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60 Sentences With "inlaid with gold"

How to use inlaid with gold in a sentence? Find typical usage patterns (collocations)/phrases/context for "inlaid with gold" and check conjugation/comparative form for "inlaid with gold". Mastering all the usages of "inlaid with gold" from sentence examples published by news publications.

The finial is shaped like a trident gilded with gold, and its iron hilt is also inlaid with gold.
The same was true of the Golden Lyre of Ur, a 4,500-year-old musical instrument inlaid with gold, silver and carnelian.
Founded at the beginning of the 20th century, Sangorski & Sutcliffe became known for reviving the Middle Ages custom of creating sumptuous jeweled bindings, in which leather covers are elaborately inlaid with gold, silver and precious and semiprecious stones.
That vocabulary keeps Ammons from too quickly laundering observed detail into symbol, as in a polemical poem about stubbornly nonsymbolic dice: My dice are crystal inlaid with gold and possess spatial symmetry about their centers and mechanical symmetry and are of uniform density and all surfaces have equal coefficients of friction for my dice are not loaded The dice issue the "hard directive" of a new, almost anti-poetical register of description, their essence the sum of their inherent qualities and not their instrumental outcomes.
We also know of blades and handles of knives in jade, often inlaid with gold wire and engraved. Hardstone serves also to make jewels to inlay in metal objects, such as the great zinc bottle inlaid with gold, rubies and turquoise dated to the reign of Ismail and conserved at the museum of Topkapi in Istanbul.
75; Pausanias, 3.18.16. and also in the Megarian Treasury at Olympia, where he describes seeing "small cedar-wood figures inlaid with gold" which, besides Achelous, included Zeus, Deianeira, Heracles, and Ares aiding Achelous.Gantz, p. 433; Stafford, pp.
Hardstone serves also to make jewels to inlay in metal objects, such as the great zinc bottle inlaid with gold, rubies and turquoise dated to the reign of Ismail and conserved at the museum of Topkapi in Istanbul.
74:4 (1999), p. 923. Haraldr then told Þjóðólfr to ask Brandr for his coat. Brandr gave it without a word. The king next asked for his axe inlaid with gold and Brandr gave it, still without uttering a word.
We know of several hardstone carvings, most often datable to the 16th century. A series of pitchers with globular bellies also exists, mounted on a little ring-shaped base and having wide, short necks. Two of these (one in black jade inlaid with gold, the other in white jade) are inscribed with the name of Ismail I. The handle is in the shape of a dragon, which betrays a Chinese influence, but this type of pitcher comes in fact directly from the preceding period: its prototype is the pitcher of Ulough Beg. We also know of blades and handles of knives in jade, often inlaid with gold wire and engraved.
Cloud decorations cover the entire body with spirals in between, all inlaid with gold and silver, suggesting the fine hairs of the rhinoceros. This is a realistic piece with flowing and lively decoration, and deserves to be considered a masterpiece of Western Han gold and silver inlay.
Metal shields were made from bronze, iron, and later with steel often made of wootz steel. They were usually inlaid with gold, silver, precious stones, and lac. The metal shields are lined with cloths embroidered with colors such as velvet, gold, or silver. The shields were further decorated through chiseling, gilding, painting.
It must be ground into shape and polished to a shine. Sometimes the flat surface is engraved with a religious motto in Arabic, which is sometimes inlaid with gold. The finished gem is then mounted on a ring according to the stones finished size. Both men and women wear aqiq rings as jewellery.
Sticks and handles could be made of gold, tortoise shell, ivory, mother-of-pearl, horn, or wood. They were often highly decorated. Most sticks and handles were not only made of the previously listed materials, but were inlaid with others. For example, a mother-of-pearl fan could be inlaid with gold.
Atatürk's tomb is situated right under the symbolic 40-ton sarcophagus in the ground floor of The Hall of Honor, and Atatürk's body is buried below this in a special Tomb Room in the basement level. The room has an octagonal plan in Seljuk and Ottoman architectural styles, and its pyramidal ceiling is inlaid with gold mosaics.
The small room was painted entirely black and had gold stars on the ceiling. One large window looked out on the falls. The bathroom adjacent to her bedroom was finished in a deep blue tile inlaid with gold, and mirrors were mounted and positioned to create endless reflections. Behind the house were terraced gardens and a caretaker's cottage.
Mughal dagger with hilt in jade, gold, rubies and emeralds. Blade of damascened steel inlaid with gold. High levels of achievement were reached in other materials, including hardstone carvings and jewellery, ivory carving, textiles and leatherwork. During the Middle Ages, Islamic work in these fields was highly valued in other parts of the world and often traded outside the Islamic zone.
They were often sent out into the provinces to investigate possible wrongdoing on the part of local officials. A belt hook inlaid with gold and silver, from either the late Warring States period (403–221 BC) or early Western Han dynasty The Imperial Counselor transmitted and received imperial edicts to and from the chancellery and also presented officials' memorials to the throne.Wang (1949), 148–149.
During the carnival he watched the Montreal Victorias play the Montreal Hockey Club. Since then he and his family became very involved in the game of ice hockey. His two sons, Arthur and Algernon, convinced their father to donate a trophy that would be considered to be a visible sign of the ice hockey championship. This trophy was a silver bowl inlaid with gold.
The temples of the Incans were strewn with sacred and highly precious objects. Headdresses, crowns, ceremonial knives, cups, and a lot of ceremonial clothing were all inlaid with gold or silver. Many historians believe that the choice of gold was to distinguish the more “sacred” or “holy” pieces from others. The commonality of gold has much to do with the Incan religion surrounding the sun.
Oxford University Press. . pp xxix The Romans had high regard for the excellence of steel from India in the time of the Gupta Empire. Dagger and its scabbard, India, 17th–18th century. Blade: Damascus steel inlaid with gold; hilt: jade; scabbard: steel with engraved, chased and gilded decoration Perhaps as early as 500 BC, although certainly by 200 AD, high-quality steel was produced in southern India by the crucible technique.
The reverse side of these early fans also started to display elaborate flower designs. The sticks are often plain ivory or tortoiseshell, sometimes inlaid with gold or silver pique work. The way the sticks sit close to each other, often with little or no space between them is one of the distinguishing characteristics of fans of this era. In 1685 the Edict of Nantes was revoked in France.
Two figures of large, winged, copper dragons guarded the gateway, their roaring mouths inlaid with gold. The doors were studded with copper and gold with heavy bolts resembling either dragons or water buffalo. The interior likely featured an exquisite, carved wooden decorations, panelling and furniture. Inner shrines had doors, which were also built with golden faced lahmu-figures either side along with a number of votive statues plated with gold.
Bat temple ornaments inlaid with gold at Pura Goa Lawah. The compound of Pura Goa Lawah is built over a hilly outcrop. It is divided into three areas: the outer sanctum of the temple (jaba pisan or nistaning mandala), the middle sanctum (jaba tengah or madya mandala), and the inner main sanctum (jero or utamaning mandala). The entrance to the temple complex is marked with a candi bentar gate.
Children automatically go to paradise when they die, regardless of the religion of their parents. Paradise is described primarily in physical terms as a place where every wish is immediately fulfilled when asked. Islamic texts describe immortal life in Jannah as happy, without negative emotions. Those who dwell in Jannah are said to wear costly apparel, partake in exquisite banquets, and recline on couches inlaid with gold or precious stones.
Insular art, rich in symbolism and meaning, is characterized by its concern for geometric design rather than naturalistic representation, love of flat areas of colour, and use of complicated interlace patterns. All of these elements appear in the Lindisfarne Gospels (early eighth century). The Insular style was eventually imported to the European continent, exercising great influence on the art of the Carolingian empire.Sword pommel from the Bedale Hoard, inlaid with gold foil.
Built between the 11th and 13th centuries, the feudal part of the castle was acquired by Jacques I de Chabannes in 1430. His grandson, Jacques II, maréchal of France, built the Renaissance wing at the beginning of the 16th century out of rose-coloured bricks, endowing the castle with sobriety and elegance. This wing replaced the wall connecting the fortress to the Gothic style chapel, itself built c.1470. The ceilings have raised colourful box beams inlaid with gold.
The southern part of the temple may be divided into two sections: western and southern. The western section consists of 6 rooms, whereas the southern area given its size (19.5 by 17.2 m) suggests it might have served as another open court. In many of these rooms were found blue ceramic tiles inlaid with gold around their edge. The Northern part of the temple proper consists of ten rooms, similar in style to those of the southern.
A holy well and altar stand across the road. Formerly pilgrims came from County Wexford across the Blackstairs Mountains seeking miraculous cures. In the 19th century a chalice (called the Braganza Chalice, after the bishop's house in Carlow) and paten, both of silver inlaid with gold, were found hidden in the well. The chalice bore an inscription dating to 1595 and is believed to have been hidden during the Penal era when Irish Catholicism was repressed.
Entire pieces of hardwoods would be carved into benches and tables, and other items. Furniture was inlaid with gold and some covered in animal skins. A kind of shellac or lacquer existed in pre-Hispanic Mexico and was used in many ceramics. The Mendocino Codex mentions it as a kind of waterproof oil extracted from a worm called “axe” and mixed with oil from the prickly poppy seed or Mexican sage seed and pigments, which resulted in a paint.
Afterwards, Stanley and his family became very involved in the game of ice hockey. His two sons, Arthur and Algernon, convinced their father to donate a trophy that would be considered to be a visible sign of the ice hockey championship, which was a silver bowl inlaid with gold. The trophy was first presented in 1893 and was called the Dominion Hockey Challenge Cup. The name of the trophy has since been known as the Stanley Cup.
Banquet rooms, restaurants and guestrooms were equally elegant, accented and accessorized with everything from fine Irish linens to Reed & Barton Silver. News accounts of the time described the hotel’s Persian Room lounge as “enveloped in an aura of romance” accented with midnight blue carpets, black-topped tables inlaid with gold, bronze table lamps with colored lights and a spun glass foundation illuminated by constantly changing lights. The room rate to experience the Drake in these early years started at $3.50 per night.
The museum's most important collection is arguably that of the Royal Tombs of Ur, which The University of Pennsylvania co–excavated with the British Museum in Iraq. Ur was an important and wealthy city-state in ancient Sumer, and the artifacts from its royal tombs showcase the city's wealth. The collections consists of a variety of crowns, figures, and musical instruments, many of which have been inlaid with gold and precious stones. The often traveling collection includes a well known Bull-headed lyre.
Pandya was present in the Rajasuya ceremony of Pandava king Yudhishthira (2:36,43). The Kings of Chera and Pandya, brought numberless jars of gold filled with fragrant sandal juice from the hills of Malaya, and loads of sandal and aloe wood from the Dardduras hills, and many gems of great brilliancy and fine cloths inlaid with gold. Singhalas gave those best of sea-born gems called the lapis lazuli, and heaps of pearls also, and hundreds of coverlets for elephants (2:51).
The hoard contains forty-eight items of silver and gold and was declared as 'treasure' under the Treasure Act 1996. In addition to 29 silver ingots, the hoard contained an iron sword pommel inlaid with foil plaques, four gold hoops or bands from the hilt of the sword, six small gold rivets, four silver collars and neck-rings (one cut into two pieces), one silver arm, one fragment of a 'Permian' ring, and one silver penannular brooch. Sword pommel from the Bedale hoard, inlaid with gold foil.
David G. Marr and A. C. Milner. Singapore: Institute of Southeast Asian Studies, 1986. Quote from the Chronicle of Banjar: > He sailed in full state on board the yacht (original: malangbang) called > Prabajaksa, availing himself of the insignia of royalty left by his father > Ampu Jatmaka: two vertical streamers adorned with gold, two tasseled staves > adorned with gold, four pennons decorated with gold paint, a braided > streamer looking like a centipede embroidered with gold thread and twenty > pikes with tufts of red feathers adorned with spangles of gold; his lances > had biring blades inlaid with gold, their shafts where decorated with dark- > red and gold paint, not to mention two state sunshades decorated with gold > paint, two state lances shaped like frangipani buds, inlaid with gold and > with their shafts banded with gold. The yacht was adorned with marquetry of > gold; its sails were of the finest cloth; the clew-lines, the stays and the > sheets were of silk and had tassels of pearls ; the rudder was of timbaga > suasa (a copper and gold alloy), the oars of iron-wood with bands of gold > and the anchor gear of undamascened steel.
BC) (Altynbekov's reconstruction). All the clothes of the chieftain living many centuries ago was richly inlaid with gold metal plates and plates of various configuration that enabled the scientists to declare as the finding the second "Gold Man" in Kazakhstan. "The world of Kazakhs" Hall The hall exposition "The world of Kazakhs" presents the private collection of the state and public figure of the Republic of Kazakhstan, mayor of Astana city Imangali Tasmagambetov. The collection which has been gathered during twenty years represents the rare and unique masterpieces of graphic and craft art of Kazakhstan.
At a cost of £88,000 the desk has been criticised by some over its price and functionality. Another feature gifted to the Scottish Parliament by the Queen, following its inauguration in July 1999, is the parliamentary mace. The mace is housed in a glass case in the debating chamber and has a formal, ceremonial role during meetings of the Parliament. The mace sits in front of the Presiding Officers' desk and is made from silver and inlaid with gold panned from Scottish rivers and inscribed with the words "Wisdom", "Compassion", "Justice" and "Integrity".
In 1852, when he travelled abroad for his health, he studied the works of Quentin Matsys and other artists. On his return the dean and chapter of Ely entrusted him with the construction of the reredos. This was composed of choice stone and alabaster, enriched with carving and inlaid with gold and gems; it is one of the finest specimens of ecclesiastical art executed in England since the Reformation. He died at his residence, Hills Road, Cambridge, on 29 March 1855, and was buried in Mill Road cemetery, Cambridge.
Naralokaviran is known for a number of benefactions to Nataraja Temple in Chidambaram. He was responsible for the construction of two large temple gateways and for the expansion of the goddess shrine within the temple complex. He took interest in festivals and made contributions for the provision of lamps on the processional routes, watering the streets during the festivals, a bull vehicle for the deity to ride during the Bhikshatana procession and a bugle inlaid with gold to herald the arrival of god Siva. During the reign of Vikrama Chola, Naralokaviran built the hundred-pillar hall and named it after his overlord.
Bronze hill censer inlaid with gold; from the tomb of Liu Sheng, Prince of Zhongshan, at Hebei Mancheng, Western Han period, 2nd century BC The hill censer or boshanlu (博山爐 "universal mountain censer" or boshan xianglu 博山香爐) is a type of East Asian censer used for burning incense. Hill censers first start appearing in tombs dating to the Western Han (202 BCE – 23 CE). Fashioned with a conical lid, the censers were designed to look like miniature mountains. The more elaborately crafted versions incorporate imagery of trees, wild animals, and humans among the rocky crags of the landscape.
The Nebra sky disk The Nebra sky disk is a bronze disk of around diameter and a weight of , having a blue-green patina and inlaid with gold symbols. These symbols are interpreted generally as the Sun or full moon, a lunar crescent, and stars (including a cluster of seven interpreted as the Pleiades). Two golden arcs along the sides, interpreted to mark the angle between the solstices, were added later. A final addition was another arc at the bottom surrounded with multiple strokes (of uncertain meaning, variously interpreted as a solar barge with numerous oars, the Milky Way, or a rainbow).
Examples include Britain's Queen Elizabeth II (who was presented with a glass jewellery box inlaid with gold and platinum by the former president during her official visit to Slovakia), Pope Benedict XVI (who received a golden gross during his visit to Slovakia), the King of Denmark and presidents Miloš Zeman, Václav Klaus, Andrej Kiska and Ivo Josipovič. The Gordana Glass Gallery is located in the centre of Prague on Dušní ulice. Gordana Turuk's studio is located close to Bratislava in the villa section of Bratislava's Lamač borough. She is actively engaged in charitable activities and the Arte Bene civic association in addition to her artistic endeavours.
This layout had the consequence of making the mausoleum project outwards into Rumayla square and towards the Citadel, probably to make it more prominent when seen from the Citadel. The mausoleum chamber is accessed from inside the mosque, through a doorway to the left of the mihrab in the qibla wall. On the same wall, on the right side, there is a large, door-sized window which also opens to the mausoleum chamber. This window is distinguished by a set of doors which are notable for their exceptionally fine craftsmanship, made from copper-niello, inlaid with gold and silver, and featuring geometric star patterns and Thuluth-style Arabic inscriptions.
For the most part these weapons were made to be art, and not used for battle. While there were some daggers in Grave Circle B, the majority of them came from Grave Circle A. Many of the daggers were actually made of bronze, but inlaid with gold using a Syrian technique called niello. One of the daggers found in Grave IV in Grave Circle A depicted a lion hunt, which may represent another status marker as the lion hunt was a motif that connected power and leadership. The dagger also contained certain aspects like the hunters wearing tall oxhide shields that were common in Greek frescoes.
An Akan stool believed to be for a Queen mother, 1940–1965, in the collection of the Children's Museum of Indianapolis The Golden Stool is a curved seat 46 cm high with a platform 61 cm wide and 30 cm deep. Its entire surface is inlaid with gold, and hung with bells to warn the king of impending danger. It has not been seen by many and only the king, queen, true prince Ofosu Sefa Boakye, and trusted advisers know the hiding place. Replicas have been produced for the chiefs and at their funerals are ceremonially blackened with animal blood, a symbol of their power for generations.
In September 2009 a metal detecting club held its annual rally at a site in the parish. — detailed photographic report on the excavation One detectorist found a Saxon grave from early in the 7th century AD containing the skeleton of a young woman with grave goods including one spindle whorl, two iron knives and two ceramic pots that may have contained food. Near the grave the detectorist found an ornate circular Saxon metal brooch inlaid with gold, garnets and coral. This type of brooch was previously known from Kent, East Anglia, Essex and Bedfordshire but the one from West Hanney is further west than all previously found examples, making it "a find described as of national importance".
Both sides of the blade are engraved with drawings: bulls fighting and a man hunting boars in a thicket. Slightly later again (MM III) are a series of splendid blades from mainland Greece, which must be attributed to Cretan craftsmen, with ornament in relief, or incised, or inlaid with gold, silver and niello. The most elaborate inlays, pictures of men hunting lions and cats hunting birds, are on daggers from the shaftgraves of Mycenae. These large designs cover the whole of the flat blade except its edge, but on swords, best represented by finds at Knossos, the ornament is restricted to the high midribs which are an essential feature of the longer blades.
Persian hardstone carvings, once thought to mostly date to the 15th and 16th centuries, are now thought to stretch over a wider period. Jade was increasingly appreciated from the Ilkhanid period. As well as wine-cups,Canby (2009), 160-161 there are a series of pitchers with globular bellies, mounted on a little ring-shaped base and having wide, short necks. Two of these (one in black jade inlaid with gold, the other in white jade) are inscribed with the name of Ismail I. The handle is in the shape of a dragon, which betrays a Chinese influence, but this type of pitcher comes in fact directly from the preceding period: its prototype is the pitcher of Ulugh Beg.
The palanquins of Mahasu Devta is generally of roof type-Box type design. In roof type-box type palanquins, the deity's image (Murti or Muharas) is hidden inside the box. Usually made up of silver and sometimes inlaid with gold,both the box and the roof are typically ornamented with repousse images of Shiva,Ganesha,Krishna,The Pandavas and Kauravas and Gopis. The placement of silver parasol at the peak of the roof and the four ball at each of the corner of the box reproduces the mandallic geometry of centre and four directions,the visual signature of world-ordering sovereignty gives visual form to Mahasu's paramount status as "king of the gods" ().
He is said to have gone on a voyage with his aunt Nár, a fairy woman, for a month and a fortnight, and returned with treasures including a gilded chariot, a golden fidchell board, a gold-embroidered cloak, a sword inlaid with gold serpents, a silver-embossed shield, a spear and a sling which never missed their mark, and two greyhounds with a silver chain between them. Soon after he returned he fell from his horse and died at Howth. Keating says he was succeeded by his son Feradach Finnfechtnach, the Annals of the Four Masters by Cairbre Cinnchait. The Lebor Gabála places him in the reign of the Roman emperor Vespasian (AD 69–79).
The Presiding Officer, parliamentary clerks and officials sit opposite members at the front of the debating chamber. In front of the Presiding Officers' desk is the parliamentary mace, which is made from silver and inlaid with gold panned from Scottish rivers and inscribed with the words: Wisdom, Compassion, Justice and Integrity. The words There shall be a Scottish Parliament, which are the first words of the Scotland Act, are inscribed around the head of the mace, which has a ceremonial role in the meetings of Parliament, representing the authority of the Parliament to make laws. Presented to the Scottish Parliament by the Queen upon Parliament's official opening in July 1999, the mace is displayed in a glass case, suspended from the lid.
Jade burial suit of King Zhao Mo Bronze tiger inlaid with gold, inscribed 王命車徒 "The king orders the carriage to move" The tomb has yielded more than 1,000 burial artifacts, a chariot, gold and silver vessels, musical instruments, and human sacrifices were found (15 courtiers were buried alive with him to serve him in death). It is also among the only tombs of the early Western Han dynasty that has murals on its walls. The tomb also excavated a unique imperial seal, belonging to that of "Emperor Wen" (Văn Đế), indicating that he styled himself emperor domestically as opposed to a king externally. The large scale of jade pendants worn by the deceased and his wives also amounts to imperial rank.
Evidence of "Samnite" as an insult in earlier writings fades as Samnium is absorbed into the republic. > The war in Samnium, immediately afterwards, was attended with equal danger > and an equally glorious conclusion. The enemy, besides their other warlike > preparation, had made their battle-line to glitter with new and splendid > arms. There were two corps: the shields of the one were inlaid with gold, of > the other with silver ... The Romans had already heard of these splendid > accoutrements, but their generals had taught them that a soldier should be > rough to look on, not adorned with gold and silver but putting his trust in > iron and in courage ... The Dictator, as decreed by the senate, celebrated a > triumph, in which by far the finest show was afforded by the captured > armour.
In the classical interpretation of the Quran, "the Garden" is described with material delights, such as beautiful maidens for men and young men for women, precious stones, delicious foods, and constantly flowing water—the latter especially appealing to the desert dwelling Arabs, who spend most of their life in arid lands. The Islamic texts describes life for its immortal inhabitants as: one that is happy—without hurt, sorrow, fear or shame—where every wish is fulfilled. Traditions relate that inhabitants will be of the same age (33 years), and of the same standing. Their life is one of bliss including wearing sumptuous robes, bracelets and perfumes as they partake in exquisite banquets served in priceless vessels by immortal youths (Houri), as they recline on couches inlaid with gold or precious stones.
The distinctive silver jewellery produced by the Navajo and other Southwestern Native American tribes today is a rather modern development, thought to date from around 1880 as a result of European influences. In Persia, turquoise was the de facto national stone for millennia, extensively used to decorate objects (from turbans to bridles), mosques, and other important buildings both inside and out, such as the Medresseh-i Shah Husein Mosque of Isfahan. The Persian style and use of turquoise was later brought to India following the establishment of the Mughal Empire there, its influence seen in high purity gold jewellery (together with ruby and diamond) and in such buildings as the Taj Mahal. Persian turquoise was often engraved with devotional words in Arabic script which was then inlaid with gold.
With the classic Spanish patilla style miquelet lock, the mainspring pushes up on the heel of the hammer and both sears engaged the toe of the foot. With the Italian or Roman style miquelet lock, the mainspring pushes down on the toe of the hammer and the sears engaged the hammer on both the toe and heel. Patilla style miquelet lock inlaid with gold and silver, late 1600s Chiselled and pierced patilla style miquelet lock Miquelet lock is a modern term used by collectors and curators for a type of firing mechanism used in muskets and pistols. It is a distinctive form of snaplock, originally as a flint-against- steel ignition form, once prevalent in Spain, Portugal, Italy, the Balkans, North Africa, the Ottoman Empire and throughout Spain's colonies from the late 16th to the mid 19th centuries.
Zoltán Dávid (1955) is a Hungarian-born American jewelry designer based in Texas who has visited Costa Rica. His business, Zoltan David Precious Metal Art, opened in 1980 and has focused on individually crafted one-off pieces. On August 27, 1988, he was knighted by the Hungarian nation in honour of his father, Zoltan David I. In November 2003 David was awarded a patent from the USPO for an inlay technique first developed in 2000 which created hard- wearing, three-dimensional raised patterns in precious metal, such as platinum inlaid with gold. He has also patented a design for convertible hoop earrings called the 'Dangelier' which can be dismantled to be worn in three different ways, and was one of the first to decorate the metal under the stone in a ring, although he did not patent this technique.
Her husband died at the Hôtel de Soissons in April 1740 heavily in debt; she lived quietly as a widow but successfully managed to marry her only surviving daughter, Princess Anna Teresa of Savoy-Carignan, to the widowed Charles de Rohan, Prince of Soubise. Anna Teresa had one child; Victoire de Rohan, who would become the official governess of Louis XVI's daughter, Marie Thérèse of France. In 1763 Leopold Mozart wrote in a letter that "today my little girl was given a small, transparent snuff-box, inlaid with gold, from the Princess Carignan, and Wolfgang a pocket writing case in silver, with silver pens with which to write his compositions; it is so small and exquisitely worked that it is impossible to describe it". Maria Vittoria of Savoy-Carignan died in Paris on 8 July 1766 aged 76.
Winged Gorgoneion from Olympia, originally an apotropaic shield decoration, early sixth century BC Ancient Greek Attic black-figured cup, end of sixth century BC - Cabinet des médailles de la Bibliothèque nationale de France, Paris, France Gorgoneia appear frequently in Greek art at the turn of the eighth century BC. One of the earliest representations is on an electrum stater discovered during excavations at Parium. Other early eighth-century examples were found at Tiryns. Going further back into history, there is a similar image from the Knossos palace, datable to the fifteenth century BC. Marija Gimbutas even argues that "the Gorgon extends back to at least 6,000 BC, as a ceramic mask from the Sesklo culture illustrates",. and in her book, Language of the Goddess, she also identifies the prototype of the Gorgoneion in Neolithic art motifs, especially in anthropomorphic vases and terracotta masks inlaid with gold.
There is no precise definition of this term other than that it certainly comprehends the disciplines of geography and astronomy but at that time it would also include astrology and chronology (as a history of the world from the creation). All of these were among Mercator's accomplishments but his patron's first call on his services was as a mundane surveyor of the disputed boundary between the Duke's territory of the County of Mark and the Duchy of Westphalia. Astronomical clock with rotating globes Around this time Mercator also received and executed a very special order for the Holy Roman Emperor a pair of small globes, the inner ("fist-size") Earth was made of wood and the outer celestial sphere was made of blown crystal glass engraved with diamond and inlaid with gold. He presented them to the Emperor in Brussels who awarded him the title Imperatoris domesticus (a member of the Imperial household).

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