowie wanted to call it "Let's Dance" and believed it to be a hit. Rodgers asked if he could arrange the music, moving it higher in the scale, switching the key up to B♭, inverting the chords and adding upstrokes.
In 1999, near the end of the Mark IIXG model series, Yamaha introduced the Disklavier PRO. A key selling feature of this model was the claim of greater recording and playback accuracy than had been possible with previously available models. These instruments recorded not only hammer velocity (as MIDI note-on velocity) but key down velocity and key up velocity (MIDI note-off velocity) as well. The instrument was also capable of recording and reproducing key movements that resulted in no audible sound.
"God Only Knows" contains a weak tonal center that is closest to E major and, in other sections, A major. Adding to this, almost all of the chords are inverted. An E major triad with its bass note in the root position is never invoked, and instead, the position is favored. Of the tracks on Pet Sounds, it is the only one that lacks a strongly established primary key center (others employ key ambiguity to a lesser degree), and the only one that modulates its key up a fourth interval (others descend by a third).
The official journal of the NZART is 'Break-In', and is published bimonthly. The publication is a requirement of the NZART Constitution NZART Constitution updated June 2018 Dunedin The term break-in refers to a system in CW whereby the transmitting station can hear the other station’s signal during “key up” periods. A total of six issues a year are produced, with the first January/February distributed within the first week of February, and so on. The close off dates for articles/advertising are year-on-year: 10 January for January/February issue.
The RPG Maker interface was somewhat user-friendly, and battles were front-view style only. Item, Monster, Skill/Magic, and Dungeons had a small limit cap, as did the effects of any given Item, Magic or Skill (9,999). Items were all inclusive; Weapons and Armors were created in the Items interface. The types of items were as follows: None (mainly used for Key Items), Weapon, Armor, Key (up to eight sub types), Magic (for binding Magic created in the Magic interface to an item), Healing, and Food (which raises stats and EXP, or experience points in which this particular software is the only one of the series to do so natively).
In order to counteract the limited range, multiple sizes of chalumeau were produced ranging from bass to soprano. Over a period of about 20 years, the clarinet became distinguishable from the chalumeau due to a number of structural improvements. The first and most important development was the displacement of the rear key up towards the mouthpiece. Denner also reduced the size of the hole and inserted a small tube to facilitate overblowing, greatly increasing the range of the instrument to nearly three octaves. The instrument was also lengthened to increase accuracy of tuning, the recorder like foot joint of the chalumeau was replaced by a bell similar to the oboe, and a key on the lower joint was eventually added to sound a b’.
Capital Bikeshare users in the Dupont Circle neighborhood , Capital Bikeshare has two payment options: swiping a credit card at a dock or signing up online. At any dock, riders may purchase a single trip ($2), a 24-hour pass ($8), or a 3-day pass ($17), swiping a credit card at the station's kiosk to receive a code to unlock a bike. Online, riders may purchase passes for a month ($28) or a year ($85 if paid in one lump; $96 if paid in monthly increments of $8); these riders are mailed an RFID key that can unlock bikes without a code, or can pick their key up at select docking stations. Any rider may take unlimited trips of up to 30 minutes, measured from when the bike is withdrawn from a dock to when it is returned.
After the publication of Gli Albanesi in Romania..., the Albanian nationalists in Italy proceeded to declare Elena Ghica as the uncrowned queen of Albania. These speculations were tacitly entertained by Elena Ghica; similarly, other members of the family were drawn into this Albanian nationalistic tradition: at the end of the century, another member of the family, Romanian writer and socialite Albert Ghica would likewise key up vocal demands for the Albanian throne. Modern Romanian historiography has expressed vexation at the appropriation, undertaken by Albanian historiography (and by the unscientific Western scholarly works relying on faulty and superficial theories), of not only the Romanian writer Elena Ghica, but also of the whole Ghica family, at the proliferation of dubious spellings of the family names, false information concerning the birthplaces and other historical facts, and at the family's a posteriori labeling as the "Albanians of Romania".Cf. the article Liviu Bordas, Dor de Dunăre şi alte nostalgii cosmopolite — Preţul cosmopolitismului ("Longing for the Danube and Other Cosmopolitan Nostalgias — The Price of Cosmopolitanism"), in Observator Cultural, No. 437, August, 2008.

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