It jabbers, it twirls, its heels click across the room.
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"It jabbers, it twirls, its heels click across the room," he added.
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Elsewhere, especially on the more nebulous songs, he just jabbers, distracting from the guitar.
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Long after the Packers' glory years, he reflected on what he called "the jaw-jabbers" of later generations in the pros.
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The jab has often proven to be a marvelous weapon against Henderson even when used by relatively uncomfortable jabbers like Shogun.
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The man who dead-eyed jabbers on about any polemic sports take with octave-jumping incredulity was all of a sudden silenced.
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Trump doesn't attempt to make points when he speaks; he just jabbers until he gets some sort of rise from his audience.
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Foreman is big, dull, ugly, you name it, Ali jabbers for weeks before this promoted "Rumble in the Jungle" gets under way.
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Yet in the two fights MacDonald had against Robbie Lawler and in St. Pierre's bout with Johny Hendricks, the southpaws denied the jabbers their lead hand.
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It's not been lost on plenty of people that he legislates for the rich, jabbers for the mob, and gives scarcely a hoot for those in between.
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This is because many top jabbers use their lead so frequently and comfortably—and often rely on a natural speed and range advantage—that their rear hand can start drifting.
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Ice Cube glowers, Mr. Hart jabbers, and a plot is cooked up to provide them with occasions to do so, ideally in the company of women in bikinis or fast-moving vehicles.
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The men's antagonism deepens as Wake jabbers and Winslow rages, a fury that Pattinson makes visible with eyes that widen into bulges and tremors of emotion that ping under a masklike vacancy.
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As a rapper, he jabbers, scampering through dense clusters of rhymes in a deep, vibrant, honey-coated snicker, with a touch of amused smugness in his voice that's undercut by sheer energy.
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The remedy is simple—catch the opponent's jab in your right palm—but many great jabbers get out of the habit and begin slamming in jabs with their free hand down by their chest.
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Many of the most vicious jabbers and lead hookers in boxing history have been left handers fighting in an orthodox stance—Sonny Liston, Miguel Cotto and Oscar De La Hoya being some of the obvious examples.
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They say that it's always the punch you don't see coming that does the damage and many of history's best jabbers have made that a reality in the later rounds of their bouts, capitalizing on swollen eyes to begin landing heavier punches on the same side.
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The cover versions featured on the expanded CD edition are of GG and the Jabbers performing the Ohio Express obscurity "Up Against The Wall", and of GG and the Disappointments performing a rather chaotic version of The Rolling Stones' "Dead Flowers". The Jabbers recording was first released on the No Rules EP in 1982 by David Peel's Orange Records label, and would later turn up on a semi- bootleg 45 in 1993, while the Disappointments recording is one of the few Allin made with that backing group before his arrest by U.S. Secret Service agents and extradition to Michigan several weeks later.
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The Jabbers are an American punk rock band. Once fronted by a young GG Allin at the beginning of his career in the late 1970s to early 1980s, many of his most well known songs were recorded with this band, such as "Assface", "Don't Talk to Me" and "Bored to Death". One review of the only Jabbers album with Allin, Always Was, Is And Always Shall Be, states: "Amazingly enough, the violent hatred, sexual and psychological degradation, and staggering stupidity only hint at the heights (or depths) Allin would reach later." Embryonic versions of the band appeared as early as 1977, focused around Allin (singing and occasionally playing drums), his brother Merle Allin on bass, and various local guitarists.
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It features members of his first backing band The Jabbers as well as Wayne Kramer and Dennis Thompson of proto-punk band the MC5 (credited as The MC2) on lead guitar and drums respectively. The single was released on David Peel’s Orange Records on November 1, 1981. The single’s b-side was "Dead Or Alive". The initial recording sessions took place in December 1980, during which a third song entitled "Occupation" was recorded.
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St John's College is a co-educational residential college on the St Lucia Campus. St John's is the equal oldest college in affiliation with the University. The college was founded in 1911 – the same year The University of Queensland accepted its first students – and is currently home to approximately 300 students (colloquially known as 'Johnians' or 'Jabbers'). It has been voted as the best College ever to exist in the history of colleges.
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In 1993, the entire CD was released with a different front cover (from photos Yarmouth took in 1983 and later of Allin) under the extended title Insult & Injury Volume 1 - 1977-1982 Banned In Boston, and the contents of same would also be split into two different CDs in 1998 as Banned In Boston, Volume 1 and Volume 2, with Volume 1 containing the studio recordings and Volume 2 featuring the live tracks and interviews. These versions are still available from Black & Blue Records today. In 1990, a new version was made with The Jabbers. This version of the album has a different track Listing and is only 37:18.
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Hated in the Nation is a compilation album, initially released exclusively on cassette format on ROIR, by transgressive punk rock musician GG Allin. Consisting mainly of then-out-of-print recordings by Allin with his early-era backing groups The Jabbers, The Scumfucs, and the Cedar Street Sluts, Hated in the Nation became Allin's first widespread international release. Since it is a compilation intended to both document Allin's early recording career up to that time and to attract new fans to his music, it is the only GG Allin title that has never gone out-of-print; according to his official website, it is also one of the most popular items in Allin's discography.
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Allin returned to his home area of New England sometime in late 1987 or early 1988, settling somewhere in New Hampshire only because, according to his self-penned liner notes for the album, "it's cheap". At the time, Allin had been prohibited from performing as a musician in Boston since around the time his first backing band, The Jabbers, were coming to the end of their run. Since the rushed recording and release of You Give Love a Bad Name the previous year, Allin had been in the recording studio only one other time, recording four songs with himself playing all of the instruments, aided by only two people who provided backing vocals. These recordings almost immediately were released - without Allin's consent or immediate knowledge - under the false band name "GG Allin & His Illegitimate Kids".
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In a bit of revisionist history, Yarmouth and Allin credited production on all of the recordings to "Dick Urine", the fictitious production credit from GG's early post-Jabbers cassette self-releases that later became the collective pseudonym for Allin and Yarmouth when Eat My Fuc was recorded and released, and claimed on the back cover of the CD, in a parody of standard early compact disc technical notes, "We haven't tried very hard to improve the sound." In reality, the sound was improved when the compiled CD was mastered at Bernie Grundman's mastering facilities, but it sounded punk to say that it wasn't. While many might question Yarmouth spending money on such poor source material, the audio quality of the CD was optimized. This compilation would see re-release in a couple of different variations over the years.
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At the time, Allin's notoriety was already established at a fast pace due to his continued outrageous stage antics throughout the United States. Looking to both stretch out the material he had for the first-ever GG Allin CD (due to the CD format holding 70 minutes of material Yarmouth wanted to give fans a good bang for the buck) and attract collectors of Allin's work to a compilation of previously released material, Yarmouth took the initiative and came up with a professional-sounding recording of Allin and his first band, the Jabbers, playing what was a "full set" of material at the Boston nightclub The Channel. The last time they played The Channel the set lasted three songs with one of the "Goon Squad", Mick Horgun, dragging GG off the stage and kicking him in the head till security pulled him off Allin. Yarmouth cleared things up with security pointing out that the perpetrator was on the guest list and part of the show (the bouncers were not amused).
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The Troubled Troubadour is a posthumous expanded compact disc edition of punk rock singer-songwriter and musician GG Allin's original 1990 7" EP of the same name. With the 1,500-copy pressing of the original Troubled Troubador EP having long sold out by the time GG Allin had died of a drug overdose in 1993, Mountain Records owner and president Stewart Brodian had been getting a large number of requests from Allin fans who had missed out on the original recording. In October 1995, Brodian gathered together the original master tape of the 7" EP, which was still in his possession, and with the help of Allin's friend and archivist Skeeter Rider, added an outtake from the same May 1989 session that originally produced the EP, a 1985 acoustic demo of an early Allin-composed and performed country song, two spoken word tracks recorded by Allin in 1988, two cover versions recorded with The Jabbers in 1982 and with The Disappointments in July 1989, and – probably the most fascinating of the bonus tracks – three unedited phone conversations between GG Allin and Stewart Brodian, recorded on Brodian's answering machine in New Jersey and conducted from GG's end while he was serving his felonious assault sentence in Michigan.
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