Sentences Generator
And
Your saved sentences

No sentences have been saved yet

"kept woman" Definitions
  1. a woman who does not work but is given money and a home by somebody who she is in a sexual relationship with

73 Sentences With "kept woman"

How to use kept woman in a sentence? Find typical usage patterns (collocations)/phrases/context for "kept woman" and check conjugation/comparative form for "kept woman". Mastering all the usages of "kept woman" from sentence examples published by news publications.

The idea of wearing a ring freaked me out; I don't want to seem like I'm a kept woman!
Downton Abbey's Jessica Brown Findlay (RIP Lady Sibyl) plays Charlotte Wells, Margaret's oldest daughter who is contracted as the kept woman of a wealthy, spoiled nobleman.
After all, it's not like kept woman Bonnie, who doesn't even possess a checkbook, is only losing the plush, head-in-the-sand life Steve afforded her.
"Surely you can shed some tips on how to become a kept woman who is still doing her thing," read a typical message sent to Kiran's Snapchat.
She is often the only woman in a room full of self-styled mafiosi, less of a kept woman than Bin's unfailingly faithful partner in matters of business, brotherhood, and the heart.
This ethos is what brings us to Angel and Stan's dinner confab, where the pair figures out the rules of the "kept woman" arrangement that the real estate exec is so thirsty to finalize.
The turquoise walls are covered with leafy gold filigree that sometimes seems to separate from the walls and close in on Violetta, emphasizing the social pressures on her and her status as a kept woman.
In Act II, when she has become the kept woman of a wealthy man and tries to smother her unhappiness with pearls and powder puffs, vulnerability trembled beneath the surface of the bored sex kitten.
To its credit, Pretty Woman has Vivian (spoiler alert) turn down Edward's offer to be a kept woman, but if the musical wants to present her as a person with her own hopes and dreams, it should do a better job of expressing what those hopes and dreams are.
It is at a disappointing London performance of Le astuzie feminili that Stephen Maturin glimpses Diana Villiers, now a kept woman, in Patrick O'Brian's historical novel Post Captain.
One night, Mrs. Vishal finds Vishal seducing his kept woman. Enraged, Mrs. Vishal injects a deadly animal serum into Vishal's body, and its at this point the real horror starts.
"Beautiful, Loved & Blessed" was later included in a slightly different form on Prince's 3121, "Holla & Shout" was also available as a promotional single, and the song "Kept Woman" was later re-recorded by Bria Valente for her debut album Elixer.
Her life has been full of struggles. Her sister, Emily, became a "kept" woman and Mrs. Elphinstone was forced to accept money from her while she was poverty- stricken. Her husband dies in a tragic storm at sea while they are in Scotland.
Three years pass and the two entertain with brio and style. Marian and Mark fall in love. To cover the fact of Marian being his kept woman, Mark devises a made-up back story of her being "Mrs. Moreland", a wealthy divorcee living comfortably off her alimony.
The Will Trent series, which takes place in Atlanta, Georgia, features Georgia Bureau of Investigation special agent Will Trent and his partner Faith Mitchell. So far, Trent has appeared in Triptych, Fractured, Undone, Broken, Fallen, Criminal, the novella Snatched, Busted, Unseen, The Kept Woman, The Last Widow, and The Silent Wife.
Kemp, Earl. "Revisiting The Expatriates: A Capricious Chronology." eI43 8.2. (April 2009). Web. Text available at eFanzines.com. From 1961-64, Reynolds, at the request of his agent, wrote five sex novels: Episode on the Riviera, A Kiss before Loving, This Time We Love, The Kept Woman, and The Jet Set.
She is shocked and hurt when he mistakes her for a prostitute. Rae realizes she has to survive somehow, and will likely never become more than a 'kept' woman. She asks Margo if she can introduce her to any available men. She meets Ben Wasburn, and makes an agreement to become his mistress.
And in Sister Carrie (1900), Theodore Dreiser (1871–1945) portrayed a country girl who moves to Chicago and becomes a kept woman. Frank Norris's (1870 – 1902) fiction was predominantly in the naturalist genre. His notable works include McTeague: A Story of San Francisco (1899), The Octopus: A Story of California (1901) and The Pit (1903).
She is a kept woman raising her kids while her husband is always away on business. She really wants to be a poet/singer. However, her friends try to gently dissuade her. Her friends lack of support coupled with a desire for support and validation and missing her husband, she begins a flirtatious online email exchange.
Madeleine de Puisieux had a relationship with longtime and fellow philosopher, art critic, Denis Diderot from 1746 to 1755. During that time she was a mistress. Although never married, she was the kept woman to Diderot during their time together. In that time, they worked together on some of Puisieux's works as he helped get the works published.
Bitter Harvest is a 1963 British drama film directed by Peter Graham Scott and starring Janet Munro and John Stride. The plot is about a young woman who rejects marriage to become a kept woman. The film is based on the book 20,000 Streets Under the Sky by Patrick Hamilton.BITTER HARVEST Monthly Film Bulletin; London Vol.
She loses her virginity. # Anna is now supported as a "kept woman"; she moves to better quarters and waits all day for letters from Walter arranging meeting times. She has fallen in love with him. One day a letter arrives from Maudie, saying that she will visit soon, and they go for a walk in Hyde Park.
However, it soon emerges that Suzie Wong is interested in him not as a customer but as a serious love interest. Although Wong becomes the kept woman of two other men, and Robert Lomax briefly becomes attracted to a young British nurse, Lomax and Wong are eventually united and the novel ends happily with them marrying.
Gig initially tries to get money from his aunt Rose Hawley, who is a kept woman and financially secure. He fails to explain what he intends to do with the money, so Rose refuses to help him. Gig decides to raise the money by stealing, and convinces his friend Buck to help him. However, their initial attempts at crime fail.
A humble woman (Swanson) marries a wealthy man (Ames). Their marriage is annulled by the man's father (Holden), who considers her a fortune-hunter, and she is left alone to raise her child. She later becomes a "kept woman" for an older, married man. When the man dies, leaving Swanson a $500,000 inheritance, the press is quick to cast doubts upon the paternity of Swanson's child.
5, §8). Wells was proud of some of the minor characters he sketched in this part of The Dream..David C. Smith, H.G. Wells: Desperately Mortal (New Haven and London: Yale University Press, 1986), p. 283. Smith considers Matilda Good "one of [Wells's] greatest characters." By chance, in London Harry reestablishes contact with his sister Fanny, who has become the kept woman of an important publisher.
Although she was a little older and living as a kept woman by a German functionary, Atangana married her.Ahanda says he met her in Buea, but Quinn, "Atangana", 487, says he met her in Kribi. She would eventually bear him two children: Jean Ndengue and Katerina (or Catherine) Edzimbi. Atangana was a devout Christian, and he supported the church throughout his life with land and gifts.
Mae West portrays a kept woman by the name of Rose Carlton, "The Frisco Doll". She murders her keeper Chan Lo in self-defence and escapes on a steamer to Nome, Alaska, wanted for murder. She is joined mid-voyage by a missionary, Sister Annie Alden. Sister Annie is on her way to rescue a financially troubled mission in Nome, and inspires Rose, but dies en route.
Yesterday's Stories: Popular Women's Novels of the Twenties and Thirties (Westport, Connecticut: Greenwood Press, 1994), p. 13 In 1929, attempting to capitalize on the success of Bad Girl, Delmar wrote two other books in quick succession, each featuring a suggestive title. Kept Woman was a novel, while Loose Ladies presented eleven fictional portraits of modern American city women. Both books drew the attention of censors, but little came of it.
Jim wins his bet, which he then gives to Henry so that he can buy a couple of drinks for the night. Henry then staggers on to another establishment down the street called the Kenmore, where he continues his imbibement. There, he meets Wanda, a fellow alcoholic and a kept woman. Wanda is initially annoyed with Henry, telling him she "hates people," but is intrigued by his sarcastic and witty responses.
Lola Montrose (played by Glaum) is a kept woman. The man she lives with while facing the scorn of society, famous surgeon Dr. John Hampton (played by Sherry), supports her in lavish style. She wishes he will marry her. Having tired of his mistress, however, Hampton tells her that he plans to marry a "good woman," Paula Chester (played by Matthews), who was originally intended for his son, Irwin (played by Chase).
Susan Donovan is an American author of romance novels and women's fiction. Her novel Take a Chance on Me won the 2003 Best Contemporary Romance Award Winner from Romantic Times. Two of her novels – The Kept Woman and Not That Kind of Girl were selected as RITA Award Finalists by the Romance Writers of America. Before writing her novels, she was a journalist, and studied at Northwestern University's Medill School of Journalism.
123"Russian Civil War" in Encyclopædia Britannica (2006) Retrieved 27 October 2006, from Encyclopædia Britannica Online: With its well-established diplomatic ties to several European nations, and its control of strategic transit routes from the Black Sea to the Caspian, Georgia was viewed by the Soviet leadership as "an advance post of the Entente". Stalin called his homeland "the kept woman of the Western Powers".Mawdsley, Evan (2007), The Russian Civil War, p. 228.
354 In Surorile Veniamin, Dan's political novel, the narrative follows the symmetrical lives of two sisters: Felicia, who rejects social conformity and braves a life of poverty; and Maria, who works in the thriving oil industry and then becomes a kept woman. The plot is complicated by Felicia's affair with agitator Mihai Vasiliu, a Romanian Communist Party member who is pursued by Siguranța Statului agents, and who hides in Maria's apartment.Călinescu, p.797-798; Crohmălniceanu, p.
Lobby card for the film Yvonne Valbret (Garbo) is a Parisian kept woman who poses as an artist's model. She falls in love with a young student of foreign diplomacy, André Montell, played by Robert Montgomery. When André learns of her past and her multiple lovers, he leaves her. But finding Yvonne living in poverty when their paths cross again, he pays for her to live in his country cottage outside Paris and they engage in a Platonic relationship.
Acceptable objects of desire were women of any social or legal status, male prostitutes, or male slaves, but sexual behaviors outside marriage were to be confined to slaves and prostitutes, or less often a concubine or "kept woman." Lack of self-control, including in managing one's sex life, indicated that a man was incapable of governing others;Hallett, pp. 67–68. the enjoyment of "low sensual pleasure" threatened to erode the elite male's identity as a cultured person.Hallett, p. 68.
The film—which explores themes of hypocrisy, double standards, and gender norms—features Madison as an activist fighting for better working conditions at her factory job. Madison's character is having an affair with the factory's owner, and she later moves on and marries a man who is unaware of her past. When he discovers that she was previously a "kept woman," he leaves her, only to return after reflecting that he once seduced and abandoned a young woman who committed suicide.
Courtney Braden Ford (born June 27, 1978) is an American actress. She is best known for her roles on television, such as playing Christine Hill on Dexter (2009), Portia Bellefleur on True Blood (2011), Lily on Parenthood (2012), Tonia Pyne on Murder in the First (2014), Kate Taylor on Revenge (2014), Kelly Kline on Supernatural (2016–2018) and Nora Darhk on Legends of Tomorrow (2017–2020). She also played the lead role in the Lifetime television film Kept Woman (2015).
In writing his 1924 play Easy Virtue, Noël Coward stated his object was to present a comedy in the structure of a tragedy "to compare the déclassée woman of to-day with the more flamboyant demi- mondaine of the 1890s." Colette's Gigi (1944) also describes the demimonde and their lifestyle. Gigi is schooled from childhood to be a kept woman, to stifle her feelings in return for a life of ease. "We never marry in our family", says Gigi's grand-mother.
Nick noticing her style, demands that she leaves his house immediately, as he wants no association with a kept woman. Even though Laura realizes that she has become estranged from her family, she continues to stay with Brockton. Sometime later, while vacationing in Colorado, she meets and falls in love with young newsman Jack Madison (Robert Montgomery). After a brief affair, and pledging their fidelity to one another, Jack is stationed in Argentina for several months, as Laura promises him that she will leave Brockton.
Founded in 1968 by Charlie Deraedemaeker (bass), Francis Goya (guitar) and singer Lou Deprijck, Kleptomania was a cult Belgian rock band which underwent several line up changes, Lademacher joining in 1969 and being voted best guitarist in Belgium three years running. Kleptomania's debut single Kept Woman sounded somewhat similar to Black Sabbath, Kleptomania's popularity peaked in summer 1970 when the band opened for The Wallace Collection at Puzzle P Festival in Brussels, and shared the bill with Badfinger at the Bilzen Rock & Jazz Festival.
Sub-plots in the book involve Carl's current mistress, a "kept woman" who is passed from one rich patron to another, and Carl's past life. He was brought to the UK as a boy from eastern Europe and abused by foster parents to the point where he was kept in a cage next to a dog. He was freed only when the foster parents were arrested for cruelty to animals. Nobody cared about him as a boy, and as a result he cares nothing for others.
Elisa, a beautiful woman in her late thirties, changing her plans at the last minute, cancels her flight to London where she was going to meet her older lover. She is a professional mistress who finances a comfortable life style as the kept woman of old rich men. Óscar, her wealthy aging lover, has been supporting her financially (apartment, car, money, plane tickets) in exchange for one weekend a month of her time. When he calls her up to protest, Elisa ends their affair and hangs up the phone.
The two make a bet. If Fred wins by getting her to be his kept woman, Howard has to pay for the bracelet and the cost of the apartment, and if Howard wins, by rejecting Fred's non-marital advances, Fred will owe Howard the same amount of money. When his plan to establish the love nest does not work out, Fred is dismayed, but Evelyn opens the door by inviting him to dinner the following night. She uses the dinner as a pretense to set to entrap Fred into marriage.
Several of Madame Jean's customers became enamored with Venus, among them Marie (Karin Schubert), a wealthy woman whose husband was often absent. Venus earned so much as a model that Armand accused her of being a prostitute. Eventually Armand's obsession, jealousy and growing violence drove Venus away and she moved in with Marie as a kept woman. When Marie's husband Pierre returned home during a society ball, he discovered Venus in his home and ordered her to have sex with Louise (Florence Guérin), a 17-year old rural girl he had seduced with wealth.
Assuming Bates is homeless, Judy offers him a room in her new apartment—and Bates, who has formed a fatherly attachment to her, and whose wife has recently left him, accepts. Danny arrives home with plans to form a new band of top-flight musicians. He is excited to see Judy, until he sees her luxurious apartment and clothes and suspects she has become a "kept woman" in his absence. When he sees Bates at Judy's apartment, he believes his suspicions have been confirmed and breaks up with her.
Chained is a 1934 American drama film directed by Clarence Brown, starring Joan Crawford and Clark Gable, with supporting performances by Otto Kruger and Stuart Erwin. The screenplay was written by John Lee Mahin, Albert Hackett and Frances Goodrich, based upon a story by Edgar Selwyn. The plot concerns a kept woman who finds herself drawn to a charismatic South American rancher while aboard a cruise, all the while still harboring feelings for her married lover back home. Chained is the fifth of eight collaborations between Crawford and Gable.
Their relationship is at first platonic, but eventually develops into Moll becoming something of a "kept woman" in Hammersmith, London. They have three children (one lives), but after a severe illness he repents, breaks off the arrangement, and commits to his wife. However, he assures Moll that their son will be well cared for, so she leaves yet another child behind. Moll, now 42, resorts to another beau, a bank clerk, who while still married to an adulterous wife (a "whore"), proposes to Moll after she entrusts him with her financial holdings.
Von Eiden encourages May to make a break with her family, and she succeeds. However she is unable to find employment and enters into a relationship with a wealthy senator (Lewis) as a kept woman. While May will not marry the Senator, her sister Jennie (Marsh) does marry a man named "Bull" McGee (Crisp), an abusive lout just like her father. Their infant child is killed when McGee trips over its cradle in a drunken stupor, and Jennie becomes delusional, endlessly rocking the cradle with a doll inside.
The novel's protagonist, the 26-year-old Prince Myshkin, returns to Russia after several years at a Swiss sanatorium. Scorned by Saint Petersburg society for his trusting nature and naivety, he finds himself at the center of a struggle between a beautiful kept woman, Nastasya, and a jealous but pretty young girl, Aglaya, both of whom win his affection. Unfortunately, Myshkin's goodness precipitates disaster, leaving the impression that, in a world obsessed with money, power and sexual conquest, a sanatorium may be the only place for a saint. Myshkin is the personification of a "relatively beautiful man", namely Christ.
He is tricked into visiting Nigeria only to discover an arranged marriage had already been conducted on his behalf with a complete stranger. Reluctantly, Ade accepts the new wife, Grace (Jackie Appiah), since she is beautiful and seems submissive. Back in the US, Ade avoids Stacey until she crudely discovers his secret marriage. Grace quickly settles into the American lifestyle, living as a kept woman while Ade continues to enjoy the freedom of a bachelor. Grace eventually tires of Ade’s behaviour and confronts him, setting off a series of battles that makes Ade realise how easily his enviable lifestyle could be taken away.
Blush takes place in the 1950s during a campaign by the new Communist government in China designed to "re-educate" prostitutes to become contributing members of society. Two such prostitutes, Xiao'e (; He Saifei, "Petulia" in the English translation of the novel \- Original page) and Qiuyi (Wang Ji, "Autumn Grace" in the novel's English translation), have recently been sent to a re-education camp by the People's Liberation Army. Rebelling against her new life of uniforms and forced re-education, Qiuyi escapes and becomes a kept woman for Laopu (Wang Zhiwen; "Mr. P'u" in the novel's English version).
The album contains a few songs previously known by fans. "Feel Good, Feel Better, Feel Wonderful" was posted on Prince's now-defunct NPG Music Club website as a one-minute demo in 2006, "U're Gonna C Me" is a remake of a track from Prince's 2002 album One Nite Alone... and "Kept Woman" is a track from Prince's unreleased 2006 project with Támar called Milk and Honey. Originally intended to be released together with Prince's 3121 album, the project was eventually leaked onto the internet by Támar on her website. "Here I Come" had been posted on Prince's now-defunct 3121.
And, along with this, it's tremendously engrossing.James > J. Gebhard in Veltman, Selected Stories, p. 7. The sequels were Chudodei (The miracle worker, 1856), a comic novel satirizing the lower middle class; Vospitanitsa Sara (Sara, a ward, 1862), the story of a girl who is taken into an aristocratic household and becomes a kept woman; and Schast'e - Neschast'e (Fortune - misfortune, 1863), about Mikhailo Gorazdov and his friends, who leave their peaceful and productive lives in Bessarabia for the false glitter of the capital and are nearly ruined before they return, chastened, to find true happiness in their homeland.
Eugène Delacroix's painting Louis d'Orléans Showing His Mistress Domitila de Castro, long-term mistress of Emperor Pedro I of Brazil The historically best known and most-researched mistresses are the royal mistresses of European monarchs, for example, Agnès Sorel, Diane de Poitiers, Barbara Villiers, Nell Gwyn and Madame de Pompadour. The keeping of a mistress in Europe was not confined to royalty and nobility, but permeated down through the social ranks, essentially to any man who could afford to do so. Any man who could afford a mistress could have one (or more), regardless of social position. A wealthy merchant or a young noble might have had a kept woman.
In order to promote Madame Lucy's dress line, Mr. Smith arranges for his models to be invited to the soiree. Irene accidentally ruins the gown she was given to wear and substitutes a quaint blue dress belonging to her mother, and it creates a sensation. Irene is mistaken for the niece of Ireland's Lady O'Dare and, in order to publicize his collection, Mr. Smith decides to exploit the error and moves Irene into a Park Avenue apartment. Dressed in furs and draped with diamonds while escorted around town by Bob, Irene's appearance prompts gossip columnist Biffy Webster to suggest she is a kept woman.
Crouch resolved to practice the trade with higher expectations, with the goal of becoming the kept woman of select dedicated lovers with the financial means to keep her in luxury. Crouch's involvement with Bignell lasted for some time, with the two travelled to Paris, posing as a married couple. Crouch became so enamoured with the city of Paris that she insisted that Bignell return to London without her, determined to remain in the French capital. It was at this time that Crouch took on the name "Cora Pearl", a pseudonym chosen to resonate with the new identity and future she hoped to craft for herself in Paris.
A transgender Ms. Hudson appears in the 19th episode of the US series Elementary, "Snow Angels" (2013), as an expert in Ancient Greek who essentially makes a living as a kept woman and muse for various wealthy men; Holmes allows her to stay in the apartment after a break-up, and she subsequently agrees to clean for them once a week as a source of income and to prevent Holmes from having to do it himself. She is portrayed by Candis Cayne. Mrs. Hudson was portrayed by Ingeborga Dapkūnaitė in the Russian 2013 television series Sherlock Holmes. In the NHK puppetry television series Sherlock Holmes (2014–2015), Mrs.
Employees' Entrance was marketed with the tag line "See what out of work girls are up against these days." Joy complained in 1932 of another genre, the "kept woman" film, which presented adultery as an alternative to the tedium of an unhappy marriage.Smith, pg. 53. Until 1934, nudity involving "civilized" women, which was understood to mean white women, was generally banned, but permitted with "uncivilized" women, which was understood to mean non-white women.Doherty, pg. 133. Filmmaker Deane Dickason took advantage of this loophole to release a quasi-pornographic documentary Virgins of Bali in September 1932, which concerns a day in the life of two Balinese teenagers, who are presumably "uncivilized".
She sees a sexual encounter between an ugly older couple and another between a young attractive couple, and participates in a lesbian encounter with Phoebe, a bisexual prostitute. A customer, Charles, induces Fanny to escape. She loses her virginity to Charles and becomes his lover. Charles is sent away by deception to the South Seas, and Fanny is driven by desperation and poverty to become the kept woman of a rich merchant named Mr H—. After enjoying a brief period of stability, she sees Mr H— have a sexual encounter with her own maid, and goes on to seduce Will (the young footman of Mr H—) as an act of revenge.
A concerned Mr Butterworth and Miss Fisher also head down to the hotel to keep an eye on Vera, and are shocked when they see her separately with both Peters and Miller, believing that she is two timing them. Still without revealing his true identity, Miller asks Vera to live with him for ever in a couple of rooms over a garage. She joyfully accepts, but when Butterworth tells her who Miller really is she is hurt - thinking that his offer was not one of marriage but one of a kept woman. She then pretends to be uninterested in Miller and instead focuses her attention on Peters.
Also, Lily's status as a "kept woman" was made less obvious, and the scene where she seduces a railroad worker in a boxcar, while her friend Chico is on the other side of the car, singing "Saint Louis Blues", was cut. Another significant change was that the cobbler's enthusiasm for Nietzschean philosophy was replaced by his becoming the moral voice of the film, showing that Lily had been wrong to use her body to succeed. The cobbler's original speech was:Sin in Soft Focus, pp.148-49 The altered version, with the cobbler as the voice of morality, was: The new lines were dubbed onto an over-the-shoulder shot of the cobbler.
At the end of his travels, he is "[...] perfectly well-bred,/ With nothing but a Solo in his head" (B IV 323–324), and he has returned to England with a despoiled nun following him. She is pregnant with his child (or the student's) and destined for the life of a prostitute (a kept woman), and the lord is going to run for Parliament so that he can avoid arrest. Dulness welcomes the three—the devious student, the brainless lord, and the spoiled nun—and spreads her own cloak about the girl, which "frees from sense of Shame." After the vacuous traveller, an idle lord appears, yawning with the pain of sitting on an easy chair.
The two talk throughout the night and Ruan reveals that she only wants to become a professional singer, though such dreams seem out of reach. She eventually returns to the apartment, but only to leave the phone number of Su Wu. Upon finding Su Wu, Gao beats and imprisons Su in a cellar before releasing him, after Su agrees to take him to his boss. What happens next is not shown on screen, though Dong Zi narrating explains that Gao Ping somehow became caught up in a scheme with Su Wu and his boss, leading to Gao murdering an unknown person. Tensions rise, however, when it is discovered that Ruan Hong is the kept woman of Su Wu's boss.
Alba first tells a story about how her mother abandoned her when she was a little girl and she ended up as the kept woman of a wealthy Arab in Saudi Arabia, while Natasha later shares a story of her abusive father and her twin sister's career as an art historian. Eventually, the two women tell each other the truth. Natasha reveals that her real name is Dasha who comes from a wealthy family living near Moscow and that she is actually a professional tennis player on vacation, and is to be married the following week in Russia to a man. Natasha's twin sister, Sasha, a model and career actress, phones her at least twice during the film to ask of her whereabouts and wedding plans.
Drouet installs her in a much larger apartment, and their relationship intensifies as Minnie dreams about her sister's fall from innocence. She acquires a sophisticated wardrobe and, through his offhand comments about attractive women, sheds her provincial mannerisms, even as she struggles with the moral implications of being a kept woman. By the time Drouet introduces Carrie to George Hurstwood, the manager of Fitzgerald and Moy's – a respectable bar that Drouet describes as a "way- up, swell place" – her material appearance has improved considerably. Hurstwood, unhappy with and distant from his social-climbing wife and children, instantly becomes infatuated with Carrie's youth and beauty, and before long they start an affair, communicating and meeting secretly in the expanding, anonymous city.
The trial began with a presentation of the investigative report, which was read to the court by Jean-Louis Moreau, the state prosecutor. The report described Shaftesbury's widow as "an escort girl who loved the high life" who "chose the life of a kept woman, with multiple affairs with men she chose for their bank accounts and their assets". Having struck gold when she married the 10th Earl of Shaftesbury, she then faced "looming financial disaster" in the event of a divorce and set out "consciously and without constraint, to accomplish his assassination". Testimony was presented that in October 2002, Mme M'Barek had convinced the peer that she was pregnant with his child, and as a result, Shaftesbury married her on 5 November 2002.
The trial began with a presentation of the investigative report, which was read to the court by Jean-Louis Moreau, the state prosecutor. The report described Lady Shaftesbury as "an escort girl who loved the high life" who "chose the life of a kept woman, with multiple affairs with men she chose for their bank accounts and their assets". After marrying Lord Shaftesbury, she faced "looming financial disaster" in the event of a divorce and set out "consciously and without constraint, to accomplish his assassination". Refusing to be dissuaded from her desired inheritance, she continued to maintain her belief throughout the trial that she was entitled to a share of her late husband's £6million fortune, including the family estate at Wimborne St Giles.
In "Chuck Versus the Coup d'Etat" Premier Goya of Costra Gravas described her as a "kept woman" of Volkoff, and MacKintosh described her in "Chuck Versus the Couch Lock" as Volkoff's "right hand," the woman who Volkoff sends to make his problems disappear. When Mary contacts Chuck in "Chuck Versus the Aisle of Terror" she expresses little emotional interest in Chuck's life, claiming she only broke cover to assist them in capturing Wheelwright and his toxins. Acting as a thorough professional, she shot Chuck (knowing he was wearing a vest) to preserve her cover and later kidnapped him at gunpoint in order to take him to where she stashed the mad scientist for capture. However she also admits that Chuck and Ellie were all she has thought about, and claims to have "killed" Charles Carmichael to keep Chuck and Ellie off Volkoff's radar.
A mistress is usually not considered a prostitute: while a mistress, if "kept", may, in some sense, be exchanging sex for money, the principal difference is that a mistress has sex with fewer men and there is not so much of a direct quid pro quo between the money and the sex act. There is usually an emotional and possibly social relationship between a man and his mistress, whereas the relationship between a prostitute and their client is predominantly sexual. It is also important that the "kept" status follows the establishment of a relationship of indefinite term as opposed to the agreement on price and terms established prior to any activity with a prostitute. Historically the term has denoted a "kept woman", who was maintained in a comfortable (or even lavish) lifestyle by a wealthy man so that she would be available for his sexual pleasure.
Edward and Leonora have an imbalanced marriage broken by his constant infidelities (both of body and heart) and by Leonora's attempts to control Edward's affairs (both financial and romantic). Dowell is an innocent who is coming to realise how much he has been fooled as Florence and Edward had an affair under his nose for nine years without his knowing until Florence was dead. Dowell tells the story of Edward and Leonora's relationship which appears normal to others but which is a power struggle that Leonora wins. Dowell narrates several of Edward's affairs and peccadilloes including his possibly innocent attempt to comfort a crying servant on a train, his affair with the married Maisie Maidan, the one character in the book whose heart problem was unquestionably real, and his bizarre tryst in Monte Carlo and Antibes with a kept woman known as La Dolciquita.
She was also the subject of many rumors and intrigues among her colleagues, especially from her great rival Anna Dorothea Lund. She was also regarded and talked about as a courtesan, and had a long list of lovers; in 1753, she was offered an allowance to become a kept woman, negotiations being handled by her mother, and in the same year, she retired from the stage. In her farewell letter to Ludvig Holberg, which she sent to him when she left the theatre, she said that her colleagues had never let a moment pass which they did not take to embarrass her; she also wrote about them; "I Know I have been more of a burden for them than an asset", but she also thanked Holberg; "For the always towards me directed kindness", and tells him, that: "I have you to thank for a great deal of my happiness, a memory which will always remain with me." The same year, Holberg wrote a code of behaviour for the theatre and lectured those who mistreated their colleagues.
William Hogarth's A Harlot's Progress, plate 2, from 1731 showing Moll Hackabout as a mistress In both John Cleland's 1748 novel Fanny Hill and Daniel Defoe's 1722 Moll Flanders, as well as in countless novels of feminine peril, the distinction between a "kept woman" and a prostitute is all-important. Apologists for the practice of mistresses referred to the practice in the ancient Near East of keeping a concubine; they frequently quoted verses from the Old Testament to show that mistress-keeping was an ancient practice that was, if not acceptable, at least understandable. John Dryden, in Annus Mirabilis, suggested that the king's keeping of mistresses and production of bastards was a result of his abundance of generosity and spirit. In its more sinister form, the theme of being "kept" is never far from the surface in novels about women as victims in the 18th century in England, whether in the novels of Eliza Haywood or Samuel Richardson (whose heroines in Pamela and Clarissa are both put in a position of being threatened with sexual degradation and being reduced to the status of a kept object).

No results under this filter, show 73 sentences.

Copyright © 2024 RandomSentenceGen.com All rights reserved.