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Mohamed Mahmoud Sobhi was born in Cairo. He graduated from the Institute of Drama in 1970 and continued to teach until 1984.
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Few months later the 20 Theatre became the nucleus of the Higher Institute of Drama. In 1947 he made his mark in the film “Mala’eka Fi Gohanam” ` Angels in Hell'. With his third wife, singer and actress Huda Sultan, whom he married in 1951, they made a famous partnership in more than 80 films. The marriage lasted 18 years and produced two daughters Maha and Nahed who is a successful film producer in her own right.
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Her work was produced internationally in Uruguay, Argentina, Austria, Italy, Turkey, the Philippines, Cameroon, Central Africa, Republic, Senegal, Nigeria, Brazil, Haiti, Morocco, Israel, Bulgaria, and Yugoslavia. She both presented theatre and taught in many of these nations. She was a visiting professor at the Institute of Drama in South Korea and was a member of the Seoul International Theatre Institute. The New Eastern European Theatre was introduced to La MaMa when Stewart brought Jerzy Grotowski, Ryszard Cieslak, and Ludwig Flaszen to visit the United States with support from Ted Hoffman of New York University.
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The Institute of Drama and Arts, which created a true modern drama among the Sinpa Theater Troupe and proletarian theater groups that raised their heads again, began to establish a solid foundation for theater history in the land by practicing the theater's cultivation, commercial drama purification, popular enlightenment, and traditional and modern performances. It was also the Drama Research Institute that trained professional playwrights such as Yu Chi-jin, Kim Jin-su, Lee Kwang-rae, and Ham Se-deok. However, these dramatic arts research groups were also disbanded in 1939 due to Japanese oppression. At this very time, many famous Western playwrights were introduced, allowing our plays to escape the narrow framework of commercial dramas.
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