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9 Sentences With "irreplaceability"

How to use irreplaceability in a sentence? Find typical usage patterns (collocations)/phrases/context for "irreplaceability" and check conjugation/comparative form for "irreplaceability". Mastering all the usages of "irreplaceability" from sentence examples published by news publications.

First, let's explore what being 'indispensable' means In marketing guru Seth Godin's "The Linchpin: Are you indispensable?" he sums up the nature of irreplaceability beautifully, a.k.a.
That also means recognizing Selena's own uniqueness and irreplaceability: "My tribute to Selena has always been to bring tribute to her, it's never been to want to be her," says Andrews, "because there will never be another Selena."
The Enzo is one of those extraordinarily rare cars, though, that basically can't be totaled — no matter how badly damaged it is, its irreplaceability and its significance in Ferrari's canon mean that you can be left with just a few screws and bolts and still justifiably repair the car.
The Keo Seima REDD+ project qualifies under the Climate, Community & Biodiversity (CCB) Standards Gold Level for biodiversity under both vulnerability and irreplaceability criteria.
Their strategic need is because of their crucial importance for either economic or military purposes. Some materials are relatively simple, but are required in great quantities during wartime. Others are obscure and technically complex. Although not required in large quantities, their irreplaceability and critical need makes them especially valuable.
She also has an inferiority complex about herself, but gains confidence as the series goes on. ; : :Joining shortly after Manato's death, Merry effectively replaces him as the Priest of the party. Initially, there is a lot of friction between Merry and the rest of the team, due to Manato's irreplaceability and Merry's seemingly uncaring personality. She was actually a lot like Manato, but after a tragic incident that led to the death of some of her friends, she became cold and aloof.
Matthew Perpetua of the same publication commended the song for being one of the most adventurous cuts on 4; he noted that Knowles sings "lovey-dovey lyrics over an ecstatic, beat-heavy arrangement". Spencer Kornhaber of The Antlantic noted that the line "'Come take my hand, I will never let you go,' comes off as a reversal, an assertion of Beyoncé's own irreplaceability". Greg Kot of the Chicago Tribune commented that "End of Time" is a glimpse of the "mad scientist" at work. Pitchfork Media's Ryan Dombal viewed the song as the "most strident declaration of co-dependence" on 4.
In libraries, decision-making likely targets existing holding materials, whereas in archives, decisions for preservation are often made when they acquire materials. Therefore, different criteria might be needed on different occasions. In general, for archive criteria, the points include: # the characteristics of a record (purpose, creator, etc.); # the quality of the information in the record; # the record in context (part of a series or not); # potential use and possible limitations; and # the cost against the benefits from its existence. Worn books at the library of 300x300pxFor archival criteria, the following are evidence of significance: # uniqueness, # irreplaceability, # high level of impact – over time or place, # high level of influence, # representation of a type, and # comparative value (rarity, completeness, integrity relative to others of its kind).
Who's Gonna Fill Their Shoes is the 45th studio album by American country music artist George Jones, released in 1985 on the Epic Records label. The album is best known for the title track and its classic video, which would go on to win the CMA Award for Video of the Year. In the song, Jones sings of the irreplaceability of country music legends, including Waylon Jennings, Willie Nelson, Johnny Cash, Merle Haggard, Conway Twitty, Carl Perkins, Elvis Presley, Jerry Lee Lewis, Charlie Rich, Marty Robbins, Hank Williams and Lefty Frizzell. The music video, which was directed by Marc Ball, takes place at a roadside gas station, where the owner shares with Jones his extensive collection of albums and memorabilia from classic country music artists.

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