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11 Sentences With "keeping alive the memory of"

How to use keeping alive the memory of in a sentence? Find typical usage patterns (collocations)/phrases/context for "keeping alive the memory of" and check conjugation/comparative form for "keeping alive the memory of". Mastering all the usages of "keeping alive the memory of" from sentence examples published by news publications.

"We are keeping alive the memory of Andean art," she said.
Germany has built its post-World War Two identity on the principle of keeping alive the memory of the six million Jews murdered by the Nazis and a commitment to Israel's right to exist.
Germany has built its post-World War Two identity on the principle of keeping alive the memory of the six million Jews killed by the Nazis and a commitment to Israel's right to exist.
The page was intended as a way of keeping alive the memory of Aasia, Taseer said—a digital memorial for someone still living but always haunted by the specter of violent death, in jail and out.
When Oleksandra Vaseyko was 6 years old, he showed her their resting place. For the next seventy years she has been keeping alive the memory of the buried, looking after the graves. She was also helping Polish archeologists in uncovering the mass burial sites of Poles murdered in Wola Ostrowiecka and Ostrówki. In appreciation of her effort, in 2019, Vaseyko was awarded with Virtus et Fraternitas Medal.
The American Osler Society is an organisation dedicated to the history of medicine and focuses on the "life, teachings, and ethical example of Sir William Osler". It works in co-operation with the Osler Library of the History of Medicine at McGill University and consists of a group of physicians, medical historians, and other related professions united by "the common purpose of keeping alive the memory of Sir William Osler" In keeping Osler's memory, the society publishes a newsletter, The Oslerian.
"Cheers to Ms. Jacobson for keeping alive the memory of New York nightlifes golden era, and a man who embodied it." \- Laura Kern, The New York Times "Bottom Line: A glorious exercise in nostalgia. "Toots" affectionately and vividly recalls a bygone New York era, one in which life was simpler (if not more innocent, as one interview subject points out) and celebrities and ordinary folk could be in close proximity without hulking bodyguards getting in the way. \- Frank Scheck, The Hollywood Reporter "A nostalgic, meticulously researched full course meal from granddaughter Kristi Jacobson that will whet appetites of fest, specialty and tube diners.
Project Aladdin is a multi-faceted cultural initiative launched in March 2009 under the patronage of UNESCO with the aim of countering Holocaust denial and all forms of racism and intolerance, while promoting intercultural dialogue, particularly among Muslims and Jews. The project was initiated by the Fondation pour la Mémoire de la Shoah, a French foundation dedicated to keeping alive the memory of the Holocaust. The Project's sponsors include President of France Jacques Chirac, and Prince Hassan bin Talal of Jordan and former German Chancellor Gerhard Schröder, who are also on the Project's "Board of Distinguished Patrons." Other members of the Board include former Indonesian President Abdurrahman Wahid, and former Mauritanian President Ely Ould Mohamed Vall.
' — President Toomas Hendrik Ilves appealed for calm and denounced the rioters as criminals due to the damage they had caused: > "All this had nothing to do with the inviolability of graves or keeping > alive the memory of men fallen in World War II"... "The common denominator > of last night's criminals was not their nationality, but their desire to > riot, vandalize and plunder".Estonia Removes Soviet War Memorial by Jari > Tanner, in the Washington Post, April 27, 2007. Retrieved: 2007-04-27 ' – Prime Minister Andrus Ansip said in a televised address, in Estonian and Russian, that he was forced to remove the statue after the first riots on Thursday night. He said the statue was under police guard and was safe.
The International Composition Competition "2 Agosto" is a major composition competition in Italy. It was established in 1994 at the behest of the Association of the families of the victims of the massacre at Bologna Station on August 2, 1980. The competition was created with the aim of keeping alive the memory of the victims, but at the same time to overcome the concept of mere commemoration, turning the day of August 2 in a creative and artistic response to the act of terrorism. The competition is held under the High Patronage of the President of the Italian Republic and promoted by the "Committee in Support of Victims of Massacres", composed by the Municipality of Bologna, the Province of Bologna, the Emilia Romagna Region and the City of San Benedetto Val di Sambro.
Although he played piano, saxophone, and violin as a child, Constantine gave up instrumental performance for singing. He sang with the award-winning Burtones ensemble while a student at MIT, is a twelve-year veteran and alum of the semi- professional Zamir Chorale of Boston, and is a member of the Zachor Choral Ensemble, a Boston-based group dedicated to keeping alive the memory of the Holocaust through music. Constantine is also a composer with several major works to his credit. He studied theory and composition under George LitterstGeorge Litterst and Stephan PeischStephan Peisch at the New England Conservatory. His first commissioned work, Concerto Grosso No. 1 in G-minor, “Serendipity,” was premiered by the Rockford (Illinois) Pops Orchestra on 9 July 1981. His choral work, “No Hidden Meanings,” based on a text by psychologist Sheldon Kopp, was commissioned by the American Humanist Association and premiered at MIT’s Kresge Auditorium, 20 June 1982.

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