Vistas rearrange themselves kaleidoscopically as pastel-colored geologic formations move in and out of view.
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The same may be said of Sri Lanka's immensely bigger, kaleidoscopically more diverse northern neighbour, India.
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Uncovered in the 1940s, these blockbuster documents kaleidoscopically broadened our sense of what Christianity was and is.
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With the kaleidoscopically agile, angular score not quite complete and the elaborate costumes wonky, it was an unsteady start.
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The colors pop bright and hard in "Zola," a kaleidoscopically hued, periodically discomforting, comically ribald adventure from Janicza Bravo ("Lemon").
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Like Spain's tapas bars, the bacaro serves infinitely varied, kaleidoscopically colorful small plates at prices even a budget traveler can afford.
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This Tyler isn't the renegade of the early 2010s, nor the newly flush, kaleidoscopically colorful melodist of a couple of years ago.
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What increasingly feels out of place amongst prestige dramas and reality TV slots comfortably into YouTube's often sugary, always kaleidoscopically weird video landscape.
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Laughter, of course, was the trigger point for Carrie — kaleidoscopically uproarious laughter that sends her into an infernal rage that only she survives.
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Here again black and white shapes twist and evolve kaleidoscopically, but now they also take the shapes of words that, if you squint, you can just make out.
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My hope then is this funny, little project -- along with Google Earth as a whole -- moves us to care more deeply about this strange but kaleidoscopically beautiful planet.
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Eat like a Venetian: Next time you're in Venice, try eating at a bacarò, a wine bar that serves infinitely varied, kaleidoscopically colorful small plates at affordable prices.
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All images courtesy of artist If cave paintings were able to kaleidoscopically cartwheel through a contemporary femme lens, the results would probably end up looking like Louise Reimer's illustrations.
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His clever, brash, kaleidoscopically grim 1996 debut, "Reasonable Doubt," is as much a work of memoir of life in the street-level drug trade as it is an album.
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Live Coral Reef Cam Cue up "Aquarium" by Camille Saint-Saëns and enjoy this view of the kaleidoscopically biodiverse Philippine Coral Reef tank run by the California Academy of Sciences.
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More often than not, their red carpet is Instagram, where, grouped under hashtags like #blackgirlmagic and #blackgirlsrock, they celebrate their fashion sense, and their heritage, in kaleidoscopically colorful African prints.
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Best of all are the sequences of an old-school Motorola phone, kaleidoscopically multiplying and set to a soundtrack that builds from portentously repetitive, à la Steve Reich, to full-throttle techno.
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The centerpiece is a new video made up of kaleidoscopically mirrored film loops that show buildings in the Beirut Central District being destroyed to create a new and, theoretically, better postwar city.
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In the bottom: the inconsistent Kennedy, who was last week's winner; Chi Chi, lovely in lilies but adrift in the challenge; and a kaleidoscopically effloresced Trixie, who cried while the camera zoomed in.
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Near the end, the a cappella section "Earth Seen From Above" was simply exquisite, the ensemble making a softly hovering, kaleidoscopically shifting drone as an image of our planet, wrapped around the sphere, filled in with color.
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"My hope then is this funny, little project—along with Google Earth as a whole—moves us to care more deeply about this strange but kaleidoscopically beautiful planet," Google Earth product manager Gopal Shah wrote in the blog post.
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By far the best in show in this respect are James Corden, wittily frolicking amid trash as Bustopher Jones; and Rebel Wilson, whose spoiled Jennyanydots leads a Busby Berkeleyesque jaw-dropper with a warbling (quavering) company of mice and a parade of high-stepping, kaleidoscopically trained cockroaches.
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There are vocal powerhouse pop stars, who dominate with the sheer magnitude of their gift; kaleidoscopically vivid pop stars, who dazzle with enthusiasm and energy; diligent pop stars, who chip away at success until they strike oil; cheeky pop stars, who understand the absurdity of the situation but manage to convincingly stay the course.
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You sat there watching Rachel Rose's "Everything and More" (2015) video at the Whitney Museum, with its kaleidoscopically fragmented footage of astronaut training facilities and electronic dance music concerts, and just had to blurt out to everyone sitting in the darkened room, "Oh, it's about the incredibly elaborate and technical mechanisms humans create to achieve a kind of primal and sublime experience of escape and freedom," didn't you?
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The music has received much praise. According to Cuthbert Girdlestone, "Rameau gave of his best. No work of his contains more variety or contains so kaleidoscopically complete a view of his range in lyric, tragedy or pastoral."Girdlestone p.
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Instead they are absorbed into a kaleidoscopically fragmented texture that has often been compared to a painterly technique known as pointillism.”Taruskin, R. (2010, p.731) The Oxford History of Western Music: Music in the Early Twentieth Century. Oxford University Press. Listen.
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Psychedelic visual arts were a counterpart to psychedelic rock music. Concert posters, album covers, liquid light shows, liquid light art, murals, comic books, underground newspapers and more reflected not only the kaleidoscopically swirling colour patterns of LSD hallucinations, but also revolutionary political, social and spiritual sentiments inspired by insights derived from these psychedelic states of consciousness.
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The novel concerns a man named Corky Withers, a shy, odd-tempered and alcoholic magician, whose lackluster performances start to turn around when he adds a foul-mouthed ventriloquist's dummy, Fats, to the show. It chronicles Corky's childhood and adolescence, and his deep love for a high-school crush named Peggy Ann Snow. The novel is written kaleidoscopically, changing time period, location, and point of view swiftly and leaving important information, such as the identity of Fats the dummy, unknown for extended periods of time.
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A monochrome study was made in pencil, pen, inks, and watercolour on board, before the cartoon, now at the Corning Museum of Glass, was completed and eventually transferred to glass. During this process, each panel was cut up, waxed and painted. This was an expensive process for the largely unknown artist, and was funded both by both his father and his friend Augtin Malloy. The window is described by Teehan as "kaleidoscopically sumptuous" and "filled with a wealth of art historical allusions, often unexpected".
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As a catalyst for change, Kalinga Magha is arguably one of the most significant rulers in Sri Lankan history. His invasion marks the final – cataclysmic – destruction of the kingdom of Rajarata, which had for so long been the heart of native power on the island. The great cities of the ancient kings were now lost and disappeared into the jungle, and were not rediscovered until the 19th century. Native power was henceforth centred on a kaleidoscopically shifting collection of kingdoms in south and central Sri Lanka.
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Retrieved February 3, 2019. Harding's street photography of the 1980s was sampled in the 1987 book American Independents. Its editor, Sally Eauclaire, wrote that Harding's photographs had the objective of "[deriving] poetic fancy from prosaic fact", that "Their kaleidoscopically shifting shapes and colors reveal much about the jostle of humanity as well as trends in fashion and social and sexual mores." Eauclaire praised Harding's achievement of "[pushing] realism into the realm of surrealism", attained via devices of isolation within crowds, of reflections, "helterskelter highlighting, and hedonistic jostlings of color".
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The window was described by the art historian Virginia Teehan as "kaleidoscopically sumptuous" and "filled with a wealth of art historical allusions, often unexpected". According to the Irish novelist E. Œ. Somerville, it conjures late 19th century decadence in its resemblance to an Aubrey Beardsleytype female face, which "though horrible [is] so modern and conventionally unconventional... [Clarke's] windows have a kind of hellish splendour." In 1917, Seán Keating produced a modernist oil on canvas painting titled "Thinking Out Gobneh", which shows Clarke working on a design for the window.
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In other areas such as that of undergrowth to the fore, shorter strokes have been criss-crossed, creating an effect not unlike that of a woven fabric. In addition to this labour-intensive technique of layer-building, Pissarro used the more traditional method of applying paint with impasto to consolidate the picture's texture. The technique of painting kaleidoscopically criss-crossing areas has the effect of attracting the eye and drawing it into the pattern, but the price of achieving this is the apparent submerging of details—such as those of the two people ambling down the hill—beneath impasto and contending colours.Pissarro, Christopher Lloyd, Phaidon Press Ltd.
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La Cava's direction of Huston is kaleidoscopically dazzling; together, they turn the abstractions of straw-figure advocacy into an emotionally intricate and ever- surprising character. Hammond's quasi-divine possession comes off as a sort of distanced madness, a fury that grips him not at all blindly; he calmly and unapologetically observes himself rising—or going deeper—into world-historical grandeur. In the presence of radio microphones and world leaders, Hammond delivers a wild speech (dictated by Hearst), that, in its utopian and histrionic extremes, foreshadows the climactic oration by Charlie Chaplin in “The Great Dictator” even as the specifics of the principled power-grab at the core of the film seem downright fascistic.” Although an internal MGM synopsis had labeled the script "wildly reactionary and radical to the nth degree," studio boss Louis B. Mayer "learned only when he attended the Glendale, California preview that Hammond gradually turns America into a dictatorship" writes film historian Barbara Hall.
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