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Viewfinder is Pullman's second album, the follow-up to 1998's Turnstyles & Junkpiles.
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Turnstyles & Junkpiles is Pullman's debut album. Released on August 11, 1998, by Thrill Jockey, Turnstyles & Junkpiles was recorded live to analog 2-track with two AKG 451-EB microphone in the Cool Blue Cave by Bundy K. Brown in November 1997, with two exceptions: "Two Parts Water" and "Beacon & Kent", which were recorded at home by Curtis Harvey and Chris Brokaw, respectively. The album was edited at Soma Electronic Music Studios in Chicago, Illinois, and mastered by Roger Seibel at SAE Digital & Analog Mastering, in Phoenix, Arizona.
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In its review of the album, NME characterized it as "by turns evocative, lyrical and heavy with a submerged sense of unease, like Ry Cooder's soundtrack for Paris, Texas filtered through the minds of distressed rock musicians." In September 2009, Fact magazine placed Turnstyles & Junkpiles at number 3 in its list "20 best: Post-Rock records ever made", going on to describe it as "quiet wonder personified. Heartbreaking and more cockle-warming than an autumn bonfire." In his review for Allmusic, Jonathan Cohen stated that "Turnstyles & Junkpiles is an honest tribute to some of the acoustic guitar's most important innovators," pronouncing it "a perfect soundtrack for an AM spent in lovely dreams".
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Critical reception of the band's work has oscillated from the dismissive to the unambiguously praiseful, with the Chicago Tribune declaring Turnstyles & Junkpiles "a disappointing bore", whilst The Wire has referred to the same album as "their excellent debut." The New Musical Express's review of Pullman's first album stresses the uniqueness of the band's approach to the genre: "Pullman refuse to allow the comfortable and reflective drift off into reverie that would normally accompany such a scaled-down recording." Giant Robot magazine called Viewfinder "a great album combining some of the best in music", going on to list the band's members, detailing their respective pedigrees, as did Jean-Baptiste Dupin writing for Les Inrockuptibles, describing Pullman "[a]s a land of suburbs, a small garden on the outskirts humbly handset by eight green hands".
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