Save the 30-day calendar PDF here, and jump to it!
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Cuddly orangutans, swift foxes and more need your help, so jump to it.
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His fastball was sitting at 24.67-210, but it had some jump to it.
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So, I was going to ask you about this later, but we can jump to it now.
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Ctrl+T (or Cmd+T) - open a new tab and jump to it, ready to continue on your browsing odyssey.
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Luther Vandross's production of her 22008 album, "Jump to It," restored her to the R&B charts, where it reached No. 22014.
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"There's a troubling direction that some of this is going in, but we're going to let this review go on before we jump to it," he said.
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This batch is bound to fly off virtual shelves just as fast, so jump to it if you plan on handing over this most-unexpected form of blooms.
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She steadily climbed her way back up the charts by 1982, with her album Jump to It, but two years later was dealing with her father's death and a divorce from Turman.
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On February 1, 1983, The "Jump to It" album was certified Gold by the RIAA. Franklin was presented her framed Gold record in Detroit by her long-time friends the Four Tops. In 2005, Patrick Alavi released "Come to Me" which used a sample of "Jump to It".
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Jump to It is the twenty-eighth studio album by American singer Aretha Franklin, produced by Luther Vandross and released in July 26, 1982.
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"Jump to It" is a 1982 song by American recording artist Aretha Franklin. The track is from her Gold-certified 1982 album, Jump to It, produced by Luther Vandross. The song was written by Vandross and Marcus Miller and features background vocals performed by Vandross and Cissy Houston. The single reached No. 1 on Billboard's Hot Soul Singles chart, remaining there for four consecutive weeks.
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Miller in 2007 Miller spent approximately 15 years performing as a session musician. During that time he also arranged and produced frequently. He was a member of the Saturday Night Live band 1979-1981. He co-wrote Aretha Franklin's "Jump To It" along with Luther Vandross.
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"Jump to It" was Franklin's biggest pop hit since 1974, peaking at No. 24 on the Billboard Hot 100 chart in October 1982. The upbeat song also reached No. 4 on the Billboard dance chart. It was nominated for a Grammy Award and several American Music Awards.
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However, they notice another spacecraft nearby and jump to it. The second craft proves to be a lost Soviet ship that disappeared piloted by a close friend of the Russian crew member. Though its pilot is dead, Danny and Bronski successfully power up the Soviet ship. Before the two ships can rendezvous, contact with Astra is lost.
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The burgers arrive and are dry, carbonized and inedible. Harvey, who stands behind all burgers served in his Smokehouses, calls Burdick over to "take them back", Burdick challenges Harvey to do better, which he does. Burdick watching Harvey jump to it at the grill catches Harvey Howard's full name and faints. Burdick completes eating a burger prepared by Harvey and becomes a transformed Harvey employee, hilarious.
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After Culture Club broke up in 1986, Moss released a single entitled "Jump to It" with the group Heartbeat UK, which he also produced. In 1989, under the name Rubberman, Moss released one white label of an acid house instrumental track. Boy George used that backing track to create his own song "After the Love", which was released as a single by Jesus Loves You. During 1991 and 1992 Moss was involved in another group, Promised Land, with his schoolfriend Nick Feldman.
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These sets of instruction "gadgets" can then be chained by overwriting the return address, via a buffer overrun exploit, with the address of the first instruction of the first gadget. The first address of subsequent gadgets is then written successively onto the stack. At the conclusion of the first gadget, a return instruction will be executed, which will pop the address of the next gadget off the stack and jump to it. At the conclusion of that gadget, the chain continues with the third, and so on.
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This gave Franklin her tenth number 1 R&B; album – at the time it was the all-time record. It enjoyed a seven–week run at #1 on Billboards R&B; albums chart and also reached number 23 on Billboards main album chart. It was hailed as a comeback album, given that it provided Franklin with her first Gold-certified disc and Top 40 Pop song since Sparkle in 1976. The title track, "Jump to It", was Franklin's first Pop Top 40 hit since 1976, and her first number 1 R&B; hit since 1977's "Break It To Me Gently".
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In 1983, Franklin released her twenty-ninth studio album, Get It Right. Produced by singer Luther Vandross, following his successful teaming with the singer on her 1982 album, Jump to It, it spawned the Hot R&B;/Hip-Hop Songs number-one hit "Get It Right" but became a moderate commercial success in the United States only where it peaked at number 36 on US Billboard 200. Franklin spent many of the following years in her hometown of Detroit, looking after her seriously ill father, the Reverend C. L. Franklin. After her father died in 1984, the singer began thinking about returning to the music scene.
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These are the Billboard magazine R&B; singles chart number one hits of 1982. 13 songs topped the chart during the year, with a 14th ("Let's Groove" by Earth, Wind & Fire) having begun its reign at the leader position the previous November. Six acts (Daryl Hall & John Oates, Skyy, Richard "Dimples" Fields, Dazz Band, Jennifer Holliday, and Zapp) reached the top position for the first time, while Aretha Franklin surpassed the record for the most number one hits previously held by James Brown when her single "Jump to It" topped the chart in September 1982. "Sexual Healing" by Marvin Gaye spent ten weeks overall at the top position, eight of which occurred in 1982.
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Many of his earlier albums made a bigger impact on the R&B; charts than on the pop charts. During the 1980s, two of Vandross' singles reached No. 1 on the Billboard R&B; charts: "Stop to Love", in 1986, and a duet with Gregory Hines—"There's Nothing Better Than Love.".[ Artist Chart History] Vandross was at the helm as producer for Aretha Franklin's Gold-certified, award-winning comeback album Jump to It. He also produced the follow-up album, 1983's Get It Right. In 1983, the opportunity to work with his main musical influence, Dionne Warwick, came about with Vandross producing, writing songs, and singing on How Many Times Can We Say Goodbye, her fourth album for Arista Records. The title track duet reached No. 27 on the Hot 100 chart (#7 R&B;/#4 Adult Contemporary),[ Artist Chart History] while the second single, "Got a Date" was a moderate hit (#45 R&B;/#15 Club Play).
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