The company, a supplier of kitchen units and joinery products to small builders, said Howden Joinery UK depot revenue rose 6.5 percent for the year ended Dec.
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Kingfisher , Travis Perkins and Howden Joinery shed between 2.1%-3.7%.
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Howden Joinery operates more than 650 depots, supplying more than 400,000 kitchens a year.
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The bubble here was broken and has been restored using the Japanese kintsugi joinery technique.
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What unifies them is not merely the traditional joinery but the precise balance between the components.
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British joinery firm Howden fell 3.0%, hitting its lowest for over a month at one stage.
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But it's not the kind of hulking metal with heavy joinery that may initially come to mind.
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Howden Joinery, which sells more than 350,000 kitchen units a year, said total revenue rose 7.1 percent.
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He had no formal training in architecture or furniture making or joinery; he'd studied ceramics at UCLA.
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"The joinery was so simple and sophisticated that within six weeks Meda was reassembled," Mr. Sachdeva said.
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Including so much old-school joinery with the otherwise modern interior gives it a unique look among SUVs.
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Sublets are available on sites like Flip, Joinery and Craigslist, where she could also search for a roommate.
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"You should look around and under furniture, check stability and joinery, and look for any damage," he said.
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Builders merchant Travis Perkins fell 4.1 , Howden Joinery dropped 4 percent and commercial REIT Great Portland Estates fell 2.2 percent.
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Howden, which sells fitted kitchens, appliances and joinery products, said it has the financial capacity to withstand the challenging period.
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Robots will be employed to build the structures using traditional Japanese wood joinery — move down the bench, nails, and screws.
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The furniture was produced in the joinery of Marcel Breuer, one of the first and youngest students at the Bauhaus.
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One example is Howden Joinery, a London-based company that provides cabinets, flooring, sinks and other materials needed for a kitchen renovation.
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By contrast, Shanghai-based Archi-Union embrace a future-past synthesis, using robotic fabrication methods to produce traditional ceramics, masonry, and joinery.
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"The material is a major part of good construction, but a table is only as good as the joinery," Mr. Dyer said.
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"Howden Joinery UK depots have seen a continuing good sales performance in the first two periods of our new financial year," the company said.
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In order to give things [at Joinery] a chance, we really felt like we had to take the plunge and just go for it.
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If you're investing in joinery, build cupboards right up to the ceiling (as well as in the dead spaces such as under the stairs).
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Hill tells me that she recently organized a visible mending workshop with Golden Joinery, a Dutch organization that uses golden thread for visible mends.
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Shares of Grafton slid 10% after it warned on its annual profit, while peers Travis Perkins, Howden Joinery and SIG gave up between 2.3% and 6%.
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Howden, which makes fitted kitchens and joinery products, had not been contacted by STOXX Ltd by 0900 GMT, according to a press representative of the company.
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But our self-taught intuitive approach has helped us to attempt very complex joinery that perhaps we would have not tried had we been trained carpenters.
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Its warning spooked rival stocks as well, with shares of Travis Perkins, Howden Joinery Group, Grafton Group and B&Q-Owner Kingfisher all 1-4% lower.
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" Joinery earns money by taking a 20 percent commission on top of whatever the tenant chooses to charge, says Ramsey: "It's proportional to the cost you're paying.
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The joinery is the industry term for the places where the base and tabletop fit together — the more solid this is, the longer the table will last.
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Laird, Countrywide, Howden Joinery Group, Mitchells & Butlers and Aldermore, all saw negative broker activity on Tuesday, sending their shares 2.6 percent to 5 percent lower on the day.
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Every piece is fitted together with Japanese-style joinery that will ensure it'll last several lifetimes (as opposed to screws and glue, the way shitty IKEA furniture is made).
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All indexes including Howden Joinery were showing incorrect prices during that period of time, a STOXX spokesman said over the phone, adding he did not have any further details.
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In his kitchen-thinking, Mr. O'Brien remembered the fine joinery of the turned staircase in his first house, a tiny 1920s Dutch colonial fitted out like a wooden ship.
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But unlike the typical metal joinery that's powered by a motor, these edible gelatin actuators are filled with air or fluid or react to chemicals, which cause them to move.
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British kitchen supplier Howden Joinery was crowned Europe's best performer, closing up over 10 percent, after posting a 8.2 percent increase in total U.K. depots revenue in its last quarter.
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Howden, Britain's largest manufacturer and supplier of fitted kitchens, appliances and joinery products to small builders, said group revenue rose to 1.4 billion pounds ($1.93 billion) for the year ended Dec.
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SIG's warning sent ripples through the FTSE Construction and Materials sector, with shares of bigger rivals Travis Perkins Plc, Howden Joinery Group Plc and B&Q-Owner Kingfisher Plc all lower.
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Leigh's approach to joinery and the hardware used to attach works to the wall also assert a no-nonsense functionalism that gets the job done without making a fetish of craft.
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The suggestion of a weakening in the U.K.'s domestic economy has hit shares of kitchen maker Howden Joinery Group, which was one of the worst-performing stocks down by 0.2.39 percent.
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SIG's warning sent ripples through the FTSE 350 Construction and Materials sector, with shares of bigger rivals Travis Perkins Plc, Howden Joinery Group Plc and B&Q-Owner Kingfisher Plc all lower.
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Revenue from over 21.31 Howdens Joinery depots, which supply more than 20183,22018 kitchens each year to homes in Britain, rose 21 percent to 20.7271 billion pounds ($1.88 billion) for the 53 weeks ended Dec.
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His father retired as the chief financial officer of Evening Star Joinery, a custom homebuilder in Harbor Springs, and is now the vice president and a trustee of the Petoskey-Harbor Springs Area Community Foundation.
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Howden Joinery said on Thursday it continued to expect additional foreign exchange costs in 2017 of about 20 million pounds and added operating costs of the same amount because of pension related and other expenses.
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Builder Telford Homes tumbled 20 percent after cutting its full-year forecast while mid-cap kitchen supplier Howden Joinery lost 7 percent — its biggest drop in over 2-1/2 years — after flagging higher costs and margin pressures.
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By side-stepping the traditional methods of joinery from which most furniture is crafted even today, Castle gave himself license to play with form freely, carving his works out of blocks of wood as though it were marble.
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The superimposition of one chair form over another emphasizes both the joinery of its parts and the form as a whole, raising questions about the function of a chair versus its physical reality and ideas about material and permanence.
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Britain's largest manufacturer and supplier of fitted kitchens, appliances and joinery products to small builders said group revenue rose to 20163 million pounds ($22016 million) in the 21 weeks to June 20.7677 from 528.9 million pounds a year earlier.
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Britain's largest manufacturer and supplier of fitted kitchens, appliances and joinery products to small builders said group revenue rose to 553 million pounds ($720.34 million) in the 24 weeks to June 10, from 528.9 million pounds a year earlier.
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The people at our camp and a few that I talked to near the sculpture really enjoyed the intricate nature of the skull and the joinery involved, so from a crafting point-of-view I got very positive feedback.
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While we can still see some of her father's signature elements — the raw edges of wood, the butterfly joinery, the refined wood at the base — this sofa is pure Mira, with blue upholstery and tendrils of upturned roots at the seatback.
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London-focused homebuilder Telford Homes tumbled 16 percent after cutting its full-year forecast and mid-cap kitchen supplier Howden Joinery lost 7 percent on track for its worst day since June 2016 after flagging higher costs and margin pressures.
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LONDON (Reuters) - A spike in the pan-European STOXX 600 and industrial goods and services indexes early on Wednesday was due to "problems with pricing data" for Howden Joinery shares, index provider STOXX Ltd said in an email to clients.
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While the San Francisco Museum's steps are of pale, finely textured maple, Berkeley's are of relatively loud, brightly knotty Canary Island Pine designed and fabricated by the wood joinery master craftsman Paul Discoe from seven trees removed to make way for the expansion.
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I like picking out threads and I like clues that pair up to be whimsical, like MONA LISA, SENT and READ, and a TIER on a CAKE (you could mentally connect LOOTER, whose clue was spectacular, to the neighboring SPREE, but that joinery was unspecified).
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LONDON, July 7 (Reuters) - British kitchen supplier Howden Joinery said on Friday its founder and chief executive Matthew Ingle will retire in the first half of 2018 after 22 years with the group and be succeeded by the boss of home improvement firm Screwfix, Andrew Livingston.
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Masterminded by the Kyoto-based architecture firm Sankakuya, known for restoring ancient shrines and temples in Japan, the minimalist pale-wood space was constructed exclusively using traditional joinery techniques and centuries-old Japanese timber: hinoki (Japanese cypress) for the eight-person dining room and ash for a smaller six-person private room.
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"There is a real risk of companies going out of business if we cannot find alternative locations in the neighborhood," said Feruk Tepeyurt, the owner of a local joinery firm and chairman of the Peacock Industrial Estate, home to more than 50 small businesses but, under both the council's plans and a separate project proposed by the club, scheduled to become a park.
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" He continues: "Peopled with memorable characters large and small, it's a show that having watched once — not hard to do straight through and hard not to do straight through — you may want to watch again, to admire its machinery and joinery and find the clues you might have missed, but also because it feels just as good the second time around.
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The design was cut into both sides of the wood, sanded down by hand, and then sent to the final stage of beveling the edges, and was put together in Black Rock City using glue and a 500 slat joinery system—an effort to avoid the use of metal screws to reduce the amount of MOOP (matter of out place) created by the installation.
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Bench joinery is the preparation, setting out, and manufacture of joinery components while site carpentry and joinery focus on the installation of the joinery components, and on the setting out and fabrication of timber elements used in construction.
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Howden Joinery Group plc is the parent company for the Howdens Joinery business (Howdens), a supplier of kitchens and joinery products to the building trade. It is listed on the London Stock Exchange, and is a constituent of the FTSE 250 Index.
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Some members use metal connectors rather than traditional wooden joinery.
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It is used for joinery, furniture, flooring, and decorative panelling.
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Methods that are not considered traditional joinery have come about in modern times, largely to attempt to simplify the job of the woodworker for various reasons. These include biscuit joints and pocket hole joinery.
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The small windows are double hung and of 6 panes to both the upper and lower sashes, with only one original window surviving. There is a skillion addition to the rear, which houses the kitchen and bathroom. Most of the joinery has been replaced with much poorer quality joinery than the original. There is some original joinery remaining in the front room.
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The restoration work has been undertaken by Manor Joinery of Minsterley, Shropshire.
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Much of the original joinery remains in the interior of the house.
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SUREWALL, is a 22.5X masonry cement specifically designed for plastering and brick joinery.
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The durable heartwood is used as timber in joinery and high-class furniture.
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Also intact is a substantial amount of joinery, in particular the elaborate staircase.
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CCG Profiles is software for designing joinery constructions for windows and doors industry.
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Interior materials include cedar joinery and plastework.r The building is in good condition.
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Pocket-hole joint being assembled. Pocket-hole joinery, or pocket-screw joinery, involves drilling a hole at an angle — usually 15 degrees — into one work piece, and then joining it to a second work piece with a self-tapping screw.
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The timber of prickly ash has been used for shingles, casks, furniture and joinery.
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Joinery in the hallway, including the doors, is decorated with an early timber graining effect.
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The business area Holmen Timber makes construction timber and joinery timber at three sawmills in Sweden.
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The house also displays Queensland timbers to advantage, the joinery including panelling in pine and kauri.
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Ottawa: Employment and Immigration Canada, Occupational and Career Information Branch, 1971. 756. Print. The terms joinery and joiner are in common use in the UK, Australia, and New Zealand. The term is not in common use in North America, although the main trade union for American carpenters is called the United Brotherhood of Carpenters and Joiners of America. In the UK, an apprentice of wood occupations could choose to study bench joinery or site carpentry and joinery.
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The Polygonal Turning Corporation of Marquette, Michigan manufactured shaped joinery products for domestic use during the 1890s.
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The former station site, on Felthorpe Road, is now a B&B;, caravan site and furniture joinery.
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Haldor Børve designed the building, and planning and joinery work was completed by workers from Skotfoss Bruk.
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Elsewhere on the ground and upper floor are smaller rooms with extant timber joinery and other fittings.
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Nicholson, Peter. Practical carpentry, joinery, and cabinet-making; being a new and complete system of lines, for the use of workmen: founded on accurate geometrical and mechanical principles, with their application in carpentry, to roofs, domes, centring, &c.; in joinery,. London: T. Kelly by J. Rider, 1826. 31. Print.
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Joinery on twigs and branches is similar to joinery for lumber. Mortise and tenon joints are strong, but also labor-intensive and time-consuming. Twigs and branches can also be fastened with nails. Where one branch meets another, the ends must be coped, or cut to match the curve.
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Timber joinery is used throughout the building with the majority of the windows being large double-hung windows.
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Timber joinery is missing. There is no visible evidence above ground of the early fence, paths or landing.
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This construction technique relied extensively on structural support provided by peg-mortise-and-tenon joinery through the shell of the boat. This method of ship construction appears to have originated from the seafaring nations of the Mediterranean, although evidence of peg-mortise-and-tenon joinery later appears in Southeast Asia.
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Aside from some minor changes in joinery and the replacement of the original windows, the church is largely unaltered.
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This college enrols students who wish to become motor vehicle mechanics, architects, carpenters with Joinery skills, electricians, and musicians.
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McDonough now runs his own joinery business. He lives in Oldham, Greater Manchester, in a house he built himself.
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He ran his family joinery business, taking over when his father died. He was the fourth generation to take charge.
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The Long Room has a decorative moulded plaster cornice and pilasters. All the joinery throughout the building is silky oak.
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The bricks around their openings correspond to those on the first floor walls. Joinery is attained and varnished on the ground floor with the exception of the drawing room1, which is painted. All the first floor joinery is painted. There is an ornament rail to rooms 23 & 27 while all remaining rooms have picture rails.
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This sophistication results from its unique plan form, its unusual and extremely well executed joinery and finish, and its formal relationship to the stables immediately to the south. It has well detailed joinery. Associated with the house is a fine stone stables/barn and a large timber shed which is sympathetic to the earlier buildings.
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In the history of technology in Europe, joinery was the medieval development of frame and panel construction, as a means of coping with timber's movement owing to moisture changes. Framed panel construction was utilized in furniture making. The development of joinery gave rise to "joyners", a group of woodworkers distinct from the carpenters and arkwrights (arks were an intermediate stage between a carpenter's boarded chest and a framed chest). The original sense of joinery is only distantly related to the modern practice of woodworking joints, which are the work of carpenters.
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This gauge is used to scribe two lines simultaneously and is most commonly used to lay out mortise and tenon joinery.
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Sobon, Jack A.. Historic American timber joinery: a graphic guide. Fourth printing. ed. Becket: Timber Framers Guild, 2010. pp 21, 22.
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A similar arrangement of hallway joinery survives at Kameruka, built by the Imlay Brothers . This joinery possibly suggests the work of tradesmen and cedar brought from Tasmania. The immediate garden features olive trees and oak trees dating from the 1860s/1870s. It retains early post and rail fencing, forming an aesthetically distinctive curtilage in the landscape of the region.
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The chimney is a secondary corner feature, with decorative features, and set back slightly from the corner. Internally, the building retains original layout, and features including joinery, leadlight, floor boards, timber ceilings, and timber stair leading to upper level. The upper levels appear to be the original hotel room layout, with intact associated features including joinery, doors and fireplace.
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A single pendant light hangs centrally from the ceiling. Other rooms on this level have similar though simpler detailing. In the former public office to the west, walls are hard plaster with elaborately moulded cornices. Timber joinery including architraves, window sashes and skirtings are painted though some timber joinery in the former public office has a varnished finish.
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As at 24 July 2014, some new fibrous plaster ceilings and cornices, some original timber boarded ceilings and cornices, original cedar joinery, original galvanized corrugated iron roof and water tank sheeting, ogee gutters and round downpipes in parts and intrusive gutters with square downpipes elsewhere, painted timber linings, joinery and decorative timberwork, stone flagging and timber tank stands.
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Kitchen products were introduced in 1970, and soon after, a new factory in Darlington was established to manufacture joinery and kitchen furniture. In 1975, Magnet became Britain's largest manufacturer of joinery products with 115 branches. In 1975, Magnet merges with timber group Southern- Evans to form Magnet & Southerns. The combined business, following the merger, exceeded two hundred branches.
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The interior cedar joinery appears to have little or no alterations and the original floor plan of the main house remains intact.
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Aboriginal boys and boys in trouble with the law were sent to this reformatory. Here they were taught carpentry, gardening and joinery.
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In 1974 the premises were held by the West of England Warehouses and also used by the Somervale Foods and Somerset Joinery.
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The kinds of doors we specialize in are ledged and braced doors but we also offer a bespoke joinery and design service.
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Other buildings, structures, pathways, swimming pools, modern partitions, modern joinery, and sheds within the cultural heritage boundary are not of cultural heritage significance.
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One of the original designs, a sport-touring derailleur frame. These were built using lugged joinery, and painted custard-yellow with black headtubes.
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Reused items include first floor window joinery and stone sills on George Street façade. The rear addition was also constructed at this time.
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The substation is complete in the Interwar Georgian Revival style. Exterior materials include face bricks, cement render, ceramic tiled roof, and timber joinery.
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The building materials used include Colonial bonded brickwork, hipped iron roof, stuccoed chimneys, cedar joinery, and iron ceilings.National Trust of Australia (NSW). 1982.
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Many traditional wood joinery techniques use the distinctive material properties of wood, often without resorting to mechanical fasteners or adhesives. While every culture in which pieces of wood are joined together to make furniture or structures has a joinery tradition, wood joinery techniques have been especially well-documented, and are celebrated, in the Indian, Chinese, European, and Japanese traditions. Because of the physical existence of Indian and Egyptian examples, we know that furniture from the first several dynasties show the use of complex joints, like the Dovetail, over 5,000 years ago. This tradition continued to other later Western styles.
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Symmetrical main elevation with recessed two storey verandah set between protecting wings with rectangular single storey bays. It has a detached brick stables, a coach house, servants quarters and courtyard. The house is 55 squares in area and has fine unpainted cedar joinery and original ceilings. Four panelled doors and original plaster ceilings - very fine cedar joinery unpainted and waxed.
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Turner's Joinery is built under the viaduct archway that originally connected Coronation Street with Jubilee Terrace. It is not much mentioned recently. When Nick Tilsley (Ben Price) decides to build the bistro, he buys half of Turner's Joinery. There is, though, still part of Turner's under the viaduct, standing behind a double door not seen much because it is behind the corner shop.
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Upon leaving school at fifteen, Watson was apprenticed to a family joinery firm, and from became a joinery teacher when he was twenty. He taught in Leicester, where he also played a large part in the Leicester Vegetarian Society. He moved on to Keswick, where he taught for 23 years. He stayed in the Lake District for the rest of his life.
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In 1932 Charles Plant died and in 1936 the land on which Ferndale stood was subdivided and the house was demolished. It had featured handsome carved cedar joinery and a ballroom surmounted by a lantern decorated with leadlight panels. These panels and some decorative joinery were then incorporated into the Grant home. Hilda Grant died in 1943 after prolonged ill health.
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The church closed in 1984, and the building was subsequently used as a joinery workshop. It is now used by the Manchester Miracle Centre.
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Elaborated parapeted gable including a roof ventilator. Medium pitched terracotta tile roof. TImber window joinery. Original timber skirting boards and trim to ground floor.
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The theme of Georgian simplicity is continued inside the house where the lath and plaster walls and ceilings appear undecorated except for substantial joinery.
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The verandah is timber floored. Paired windows flank the central, panelled door. Windows are timber, sashed, six pane and double hung. Joinery appears original.
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Small paned sash windows and a 6 panelled door with fanlight. Generous grounds and plantings. Cedar joinery. Two storied stone out-building at the rear.
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The entry steps are in black slate. The floors of the veranda and entry are elaborately patterned in tessellated tiles. The interiors are decorated with fine joinery, likely cedar, in the grandly scaled skirtings, doors, windows and the main stair case that has helix-shaped balustrade and newel posts that reference the columns under the entry arch. The joinery is simpler within the service wings and tower.
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Each of the corner rooms accommodates a carved timber fireplace. Throughout the building interior walls are plastered; ceilings are lined with tongue and groove timber boards; and floors are polished timber or carpeted. Original joinery (including fine panelled doors and fanlights, skirtings and architraves) is cedar and floors are of pine. Recent joinery around the building is of Malaysian cedar and floors of blackbean.
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Along the western elevation (rear) of the building, the joinery is steel and in the eastern elevation, facing the parade ground, the joinery is timber. The northern section, as first built, contained a large tall space about long and wide. Six large roller doors open out on the eastern side onto the parade ground. Smaller offices range along the north and west of the hall.
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The ground and first floor levels of the William Street wing are similar in design, with original joinery, iron columns, and exposed rafters and beams. Walls are rendered and painted. The William Street wing is partitioned on ground level into three rooms, each with a fireplace. The rooms retain finely detailed joinery and ceilings are beaded tongue and groove timber board ceilings with timber mouldings.
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Facing these windows is a low dais on which musicians once performed. This room in later years became a chapel. The joinery includes carved cedar mantelpieces, the one in the dining room having a carved panel bearing a crest and the motto "Semper Fidelis" (always faithful), and some rooms have pressed metal ceilings.Earnshaw & Hallibone, 2007, 138-9 Internally and externally virtually all the original joinery remains.
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External joinery is Indian teak (termite proof), explaining the thick, sturdy glazing bars of the French doors (as teak does not lend itself to fine detail). The internal joinery is cedar and painted. It is of a high standard, featuring many pairs of four paned, double doors (i.e.: 8 panelled doors) with matching jambs, timber fireplace surrounds of simple Georgian design, and deep skirting boards.
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The joinery shop was originally built at Witley, Surrey, and dates from the late 19th or early 20th century. It houses an exhibition on building construction.
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Profiles covers a large part of the activity of companies engaged in manufacturing of aluminium, PVC and timber joinery. Basic components: drawing, offering, optimization, materials, store.
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For a small(amateur/enthusiast) construction following criteria have to be met: economy, stability of end product against elemental hazards, ease of handling materials and joinery.
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It is used for heavy duty construction work, joinery, veneers and furniture. Speciality uses include turnery, carving, knife handles, brush backs, bows for archery and billiard cues.
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Shuttered windows. Front door has beautiful elliptical fanlight over it. Exceptional cedar joinery inside. At rear is sandstock brick kitchen, dairy, offices, small carriage house at rear.
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Much of this remains, such as an exhaust fan, cupboard and servery joinery and fitments. The kitchen is linked to the main bedroom by a dumb waiter.
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Distinctive convict markings (such as frogs, and tally bricks) can be seen in the brickwork adjacent to entry door. Copper gutters and downpipes. Cedar joinery throughout interior.
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The wood is used for such purposes as flooring, joinery, furniture, boat-building, cattle troughs and drums, but the timber exudes too much gum for high quality joinery and carving. It is also used for firewood and for charcoal manufacture. Long strips of the bark are used to make beehives. The gum produces a fragrant smoke when burned and is used to make torches and incense, and to fumigate houses.
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She later taught classes at Drew Langsner's Country Workshops in North Carolina and mentored many students. At Country Workshops she met Peter Follansbee, and after years of corresponding, would go on to co write a book with him called, Make a Joint Stool from a Tree: An Introduction to 17th- Century Joinery. She spent her later years mentoring many in greenwoodworking techniques and joinery. Jennie died July 12, 2018.
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The timber is pink or pinkish-brown with white resinous streaks. It is typically used for panelling, joinery, light carpentry, furniture, plywood, crates, boxes, veneers and other purposes.
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The first floor contains a kitchen at the rear, large offices opening onto the front and side verandahs, plaster ceilings, painted timber joinery and panelled doors with fanlights.
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Several bicycle frames have been made of bamboo tubes connected with metal or composite joinery. Aesthetic appeal has often been as much of a motivator as mechanical characteristics.
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Interior detailing also of significance, including joinery. St John's Uniting Church and Pipe Organ was listed on the New South Wales State Heritage Register on 2 April 1999.
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By the mid 1960s the front (north) elevation of the joinery was truncated at an angle on the eastern side, as earlier photographs of this elevation do not display the current angle. The pre-cut house workshop and sawmill to the south of the joinery seem to post-date 1946. According to archived Queensland Forestry Department correspondence, in November 1946 Alfredson was seeking advice on the design of a timber seasoning yard, and was intending to erect a drying kiln and a boric acid treatment plant "in conjunction with his furniture factory and sawmill". A sketch from this time appears to show the joinery and a sawmill to its south and west.
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Diploma in Electrical and Electronics Engineering, Mechanical Engineering, Civil Engineering, Business Administration, ICT, Agriculture Engineering and Textile Engineering. Certificate courses include electrical installation, motor vehicle, masonry, joinery, and tailoring.
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On 6 December 2010 Cheryl is working when the Joinery explodes, destroying the viaduct above and sending a tram crashing onto the street. She is later rescued and brought out of the wreckage alive and is reunited with Russ. When the Joinery re-opens as a Bistro, Cheryl continues to work there. Nick realises he needs a manager so Cheryl applies for the position and eventually gets it after the selected candidate drops out.
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In December 2010, Lloyd is celebrating Peter Barlow's (Chris Gascoyne) stag night in The Joinery, when a fight erupts between him and Chris after he provokes him several times during the evening. The fight intensifies before a huge explosion ends the fight and tears through The Joinery. Lloyd, however, escapes relatively unhurt and even rescues his enemy, Chris. Lloyd kicks down the front door of number 13 only to be blasted back by huge flames.
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The remnant of a gas light fitting remains in the room to the northwest of the entrance hall. Recent reconstruction and renovation work includes new door and window joinery and light fittings, however, original skirtings, architraves, fanlights, and door and window joinery and hardware survive. A pine floor runs throughout, polished in some areas and covered with carpet in others. A bitumened carpark stands to the southwest and southeast of the building.
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The proselyting missionaries from all of NZ were billeted out with various families in Temple View. The members who had traveled far usually stayed in makeshift accommodations. Initially many stayed in improvised sleeping quarters in the joinery building which was one of the first of the bigger buildings constructed and the school classroom buildings. The various musical items, skits and other stage activities were held in the joinery building in the evenings.
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The company was founded by Samuel Elliott in 1870 as a joinery works, Elliott's Moulding and Joinery Company Ltd. It produced ammunition boxes during the First World War made by a workforce composed 90% of women. It changed to furniture production after the war. In the Second World War, once more a largely female workforce produced components for aircraft, including the Supermarine Spitfire, Tiger Moth, De Havilland Mosquito, Airspeed Oxford and Airspeed Horsa glider.
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Joinery, including a dado rail, architraves, windows and doors, is clear-finished timber darker than the lining timber. The bedrooms and bathroom are accessed from a central entrance hall and living room. The kitchen is within the living room, divided by fitted cupboards and shelving of the same high quality timber joinery combining pine and cedar. Other timber fittings designed for the interior include several concealed storage cupboards, a wardrobe and other smaller cupboards.
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External: A third-class road side station building with corrugated metal hipped roof over the central building and the later wings on both ends. The original central building remains relatively unchanged and maintains its wide awning supported on cast iron turned posts and decorative brackets though roofing has been replaced with metal sheeting. The original timber joinery survive only on the central section of the building. The remaining joinery is relatively new.
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Magnet was established in Bingley, West Yorkshire in 1918 by Tom Duxbury. Legend has it that Duxbury traded his horse for a firelighting company and named his new company Magnet after the horse. During the 1920s Magnet pioneered the mass production of joinery, door and window products and soon began supplying joinery components for major construction projects. New operations were opened in Keighley, Grays and Knaresborough to satisfy demand for the growing business.
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Most of the deteriorating fabric is associated with reconstruction works done in 1979-80. As well, internal wall and ceiling surfaces need repainting and some internal timber joinery requires refurbishing.
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The decoration was done by CF Quality Decorators Ltd from Laois, whilst the joinery was done by Teamwoodcraft, also based in Laois. The house and estate are now strictly private.
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Sandgate is a substantial two storey residence. It retains its original character and detailing including elaborate wrought iron verandahs and columns, ornate plaster cornices and friezes and full cedar joinery.
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A plainer staircase occupies the south-west corner. The purpose- designed silky oak showcases, other purpose-made shop joinery, and the cash railway system, have been removed from the ground floor.
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A Dictionary of Sussex Dialect. The word steddle was quite common in Sussex various examples being: p.17. Bedsteddle – Bedstead; p.64. Jointsteddle – a stool framed by joinery work; p.83.
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Many original features remain intact, including a fine anaglypta lined vaulted ceiling in the drawing room; internal doors and other joinery; a fine fireplace with painted tiles, despite many internal alterations.
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It has lath and plaster ceilings internally with cedar staircase and joinery. It has ten rooms with lift ceilings. The exterior is English bond brickwork. The internal doors are six panelled.
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Original doors and other joinery remains. Much of the original interior survives. The residence is prominently sited in large grounds with a number of large trees and a stone gateway (LEP).
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At this time, most of the exterior of Monticello was finished, but the interior was not yet complete, and most of the furniture was decades old. The joinery changed focus and began creating furniture, both for Monticello and for Jefferson's second home at Poplar Forest. The Monticello Joinery was responsible for desks, chairs, and tables, often created from Jefferson's own designs. Hemmings likely made much of the furniture and other woodwork created in the Monticello joinery after 1809, but only eight works are positively attributed to him through records: a "Campeachy" (campeche) chair, boxes made to hold books Jefferson sold to Congress, a desk for Jefferson's granddaughter Ellen Randolph Coolidge, a bedstead, a chess table, Pembroke tables, a hanging cabinet, and a dressing table.
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The house is notable for its high degree of intactness and the quality of its internal finishes, particularly its cedar joinery which can be compared with other colonial homesteads in the region. The hallway joinery with its interior screen matching that of the front entrance door is particularly notable. It is highly unusual and comparatively rare. Oaklands is of state significance as a rare and intact surviving colonial homestead of the late Georgian period in NSW.
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This angers Betty and Liz who claim they have seen rats in The Joinery to scare potential customers off. On Peter's stag party The Joinery explodes with everyone attending Peter's party, including Ciaran, inside. He helps the wounded, including ex-fiancée Sunita whom he has to carry from rubble, until the paramedics arrive. In January 2011, Ciaran is offered a job on a cruise and accepts although Michelle does not want him to he decides to leave.
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Mervyn and Mavis's daughter Jeanette had worked at M.W. Alfredson & Company from the time she finished school, becoming proficient in all aspects of joinery and manufacture as well as doing office work. With her mother's health failing, she gradually assumed control of the business, which concentrated on the production of specialist timber joinery and cabinet making for custom orders. Government tenders were won, especially for schools. Doors and windows were also supplied for the Public Works Department in Queensland.
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The weaving sheds were simple working industrial buildings and the external materials generally used in their construction are robust and there was little in the way of ornamentation. External walls were generally in coursed rubble, stone or brick. The few openings or windows were in simple detailed timber joinery. Internal materials comprised stone flag floors, exposed cast iron structure, timber joinery and boarded partitions and lime plaster on lath soffits to the south facing roof slopes.
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The building falls within the Mansfield Genre of substantial and impressive two-storey Italianate-style banks consisting of ground floor banking chambers with first floor manager's residence. Materials are rendered brick and slate, and the building retains much of its original detail and joinery, little compromised by the various uses to which the former bank has been put.Branch Managers Report to Heritage Council 14 January 1981 The building retains much of its original detail and joinery.
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Sub contractors Harvey & Clarke, who specialized in joinery and shopfitting, carried out the joinery work. By February 1924 the A&B; Journal reported that "... the Commonwealth Bank was housed in recently completed premises". The building occupied a quarter acre block and accommodated the banking institution on the ground floor with the offices of the Deputy Public Curator on the first floor. The ground floor entrance led to a vestibule, to the left of which was the manager's room.
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Bambooworking is the activity or skill of making items from bamboo, and includes architecture, carpentry, furniture and cabinetry, carving, joinery, and weaving. Its historical roots in Asia span cultures, civilizations, and millennia.
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Artists can use woodworking to create delicate sculptures. Woodworking is the activity or skill of making items from wood, and includes cabinet making (cabinetry and furniture), wood carving, joinery, carpentry, and woodturning.
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The core building contains finely crafted timber joinery, plaster cornices and leadlights. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons.
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He worked for American International Group's Financial Products Division from 1987–89. From 1989–93, he was Chairman of Gemini Ltd. From 1993–97, he was Chairman of Fitzroy Joinery Ltd in Plymouth.
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Less important spaces are finished with render, sometimes lined to resemble stone. Fine timber joinery to windows and doors is cedar and there are many stained and leadlight glass windows to major spaces.
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The stairway is naturally lit by an arched landing window. Internally, the building retains much of its early joinery, ceiling and wall cladding, timber ceiling roses and fireplaces. The plan arrangement remains intact.
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This joint is relatively weak and prone to splitting, due to the lack of shoulders which would otherwise prevent twisting.Rogowski, Gary. The Complete Illustrated Guide to Joinery. The Taunton Press, 2002, p. 233.
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The house clearly demonstrates the high-level joinery skills of early builders and is indicative of the customs, habits, fashions and tastes of colonial life on the NSW South Coast. The house is a typical Georgian homestead with the usual features but is distinguished by its interior detailing. It may be the finest Georgian house on the South Coast. In particular, the interior hall door which replicates the front entrance door is a fine and rare example of Georgian cedar joinery.
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The timber-framed windows, some of which have fixed- louvre shutters, are generally casement with three or four panes. Joinery to the main section of the house, incorporating the three main rooms, is finely detailed and includes a variety of mouldings. The wall framing is exposed in these rooms, and where it appears around the remaining fireplace and the doors to that room, it is finely moulded. Most joinery elements are painted in either white, or various shades of green and blue-green.
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Viaduct Bistro is situated on Viaduct Street under the viaduct. It was formerly a joiners' workshop before it was renovated and became The Joinery Wine Bar in 2010. The Joinery was first opened in early 2010 by Peter Barlow (Chris Gascoyne) and Leanne Barlow (Jane Danson), but was owned by George Wilson (Anthony Valentine). On its first night Peter's alcoholism gets the better of him when he becomes drunk and violent, leaving Leanne devastated, so its first night is also its last.
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Throughout the house, walls and ceilings, including the raked verandah ceilings, are generally lined with painted v-jointed tongue and groove timber boards and clear finished skirtings and architraves, except in the formal living and dining rooms and the rear informal lounge where there is flat sheeting. The timber floors throughout have been clear finished. In wet areas vinyl tiles have been laid. The joinery of the core rooms is generally clear finished with early brass hardware, while the verandah joinery is painted.
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Its intactness is demonstrated in its planning, room volumes, joinery, and strong room. Designed by the respected and prolific architect, FDG Stanley in 1881-82, the former AJSB building is a good example of Stanley's regional bank architecture. The place is important because of its aesthetic significance. The former AJSB building has aesthetic significance for its architectural qualities, expressed in the craftsmanship and detailing of the joinery and finishes, and for its streetscape value through its form, scale and design.
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A commercial kitchen was installed, , at the western end of the Salter wing. This required removal of walls, fireplaces, floors and joinery. The fitout of the kitchen was removed in a later upgrade of the house, and the servery between kitchen and dining room filled in and the surface re-finished. A building maintenance program in 1967 saw a number of modifications made: various alterations to front and rear verandahs, removal or blocking (up) of chimneys and repair and replacement of joinery.
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A long, rambling timber and corrugated iron building sheltered by a combination of gable, sawtooth and skillion roofs, the former joinery complex steps down the slope from a ridge along King Street at the northwest end of Cooran. The property is set against a backdrop of treed mountains and grassed paddocks to the south, has small scale domestic/commercial buildings adjacent and overlooks the railway to the north. The building now accommodates an antique shop at street level and a joinery workshop and timber working areas below. Approximately long and wide with a truncation to the northeast, the building is organised over three levels - the former joinery workshop at street level, the former pre-cut house fabrication workshop to the middle and the sawmilling area at the lower level.
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An early concrete plinth is set on a square concrete base south of the swimming pool complex. Modern partitions, joinery, buildings and sheds within the cultural heritage boundary are not of cultural heritage significance.
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Interior, 1942 Internally the building features high ceilings and cedar joinery and has four marble fireplaces. Several of the rooms are furnished as a place museum. There is a picket fence to the street.
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The timber is known as bilinga, or aloma in Germany and opepe in the UK. It is hard, dense and resistant to fungi and insects, and is used in joinery, flooring and marine construction.
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Part of the ethos was that local building materials should be used, such as wood, stone and marble. 27 master craftsmen were also used for the metalwork and joinery. It was completed in 1959.
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Bay windows reduce a narrow verandah space to about half a metre. Interior rooms have pressed metal ceilings. Early light fittings, and cedar joinery remain in place. Walls are vertical tongue and groove boarding.
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The building features fine joinery, well crafted plasterwork and well proportioned internal spaces. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons.
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Ground floor front verandahs are attractively tiled. Original roof believed to be of slate and now covered in tiles. Internal joinery to the main rooms mainly intact. Stair halls to both house and balustrades.
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The interiors have cedar joinery, some iron ceilings, two interesting fireplaces of marbled wood with tiles and grates.Branch Managers Report to the Heritage Council. 27 May 1987. It has an established garden and orchard.
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However, in May he suffered a rupture of the anterior cruciate ligament, side-lining him for the rest of the season. Oliver now works as a slave for Darren barrow under barrow joinery construction.
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The pilasters to the chancel use a contrasting darker brick. Internally the church is plastered with polished cedar joinery. The walls are painted a soft blue grey. The ceiling was replaced with plasterboard in 1964.
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They are notable for their conservative and solid design and the emphasis placed on usage of Australian joinery timbers. Wales House was listed on the New South Wales State Heritage Register on 2 April 1999.
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It was partly demolished in mid 2014, with joinery, fire places and floors dismantled, but the components were left on site.Lea Ram, "Birth and Death in Kew", Kew Historical Society Newsletter No. 109, December 2014.
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As at 8 August 2007, the fabric of the house is intact with surviving blackbutt floors, cedar joinery, plaster ceiling roses and imported marble chimneypieces. The roof, originally shingled, is now covered with corrugated iron.
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Whiffen, Marcus & Koeper, Frederick (1981). American Architecture, 1607–1976. MIT Press, Cambridge, Mass P.105Self, R. L., & Stein, S. R. (1998). The Collaboration of Thomas Jefferson and John Hemings: Furniture Attributed to the Monticello Joinery.
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It is supported by timber columns. At the rear, an enclosed courtyard is formed by the kitchen wings. The cedar joinery throughout the house is of good quality. The house apparently expresses an unfulfilled design.
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Joinery throughout is of cedar, with the early twentieth century renovations reflecting the influence of the Art Nouveau movement. The extent of RS Dods changes are not known but the fireplaces and much of the internal joinery and panelling, especially in the stairwell and doorways, are attributed to him. Dods probably added the diagonally glazed window panes in the upper windows. A number of other structures have been erected in the grounds, the most significant of which is the large ward block constructed in 1919.
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Back doors are located on the southern elevation, accessed by landings off a central dogleg stair housed within a timber, fibro and lattice stairwell. The interiors of the flats are characterised by dark, stained timber panelling, plate rails and joinery with white decorative plaster ceilings, ornate cornices and dark, polished hardwood floors. Features include a number of built-in storage units and a kitchen- dining room servery with leadlight windows. The kitchens have basic timber joinery and dining nooks of two bench seats and a table.
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Some areas have significant plaster mouldings. Ceiling types are mixed. Window joinery, doors and architraves are generally french polished or varnished. Windows are timber, of french door and vertical sliding sash types, where overlooking the street.
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To supplement his income, Jacob Sey went into palm wine tapping and palm oil manufacturing trade. Later, Jacob Sey also mastered joinery to become a coffin vendor. Sey's coffin business flourished due to his acclaimed wit.
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As at 2008, the external intactness and integrity of the building was good. Internally, the spaces have been refurbished, but the interiors retain original fabric in terms of floors, walls, ceilings and joinery, etc, albeit overpainted.
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Windows are six paned sash type. French doors lead off to the verandah. All joinery throughout is cedar. There are four fine stone fireplaces, one plain and three with well carved leaf, flower and acorn motifs.
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Winding sticks in use. In woodworking and carpentry, a pair of winding sticks is a tool that aids in viewing twist or wind in pieces of lumber (timber) by amplifying the defect.Ellis, George. Modern Practical Joinery.
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The indoor area of the plant is divided into departments: Joinery and bench work, Carpentry, Sticking, Welding, Painting, Pressing, Forging, Cutting and sectioning, Edge bending, Engineering and design, indoor storeroom, indoor track to allow carriages in.
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Block G, originally a store building, is a single-storey s brick building with verandahs on three sides. Although there have been internal alterations, the external structure, internal joinery and a long roof lantern are original.
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Later there were more strongly-themed "Best of Fine Woodworking" collections on particular topics such as: "Joinery", "Making and Modifying Machines", "Bending Wood", "Woodshop Specialities" and many others. Taunton also operates a website for Fine Woodworking.
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The gable over the entrance to the stable is also timber- framed. Although there have been alterations to the interior, Douglas' staircase and panelling to the hall remain "as an outstanding example of [his] domestic joinery".
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Monodora myristica timber is hard but easy to work with and is used for carpentry, house fittings and joinery. In medicine, the bark is used in treatments of stomach-aches, febrile pains, eye diseases and haemorrhoids.
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The striking paired semi-octagonal faceted bays are quite idiosyncratic, the imposition of asymmetrical massing through the introduction of these bays on what was previously seemingly a rigidly symmetrical composition, and the embellishments such as the stylised console brackets and moulding profiles used, all point to an Italianate style. Frankfort, 1893 The internal decoration, particularly the interior semi- elliptical arch and, to some extent, the upper level joinery all point to a "make-over", given the presence of remnant Regency influenced detailing in the joinery trim, window elbow linings, and particularly the fanlight over the front entrance. The rear wings exhibit some Federation era influence (pressed metal ceilings) while there is some remnant joinery trim to the south wing ("Interwar"), though the latter has been substantially compromised by piecemeal alteration and was seemingly utilitarian when built.
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The concrete slab floors have perimeter surface drains. Elements not of cultural significance include modern additions and alterations such as: extensions and enclosures; carpet and linoleum floor linings; sheeted ceilings; added partitions; and joinery, fixtures and fittings.
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A single arch-braced truss. Key: 1: principal rafters, 2: collar beam, 3: arch braces. Lacking a tie beam, the arch-braced (arched brace)Chappell, Steve. A timber framer's workshop: joinery, design & construction of traditional timber frames.
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McLaughlin & Harvey undertakes a wide range of work in the public and private sectors, including commercial, leisure and residential projects. The company's divisions include Building Construction, Civil Engineering, Facilities Management & Small Works, Frameworks, Specialist Joinery and Offshore.
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Windows are double-hung sashes and are arched. There is fine cedar joinery internally, a fine internal staircase, and etched entrance glass featuring Australian flora. Internal walls are rendered in ashlar imitation. Side wings added in 1920s.
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Amish furniture is made in many different styles. The Mission and Shaker styles share a few characteristics. Mission is characterized by straight lines and exposed joinery. It is often considered to be clean and modern in design.
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Interior features are substantially intact, including a grand timber staircase and main entry lobby with a large stained glass window about the stair landing, 13 marble fireplaces and fine door/window joinery. Plaster ceilings are generally intact.
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Architraves are an ogee pattern and all joinery is painted. The flooring is carpet over timber. Behind the main chamber is a corridor. It leads to a storeroom with a lower floor level and a concrete step.
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Of special interest is a stairwell/staircase of balanced proportion, above which is an exceptional stained glass skylight. Stonework, joinery, copper turrets and domes in good repair. Elegantly shaped windows, fireplaces and interior columns of marble.Pollen, 1996.
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The verandah ends are enclosed with sawn timber. Similar joinery and detailing to Lot 4. There is a corrugated iron and timber skillion addition to one side. Both buildings appear to date from the late 19th Century.
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Light-coloured face brick walls with concrete lintels to windows and terracotta tile roof. Two-storey portico on western facade. Internally, leadlight panel and sidelight to front doors. Painted joinery except for staircase in polished Queensland Maple.
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The homestead features fine cedar joinery, including a highly unusual set of finely glazed entrance doors with corresponding antechamber doors, original fire surrounds, floorboards, plasterwork and French doors with fine glazing bars. The house retains a high degree of integrity and intactness and is considered to have one of the finest Georgian colonial interiors on the South Coast. Further research on its joinery may provide evidence of cultural and trade ties between NSW and Tasmania in this period. The estate was developed as a dairy farm in the late nineteenth century.
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The house was originally sited on a rise to avoid flooding and to overlook the pastoral landscape and its own landholdings. While now cadastrally alienated from its original farmlands, the house still enjoys views over the surrounding land, which is still used for dairying. In this, the house retains its original relationship to the surrounding farmlands and forms a distinctive local landmark. The quality and unusual features of its joinery are historically significant as indicative of the customs and habits, fashions and tastes of colonial society as well as demonstrating high-level joinery skills.
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The recent refurbishment has removed earlier partitions, equipment, finishes, floor coverings and joinery but the integrity of the spaces has survived. The large timber casement windows with semi-circular fanlights and terrazzo sills remain in the surgeries at the Hospital level and the rectangular timber casement windows survive on the College level. The decorative timber and metal flat arch to the former waiting room and some timber doors remain to the ground floor. The building was finished throughout with decorative plaster ceilings, Queensland maple joinery and panelling, and purpose-built timber furniture.
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No evidence of this habitation remains under the present joinery. They then moved into a house at number 7 Henry Street, which has been occupied by the Alfredson family from to the present day, except for a period in the 1950s. Alfredson is first listed in the Queensland Country Post Office Directory of 1939, as a "Joinery & Cabinet Maker". As he was in a reserved industry, he was rejected for defence service during World War II, but his workshop supplied the Australian Army with tent floors, tent pegs and other items.
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Simón Vélez created joinery systems that utilize bamboo as a permanent no structural element in both residential and commercial structures. For four consecutive years he has been invited by the Vitra Design Museum and the Georges Pompidou Center to conduct workshops in France in which structures of bamboo-guadua were built as an instructive exercise. He has led workshops around the world in bamboo joinery and assemblage systems. For Expo Hanover 2000, he designed and constructed a 2000-square-meter bamboo pavilion for ZERI Foundation (Zero Emissions Research and Initiative).
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The external joinery was repaired, sashes reconstructed and the ashlar plastering repaired. In the summer of 1978–79 the house was painted outside for probably the first time in 100 years. In June 1873 we know that the weatherboard section was painted by John Colls of Yass. At the same time, the drawing room got a new chimney piece and three rooms were wallpapered. By the end of 1979 the interior of the O'Brien house had been repaired, the fine cedar joinery made good and the garden restored to a plan by James Broadbent.
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Original cedar door and window joinery, skirtings and architraves survive throughout. The boardroom is notable for its joinery including the painted French windows with fanlight to the balcony flanked by large full pane varnished cedar sash windows and full pane sash windows to the former light well to the southwest. This room now has a lower plain plaster ceiling and a three-quarter height partition to the southeast. The hopper windows to the Mary Street side offices do not have internal sills, reflecting the removal of earlier French windows to these openings.
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John Hemmings (also spelled Hemings) (1776 – 1833) was born into slavery at Thomas Jefferson's Monticello as a member of the large mixed-race Hemings family. He trained in the Monticello Joinery and became a highly skilled carpenter and woodworker, making furniture and crafting the fine woodwork of the interiors at Monticello and Poplar Forest. Hemmings also served as the master joiner to apprentices Beverley, Madison and Eston Hemings, Jefferson's sons by Sally Hemings. After decades of service, John Hemmings was freed in 1826 by Jefferson's will and given the tools to the joinery.
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Generally the building has high quality joinery and craftsmanship; several projecting bay windows are filled with etched and coloured glass panels and the external joinery is of fine quality. Internally the building generally has timber boarded floors, walls and ceilings. Occasionally the size or orientation of timber boarding varies indicating that much of the house may have been papered or otherwise lined internally when constructed. The interior is arranged around a central vestibule from which hallways lead to the principal entrance to the south and to the kitchen on the west.
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The building is characteristic of a large timber residence of the late nineteenth century, and is characteristic of the fine design skill of architect GHM Addison. The building has considerable architectural merit as a well composed and innovative residence. The place is important because of its aesthetic significance. Many of the features of the building are of considerable aesthetic value including the joinery, particularly the entrance door, unpainted internally dado panelling which varies throughout; early wallpaper complete with friezes and borders; other internal joinery and glazing; door furniture and fireplaces.
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It appears as though a concrete band towards the capital of the shaft is a mid to late 20th century alteration but that is to be confirmed. The construction of the cottages is load bearing brick in English bond with original timber joinery including: windows, doors, turned timber verandah posts and boarded verandah ends, Marseilles pattern terracotta tiles, brick chimneys and terracottag chimney pots. Internally the cottages are also substantially intact retaining much of their original finishes and joinery. The front fence is a conservation of the original.
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All external doors and windows were originally fabricated in cedar with window sills and lintels of stone. Remnant joinery on the upper storey includes central double hung window with twelve panes, and glass and timber French doors with multiple panes and margin glazing opening onto the balcony; and on the ground floor, double hung sash windows. The ground floor front door joinery (but not the door), including a semi circular fanlight, is also intact. The rendered arch was inscribed with the words "Graham Lodge", and these words have been recently been restored.
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This is a small building now used for offices with a central doorway and 4 rooms. The building is timber with a corrugated iron roof and a return verandah on the Havannah St side, with good joinery details.
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The rear of the building has been painted and has a tall T-shaped arched tank stand located centrally at the top. Internally elements of finely detailed original joinery survive. Timber posts, beams and brick walls are unpainted.
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In Fredericksburg alone, more than a dozen manufacturers made European-style furniture in facilities owned by cabinetmakers such as Robert and Alexander Walker, James Allen and Thomas Miller. Many of these early cabinetmakers also worked at house joinery.
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While there have clearly been changes, the overall form, design and interior layout of the building survives. It retains a majority of original timber and glazed casement doors to the ground and first floor, and other joinery details.
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The design and detailing of the building is robust and both internally and externally it remains intact. It retains most of its original fixtures and finishes including joinery, hardware, plaster ceilings, timber floors and concrete passageways and staircases.
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The chambers contains many finely crafted elements and timber joinery including walls panelled in silky oak and floors finished with tulip and rose gum parquetry, dais, meeting table, swivel oak meeting chairs and public seating and map cabinet.
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Cellars are located below the house. ;Interior: Original cedar joinery, inc. six panelled doors, splayed panelled jambs to the windows and chimney pieces to the first floor; marble ground floor chimney pieces with sandstone mantlepieces; original geometric stair.
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The room has plastered walls and a new tongue and groove boarded ceiling. A bar is located on either side of the wall at the Cathie Street end. Original joinery details survive in most parts of the hall.
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Walls and ceilings are plastered and painted throughout and joinery is generally polished cedar. The building has been regularly maintained and continuously occupied. It has been reported to be in good general condition, high intactness, and high overall significance.
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The pub is also noteworthy for the rare survival of joinery and associated fabric at the public bar. The large, uncompartmented public bar at the Half Moon is a typical feature of pubs built during the 1890s pub boom.
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Castings of ceiling roses were installed throughout the rooms. Most of the wall plaster was removed. Most door and window joinery was reconstructed. New stairs were constructed using detail and parts from the original but in a new configuration.
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The verandah is separately roofed and is supported by cast iron posts. There are French doors with shutters on the main and rear elevations. Windows display early and finely worked joinery detailing. The wide entrance hall has curved corners.
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All interior timber work and joinery is varnished. Walls and ceilings are lined with hardset plaster with deep moulded cornices. A single decorative plaster ceiling rose is located in the banking chamber. Floors are generally covered with recent carpet.
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Lahuerta 2001, p. 31. ;Main floor The façade of the main floor, made entirely in sandstone, and is supported by two columns. The design is complemented by joinery windows set with multicolored stained glass.Bassegoda Nonell and 2001, p. 4.
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Built between 1541 and 1561 by Gazi Husrev-beg's quartermaster, Vekil-Harrach after whom it was originally named. It was used by pilgrims (hadžije) in the city before their joinery Mecca from here, it was named the Pilgrim's mosque.
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The building has a brick chimney and a rear verandah has been enclosed with chamferboards and casement windows. Internally, the joinery is intact and the building has boarded walls and ceiling. A detached laundry is located at the rear.
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Later developments in the 17th century produced the joined stool, using the developing techniques of joinery to produce a larger box-like stool from the minimum of timber, by joining long thin spindles and rails together at right angles.
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The doors are all six panelled with some architraves and panelled jamb linings. The main house is built of sandstone with a slate roof, timber floors(kitchen, scullery, staircase, hall, arcade and verandah are flagged) and oakgrained hardwood joinery.
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The first minister was Lewis West, who drew congregations of up to 200 people. The interior was modified in 1902, and now contains good Art Nouveau windows and joinery, including a gallery at the entrance end of the church.
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Original features include door and window joinery. ;Boat shed Weatherboard wall, new colourbond corrugated iron gable roof. Located on eroded sea wall at edge of Port Hacking on western side of Hungry Point. Recent roller door on east side.
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The original internal finishes include decorative plaster ceiling and moulded plaster cornices to the waiting room and ladies waiting room, moulded timber architraves to original building joinery, plasterboard ceilings to amenities, and tile and carpet floorings. All fireplaces have been enclosed.
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The Manly Zone substation is constructed in load-bearing face brick with cement render applied to the plant doorway reveals. Original windows are double hung timber multi pane. Exterior materials used include face brick, timber joinery, and steel roller shutter.
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Some of the special-purpose end uses advocated were; furniture, veneer, turnery, exterior joinery, boat building and tool handles.I. Nicholas and E. Hay (1990) Selection of special purpose species. Effect of pests and diseases. New Zealand Journal of Forestry Science 20.
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1969 In 1963 he became a consultant to the 20th Century Joinery and Packing Co Ltd, a company which specialized in packing aircraft parts for transport.Flight Magazine, 24 January 1963. He died of cancer in 1968 in Leatherhead Hospital.Sippe's death certificate.
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By 1970, the building was in poor condition with some internal joinery removed. It was bought by Nita and Noel Buchanan and renovated. After use as professional offices for several years, it was again sold and converted into a restaurant.
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He moved with his father and siblings to the Wellington suburb of Worser Bay. Prior to the outbreak of the First World War, he worked for his brother as a joinery apprentice in Kilbirnie. He also played club rugby for Poneke.
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The Park Royal campus specialises in Construction Crafts, Carpentry & Joinery, Plumbing and Electrical installation and offers various construction courses which are delivered in purpose-built workshops. The Carpentry section has been hugely successful in skill build competitions over the years.
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As at 12 June 1998, the site was in good condition. This former Georgian style townhouse retains its essential nineteenth century character. Internally it still retains the majority of its original joinery and other details. The interiors have been refurbished.
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Construction was expensive because of Wright's obsession with high-finish joinery. Wright's luxury materials, cantilevers and clerestories are also inherently costly. Textured cement is a Wright material. Textured tilt-up concrete barrier walls might be possible, with some loss of amenities.
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Extraordinary glazing patterns. The structure has two distinct types of plastering: limewash over a float coat and a set coat over a float coat. The internal doors and skirtings are cypress pine. The remaining (and fine) joinery is red cedar.
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Immersion in running water quickly removes sap and then the wood is air dried. "...it reduces the elasticity and durability of the wood and also makes it brittle."Riley, J. W.. A manual of carpentry and joinery,. London: Macmillan and co.
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Constructed of brick with a terracotta tile roof, this structure still retains its original timber counter joinery. The southern informal forecourt contained between the ticket office and the stand is shaded by the canopies of a number of mature trees.
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There is a stone-constructed verandah to the rear of the house. It has an original basement. The interior contains original finely detailed cedar joinery, fireplaces, a geometrical staircase, fine entrance doorcase with attached columns, early ironwork and plaster ceilings.
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In 1998 the total acreage previously owned by Alfredson was subdivided into its current configuration. Alfredson's complex now stands on lot 42, a combination of former lots 38 and 41 that has been fully owned by Marbelle Pty Ltd since 1998. In 2007 Alan Guymer operates a traditional joinery workshop on the former pre-cut house workshop (underneath and to the south of the former joinery), although his main business is building and demolition. The current machinery within and under the pre-cut house workshop, and most of the machinery in the sawmill section, was introduced by Alan.
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The former joinery complex is notable for the range of timbers used in the construction of the various parts of the building ranging from sawn and dressed timbers to logs retaining their bark. The joinery workshop is sheltered by a large gable roof clad with corrugated iron and has a small barrel roofed rectangular lantern along the ridge towards the rear. The workshop is timber framed, clad with a single skin of oiled weatherboards and supported on high round timber stumps set into the dirt floor below. The main entrance is through wide double timber doors off the truncated side to King Street.
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It is sheltered by a metal trussed skillion roof and houses a log carriage and breakdown saw sheltered by a low narrow barrel roof to the upper level. The log carriage and saw are operational and the carriage has rails and a trolley. A small timber shed houses the recently introduced four-sider machine. The timber loading area, log working area, understoreys to the loading/office, pre-fabrication workshop and the joinery workshop now accommodate various pieces of timber working equipment introduced by the present owner and are used for storage of timber, joinery items and a range of equipment and parts.
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Alfredson's Joinery, Pre-Cut House Workshop and Sawmill was listed on the Queensland Heritage Register on 27 November 2008 having satisfied the following criteria. The place is important in demonstrating the evolution or pattern of Queensland's history. Alfredson's Joinery, built and expanded between 1933 and the 1950s, is important surviving evidence of the timber industry in the Noosa Shire and the North Coast (now Sunshine Coast) region. The timber industry played a major economic role in the history of the North Coast region, which from the 1860s was one of the most important timber producing regions in Queensland.
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In the first half of the 20th century, the milling of timber and the manufacture of timber products was an integral component of the North Coast timber industry, a major industry for Queensland. Alfredson's Joinery complex is a rare surviving example of the pre-World War II era of sawmilling and joinery operations on the North Coast, and is also a rare example of a post-World War II pre-cut house workshop. The lathe and log carriage are important as rare surviving equipment from those operations. The place is important in demonstrating the principal characteristics of a particular class of cultural places.
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The former manager's residence, including its ground floor entry, retains its floor plan, decorative plaster cornices, windows, doors and joinery. The place is important because of its aesthetic significance. The former bank building has aesthetic significance for its architectural qualities expressed in the craftsmanship and detailing of the joinery and finishes, and for its streetscape value through its form, scale and design. These qualities complement other surviving 19th century buildings in the street, particularly other banks also entered in the Queensland Heritage Register including the nearby former Australian Joint Stock Bank (later the Gympie Stock Exchange).
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The farmhouse was originally believed to have been built in the 1830s but recent research would suggest that the farm was built some 20–30 years later but after an earlier pattern. The conservation of the building took it back to its original form, stripping away the years of additions. Prior to the building's restoration, the National Trust listing of the building noted that the building contained much original external joinery. The conservation work not only removed the "years of additions," but appears to have removed some of the original joinery and the original wooden columns to the front verandah.
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Jefferson's vegetable garden Plaque commemorating Monticello Graveyard, owned and operated separately by the Monticello Association Monticello Graveyard Jefferson's gravestone, with an epitaph written by him, does not mention that he was President of the United States. The main house was augmented by small outlying pavilions to the north and south. A row of outbuildings (dairy, a washhouse, store houses, a small nail factory, a joinery etc.) and quarters for enslaved laborers (log cabins), known as Mulberry Row, lay nearby to the south. A stone weaver's cottage survives, as does the tall chimney of the joinery, and the foundations of other buildings.
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In the Monticello Joinery, Thomas Jefferson hired white joiners to train and work side by side with enslaved joiners. John Hemmings received his first instructions at 17 years of age in 1793, when Thomas Jefferson wrote to his son-in-law Tom Randolph and asked Randolph to make sure Hemmings received training from the house joiner David Watson to fashion wheels and work with wood. The Monticello Joinery was well- stocked, as Jefferson was intensely engaged in refashioning his properties, and always had projects to complete. Hemmings therefore had the benefit of both materials and experience.
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The Duein Fubara is the product of European presence and legacy in West Africa, as the construction of the Duein Fubara, along with similar artworks, exhibits knowledge of European joinery techniques. These techniques would have been learned from ships’ carpenters during ongoing trade between Europeans and the Kalabari. Similar to a ship's construction, the screens are made of pieces of wood that are held together using shipbuilding techniques such as joinery, ties, pegs, and nails. Additionally, with the development of photography, and its introduction to West Africa by the Europeans, the Kalabari peoples took on and adapted a photographic style.
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Internal Joinery The skirting boards are 1890–1920. Room 11 A later addition of a light timber frame covered in fibro. It contains a Hygeia Disolvenator. The date is unknown but it appears in some photographs taken in the 1940s or 50s.
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Showroom features that are not of cultural heritage significance include: partition walls at the rear of the showroom; a curved partition at the front of the space that defines an entry foyer; recent fit-outs and joinery; and air-conditioning units and vents.
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From 1957 to 1980 there was a timber yard in Raglan, between Bankart and Stewart Streets. A 1964 advert listed sawn and dressed timbers, hardware, paints, wallboards, joinery, doors and plywood, under the slogan "E. & B's are a veritable Aladdin's treasure house".
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Boulton & Paul Ltd was a British general manufacturer from Norwich, England that became involved in aircraft manufacture. Jeld Wen Inc. bought Boulton & Paul (along with another joinery company John Carr) from the Rugby Group plc in 1999 to form its British subsidiary.
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It is similar to one in the city of Maizuru, Japan. It includes traditional shoji screens and joinery methods done without nails. At one time, the original structure in Maizuru was owned by Admiral Marquis Togo Heihachiro of the Imperial Japanese Navy.
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An aspiring carpenter Luc travels to Paris to take the examination for a joinery school. He has a brief relationship with Djemila. Subsequently, he goes back to his rural hometown, where he lives with his father. Luc sleeps with his former girlfriend Geneviève.
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The interior retains many original features of quality including doors, joinery, staircase, cornices and hall screen doorway. Chimney pieces have been removed, wall surfaces renewed and various unsympathetic fixtures installed. Wall cladding and details in the attic area have been generally altered.
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A Level students also have the option of writing CAPE with CXC in specific subject areas. The Post Secondary students complete diploma programs in either Business Studies, Secretarial Studies or Carpentry and Joinery Studies. The Post Secondary Department is coordinated by Steven Auguste.
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External joinery to windows and doors is painted. The ground level verandah is concrete floored, and unlined above. Internally, a hallway about wide runs east to west. Doors are four panelled with sidelights and semi-circular fanlights, of varying pattern and colour.
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The original dwelling is largely intact although much of the original detailing and joinery has been reconstructed following its institutional use.City Plan Heritage, Heritage Impact Statement July 2006 Iona was listed on the New South Wales State Heritage Register on 2 April 1999.
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The joinery is generally of a high standard. Several units have a painted finish but it is likely that all were originally varnished. Floors are timber and appear to have been sanded and sealed with a polyurethane finish. Bedroom floors have been carpeted.
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It is U-shaped in form around the lantern and is now a gallery. A high quality of detail is evident in the building in such features as plaster mouldings, cedar joinery and encaustic tiles to the banking chamber, stair lobby and entrance.
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The signal box has rendered external walls. Internally, the building has painted plaster walls, painted joinery of a high quality and ceilings of ripple iron or fibrous plaster sheeting. The floors are all wooden. The waiting room retains its original fitted timber seating.
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Rostrup was born on 2 August 1845 in Copenhagen. His father, Nicolai Peter Rostrup, was a master joiner, who had earlier founded a joinery business under the name "N. P. Rostrup". The firm would later specialize in the manufacturing and selling of coffins.
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The hotel retains a substantial amount of its internal joinery including the main staircase, although some has been relocated within the hotel. There is also an extensive range of pressed metal ceilings, including the unusual "Virgin Mary" motif in the Public Bar.
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Internally the floors are predominately polished timber with the exception of the function room, which is carpeted. The walls and ceilings are clad with timber tongue and groove boards and the original timber joinery to doors and windows appears to be intact.
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He was born to family of serfs. At first, he studied music, then later switched to joinery. In 1818, he was given his freedom and, in 1820, went to Saint Petersburg, where he audited classes at the Imperial Academy of Arts.Brief biography @ RusArtNet.
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Interiors included fine decorative timber joinery and panelling. Fireplace surrounds and built-in cupboards were also a feature. The composition of facades and circulation routes are a more nuanced element of Dods' houses and highlights his originality and artistic skill. Facades often only implied symmetry.
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Hand boring machine (Carpentry and Joinery Magazine, 1925) A carpenters boring machine is a hand-driven machine to bore holes in beams such in the process of making a mortise or making holes for the wooden pegs which hold mortise and tenon joints together.
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A single hipped roof clad in corrugated steel spans both dwellings. This building has been substantially rebuilt after being burnt. The internal walls have been completely stripped of their internal finishes. Joinery has been reconstructed and the rooms adapted to suit the occupants' lifestyle.
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The timber of Bennett's ash is straight grained and easily worked. It was previously used for timber in the construction of coaches, boat building, cabinet and joinery work. It is an excellent carving wood. The weight is between 800 and 850 kilograms per cubic metre.
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Internally, roughly half the house is still in its original condition. Of particular significance are the massively dressed stone fireplaces, designed around a keystone with elaborate overmantels. Some metal Wunderlich ceilings remain intact. Also remaining are several pieces of the original press-carved joinery.
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The daughter of publicans, Gulliver was born in Warneford Hospital in Leamington Spa, and was brought up in the small town of Southam in Warwickshire. She trained as a carpenter and joiner, and later taught carpentry and joinery at Mid-Warwickshire College, Leamington Spa.
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These have since been replaced with timber, and painted green. The family used the rear verandah more, which faced north and was sunny. The Nicholsons had the house's cedar joinery restored at one stage. Elinor Nicholson was a great gardener and had an elaborate garden.
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The company was thus in a position to fit engines of the latest design. Many parts for the ships however, such as iron plates, anchor chains, joinery for the first class cabins, gas fixtures etc., came from specialist Philadelphian manufacturers under subcontract.Heinrich, p. 62.
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It remained the Smith family until 1968. The finals occupants were the spinster sister who moved out having the inability to pay for repairs. The property was sold in 1980 after being unoccupied for twelve years. It has six marble fireplaces and cedar joinery throughout.
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By this time the building had long ceased to be a residence and had been given over to factory use. Buildings had been constructed against its walls and it served as a broom factory, soap factory, ice cream shop and joinery factory among others.
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The rear of the building houses single rooms and the bathrooms with internal timber partition walls lined with v jointed tongue and groove boards, timber floors and timber ceilings. Much of the interior joinery on both levels is intact and generally appears to be cedar.
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The workmanship in the house is of high quality and the internal joinery is cedar. The ground floor rooms have high ceilings and there are fireplaces to the drawing and dining rooms. The kitchens have been remodelled and modernised. The house has a small cellar.
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Occupied by squatters, the château underwent various degradations. In 1994, an attempt to remove the joinery and a chimneypiece was thwarted by the police. The owner then put the property up for sale, and it was bought by a French investor who carefully restored it.
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William Brownie Garden was a Master Joiner and in 1904 he set up his own joinery business. His company, Wilson & Garden, Ltd., was founded in Kilsyth, Scotland. The main product was the rollerboard. Wilson & Garden became a limited company in 1923 as ‘Builders and Joiners’.
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All ceilings are plasterboard with scotia cornices. A fireplace is concealed by the display. There are two counters, one formed by joinery, and the other framed by a large opening to the rear wall. The square heads of the windows are visible at the sides.
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Throughout the house is fine cedar joinery, six panelled doors, cantilevered stair, large sash windows with small panes and simple Georgian fireplace surrounds. The windows in the wings are flanked by unusual extra side lights and have cedar shutters which fold into the reveals.
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The interiors include the original proscenium arch, central cedar staircase and some original joinery, and the rear section is one of the few surviving buildings in Ipswich dating from 1861. The place is important in demonstrating the principal characteristics of a particular class of cultural places. It demonstrates the architecture considered appropriate for a municipal building of the 1860s, and is associated with two important early Queensland architects; James Cowlishaw and Francis Drummond Greville Stanley. The interiors include the original proscenium arch, central cedar staircase and some original joinery, and the rear section is one of the few surviving buildings in Ipswich dating from 1861.
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A finished dovetail joint Dovetailed woodworking joints on a Romanian church Stone pillar at the Vazhappally Maha Siva Temple A dovetail joint or simply dovetail is a joinery technique most commonly used in woodworking joinery (carpentry), including furniture, cabinets,carcase construction log buildings, and traditional timber framing. Noted for its resistance to being pulled apart (tensile strength), the dovetail joint is commonly used to join the sides of a drawer to the front. A series of 'pins' cut to extend from the end of one board interlock with a series of 'tails' cut into the end of another board. The pins and tails have a trapezoidal shape.
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Cast-iron balconies run around the courtyard on every level. Rooms facing the courtyard have french doors opening onto these balconies. Two wings containing toilets and washrooms project into the courtyard space. The building has restrained rendered and painted interiors that feature cedar joinery and ornamental plasterwork.
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The Grove Street site retains its original layout of eight single cottages in a spacious garden setting, connected by a curved driveway. The cottages retain their identical external appearance, original form and plan layout, and most original joinery and materials, with some alterations and additions over time.
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A Ham Curing business existed here, serving the surrounding farms. A joinery shop here made furniture which had a good reputation for quality. A Police Station was present, complete with a cell and the well next to it was the main source of water for villagers.
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The residence was converted into three flats probably in the late 1940s or 1950s, but was refurbished in the mid-1970s. The interior was returned to its original layout, paint to joinery and doors was removed, and the exterior was renovated. Craigellachie remains a family home.
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After his final retirement, Duff established a joinery business in Edinburgh. He emigrated to the US, where his son Bill is domiciled in Washington, D.C., in the 1980s but returned to Edinburgh in 2003. He died suddenly on 30 August 2004, whilst playing bowls with friends.
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All built of hard white furnace bricks with contrasting red brick lintels & string courses. Large timber entrance porch and two-storey verandah to east & south fine interiors with cedar joinery, marble fireplaces, painted & stencilled ceilings. Constructed in a vernacular Scottish farmhouse style, the building is asymmetrical.
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The destroyed mill had two structures. In 1884, Joseph Chipman had built a one- story mill over the millrace (which survives), which contained turbines and millstones. The wooden superstructure featured mortise and tenon joinery. An adjoining two story section was moved to the site from elsewhere.
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The grounds contain mature trees and tennis court. The spacious entrance hall has a staircase with cast iron balustrading. The ground floor contains large and lofty reception rooms and a dining room in the northern wing. The joinery is of cedar with restrained plasterwork mostly original.
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At Jack's wake, Ashley and Claire reconcile and he agrees to move to France with her. Ashley tells Graeme he will be selling the shop. Graeme is upset but wishes Ashley and Claire well. On 6 December 2010, Ashley attends Peter's stag night at The Joinery Bar.
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The building contains Lynch family furniture and fittings. It has some original finishes such as wallpaper on calico scrim stretched between studs and joists upstairs. Most of the joinery is original and some is painted with decorative scenes. The pressed metal ceiling in the parlour survives.
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The interior of the building has been extensively remodelled with new partitioning and suspended ceilings. A mezzanine floor has been inserted into the original banking chamber. Very few original interior elements are visible apart from the window joinery which has been partly concealed by suspended ceilings.
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The selection of materials appropriate for the AWI grade of work, and the workmanship and joinery requirements for each type of architectural woodwork are spelled out in Sections 300 through 1400, the selections and specifications are in sections 1500, Factory Finishing; 1600, Modular Cabinets; and 1700, Installation.
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The place is important because of its aesthetic significance. The 1860s stone residence is significant for its aesthetic quality, craftsmanship and intactness, including the internal cedar joinery, skylight, plaster ceiling roses, stonework and original beech floors. The house and grounds are significant also for their landmark quality.
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On the floor of Room 4 lie the remains of an early window and its frame. Other window joinery is almost entirely missing. All door frames appear to be original but none of the door leaves survive. No evidence could be found of the rear additions.
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Tropical shells adorned the spacious old sunlit bathroom with its black and white tiled floor. Paintings were stacked in the front hall and around the walls of Heysen's studio. A sandstone outbuilding is situated in the gardens with timber joinery and a hipped corrugated iron roof.
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The verandahs are sandstone flagged with some concrete sections. The eastern verandah has been extended to match the original. Internally much original joinery survives, including six panelled doors and elaborate skirtings, but has been painted. Some marble fireplaces and some plasterwork survive, though substantial alterations are evident.
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After the war, Scheungraber lived in Ottobrunn near Munich, where he operated a joinery and a furniture store. He was a member of the municipal council for twenty years and was made honorary commander of the fire brigade. In 2005 he was awarded the Citizen Medal for his services.
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Both locomotives were built at the Wisconsin Dells shops in the late 1950s, with #98 being the motive power for the Hoot-Toot & Whistle Railway near Elgin, Illinois. The railroad includes an operational joinery building where coaches are restored and maintained, a picnic area, and a gift shop.
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School of Architecture and Design RMIT. . His Lansell Rd House (1963) is of aesthetic significance for its high level of craftsmanship in joinery and finishes in folding and sliding screens and built-in teak furniture and cabinetry. Fooks saw apartment living as a necessity in successful urban planning.
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Alfredson's Joinery is a heritage-listed workshop at 28 King Street, Cooran, Shire of Noosa, Queensland, Australia. It was built from 1930s to 1950s. It is also known as Alfredson's Pre-Cut House Workshop and Alfredson's Sawmill. It was added to the Queensland Heritage Register on 27 November 2008.
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Dugout canoes are usually seen pulled up on the riverbanks. Embera girls The Embera houses are raised off the ground about eight feet. The houses stand on large posts set in the ground, and have thatched roof made from palm fronds. All the joinery is with bejuco vines.
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Lady Yester's Kirk was a congregation of the Church of Scotland. The building is located on Infirmary Street in Edinburgh, Scotland, and was formerly one of the foremost churches in the burgh. It is now used as the joinery workshop for the Estates Division of the University of Edinburgh.
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The joinery is of polished cedar, the floors are timber and the timber verandah is columned. The verandah floor is flagged. Two flanking wings and a two-storey stable block form an enclosed courtyard. The stables comprise horse stalls, saddle room, grain room and coach house with loft above.
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Walls and ceilings are plaster with decorative paneling formed by plaster cornicing with some areas lined with timber paneling. Timber joinery is intact throughout with varnished finish. At the base of the public staircase is a memorial board enclosure with decorative timber screens. Floors are lined with terrazzo.
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These rooms are now partitioned into office workspaces and meeting rooms. The interiors are plain with stop-chamfering to doors and window frames. The apse stair has stop- chamfered newell posts with ball and half- ball tops and plain rectangular timber post balustrading. Much of the joinery survives.
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Upstairs there are conference rooms, toilets and small service rooms. Doors and joinery details generally remain intact. The kitchen, beer garden and open air eating area to the rear of the site are modern, as is a brick liquor barn, but these are not within the listing boundary.
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The tree produces many seeds and is a pioneer species, sprouting readily when gaps in the canopy occur. It is sometimes used for the provision of shade in coffee plantations. The branches are used for firewood and the timber for joinery, furniture, posts, crates, boxes, toys, plywood and chipboard.
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These participants are not paid. All able- bodied members of the community are expected to attend. Failure to attend a barn raising without the best of reasons leads to censure within the community. Some specialists brought in from other communities for direction or joinery may be paid, however.
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A palisade fence surrounds the property, with capped stone pillars at the entry (also 1980s). The basic structure of the building is original, however many of the architectural components, such as the roofing, joinery and verandah are evidence of the extensive 1980s "restoration" work.Clive Lucas, Stapleton & Partners, 2003.
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By its alterations it demonstrates responses to changing occupational needs. The joinery in Throsby Park House represents a good example of high quality period workmanship. The furniture collection associated with Throsby Park provenanced to the place includes representative examples of fine early pieces and some early locally made pieces.
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As at 8 February 2006, the setting modified significantly by 1982 underground chapel and above-roof parking, and additional car parking to the south-west (rear) of the house/property. Several trees removed. Internally and externally virtually all the original joinery remains as do the original driveways and gardens.
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An ornamental tree, it is also planted for shade. It was previously used for timber in the construction of coaches, cabinet making, flooring, tool handles, lining, ammunition boxes, artificial limbs and joinery. The timber has steam bending qualities. The weight is between 575 and 900 kilograms per cubic metre.
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George A.J. Mathers was born in 1919 in London. His father was a postal worker. In 1933 he went to the Northern Polytechnic to study bricklaying, joinery and plumbing. In 1936 after he had completed this course he started a five-year course with the polytechnic's Department of Architecture.
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The joinery is elaborate in the main rooms with breast panelling to the windows.National Trust, 1981 The main staircase and present entrance hall date from the twentieth century. An upper balcony has been formed above the present colonnade with 1880 balustrading. The house has 80 squares with ten bedrooms.
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It is one of the finest and most intact houses that survives from the first half of the 1950s in NSW. The house demonstrates advanced planning and split level configuration, and demonstrates convincingly and well the characteristics of the Modern Movement residential architecture. The aesthetic value of the house is due in part to the exploitation of its structural system to provide dramatic spatial qualities and architectural form. It also provides evidence of advanced residential technology and amenity from this period, such as fluorescent and other lighting, kitchen design and surviving joinery, built in joinery items including the cabinet in the living room, which accommodated stereo equipment, and early passive sun control devices.
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Detached red brick stables built c.1858 with galvanised roof, coach house and servants' quarters to the rear of the house form an internal courtyard. Building Material: stone dressings and stone flagged verandah, original plaster ceilings, very fine cedar joinery. The two- storey red brick Coach House was built in 1858.
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This group then established a chapel on the upper floor of a workshop in Chiswell, which gained the name Conjurers Lodge. It remained in use for ten years until 1826, when the Methodist society was united once again. Portland Joinery later used the building as a workshop from 1973-2003.
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Colvin 1995. In May 2000 the church was damaged by a fire. The structural damage was confined to the east end, where much of the stained glass was lost and the joinery and decorative finishes were badly charred. The whole of the interior, including the organ case, was blackened by smoke.
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Construction is solid brick, produced locally, on Malmsbury bluestone (basalt) footings for the cell block, and brick footings elsewhere. Basalt is used for door thresholds, window sills and lintols. All the roofs are clad with Welsh slate. All joinery timber and floor and ceiling lining boards are painted Murray pine.
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Edwards, Bushcrafts 3.The toughness and intractability of Australian hardwoods discouraged attempts at detailed joinery. Fancy, carved bargeboards were never a feature of settlers' dwellings, and whittling never became an Australian pioneer's pastime. in the form of fully-grown trees and saplings, bark, brush or grass, clay, mud and stone.
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The first floor offices have varnished joinery including doors, architraves and picture rails and unusual decorative pelmets. Skirtings in these rooms have been painted. The council chamber is a finely detailed room with timber-paneling to the perimeter of the room including columns. Early glass, wall-hung pendant lights remain.
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The original external side access has been enclosed. Most of the other external openings survive and retain their original joinery. The ground floor, which remains in use as a banking chamber, has undergone refurbishment - including the insertion of a false ceiling and air conditioning ducting. However the space remains substantially intact.
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The parcels of land authorized for planting vineyards are not yet known. The main business enterprises are Campa (manufacturing premium electric heaters), Finaxo (methods for water treatment and waste), Profinox, Fimaluplast (Aluminium Joinery and PVC), and Experton-Revollier (wire mesh surfaces); a family group recently took over the Ghent company.
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As at 8 July 2008, the banking chamber has been altered, but it is understood that the building still contains a stone domed vault, and the original staircase and other joinery. There is a large yard behind the bank which contains a stable/coach house, now used as a garage.
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Andrew Sinclair (1861 - 28 June 1938) was a Scottish-born Australian politician. He was born in Dunfermline to cabinetmaker Richard Sinclair and Anne Dewar. He migrated to Australia around 1893 and managed a joinery department. On 30 March 1899 he married Sarah Jane Clark, with whom he had three sons.
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Hemmings later worked as principal assistant to James Dinsmore, another Monticello joiner. Thomas Jefferson's Monticello. The green 'porticle' Hemmings crafted is visible on the right-hand side of the house. At the Monticello Joinery, Hemmings contributed to both the improvements Jefferson made to Monticello and the construction of Poplar Forest.
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There are timber framed glass highlights facing the south. All internal joinery is painted. A former large opening, with panelled reveals, has been reduced with a plasterboard partition. The interior to the Kelly Street elevation consists of a stair hall, a former dining room, former telegraph room and a service area.
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Gum veins are common. The timber has moderate hardness and strength, but low durability. It splits easily, and is easily worked, glued and stained; it is also suitable for steam bending. It is mostly used for pulp production and for construction and manufacture, especially in house building, joinery, flooring, and furniture.
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The joinery is cedar and the large cedar fireplace remains in the dining room. There are timber fretwork roses in the twelve foot ceilings. Cedar French doors with fanlights open onto the formerly encircling verandahs. The hall/dining room doors have etched and coloured glass panels in the upper sections.
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The back and front verandahs were used to access the later rooms. The interior has cedar joinery throughout. Behind the house there is a detached, random rubble kitchen with opposing doors in the southern and northern walls. The interior has a maids room, stone floor and a large open fireplace.
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Although the joinery has been retained, the northern wards and central corridor have been combined into one large office area and suspended ceilings installed. The original top floor kitchen has been converted into living quarters. The southern verandah is enclosed, and a fire stair has been constructed behind the facade facing Ann Street.
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Two additional rooms added at south west corner. The attic has four large rooms lit by attractive dormers having arched transoms with curved glazing bars. This pattern is repeated in the fine fanlight over the south door. The interior joinery is cedar with extensive panelled window reveals, dados and built-in cupboards.
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123 and 125 George Street are near-identical buildings, the timber shop front of 123 being new and a copy of 125 (original). Nos. 123 & 125 are connected internally and operate as one shop. The interior layout is original except for openings between rooms. Most ceilings are modern, original joinery generally remains.
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Cheryl argues with Leanne when Simon Barlow (Alex Bain) hits Russ, and insists that Russ isn't bullying him at school. Leanne apologises to Cheryl. She tells Leanne she was wrong and forgives her. Leanne later offers Cheryl a job at The Joinery bar which she is opening with Nick Tilsley (Ben Price).
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Eskbank House is a single-storey Victorian Georgian-style residence constructed in 1841–1842. Built of ashlar-coursed sandstone quarried nearby, the building is symmetrical in plan, and features a slightly bellcast roof covered in galvanised iron in short, galvanised sheets. Joinery is of cedar. The rear wings are hipped-roofed, similarly covered.
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Cladding to all elevations is weatherboard. A shed-like structure has been added to south-west corner of the building. The internal walls and ceilings of the observatory building are lined with fibre-cement sheeting with timber cover strips. Internal doors are timber joinery and the floor has been lined with linoleum.
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In 1888, electric lighting was installed for the Centennial International Exhibition, making it one of the first in the world that was accessible during night time. The interior decorations changed between the two exhibitions of 1880 and 1888. In 1880 the walls were left bare and windows and door joinery colored green.
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The front facade features emphatic vertical piers and horizontal parallel lines, with concentration of ornament on upper part of the building. The monumental entrance is of textured face brickwork, with double sets of ornate double doors. The external windows are metal-framed. Internally, many of the original joinery and ornamental features remain intact.
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In the 1890s the house underwent considerable remodelling. It was rendered in stucco, resashed, the front door replaced, the chair boards and other original joinery details removed inside. C.1900 the roof, originally shingled, was replaced by corrugated iron. The interior walls were wallpapered (and remained so until the 1970s)(Kemp,2001).
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The fireplace in the southwest bedroom is painted. The adjoining small bedroom is an exception, having window joinery painted internally. A sitting area above the ground level vestibule has a corrugated iron ceiling and moulded cornice. The door, and sashes to floor level, leading on to the southern verandah, are not early.
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Joinery Depot East Stand. Capacity- (standing) The East Stand is considered the Kop end of the ground and is covered terrace that runs almost the full length of the pitch. The right side was extended in 2008, and the left side is due for future expansion, although no date has been given.
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The eastern elevation has two projecting verandah wings with multi-faceted roofs and tall brick chimneys. The verandahs have timber balustrades, columns and decorative capitals. Two service wings extend from the rear of the building. The residence has a generous entrance hall, several marble fireplaces and high quality timber joinery throughout the interior.
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The concrete construction was innovative and remarkable for its time. The place is important because of its aesthetic significance. Established trees and terraces contribute to its aesthetic significance by contributing to the building's picturesque qualities. The house has a number of early fittings, including the entrance hall light fitting and various joinery items.
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Router bits can be made to match almost any imaginable profile. Custom router bits can be ordered. They are especially beneficial for home restoration projects, where production of the original trim and molding has been discontinued. Sometimes complementary bits come in sets designed to facilitate the joinery used in frame and panel construction.
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Workshops includedBricklaying, Plastering, Construction and Joinery, as well as Painting and Decorating. Education courses included Information Technology, Business Studies, Art and Design, Catering and Media Studies. There was a visitors centre at Kennet Prison, with facilities including a children's play area and refreshments. There was access for disabled visitors throughout the visitors area.
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The rendered concrete ceiling is suspended below timber roofing members and incorporates simplified Gothic-style tracery and V-shaped coffers. The main church floor is now a raked concrete slab on ground, however timber flooring survives to the elevated choir. Internal joinery is generally silky oak including an altered choir front and pulpit.
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The English Bond brickwork construction is of a very high quality, particularly evident in the cellars, where arches support the walls above. The bricks are made from local clay. The lime in both the mortar and render is made from crushed oyster shell, with the latter clearly visible. The joinery throughout is cedar.
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The company owns, on behalf of its lessees, a Sainsbury's distribution centre in Sherburn-in-Elmet, a Tesco distribution centre near Barlborough and a Marks & Spencer distribution centre in Leicestershire. It also owns properties built for Next, Morrisons, Wolseley, DHL, Rolls Royce, L'Oréal, Kuehne + Nagel, Ocado, Dunelm, Howdens Joinery and T.K. Maxx.
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The Briars is a well- built house retaining a large proportion of the original fabric. Joinery, screenwork and hardware (fireplaces etc.) are all original (as of 1983). Many parts of the garden are in their original form. Twelve old turpentine trees (Syncarpia glomulifera) remain from one of the earliest stands (Heritage Branch).
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Shuttered french doors open onto the verandah from the principal rooms. Internally it retains much of its original joinery and fireplaces. When Mr and Mrs Fuller purchased the property in 1998, it was in poor state of repairs. There were over 800 broken slates on the roof and no electricity in some rooms.
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In its layout the Alfredson's Joinery complex is important in demonstrating the linear operation of a timber manufacturing process. This is evident in the planning and organisation of the sawmilling and pre-fabrication workshop where timber was unloaded and worked in the sawmilling area and then moved by trolley to the fabrication area where the timber passed through a number of bench and cutting processes. The finished fabricated components were then dispatched through the western loading dock. The construction of sawtooth roofs to the prefabrication workshop and lantern to the joinery workshop are good examples of the standard design practice of introducing as much daylight as possible into workshop spaces, particularly southern light in the case of the sawtooth roofs.
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Externally, Bundaberg Post Office exhibits its original design exceptionally well with regard to the architectural conception, principal materials and detail, although cumulative works have resulted in the loss of some architectural detail and overall form, such as alterations to the flanking single-storey wings, painted wall surfaces and removal of the main entrance doors. Internally, original fabric and joinery remains, although cumulative refurbishment works throughout the building, particularly with regard to the changing uses of the spaces, have diminished the integrity of the original finishes. Similarly, works in relation to use and technology such as installation of floor linings, partition walls, suspended ceilings, mechanical ducting, joinery and the like have resulted in the loss of some original fabric and fittings.
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Skirtings and architraves are timber of a simple profile. Verandah walls are single-skin, lined with VJ, T&G; boards with exposed external framing. Verandah floors are timber, and ceilings are raked and lined with VJ, T&G; boards. Joinery to the verandahs includes square timber posts and two- rail timber balustrades with battened balusters.
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The city is home to one of Ghana's oldest pharmaceutical Manufacturing companies i.e. Intravenous infusion Ltd which manufactures drips and injections for the West African Market . Other Industrial activities of Koforidua include textiles, crafts, soap, carpentry and joinery, traditional medicine, pottery and ceramics, and the production of alcoholic and non- alcoholic beverages.Latest Ghana News.
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The joinery in the turned posts on the top floor and the handrail around the mezzanine and staircase are made from local timbers - cedar, rosewood and hoop pine.NSW Real Estate & LJ Hooker 1992 An awning extends over the footpath. Shop fittings do not generally survive.Kass 1992:13 The building is generally intact, having been restored.
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Internally, the entry features a black and white marble floor and timber wall panelling. Elsewhere, the walls are lined in plaster with substantial joinery in silky oak. Some ceilings are lath and plaster while others, in particular the dining room are timber. Four fireplaces are located at the front and rear of the building.
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There is a curved, embossed iron window hood over the northern porch window. The former school room has a boarded ceiling and much of the internal joinery is intact. The large main windows have the appearance of double hung windows however, the sashes operate as casements. The building has been recently restored and repaired.
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As of May 2020, CIMERWA produces four types of portland cement; namely 1. SUREBUILD, a 42.5N premium cement meant for heavy construction projects 2. SURECEM, a 32.5N all-purpose cement ideal for concrete, mortar, plaster and brick joinery 3. SUREROAD, another 32.5N product, is a custom-made cement meant for road construction and 4.
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The church was built for a cost of by contractor Thomas Pearson & Sons. Other tradespeople included Petrie & Son (joinery), and Exton and Gough (stained glass windows). In keeping with the importance placed on music in Methodism, a large pipe organ was installed. It was built by George Benson of Manchester for a cost of .
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In November 2008, the MFI retail business entered administration, and Galiform became liable for the costs associated with 46 MFI stores (the legacy properties), incurring an exceptional charge of £99.7m. By December 2012 the legacy properties had been reduced by over 80%. In September 2010, Galiform changed its name to Howden Joinery Group plc.
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Construction work for West's Furniture Showroom was carried out by Ajax Builders (concrete and brick works), H Packman (timber), and G McKinnon (skylights and fibrous plaster, ceiling work). West's completed the timber joinery themselves.Architecture Building Engineering, May 1953, p.22. Installation of the glass within the sloping display windows proved to be a technical challenge.
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Access to Higher Education & Professional Development, Art & Design, Digital and Creative Media, Photography, ICT, Higher Education (University level courses), Foundation Studies (Special Educational Needs), Graphic Design, ESOL (English as a Second Language), Childcare, Media, Teacher Training, Business, Law, Social Work, Health and Humanities, Bricklaying, Apprenticeships, Carpentry & Joinery, Gas Pipe Fitting, Multi Skills, Plumbing and Electrical.
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During a trip to Asia in 1966, he was impressed by the ″art of doing,″ emphasizing the process of creation rather than the product itself. This is evident in his use of natural materials and expressive wood joinery, reminiscent of Arts & Crafts architects Greene and Greene. The Flowers Residence in Berkeley is such an example.
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The nails and iron clamps used for joinery are flush and fixed into the wood diagonally when they are red hot, to ensure stronger bonding. Care is taken to keep them hidden for the visual aesthetics of the boat. Caulking uses a paste containing poplar seed. The boat is created over 10 to 12 days.
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The fleshy part of the seed cone is edible, used in condiments. The timber was prized for furniture, joinery, boat planking, lining and piles in salt water. Podocarpus elatus is an attractive ornamental tree. In older Australian suburbs, the plum pine is used as an ornamental street tree, such as at Baldry Street, Chatswood.
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Gilbertiodendron preussii is a medium to large tree reaching a height of up to . The trunk is cylindrical, with a diameter of up to , the lower two thirds usually being devoid of branches. The timber is used for construction, flooring and railway sleepers. It is also used for making canoes, furniture, tool handles and joinery.
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The upper level vestibule has walls lined with hard plaster and timber-paneling. Plaster ceilings have moulded plaster cornices. Timber skirting boards, architraves architrave blocks are intact throughout the room and all interior timber work and joinery has a varnished finish. Internal openings are generous in height and doors feature tall glazed pivoting fanlights.
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The footings are sandstone, the walls solid brick of Flemish bond externally and English internally. The openings on the Eastern side comprise a mixture of windows, doors and two loft openings. The western side contains an original window including remnant joinery pieces and two doors. There are circular sandstone ventilation opening in these walls.
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French windows 126 Windsor Street is a single-storey cottage of three bays with a two-storey wing running parallel to the side street. It is constructed of brick, stuccoed and painted on exterior. Main roof is hipped and of iron, verandah roof is supported on turned timber columns. Exterior joinery is mostly intact.
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Basement floor is a recent concrete slab with upper floors of timber. The masonry tower features a distinctive, steep pitched roof with cast iron cresting. Joinery throughout appears to be cedar with very recent modifications of undetermined timber. An associated 1920s building on the site, Esplanade Cottage, was demolished without authorisation some time after 1999.
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As at 17 December 2003, the house is currently in poor condition due to extensive roof damage in the 1999 hail storms and subsequent neglect. The upper floor ceilings are generally lost but representative ground floor ceilings remain. Most joinery is intact insitu or labelled and stored on site. Most chimney pieces remain insitu.
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Side gabled corrugated metal roofs with rendered brick chimneys featuring simple projecting stucco mouldings are located between No 198 and 200 and at the southern end of 202. The interior of the house has been modified over time but the original room layout is largely discernible. Significant internal fabric includes timber joinery and fireplaces.
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It is substantially intact with most of its original glazing, joinery and hardware. The verandah has a timber floor and elegant cast-iron grille columns supporting the concave roof. The underside of the verandah roof is lined with tongue and groove boards. A timber hand rail and modern wrought iron balustrade run between the columns.
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It has cedar and hoop pine joinery throughout. The centrally located entrance hall has cedar stairs with a finely turned and carved balustrade. An ogee-shaped archway decorates the foot of the stairs. The Dining Room has a deep plaster cornice, and a fireplace with a finely carved mantelpiece, and tiled and cast iron surrounds.
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On the right is a gabled portico. This leads onto a small verandah, enclosed by timber louvres, which projects to the side. The side elevation is a complex arrangement of gabled insert verandahs, the louvred verandah and a projecting kitchen entry. Internally, the room spaces and joinery reflect the innovative spirit of the exterior.
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Wanda Walha was built in 1886 for successful merchant William Alexander Wilson. It was probably designed by his neighbour, the architect Arthur Morry. Originally a grocer, Wilson was also a partner in the neighbouring West End Sawmill & Steam Joinery Co Ltd. This may explain the choice of timber as the material for Wanda Walha.
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This has timber posts, with mouldings, and lattice infill to the archways between the posts; the upper balustrade is cross braced. Windows are twelve pane and have shutters. A skillion section runs along the rear of the building. The interior includes high-ceilinged rooms and several narrow hallways with steep stairways and cedar joinery.
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As at 8 August 2016, the house is in good condition and has been sympathetically renovated by its present owners. Joinery, screenwork and hardware (fireplaces etc.) are all original (as of 1983). Many parts of the garden are in their original form. Twelve old turpentine trees (Syncarpia glomulifera) remain from one of the earliest stands.
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Example detail of Hammer-headed tenon.'' Example detail of Hammer-headed key.'' Hammer-headed tenon joints are one method that can be used to join curved members of joinery components. The hammer-headed tenon is used to join a curved member to a straight member such as a curved head member to a jamb.
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The interior joinery was finely moulded cedar and the interior walls plastered and painted. Each vestry had a fireplace but the chimneys and mantelpieces have now been removed. The floors are timber. The chancel floor, originally one step above the main floor, has been raised further and a rectangular projecting dais into the main hall added.
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Nash Timbers is a global and domestic distributor of timber flooring, joinery, and beams. The company, based in Sydney, Australia, was founded in 2003 by David Nash. Nash Timbers is notable for its stance on green timber and for its role as a major informant to key industry figures, concerning the origin and proper use of wood products.
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This later had a balcony added but all has now disappeared and only the stone flagged terrace remains. Internally the house retains the majority of its original joinery and plasterwork. The door are six paneled and the chimney surrounds have roundels. Behind the house there was once a detached brick kitchen and stables and a privy which still remains.
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It has a central hallway. The front entrance hall and reception rooms on either side have been newly painted and have linoleum floors. Each of these rooms has a fireplace with timber mantel, and bay windows to the verandah. All internal walls are lined with tongue-in-groove beaded boards with timber joinery including ceiling vent panels and fanlights.
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The floors are parquetry, the ceilings are lined with strawboard and the joinery is blackbean. There is a distinctive brick fireplace with four arched openings over a central hearth. There are courtyards formed between the angles of the buildings. Raised areas set with trees and surrounded by bluestone retaining walls preserve original hillocks on the site.
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The wood is dense and hard to nail. It is used for livestock fencing and the poles for vineyards, for joinery, for the production of charcoal and for firewood. The fruits have a high nutritional content and are eaten by local people and fed to livestock. This tree is favoured by beekeepers for the production of honey.
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The slate roof is a pitched from behind the stone parapet. The rear of the building is constructed of dry pressed clay bricks which is generally unrendered. The building has two stories to the front, comprising former offices on both levels connected by a timber stair. Most original joinery and other finishes remains intact,; including stair, architraves, window.
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A new addition to the village is a fast food restaurant. South of Dromahane is the Dromore "Point to Point" race track, which draws crowds from all over Munster to the village for the horse racing event. Other businesses located in the village include a nursing home, a joinery, printers, electricians, hauliers, plumbers, plant hire, ironmonger and agri-contractor.
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The Macquarie and Albert Street facades were retained. The remaining interior of the building was substantially modified and converted into a limited number of upper storey guest rooms and a ground floor bar. Original interiors are limited to the lower sections of the staircase, stair hall leadlight window and front floor joinery. The remainder appears to have been rebuilt.
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Subsequently, squatters occupied the houses. Much of the joinery and many fixtures were stolen or demolished during the period of squatting. Between 1991 and 1993, an extensive programme of conservation works were carried out on the building. The work comprised stabilisation, restoration of the front façade and roofs, cutting in damp proof courses, and construction of new floors.
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The combination of these elements with the rusticated stonework that surrounds the window openings creates a rich physical and visual texture at street level. The window joinery appears to be original. Later items that have been placed on the facades include a clock on the western side and a plaque on the eastern side of the Martin Place facade.
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Other food-processing plants are located in Nanga Eboko (rice hulling) and Eséka. As it is the crossroads for logging vehicles travelling from the South and East Provinces, the Centre also has a sizeable timber processing industry. Major sawmills are located in Eséka, Mbalmayo, and Yaoundé. Other specialised plants do joinery work, veneer, furniture and construction.
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Most rooms have access to either the western or southern verandah. Much of the timber door and window joinery survives intact, including a coloured leaded glass main entry and coloured patterned glass stairwell window. The original timber internal staircase has been painted. Some original internal decorative finishes survive including moulded plaster cornices and ornate plaster ceiling roses.
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Roseneath is a Colonial Georgian style residence of rendered brick construction on basalt foundation. Roseneath has a central main entrance of heavy double doors framed by multi-coloured venetian glass, balanced by symmetrically placed eight pane French doors. The first floor verandah has light cross-braced timber balustrade. The interior features a cedar stair, hallway with excellent joinery.
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Internally, the house has a new kitchen, study and storage in the original wing. The main drawing room, dining and main entry are in the second wing. The two-storey wing contains bedrooms, bathrooms and a staircase. Alterations to the detailing of door and window joinery and plasterwork show the influence of the Arts and Crafts movement.
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The entry door is surrounded by leadlight windows. The house has a high degree of integrity internally, despite alterations to room layouts at various stages which involved both the removal and additions of walls and doors. Some original fireplaces remain, as does most joinery including the staircase, which is painted white. The side verandahs have been enclosed.
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As at November, 2005, the residence is in fair condition, but requires extensive works to repair the masonry and joinery. The roof has been renewed to control falling damp and termite detection systems have been installed. The farm cottages and shedding are in fair to good condition. The landscape/garden areas are suffering from the drought.
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The rear door from the laundry opens onto a painted concrete ramp which descends to a concrete slab and shed to the southwest. There is a range of joinery through the cottage, some typical of a 1930s idiom and others more recent. Floors are covered with carpet or vinyl. The garden has grassed areas, garden beds, trees and shrubs.
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The Hameldon building houses the College's Construction and Motor Engineering workshops, along with several classrooms and meeting rooms. The Motor Engineering department is made up of the Carl Fogarty Technology Centre and the Motorcycle Workshop. The Construction Department has art workshops for different trade areas. These include: Painting & Decorating, Carpentry & Joinery, Brickwork, Plumbing, Gas, Floor Covering, and Plastering.
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The house has been extended at the rear to form a family room, kitchen and bathroom. The core rooms on the upper level have vaulted ceilings of tongue and groove boarding and double-hung windows with distinctive top sashes with curved tops. The hallway ceiling has been lined with plasterboard. The original window and door joinery is intact.
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The interior has plaster walls and marble fireplaces. There is a high proportion of surviving fabric, with original detailing and extant joinery. There are a range of sheds on the site. There are two steel framed cgi clad structures, one large rough sawn timber framed cgi clad structure and a number of small rough sawn timber framed annexures.
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All internal walls are plaster as the ones below are. However the internal wall corresponding to that which separates the hall and living room below, has been breached to reveal boarding that matches the ceilings downstairs. There is matching joinery to all windows and doors. The room above the dining room has been converted into a bathroom.
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Dock number four is long, wide and has a depth below chart datum of . There are four wharfs in the yard: County Wharf, Duchy Wharf, Queens Wharf and "South of Queens Wharf". The yard has six cranes, with a total load capacity of 60 tonnes. It has also a steel fabrication shed, engineering workshop, electrical workshop and joinery workshop.
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Instead, it acts as a charitable institution and supports education in wood- related fields. In 1767 the Company purchased an estate at Stratford, London. In 1886 it opened an evening institute on the Carpenters Estate there, offering classes in carpentry, joinery, plumbing, geometry, mechanical drawing and cookery. In 1891, the Carpenter's Institute had become a day school for boys.
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There is an awning over the footpath, typical of those along George Street. Externally, to George Street, original wall tiles, face brickwork, rendered trim, and terrazzo thresholds remain intact. Timber doors and windows appear in good condition. Internally, the general layout of public areas appears original, including features such as wall tiles, ceilings, central bar and other joinery.
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Decorative features of exceptional significance include the vestibule glass dome, the organ, mosaic floors, carved cedar joinery and carved sandstone and marble. It features the first known use of Australian motifs in the etched glass. Exceptional windows by Lucien Henry also feature Australian flora. The growth of the building reflects the growth and importance of the city.
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The front of the building was also modelled, with a wider front door, fascia sign and plinth added across both the original frontage and the extensions, dividing the architectural features of the ground and first floors. A large amount of the pre-1840 fabric of the building, including first floor joinery, survives into the 21st century.
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Much of these two buildings has been reconstructed. The buildings are raised on hardwood stumps. Structural members are made of black bean (Castanospermum australe) and the ceilings, wall linings and joinery are made from red cedar (Toona australis). Red Penda and Kalantis have been substituted for these no longer common timbers where reconstruction work was necessary for conservation.
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They are plainly but robustly detailed. Although many of the partitions have been moved around during the life of the building, it is fairly intact and incorporates much of the original linings and joinery. The floors are timber except for the concrete floor in the former furnace room. The former school is used as offices and training rooms.
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Recent years have seen the closure of the bulk of the remaining manufacturing industry in the village, including specialised textiles, joinery and constructional timber. Whilst there are still employment opportunities in the shops, schools and other village services, or on the surrounding farms, the majority of working residents now commute to Bradford, Keighley, Halifax or Leeds.
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Facilities include a gym, computing facilities, television/recreation areas, dining hall, chapel, car-parking, and secure cycle storage. The end of 2014 sees Salmond College having extensive refurbishment creating rooms for up to 262 residents. All bedrooms will be double glazed with new carpet and joinery. The College will also be introducing a key card system.
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A reformatory for boys was opened on 16 May 1881. The reformatory buildings were adjacent to the Quod and included a workshop, a kitchen, two large dormitories, a school room and four small cells. Carpenter John Watson constructed the buildings and became Reformatory Superintendent for the life of the establishment. Watson taught the boys carpentry, joinery and gardening.
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Reinhard Pöllath was born in 1948. He grew up in Upper Franconia, where his family has run a joinery since the 17th century. He graduated from high school in Marktredwitz in 1967. After completing his military service, he studied law from 1969 to 1973 at the University of Regensburg and the Ludwig Maximilian University of Munich.
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Joinery throughout is of cedar, and all fireplaces retain their mantelpieces of marble, grates and hearths. Floors in each room are edged in cedar. Original lath and plaster ceilings have been replaced, though plaster cornices remain in all rooms. In the sub-floor at the rear are five small rooms which were used as servants' quarters and a laundry.
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To the exterior of the northern facade is a simple timber escape stair. The building is substantially intact both internally and externally, with only minor alterations being made to the layout. It retains much of the pressed metal ceilings and joinery. Of the outbuildings, only one survives as the present garage, which was possibly the former laundry.
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The floors and joinery are new, photographs of that time showing a shell. Usual areas of archaeological potential such as underfloor spaces were removed or disturbed at this time. For intents and purposes the house, except for its southern, eastern and western walls and the internal load-bearing walls, was built . The cellars date to the house's original construction.
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12 Apart from her native Russian, Xenia studied English, French, and German. Xenia learnt cookery, joinery, and making puppets and their clothes for their theatre. She also enjoyed riding and fishing on the Gatchina estate,Van der Kiste and Hall, p.18 drawing (for which she supposedly had a particular talent), gymnastics, dancing, and playing the piano.
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There are some later additions at the rear, and the undercroft has been enclosed with brick, which is screened from the front street by timber battens. Most of the windows are tripartite sashes, and have window hoods. Those facing the street incorporate a small gable in the window hood. The interior also has ornate decorative elements and fine joinery.
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Square-rule carpentry was developed in New England in the 18th century. It used housed joints in main timbers to allow for interchangeable braces and girts. Today, standardized timber sizing means that timber framing can be incorporated into mass- production methods as per the joinery industry, especially where timber is cut by precision computer numerical control machinery.
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Ventilation devices included wide window and door openings, ventilated gables and ridges, and ventilation fleches. Piazzas were generous, allowing comfortably furnished, semi-outdoor living. Operable shading and enclosure of the piazza was sometimes achieved by adding timber vertical louvres above the verandah handrail, creating a room habitable in most weather. Interiors included fine decorative timber joinery and panelling.
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The Basford centre is situated off Stockhill Lane, on the north-western edge of the city. It focuses on construction technologies; with an emphasis on vocational courses. The centre has specialist facilities for bricklaying, plumbing, gas, painting and decorating, carpentry and joinery, plastering, refrigeration, tiling, welding, heating and ventilation and electrical services. In September 2015 the centre was refurbished.
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The wood is used for furniture, cabinetwork, joinery, paneling, specialty items, boat-building, railroad cross-ties (treated), decorative veneers and for musical instruments (e.g. for guitar fretboard). The leaves are used as food by Antheraea paphia (silkworms) which produce the tassar silk (Tussah), a form of commercially important wild silk. The bark is used medicinally against diarrhoea.
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The main part of the > house was built in brick with a slate roof and was surrounded by verandahs > on three sides. A large room, able to be divided by cedar folding doors, > occupied the front of the house. Each end of this room was fitted with a > cedar mantlepiece. The interior joinery was of cedar.
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According to the 1997 Conservation Management Plan, the roof appeared to be sound, though the gutters and bargeboards were poor. As at May 2001, the powerhouse brickwork was mostly in good condition, though exterior joinery and windows were poor. Apart from bird droppings, the interior was in good condition. The basement area including the pumps was flooded.
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Much of the internal timber structure remains. This exposed timber structure consists of massive hardwood posts and beams with crude rounded capitals and trussed double gable roofs over the two storey section. Much of the internal linings are likely to be covered by later linings and joinery elements. Substantial additions have been made to the rear of the brewery.
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Interior ceilings are lofty as the house was originally designed for two- storeys. Window sills are hewn from the wall of masonry, rather than being separate blocks of stone. The stone-flagged entrance hall has flattened corners containing round-headed niches which flank the opening into the central hall. Very fine cedar joinery and papier mache ceiling ornamentation.
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Depa Plc is a publicly listed interior construction and manufacturing firm headquartered in Dubai, UAE. Established in 1996 and listed on the Nasdaq Dubai. The firm provides interior construction services and joinery manufacturing for construction contractors in the Middle East, Africa, Asia and Europe. Depa Group consists of four subsidiaries: Depa Interiors; Deco Group; Design Studio Group; and Vedder.
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1837), added notes and articles to Robertson Buchanan's Practical Essays on millwork (ed. George Rennie, London, 1841), and revised Peter Nicholson's New Practical Builder (London, 1861). He contributed the articles on joinery and stone masonry to the supplement of the Encyclopædia Britannica (ed. 1824), and contributed technical articles to the Philosophical Magazine and to Thomas Thomson's Annals of Philosophy.
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The second staircase is in the north wing. The rooms are lofty (ceiling height downstairs is 4 metres and upstairs 3.7m), well-proportioned with cedar joinery and elaborate cornices to the major rooms. The rooms opening onto the verandahs have stone thresholds, French doors and louvered shutters. Many of the rooms have marble mantlepieces with tessellated tile hearths.
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The Council Chambers is entered via four etched glass timber doors. The 1987 refurbishment included restoration of much of the original silky oak and walnut joinery. The shopfronts are decorated with banded ceramic tiling below the display windows, with a fine continuous band decorating the door and window heads. The easternmost display window retains its original timber backing shutters.
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The Manthey Barn, in rural Tripp County, South Dakota near Colome, South Dakota, was built in 1916 by George Manthey. It was listed on the National Register of Historic Places in 2004. It is a "Midwest Three-Portal" dairy barn. It has a timber frame built with hand-hewn lumber and uses mortise-and- tenon joinery.
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The Times, Thursday, 31 October 1985; p. 16; Issue 62283. H. H. Martyn & Co., founded by Martyn in 1888, as monumental masons working in stone, marble and wood had extended to joinery, wrought iron work and castings and by 1914 included pressed steel. Their 5 acres of workshops outfitted ships such as the SS Queen Elizabeth.
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Single-storey Victorian Regency residence with north-facing verandah to main house and east and west wings forming courtyard to rear. Sandstone walls. Slate roof, each wing roofed separately. Timber floors; lime-plastered walls; some original plastered ceilings but most replaced in metal sheeting; painted and polished cedar joinery; polished cedar and later marble chimney pieces.
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Redstone has State heritage significance for the extremely intact nature of its interiors, including the retention of its original fixtures and fittings. These include the dining room screen, and kitchen and bathroom fitments. A patch of the original stipple paint wall finish exists within a hall cupboard. The joinery of the house retains much of its original finishes.
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After her son Ryan Connor (Ben Thompson) moves to Glasgow to attend university, Michelle confesses her true feelings for Ciaran and they begin a relationship. In November 2010, Ciaran is offered a job at The Joinery, the new bar being opened by Leanne Battersby and Nick Tilsley, but struggles to tell landlady Liz McDonald (Beverley Callard) that he is quitting his job at The Rovers. In the end, he quits by post, resulting in Liz attempting to bar him from the pub, only for Michelle to quit her job there as well out of loyalty to Ciaran. Ciaran begins his job at The Joinery and later steals the recipe of a hotpot from The Rovers, which has been served by Betty Williams (Betty Driver) for over 40 years.
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The 1860s sandstone and slate residence is significant for its aesthetic quality, craftsmanship and intactness, including the internal cedar joinery, skylight, plaster ceiling roses, stonework and original beech floors, and remains a rare example of its type in Brisbane. The place is important in demonstrating the principal characteristics of a particular class of cultural places. The 1860s sandstone and slate residence is significant for its aesthetic quality, craftsmanship and intactness, including the internal cedar joinery, skylight, plaster ceiling roses, stonework and original beech floors, and remains a rare example of its type in Brisbane. Oakwal is a fine example of the domestic work of prominent Brisbane architect James Cowlishaw, and has a special association with the Cockle, Palmer and Cowlishaw families - important judicial, political and social figures in 19th century Queensland.
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Characteristic of the church auditorium level of St Andrew's Church is the high quality and innovative and unusual design of the internal joinery. The stair joinery, doors, windows and their framing, along with church seating, wainscotting, benches, and other fittings are very well designed pieces, original to this building and contribute to the building's outstanding design. Beneath the church auditorium and entered from an open entrance porch off Creek Street access to which is provided through three large semicircular arched doorway openings is the church hall. The interior of the hall is dominated by a double row of large concrete piers, and is flanked on the eastern side by an open courtyard along the Ann Street retaining wall boundary that is braced with a system of buttresses aligned with the internal columns in both auditoria.
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During the 1980s and 1990s extensive conservation works were carried out under the guidance of conservation architects Howard Tanner & Associates including re-roofing with corrugated steel sheeting and roof drainage, conservation of the southern verandah, including rebuilding to its original configuration with timber-shingled roof, external joinery, shutters and timber columns; reinstating damaged/missing joinery including French doors, 12-paned windows and shutters; stabilisation/reconstruction of brick and sandstone walls, footings including construction of a concrete apron slab and site drainage system; weather-proofing; restoration of three principal rooms of the main central block; reconstruction of fireplaces in principal rooms; reconstruction of the rear courtyard verandah. It continues to undergo conservation works, organised by community group the Dalwood Restoration Association. Dalwood Estate was opened to the public on weekends in March 2018.
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The Joinery no longer stands, but the foundation and the chimney are still there. In 2012, Slavery at Jefferson’s Monticello: Paradox of Liberty, an exhibition co-presented by the National Museum of African American History and Culture and the Thomas Jefferson Foundation at Monticello, opened in the NMAAHC Gallery at the National Museum of American History. This exhibition highlighted Jefferson's paradoxical dual positions as the drafter of the Declaration of Independence and a slaveholder. Some of the objects on display were the "Campeachy" (campeche) chair Hemmings created for Jefferson, a copy of the French chairs at Monticello attributed to the joinery, and a hanging cabinet Hemmings created. The entrance to Slavery at Jefferson’s Monticello: Paradox of Liberty featured a large statue of Jefferson standing in front of stacks of bricks.
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His innate mechanical and joinery skills also allowed him to build miniature watermills which he set to work in the hillside burns. His talents were recognised by his parents and they realised that he would benefit from proper training. His father was noted as saying “We will have to make some other thing than a shepherd of George - the sheep or cows seem to be the least of his care” (reported by Violet Aitchison née Kemp (1805-1889), Kemp's youngest sister.) At the age of fourteen Kemp was enrolled as an apprentice joiner with master-wright and carpenter Andrew Noble at Moy Hall, Redscarhead, north of Peebles. He stayed there for four years receiving, as well as training in joinery, a wide education including technical drawing and many mechanical skills, architecture and mathematics.
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The undercroft has a concrete slab floor. Timber framing is exposed in parts of the range's ceiling, and some early corrugated metal ceilings within the northern and southern wings are retained. The piers are stop-chamfered. Early timber joinery is retained throughout the building, including: tall casement windows (to the exterior); double-hung sash windows (to the verandahs); and panelled timber doors.
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The central workshops for Balcarres' collieries in Haigh and Aspull were built on the north bank of the canal between 1839 and 1841. The forge, smithy, joinery and fitting shops were powered by a steam engine. The site became the sawmill for the Wigan Coal and Iron Company's pits and Kirkless Iron and Steel Works. The Georgian office block survives.
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The floor is timber. The height of the balustrade was raised within the last 10 years to meet BCA standards at that time. External windows of the house are generally painted with a dark green stone sill and cream timber joinery around the window panes with cream louvered timber shutters. Other than shutters there is little decoration on any of the windows.
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The south elevation features a continuous, flat reinforced-concrete hood over the lower windows. The building retains much of its original timber-framed joinery. Windows to the east-end section are hoppers with rendered projecting jambs, and the west-end section has mostly casement windows. Classrooms have banks of south-facing hopper windows with fixed timber shelves to sill height.
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These techniques of joinery are designed to prevent water from entering the walls. Siding that does not consist of pieces joined together would include stucco, which is widely used in the Southwest. It is a plaster- like siding and is applied over a lattice, just like plaster. However, because of the lack of joints, it eventually cracks and is susceptible to water damage.
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Holloway Brothers (London) Limited created to undertake the construction activities of the firm with the original company renamed as Holloways Properties Limited. 1915 move to Bridge Wharf (later 157) Millbank on compulsory purchase of Victoria Wharf by the London County Council as the site for the new County Hall. Joinery works move to Magdalen Rd Earlsfield, stonemasonry to Thessaly Rd Nine Elms.Rolt, p.
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Solder-connected rigid copper is the most popular choice for water supply lines in modern buildings. In situations where many connections must be made at once (such as plumbing of a new building), solder offers much quicker and much less expensive joinery than compression or flare fittings. The term sweating is sometimes used to describe the process of soldering pipes.
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The nut is used in dyeing and water purification. The timber has a use in building work, boat construction, furniture and joinery, musical instruments, utensils and carving. It is also useful as firewood. The pods have been used to make fertiliser and soap, and they can be used as a substitute for up to 60% of the maize in poultry feed.
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The verandah has a timber, two-rail slat balustrade, a raked ceiling and a single skin verandah wall. Former hat room enclosures of single-skin weatherboard walls survive at either end, and bag hooks are attached to the verandah wall. The building retains much of its original timber joinery. The south wall has five banks of casement windows with fanlights.
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This forms a shallow courtyard, the remnant of a much deeper one which once existed. Timber ceilings are found in most rooms, the dining room featuring a coffered example with moulded beams. The drawing room has a carrara marble fireplace and two fluted columns which mark the beginning of the projecting bay. Substantial cedar joinery, including mantelpieces, is found throughout.
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The other beams are made of American pine. The posts and beams are connected without nails, using traditional joinery techniques. The ceiling is of bamboo with joined beams which would have allowed for the circulation of warm air from fireplaces below. The walls mimics the typical mud plaster walls through the use of textured wallpaper and wooden wainscoting for greater durability.
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Andrews was born in 1892. He operated a joinery manufacturing business and became both a company director and later president of the Lower Hutt Chamber of Commerce. He was a Battalion Commander in the Home Guard during World War II. From 1933, he was Mayor of Lower Hutt for five consecutive terms. He was also a member of the Wellington Harbour Board.
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In 1916 the Society began to make vestments to order. The business grew and in 1921 Faith-Craft was founded. From 1938 a workshop for joinery and statue work was opened in St Albans, Hertfordshire, with vestments and stained-glass being produced at Faith House. In 1955 Faith-Craft works moved to new premises in the Abbey Mill in St Albans.
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There are concrete stairs at each end. Some early fabric survives including the concrete stair with plain metal balustrading to the east, some joinery and stop chamfered concrete beams and posts to the ground floor. The interior walls are painted or plastered brick, with plain plastered ceilings and concrete floors (some with vinyl and carpet floor coverings). Suspended ceilings conceal plaster ceilings.
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In traditional timber frame joinery, mortises and tenons were typically wide and from the edge of the timber when working with softwoods, giving rise to the width of the blade. Likewise, mortises and tenons were traditionally wide when working in hardwoods, explaining the width of the tongue. This allowed for quick layouts of mortise and tenon joints when working both hard and softwoods.
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The interior feature some fine cedar joinery in the sanctuary area and liturgical fitments including a silky oak minister's chair. The timber pews have decorative ends bearing pew numbers. A pair of leadlight windows featuring the Welsh dragon are above the doors in the rear wall leading into the vestry/meeting room. The walls display several timber plaques and memorials.
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The windows are voids with traces of the original joinery evident. Internally, the building is divided into two rooms by a partition of hardwood framing and single-skin corrugated iron to ceiling height, the roof space open above this. Centrally positioned in this wall is the doorway connecting the two rooms. Above the door is a ventilation panel in-filled with metal lattice.
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William Johnson Architect published with Peter Nicholson the Thirteenth Edition of The Carpenter's New Guide Being a Complete Book of Lines for Carpentry and Joinery; Grigg, Elliot and Co., Philadelphia, 1848. The printers were T. K. and P. G. Collins, Printers of Philadelphia. The book is listed as number 835 in Henry-Russell Hitchcock's American Architectural Books published in American before 1895.
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The stair was installed during the 1980s, originally from another building (apparently from a former doctor's residence at Ipswich Hospital). The majority of the joinery has been replaced, sourced from other demolished buildings, and ceiling roses added to many rooms. The iron columns and balustrading are largely intact on the verandahs. The lower level contains two large rooms and a cellar.
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The building features two main entrances incorporating stairs and escalators leading to Wynyard station. The interior of the building retains original office fitouts with fine timber joinery and decorative plaster ceilings. The first floor windows are notable for their individual design. Awarded the Sulman Medal in 1935 and the RIBA Medal in 1939, this building is an elegant example of 1930s commercial architecture.
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Significant aspects of the building include the architectural form and detail including the original/recreated shopfronts. Internally, the remaining original layout and other features including joinery, fireplaces and stairs etc. which contribute to the significance of the pair. Shop and Residence was listed on the New South Wales State Heritage Register on 10 May 2002 having satisfied the following criteria.
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The general office (main chamber) has been upgraded to provide modern retail and a range of postal services. It has carpet over a timber floor, and modern joinery and retail displays. Many original elements survive, such as windows, strapped ceilings, consoles, an arch and chamfered plaster nibs. The ceiling is a modern, suspended type, and conceals air conditioning ducts and services.
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In the 1950s the building was joined to the next door structure by an enclosed timber bridging section at the upper level, to allow ingress of vehicles to the rear yard. The interior of the building, though now used as offices, retains the original layout of the earliest section and joinery details including doors, windows and elaborate fretwork transoms over ground floor doors.
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Scottellia klaineana is a species of tree native to West and Central Africa. It usually grows to a height of about but can grow taller. It has a straight, cylindrical trunk up to in diameter, and may have flutings or buttresses at the base. The timber is used for construction, panelling, joinery, furniture- making, cabinet work, carpentry, flooring, stairs, turnery and veneers.
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A large tongkonan can take a crew of ten about three months to build and another month to carve and paint the outside walls. Bamboo scaffold is erected for the duration of the construction phase. Traditionally tongue and groove joinery has been used without the need for nails. A number of components are pre-fabricated with final assembly in-situ.
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The walls are plastered with Keens marble cement to dado height, and capped with a plaster moulding, all now painted. Door and window architraves, a band mould under the sills and pilasters are of painted white plaster. The original furniture and cedar joinery remain intact. The ceiling comprises painted timber panels supported by decorative brackets with large Wunderlich ventilators in the central panels.
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The building is an early Colonial Georgian homestead, comprising several elements. The original two-roomed sandstock brick cottage with mud/shell mortar and plaster has a corrugated iron roof, central chimney and original joinery and dates from . The original kitchen with a large fireplace and a bread oven was added pre 1812. This single storey section has brick floors covered by concrete.
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As at 23 July 2001, 1984-85: Due to structural problems in the upper floors, the George Street façade was reconstructed in its 1851 configuration, using documentary and physical evidence. The original bricks were reused as were other items where possible. Reused items include first floor window joinery and stone sills on George Street façade. In 1985 the rear addition constructed.
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Timber framing is a style of construction that uses heavier framing elements than modern stick framing, which uses dimensional lumber. The timbers originally were tree boles squared with a broadaxe or adze and joined together with joinery without nails. Modern timber framing has been growing in popularity in the United States since the 1970s.Roy, Robert L. Timber framing for the rest of us.
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The final tram operated in September 1945 once the war in Europe was finished.Anderson and Frankis (1979) pp. 92–93 In 2016, a section of the old Tramway trail was unearthed. Plym Valley Railway (PVR) recovered the 116-year- old artifact from a joinery workshop, situated between Bath Street and Martin Street, where it had been built-in prior to 1945.
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The station and station area was fundamentally reconstructed up to August 2011. The station's former joinery workshop has been converted into a new firefighting museum. The railway engineering facilities are still owned by Deutsche Bahn and were renovated as part of NRW's modernisation initiative 2. The platforms have had barrier-free access since 6 November 2015 and a lift has been installed.
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Both Veteran Hall and Homebush have since been demolished. The house dating from 1858-9 is a significant example of the work of William Weaver, former Government Architect 1854-56. The firm, Weaver and Kemp, also designed Jarvisfield, Picton and Burundulla, Mudgee. The fabric of the house is intact with surviving blackbutt floors, cedar joinery, plaster ceiling roses and imported marble chimneypieces.
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The sloping site allowed two rooms to be built under the main house. Their initial use was as office space for Desbrowe-Annear. Much of the interior comprises dark stained timber with a raked timber lined ceiling and built-in joinery. Until 1988 much of the original timber work was lost under layers of paint and plaster or had been removed.
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External masonry walls and timber windows open into this space suggesting it may once have been more open. The upper levels consist of two floors of office space, divided into smaller rooms arranged around the central stair and light well. These levels have been renovated retaining original rooms, timber flooring and internal door and window joinery. The first floor has marble fireplaces.
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Interior finishes to each house include cedar joinery, plastered walls, marble fireplace surrounds in the ground floor rooms and tessellated entrance tiles. Air-conditioning, sound- proofing, electronic security systems and signage, were introduced during the 1980s renovation. Each house has a detached timber two-storeyed service wing, accessed from the rear verandah. Externally they remain substantially intact, but have been gutted.
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The plasterwork to the interior walls extends upwards from the chair rail, leaving a dado of exposed brickwork whilst the rising damp dries out. The rooms of the lower level have polished wide floorboards, most of which are original. The high ceilings are lined with wide beaded boards. The polished cedar joinery includes two chimneypieces and internal flush four-panelled doors.
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The timber floor of the first floor is still caulked with oakham and bitumen. Windows are double-hung sashes, with six panes to each sash. Parts of the hoisting facilities remain. The chapel features polished cedar furnishings and joinery, mosaics, memorial plaques, stained glass windows commemorating RAN ships and personnel, and a pulpit in the shape of a ship's bow.
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The species is extensively used in forestry as a plantation tree for softwood timber. The timber is used for joinery, veneer, flooring and construction due to its strength, hardness and durability. It is also naturalised throughout Europe, Argentina and Chile (called Pino Oregón). In New Zealand it is considered to be an invasive species, called a wilding conifer, and subject to control measures.
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Based on physical evidence, wallpapers, paint schemes, tiles, joinery and door and window hardware were reproduced for the building to interpret it as a hotel operating during the 1890s. In 1996 the refurbishment of the building won the National Trust Energy Australia Heritage Week Awards for the Interior. It has had a range of tenants since then and currently houses a boutique bar.
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The women's conveniences are located at the southern end at the first floor level. Much of the original partitioning, joinery and sanitary fixtures have been retained. The toilets remain in the cubicles along the western wall with wash basins located along the northern wall. The entrance is lined with cream square ceramic tiles, the floor covered in linoleum with red skirting.
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Camellia oil is also traditionally used to protect Japanese woodworking tools and cutlery from corrosion and is currently sold for that purpose.Odate, T: "Japanese Woodworking Tools: Their Tradition, Spirit, and Use" page 174. Linden Publishing, Reprint edition 1998.Nakahara, Y; Sato, H.; Nii, P.: "Complete Japanese Joinery: A Handbook of Japanese Tool Use and Woodworking for Joiners and Carpenters" pages 5, 15, 28.
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Architect John Verge started plans for Busby's house, Rockwall and a cottage in 1830. Verge's plans for the house were approved by the Governor the same year. Built 1831-37 as a two-storey Colonial Regency style villa/town house in sandstone blocks with cedar fittings and joinery throughout. From 1835, Verge altered the existing plans for the new owner, Sempill.
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A breakfast room was added to the northern end of Aberfoyle between 1918 and 1927. Other additions were made after this. Conservation work has been an ongoing concern of the present owners who bought Aberfoyle in 1993; frieze stencils have been uncovered and repainted, joinery has been wood grained and restorative work has been done to the entrance pathway from Wood Street.
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Timber produced from Heritiera fomes is hard, fine-grained, tough and elastic. The heartwood is dark red or reddish brown and the sapwood is a paler reddish brown. The timber has many uses; in bridge building, house construction, boat building and joinery, as utility poles and tool handles, making hardboard and as firewood. The tree is grown commercially in plantations.
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The roof to the central section is hipped and clad with slate. Of four extant chimneys one retains its terracotta pot. A verandah to the central section has a low pitched iron roof supported on decorative timber posts with brackets. All joinery is timber framed including four panel doors and box frames of both single and double pane type windows.
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Gilbertiodendron dewevrei is a species of tree in the family Fabaceae, native to tropical rain forests in Central Africa. It is often the dominant tree species of the Guineo-Congolian rainforest. The timber is traded as limbali, and is used for construction, flooring and railway sleepers. It is also used for making boats, furniture, tool handles and joinery and for making charcoal.
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The extant barn, now housing a commercial establishment, appears to date to the mid-19th century. The house is notable for the joinery (particularly of its main staircase) of local craftsman Ebenezer Clifford. Most of its 20th- century modifications, including the addition of minimal modern services to the main block and the addition of porches, have been made to be easily reversible.
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In building construction a framer is a carpenter who assembles the major structural elements of a wood-framed building called the framing. Framers build walls out of studs, sills, and headers; build floors from joists and beams; and frame roofs using ridge poles and rafters. Timber framers are framers who work in the traditional style of timber framing with wooden joinery.
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Decorative elements include scalloped barge boards, turned finials with twisted lightning conductors, distinctive arched dormer windows, turned cedar verandah balusters and two classically moulded chimney heads. Internally, much of the original cedar joinery survives. There are four rooms on the main floor and another four rooms in the attic. These are lit by windows in the dormers and in the gable ends.
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The separate identity of each house is highlighted by a small gable at either end of the top verandah, each with an intricate fretwork pediment. These are supported by double columns which continue down to the lower level and flank the entry on the ground floor. Leadlight fan and sidelights surround the cedar panelled front doors. The internal joinery is also cedar.
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There is a simple verandah on the front and the back verandah has been enclosed to form a kitchen and bathroom. The interiors are intact, retaining original joinery and hardware with unpainted main rooms. Portions of the split post and rail fences which marked the allotments between the buildings remain. Those immediately behind the store are reconstructed from second hand material.
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The timber slatted balustrade is a replacement. The rear of the building has a two storeyed post supported verandah, onto which internal rooms are accessed. Openings to the ground floor have moulded plaster surrounds, and retain some early joinery and leadlight glazing, although there are some replacement louvres. First floor openings are generally inward opening, half glazed, french doors with operable fanlights above.
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Internally the building retains an early ground floor layout, with several rooms featuring nineteenth century timber joinery, fireplaces and openings. The early entrance to this block is a large double timber and glazed door surmounted by a round arched fanlight and all surrounded with aligned glazed openings and although some of the glazing has been replaced, this doorway survives substantially intact.
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The village has two small supermarkets, a Centra store and a Londis store. There are also two smaller local shops. The Shelbourne Co-Op, founded in 1919, still has a premises in the village albeit under the Glanbia banner. There is also a pharmacy, joinery, hardware store, filling station, take-away, soccer pitch, hair salon, community hall and two pubs.
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The verandah floor is paved with tessellated tiles and edged with sandstone. The front door has fielded panels with stained glass leadlights above and in the fanlight and side light. There are five main rooms, each with fireplace surrounds, mostly marble. The door and window joinery and architraves and skirtings were reported as generally intact and in good repair in 1992.
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The exhibition celebrated crafts and craftsmen of Mainland China by featuring eight made in China sculptural pieces. The pieces were crafted from recycled elm wood using traditional Chinese joinery techniques, held together with eco-friendly glue and finished with beeswax and natural lacquer. In contrast to his more “conservative” first collection, China Clean included details like hand-carved skulls and tattoo style motifs.
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The city is the center of light and manufacturing industry: logging, footwear, knitwear, ready-made clothes, toys, packaging, alcohol producers, bakery, printing and canning industries. There are companies for the production of condensers, power transformers, household and kitchen furniture and joinery. Hotels and tourism have evolved in recent years. The region has traditions in fruit growing and trade in fresh and dried fruits.
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This book is filled largely with descriptions of dimensions for use in building various items such as flower pots, tables, altars, etc., and also contains extensive instructions concerning Feng Shui. It mentions almost nothing of the intricate glue-less and nail-less joinery for which Chinese furniture was so famous. Damascene woodworkers turning wood for mashrabia and hookass, 19th century.
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The Banco Court is a Federation Free Classical building with Baroque influenced decoration evident in the intricate sandstone carving around the window and building entrances. Interiors feature intact elaborate plasterwork and cedar joinery. This building relates well in design and siting to the neighbouring St James' Church. The Banco Court is constructed in face red brick which has contrasting sandstone detailing and trim.
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The heartwood is greyish-brown, and not clearly distinguishable from the sapwood. The timber is not very durable and is susceptible to attack by termites, fungi and boring insects. It is used to make furniture, and is also used for light construction work, flooring, joinery, cabinet work, boats, boxes, crates, veneers and plywood. It makes good firewood and is used to make charcoal.
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Several buildings which originally formed part of the property are now privately owned. These include the Mill, Barn and original stables. Fabrics include local stone, weatherboard, corrugated iron and sandstock bricks. Throsby Park House is a one-story structure with cellars and attics, built of locally quarried stone, internally divided by brick walls with cedar joinery throughout and an iron roof.
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It is used as a tropical hardwood for cabinetry, carving, flooring, joinery, musical instruments, and turnery. The wood is heavy, with a density of 0.85 g/cm³.Ghana Forestry Commission: Hyedua It is durable, and resistant to wood- boring insects. It is sometimes used in guitar manufacturing in solid bodies and in the backs and sides of acoustic guitar bodies.
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The interiors are relatively plain, having moulded plaster ceilings of Regency style with deep coved cornices only to the main living and reception rooms. The original door and window joinery is largely intact - these elements, like the deep timber skirting which survives in most rooms were dark stained maple. In some rooms original timber finishes have been covered by white paint.
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The building is of one storey only. The timber verandah has tapered posts, simple classical inspired capitals and scalloped timber valances. The front verandah is reached by a flight of rendered masonry steps having the remains of cast iron bootscrapers on either side. The front and return facades appear to retain their original colour schemes of ochre coloured walls and Venetian red joinery.
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In 1789, a court joinery was set up in the castle garden. At the end of the 18th century, the garden was temporarily open to the public, although some regulations had to be followed. On the promenades, for example, it was forbidden to smoke tobacco and to let pigs and geese roam freely. From 1808 on, the botanical garden was created.
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Ian Hunter MLC; CCSA CEO Craig Wilkinson; Governor of SA, the Hon. Hieu Van Le, AO: CCSA President Nadia McLaren. In early 2015 Conservation SA moved its headquarters to the disused former interstate bus terminal building in Franklin Street, owned by the Adelaide City Council, creating a community environment space called The Joinery.The Joinery Conservation Council of South Australia Inc.
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In situations where many connections must be made at once (such as plumbing of a new building), solder offers much quicker and much less expensive joinery than compression or flare fittings. The term sweating is sometimes used to describe the process of soldering pipes. The filling materiel used for the joints has a melting point that is below 800°F (427°C).
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Internal joinery is of cedar, which has been painted, and the walls are plastered. The whole is surmounted by a gabled roof with a ridge running transverse to the axis of the house. Roof shingling has been replaced with galvanised iron. An attic dormer window overlooks a simple timber posted front verandah, from which the original cross-braced balustrading has been removed.
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Numerous chimneys The house is an intact example of the Federation style of architecture. Built of timber and galvanised iron roof. It displays fine quality timber craftesmanship, joinery and detail. Coloured glass panels to the windows and oddrs, timber detailing on the decorative gables, verandah window hoods at the sides and back of house and bay windows to the northern side.
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Alfred Neumann (1900–1968) was an Austrian-born, Jewish modernist architect who is best known for his buildings in Israel.Bat Yam, Israel by Neumann and Zvi Hecker Neumann was born on January 26, 1900 in Vienna to Siegmund Neumann and Hermina Hickl. In 1910, Neumann's family moved to Brno for his father's job at a joinery workshop. Neuman attended German Building Technical College.
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The house consists of nine rooms and two halls on the ground floor, and eight rooms and three halls on the first floor.Figures 6 and 7 The internal spaces are mostly intact however there has been substantial alteration to certain rooms, such as the kitchens and bathrooms that do not have any original fittings or fixtures except window and some door joinery. Intact features in the house include: door and window joinery; ceiling roses and cornice plasterwork; timber stair to first floor; niches in sitting room and family room walls; and most of the chimney pieces, grates, chimney breasts and tiled hearths.Urbis (1), 2008, 5-7 There are seven chimneys: three on the eastern facade, two on the western facade, one in the single storey kitchen on the western facade, and one in the master bedroom visible from the northern facade.
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The silky oak organ case is a fine piece of joinery designed by the architect of the church and featuring carved panels and gold lettering and very well integrated with the other altar furniture, choir seating and other joinery in the building. The chancel area comprises a number of tiers, with elders' and minister's seating on the lowest level, and choir seating, protected by a wrought iron balustrade, above. At the rear of the chancel and expressed externally in the bowing projection in the arched opening on the Creek Street gabled section of the building, is a narrow corridor providing access to each side of the choir stalls and also between the principal stairs of the building. The narrowness and low lighting afforded through slits to Creek Street, make this corridor and associated spaces seem catacomb-like.
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All except two of the chimney pieces have been removed. The surviving joinery, cornices and staircase are well built and finely executed examples of their period. The original verandah on the front of the building (its east side) was removed in the mid-1970s and replaced with a smaller portico.Macarthur Development Board, 1977:86 This portico was later removed and the verandah recreated in 2003.
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On levels one to four above ground there are tenantable offices, while below ground there is a basement. Behind this part of the building, connected to the hall by a wide set of stairs and three double doors, is the grand foyer with its marble staircase. The heritage boundary takes in the wall, its openings and the joinery that forms the south-eastern end of this foyer.
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Walker & Moore 1990:38 The door joinery shows evidence of the successive adaptations to the building during its use as a Court. The skirtings, architraves, doors and windows represent two periods - -7 and . The upper flights of the staircases are thought to be original, the lower flights being interspersed with Victorian repairs. The internal structure of the staircases has been augmented to ensure visitor safety.
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Rycotewood Furniture Centre is a specialist centre located on the campus. The campus is undergoing major redevelopment during 2014. 3.2 Blackbird Leys Blackbird Leys is an Oxford ward located to the south east of the city centre. The campus delivers courses in construction (carpentry, joinery, plumbing, brickwork, and painting and decorating), motor vehicle and electrical installation. It is also home to the college’s Centre for Autistic Learners.
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The fourth floor is designed and constructed to resemble a hanok. The floor, walls, and ceiling are constructed using traditional wood joinery techniques while the floors are heated using an ondol system. The hanok consists of two rooms: a sarangbang which is the reception room located near the exterior and a daecheong or main room. The sarangbang opens out onto the madang and garden.
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A plumb rule from the book Cassells' Carpentry and Joinery Surveying has occurred since humans built the first large structures. In ancient Egypt, a rope stretcher would use simple geometry to re-establish boundaries after the annual floods of the Nile River. The almost perfect squareness and north–south orientation of the Great Pyramid of Giza, built c. 2700 BC, affirm the Egyptians' command of surveying.
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The balustrade is of cast aluminium. Internally the house consists of a wide, central arched hallway with to the right a living and dining room, each with a cedar fireplace, and to the left three bedrooms. All the windows are sashed, and joinery and doors (with fanlights) throughout are of cedar. A doorway into the front living room has been widened at some stage.
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Janice is disappointed when Trevor later leaves Weatherfield after breaking up with Carla. On 6 December 2010, a tram crashes onto the cobbles, following an explosion at 'The Joinery' Bar. Janice puts her first aid training to use, helping the injured in the Rovers. She also witnesses stepdaughter Leanne's wedding to Peter Barlow (Chris Gascoyne), which takes place in hospital as he was injured in the disaster.
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Over the years, the Ahmadiyya Muslim Community grew primarily due to immigration from Pakistan. By the 1990s, the Mahmood Mosque was becoming too small to house its members. As a consequence, the Community began to search for a place, for another mosque. 15 years later, in 2005 the Community found a suitable place, a joinery in Haüsern, a hamlet in the municipality of Wigoltingen, in Thurgau.
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Burnsed used it as a residence for his family as well. The blockhouse was constructed with fine craftsmanship, as indicated by the precision fit of the squared hewn logs and their full-dovetail joinery. Burnsed supposedly stood on his head at the roof ridge of the building after its completion. The structure was built entirely of local yellow pine, and had openings from which to fire rifles.
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Between 1994 and 1995, an extensive programme of conservation works were carried out on the building. The work comprised stabilisation, restoration of the front façade and roofs, cutting in damp proof courses, and construction of new floors. Joinery, plastering, and other surface finishes were reconstructed on the basis of surviving original fabric. The house is now divided into two separate units which are privately leased to tenants.
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Original timber joinery such as fireplace surrounds, doors, architraves and skirtings remain throughout the house. Full width timber verandahs extend across both the front and rear elevations of the house and a small upper level balcony projects from its front gable. The verandahs and the balcony all have hipped roofs clad in corrugated iron. The front verandah and balcony both feature decorative scalloped valances.
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Unlike western architecture, in ancient Chinese wooden architecture, the wall only defined an enclosure, and did not form a load-bearing element. Buildings in China have been supported by wooden frames for as long as seven millennia. The emergence of the characteristic articulated wooden Chinese frame emerged during the Neolithic period. Seven thousand years ago mortise and tenon joinery was used to build wood-framed houses.
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Mark Hotchin was born in Auckland, and attended Roman Catholic schools, St Joseph's Primary School in Onehunga, Marcellin College and St Paul's College. His father owned a joinery factory, and was also involved with property development. When Mark Hotchin left school he worked in his father's factory. His first business was a sports goods store, which got into financial trouble and was rescued by his father.
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It contains original elements of individual joinery. The site is an important element in the Parramatta River landscape and a local visual landmark. The broad landscape of the locality and the garden surroundings are the setting for a house of high cultural significance. The garden contains six mature plants and part of the driveway which are the original to a building of high cultural significance.
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The front and rear doors are flanked by etched glass side lights. Door and window joinery retains much of its original hardware. The main and attic staircases have fine turned balusters and newel posts. The plan is organised around a central hall which travels through to the rear enclosed verandah and later extension which houses the kitchen/dining and utility spaces and parish office.
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The tree yields a strong, dense and durable dark brown hardwood timber. It is resistant to termites and is used for construction, furniture, joinery, panelling, floors and boats. The tree can be used in the control of erosion, and for providing shade as a roadside tree in urban areas. It grows rapidly, can be coppiced and is ready for cutting after about fifty years.
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The main court room has a suspened ceiling and all original furniture has been replaced. The interior retains original decorative architraves, and other original details such as joinery and fireplaces are evident in some areas. The rolled galvanised iron roof has five tall chimneys and seven roof ventilators of varied size. The court room roof is raised above both the roof of the rear and front sections.
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The Charlotte Pound is located on the north side of Charlotte Road, about east of its junction with Maine State Route 214. It is an octagonal structure, each side measuring about . It has a cobbled stone foundation, and is constructed out of stacked cedar logs, the ends at each joint overhanging by about , with half-round notches as joinery. Metal rods have been driven through each joint.
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Bulawayo Polytechnic is an academic institution established in 1927 in Bulawayo, Zimbabwe, initially as a technical school. The current main campus on Park Road in Suburbs was established in 1942. The Division of Art & Design is based at a campus on George Silundika Street in the central business district. This campus also offers training for artisans in bricklaying, plumbing, carpentry, joinery, and wood machining.
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The hospital was active in the local show scene, exhibiting flowers, particularly, and winning numerous awards. The south western grounds grazed dairy cows. The dairy was located to the south (now a community centre), near the main entry. It is of similar materials to the main building and very much in simple, vernacular style, with a Marseilles tile roof and similar joinery to the hospital proper.
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A very interesting and well maintained house which has successfully combined several architectural styles. Extremely fine joinery and plaster work. Pleasing proportion of exterior and interior, set in ample and spacious grounds, St Cloud remains a notable landmark in Burwood. A large two-storey house of brick and stucco with tiled roof, three storey square tower topped by copper clad dome, all in high Victorian manner.
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The differing finishes to the sandstone walls indicate that the building was constructed as various stages. The gable roof over the main structure remains, and has been over-sheeted with corrugated iron over original/early timber shingles. The skillion roof over the lean-to is similarly treated, however has partially collapsed. There is no evidence remaining of the interior joinery, including fenestration, mantles or floors.
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Clear Oaks is a two-storey brick stuccoed farmhouse of law proportions. It features an encircling verandah to ground floor supported on timber posts, gabled roof sloping at rear, nine pane windows, and unusual six pane exterior doors. The majority of the joinery is intact. The siting is important, and the heritage listing includes the land to the roads and to the bottom of the hill behind.
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Work for inmates at Risley includes the kitchen, laundry, stores, cleaning, gardens, waste management and the Braille workshop. In addition, inmates may train for vocations in painting and decorating, joinery, industrial cleaning and construction. Courses in art and design, information technology, and higher level learning (including the Open University programmes) are also available. Other facilities at the prison include a gym and a multi-faith chaplaincy.
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The left side of the house was probably built sometime between 1690 and 1700, but may be even older. In an unusual twist to this type of joinery, the older portion's chimney was taken down and a new one was apparently built in the framing of the newer section. The interior exhibits primarily later Federal period woodwork, but there are some examples of c. 1720 paneling.
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Earlier gas light pipes and fittings remain to the upper and lower rear verandahs. Original door and window joinery and hardware remain throughout the building. The building has timber floors throughout except for the upper verandahs which are now sheeted with a thick fibre cement board. Fibre cement sheeting encloses the bathrooms to the northwest and the enclosed services corridor of the ground floor rear verandah.
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Double arched windows along the aisles illustrate ten events in the life of St Paul. Red cedar has been employed for internal joinery and furniture, and the sloping floor is of pine. St Paul's houses the only swung bell in Brisbane, which was cast in 1888 by John Warner & Sons, London. The bell chamber is noted for its perfect acoustic properties in transmitting sound to the nave.
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The two buildings are important for their intact interiors including; roof trusses, timber lined ceilings, joinery, and apse stair. The design allowed for large schoolrooms combined with small classrooms that accommodated galleried seating, features essential to the nineteenth century Lancastrian teaching system. They are rare surviving Queensland examples of schools designed to accommodate this system of education. The place is important because of its aesthetic significance.
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The house at 109 Limestone Street remains as the most intact example of the four houses constructed by John Farrelly. The original design is easily visible and all interior joinery is still intact. The house also clearly displays evidence that the building materials were recycled. The house still demonstrates the original characteristics of its initial purpose as a late 19th century middle class residence.
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The grave of Henry Kable, located at St Matthew's Anglican Church, pictured in 2013. ;St Matthew's Church A fine Georgian church, constructed entirely by convict labour using sandstock bricks and sandstone. The dominant element is a sculptural square tower with octagonal cupola, axially arranged with a rectangular nave and semi circular apse. The interior contains much fine cedar joinery, including a coffered ceiling and gallery.
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Generally, the interior of the church is quite dark and heavy. The internal walls of the church are all dark face brickwork with black pointing. The joinery is heavy and the small openings are mostly glazed with coloured glass. There is early electrical lighting within the church in the form of pendants in the nave and wall brackets along the walls of the side aisles.
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Layout of Pendre, 1999 In 1959, construction started on a 2-road carriage shed on the site of a former hay barn. This also had an attached building which houses a Joinery, admin, engineering stores, electrical stores, automatic telephone exchange, and offices. This work was completed in 1963, and is known as the "North Carriage Shed". In 1962, the south carriage shed was rebuilt with steel frames.
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The concept of minimalist architecture is to strip everything down to its essential quality and achieve simplicity.Bertoni 2002, p. 10. The idea is not completely without ornamentation,Rossell (2005), Minimalist Interiors, New York: HapperCollins. p6. but that all parts, details, and joinery are considered as reduced to a stage where no one can remove anything further to improve the design.Pawson (1996), Minimum, London: Phaidon Press Limited. p7.
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The plan of the church consists of a chancel, a four-bay nave with a north aisle, a south porch and a tower at the northeast corner. Its architectural style is Gothic Revival with a mixture of Early English and Decorated. It is built in stone which is ashlar both externally and internally. The internal furnishings are in detailed joinery which were designed by Douglas.
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The exterior and interior of the building are substantially as they were when constructed. Exterior features include the curved entrance colonnade, "roughcast" stucco panels, gable treatments and tuck pointed brickwork. The interior has decorative metal and boarded ceilings, moulded plaster wall decoration and panels, leadlight door panels, cedar joinery, and clerestory windows to the Long Room. The place is important because of its aesthetic significance.
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Food processing companies produce sugar, bakery products, alcohol, oil, meat and milk, fruits, vegetables and other products. In the light industry, the production of garments, knitwear, hosiery, rubber and leather footwear and textiles prevails. Mechanical engineering is represented by the production of oil and gas processing equipment and agricultural machinery. The timber industry is dominated by the production of lumber, furniture, joinery and other wood products.
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At Brisbane the building timbers were planed on Hancock and Gore's planning machines and manufactured into all kinds of building timbers including lining boards and flooring. The case timbers were re-sawn and manufactured into butter boxes, jam cases, fruit cases, kerosene cases etc. Specially selected logs were transported to Brisbane for manufacture into "Bull-dog" plywood and Hancock and Gore Ltd high class joinery.
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The timber of Julbernardia seretii, known as "Congo zebrawood" in the export trade, is dark brown and used in joinery, furniture, cabinet work and as a veneer. It also has uses in construction, boat building, flooring, carving and turnery, as well as being used for making ladders, toys, agricultural implements, tool handles and other items. The bark is used to make sandals, cords, containers and roof tiles.
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The cross-pieces (stretchers in the western equivalent) are joined through mortise-and-tenon joinery as well. The legs and stretchers are commonly round rather than square or curvilinear. The simplest pieces are simply four splayed legs attached to a solid top, but more complicated pieces contain decorative brackets, drawers and metal latches. Cabinets in this style typically have an overhanging top similar to western-style cabinetry.
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An explosion then tears through The Joinery, severing the overhead railway line and derailing a tram. Ashley is trapped in the office with Peter and bar manager Nick Tilsley (Ben Price). He then helps Nick free Peter who is buried under debris and badly injured. Ashley tries to search for a way out and realises he is seriously injured when he coughs up blood.
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These people used advanced carpentry and joinery skills to construct large houses of redcedar planks. These were large square, solidly built houses. The most advanced design was the six beam house, named for the number of beams that supported the roof. The front of each house would be decorated with a heraldric pole, the pole and sometimes the house would be brightly painted with artistic designs.
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This often prevented them from fitting comfortably into armchairs with rectangular seats. A caquetoire seat is splayed so women in their large skirts could easily sit. These chairs were often made from walnut rather than oak allowing the frames to be more elaborately carved. They were built with mortise and tenon joinery, so no nails were exposed and no glue had to be used.
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The new chambers were a single storey building of brick and concrete. Silky oak timber was used extensively throughout the interior for the fittings, doors and furniture, the work of RV Rogerson's local joinery firm. Ornate plaster work adorned the ceilings while leadlight windows incorporating the Shire's logo were included in the main elevation. A detached toilet block was constructed at the rear of the building.
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The hotel was probably completed by 1895 and the houses in 1896. The construction was mostly in concrete, with the joinery being provided by his workshops in Cardiff and delivered to Pwllheli by rail. Further building work was undertaken in 1897 when plans for nos 5–10 The Parade were approved by the council. Nos 11–16 followed quickly afterwards and all were completed by 1899.
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A variety of educational and vocational training is available to inmates at the prison, including painting and decorating, joinery, and plumbing skills, with additional courses in basic literacy and numeracy, information technology, arts and crafts, music, PSHE and general academic subjects provided by tutors from the University College Isle of Man. Inmates who study catering and industrial cleaning may work towards National Vocational Qualifications.
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The fence and the entrance to the former hospital complex, is also flanked by two small rendered brick and slate Gate-Keepers Cottages (Blocks S and T). Positioned at the entrance of the site in front of the main hospital building, these cottages, built at the same time as Block B in the 1820s, have been internally renovated but retain their original external construction and joinery.
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Flanking Block B, Blocks A and C are two Edmund Blacket-designed brick and slate wings that were a later addition to the main 1820s hospital building. Although built some 40 years later, in 1866 and 1874, these wings were sympathetically designed to complement the original building in both design and materials. These wings have intact and significant brickwork, tuck pointing, joinery and stairwells.
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The Lakewoman was shortlisted for the 2010 Prime Minister's Literary Awards. The Seaglass Spiral was published in 2012 by Finlay Lloyd, and in 2013 appeared a collection of poems and a comic opera libretto, Capital from Puncher & Wattmann, and a collection of essays, Joinery And Scrollwork: A Writer's Workbench from Quadrant Books. In 2015 he published a picaresque novel, The Poet's Stairwell, Black Pepper publishing.
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Until then the church had consisted of a nave, a chancel, a west tower and a north porch. The restoration included virtually rebuilding the chancel and adding the transepts and organ chambers. Much of the joinery of the transept roofs and fittings was carried out by Henry Ringham. It is thought that some of the stained glass in the east window was designed by Rev Drury.
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Ground floor walls are generally of painted plaster, the joinery is of very simple design such as square section balusters under the cedar handrail to the stair. Ceilings are of fibro with timber cornice and doors are of the four-panel type. The original wing's upper floor has a narrow transverse hallway entered from the stairway top landing. This level has five small bedrooms and a toilet.
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Unit 1 retains decorative features including plaster ceiling roses, cornices, joinery. Tesselated tiles on balcony. Notwithstanding the substantial changes it has experienced, 2 Hayes Street presents as a fine example of the Federation period Arts and Crafts style. The additions and alterations in the 1980s have captured the characteristics of this distinctive style, maintaining the typical asymmetry and variations in the use of architectural forms and devices.
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It is relatively intact. The building is of vernacular colonial Georgian design, the detailing suggesting the middle Victorian period. Walls are of local freestock basalt rubble construction, stuccoed externally and marked out to represent ashlar work and plastered and set internally. Most joinery is of a fine quality and of polished native cedar while the hipped roof retains its original split shingling under later corrugated iron sheeting.
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The majority of the interior timber joinery is intact. A decorative roof lantern lights the fine timber stairwell in the 1901 wing. The 1892 wing also contains a more simply detailed timber stair. The upper room in this wing features heavy timber roof trusses with a diagonally boarded ceiling lined on the rake and timber honour boards dating back to the formation of the school.
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The interior has possibly original wide floor boards, butt jointed. Some original shellac timber joinery remains such as architraves. The "old post office cottage" is a single-storey building constructed of bagged brick work and corrugated steel roofing with two parallel gables facing McKellar Street. The windows appear to be taken from other buildings and each is typical of a different decade 1860s - 1920s.
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The interior has excellent carved doors and a central room with carved timber frieze and ribbed ceiling with stone bosses. The internal joinery i.e. panelling and framings including doors and frames being part of the panelling were constructed of using "Swedish Oak". Other details of note are pull-up flyscreens hidden in window sills, bathroom with original tiling and rainwater heads decorated with fleur-de-lis.
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Bonnyrigg House The house is a Colonial Georgian residence, of sandstock brick, two storeys with cellars. Hipped iron roof overlies timber shingles and windows are double hung sash with sandstone lintels. A number of blind windows are centrally located on the upper floors, possibly linked to the use of the building by visiting magistrates. Inside it contains painted cedar joinery and a cedar staircase.
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The east, north and west elevations are each different but use the same architectural language and decoration. The joinery is all timber with french doors generally containing tapered glass panels. The windows are usually double hung with single panes to the lower sash and six panes to the upper sash. The eaves are broad with ventilated soffits supported on tapered timber brackets or joists.
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As at 1 December 2008 the internal spaces were reported to be mostly intact however there had been substantial alteration to certain rooms, such as the kitchens and bathrooms that do not have any original fittings or fixtures except window and some door joinery. Intact features in the house include: door and window joinery; ceiling roses and cornice plasterwork; timber stair to first floor; niches in sitting room and family room walls; and most of the chimney pieces, grates, chimney breasts and tiled hearths.Urbis JHD (1), 2008, 5-6 It has archaeological potential to reveal further information about the layout of the garden, internal courtyard and other buildings on the site.Revised statement of significance, in Urbis (2), 2008 There were several small buildings adjacent to Llanrth in the 1870s but the one most prominent was a cottage in front at the entrance gates, known as 'coachman's cottage'.
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Its use since initial occupation as the Blaxland house has reflected a number of social changes in use as a college, asylum/hospital, and prison administration building. It has continued to be the prominent building on the site and accommodated senior officers in each phase of its history. The house is unusual in architectural terms, for its character rather than its quality; externally it forms a typical Regency structure, its initial conception somewhat marred by the awkward later placement of the verandah, which however presents a fine portal to the house. Internally the main items of significance are the room layout and the rigorous but rustic character of its joinery, where aspirations to the manner and style of a (John) Verge house are seen in primitive form, revealing more general standards of workmanship of the day, and thus the joinery is idiosyncratic in detail rather than of refined quality.
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It has a number of elements demonstrating high quality craftsmanship including the marble altar, the organ, joinery, stone masonry and stained glass windows. The place is important because of its aesthetic significance. St Patricks is a good example of church architecture practiced in the 1880s, influenced by Gothic revival styles and of the ecclesiastical work of the prominent Queensland architect, FDG Stanley. It has a number of elements demonstrating high quality craftsmanship including the marble altar, the organ, joinery, stone masonry and stained glass windows. The church has been an outstanding landmark in Gympie since its opening in 1887, as a large imposing building constructed on a prominent site. It was the first substantial masonry church in Gympie and served as the model for subsequent churches in the town. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons.
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Internally the house is substantially intact, although friezes and a dado decoration in the hallway have been painted over. Cedar has been used for the hallway flooring, and much of the joinery, including the fixed seating in the bay windows and some of the mantelpieces. The remainder of the internal flooring is of pine. There are pressed metal ceilings and some cast iron mantelpieces - part of the 1880s renovations.
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Urbis (2), 2008, 9 The front balcony to the master bedroom has an iron balustrade, two supporting posts and fringe. The floor is timber. The height of the balustrade was raised within the last 10 years to meet BCA standards at that time. External windows of the house are generally painted with a dark green stone sill and cream timber joinery around the window panes with cream louvered timber shutters.
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The central wing verandah has a two-rail slat balustrade, curved timber arches between verandah posts, a raked ceiling and a single skin verandah wall. Early timber joinery includes tall, horizontally centre- pivoting fanlights over doorways and later sash windows with fanlights. Verandahs to the east and west wings have been partially enclosed by weatherboards. The interiors are lined and large openings have been cut into the verandah walls.
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When she returns, she is re-employed by Norris. The Kabin, along with D&S; Alahan's Corner Shop and The Joinery wine bar, is involved in the tram crash in December 2010. The tram rips through the shop and the flats above, with Rita inside the shop. After initially believing that Rita is out at a friend's, Norris and Emily Bishop (Eileen Derbyshire) raise the alarm and Rita is eventually rescued.
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After the war in Bosnia and Herzegovina, the economy of Kreševo saw a rebirth. Along with existing traditional activity, the new factories for meat production and meat processing, production of dry mortar, construction metalware, joinery, furniture, styrofoam, sponge were opened. The construction had become one of the major economy branches of Kreševo. Today, Kreševo is among the rare municipalities in Bosnia and Herzegovina where unemployment is almost non-existing.
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The newel post is delicately fashioned and includes a block surmounted by a round urn-shaped section from which a round tapering column rises to a simple band below a cylinder cap. It is a handsome example of joinery and is related to ones at several other local houses including Mount Fair. The room to the left' of the front door is the parlor. The wooden wainscot is not paneled.
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It is sometimes planted in urban areas for its value as an amenity tree and produces a hard-wearing, creamy- white close-grained timber that is used for making musical instruments, furniture, joinery, wood flooring and kitchen utensils. It also makes good firewood. The rising sap in spring has been used to extract sugar and make alcoholic and non-alcoholic drinks, and honey is made by bees collecting the nectar.
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During the late 1980s concerted efforts were made to return the Barracks to their appearance . External doorways made to access the now demolished court buildings have been carefully in-filled and it is now difficult to determine where some of these openings were. The stone string courses and sills are replacements, as is the shingling on the roof. By necessity, new joinery for doors and windows was constructed.
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He immediately sacks Gail and Natasha leaves. Whilst Matt is having a drink in The Rovers, an explosion occurs at the Joinery Bar, causing a tram to crash on to the street. Matt takes charge of the casualties and tends the wounded, treating many residents, including Sunita Alahan (Shobna Gulati). He helps Fiz Stape (Jennie McAlpine) when they realise that she is going into premature labour until an ambulance arrives.
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Doors, windows and joinery: These appear to be all of cedar and all painted externally. There are timber louvered shutters to the ground floor French doors and windows. The first floor French doors and windows are not shuttered but have traces of shutters (hinges and catches). There are timber-framed flyscreens to the exterior doors and to internal openings between rooms 8 & 56 and between rooms 11 & 12\.
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The bark of Nothofagus truncata has a high tannin content and has traditionally been used for tanning leather. The timber is red when freshly cut but turns pale brown as it dries. It has been used for bridge building and for making poles, fencing posts and railway sleepers. The wood has a fine straight grain and even texture and is used for joinery, flooring, decking and cabinet making.
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Cole undertook house carpentry and joinery work in Hobart, before moving with his wife to Launceston. After seven years in Van Diemen's Land they moved to Portland, Victoria, where Cole was employed as Superintendent of Public Works from 1841 to 1846. On 15 December 1846 Cole opened his own office as 'Architect & Surveyor' in Adelaide, where he worked for 15 years from 1846–1861. He designed a Wesleyan Methodist Mission House.
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Campbell, 312 The work's provenance extends to Venice and Madrid in the 1800s, and it has been kept in the National Gallery, London since donated by the estate of Lady Layard in 1916. Some aspects of the joinery of the oak panel support suggest that it was created as the left wing of a lost triptych, but no works that fit as the central and right hand panels have emerged.
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The company has over seven hundred depots nationwide, including five in Northern Ireland and one on the Isle of Man, that sell to the trade (small builders). It also trades as Howdens Cuisines from twenty one depots in France, and two in Belgium. Howdens sells kitchens (including worktops, flooring, appliances, sinks, taps and lighting), joinery, hardware, tools, and bathroom cabinetry. It offers a free home survey and planning service.
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Harrisford is a two-storey Old Colonial Georgian house. It features Flemish bond brick walls, sandstone quoins, foundations, and stringline at first floor level and a hipped corrugated iron roof which was originally shingles. The joinery and fittings, while in 1830s style, are reproductions. It is surrounded by a timber picket fence with a well-kept garden, and an early kitchen or schoolroom building at the rear of the residence.
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A late Victorian, two-storeyed rendered brick house with a two-storey verandah and a four-storey tower. Interiors original finished in cedar and walnut imported from USA. Frank Coffee's initials were incorporated within the elaborate internal plasterwork and staircase joinery, all of which survive. Much of the original garden survives including exotic trees, some of which were imported from Japan and California, partly obscure the house from the street.
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Several wide verandahs surround it; the main one along the front and the two sides feature turned timber posts with decorative timber fretwork valances and railings. The side verandah features a coloured leadlight window. The verandahs feature substantial turned posts, timber balustrading, turned valance joinery and exposed rafter ends. The treads of the steps up to the verandah have been formed from single pieces of slate, whilst risers have been tiled.
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The original rear door leading into the 1930s addition has patterned and obscure glass panels. The former lower level rear window is still in place and is a multi-paned double-hung timber-framed window. Generous cedar skirting boards, skirting blocks and architraves are located in many areas and the majority of the interior timber work and joinery is clear finished. Original window and door furniture generally survives.
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The church pews are of traditional design and appear to be original. The northern transept now contains the organ and choir stalls, while the southern transept is extended to accommodate two vestries. Side aisles extend along both sides of the nave, terminating in small chapels at the western end. The church interior contains some fine timber joinery including sanctuary screens, communion rail and panelling of cedar and pine.
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The roof form has distinctive metal ventilators and banks of brick chimneys with terracotta chimney pots. The interior plan form of the rectory remains relatively unchanged except for minor modifications to accommodate the church offices, meeting rooms and storage space. Most of the cedar joinery, except for one fireplace surround, has survived. Contemporary car accommodation has been constructed at the rear and a disabled persons ramp built alongside the northern verandah.
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The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. The terraces are now an isolated example of the original residential nature of this quarter of The Rocks. The terraces display excellent cast iron and decorative plaster elements to the street frontage. The terraces contain examples of good late 19th century craftsmanship, in particular the joinery elements.
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Soldiers Memorial Hall, Ipswich, circa 1920s The Ipswich Soldiers' Memorial Hall is a three-storey brick building opened in 1921. It was designed by George Brockwell Gill and built by F.J. Lye. Brickwork was by A. Mansfield, plastering J. Jamieson and joinery Arthur Foote Ltd. The Returned Soldiers and Sailors Imperial League of Australia (RSSILA) was formed in 1916 and a branch opened in Ipswich in September 1917.
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The joinery has been replaced and ceiling roses and other decorative plasterwork added. The attic was reconstructed in the 1980s with sheeted wall and ceiling linings and dormer windows. A detached building said to contain the original kitchen and wash- house stands to the rear of the house, accessed from the lower level terrace. A new carport and covered walkway has been added at the side of the property.
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In 1903 the land and building were resumed by the NSW Government under The Rocks Resumption Act, 1901. The building at No. 130 remained tenanted as a residence until 1976. In the 1980s the building was boarded up. For the next ten years, the building was intermittently occupied by squatters and a period of vandalism ensued during which much of the joinery and many of the fixtures were stolen.
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Before the advent of aluminium, Grevillea robusta timber was widely used for external window joinery, as it is resistant to wood rot. It has been used in the manufacture of furniture, cabinetry, and fences. Owing to declining G. robusta populations, felling has been restricted. Recently G. robusta has been used for side and back woods on guitars made by Larrivée and others, because of its tonal and aesthetic qualities.
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Rooms throughout the second and upper floor levels floors and stairs have been finished in colourful terrazzo tiles with a checkered border detail and walls and ceiling have been finished with painted plaster. Internal doors and windows are clear-finished timber joinery. The ballroom space features a fibre-cement ceiling and wall-mounted, half-moon shaped uplight fittings. A 1968 rear arcade extension links Comino's Arcade to Sutton Street.
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" He recalled that she was less interested in details, such as staircases. "The way she drew a staircase you would smash your head against the ceiling, and the space was reducing and reducing, and you would end up in the upper corner of the ceiling. She couldn't care about tiny details. Her mind was on the broader pictures—when it came to the joinery she knew we could fix that later.
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Bog wood in an aquarium releases tannins into the water, turning the water brown. Because bog-wood can remain free of decay for thousands of years it is of use in dendrochronology, often providing records much older than living trees. Wooden artifacts lost or buried in bogs become preserved as bog-wood, and are important in archaeology. Bog-wood may be used in joinery to make furniture or wood carving.
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Influenced by the Usonian style, the Freiberg House saw the use of exposed brick and natural Australian timbers. The broad eaves recall not only Melbourne houses of Walter Burley Griffin, but also Californian houses of Harwell Hamilton Harris using similar technique of exposing the purlin beams beyond line of the house. Oregon joinery detailing in the Freiberg house suggest Japanese inspiration influencing for fittings and colour scheme within the house.
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The doorway of number 12 isn't recessed and has a plain semi- circular fanlight. To the left of each doorway is a sash window on the ground floor, there are two sash windows to each of the upper floors. The first floor windows have decorative cast iron window guards, and all other windows have plain stone sills. The houses are generally regarded to have the original staircases and other joinery.
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Elizabeth Bay House is one of the finest domestic buildings erected in Australia in the early 19th century. The Saloon is arguably the finest interior in 19th century Australian architecture. The quality of the Greek Revival styling of the house marks a transition in John Verge's career from relatively restrained commissions such as Lyndhurst, Glebe, to more sophisticated designs such as Camden Park. The Greek Revival joinery is particularly fine.
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It is also used in flooring, furniture, vehicle bodies, cabinet work, light joinery, matches and hardboard. The wood can be used for kindling, and the bole of the tree can be hollowed out to make a canoe. The fruit can be eaten raw, being resinous with an acidic flavour. A decoction of the bark is used in traditional medicine for women's ailments, diarrhoea, dysentery, urethral discharge and haemorrhoids.
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The built-in joinery work, notably around the sanctuary end of the church and the gallery balustrading, is well-detailed. The earlier work is constructed in cedar and pine while later work around the front entry porch including a panelled dado and screen is of silky oak. The most recent work such as hymn directory boards are in Queensland maple. The pews are of traditional design in pine.
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Most notably the construction of a bar in the front east wing and the enclosure of the verandah on the front west wing for use as a restaurant. The rear east wing has been extended to the back of the building obscuring the original line of the verandah and creating a large open space for functions. All decorative ceilings have remained intact as well as the joinery in the central hall.
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Two of the 1940s galleries added to the Long Room were removed and one, at the southwest end, retained and adapted. Timber window and door joinery was conserved and plaster mouldings reconstructed where they were missing. Following the renovation, there is a restaurant and function centre within the building, and regular concerts and an art gallery occupies the lower floor. The Long Room was once the place customs business was transacted.
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Between the fireplace and the rear wall is a built-in dresser or sideboard. Ceilings throughout have been painted white, but the walls are oiled, and have developed a rich patina. Joinery and doors throughout are of varnished red cedar, excluding the rear door at the end of the hallway, which of more recent vintage. The internal floors have been sanded and coated recently with a polyurethane finish.
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Internally, wall, ceiling, floor and joinery fabric, including cast iron columns, original to the building and its subsequent nineteenth century stages of development remain throughout, albeit later modified, including the internal planning. Modifications include partitions and false ceilings. Alterations undertaken in 1906, 1925, 1950s and 1960s have impacted on the original albeit-evolved nineteenth century internal and external building components. Timber and brick surfaces throughout have also been overpainted.
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Marks, joints and cuts in the timber indicate that some timber has been reused from elsewhere and may have come from previous structures on the site. The internal partitions and ceilings are beech and door and window joinery is cedar. The exterior is clad with weatherboards which infill the balustrading to the west and south verandahs. Part of the south verandah is protected by louvred timber shutters and timber blinds.
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The secondary offices also have cedar joinery, including fireplaces. All timberwork remains unpainted, apart from the fireplace in the front room on the northern side of the entrance, which has been painted white. The fireplace in the clerk's office has been removed to make way for a new door opening. Various early objects remain in some rooms, including small shelves with mirrors above and large scale maps of the Gympie region.
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On Christmas Day 2009, Nick (now played by Ben Price) returns to Weatherfield. He becomes interested in buying a share of Underworld but Carla Connor (Alison King) declines his offer. He briefly meets Leanne, who has told Carla not to trust Nick but she accepts and he becomes a partner. Nick ends his partnership with Carla a few months later and decides to open a bar/restaurant, calling it The Joinery.
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The original Claremont Cottage was a Colonial Georgian cottage built of stuccoed brick with wide verandahs all contained under a low pitched hipped roof. It had double French doors opening onto the verandah, other windows being twelve pane type with louvered shutters and flat stone lintels. It retained some original joinery. The front rooms were connected to the older rear kitchen section by a covered breezeway, typical of an early homestead.
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Part of the original cedar counter remains and has been modified for modern office use. The original safe is at the rear of the chamber and is intact with its patent fireproof door and domed concrete ceiling. Two large rooms open to the east off the main chamber. These rooms have cedar joinery, pressed metal ceilings and white marble fireplace surrounds that are intact with register grates and decorative tiles.
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On the Up end there was a ladies' waiting room with an adjoining toilet. The men's toilet and urinals were accessible from the platform. The function of the rooms changed following the conversion of the station to the goods depot and Station Master's headquarters. The traditional interior finishes are mostly plain including timber-boarded floors; plain plastered walls and ceilings; timber boarded ceilings in minor spaces and painted timber moulded joinery.
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The Rotunda in 2016 Described as a "garden room", the Rotunda was designed by Brown and built between 1754 and 1757. The door and windows are pedimented and inside is a coffered ceiling and stuccowork by Francesco Vassalli in 1761. The joinery was by John Hobcroft. The Portland-stone panels above the windows and door are Robert Adam's design and were carved by Sefferin Alker and added in 1763.
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Circular columns are used to support the Cloud apartment, with a transfer beam used on top in order to canter lever the structure. Pre-fabricated and powder coated balconies were sleeved into the openings, projecting over the street with the Cloud's balconies protruding at lengths up to 3 metres. The joinery within each unit which includes the bench, kitchen, table, etc. is pre-fabricated and shipped over from China.
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Pieces were assembled using mortise-and-tenon joinery, held together with lashings, pegs, metal nails, and glue. Wood was shaped by carving, steam treatment, and the lathe, and furniture is known to have been decorated with ivory, tortoise shell, glass, gold or other precious materials.Richter, 125. Similarly, furniture could be veneered with expensive types of wood in order to make the object appear more costly,Richter, 125-126.
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The walls and ceilings throughout the interior are plastered and the floors are generally timber. The public bar area, now one large room on the principal corner of the building, features a timber bar in the corner opposite the entrance. The walls are lined with timber panelling to two metres, braced and edged with timber mouldings. High quality timber joinery surrounds the windows and doors in the bar.
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The Assistant Medical Superintendent's Residence (1912) is located to the east of the former Medical Superintendent's Residence. It is a large timber dwelling set on stumps, with a hipped corrugated iron roof and extensive verandahs. The interior has timber joinery, two fireplaces and pressed metal ceilings in the major rooms. Mature palm trees are formally set around the house and both residences are surrounded by terraced lawn areas.
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But at least my plan still had the Vernon Brown sloping roof and ceiling. I used standard joinery and the least expensive materials that complied with the building code: asbestos fibrolite cladding and roof, and Pinex for the inside lining…Everything went smoothly and Frank did what he could to help. However he was highly excitable, fretful, and reminded me of an anxious helicopter hovering over the job.
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As at 24 April 2009, Edgerley is a significant example of a large, late Victorian residence. The interior contains fine examples of cedar joinery including a staircase, fireplace surrounds as well as leadlight windows. The gardens are significant for the rare example of mature palms and ferns. Edgerley is also significant through its association with eminent poet, Kenneth Slessor, who lived there for a period in the 1930s.
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Cedar joinery throughout the house required stripping of paint. After Neotsfield was heritage-listed (in 1983 a permanent conservation order was placed on it under the NSW Heritage Act 1977), a $3000 Heritage Council grant in 1981 provided some funds to pay for an architectural assessment. Other grants were provided as the work continued. General restoration continued over many years before the balcony and verandah could be rebuilt.
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Painted French doors open out onto the verandahs. The arrangement of timber boards in the ceiling indicates that the large bedroom may earlier have been two rooms. A large picture window is inserted in the west wall of the living room and a coloured glass window inserted between the living room and kitchen to the east. The kitchen has been upgraded with new joinery, stove and other kitchen equipment and appliances.
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She chose construction as her major, learning brick laying and concrete, mechanical engineering, carpentry, joinery, metal work and fabrication. She earned a scholarship from URDT, worked part-time in the metal workshop, and won a home design competition in 2009 for Uganda Vision 2035. She graduated from the program then attended St Joseph's Technical Institute in Kisubi, Uganda. In 2011 she set up two pico hydroelectric power stations in Kagadi.
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She shared her father's interest in indigenous species and planted rainforest trees in the grounds. The house itself reflects Swain's obsession with exploring the potential of Australian timbers. It was constructed of rosewood with the intention of proving that this timber, then not well regarded for the purpose, was suitable for building. The house also displays Queensland timbers to advantage, the joinery including panelling in pine and kauri.
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The sapwood of this tree is susceptible to attack by insects but the heartwood is resistant to boring insects and moderately resistant to termite and fungal attack. The timber has many uses including joinery, flooring, cabinet making, furniture, blockboard, veneer, and the manufacture of barrels, boxes and crates. The bark can be used for making ropes, nets, sacks, baskets and clothing, and also to make a substitute for soap.
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Nick offers to stay behind and help Ashley but realising it is too late to save himself, Ashley shouts at Nick to get out and save himself. The roof then gives way and Ashley is crushed to death. Claire then listens to the voicemail that Ashley left her whilst he was trapped in the joinery. A distraught Claire then goes with Graeme to identify Ashley's body at the morgue.
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Crawley was already a modest industrial centre by the end of the Second World War. Building was an important trade: 800 people were employed by building and joinery firms, and two—Longley's and Cook's—were large enough to have their own factories. In 1949, 1,529 people worked in manufacturing: the main industries were light and precision engineering and aircraft repair. Many of the jobs in these industries were highly skilled.
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The cedar, three-quarter-turn open well stair features fine turned balusters, carved newel and turning posts, and a swan-necked handrail. The first floor comprises many timber framed accommodation rooms clad with tongue and groove boarding and accessed from a central corridor featuring plaster arches and skylights at various intervals. This floor remains substantially intact, in planform and fabric, with early joinery, glazing, timber floors and internal fittings.
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Finely crafted interior joinery remains intact including the meeting room's table and chairs, dais, public seating and map cabinet. Externally, the building's vertical banding and geometric motifs on its main elevation demonstrates the use of such architectural elements in Queensland shire chambers and town halls of the 1930s. The place is important because of its aesthetic significance. The Kingaroy Shire Council Chambers is important because of its aesthetic significance.
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Bath College of Domestic Science was a small college in Bath, Somerset, England. The teaching of domestic subjects in Bath started in 1892 at 19 Green Park with the founding of the Bath Technical Schools. The Technical Instruction Act of 1889 had given local authorities power to levy a rate to provide such education. In this building instruction also started in subjects including cabinet making, carpentry, joinery, masonry, mathematics and French.
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The hogscraper candlestick is an early (c.1780 – 1860) form of lighting device commonly used in 19th-century North America and Britain, and mainly manufactured in England. The device is manufactured of tempered sheet iron, wrought in several pieces and joined together by metal joinery and silver soldering. The name is derived from the candlesticks resemblance to an antique device used to scrape bristles from hog hide after slaughter.
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This marker may have been installed at this time but it refers to neither the date construction was started nor the year it was completed. Being the main building of the complex, Block B also contains a 28-metre (92-foot) central circular tower that is topped with an octagonal lantern and arched windows. Internally, this landmark tower retains much of its original cedar joinery and stone staircase.
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Beneath the stage are music practice rooms. The music library features a white marble fireplace, dark stained timber joinery, and round headed arched openings fitted with French doors opening onto the loggia. Small stairways on the second floor give access to the tower rooms above. The plan of the building has large rooms connected to stairhalls and other rooms by loggias and walkways on the two external faces of the building.
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It resembles the related Toona, except that the leaves have 5-9 leaflets, whereas Toona has 8-20. Its fruit matures December to January and is a reddish three-lobed capsule that contains two or three seeds surrounded by a red aril. Germination from fresh seed is reliable and relatively fast. The timber of Synoum is used in local construction as sawn timber for general house framing, flooring, mouldings and joinery.
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Rathven is a large two-storey house of high Victorian domestic architecture. The roof has an unusual mansard and dormer design with a central tower, which is not part of the perimeter walls, with surrounding 'widow's walk'. In elevation the house is asymmetrical with a rounded projecting bay on the southern end. Rathven's interior details includes cornices, ornate ceilings and fine joinery remaining intact and in good condition.
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The staircase is timber, with square newel posts and turned balusters. The upper floor (former residence/quarters) comprises the stair landing, and four rooms, two of which open to the now enclosed verandah to Liverpool Street. All timber joinery has been painted over. A subsequent single storey addition to Liverpool Street adjoins the main entrance and is setback from the main building line, thus further emphasising the entrance bay.
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Pressed metal ceilings feature throughout the house and are emphasised by the height of the ceilings and the polished timber floors. Detailing is fine with extensive cedar joinery and marble fireplaces to the main bedroom, living and dining rooms To either side of the entrance hall are two equally proportioned rooms. The remaining rooms open from the ballroom. The southern wing contains the dining and the modern kitchen.
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The project was set up following the closure of Burton's Tailoring Firm in Harehills, Leeds, which left many women unemployed. It aimed to provide free training in areas where women did not traditionally work such as electronics, micro-computing, carpentry and joinery to allow women to gain skills for successful employment. Minority women, including disabilities and BAME, were given priority and childcare was provided. Lynette taught electronics and computing.
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Many of the windows have been replaced or repaired due to vandalism. The interior is characterised by high quality joinery constructed of red cedar gained from the local district. The barrel vaulted ceiling of v-jointed cedar boards is supported by arched ribs, the vestry, porch and baptistry have flat ceilings also lined in cedar. The baptistry has a coffered ceiling with hinged sections, presumably to provide for bell ropes.
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The rooms throughout the ground floor contain marble chimney breasts and rich plaster work and cornices. The joinery appears to be primarily cedar. Timber stairs with carved newels located at the end of the corridor give access both to upstairs rooms and a sheeted storage area at half-landing level via coloured glass doors. The ceilings throughout the upper level are half-raked and follow the lines of the roofs.
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Meroogal is a late Victorian, two-storey weatherboard cottage with verandahs and balconies on two similar street frontages and includes a servants' wing. The walls are weatherboard on stone foundations and the roof of corrugated iron. Internally the floors are original hardwood and the joinery cedar. The building features elaborate bargeboards, cast-iron balustrades on timber verandahs and balconies, arched window sashes and french doors and dormer windows in two sides.
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The internal walls are wallpapered, the ceilings panelled, doors four panelled and the staircase is cedar. The joinery throughout is painted and the fireplaces and mantels are cast iron. Upstairs there are lining boards on the walls and ceiling and four bedrooms, two with timber balconies and cast-iron fireplaces. The servants' wing consists of three rooms and a verandah and is connected to the kitchen by a short, covered way.
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Near the South-West corner of the Calvinist Church in the Medieval Hungarian market-town Nyírbátor stands the unique 17th century Late-Renaissance wooden belfry, a masterpiece of Transylvanian joinery, which is the oldest and the largest of its kind in Hungary. Its shingled skirting and gallery give the impression of a bastion. With its artistic carvings it is a majestic piece of early-seventeenth century folk architecture.Páll, István: Nyírbátor.
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Within a month of the decree's enactment, the Ministry founded an internment camp and labor camp for the Jews in Sereď. The camp consisted of several manufactories, which produced joinery products, toys, clothing, and other goods. It was guarded by the Hlinka Guard, and from March 1944 by the Slovak gendarmerie. During the first wave of deportations from Slovakia, the camp served as a temporary detention center for deported citizens.
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The hipped roof is covered with corrugated iron. Internal planning is sensible, providing easy circulation and spacious main rooms. Based on a centre hall plan the front entrances become side doors and the length of the house extends along Church Street, thereby optimising the verandah and views. Original internal joinery is cedar and this, along with other interior finishes (plaster, tiles, timber flooring) are presented with little embellishment.
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The hipped roof is covered with corrugated iron. Internal planning is sensible, providing easy circulation and spacious main rooms. Based on a centre hall plan the front entrances become side doors and the length of the house extends along Church Street, thereby optimising the verandah and views. Original internal joinery is cedar and this, along with other interior finishes (plaster, tiles, timber flooring) are presented with little embellishment.
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Lucerne is an attractive house of unpretentious yet balanced proportions. The simplicity of form reflects both its function as a first home and the skill of its builder. Details such as the scalloped bargeboards, interior cedar staircase and joinery, and casement fanlights, are obvious aesthetic features. The place has a special association with the life or work of a particular person, group or organisation of importance in Queensland's history.
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It terminated on a loop laid out on the upper slopes of the hill. This loop is unlikely to have been the current carriage loop which was probably created in the 1840s or 1850s. The buildings encompassed a central three storey block surrounded on the east and west by two single wings linked to the main building. Francis Greenway was asked to submit plans to rectify serious building and joinery faults.
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The place is important in demonstrating the principal characteristics of a particular class of cultural places. The Catholic Centre is significant as a Federation era warehouse with a finely detailed face brick and stone facade, much intact internal structure, and joinery. The place is important because of its aesthetic significance. The Catholic Centre is significant for its contribution to the Edward Street streetscape, which here is dominated by late nineteenth and early twentieth century buildings.
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The Hammond & Wheatley Commercial Emporium is a rare two-storey commercial building type, formerly common in regional areas. The construction of concrete block and large steel beams is unusual for the Federation period. Considerable original detail remains including decorative cement render to the facade, pressed metal ceilings and cedar joinery. Hammond and Wheatley Commercial Emporium was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria.
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Darr River Downs, located to the west of Darr River northeast of Morella, consists of a homestead, office and saddle room, store, woolshed, woolscour ruins and cemetery. The homestead has been substantially altered, although parts of the original internal and external walls and paving stones around the exterior have been retained. All early internal joinery and linings have been removed. The homestead building is not considered to be of cultural heritage significance.
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The smaller lecture theatre has been partitioned into offices and the museum is now a seminar room. Original finishes, floor coverings and joinery to staff offices and corridors is found on this floor. The library on the roof is now a seminar room and contains timber shelving to the long sides of the room. The 1949 timber and fibro clad roof buildings continue to accommodate laboratories, staff offices, staff and student common rooms.
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Coal traffic ceased in 1988, and most of the coal installations were demolished, the coal being transported by road. The Matheysine coalmines were finally closed on March 28, 1997. The SGLM found a new vocation in providing a tourist attraction and as a result, there remain all of the line's historical installations, the workshops, forge, joinery shop, etc. The network's departure and arrival stations were dependent on connections with the PLM railway's Grenoble–Veynes line.
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In 1955 she was sold out of the fishing fleet, and was converted for use as a coasting cargo ship. Changes to support this used resulted in the removal of most of her interior joinery. She was acquired by the Mystic Seaport Museum in 1963. An initial restoration in 1963-65 returned the rig and stern to their original configuration, while subsequent restorations between 1974 and 1985 returned her to a more fully authentic appearance.
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She displaces 188 long tons, with a registered tonnages of 134 gross and 94 net tons. The woods used in her construction include white pine, yellow pine, white oak, and maple, with interior joinery of sycamore and white pine. Her standard rigging included a mainsail, foresail, gaff topsails, fisherman staysail, forestaysail, jib, and jib topsail. She was built with space for a gasoline motor and shaft, one was not installed until 1923.
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Ryan and I are like brother and sister so the first kiss was weird, but once we got that out of the way it was fine. "It wasn't as passionate as it looked as Ryan was in agony from an infected tooth. But I'm glad Rosie has got a boyfriend - it shows she has a heart.". In December that year Jason rescues Simon Barlow from No.13 after it caught fire after the Joinery exploded.
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In carpentry and joinery practice a pencil is used for marking while in cabinetmaking a marking knife provides for greater accuracy. A storey pole is used to lay out repeated measurements such as the location of joints in timber framing, courses of siding such as wood shingles and clapboards, the heights of doorjambs and the courses of bricks in masonry.Frane, James T.. Craftsman's illustrated dictionary of construction terms. Carlsbad, CA: Craftsman Book Co., 1994. 339.
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This strange shaped building was originally a joinery factory making doors, windows and coffins. Rawene started as a timber centre, with a mill and shipyardsMost shipbuilding in the Hokianga occurred at Kohukohu, New Zealand and Horeke established in the early 19th century. An attempted settlement by the first New Zealand Company in 1826 failed. Captain James Herd in 1822 had taken out the first shipment of kauri from the Hokianga in his ship Providence.
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Rödåsel is included in Rödåbygden which contains the villages of Blomdal, Rödåliden, Rödånäs, Västra Överrödå, Älglund, and Överrödå. In Rödåsel there is a primary school, gas station, community center, antique shop, joinery, a number of small businesses and several farms. The rapids of Holmforsen in Vindelälven at Rödåsel are valued by whitewater kayakers. The village also has a jogging and cross-country skiing track with electric lights which starts near the gas station.
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Tests by both the manufacturer, and Wood magazine, are claimed to show that dowel joints made with the Dowelmax are stronger than most other woodworking joints tested. In 2007, Wood magazine compared the joint strength of various loose tenon methods and tools, with these results: A 2011 review by Wood Magazine, has rated Dowelmax very highly as a dowel joinery tool. The review classifies Dowelmax as "the best dowelling jig ever made".
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The timber of Parkia bicolor is not highly esteemed but is used to make planks, canoes and for light construction work, joinery and turnery. Additionally, it is used to make plywood and pulpwood. The flesh of the fruit can be eaten, and the seeds can be fermented to make a condiment. The bark, leaves and roots are all used in traditional medicine and the spreading crown makes this a useful shade tree.
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In 1919 Zembin was included into the BSSR, in 1927 lost the district center status, which it had received three years earlier. As of 1926 Zembin was inhabited by 1199 people, 838 of them were the Jews. There was a sewing workshop, a shoe-repair shop, 2 joinery shops, 3 tanneries, 5 smithies, a stream-meals, 2 bakeries, 2 oil-mills. 27 September 1933 the status of the place was reduced to a village.
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Early timber joinery has been retained and includes casement and awning windows to the exterior, sliding windows to the verandah, and louvres (glass removed) within the interior. The OC and RSM offices are connected by a small, timber sliding service window. Interior metal security grills are attached to all windows in the store section. All doors are of timber; the entry doors are partially glazed and those to the office section are high waisted.
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The floor was made with tongue and groove seasoned hardwood, and mouldings were Queensland pine (hoop pine). Joinery could be made with cedar, oak, or maple timber. The price of a Cooran No.3 home (timber clad, either seven inch weatherboard or four inch chamferboard) was now ; a Cooran No. 4 (Durabestos clad) was ; and the frame alone could be purchased for . The two smaller one- bedroom models still sold for (), and ( including verandah) respectively.
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A line of single skin timber partitions divides the space along the west side. The workshop is lit from each side by a range of window types and styles including sash and casement. A lathe from the early joinery workshop stands to the centre of the space and is supported on a concrete base rising up from the dirt floor below. There is a small projecting alcove to each of the long elevations.
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There is a double-hung sash window in the rear wall. Adjoining is the shelter shed with timber bench seats around the walls, two sets of pivoting timber shutters on the rear wall and a floor lined with timber boards. The rear wall is lined with horizontal beaded tongue and groove joinery. The north-east internal wall has vertical tongue and groove lining, with a high small hinged door opening from the waiting room.
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Aerolite is a urea-formaldehyde gap filling adhesive which is water- and heat- resistant. It is used in large quantities by the chipboard industry and also by wooden boat builders for its high strength and durability. It is also used in joinery, veneering and general woodwork assembly. Aerolite has also been used for wooden aircraft construction, and a properly made Aerolite joint is said to be three times stronger than spruce wood.
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The former Crawford and Co Building is a good example of Victorian-era commercial offices. The original 1880s structure comprises a foyer, handsome cedar staircase to the first floor rooms, a ground floor office and a basement. The interior contains fine finishes such as plaster walls, decorative plaster cornices, pine ceilings, and handsome original red cedar joinery including windows, fanlights, architraves, skirtings and substantial doors. The place is important because of its aesthetic significance.
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Zotov placed them in the study room, along with a somewhat accurate globe for the time, to divert Peter when he became bored with his studies. Other informal "makeshift" tutors (foreign and domestic) and servants, were brought in for rowdy outdoor games with live ammunition. They were also to instruct Peter in other subjects such as royal and military history, blacksmithing, carpentry, joinery, printing, and, unusually for Russian nobility at the time, sailing and shipbuilding.
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A plaque in the entry foyer refers to Lawson's occupation of the building in 1982, as opened by the NSW Governor, Air Marshal Sir James Rowland, for JR Lawson Pty Ltd. Internally, the southern end retains a significant degree of original fabric, and layout, including timber panelling, timber joinery (doors, architraves, skirting boards, glazed partitions, staircase). The northern end, is largely divided by modern partition walls. The ceiling is modern - suspended acoustic.
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This includes the sandstone façade, steps and flagged portico, and timber balconies. The rear form comprising face brickwork, external court spaces and associated features are also important. Internally, the original layout and other features including joinery, metal cell fixtures, fireplaces and stairs contribute to the significance of the building. The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.
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A redundant colonnade staircase features a decorative wrought iron balustrade and a squat Romanesque style sandstone column and wrought iron gate. Traces of the Richardsonian Romanesque style are evident in the stone arches to the stair at the north-western corner of the building. Original interiors are limited to the lower sections of the staircase, a few walls, stair hall leadlight window and front floor joinery. The remainder appears to have been rebuilt.
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Many fixtures were stolen or demolished during this period, perhaps as a result of boom in house renovations elsewhere in the inner city. Between 1994 and 1995, an extensive programme of conservation works was carried out on the building. The work comprised stabilisation, restoration of the front façade and roofs, cutting in damp proof courses, and construction of new floors. Joinery, plastering, and other surface finishes were reconstructed on the basis of surviving original fabric.
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As at 1 June 2002, "The sandstone façade is in reasonable condition with some deterioration to the parapet and pediment capping stones. Earlier repairs to the face of the stonework are evident as discoloured patches which relate to fixing points for signage and services." The first and second floors of façade retain almost all original external detailing. First and second floors retain early joinery (architraves and skirtings) on internal face of external walls.
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Burghs were centres of basic crafts, including the manufacture of shoes, clothes, dishes, pots, joinery, bread and ale, which would normally be sold to "indwellers" and "outdwellers" on market days. In general, burghs carried out far more local trading with their hinterlands, on which they relied for food and raw materials, than trading nationally or abroad.J. Wormald, Court, Kirk, and Community: Scotland, 1470-1625 (Edinburgh: Edinburgh University Press, 1991), , pp. 41-55.
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Timber is the prime structural material abundantly available in many varieties in Kerala. Perhaps the skilful choice of timber, accurate joinery, artful assembly and delicate carving of wood work for columns, walls and roofs frames are the unique characteristics of Malayali architecture. From the limitations of the materials, a mixed mode of construction was evolved in Malayali architecture. The stone work was restricted to the plinth even in important buildings such as temples.
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The sacristy of the church dates to 1694 and faces west towards the Bay of All Saints. The sacristy is called "Brazil's most exquisite". It was described in 1703 in the diary of an anonymous author as having "walls, floors, and a ceiling of jacaranda wood with fine paintings; extraordinary furniture, cabinets and gilded closets; with true perfection of joinery." The sacristy now has three altars and is richly decorated with Baroque-style furniture.
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The design is subdued, free of ornament and very subtle. The hipped and gable roof is clad in corrugated steel behind simple parapets. The interior features exposed stonework on ground and first floor, an early stone detailed fireplace and original timber joinery. The cellars contain the earliest structure on the site as well as a series of tunnels and cells which are said to have historic value from their nineteenth century use.
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The parish was created in 1872 when it was taken out of the parish of St John's Church, Darlington. The plans for the new church were drawn up in 1873 by the architects Ross and Lamb of Darlington and the foundation stone was laid by the Mayor of Darlington, H.F. Pease on 14 April 1875. Simpson and Cowling were the contractors responsible for the masonry. The joinery was undertaken by R.T. Smith.
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In street frontage, internal organisation and interior ornamentation, the building is typical of hotels erected in Warwick during the early 20th century. Internally, the building retains substantial amounts of original fabric including pressed metal ceilings, plaster mouldings and joinery. The place is important because of its aesthetic significance. Prominently located within the business centre of Warwick, this substantial two storey brick hotel with filligree verandah contributes to the Palmerin Street streetscape and the Warwick townscape.
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The house retains its early form and most of the original fabric, including particularly fine cedar joinery and fireplace surrounds, and early pressed metal cornices above the windows. The place is important because of its aesthetic significance. Both the winery and the residence have considerable aesthetic appeal. The house, with its early form, wide verandahs, red roof and white chimneys, set amid a garden of mature trees and shrubs, is a local landmark.
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60-metre tall blackbutt near New England National Park, Australia A significant commercial species, blackbutt is well regarded by foresters for the high quality of timber, easy regeneration and quick growth. Uses include making poles, railway sleepers, flooring, building framework, cladding, joinery, lining boards, furniture, woodchipping and decking. Wood density is about 900 kg per cubic metre. The sapwood is resistant to attack by lyctus borers, the heartwood is yellowish brown to light brown.
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Littlehey is a purpose-built category C prison for adult males. Accommodation at Littlehey comprises eight residential units, two of which are 'Ready to Use' units, one added in 1997 and the second in 2003. Most cells are single occupancy but there are some shared cells. Littlehey Prison reports that it provides a range of work provision for inmates including accredited vocational training courses in forklift trucks, carpentry, joinery, motor mechanics, hospitality and educational.
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The place is important because of its aesthetic significance. The Gympie School of Arts is of aesthetic significance due to its simplicity and symmetry of design, and for its contribution to the streetscape. Internal features including the balustrading and joinery details also contribute to the overall aesthetic significance of the building. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons.
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Auckland City worked with other groups and organisations like New Zealand Historic Places Trust and specialist heritage architects Matthews & Matthews Architects Ltd. to ensure the renovation is of a high standard. These works were undertaken by NZ Strong Construction, an Auckland construction company specializing in unique projects such as this. Refurbishment of exterior joinery and façade is now completed, with drainage works and fire protection undertaken to prevent further deterioration of the building.
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It'll be action-packed. I want people to > sit at home and think, 'There's no way they did that live, not in a million > years!' The anniversary was celebrated with a storyline involving an explosion in The Joinery, causing a tram to crash from the viaduct into the Kabin and Corner Shop. The storyline was a sign that TV shows now have to strive harder to make an impact, according to producer Phil Collinson.
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Other original elements include the timber floor structure, windows in the rear wall, mouldings, skirtings and architraves. However, nothing remains of the original stage. ;Second Floor The second floor is occupied by a large function room, toilets at the rear, a kitchen and an unused board room along the northern boundary wall. Surviving original fabric includes timber floor structure, original wall surfaces along the southern and northern walls, timber windows, window joinery, architraves and skirtings.
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The entrance is given greater prominence by two tower-like wings with separate hipped roof located on either side of the port cochere. There is a verandah on the ground floor on the western elevation with brick and timber piers and stairs located both centrally and at each end. Internally the building comprises office accommodation arranged off central hallways with regular arched partitions. The rooms generally have plastered masonry partition walls with timber joinery.
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The Commonage is an unusual surviving example of a single-storeyed dwelling incorporating a shop; this dual function is reflected in the street elevation of the building, which has separate front entrances to house and shop. The place is important because of its aesthetic significance. The Commonage makes an aesthetic contribution to the Dragon Street streetscape, which includes Pringle Cottage. The building retains much original fabric including joinery, and plaster and boarded linings.
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Profiles made in wood by several common router bits. Two typical router bits: (top) a ¼-inch shaft Roman Ogee with bearing, (bottom) 1/4-inch shaft dovetail bit. Router bits come in sixteen thousand of varieties model to create either decorative effects or joinery aids. Generally, they are classified as either high-speed steel (HSS) or carbide-tipped, however some recent innovations such as solid carbide bits provide even more variety for specialized tasks.
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Located within the Millers Point historic district on an elevated site with views over the harbour to both front and rear. A former Georgian town house of two stories with basement and attic probably built . It is of three bays in width with central eight panelled door above which is a fine elliptical fanlight supported either side by fluted pilasters. Internally it still retains the majority of its original joinery and other details.
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The hall has been occupied by the Mareeba Police-Citizens Youth Club (PCYC) since 1999 and in 2013 is still used for a variety of community purposes. Various alterations have been made to the hall over time. Partitions within the former library were changed to create office and storage areas, and no library shelving or joinery remains. The former cloak room, ticket office and soft drink bar have also become office space.
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The front portion of the former library has been converted into an office with no early joinery remaining. The floor is carpeted and the brick walls have been lined and painted. The rear portion, accessed from inside the hall, has had modern partition walls inserted to form two store rooms. Remnant cork flooring remains attached to the concrete slab, revealing the location of original walls which enclosed a workroom and children's outdoor reading room.
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A central hall opens into a dining and living rooms on the left and two bedrooms on the right. At the rear there is a kitchen wing containing scullery, maid's room and kitchen. The house has lath and plaster walls in the main internal rooms, an unusual feature in a comparatively modest home. The verandah has been enclosed and extended over time; however, the house is generally very intact and has well-detailed joinery.
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Exterior walls are single skin with externally exposed stud framing lined internally with boards detailed with double beading. Internal partitions are also single skin with stop-chamfered studs and these, together with the ceiling, are lined with single-beaded tongue and groove boards. The rooms are generally without cornices except the 1901 addition which has a timber cove. Some joinery is painted, including four- panelled doors, French doors to the exterior and double hung windows.
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Blizzard was established in 1945 by Anton Arnsteiner ("der Toni"), as he returned home from the second world war, in the family joinery workshop,FAQ's from Blizzard Sport USA – blizzardsportusa.com and started producing skis besides wooden furniture. The "Blizzard" brand was registered in 1953. In 1954, Blizzard became the first manufacturer to mass-produce polyethylene ski bases. Blizzard's first expansion occurred in 1957 as well as the introduction of metal and fiberglass as new materials.
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Katherine Tingley's goal was to serve fresh fruits and vegetables at Lomaland every day of the year. In summer 1900, the educational arm of Lomaland, a Raja yoga school, was opened up. In 1901 followed an open air Greek theatre, a temple, in 1914 a college, and by 1919 a theosophical university. Many other buildings were established including a hotel, a theatre, a textile factory, a joinery, a bakery, a publishing house, and more.
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There are two NIC facilities in Port Alberni: the Port Alberni campus and the Tebo Vocational centre. Port Alberni campus is composed of one main building, where students can attend classes in Nursing, Early Childhood Care and Education, University Transfer and more. The Port Alberni campus also contains a bookstore and library. The Tebo Vocational centre is devoted to trades training, and provides training for Automotive Technician, Carpentry Foundation, Joinery/Cabinetmaking, Welding and other vocations.
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He was buried in a coffin that John Hemmings spent days, if not weeks, fashioning from wood he saved in the joinery for this purpose. Jefferson's death made John Hemmings a free man at fifty-one years old. Hemmings continued to live and work for wages at Monticello after Jefferson's death in 1826, until about 1831, when the house was sold. Jefferson's daughter Martha Randolph lived in the house until this time.
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Rafter and tie-beam joints (Carpentry and Joinery, 1925) Coyau or sprocket. Labeled A A rafter is one of a series of sloped structural members such as wooden beams that extend from the ridge or hip to the wall plate, downslope perimeter or eave, and that are designed to support the roof deck and its associated loads. A pair of rafters is called a couple. In home construction, rafters are normally made of wood.
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The playshed (1910) stands to the southeast of the teaching building. The grounds contain open lawns and mature shade trees, and the teaching building is approached from the road via a sealed looped driveway. Elements not of cultural significance include additions and alterations such as: modern extensions and enclosures; carpet and linoleum floor linings; sheeted partitions; ceiling fans and air conditioning units; modern joinery, fixtures and fittings; metal shutters and aluminium framed windows and screens.
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Adjoining the building at the western end is a small separately hipped roofed building. The other end of the former maternity ward is linked by a short semi enclosed walkway to a separate hipped roof structure. This small reinforced concrete structure, which was always intended as part of the larger maternity complex, is also surrounded by infilled verandahs, and the interior is substantially intact, with original internal partitioning, openings, ceilings and other joinery.
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The building has cedar joinery, including architraves, skirtings, panelled doors with fanlights, and staircases with turned balustrades. The first floor contains the Supreme Court Room with an enclosed arcade either side. Witness rooms are located at the northeast end, and the jury room, court reporter, barrister's and judge's chambers are located at the southwest end. The court room has tall arched windows opening to the enclosed arcades either side, with expressed extrados and imposts.
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Current Magnet Trade logo Magnet Trade sells only to registered trade customers through its network of 159 branches. The majority of customers are local tradesmen such as joiners, builders and kitchen fitters. Magnet Trade also supplies organisations in the RSL sector such as Local Authorities and Housing associations. Alongside a comprehensive kitchen offering (cabinets, appliances, worktops, sinks & taps), the company supplies a wide variety of joinery (Doors, Windows, Timber, Wood flooring, Hardware).
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Chris Lange () is a New Zealand local rally driver. He made his debut in 2005 originally driving a 1996 Mitsubishi Mirage in the South Island Rally series winning the 1600cc 2WD class. In 2007 has entered the New Zealand National Championship Rally driving a Ford Fiesta ST in the Vantage Aluminium Joinery 2007 New Zealand Rally Championship in class N3. This is also a part of the International Fiesta Sporting Trophy competition.
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Madeira was built at the Chicago yard of the Chicago Shipbuilding Company in 1900 primarily of heavy steel plates that were riveted together, with wood joinery used in other places. The ship had a flat plate keel and was shaped very flat and full to maximize cargo capacity. The career of the ship is mostly unknown, except for some notoriety gained when it struck the former Sault Ste. Marie International Bridge at Sault Ste.
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The kitchen retains original joinery including cabinet handles, sink and tapware, benchtop, and green splashback tiles. The hall is accessed from both Quay Street and the rear of the office via a small foyer with double silky oak doors that open into the large hall. The hall floor is timber and the walls are sheeted and have a timber skirting. Acoustic sheets are attached at a high-level of the back wall.
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The department managed a sawmill operation at Ijora, Lagos, obtaining softwoods, mahogany and hardwoods supplies from local sources and pitch pine from foreign sources. Product from the sawmill were used by the joinery furniture unit within the complex. The division also incorporated a training school for carpenters and built workshops in major cities of the country such as Enugu, Port Harcourt, and Kaduna. The workshops were equipped with woodworking machinery for manufacturing and maintenance.
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In 2001, the school added a French immersion program. Dr. Charles Best Secondary School offers a joinery program that partners with the post-secondary institution British Columbia Institute of Technology (BCIT). Grade 12 students are eligible to join the program if they are interested in becoming a Red Seal qualified joiner (cabinetmaker). The school offers an electrical studies program that is partnered with BCIT for grade 12 students interested in becoming electricians.
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A through groove (left) and a stopped groove In joinery, a groove is a slot or trench cut into a member which runs parallel to the grain. A groove is thus differentiated from a dado, which runs across the grain. Grooves are used for a range of purposes in cabinet making and other woodworking fields. Typically, grooves are used to house the panels in frame and panel construction and the bottoms of drawers.
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The unemployment rate was about 51% in September 2019. there was no industry on the island despite rich natural resources such as crayfish and enormous tourism potential. Relics of failed or abandoned ventures were still evident: a piggery, chicken farm, disused stockyards, market garden and a joinery works. Cost of living is relatively very high on Palm Island due to the remoteness of island living and the general lack of private enterprise.
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Both levels of the hall have a fireplace on one wall, reminiscent of the galleries in English country houses used as winter promenades. The joinery is of a high quality. The ground floor contains receptions rooms, a billiard room and a large, square entrance hall with a bedroom opening off it. The upper floor echoes the layout of the ground floor and has an open paved terrace, bedrooms, and suites of rooms.
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It displays high standards of construction and high quality craftsmanship in its joinery an ironwork. ;Gate Keeper's Lodge This simple building is relieved by its decorative traceried bargeboards. It is of additional interest for its association with the wealthy and influential Dalton family, former owners of the Duntryleague property.Register of the National Estate, modified Read, S., 8/2005 ;Estate Duntryleague's grounds while modified into a notable golf course have considerable historic, aesthetic and social significance.
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The exterior is Moderne in style, featuring vertical ribbing and corner tower-like elements. A projecting balconette at first floor level is adorned with intricate pressed cement detail depicting the thistle and scrolls. There is bronze joinery around the Exhibition Street windows, originally for a car showroom, now subdivided into shops. A spacious lobby featuring the Loyal Orange Order star in the terrazzo floor leads to a wide marble stair to the first floor hall.
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All joinery is constructed of Australian cedar. The house also has marble fireplaces, extensive decorative plasterwork and ceiling enrichments, and open grille columns on front and back verandahs cast by the Victoria Foundry of Bubb and Son. The cast iron columns are identical to those used at Admiralty House, Sydney. The roof is clad with corrugated metal sheeting, and although having numerous unsympathetic alterations the building still retains much of its original detailing.
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Plas Mynach is built in local stone with a slate roof. Its most distinctive features are a low spreading tower with a stair turret and stepped gables. Its plan consists of a main range with two storeys to the south, single-storey service ranges to the north, and a gatehouse range to the east of the three-storey tower. Internally "the hall, staircase and landing provide a classic example of Douglas's domestic joinery".
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Looking along the front verandah Oldhome is set in spacious grounds amongst mature trees including Bunya Bunya pine (Araucaria bidwillii) and Moreton Bay fig (Ficus macrophylla). Oldholme is a two-room, single story Georgian Colonial brick cottage, with verandah, with an interesting fanlight and door mouldings. Hipped iron roof extends over a verandah to three sides supported on later cast iron columns. One side of the verandah has been infilled with matching brickwork and joinery.
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St. James' rectory is a Victorian Georgian-style, sandstock brick-built dwelling with high ceilings and cedar joinery. Located just south of the church, it is a simple symmetrical structure with a steeply-pitched metal roof with prominent dormers. It has wide, all-round verandahs, originally paved in flagstones, now obscured by concrete. The face brick is relieved by french doors with shutters, providing both security and regulation of ventilation as necessary.
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Available online at . Accessed 28 April 2017.. (The factory is now a supply depot for Howdens Joinery). In April 1982, the company sold Morphy Richards for £5 million to a holding company owned by the Throgmorton Trust; Capital for Industry. In 1983, GEC Schreiber Limited was reconstructed, such that Hotpoint returned to being under the sole ownership of GEC and Schreiber Industries returned to being owned by the Schreiber familyThe General Electric Company plc.
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Colbeck was born in Myrtleford, Victoria, and was educated at Devonport Technical College. He was a building estimator and supervisor, managing director and proprietor of a building consultancy before entering politics. In his early years, Colbeck gained qualifications in Small Business Management; Technology (Building); and Carpentry and Joinery Trade and Proficiency. He was an apprentice carpenter and joiner between 1977–79; a trainee estimator and supervisor 1977–79; and manager 1979–84.
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The breezeway is interrupted by an early concrete storage space around which a timber stair to the lower floor winds. The first floor has several elements of high quality timber joinery including architraves, window framing and skirtings. The lower floor is a more rudimentary space, with lower ceilings, very little decorative treatment and plain concrete dividing walls. The house adjoins a more recent building via a walkway from an existing opening on the first floor.
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Pennay, 1996, 9 Through a grant from the Heritage Properties Restoration Programme and community fundraising the restoration costs were met. Work on the restoration began on 12 February 1993. Concrete floors were removed and replaced by new timber, shingles were reinstated on the roof and second-hand bricks laid under the verandah awning. All joinery was repainted, except for the cedar doors leading into the court room, which were stripped and clear-finished.
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Beech, oak, walnut, and fir make good benches. Benches are occasionally made using more exotic woods like purpleheart and teak, though the cost is high. The choice of wood is not as important as the integrity of the design—cross grain construction and inadequate joinery typically have a more destructive effect than the use of a less-than-ideal wood. One popular and cheap source for bench top material is old bowling alley lanes.
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NSW Heriatge Office, Branch Managers Report; Harris Park Action Group1983 The house has been divided into two self-contained flats by sealing off the internal stair and rebuilding it within the external verandah. Original internal joinery and fireplaces are intact and only minor alterations have occurred. As at 12 September 2003, some work was required to repair cracked plaster ceilings and brickwork; otherwise the structure was in good condition and had been well maintained.
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Tenders for the construction of a new police station on the gaol reserve were called in the "Government Gazette" of 2 December 1870. The new building was completed in 1871, with foundations of local stone, brick walls, blue gum and tallowwood carpentry and cedar joinery. The cells and charge-room originally faced John Street. In 1914, the building was converted into a police residence in response to a growing population and changing community attitudes.
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The principal bedroom and dressing room are finished in a similar but simpler manner to the drawing room and without the wall paneling. The other rooms show clear differentiation between family/guest use and servants' use in their scale and detail. The hospital use has introduced a lift adjacent to the ballroom and an upgraded dumb waiter adjacent to the kitchen. The joinery, including door and window hardware has been moved around in many instances.
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They demonstrate use of the stylistic features of their era, which determined their roof form, joinery and decorative treatment. Typically, urban brick school buildings are configured to create central courtyards, and are located in suburban areas that were growing at the time of their construction. The Playshed is an intact, excellent example of a standard 10-post, hipped-roof playshed, designed to provide all weather play space for children. The place is important because of its aesthetic significance.
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Joinery is stained or painted, and leaded diamond paned swing doors separate the living and dining rooms in most flats. Internal walls are plastered, kitchens have been refitted, and bathrooms retain original black and white tiling. The roof has been covered in layers or bitumen in an attempt to correct waterproofing problems. A row of garages, located along the southern boundary of the site, is accessed via a concrete driveway along the western side of Evelyn Court.
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The joinery possibly shares characteristics with that produced in Tasmania during the 1830s and 1840s. Further research may confirm this similarity and elaborate upon its significance, for example, whether this provides evidence of a trade relationship between Tasmania and NSW during this period. The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales. Oaklands is of state significance as one of several surviving colonial 1840s homesteads in the Bega Valley district.
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A medical entrepreneur, Dr ACF Halford, commissioned architect FR Hall to design a building for consulting rooms for medical specialists. On 6 January 1923, Hall called for tenders for the construction of "professional flats at the corner of Wickham terrace and Upper Edward street (to cost £25,000)". Built by FJ Corbett, Wickham House was opened in July 1924. Allan Oxlade was the decorator and the joinery and floor lino were supplied by James Campbell and Sons Ltd.
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Willcox was born in Kings Heath, Birmingham. Her father Beric Willcox ran a successful joinery business and owned three factories. Her mother Barbara Joy, née Rollinson, was a professional dancer, with whom he fell in love after seeing her on stage in Weston-super-Mare with Flanagan and Allen and married in 1949. Barbara had to give up her career after giving birth to Nicola (born 1950) and Kim (born 1953), Willcox's elder sister and brother, respectively.
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The site contains significant plantings which also line the street boundaries. Memorial gates dedicated to those who enlisted and those who died are located in front of the main entrance to the building. In fabric, scale, and design, the building has not changed since the completion of the 1950s renovations. Much original joinery in the building survives basically intact, as does much of the original interior linings, including the stamped steel ceilings and beaded tongue and groove wall boards.
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Government House is a Gothic Revival two-storey building with crenellated battlements, turrets, detailed interiors, extensive cellars and a porte-cochère at the entrance. An open cloister on the east elevation forms a verandah room which is supported by Gothic arches and forms an open balcony above. The ground floor contains twelve rooms and the first floor contains thirteen bedrooms. It is built of stone with a slate roof, timber floors, unpainted cedar joinery and a stone- flagged verandah.
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The wood is hard, beautiful and of high quality, but until recently was only rarely exploited locally. In the 1930s boats were made from the wood near Iquitos in Peru. In 1999 the main uses were as railway sleepers, vehicle frameworks, bridges over narrow ravines, flooring, heavy construction, external (outdoor) woodwork, joinery and parquet. Exports from Peru to primarily China began in the ... for the parquet industry to supply the North American and European flooring market.
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Cambridge 105 Radio broadcasts from its studios on the Gwydir Street Enterprise Centre in the city centre of Cambridge. Construction of the studios began shortly after the premises were acquired in October 2010. The first broadcasts from the site began as early as December whilst building work continued around both live and pre-recorded programming. The studios were constructed with help from volunteers such as carpentry and joinery students from Cambridge Regional College, who kindly volunteered their time.
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Some original joinery remains, including six-pane glazed doors to the ground floor and nine- pane glazed doors to the first and second floors, skirtings to the corridors, high timber rails to A208, timber rails at two levels in A204. The original stair to the ground and first floors of polished concrete with exposed aggregate remains and continues in plain concrete to the extension second floor. A decorative steel balustrade with timber handrail runs along the whole stair.
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Chambers 1908 single hammerbeam truss The hammerbeam roof was the culmination of the development of the arch-braced truss, allowing greater spaces to be spanned. The hammerbeam roof of Westminster Hall in London, designed by Hugh Herland and installed between 1395 and 1399, was the largest timber-roofed space in medieval Europe, spanning a distance of just over . It is considered to be the best example of a hammer-beam truss in England.Webber, Frederick G.. Carpentry & Joinery.
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Internally, the entry hall walls are rendered, and walls elsewhere are rendered and papered, mostly to picture rail height. The principal rooms have ceilings high. Most rooms have pressed metal ceilings, with the entry hall ceiling raking down above the west entry door with the fanlight cut into the rake. The floors are timber and joinery throughout is of cedar with deep skirtings, wide architraves and sills, panelled doors, fireplace surrounds, French doors and casement windows.
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The anniversary was also publicised with ITV specials and news broadcasts. In the storyline, Nick Tilsley and Leanne Battersby's bar—The Joinery—exploded during Peter Barlow's stag party. As a result, the viaduct was destroyed, sending a Metrolink tram careering onto the street, destroying D&S; Alahan's Corner Shop and The Kabin. Two characters, Ashley Peacock (Steven Arnold) and Molly Dobbs (Vicky Binns), along with an unknown taxi driver, were killed as a result of the disaster.
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Early timber joinery retained in the building includes: timber-framed casements to the offices; a panelled timber door to the western office; timber-framed casements with wired glass and metal grates; and VJ-lined timber doors braced with metal strips to the dangerous goods store. External fixed timber louvre sunshades are attached to the eastern office's windows. Non-significant elements include wire mesh and corrugated metal sheets that divide the central parking area, and plywood boarding over windows.
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The place is important because of its aesthetic significance. The house and grounds are of considerable aesthetic significance in particular the qualities of the cast iron work, joinery, glasswork, and the Dods additions. The place has a special association with the life or work of a particular person, group or organisation of importance in Queensland's history. For half a century Glengariff was the home of prominent Brisbane Catholic retailer, businessman, and benefactor TC Beirne and his family.
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The joinery throughout is Australian cedar of fine Georgian detailing. Some of the internal ceilings and walls are still of lath and plaster whilst one bedroom still has its original ironbark floor and part of the flooring in two other rooms (Study and Lucas Gallery) is original. Much of the hardwood flooring elsewhere was replaced with cypress pine during previous renovations. Lath and plaster ceilings and cornices have been replaced in a number of rooms by fibrous plaster.
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The end of the war hit BFW hard, since military demand for aircraft collapsed. The company's management were forced to look for new products with which to maintain their position in the market. Since World War I aircraft were largely built from wood to keep their weight down, BFW was equipped with the very latest joinery plant. What is more, the company still held stocks of materials sufficient for about 200 aircraft, and worth 4.7 million reichsmarks.
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Stanley and Veritas marking gauges thumb A marking gauge, also known as a scratch gauge,. is used in woodworking and metalworking to mark out lines for cutting or other operations.. The purpose of the gauge is to scribe a line parallel to a reference edge or surface. It is used in joinery and sheetmetal operations. The gauge consists of a beam, a headstock, and a scribing or marking implement, typically a pin, knife, pen or wheel.
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The rear form comprising face brickwork, external court spaces and associated features are also important. Internally, the original layout and other features including joinery, metal cell fixtures, fireplaces and stairs contribute to the significance of the building. Police Station was listed on the New South Wales State Heritage Register on 10 May 2002 having satisfied the following criteria. The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales.
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A total of 80 credits is needed to graduate. Fleetwood Park offers a wide selection of elective courses such as carpentry, drafting, cooking, computer studies, dance, sewing, auto motive, engineering, drama and music. Students are able to choose from three Advanced Placement; chemistry, physics, or calculus allowing them to earn post-secondary education credits if they choose to take a test provided by the province or institute. A joinery program is also available for carpentry and cooking.
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More hands were therefore needed for evangelism. In March 1827, four young men from rural Switzerland and southern Germany between the ages of 23 and 27 years were selected by the Basel Mission. They were: Karl F. Salbach (27 years), Gottlieb Holzwath (26 years), Johannes Henke (23 years) and the Swiss-born Johannes Gottlieb Schmidt (24 years). They were skilled tradesmen with practical training experience in pottery, carpentry, shoe-making, masonry, joinery hat-making and black- smithing.
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Hugh Philp (1786–1856) was a Scottish golf club maker, who is considered to be the greatest club maker of all time. Born in Cameron Bridge in Fife he moved to nearby St Andrews to establish a carpentry, joinery and housepainting business. In 1812 he started to repair and then make golf clubs as a sideline. This sideline became a great success and he subsequently opened a shop and workshop adjacent to the St Andrews Links.
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The majority of the internal walls are plastered. The ceilings are largely lath and plaster (in various states of disrepair) with a few exexceptionsref name=nswshr-1496/> The joinery throughout is largely cedar, polished in the front hall, drawing room and Hume's dressing room but painted throughout the rest of the house. The walls in the north and central sections have been both painted and wallpapered at various times. The walls in the remaining areas have received only paint.
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Elizabeth Bay House is a Greek Revival villa with a centralised Palladian layout with two levels, two unconnected cellar wings beneath the house and attic rooms under the roof. It is built of soft Sydney sandstone with a protective coat of sand paint. There is a square entrance vestibule leading into an oval, domed saloon around which a cantilevered stair rises to an arcaded gallery. The Australian Cedar joinery is finely moulded and finished simply with wax polish.
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Frittenden Road was a railway station on the Kent and East Sussex Railway which closed in 1954. The wooden station building lay derelict for years and was destroyed by fire in October 2003. As of 2012 most of the building's brick base still survives, and the general shape of the platform is still evident but much overgrown. The site is used by a joinery business whose premises straddle the trackbed immediately to the north of the old station.
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After a few months of spontaneity, efforts were coordinated until the 8-hour day, the unification of wages, the improvement of working conditions and the increase of production were achieved. Socialization went through all the phases of production: sawmill, joinery and carpentry. A professional school and libraries were created, there was even a Socialized Furniture Fair in 1937. They managed to coordinate with the socialized wood industry of the Levante, to manufacture different types of furniture and not compete.
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St Mary's Church is important in demonstrating the characteristics of early twentieth-century Gothic revival churches, of which it is a fine example, although incomplete. The place is important because of its aesthetic significance. The building has many fine elements including the stonework, particularly the tracery and carvings; internal joinery; and a very fine marble High Altar, side altars and pulpit. The building is a landmark in Warwick as the highest and most prominent building in the town.
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It is of aesthetic significance both for its landmark qualities and its contribution to the streetscape. Together with the Lands Office, the Police Station and the Court House, it forms a precinct of Government buildings. It is also of aesthetic significance for its design qualities and detailing including cast iron balustrading and internal joinery elements. The place has a special association with the life or work of a particular person, group or organisation of importance in Queensland's history.
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These works were completed in February 2012. The ship is still not fully restored, most notably the forward mast and subsequent rigging is still missing, although it is to be installed at a later date. The final phase of restoration works includes conservation and restoration of the luxurious interior, featuring plaster panelling and ornate joinery. Original SS Nomadic timber panelling was purchased from a French museum by the Nomadic Preservation Society, using funds raised during the Save Nomadic appeal.
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The interiors generally are notable for early cedar joinery and early door and window hardware including door knobs, locks, drop bolts, porcelain finger plates and key plates, and brass door handles to inner entrance doors. There is a gaslight fitting to the left of the vault opening. Internal openings are generous in height and house fine timber-paneled doors with tall glazed pivoting fanlights. Generous moulded plaster skirting boards and timber skirting blocks and architraves are intact throughout.
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Slender engaged columns extend upward from the piers to support a variation of hammer-beam timber roof trusses, strengthened with brackets of decorative joinery. The ceiling is diagonally boarded, tongue and groove, v-jointed timber. A pointed chancel arch, opens onto the chancel which has a faceted dome ceiling, which is painted with religious scenes. The chancel features a marble altar, accessed via two marble stairs, and a small stained glass rose window of the Holy Family.
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The Webster Congregational Church is a historic Congregational church off NH 127 on Long Street in Webster, New Hampshire, United States. The church was built in 1823 by George Pillsbury, a local builder, with interior joinery by William Abbot, another experienced church builder, and is an excellent representation of late Federal styling. The main facade has three entrances, each topped by a semicircular fanlight with reeded soffit. The central doorway has sidelight windows, while the flanking doors do not.
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The landscape design of Varroville was discussed between Townson and the Macquaries in 1810. Varroville House is a substantial single-storey symmetrical rendered brick house in a "U" shape with two rear wings on a stone foundation by the architects, Weaver and Kemp and dating from 1858-9. Its room uses are known from an 1876 sale advertisement. The fabric of the house is intact with surviving blackbutt floors, cedar joinery, plaster ceiling roses and imported marble chimneypieces.
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Upstairs a wide central passageway leads to 6 bedrooms, an additional bathroom, living room, store room and out onto the suspended verandahs. The of living area has rooms with high ceilings. Some have marble, tiled and engraved brass fireplaces, original plaster and stencilled wall and ceiling finishes, rendered walls, cedar joinery and panelling. The interior decoration has been attributed to Lyon, Cottier & Co. Ewan was exposed to the company's work on a number of other occasions.
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Although modified over the years and repaired after fire damage, the Macquarie Schoolhouse still retains its original form and fenestration. Some of the internal joinery, notably the roof tie-beams, and the hardware on some doors still survives. In view of its age, the Schoolhouse has a high degree of original fabric. St John's Church is intact in its form and setting apart from the replacement of the original timber shingle roof with cement sheet shingles.
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Substantial interior renovations, which are most evident in the rear section of the house and in the kitchen, have been carried out. The joinery and floors have been stripped of their original finishes. There are timber floors throughout the house and all walls are lined with vertically-jointed tongue and groove boarding. Similarly, all ceilings are lined with vertically-jointed tongue and groove boarding, excluding the dining room which features what appears to be a pressed metal ceiling.
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The rooms are generally larger, with better fittings on the second floor, and more rudimentary accommodation provided on the first. A large second floor room on the principal corner of the building, accessing the small balcony in the tower, features an ebonised and marbellised timber fireplace, with iron register grate intact. Bathrooms throughout the interior have been modernised. Interior joinery throughout the first and second floor remains intact and of high quality, although now heavily painted.
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At ground level, three large living rooms, such as the dining, drawing and billiard rooms, which open out to an enclosed verandah to the north. To the south are the smaller study, library, preparation rooms and toilets. There is cedar joinery throughout, including door and window architraves, skirting, staircases and cupboards, as well as, suspended timber floor, polished floorboards. Each of the main living rooms feature fireplaces, and ornate brass pendant or wall mounted light fittings.
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Single-storey verandahs are found on the northern and southern elevations of the building and along the entire length of the eastern elevation. The principal point of entry to the building is in the north elevation, where an elaborate covered porch provides shelter for the main entrance. This consists of a six-panelled cedar door with semi-circular fanlight and sidelights. Generally the interior of the house has plaster ceilings, timber boarded floors and very fine stained-cedar joinery.
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The building contains many finely crafted elements including internal joinery such as the ceiling and roof trusses, reredos and seating pews; glazing and stonework. The place is important in demonstrating a high degree of creative or technical achievement at a particular period. The William Bustard stained glass windows of St Mark's are of considerable creative and technical achievement. The provision of ventilation and diffused lighting via the high level louvred openings is a considerably innovative achievement.
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The rich dark finish of the internal joinery, including timber veneered doors and timber architraves and skirtings, contrasts with the white walls. A recess in the reveals of the windows accommodates curtain tracks. A similar recess is located in the opening between the dining and living area and originally was fitted with brown velvet curtains. The original built-in heating system is no longer used but electric radiators remain in the walls of the former surgery and main bedroom.
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Around 2000, a TAFE Centre was built in Commerce Avenue as part of the South-East Metropolitan College of TAFE; it became a fully functioning campus in 2003 when SEMC merged into Swan TAFE, then become a campus of Polytechnic West and in 2016 merged with Challenger Institute of Technology to become South Metropolitan TAFE. In 2010, the Federal Government opened a campus of the Australian Trades College specialising in carpentry and joinery, cabinet making and electrical trades.
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External: A large second-class roadside brick building with corrugated metal hipped roof and a brick double chimney with corbelled top. The building has been significantly modified with changes to its openings including reducing width of double doors into single doors and converting windows into door openings. Some timber door joinery survives. A corrugated metal awning supported on steel column & cantilevered beams replaced the original post supported timber decorative awning on rail side of the building.
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In 1907, Stuyvesant moved to the new building on 15th Street. The new building had a capacity of 2,600 students, more than double that of the existing school building at 23rd Street. It contained 25 classrooms devoted to skilled industrial trades such as joinery, as well as 53 regular classrooms and a 1,600-seat auditorium. The Old Stuyvesant Campus in 2010During the 1950s, the building underwent a $2 million renovation to update its classrooms, shops, libraries, and cafeterias.
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George Collings was a carpenter, joiner and author. He is notable for having authored certain key works on the methods and techniques of designing and making situation-specific woodwork. Still referred to this day, is his book, Circular Work in Carpentry & Joinery, a Practical Treatise on Circular Work of Single and Double Curvature - first published in 1886. A modern edition - - with a forward and annotations by Karl Shumaker - was published in 1992 by Stobart Davies Ltd.
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The timber framed verandahs have similarly detailed balustrade and frieze panelling to that found on the Demaine Block. Likewise a similar centrally projecting section, houses the entrance and is reflected on the roof with a large gabled projection. The ground floor of this projection is lined with heavy rendered masonry, half and three quarter height, piers and this face has now been infilled with glazed louvres. The building is substantially intact with original openings, joinery, floorplan and entrances.
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This floor is characterised by its high quality timber features namely office doors and joinery and externally studded ceilings in a grid pattern. Toilets are located at either end of the upper floor, in the side wings. The rear of the building, the northern face, fronts onto a landscaped pedestrian walkway which runs between the government offices and the courthouse. The walkway contains a recently completed mosaic ground mural in commemoration of the centenary of Federation.
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Feeling guilty for ruining her previous venture, Peter persuades her to take the job and starts mentoring Leanne's friend, Carla Connor (Alison King), when he realises that she also has a drink problem. Carla begins to lean on Peter emotionally for support and she later attempts to seduce him. Peter then tells Carla that he cannot see her any more. Peter celebrates his stag do at his and Leanne's former bar, The Joinery, owned by Nick in December 2010.
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The ground floor features exposed concrete columns and beams, and the rib and infill floor structure to level 1 is exposed as the ceiling. The lower level has black theming that links with the black aluminium windows. The upper level, the office level, has much more white due to the use of a suspended office ceiling – employed for practicality reasons. This links well with the white aluminium joinery that runs floor to ceiling on this level.
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The place is important because of its aesthetic significance. In addition to its elegant exterior form, the house displays craftsmanship and detailing of a high standard including its cedar joinery and other interior decoration. Its appeal is enhanced by the retention of almost 5000 square metres of landscaped grounds which are free from urban intrusion. The place has a special association with the life or work of a particular person, group or organisation of importance in Queensland's history.
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One type of stool, Windsor-back stools, which "are popular in traditional homes", has a back. Such backstools developed from around 1900, with the advent of modern materials such as bentwood and later the bent steel tube of Marcel Breuer's work at the Bauhaus. These isotropic materials no longer depended on the shapes of traditional joinery, as developed for earlier stools, and so strong backs could be attached arbitrarily, without relying on particular leg placements for strength.
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Yarcombe is a working village, and farming and agricultural support services are important sources of employment. There are other small businesses in the community, such as accommodation and catering, building and joinery, motor services, furniture making, and rural crafts. The village has a village hall and an active community life, including traditions such as pig and terrier racing, barrel rolling and metal ball throwing. The East Devon Sheepdog Trials have been held in Yarcombe for several years, in July.
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The church was extended eastwards and the chancel rebuilt in the 17th century. A restoration was carried out by Henry Kennedy of Bangor in 1848, and again in 1893 when it was re-plastered and re-decorated, with some new joinery work for £230 (). More work was completed in 1899 when the walls were boarded, an oak reredos installed and encaustic tiles laid round the altar. This was carried out by Evan Parry of Menai Bridge.
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The dormitory accommodation on the first floor retains its spatial integrity and now accommodates offices and associated storage and interview rooms. The tilting fanlights to the bedrooms remain along with window and door joinery, architraves, skirtings, picture rails, fibrous cement ceilings with timber cover strips. The recreation room is now a locker room and opens to the balcony overlooking Wickham Street. The balcony has a concrete floor, decorative wrought iron balustrading and four half-height Doric columns.
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The College was in favour of the services of the architect of the British Museum, Sir Robert Smirke, since Smirke was already the architect of Somerset House. In the 21st century, the Great Hall was refurbished and restored. Many original features and styles of the Hall have been restored, including the oak panelling, joinery and the King's College crest. The Grade I listed windows were repaired, and the Grade I listed ceiling and the original column capital were repainted.
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In 1962, he bought the Jacquot-Lavergne-Rambervillers company in the Vosges, then the oldest manufacturer of organs in the world still in operation since 1750. In 1963, he moved the company to Rambervillers. The premises included a large assembly room, joinery workshops and casting of tin where the entire metal pipe for the new organs could be manufactured. Today the company is led by Bernard Dargassies under the name of "Manufacture Vosgienne de Grandes Orgues".
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The interior contains several fine Art Nouveau features such as leadlighting, tapered stair balusters and joinery details. Prior to its conversion into 2 strata units, the house was being used as 13 flatettes. A dramatic and innovative architectural statement in the shingle style by one of the leading architects of the Federation era, E. Jeaffreson Jackson. Hollowforth joins with a number of Horbury Hunt's commissions to represent the finest examples of this style within the State.
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This front portion of the residence retains early French doors and window joinery, as well as a fireplace with decorative tiles and ironwork and timber mantelpiece in the front north-east bedroom (former lounge). This is the only fireplace in the house. The rear wing of the house has been altered to accommodate multiple bedrooms for railway staff. The internal walls are clad with sheet material over the original tongue and groove linings except in the kitchen and bathroom.
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He is immediately rushed to hospital where he makes a full recovery to his parents' relief. In December 2010, a huge explosion at The Joinery Bar causes a fire to start in Number 13 Coronation Street, the home of the Peacocks. Joshua is one of the children in the house at the time and is rescued by Lloyd Mullaney (Craig Charles). However Ashley is killed in the accident, trying to rescue Simon's father Peter Barlow (Chris Gascoyne).
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The main facade is composed in the odd number scheme, characteristic for the period of Romanticism. The eclectic style of that epoch and the owners` taste are expressed through the decorative shallow plastic of the façade, the processing of the wood joinery, processing and ornaments of the floors, walls and ceilings of the house. The building was built with solid materials. By its construction line the house documents the old regulation formed in the 18th century.
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The two end shops have been recently fitted out as fast food outlets with drop ceilings and modern fixtures, with the eastern shop's strongroom being converted to a coldroom. The corridor leads to a timber stair with turned balustrade. The first floor consists of a central corridor with offices either side, three of which have strongrooms. All joinery has been painted, doors have been rehung and amber bottle glass panels inserted in fanlights and some doors.
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In the 1980s the ground floor of the 1883-5 block became a long transverse retail space and after 2004, two counters were formed with joinery and partitions. The entry doors are to each end, and the main retail entry door has been replaced with a reproduction, four-panel timber / glass door. The main chamber has a retailing "overlay" which retains large openings at each end, under raked ceilings. They have fluted reveals, and chamfered, square dressed architraves.
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St John's Wood is significant for its rarity because it is an 1860s house built primarily of granite quarried in the vicinity. The place is important in demonstrating the principal characteristics of a particular class of cultural places. The 1860s stone residence is significant for its aesthetic quality, craftsmanship and intactness, including the internal cedar joinery, skylight, pressed metal ceilings throughout, stonework and original beech floors. The house and grounds are significant also for their landmark quality.
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In December 2010, Diggory is informed by telephone that Molly has died in the tram crash caused by an explosion at the Joinery Bar. Diggory's sister Pam Hobsworth (Kate Anthony) tells Molly's former lover Kevin Webster (Michael Le Vell) the heartbreak of having to inform Diggory of his daughter's death saying she is wondering what words to use to break the news to him. Diggory is not seen at Molly's funeral as he is reportedly too ill to attend.
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The place has provided and has potential to continue to provide an educational function.Clive Lucas & Partners 1985:33 The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales. It is an exemplary example of the 19th century builder's art embodied in the quality of the stonework, brickwork, timber selection, carpentry and joinery, plasterwork, hardware etc. The construction of the stone geometric staircase is unique in Australia.
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Joinery timbers for the Chapel chairs was also locally available, although the timber for the Dining Room refectory furniture was sourced from elsewhere. The extensive lengths and cross sectional dimensions that presented a particular challenge, even at the time. Local people "bushies" skilled with the broadaxe and adze, and carpenters versant with traditional jointing methods were sourced. All timbers were brought to the site directly from felling in the forest, where they were barked, de-sapped and line dressed.
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Heritage boundaries Constructed in 1904, Marika is an outstanding example of the Federation style of architecture. As at 22 January 2013, it continues to display fine quality timber craftesmanship and joinery. Reputedly built by a tradesman joiner it exhibits quality construction and detail rarely equalled. It is prominently located on a rise and bend corner site of Ryde Road and covers two large blocks of land with remnants of original garden layout, including mature trees, flower beds and paths.
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Many wood joinery techniques either depend upon or compensate for the fact that wood is anisotropic: its material properties are different along different dimensions. This must be taken into account when joining wood parts together, otherwise the joint is destined to fail. Gluing boards with the grain running perpendicular to each other is often the reason for split boards, or broken joints. Furniture from the 18th century, while made by master craftsmen, did not take this into account.
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It was transferred to the State Heritage Register on 2 April 1999. The building has been expertly restored with fine joinery to the shopfronts and period interiors and signage. Sympathetically designed extensions have been added at the side and rear of the early building. In 2018, 88 George Street was leased to the Story Factory as new Western Sydney premises and although planning issues delayed their intended refurbishment and opening, the new workshop area opened on 20 October 2018.
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Roofs are of slate with portions of restored Morewood and Rogers type iron tiles. There is a central front door and four pairs of shuttered French doors opening onto the stone flagged verandah. External joinery and door furniture, including six panel front door and fanlight, are generally intact, but few original internal fittings have survived. There is a stone outbuilding at the rear and a freestanding oven (J Ward) with areas of stone paving and remains of other footings.
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The size and scale of the building continues to make an important contribution to the streetscape of George Street and sympathetic relationship to nearby similar buildings. The site has important associations extending back in history to the establishment of the first hospital in the colony in 1788 and also has significant associations with many 19th century historical figures including Surgeon William Balmain, Frederick Garling, Frederic Unwin. The site development illustrates the way an intensive urban use character evolved reflecting the growth of The Rocks Area generally.Sheedy 1991: 32 High Significance Fabric: Remaining 19th century fabric of east, west, south and elevations; remaining early 19th century fabric of north elevation; remaining 19th century wall enclosures. Medium Significance Fabric: Remaining late 19th century fabric of north elevation; timber joists and pressed metal ceiling (first floor) Low Significance Fabric: 20th century components of north, west and south elevations; 20th century roof forms; visible 20th century alterations including joinery (ground floor); 20th century partition wall and joinery, timber flooring and fluorescent lights and electric fan (first floor).
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The remodelled open-air annexe buildings (Blocks B and E) have wider classrooms and verandahs than the other sectional school buildings. A range of early timber joinery is retained throughout the buildings including the large banks of casement windows with fanlights in the southern walls, which demonstrate the original five-classroom room layouts. East and west end walls are windowless. The interior walls and raked verandah ceilings are lined with timber v-jointed (VJ) tongue-and-groove (T&G;) boards.
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The front door is a fine example of Georgian design and comprises a pair of cedar doors with side lights with diaper pattern glazing bars, surmounted by a fanlight. This is repeated halfway along the hallway. All the main rooms have cedar French doors onto the verandah with fine margin glazing and transom lights above. The interior is distinguished by high-quality cedar joinery, 6-panel doors, 12-pane windows, skirting boards (some 30 cm, some 45 cm) and architraves.
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There are two double storey gabled projections which interrupt the verandahs on the front and western elevations, and a single one on the upper floor at the rear. These have bay windows with elaborate awnings and timber valances, and pierced barge boards on the gables. The hipped roof of corrugated iron incorporates the three gables, two chimneys and numerous ventilators. The external walls of the house are chamferboard while internal walls and ceilings are lined with beaded pine boards and feature cedar joinery.
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Catholic Centre was listed on the Queensland Heritage Register on 21 October 1992 having satisfied the following criteria. The place is important in demonstrating the evolution or pattern of Queensland's history. The Catholic Centre is significant as a Federation era warehouse with a finely detailed face brick and stone facade, much intact internal structure, and joinery. The Catholic Centre is significant for its contribution to the Edward Street streetscape, which here is dominated by late nineteenth and early twentieth century buildings.
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The barn, like the machine shed, was constructed in the English barn style. It was also built in the mortise and tenon fashion, with pegged joinery and hand-hewn timber. Both center bays acted as hubs for grain harvesting, with the north acting as a drive-through for wagons and the south containing a threshing floor. The end bays have two levels, with the bottom level containing stalls for cattle and oxen and the top level acting as a hay loft.
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The elevated buildings had an entrance ladder carved from a single log of wood. These buildings were apparently built of planks, using a mortise and tenon joinery method, which indicates that the builders had use of iron tools. Approximately 30 rice paddies were uncovered, along with of associated narrow canals and waterways. The site is now preserved as a public archaeological park with reconstructed buildings and rice fields, and is protected by the Japanese government as a National Historic Monument.
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They were to be timber-framed, clad in chamferboards with a gable roof clad in corrugated asbestos cement sheeting. Standing on low concrete stumps, access was to be via front and rear timber stairs. Internally, floors were to be of hardwood, walls and partitions lined with plywood, and the ceilings and stove recesses lined with fibrous cement sheeting. Joinery consisted of framed, ledged and braced timber doors, timber casement windows with "obscured fancy glass", and glass louvres to the stove recesses.
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Its more usual habitat is forest edges, swamps and riverside corridors. The timber has been used in underwater foundations and for manufacture into paper and fibreboard, for smoking foods, for joinery, turnery and carving. Products of the tree have been used in ethnobotany, providing folk remedies for various ailments, and research has shown that extracts of the seeds are active against pathogenic bacteria. In the Midwestern United States, Alnus glutinosa is an invasive terrestrial plant soon to be legally banned in Indiana.
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The Roman architect Vitruvius mentioned that the timber was used in the construction of the causeways across the Ravenna marshes. The wood is used in joinery, both as solid timber and as veneer, where its grain and colour are appreciated, and it takes dye well. As the wood is soft, flexible and somewhat light, it can be easily worked as well as split. It is valued in turnery and carving, in making furniture, window frames, clogs, toys, blocks, pencils and bowls.
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Gmelina arborea timber is reasonably strong for its weight. It is used in construction, furniture, carriages, sports, musical instruments and artificial limbs. Once seasoned, it is a very steady timber and moderately resistant to decay and ranges from very resistant to moderately resistant to termites. Bark Flower Its timber is highly esteemed for door and window panels, joinery and furniture especially for drawers, wardrobes, cupboards, kitchen and camp furniture, and musical instruments because of its light weight, stability and durability.
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The first and second floors are very similar configurations, with identical removal of partitions and similar insertion of new partitions. On both levels, the classrooms feature abundant natural light, simple timber joinery, and lofty ceilings. The corridors, cloak rooms, stairwells, and stairwells have smooth concrete ceilings, which is the original condition. The classrooms of the end wings retain the original sheets and battens lined ceilings but those of the centre wing are lined with recent flat sheet material and have modern cornices.
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A large cumbersome building, constructed of red brick and having a corrugated steel and slate roof and timber joinery. Walls are constructed with shaped brick buttresses, windows are tall and lancet shaped. The east elevation has a somewhat Byzantine appearance with semi-circular windows and openings, stone pilasters and string courses and a heavy wrought iron grille to the front entry. Coping courses are stone and/or cement render and stonework has been used to accentuate certain elements in the design.
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The shop fronts facing the street and within the arcade incorporate large timber framed windows with coloured glass above and cast iron vents above and below. Most of the joinery to the shop fronts is reconstructed. The original timber stairs lead up to the rooms at first floor level which are linked by a bridge with a cast iron balustrade. The wrought iron fence thought to have originally been at the rear of the arcade is now located at the front.
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Nairobi Technical Training Institute derives its history as far back as the year 1951 when it started as “Modern High School” catering predominantly for the Asian community resident in the neighborhood. Though a secondary school, the curriculum offered at the time had a bias towards the inculcation of vocational skills which encompassed Mechanical Engineering and Carpentry & Joinery. In 1953, the name of the school was changed to Technical High School and the Cambridge School Certificate Examination was first taken in 1954.
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The bridge was constructed with a Town lattice, patented by Ithiel Town who is said to have supervised the construction of the bridge. If accurate, Town would have supervised the construction of the current bridge in the years preceding his death. The bridge has vertical planking and the seams are covered by battens and the roof of the structure has wood shingles. A lot of the joinery has been preserved, though the queen-post trusses around the Town lattices are not original.
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The interior of the building, which remains highly intact, has a strong aesthetic appeal generated by the clear varnished silky oak lining boards, joinery, furniture and memorials. This interior remains important in demonstrating the aesthetic possibilities of simply-designed, small timber churches of this era. The place has a special association with the life or work of a particular person, group or organisation of importance in Queensland's history. The place has a special association with the Bush Brotherhood movement in western Queensland.
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Journeymen in traditional dress In a certain tradition, the journeyman years () are a time of travel for several years after completing apprenticeship as a craftsman. The tradition dates back to medieval times and is still alive in France, Scandinavia and the German-speaking countries.Spiegel Online International 05/17/2006 "Craftsmen Awandering" Normally three years and one day is the minimum period of journeyman/woman. Crafts include roofing, metalworking, woodcarving, carpentry and joinery, and even millinery and musical instrument making/organ building.
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The main house is a large Old Colonial Georgian style sandstone house of symmetrical design but has had a two-storey matching bay added to the east end. A stone flagged verandah to the ground floor has bellcast iron roof supported by slender cast columns. There is a one-storey stone addition with carved bargeboards on one side. All internal joinery is of polished cedar including the original geometric stair, one chimneypiece and some later marble and cast iron chimneypieces.
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Internally there is a fine cedar joinery throughout including a graceful geometric stair with marble tiled hallway. The single storey wing at the rear on the western end of the house is built with timber trussed gable roof, diagonally boarded timber ceiling and a small room and porch at the north. This wing was built as a chapel in 1875 and is virtually unaltered. The shed outbuilding is a small building which was built in stages by the present owner after 1975.
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The former bank building, designed by Richard Gailey, is important in demonstrating the principal characteristics of a regional bank of its era. This two-storey masonry structure in the classical style retains its banking chamber, offices, strong room, vaults and manager's residence. Its siting with other important gold-related buildings, high above the gold diggings, illustrates the significance of banks in the gold mining town of Gympie. Its intactness is demonstrated in its planning, room volumes, joinery, strong room and pressed metal ceilings.
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These rooms contain elaborate joinery and marble chimney pieces, and a rich, masculine, painted and stencilled decorative scheme on the walls and ceilings, with remnants of embossed wallpaper of importance. The remnant building is also of significance because it demonstrates, by means of its surviving form, fabric and finishes the evolution of building conservation during the 1970s.Teece, Jackson, 2005, p.31 NSW Club building was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria.
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The carved coat of arms over the main archway, together with the carved seal of the Board embedded in the chimney on the Albert Street facade, are the only signs of the building's former use as government offices. The corner of the building on Macquarie Street is marked by a gable asymmetrically related to the entry doors. The brickwork is flush. The existing window joinery is a mix of double hung sash windows and windows with Queen Anne style upper multipaned sashes.
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As well as competing at the Olympics, his career highlights included winning the Manx International in 1949 and the amateur version of the Tour of Britain in 1955. He retired from competition at the end of 1955. Outside of cycling, Robinson earned a Higher National Certificate in Mechanical and Electrical Engineering, and worked for his father's joinery firm, HF Robinson and Sons, later joining Imperial Chemical Industries in Redcar. He subsequently lectured in engineering at Wakefield College and Barnsley College.
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132-134 Cumberland remained tenanted as residences until the 1970s. The buildings were boarded up in the 1980s, and for the next ten years, squatters intermittently occupied the buildings, and a period of vandalism ensued during which much of the joinery and many of the fixtures were stolen. It is likely that the timbers were subject to termite activity during this time. The original internal layouts of the buildings have remained intact together with some of the original architectural detailing.
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Tramp art frame with maker's photograph Tramp art is a style of woodworking which emerged in America the latter half of the nineteenth century. Some of tramp art's defining characteristics include chip or notch carving, the reclaimation of cheap or available wood such as that from cigar boxes and shipping crates, the use of simple tools such as penknives, and the layering of materials into geometric shapes through glue or nails. One technique used in tramp art is Crown of Thorns joinery.
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Within these offices are many items of significant furniture which contribute to an understanding of the railway history of the building; including joinery pieces, special cupboards and an early station names board. Large public toilet facilities are found at each end of the ground floor of the building. The upper floor of the building was designed for use as staff offices and facilities. The two stairways providing access to the upper floor are found at the western and eastern ends of the floor.
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The House contains a rare and intact collection of original furniture.Branch Managers Report 1979& 1984 The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. Bedervale is a large Georgian house with very finely detailed cedra joinery to the interiors. Bedervale homestead is set on a property of 500 acres, located over a rise from Braidwood and has extensive views across the township, Mount Jillamatong and the coastal range.
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At the same time, the drawing room got a new chimney piece and three rooms were papered. By the end of 1979 the interior of the O'Brien house had been repaired, the fine cedar joinery made good and the garden restored to a plan devised by James Broadbent. The final thrust of the works took place in 1986–1988, in time for the Bicentennial. Shutters were reconstructed, the rest of the interiors conserved and wallpapers reproduced for several of the rooms.
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Construction started in October 1876 and the church opened in April 1879. It was built in the Gothic style, and comprises a 3 bay porch, 3 bay nave, with sanctuary and transepts. The architect was George Woodhouse. Matthew Wilson of Headingley was the mason, Taylor and Son of Bradford carried out the joinery work, John Baines of Ripon the slating, Morrell and Hartley of Bradford were the painters, Walmisley of Preston the glaziers and Exley and Son of Otley supplied the heating apparatus.
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Many species of birds and animals are found in birch woodland, the tree supports a wide range of insects and the light shade it casts allows shrubby and other plants to grow beneath its canopy. It is planted decoratively in parks and gardens and is used for forest products such as joinery timber, firewood, tanning, racecourse jumps, and brooms. Various parts of the tree are used in traditional medicine and the bark contains triterpenes, which have been shown to have medicinal properties.
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At the camp he met Gentaro (sometimes spelled Gentauro) Hikogawa, a man trained in traditional Japanese carpentry. Under his tutelage, Nakashima learned to master traditional Japanese hand tools and joinery techniques. Perhaps more significant, he began to approach woodworking with discipline and patience, striving for perfection in every stage of construction. Nakashima's signature woodworking design was his large- scale tables made of large wood slabs with smooth tops but unfinished natural edges, consisting of multiple slabs connected with butterfly joints.
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At the 2016 Venice Architecture Biennale, WOHA launched a book called Garden City Mega City, written in collaboration with Patrick Bingham-Hall. The book outlines WOHA’s design strategies in the context of the threats posed by global warming and the pace of Asian urbanization. WOHA currently have buildings under construction in Singapore, Indonesia, Australia, Bangladesh, India and China. In 2017 they created the brand WOHAbeing for high-end homeware in partnership with :pt:Wewood - Portuguese Joinery, Industry+, WonderGlass, Apaiser and The Rug Maker.
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After Leanne ends it, Nick pretends to be Peter's friend to annoy Leanne and threatens to tell Peter about their affair. In December 2010, when Peter is critically injured in a gas explosion that destroys The Joinery and the subsequent tram crash, he and Leanne marry in hospital. When Peter learns of the affair in February 2011, he forgives Leanne. In February 2012, Leanne eventually ends her marriage to Peter after his affair with Carla and reconciles with Nick in June 2012.
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Each of these can be considered to be of individual importance as surviving and substantially intact colonial buildings; as a group, their significance is substantial. The main building is an important substantial jerkin-head roofed building with much of its original joinery and fabric intact. The barn/stables is a unique structure with its brick veneered slab walls and jerkin-head roof. The combination of barn, stables and coach house possible early use as an inn is an interesting juxtaposition of functions.
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Joinery and aluminium sliding windows are recent as are the front and rear timber steps, the skillion roof to the south and the balustrading to the front verandah. The cottage stands in a small garden with grassed areas, garden beds, trees and shrubs. A set of concrete steps cut into a high retaining wall to Mill Street climb to a concrete path leading to the front entrance. The property is bounded front and back with a hollow metal pipe and chain wire fence.
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Internal openings are generous in height and consist of timber- paneled doors with glazed pivoting fanlights above. Generous timber skirting boards, skirting blocks and architraves are located in many areas. The majority of the interior timber work and joinery is clear finished though the skirting in the rear office of the ground floor has been painted. Original door and window furniture survives and some light fittings including gas jets above the staircase and in the rear office on the first floor.
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Tozer's Building is a good example of commercial offices designed by Richard Gailey. The original 1896 structure is important in demonstrating the principal characteristics of Victorian-era commercial offices. It comprises a foyer, handsome cedar staircase to the first floor rooms, a ground floor office, strongroom and a basement with its own strongrooms. The interior contains fine finishes such as plaster walls, decorative plaster cornices, pine ceilings, and handsome original cedar joinery including counter, windows, fanlights, architraves, skirtings and substantial doors.
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Construction of St Patrick's took place over the next four years, firstly by the original contractors, then by Messrs Peter and George Duckworth. At about the time of this changeover the southern wall of the church collapsed in a strong wind. The joinery and seating was undertaken by local carpenter, William Condon. An organ worth £500 and a marble altar also worth £500 which was donated by Mr James Fitzpatrick, a successful mining pioneer in the area, were features of the new building.
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The upper level retains its layout as a manager's residence, and includes a white marble fireplace and timber joinery. The building was probably designed by Sydney architect John Smedley, and constructed by Townsville builder Denis Kelleher under the supervision of Townsville architect WM Eyre and his partner FDG Stanley of Brisbane. Eyre's firm, Eyre and Munro, were later responsible for other Bank of NSW branches including Georgetown, Winton, Cairns and Charters Towers. The place is important because of its aesthetic significance.
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The building presents an ashlar rendered masonry parapet wall to Gloucester Street, all doors and windows have arched heads, defined by a rendered string course. The window and door joinery appears to have been replaced to original/traditional detail, and the door frames are possibly original fabric. The parapet wall has a prominent cornice supported on Italianate style paired brackets. There are two dormer gables to the roof, which are traditional in form, but do not appear to be original.
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The Waddon Hotel was built next to the original rail station with both buildings originally situated in a rural environment. In 1928 opposite the hotel the Stafford Parade was completed and boasted a dairy, a grocery, a chemist's, a butcher's, a café and two banks. Richardson's Joinery used to be by the pillars at the entry into The Waldrons. Victoria Place off Southbridge Place was replaced by Victoria House where Croydon's Educational Psychological Service and a Pupil Referral Unit was based.
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In the same year Charles retired, leaving the running of the mill to his son. The mill was destroyed by fire early in 1880, but was rebuilt within a few months. Charles Smith died in December 1880, his interest in the Marburg saw mill and land passing to his son Thomas. TL Smith named the property Woodlands, expanded the saw mill - adding a joinery plant - and in the early 1880s, as the district converted to agriculture, moved into sugar cultivation and manufacture.
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She sets out to leave with Jack, intending to go and stay at her father's. She goes to the corner shop to say goodbye to her former employer, Sunita Alahan (Shobna Gulati). Kevin comes into the shop to buy some milk and says goodbye to Molly and Jack after she tells him that he will never see his son again. Shortly after Kevin leaves the shop, there is an explosion in 'The Joinery' bar which throws Molly and Jack to the floor.
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More wooden vaulting forms the lantern roof. At the centre is a wooden boss carved from a single piece of oak, showing Christ in Majestry. The elaborate joinery and timberwork was brought about by William Hurley, master carpenter in the royal service. The choir It is unclear what damage was caused to the Norman chancel by the fall of the tower, but the three remaining bays were reconstructed under Bishop John Hotham (1316–1337) in an ornate Decorated style with flowing tracery.
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Other remote structures exist on the property including a large hay barn, silos and fences. There is rare evidence of extensive early finishes in the fabric of the core group of 1830s and 1840s buildings. The four masonry buildings of this group demonstrate rare retention of all their original joinery. As a group of buildings, Wambo Homestead is rare in New South Wales in that many outbuildings still remain substantially intact allowing easy understanding of the development of a homestead complex.
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The place is important because of its aesthetic significance. The former convent has considerable aesthetic value, as a well composed substantial sandstone building, with fine detailing, including sandstone carvings and tracery; stained glass panels; and internal joinery, particularly the timber ceilings. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons. Cloisters has a strong association with the Sisters of Mercy in Queensland and the catholic community of Warwick.
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The company also grew timber on a large scale, and an extensive private railway system runs right through the company's forests which cover several hundred thousand acres in Hällefors and surrounding municipalities. The general management of the company was at Hällefors, where the company operated ironworks, a wood-grinding mill, a sawmill, a box factory and joinery works. The small town Loka is located in Hällefors Municipality. They are bottling mineral water from their well, that once housed a thermal bath.
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Designed by heraldic expert Peter Greenhill to reflect the many categories of guild membership, it features: three escutcheons (shields) to represent artists, painters and stainers; a pair of compasses opened in chevron for building, construction and carpenters; a dovetail (separating the top third of the shield from the rest) to represent cabinetmaking, woodworking and joinery; and a gavel and chisel for masons and stoneworkers. The southern keep of Lewes Castle, which overlooks the guild’s headquarters, is featured above the helmet as the crest.
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The upper floor consists of a lecture room to the front, a covered verandah space in the middle and two office rooms to the rear. The lower floor has two rooms to either side of the central covered space. A staircase connects both central verandahs and another stair connects the addition to the original building. Internally, the joinery and fittings in the house are of good quality, consistent with the Federation era styling of the exterior, without being excessively lavish.
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Also at the rear, opening off both the kitchen house and the core, is a large timber pavilion dating probably to the 1910s or 1920s, and since enclosed. The core, kitchen house and pavilion roof each has a separate, hipped roof of corrugated iron. The whole, including the timber extension, rests on brick piers. The interior has plastered masonry walls; high ceilings with decorative pressed metal panelling; well-detailed joinery (all now painted); and timber flooring (coated with a polyurethane finish).
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Hemmings created all the necessary parts for the carriage; his relative Joseph Fossett completed the ironwork; and another relative Burwell Colbert painted the finished carriage. The finished product was a source of great pride for Jefferson. John Hemmings had some woodworking signatures that help distinguish his work from that of other workers at the Monticello Joinery. They include attaching shelves to the sides of a cupboard, using a double-bead moulding on the front of shelves, and curving the moulding on bed frames.
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The upper floor is in a comparatively intact condition and contains much of its original layout and joinery. The rear verandah has been enclosed and the rear stair survives. The hotel was extended in 1915 with a skillion roof addition which included three windows to Lowry street. The recent extension has included the removal of the skillion roof and the extension of the building by several bays with a gable roof and verandah that then adjoins a single storey end wing with parapet.
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The contract drawings by Rowe, and signed by Loveridge, are held by Sydney's Mitchell Library. Other notable firms connected with the work were William Coleman (carpentry and joinery), Fletcher Brothers (decorative cast iron), Lewis and Steel (decorative plaster), Cornelius and Co of Philadelphia (gas fixtures), Minton Hollins & Co (tiles), P. N. Russell & Co (cast iron columns), and Lyon & Cottier (stained and etched glass). The synagogue was consecrated on 4 March 1878, but its decoration was not completed until 1883.Phillips, 1975.
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Some of the best architectural designs were made by settled people along the North American west coast. People like the Haida used advanced carpentry and joinery skills to construct large houses of red cedar planks. These were large square, solidly built houses. One advanced design was the six beam house, named for the number of beams that supported the roof, where the front of each house would be decorated with a heraldric pole that would be sometimes be brightly painted with artistic designs.
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Built by Armstrong Downes Commercial the ARISE Centre features a largely concrete structure with 45m long steel I-beams that support the roof over the large span of the auditorium. The façade consists of glazed curtain wall that covers two sides of the building and is illuminated as a beacon with LED lighting at night. The white upper level floats above the lower level which features black aluminium joinery. The black lower level gives the building's large facade a human scale.
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It occupies a prominent position in the projecting wing in the centre of the facade. It retains its original painted and stencilled wall patterns beneath later paint layers and is the most intact early prison chapel in Australia. Its interior features include an early and substantial example of a laminated arch construction in the colonies and the first in WA, handsome decalogue boards and some original and elegant joinery. Behind the Anglican chapel altar, there is a painted representation of the Ten Commandments.
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Two wings at the back of the house create a u-shaped courtyard, in which a small garden has been established. One is the original kitchen wing, now modified as two guest rooms; the other wing is a recent addition, comprising kitchen and sitting- room above a 3-car garage. Internally the building has high ceilings [some with pressed metal], large rooms, walls of rendered brick, and substantial silky oak joinery, including a large archway between lounge and dining rooms.
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Joinery throughout is of red cedar, as are the interior floorboards, with japanned edges in the main rooms. There is a cedar mantelpiece in the dining room and a grey marble mantelpiece with gilt mirror in the parlour, surrounding back-to-back fireplaces. The internal walls bear early paintwork, including a plain dado strip along the hallway. A servant's entrance leads from the dining room to a gable-roofed timber kitchen house, with servant's room, attached to the rear verandah.
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All external original joinery is still extant, including double hung sash windows. The eastern end of the building features an attached brick toilet block with gabled roof (slightly lower than the station building), also with bargeboards and finial. The toilet block wall presents three recessed lower bays and six sets of air vents to the platform side, and is entered by an arched brick opening. ;Toilet Block A small brick toilet block exists at the eastern end of Platform 1.
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The core of the convent at All Hallow's is one of the earliest surviving houses in Brisbane, Adderton built for Dr George Fullerton in the 1850s. Features which remain extant from this building include a rare Queensland example of a geometric spiral stair, early glazing and timber joinery. The place has potential to yield information that will contribute to an understanding of Queensland's history. Archaeological investigations of Adderton would, potentially, reveal early building construction techniques, materials and early land use of the site.
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The open areas of the school allow these buildings to maintain a close relationship with the river and surrounding areas whilst also providing appropriate settings. Many individual features of the building are of very high quality and have significance for their craftsmanship. Such features include the timber joinery and stained glass panels in the Main Building, Convent and St Ann's. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons.
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Roberts had originally been a ship's carpenter, but subsequently took over his father's joinery business, studied art and geometry with John Cambrian Rowland, and trained himself to become an architect.Jones, Anthony (1996) Welsh Chapels, NMW, p.87 He went on to design a large number of chapels, particularly in North Wales, and other public buildings. Roberts' surviving work includes Capel Moreia, Llangefni; remodelling of the now-listed Plough Lane Chapel, Brecon and the Rundbogenstil-inspired facade of Capel Bach, Rhos.
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At the time of inspection (June 2008), the other wings were being dismantled in preparation for a similar refurbishment. The former main entrance opens onto an inner porch and then into the vestibule to the chapel. These areas are notable for the fine timber panelled doors surmounted by semi-circular lights or painted tympanum murals, decorative architraves and coloured glass windows matching those in the chapel. Some silky oak and other joinery survives throughout the building including cupboards, windows and doors.
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It is an excellent cabinetry timber which is hard with strong, tough, close grain. It is a soft pink to reddish brown, often figured and can be polished to a fine sheen. It is used for flooring, joinery, cogs of wheels, and furniture, and is good for steam bending, turnery and carving. It is harvested from old growth forest but the vast majority of the timber is left on the ground as it grows with the heavily harvested mountain ash.
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As at 22 September 2011, Carthona is a fine example of the Federation Queen Anne style of architecture. Built for a tradesman plasterer, the house retains almost all its original detail including slate roof with terracotta ridge capping, roughcast and cement chimneys, leaded glass and etched coloured glass windows, ornamental plaster ceilings with Australian flora and fauna motifs and interior joinery with grained timber finish.Heritage Branch files Carthona was listed on the New South Wales State Heritage Register on 2 April 1999.
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In these early years, the women in this field responded to the hyper-technical work of their male counterparts by building furniture with complex joinery and technically advanced bent wood laminations. This was done to "prove themselves" and "gain acceptance" into this male-dominated field. In the mid-80's, Somerson began to define her aesthetic style and to put personal expression into her work. Her focus became functional and timeless pieces using long-standing furniture making traditions to ensure decades of use.
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The interior of the house includes some good examples of Edwardian joinery and hardware., including a built in sideboard accessible from both the dining room and the kitchen and a fine timber stair. The original timber front entry gate is located below a brick arch with a terracotta shingled hood detail similar to that on the chimneys. A matching pair of timber vehicular gates at the driveway entry in engraved with the name Tulkiyan, an aboriginal word meaning "happy memories".
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The house retains almost all of its original early twentieth century features including internal joinery, fixtures and layout with few modern additions. The original 1870s laundry remains structurally intact although it is being seriously undermined by wombats. The shearing shed and stables complex retains an exceptional degree of integrity and retains its overhead shearing frame and timber skirting table. The former school building retains a high degree of integrity but is in poor condition in parts reducing its level of intactness.
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The house is important as an example of a fine quality 1880s residence that is substantially intact, both internally and externally. The grounds and gardens, which contain mature plantings including several specimen trees, an early privet hedge and rare surviving ironwork fence and gates, contribute to the overall integrity of the property. The place is important because of its aesthetic significance. The fine quality of interior finishes and fixtures, which include extensive decorative cedar joinery and leadlight panels give Woodlands considerable aesthetic significance.
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The suspended timber floors are red stringybark and covering tiles have recently been removed from several areas. All joinery and mouldings in the house are silky oak, apart from the handrail which is maple. The house was originally designed to cater for a family served by a maid and a secondary circulation route links the main public rooms with the kitchen and laundry areas. A bathroom is located between these utility areas and public areas and has a small antechamber adjacent to it.
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An archaeological survey of the precinct was carried out in 1999, which found artefacts relating to early European occupation of Greenhills were present, including Aboriginal relics both pre-conact and post-contact. A further archaeological survey was carried out early in 2000 and artefactual material was also exposed during the demolition of the Nowra Bomaderry Leagues Club buildings. Strong potential archaeological sites beyond the existing property boundary have also been identified. Graham Lodge retains much of its external fabric, joinery and detailing intact.
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Gleniffer Brae is a heritage-listed former residence and school and now conservatorium of music and function centre at Murphys Avenue, Keiraville, City of Wollongong, New South Wales, Australia. It was designed by Geoffrey D. Loveridge and built from 1937 to 1939 by L. Benbow in conjunction with W. W. Todd & Son (joinery), W. Wilson & Co. (bricks/tiles) and Hawkesbury Sandstone Co. (stone). It is also known as Glenifer Brae and Wollongong Conservatorium of Music. The property is owned by Wollongong City Council.
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These people constructed settlements with large houses of red cedar planks, demonstrating advanced carpentry and joinery skills. The most advanced design was the six beam house, named for the number of beams that supported the roof. The front of each house would be decorated with a Totem pole, with the pole and sometimes the house brightly painted with artistic designs. Near 1000 CE, many Iroquoian-speaking communities around the Great Lakes began to switch from a nomadic life to more permanent settlements.
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Laurieton School of Arts is a single storey timber building constructed in 1911 of State heritage significance. It is a rare and remarkably intact School of Arts conjoined with Supper Room, Servery and Kitchen, Billiard Room Library and Reading Room. It shows the optimum development of its type in NSW and the importance of associated with School of Arts in NSW. Its all timber construction, weatherboard joinery and timber lining demonstrate typical pre-World War I building standards, materials and methods.
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The 18th century writer Diderot included over 90 detailed illustrations of wood joints in his comprehensive encyclopedia. While Western techniques focused on concealment of joinery, the Eastern societies, though later, did not attempt to "hide" their joints. The Japanese and Chinese traditions in particular required the use of hundreds of types of joints. The reason was that nails and glues used did not stand up well to the vastly fluctuating temperatures and humid weather conditions in most of Central and South-East Asia.
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The courthouse wing sat vacant for several years until it briefly reopened as a court for the Family Court of Australia in 1993, after which it again sat vacant. In 1995, a Delivery Centre was established off-site and the 1960s mail centre wing was converted to a separate tenancy. The post office was refurbished throughout the ground floor areas. Refurbishment works included ceramic tiling of public space, recarpeting, new display systems, new counter joinery, installation of plasterboard ceilings and cornices, new lighting.
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Sheeted iron roof. Waimea House is a good example of Victorian human scale civic design which reflects an earlier historic building in visual terms. Elegant cast-iron columned verandah to three sides sheeted with curved iron, the main roof original slate, windows were either six-pane Georgian D.H. sash type or two-panel French window type, all shuttered. Doors were eight or four panels with retangular transom panels while internal joinery was standard polished cedar and imported marble chimney pieces.
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One of the most historic buildings at the ground, whose pattern-book design and brick construction give it a unique distinctiveness on this site. The romantic silhouette is created by a vertically-oriented form, accompanied by modest polychrome brickwork. The floor plan is essentially a T-shape, two storeys with load bearing walls, timber joinery with sheet metal tiles simulating a Marseilles pattern. The main, south, wing is facetted as a semi- octagon, with a hipped and facetted roof, terminating with a prominent wrought iron finial.
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Intact features in the coach house include: some door and window joinery and general spatial layout. The ground floor consists of the following rooms: garage 1, garage 2, living and dining room, bathroom 2, kitchen, bathroom 1 and storage room. The cellar is located under the coach house. There is an external stair on the northern facade that accesses the first floor of the coach house that consists of the following rooms: kitchen 2, living room, bedroom 1, bedroom 2, hall and bathroom 3.
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Inside, on the ground floor, the main core of the house consists of four large rooms disposed either side of a central hallway. This hallway opens, at the end opposite to the main door, into the breezeway that separates the main house from the kitchen. A cedar stairway leads from this hall to the level above, completing its half- turn using winders. The joinery throughout the house is cedar, but it is otherwise constructed with the pine, possibly cypress, cut and milled by the owner's company.
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Original fabric survives, particularly on the first floor where the waiting room and the Professor's room contain fine examples of discreet panelling, joinery and shelving in Queensland maple. The waiting room has four sets of fine Queensland maple doors with discreet plain leadlight glass panels and carved Queensland maple architraves beneath a decorative plaster ceiling coffered by ceiling beams. Purpose-built silky oak furniture remains in use in this area. The galleried lecture theatre has been gutted and is now subdivided into two seminar rooms.
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The Wheeler-Merriam House (also known as the Elm Brook Farm) is a historic house located at 477 Virginia Road in Concord, Massachusetts. With a construction history dating to about 1692, it is one of Concord's oldest buildings. It is also notable for having joinery by Abner Wheeler, a prominent local builder of the late 18th century, and for its long association with the locally prominent Wheeler and Merriam families. It was added to the National Register of Historic Places on November 26, 1982.
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He was noted for his residential work, which included Palma Rosa at Hamilton, an elaborate three-storeyed sandstone residence erected in 1886-1887. Rhyndarra was amongst Stombuco's last Brisbane works before moving to Western Australia in 1891. Rhyndarra was constructed in 1888-1889 at a cost of £3,200. The buildings were erected by contractor R Smith and the lavish interior decoration to the main house was carried out by Lang & Co. The decorative finishes included cedar joinery, marble fireplace surrounds and ornate plaster ceilings and cornices.
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Sycamore is planted in parks for ornamental purposes, and sometimes as a street tree, since its tolerance of air pollution makes it suitable for use in urban plantings. Because of its tolerance to wind, it has often been planted in coastal and exposed areas as a windbreak. It produces a hard-wearing, white or cream close-grained timber that turns golden with age. The wood can be worked and sawn in any direction and is used for making musical instruments, furniture, joinery, wood flooring and parquetry.
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Diospyros celebica (commonly known as black ebony or Makassar ebony) is a species of flowering tree in the family Ebenaceae that is endemic to the island of Sulawesi in Indonesia. The common name Makassar ebony is for the main seaport on the island, Makassar. Makassar ebony wood Makassar ebony wood is variegated, streaky brown and black, and nearly always wide-striped. It is considered a highly valuable wood for turnery, fine cabinet work, and joinery, and is much sought for posts () in traditional Japanese houses.
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The place is important because of its aesthetic significance. The 1860s sandstone and slate residence is significant for its aesthetic quality, craftsmanship and intactness, including the internal cedar joinery, skylight, plaster ceiling roses, stonework and original beech floors, and remains a rare example of its type in Brisbane. The house and grounds are significant also for their landmark quality and townscape contribution. The place has a special association with the life or work of a particular person, group or organisation of importance in Queensland's history.
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The stone for the house's walls was quarried locally and the hardwood and cedar joinery came from George Coleson's timber-yard in George Street, Sydney. Gibbes engaged James Hume, a well-known builder who dabbled in ecclesiastical architecture, to supervise the construction of the building and its stables. Gibbes, however, hired his own masons, bricklayers, carpenters, plumbers and ironmongers to work on the project, paying each of them separately as work progressed. Gibbes used the Custom Department's cutter to commute to and from the building site.
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Large firms such as H. E. Shacklock and Co. in Dunedin produced cast iron coal ranges designed for specific New Zealand conditions while Reid and Gray specialised in agricultural implements. A number of foundries specialised in decorative ironwork for the building industry. Steam powered joinery factories such as Guthrie and Larnach's Iron and Woodware Co. in Dunedin published extensive catalogues of fittings; designs often sourced from North America along with the machinery used to produce them. Early brick-making industries expanded into domestic pottery.
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The stone for the house's walls was quarried locally and the hardwood and cedar joinery came from George Coleson's timber-yard in George Street, Sydney. Gibbes engaged James Hume, a well-known builder who dabbled in ecclesiastical architecture, to supervise the construction of the building and its stables. Gibbes, however, hired his own masons, bricklayers, carpenters, plumbers and ironmongers to work on the project, paying each of them separately as work progressed. Colonel Gibbes used the Custom Department's cutter to commute to and from the building site.
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In 1976 Du Bois began an apprenticeship in carpentry and joinery, and gained a building certificate in 1980. He was mentored by architects and started to design and build homes as a speculative builder in 1979. Du Bois ran a successful design, building and property development business until retirement in 2005. During that time he served a term as President of the Master Builders Association NSW Eastern Suburbs and acted as an expert building witness for NSW courts and the Department Fair Trading tribunal.
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The courtyard lower levels were infilled in the 1960s. Internally on upper levels most offices have suspended ceilings from the 20th Century although many of the internal terrazzo and travertine floor and wall surfaces survive, as does a considerable amount of original timber joinery. Office fitouts generally have changed over time. The 1939 building is now best viewed from Pitt Street within 100 metres to the south of the building and from the intersection of Pitt and Bathurst Street and to the side lane.
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Typical layout of Dravidian architecture. Mayamata and Manasara shilpa texts estimated to be in circulation by 5th to 7th century AD, is a guidebook on Dravidian style of Vastu Shastra design, construction, sculpture and joinery technique.Stella Kramrisch (1976), The Hindu Temple Volume 1 & 2, Tillotson, G. H. R. (1997). Svastika Mansion: A Silpa-Sastra in the 1930s. South Asian Studies, 13(1), pp 87-97 Isanasivagurudeva paddhati is another text from the 9th century describing the art of building in India in south and central India.
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Air infiltration is the air which passes through the curtain wall from the exterior to the interior of the building. The air is infiltrated through the gaskets, through imperfect joinery between the horizontal and vertical mullions, through weep holes, and through imperfect sealing. The American Architectural Manufacturers Association (AAMA) is an industry trade group in the U.S. that has developed voluntary specifications regarding acceptable levels of air infiltration through a curtain wall.Testing is typically conducted by an independent third party agency using the ASTM E-783 standard.
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While burghs acted as centres of basic crafts. These included the manufacture of shoes, clothes, dishes, pots, joinery, bread and ale, which would normally be sold to inhabitants and visitors on market days. However, there were relatively few developed manufacturing industries in Scotland for most of this period. By the late fifteenth century, there were the beginnings of a native iron-casting industry, which led to the production of cannon and of the silver and goldsmithing for which the country would later be known.
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The building retains a verandah to the west and south, but part of the original verandah has been removed and rooms added at the southeast corner. Internally, walls are rendered with timber architraves, skirting and panelled doors and plaster ceilings. All fireplaces have been bricked up except the kitchen which is now recessed. The Federation attributes are demonstrated by the massing, roof forms (and detail), verandah joinery, ceiling details, the use of stained glass in windows and the range of window types used in the building.
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The interiors, consisting of four rooms on two levels, are largely intact featureing fine cedar joinery and an original cantilevered stone staircase off the central ground floor entrance hall. Forming a courtyard at the rear are two single storey stone outbuildings, which predate the main house, dating from the 1820s. The eastern outtbuilding was formerly a stable, with stone flagged flooring, and a wine cellar and larder. The western building formerly functioned as a bakehouse, bread oven, kitchen and laundry, with a workshop to the north.
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The core comprises four rooms and a generous entrance vestibule, accessed from a central front entrance. To each side of the vestibule is a bedroom with large, double-hung sash windows opening onto the front and side verandahs, and beyond the vestibule is the parlour. Opening off the parlour, to the east, is the dining room. These rooms have particularly fine cedar joinery, including door and window architraves, cornices, skirting boards, a decorative timber arch between vestibule and parlour, and elegant timber fireplace surrounds.
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At the western end of this wing, above an attached laundry, are two corrugated galvanised iron rainwater tanks. Internally, Gooloowan has fine cedar joinery including the main staircase and it has rare surviving bathrooms in the main wing. Other rooms include a drawing room, dining room, library (still with many of its early books), sitting room, kitchen, pantry, conservatory and breakfast room on the ground floor. The upper floor has nine bedrooms in the main wing and two former domestics bedrooms in the rear wing.
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2009 exhibitions include an installation for the Dublin Electronic Arts Festival (DEAF) entitled Words Are Something Else, and solo photographic shows for Kilkenny Arts Festival and The Joinery Gallery, Dublin. Musically, Dineen is credited with breaking David Gray amongst other artists in Ireland. His programme, Here Comes The Night, was first aired on the opening day of Radio Ireland (now Today FM)'s existence, 17 March 1997. He later moved to the Small Hours show, which broadcast between Monday and Thursday in the midnight - 2AM slot.
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For example, pieces of shot may be placed between the wood pieces to produce indentations when the pieces are clamped together; after the clamp is released, the indentations indicate the center points for drilling. Dowel centers are simple and inexpensive tools for aligning opposing blind holes. Various commercial systems, such as Dowelmax, have been devised to solve this problem. Alternative joinery methods may be used in place of conventional dowel pins, such as Miller dowels, biscuit joiners, spline joints, and proprietary tools such as the Domino jointer.
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Three octagonal timber posts supporting the first floor divide the space, and staircases with decorative timber balustrades are located in each corner at the rear of the building. The stair at the eastern end of the building is a reproduction based on the existing stair at the opposite end. Most joinery remains intact, apart from the skirtings which have been replaced. The first floor comprises a corridor which runs between the staircases at the rear of the building and offices divided by new partitioning at the front.
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Original exterior joinery generally survives to all elevations with original obscure glazing to all fanlights and doors. Windows generally comprise single or paired six-light timber casements with two or four-light fanlights above respectively and timber sills. The bathroom in the south-east corner has a smaller pair of four-light casements. Original doors comprise a six-light French entrance door, a six-light high waist rear door and a four-light high waist female public toilet door, all with four- light fanlights above.
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The portions of the walls behind the basins are tiled and fitted with toothbrush and tumbler holders and towel rails. Each room is also fitted with patient's call and light indicator to attract the attention of the nurse on duty. A feature of each bedroom is the colour scheme, the walls being blended in numerous light pastel shades with the joinery and furniture in a contrasting colour of bright enamel. Two rooms for special cases and a sick bay are also included in the scheme.
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The first surviving extant furniture is in the homes of Skara Brae in Scotland, and includes cupboards, dressers and beds all constructed from stone. Complex construction techniques such as joinery began in the early dynastic period of ancient Egypt. This era saw constructed wooden pieces, including stools and tables, sometimes decorated with valuable metals or ivory. The evolution of furniture design continued in ancient Greece and ancient Rome, with thrones being commonplace as well as the klinai, multipurpose couches used for relaxing, eating, and sleeping.
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The 1812 and 1820s two storey additions are sandstock brick with mud/shell mortar and plaster with a hipped corrugated iron roof and an asymmetrical single-storey verandah with iron roof supported by tapered hardwood octagonal columns over Marulan stone flagging. Internal joinery includes a built -in cupboard (1812), cedar chimney pieces and hardwood flooring with handmade nails survive. Unusual features include a mock chimney on the west end to achieve Georgian symmetry and nine pane sliding sash windows in the upper storey. It survives remarkably intact.
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The hotel is a building of generous proportions, with sandstock brick walls, stuccoed over and painted white. It has two large Georgian doorways with semi-circular traceried fanlights and sidelights, but the glass in the one facing George Street has unfortunately been painted over. The one opening onto Thompson Square can still be seen in its original state. The hotel retains its well designed cedar joinery, its cedar circular staircase, its extensive stone flagged cellars, its turned wooden verandah columns, and its stone flagging.
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During the 1960s business was expanded into the fields of furniture and joinery production. By the mid-1980s Šipad owned over 195 manufacturing and sales companies, 11 research institutions, with over 35 representative offices across Europe and the Middle East. During this period it owned 30% of all Yugoslav forests and had a 30% share of all wood and lumber exports from the country, with over 84,000 employees. With the conclusion of the Bosnian war in 1996, Šipad was reorganized into a co- partnership.
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The house has high aesthetic value for its form, its sitting, its well detailed and executed stonework and the competence and general integrity of the detailing. The surviving early interior joinery, believed to be the work of James Bean, is of high value. The house has high aesthetic value as a simple rustic rural dwelling, representative of modest Colonial Georgian architecture. The sitting of the house and outbuildings, originally surrounded by a network of similar holdings, provides a striking setting at the foot of Mount Sugarloaf.
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It is possible to stand in front of the southern elevation and see Kent's villa in its original form. The main rooms of the original villa generally demonstrate a high degree of integrity with regard to plan and finishes, especially the entrance hall and stair. Original finishes here include the encaustic tiled floor, cedar joinery, stained glass, wall mounted gas fittings and the lantern light. The original drawing room on the eastern side of the ground floor retains the original white marble columns visible in early photographs.
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Hardwoods are employed in a large range of applications, including fuel, tools, construction, boat building, furniture making, musical instruments, flooring, cooking, barrels, and manufacture of charcoal. Solid hardwood joinery tends to be expensive compared to softwood. In the past, tropical hardwoods were easily available, but the supply of some species, such as Burma teak and mahogany, is now becoming scarce due to over- exploitation. Cheaper "hardwood" doors, for instance, now consist of a thin veneer bonded to a core of softwood, plywood or medium-density fibreboard (MDF).
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For many years, no special statutes were enacted, nor were any rules laid down for the treatment of pilgrims. The original building consists of an entrance hall, undercroft, refectory and chapel, all built in around 1190. Like the ancient Entrance Hall beneath it, the Pilgrims’ Chapel dates from the twelfth century, but assumed its present proportions in the fourteenth century. The roof of the Pilgrims’ Chapel is a fine example of its kind: the style of woodwork and joinery indicate that it was built around 1285.
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Sophie admits the truth to her shocked father that night, that she and Sian are in love. Kevin is supportive but the girls decide to run away together, much to Kevin and Sally's devastation. They are later reunited with her after Rosie tracks her down to Sheffield and brings them home. On 6 December, Kevin is knocked down by the explosion in the Joinery and derails a tram that smashes into the corner shop, crushing Molly, who is inside with baby Jack and Sunita Alahan (Shobna Gulati).
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The 1914 south eastern wing comprises a central corridor, off which many small former cells are accessed. Again, details in this section of the building; including the Wunderlich ceiling, joinery and glazing reflect the later date of its construction. Two stairways from the first floor of the convent, provide access to the attic space, in the ceiling of the convent. This room, which was formerly used as a dormitory, has horizontal timber boarded walls, which are raked towards the ceilings and punctuated by six dormer windows.
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Larger timbers, like the comparatively gigantic sill, which lay along the edge of the northern bench, were absolutely intact. They were excellent examples of primitive joinery. Some of the broad, notched staves—which Cushing judged had been used as symbolic ancestral tablets, probably attached to the gables of houses, or set up in altars—lay on their edges. Flat boards sometimes stood on end, and other long, slender articles, stood slantingly upward, the lowermost ends or edges firmly stuck in the clay- marl of the bottom.
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Subsequent additions and alterations were to destroy or bury many of the house's original qualities. The first documented alterations were done for Ivy M. Corke in 1921. Extensive alterations and additions were made by 1924-5, 1928 and 1936 by the Nurses' Club Ltd., a body which owned Rockwall from 1925-1957. In 1957 it was converted into the Rockwall Private Hotel and major renovations that year saw construction of a new foyer, replacement en masse of the windows and doors, removal of cedar joinery and fireplaces.
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It is a two storeyed ashlar sandstone building on an L-shaped plan erected in two stages. In keeping with the main house the roof is hipped with slate cladding. The building has some intact windows and joinery at first floor level, although some new door openings and windows were inserted during World War Two. The use of stone for the stables building, which also functioned as a coach house, clearly states the importance of the building as the point of entry to the site.
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Notable features include the generous ceiling heights, substantial and handsomely detailed cedar joinery, ventilated plaster cornices and ceiling roses and hand-pressed brick walls and barrel-vaulted ceiling in the strong room. The original layout of the building is clearly discernible. Approached from the footpath, the centred main entrance opens from the arcade into the spacious banking chamber. The manager's office and accountant's alcove are located to the left along its eastern side and strong room, toilet and stationery room along the rear to the south.
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The timber has many uses in construction and building, including ship building, railway sleepers, mine props, flooring, joinery, doors and window frames, agricultural implements, garden furniture, turnery and toys. It is not generally used for cabinet work or firewood, but makes good charcoal. The seeds contain certain toxic substances which can be removed by treatment. They are used for human consumption but mostly when other foods are scarce, boiled, roasted, ground into flour for making porridge or fermented and wrapped in Megaphrynium macrostachyum leaves, and subsequently roasted.
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The Pension Belhomme was a prison and private clinic during the French Revolution. Around 1765, the joiner Jacques Belhomme took on the construction of a building for the son of a neighbour, an aristocrat who had been mad since birth. Seeing that running an asylum was more lucrative than joinery, he opened an asylum for lunatics, old people and whoever else rich families wanted to entrust to him. A famous precursor of psychiatry, Philippe Pinel, carried out his first treatments of the insane here.
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The hold, although it has been fitted for passenger occupancy, has retained its original joinery. The ship was laid down in 1886 at the shipyard of J. W. Vannaman and Brother in Mauricetown, New Jersey. She was originally named Boyd N. Sheppard, and was first owned by a consortium that included Harrison and Frank Sheppard, eventually becoming the sole property of Harrison Sheppard. She was based in Mauricetown, and Sheppard worked the oyster beds of Delaware Bay, using her to ship his product to New York City.
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Smith attended Saint Cuthbert's High School in St Helens. When he was 15 he fell off his bike on the way to school breaking his hip which required him to use crutches for 16 weeks. During that period Smith threw his first 180 whilst on crutches. After leaving school he took a joinery course at college, but he decided to drop out with one exam remaining to play in a darts tournament instead, a decision which he has described as the best of his life.
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However, with increasing bend this method becomes problematic since more and more of the knee is aligned across the grain and is therefore considerably weaker. A knee laid out this way might easily snap in two under hand pressure alone, even if it is generously sized. In boat joinery constantly subject to shock and fatigue loading this method is unsuitable. To avoid this issue knees requiring sharper curves are made using methods which ensure that the wood grain and direction of load are closely aligned.
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Entrance to the former public bar is through the double glazed doors, with arctic glass transom window above, on the truncated corner. The Kent Street facade has several half glazed and moulded french doors with operable transom windows above and a centrally located double doorway, of four panelled doors, as well as large window openings with moulded sills and consoles. The joinery to this elevation is very fine and intact. Internally the building features pressed metal ceilings, cornices and roses throughout and timber floors.
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The east elevation has a timber stair with a sliding timber door of diagonal panelling to the first floor and a steel roller door and sash windows with bars to the ground floor. The rear of the building has a steel roller door to the ground floor and the west elevation has only one window in the upper northeast. Internally, the ground floor has cast iron columns and an exposed timber floor above. The building contains cedar joinery including panelled doors, staircase and architraves.
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The wings are stepped-back from the front facade of the building and flank the central core in symmetry. The interior of the building comprises two levels which display much of the original fittings and joinery. The entrance to the lower floor leads into a large reception area which features a decorative terrazzo floor and large solid timber service counter. From this public space, the open-plan central office space can be seen and is accessed by a passage to the side of the counter.
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A Clerk of Works, Mr Sayers from Sydney, was appointed to oversee the work. Among the other contractors were Fairlie and Sons who completed the timberwork including the internal joinery, G Horbourgh and Co who undertook the plumbing, Mr Fulsig the painting, and Messrs Walker the ironwork, including the rib and pan roof. Messrs Rolley and Pagett of Brisbane supplied the patented casement openers for the side casement windows. Local bricks from Meredith Brickworks were used on a foundation of cement blocks cast on site.
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The building is characteristic of a regional town hall, with classically inspired design and fine craftsmanship, symbolising the prominence, stability and progressiveness of the town. The building uses a variety of local timbers and is a fine example of local craftsmanship with fine plasterwork and joinery throughout the building. The place is important because of its aesthetic significance. The building has aesthetic value as a well composed municipal structure, on a prominent site which is an integral part of the Maryborough townscape and the Kent Street streetscape.
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In the form of a room and incorporating photographs, copper plaques, decorative joinery, flags, flowers and furniture, the Isis District War Memorial is unique in Queensland. The place is important because of its aesthetic significance. The Isis District War Memorial and Council Chambers is important for its aesthetic significance. The unusual and stark design of the building and the powerful emotional impact and distinctive aesthetic qualities of the war memorial room combine to create a place that makes a strong and lasting impression on the senses.
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The house was declared a National Historic Landmark in 1974, and is now a house museum operated by Historic New England. The house Langdon had built resembles typical late Georgian houses, with five bays across, a center entry, and four rooms on each floor, flanking a grand central hall and stairway. It is built on a larger and grander scale than most houses, and has very high quality interior woodwork. The interior joinery is attributed to Ebenezer Clifford, a leading woodworker of the Portsmouth area.
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Oldbury is a simple, two-storey, Colonial, Georgian house which retains its original joinery. The roof has a single pitch with a longer slope at the rear, covering rooms in which the floor level is lower than those in front of the house. At each end of the stone flagged verandah at the rear of the house there is a separate stone building - one previously a kitchen, and the other one a dairy. It has a separate kitchen, eight rooms, a hall, passages, offices and cellar beneath.
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The entry foyer, now in the art deco manner, features decorative plaster ceilings, patterned floors, tiled walls, timber doors with etched glass panels, and a 1930s lift. The original 1889 staircase has been refurbished with metal balustrade and tiled walls to the first floor level but retains its original timber joinery and balustrade between the first and second floor. Two arched windows, the lower one being leadlight, illuminate the stairwell. A lounge, dining room, kitchen, private bar and staff rooms are located on the first floor.
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Darlinghurst Courthouse and Residence is a massive, heavily designed Old Colonial Grecian style public building. It communicates its civic presence through its form. The symmetrical building uses elements of the Greek temple form, having a fluted stone Doric columned portico supporting a pedimented gable entrance to the central court (Court 5), flanked by colonnaded wings which stand forward of the robust front elevations. The courthouse and residence are constructed in smooth dressed sandstone with a slate roof, timber floors and joinery and a marble tiled vestibule.
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Born in Alexandria, West Dunbartonshire, McIntyre began his senior career in England, after having unsuccessful trials with Hearts and Dundee United, and serving a three-year joinery apprenticeship, signing for Bristol City in 1991. While there, he had a loan spell with Exeter City in 1993. Later that year he returned to Scotland, signing for Airdrieonians where he impressed to earn a move to the top division. In March 1996 he joined Kilmarnock, going on to be part of their Scottish Cup-winning team in 1997.
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The company was the largest non-food retailer in the Benelux with 12 retail formats covering electronics, department stores, fashion and do-it-yourself. He has also previously been a non-executive director of Alliance Boots GmbH, Chairman of the Advisory Board of Manchester Business School and Deputy Chairman of Howden Joinery Group plc (formerly Galiform plc/MFI). In 2012, he won the Grocer Award for Outstanding Business Achievement in 2004. De Nunzio was appointed a CBE for services to the retail industry in 2005.
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With the rapid growth and development of the school in the North–East St. Catherine region it became necessary to change the name to Guy's Hill New Secondary School. As the grade ten programmes expanded, a two-year skills training programme was implemented and grade 11 was added. These skills were carpentry and joinery, needlework, food and nutrition, electrical installation, childcare, art and craft, and life Ssills. It became relevant at this point in the life of the institution to introduce the work experience programme.
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Built in 1913, the building abuts the main pumphouse, its form and detail successfully reflecting the original building. The pump house required the bricking in of openings to the main pump house and removal or relocation of the original window joinery. The existing 9 pane windows on the western side of the building are probably the only remaining original windows of the complex. The internal brickwork is rendered and painted but along its eastern side it retains the profile of the exterior of the main pump house.
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From the wall the ceiling follows the line of the rafters, then the pitch is reduced up to a central section of flat ceiling. A pair of iron tie rods provide structural stability. All of the joinery is of silky oak and includes a belt rail, pair of doors and six lancet shaped windows, three to each side wall with a nine pane central pivoting sash beneath a fixed sash of six. panes. The whole of the interior of the nave is unpainted and is clear finished.
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It is the more significant for its rarity being such a late example containing elements of the Italianate style. The building displays high standards of craftsmanship in the brickwork and joinery particularly, as excellent examples of the techniques employed and use of the materials in the 1920s. Cliffbrook was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria. The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales.
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Carl J. Ekberg and Anton J. Pregaldin, Louis Bolduc: His Family And His House, Tucson, AZ: The Patrice Press, 2002 The steep hip roof, made of cedar shakes, was supported by heavy, hand-hewn Norman trusses held together by mortise and tenon joinery. It extends over the four sides of the house's porches to provide shade and cooling. The house is surrounded by a reconstructed stockade fence typical of the time (to keep out livestock that roamed in the area). Gardens have been reconstructed on the grounds.
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Simple overhung sash windows light the interior; four on either side and one on either side of the main entrance. A simple moulded stringcourse links the line of the portico/porch to the side walls and minor structures to the rear. Building materials used in the courthouse include the dressed sandstone detailing, brick chimney details and timber panelled doors and timber double hung on the exterior. Interior elements include the timber panel joinery details of the original building, original timber doors, architraves, and oval louvred vent.
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His building expertise was evident in his careful selection of the tradesmen for Gleniffer Brae: Benbow as builder, Todd and Son for joinery, Wilson's bricks and the Hawkesbury Sandstone Company. There is good anecdotal evidence of Loveridge's careful supervision of the high quality detailing of Gleniffer Brae. Loveridge was not simply a new architect working for rich relatives who knew what they wanted. Certainly, he designed the houses that Cecil and Sidney Hoskins intended: "Stockbroker Tudor" for Cecil and a bungalow complex for Sidney.
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Most often they were two stories, but there are also examples of one story cottages with room for two families. The well-constructed dwelling houses, often lavishly designed with profiled roof-bases, elegantly profiled joinery work around windows and beautifully decorated doorways, mainly represent the construction style of the 19th century, but there are also older farms with low, unpainted houses built in a square shape around the yard, as well as start-of-the-20th-century buildings with rich ”carpenters joy” and large porches.
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The Spanish Mission style is continued in remaining original light fittings, furniture, joinery and floor tiles. The original main auditorium features extensive plasterwork decoration including arched windows, false balconies and door case along the side walls and a large central dome in the ceiling. Smaller theatres have been fitted below the original stage reducing the overall size of the original auditorium and requiring removal of the proscenium arch. Remnants of original plaster work decoration, however, survive behind the present screen and the theatre retains its original seating.
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The residence retains many of its significant features including its basic form, joinery and two chimneys. The cells and yard remain, however the yard is roofed over to provide a garage. The setting of this small complex is somewhat compromised by the loss of the original perimeter wall which has been replaced by a combination of unsympathetic fence types in timber, aluminium and wire. The front garden and grounds give few clues to the original walled setting and plants conceal the residence from view.
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North east of the original reservoir is located the original engineer's residence. It is a late Victorian brick residence using glazed cream brick and understood to be single storey originally with the first storey added soon after. To its second storey addition are original joinery, and detail is to that period including, verandahs and marseilles pattern terracotta tiles with decorative terracotta ridge caps and finials which are more reminiscent of the Federation period. The side walls are painted although a rear utilitarian wing remains unpainted.
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The Minton tiled vestibule inside the front porch leads to the sitting room, drawing room, dining room and cedar staircase to the second floor. There are five bedrooms, some of which contain period features like bay windows and the original chain window sashes. All have marble fireplaces (there are seven in the house) cedar and mahogany joinery, and high ceilings. The main bedroom is huge, and it has two floor-to-ceiling windows leading to the balcony, a wall of built-in cupboards and a study annexe.
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The school is a good, intact example of a large suburban school complex, comprising a range of standard and purpose-built timber buildings dating from 1920 to the 1950s, and including non-standard features such as a swimming pool and dressing shed (1923, 1924), entrance gates (1935), bell tower (pre-1939), and busts of historical figures (1923, 1932). The large Suburban Timber School (Block C, 1920) is a good, intact example of its type, with its symmetrical plan of three wings, highset form with play space, toilet blocks and bench seating beneath, gambrel roofs, continuous northern verandahs, large banks of south-facing windows, projecting teacher's room, single-skin verandah walls, early joinery, and internal features such as glazed classroom partitions. Three sectional school buildings (Block B, ; Block E, with extensions; and Block A, 1926) are good examples of their type and Block A is very intact. Characteristics include their highset form with play space beneath, gable roofs, blank end walls, northern verandahs, large banks of south-facing windows, projecting teacher's room (Block A), hat room enclosures, single-skin verandah walls, and early joinery and internal linings.
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Phillips was the "undertaker" for the whole north-west corner of the Grosvenor estate.'Park Lane', in Survey of London: volume 40: The Grosvenor Estate in Mayfair, Part 2 (The Buildings) (1980), pp. 264-289, accessed 15 November 2010 Phillips built a grand house for Lord Bateman (1759–60) at the north end of Park Lane, and next to it Camelford House (1773–74) for Thomas Pitt, 1st Baron Camelford.'The Architecture of the Estate: First Changes', Survey of London 39: The Grosvenor Estate in Mayfair, Part 1 (General History) (1977), pp. 119-127 Date accessed: 19 November 2010. A subcontractor for carving documented in 1773 was John Linnell, a prominent cabinetmaker.John's father, William Linnell, had executed carver's work at Radcliffe Camera (1745) and at Alscot Park; the Linnells' ongoing connections with John Phillips are traced in Helena Hayward, William and John Linnell, Eighteenth-Century London Furniture Makers, 1980, vol. I:30. In Oxford, Phillips constructed James Gibbs's wooden dome for the Radcliffe Camera and provided refined joinery in the building (1742–50). Phillips and Shakespear were also responsible for the interior joinery of Christ Church Library (1752–62, illustration, right).
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It is a rare surviving building of its type (a mid-19th century, 3-level, Georgian-style, detached timber town-house) in Brisbane, and is important in illustrating the principal characteristics of its type, including the town-house form with the entrance set to one side of the house; attic rooms with dormers; wide vestibule and narrow, steep internal staircases; early joinery (French doors, narrow- mullioned windows, simple stick balustrading to the staircases); early exterior decorative detailing; and early, formerly detached, kitchen wing. The place is important in demonstrating the principal characteristics of a particular class of cultural places. It is a rare surviving building of its type (a mid-19th century, 3-level, Georgian-style, detached timber town-house) in Brisbane, and is important in illustrating the principal characteristics of its type, including the town-house form with the entrance set to one side of the house; attic rooms with dormers; wide vestibule and narrow, steep internal staircases; early joinery (French doors, narrow-mullioned windows, simple stick balustrading to the staircases); early exterior decorative detailing; and early, formerly detached, kitchen wing. The place is important because of its aesthetic significance.
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The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales. Oaklands is unlikely to display archaeological potential in relation to Aboriginal occupation before European settlement due to the disturbance of the site over time. The house and immediate domestic garden have potential to yield further information on early colonial farming practices and lifestyles that may be of state significance. The interior fit out, particularly the cedar joinery, is able to demonstrate the tastes, material use and craftsmanship of the late Georgian era.
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The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales. Oaklands is a typical and excellent representative example of a Victorian Georgian homestead and one of few in the Bega Valley area. It displays many typical colonial architectural features, such as external symmetry, verandas on four sides, French doors onto the verandas, a front entrance with finely glazed sidelights and fanlight, and cedar interior joinery of a high standard, including typical Georgian fire surrounds, architraves and internal doors.
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The couple make up and John promises to never lie to her again. Fiz goes into labour only six months into her pregnancy following injury in the explosion of Nick Tilsley (Ben Price) and Leanne Battersby's (Jane Danson) bar, The Joinery, so she is sent to hospital and gives birth to a baby girl, whom she names Hope. Straight after her birth, Hope is transferred into an incubator as she is three months premature. Due to her prematurity, her immune system is failing and is diagnosed with an infection.
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The firm also established a thriving shipping trade with a substantial fleet of freight vessels. The area surrounding subs 48-51 of ESA 15 and 15A was still largely undeveloped when James Campbell applied to the Brisbane Municipal Council for permission to establish a lime kiln on Bowen Terrace, below Langshaw Street, in 1878. In addition to the kiln, Campbell built a wharf and transported limestone, and later timber, to the site. In 1882 Campbell opened the Langshaw Planing Mills and Joinery Works on the property, and later a second lime kiln was constructed.
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Dellit intended that each of the great amber windows would bear a different design for the Army, Navy, Air Force and Medical Corps. However, the building subcommittee asked for an alternative and a new design was etched on all the windows which combined the AIF symbol with a pattern of eternal flames. Dellit always intended that the office accommodation at the base of the building should be incorporated into the memorial when the need for its original use had passed. The ex-servicemen's offices featured joinery in silky oak and parquetry floors of red mahogany.
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The hull planking is also poorly preserved, but there were, however, thirteen strakes that may serve for extrapolation to the design of the entire ship. The strakes were fastened together by pegged mortise and tenon joinery and assembled in the classic shell-first construction. The spacing between mortises and the width of the mortises is very tight and they also appear to be slightly wider than the tenons. It is believed that the space left within the mortises was intended to compensate for possible misalignment of opposite mortises.
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The interior features silky oak joinery, parquetry floors, rough plaster finish on the walls to picture-rail height, plaster ceilings and cornices employing a variety of decorative mouldings, and leadlighted fanlights above doorways and in the arches of the central corridor. There are two reception and stairwell areas in the building, with the front staircase featuring silky oak treads and wrought iron balustrading. The basement was designed specifically to accommodate an x-ray unit, and continues to be used for this purpose. Lister House continues as a specialist medical office building.
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However, he tended to employ a Free style, modifying the prevailing Queensland vernacular by introducing individualist elements. His English experiences are reflected in the classicist detailing of entrance pediments using timber, joinery and internal fittings. Hodgen was in practice for 43 years and he designed a large number of buildings varying from small cottages to sporting facilities, halls and large complex hotels in Toowoomba and on the Darling Downs. In April 1907, a public meeting was held in Gatton at which it was decided to erect a memorial.
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An early stone retaining wall frames the walkway at the end of the building. The 1880s brick wing of the early Rosemount residence and the adjoining kitchen is of the same layout that appears on the 1916 plan and contained bedrooms, bathroom, large dining room, kitchen scullery, larder and cook's room. Timber detailing throughout is substantial and elaborate and includes ceilings, architraves, skirtings, dados, dining room mantel piece and door and window joinery. The dining room and hall have elaborate coffered ceilings and the floor to the halls has tessellated tiles.
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In 1875, he acquired the lease over the North Ipswich timber mill and in October 1880 Thomas Hancock & Sons opened a new mill in Lowry Street, North Ipswich. By 1885 Thomas Hancock & Sons was a successful expanding company employing 138 hands in Ipswich as well as many in their Brisbane offices totalling 274 people. The Ipswich complex included a mill, joinery and moulding plant and a lathe department which produced doors, window sashes and panelling. Thomas Hancock Senior died in 1891 and the company passed into the hands of his sons Josias and Thomas Junior.
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The Joinery is destroyed following a gas explosion causing the tram to crash onto Coronation Street in front of the bar, which kills Ashley Peacock (Steven Arnold) and nearly kills Peter. In 2011 Nick renovates and re-opens it as The Bistro, again employing Cheryl, along with his mother Gail (Helen Worth) as cleaner. Becky McDonald (Katherine Kelly) briefly works there after her split from husband Steve (Simon Gregson). Believing that his wife Kylie Platt (Paula Lane) needed to rest due to her pregnancy, David Platt (Jack P. Shepherd) takes over her evening shifts.
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Davey Lawrence (born in Barnsley, England) is a former ice hockey goaltender who played for the Sheffield Steelers in the Elite Ice Hockey League between 2003–04 and 2007–08 seasons. During the 2008–09 Season he played for the Telford Tigers and played for Basingstoke Bison in the English Premier Ice Hockey League for the 2009–10 season. After the 2009–10 season Davey Lawrence retired from ice hockey after 7 successful seasons. He moved back to his home town of Barnsley and started his own joinery and building services business.
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The core of the present Cannon Hall was built at the opening of the 18th century for John Spencer Stanhope, possibly by John Etty of York, more surely with interior joinery by William Thornton, another well-known local craftsman. It was enlarged with the addition of wings in 1764–67 by the premier mid-Georgian architect working in Yorkshire, John Carr. Subsequently the wings were heightened, giving the rather high-blocked mass seen today. The last member of the family, Elizabeth, sold the house to Barnsley Council in 1951.
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The remaining early sprinkler pipework is probably part of the original sprinkler system, possibly being installed when the water tower was constructed between 1892 and 1894. The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales. ASN Co Building is one of the last substantial warehouses with timber structural system built in Sydney. The joinery detailing in the office building is a fine example of Victorian detailing and the staircase is an early example of this style of architecture.
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Symmetrical about a central service/circulation core, there are four workshops opening to both verandahs on each level. A timber and steel mezzanine structure is inserted in the first floor workshop spaces while retaining the original planning arrangement. Original fabric survives including window and door joinery; exposed timber trusses to the first floor workshops; and decorative pressed metal ceilings to the west verandah, rooms J205, J210, J211, J215, J110 and the stairwell. The central plain polished concrete stair with plain metal balustrading and timber handrail remains from the ground floor to the intermediate landing.
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The Sadler House is a frontier I-House with Georgian architectural elements in McCalla, Alabama. The original single pen log house was built by John Loveless, who moved to Alabama from South Carolina in 1816. The home's uniqueness is illustrated in its original constructed form of a single pen log structure, now cocooned within the I-house, and the joinery details used to hold the structural elements in place. After his Loveless' death, his widow, Martha Daniel sold the two story clapboard-covered log cabin to Isaac Wellington Sadler.
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Saloon and galley of Calypso, showing the Kebony joinery. 2011, the 40th Anniversary of the Contessa 32, saw a renewed interest in new Contessa 32s after Rogers exhibited his new "greener" Contessa 32 Calypso at the Southampton Boat Show in collaboration with The Green Blue (a collaborative effort of the Royal Yachting Association and the British Marine Federation). Calypso showcased a variety of sustainable products and technology. The deck and interior woodwork is made from sustainable 'Kebonised' maple rather than unsustainable tropical hardwoods such as teak and mahogany.
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LLU Vecauce works in multiple economic production sectors—animal husbandry, crop production, biogas production, fruit production, logging, woodworking, joinery, provision of services to the public (transport services, rental of premises for banquets and seminars, etc., catering services, utilities). In 2007, "LLU Vecauce" expanded its farmed area to 2002 ha, of which 1772 ha where arable land which is used both used for planting cereal crops and corn for silage. The same year, a new sophisticated cattle farm was constructed, capable of holding 500 animals, the new farm is equipped with Swedish milking robots DeLaval.
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Archangel has extensive interior joinery of teak with white painted bulkheads, cabin soles of teak and holly, and deckheads strip planked in cedar. She has a master stateroom which includes a large double aft cabin with en-suite heads equipped with a shower-bathsauna. There is a comprehensive galley equipped with a dual fridge/freezer system, stainless steel gimballed 4-burner cooker with oven, microwave, and two stainless steel sinks. The large saloon has a fireplace, two sitting areas (one with a gimballed table for dining at sea), and a navigation station.
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Kitchin was born in Peterborough. When his father's confectionery business collapsed in 1936, the family relocated to Birmingham in the industrial West Midlands. Kitchin completed his secondary education in the Quinton area of Birmingham and at the age of fourteen became an apprentice to the woodwork trade, specialising in joinery, constructing ammunitions boxes and correcting those of others that did not meet the stringent standards of the Ministry of Defence. It was whilst working as a joiner that he made his first attempts at carving the human figure.
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In the south-west, Glasgow, Ayr and Kirkcudbright were aided by the less profitable sea trade with Ireland and to a lesser extent France and Spain. The foundations of around 15 burghs can be traced to the reign of David I and there is evidence of 55 burghs by 1296. Burghs were centres of basic crafts, including the manufacture of shoes, clothes, dishes, pots, joinery, bread and ale, which would normally be sold to inhabitants and visitors on market days. In the High Middle Ages there was an increasing amount of foreign trade.
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In January 2015, Howdens was granted a Royal Warrant as a Supplier of Fitted Kitchens by Appointment to Her Majesty the Queen. Howdens was chosen as one of The Sunday Times 30 Best Big Companies to Work For in 2017. Matthew Ingle retired as chief executive in January 2018, after twenty two years at the company, as announced in July 2017 and Andrew Livingston joined as CEO. In September 2019, Howdens refreshed the creative execution of the brand – with a new logo and the removal of ‘Joinery’ from the brand mark.
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Three backsaws: dōzuki (top), Gent's saw and Tenon saw A backsaw is any hand saw which has a stiffening rib on the edge opposite the cutting edge, enabling better control and more precise cutting than with other types of saws. Backsaws are normally used in woodworking for precise work, such as cutting dovetails, mitres, or tenons in cabinetry and joinery. Because of the stiffening rib, backsaws are limited in the depth to which they can cut. Backsaws usually have relatively closely spaced teeth, often with little or no set.
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The guard rooms and bathrooms generally have painted brick walls, narrow timber cornices and are free of skirting boards. Ceilings throughout all three of the blocks are recent plaster over VJ boards, and the floors are concrete slabs (some covered with recent linings). Timber joinery is retained throughout the buildings, including timber-framed fixed louvre and awning windows. Most cells have a timber-framed, fixed timber louvre window, with vertical steel bars to the interior; and most windows to the guard room/bathroom sections have interior metal security grates.
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