47 Sentences With "ingenues" | Random Sentence Generator

So, these 2016 design ingenues are in very good company.

The Academy loves its ingenues, and Portman already won for Black Swan.

If these desirable ingenues could not escape scrutiny, what chance did I have?

Fast forward to 2017, and Stone, already one of the Hollywood's critically acclaimed ingenues, has an Oscar win on her resume.

And then there are the young, beautiful ingenues, and I do find that they start doing the botox and plastic surgery.

Norma Shearer, a box office wonder married to influential MGM producer Irving Thalberg, eradicated the notion that ingenues had to be innocent.

In the early days of the crisis he called Jared Kushner at the White House for support, two ingenues about to be swallowed by events.

Bomer's Monroe navigates the cutthroat world of aging execs, enterprising ingenues and tireless paparazzi — all while clad in the stiff but timeless menswear of the '30s.

Featuring Bey-approved ingenues is the same approach used in previous campaigns, which tapped Yara Shahidi, Chloe x Halle, SZA, and Selah Marley in the past.

Rather than cry, or whine, or bear the pain silently and with a smile, as so many ingenues have in the past, their trauma is physically acknowledged, then purged.

Or the avalanche of criticism directed at the moms of Pantsuit Nation or safety pin wearers, who were demeaned for being political ingenues instead of being invited into the coalition.

Lucas Hedges (Manchester by the Sea) deserves a nomination, but the Academy tends to go for female ingenues, and it's unclear whether voters will think he's too young to be recognized.

A luminous pre-Notebook Rachel McAdams plays Kate, a young understudy stuck playing Midsummer fairies while her diva roommate (a proto-Jenna Maroney unburdened by charisma or talent) butchers Shakespeare's iconic ingenues.

Luckily, Rules Don't Apply's best reason for existing is Ehrenreich (your young Han Solo, by the way) and Collins, a pair with delightful chemistry who channel the smoldering lead men and bright-eyed ingenues of old.

If any aliens or technology ingenues were trying to understand what on earth a 'smart home' is yesterday, via Google's latest own-brand hardware launch event, they'd have come away with a pretty confused and incoherent picture.

Apparently, she feels no compulsion to hedge her vision with edginess or intentionally disagreeable ballast, like the male-objectified ingenues in Lisa Yuskavage's work that seem to ridicule a viewer's attraction to the allure of her imaginative atmosphere.

Upstart ingenues and heavy hitters figure equally in today's Oscar nominations for Best Actress and Best Supporting Actress — and in the pages of T. Read on to see what four of this year's nominated actresses have told us about their craft.

Fyre Fest was supposed to be the most luxurious music festival ever — an ultra-exclusive party spanning two weekends on a private island in the Bahamas, with private jet travel built into the extravagant ticket price, where Instagram ingenues, including Kendall Jenner and Bella Hadid, were headed to dance on yachts.

Mostly, though, First Love is the kind of film that's designed for seen-it-all genre fans who know these tropes (the scheming criminal, the dewy ingenues, the cold-hearted lady assassin, and so on) and appreciate seeing them tweaked in new directions, and treated with an air of fond familiarity rather than dour airlessness.

There's no business like showbusiness, and Amazon aims to prove it with its latest drama, The Last Tycoon, which is especially notable for giving us an excuse to look at Matt Bomer prowling around in perfectly tailored suits and trench coats, channeling his inner Gatsby and batting his baby blues at all manner of Hollywood ingenues.

Brie's character in the Netflix show, Ruth Wilder, is a classically trained Hollywood hopeful who could have turned out like Borkin if she had never found G.L.O.W. One casting agent tells Ruth that she is only brought in to read as a quirky alternative to the more sparkly ingenues, proving to directors that they never wanted quirk to begin with.

The cast was workshopped to include something for everyone — big-name Broadway stars like Kristin Chenoweth (as Velma Von Tussle, the villainous former beauty queen) and Harvey Fierstein (who won a Tony for portraying Edna Turnblad in the stage musical) for hard-core theatre nerds, Disney Channel ingenues like Dove Cameron (Amber Von Tussle) and Garrett Clayton (Link Larkin) for the teens, Hamilton's Ephraim Sykes (Seaweed J. Stubbs), Dream Girls' Jennifer Hudson (Motormouth Maybelle), and pop princess Ariana Grande for the Gen Y-ers and the tweeters, and Martin Short (Wilbur Turnblad) for dad.

Rich millennials paid thousands for Ja Rule's Fyre Fest and are now stranded on an island in disaster-relief tents Rich millennials paid thousands for Ja Rule's Fyre Fest and are now stranded on an island in disaster-relief tents Fyre Fest was supposed to be the most luxurious music festival ever — an ultra-exclusive party spanning two weekends on a private island in the Bahamas, with private jet travel built into the extravagant ticket price, where Instagram ingenues, including Kendall Jenner and Bella Hadid, were headed to dance on yachts.

The finale gave way to ingenues in the tea-stained, ruffled tulle dresses and sparkly sweetheart-shaped bodices. Design details included beadwork, feathers, and intricate embroideries. The palette included black, white, nude, camel, grey, and yellow. Fabrications ranged from silk, tulle, georgette, and cashmere to leather, velvet, wool, and fur.

International Film Guide 1983. London: The Tantivy Press, 1983. The success of the film made De Luca one of the most popular ingenues of Italian cinema; her freshness and grace endeared her to the public. De Luca was one of several women romantically involved with her Poor, But Beautiful co-star Maurizio Arena.

Madonna introduced another completely new persona for the video. She wore a wig which provides "a waif-like cap of short black hair with spiky bangs." She also removed her trademark mole and got her eyebrows back, which had been virtually invisible in her previous videos. The look took inspirations from Paris in the 1940s, cabaret singer Édith Piaf and ingenues in general.

In the 1920s announcements seeking all-girl bands for vaudeville performances appeared in industry publications like Billboard, Variety and in newspapers. Bands like The Ingenues and The Dixie Sweethearts were well-publicized, while other groups were simply described as "all-girl Revue". Similar trends in theater and film objectified images of women to allow male gaze in the gender divisions that developed as women's role in public life was expanding.

McTavish's first stint on All My Children was her most critically and commercially successful. McTavish updated some of the existing characters and introduced new ones. She wrote several sweeping umbrella stories over the years, most notably a story where Pine Valley is hit by a tornado. During her third run as head writer, she penned a baby-swap story involving two of the show's young ingenues, Bianca Montgomery and Babe Carey.

The Ingenues was an all-female jazz band popular in the late 1920s through the 1930s. This performing band would often appear in vaudeville and variety theaters. Anna Mae Winburn was an African American band leader of an all-female jazz band called the International Sweethearts of Rhythm. Frances Klein was another famous female instrumentalist of the 30s and 40s who played in Kermit Dart's All-Girl Band, under the direction of Irene Vermillion.

A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6).Coffin (1960) This is the most common female singing voice.

Although Scene of the Crime made a small profit, primarily because of its low production cost, Van Johnson would never make another film noir. Gloria DeHaven was also making a change for her role in the film. She had been known for playing sweet, innocent ingenues, like Johnson in comedies and musicals. It was Schary's decision to cast her as Lili, a stripper who appears at first to have a heart of gold, but turns out to be a hard-boiled gangster's moll.

However, the new technical developments in cinema were not suitable to Nielsen's style, nor could her maturity compete with the young American ingenues, so she retired from the screen. Thereafter, Nielsen acted only on stage. After the rise of Nazism she was offered her own studio by propaganda minister Joseph Goebbels. Nielsen later described being invited to tea with Adolf Hitler, who tried to convince her to return to film and explained the political power of her on-screen presence.

Elsa Daniel born Elsa Nilda Gómez Scapatti (13 November 1936 – 25 June 2017) was an Argentine film actress. She entered film in the 1954 classic The Grandfather and made some 30 appearances in film between then and 1987. Daniel, a blonde, played ingenues in many of Leopoldo Torre Nilsson's masterpieces such as La Casa del ángel, La Caída, and La Mano en la trampa. She was shortly married to director Rodolfo Khun, who directed her in the film Los Inconstantes.

Simon Scott played Magoffin's husband, Samuel, and host Ronald W. Reagan was cast as frontiersman William Bent. In an unusual turnabout from the pattern typical for ingenues, Marsh underwent a series of rhinoplasties following her early successes rather than changing her appearance before starting her career. Already a pretty woman, the ultimate result was exceptionally dramatic and opened the door to more glamorous parts in the later 1960s. She was a frequent guest star on television into the 1970s; her last credited roles were in 1979.

One of Cukor's earlier ingenues was actress Katharine Hepburn, who debuted in A Bill of Divorcement (1932) and whose looks and personality left RKO officials at a loss as to how to use her. Cukor directed her in several films, both successful, such as Little Women (1933) and Holiday (1938), and disastrous, such as Sylvia Scarlett (1935). Cukor and Hepburn became close friends off the set. Cukor was hired to direct Gone with the Wind by Selznick in 1936, even before the book was published.

In the Jazz Age and during the 1930s, all-female bands such as The Blue Belles, the Parisian Redheads (later the Bricktops), Lil-Hardin's All-Girl Band, The Ingenues, The Harlem Playgirls, Phil Spitalny's Musical Sweethearts and "Helen Lewis and Her All-Girl Jazz Syncopators" were popular.Ina Ray Hutton led an all-girl band, the Melodears, from 1934 to 1939. Eunice Westmoreland, under the name Rita Rio, led an all-female band appearing on NBC Radio and for Vitaphone and RKO. A Polish group Filipinki was established in 1959.

The Ingenues was a vaudeville style all-girl jazz band based in Chicago, which toured the United States and other countries from 1925 to 1937. Managed by William Morris, the group performed frequently for variety theater, vaudeville and picture houses, often billed as the opening stage show before double features. They headlined the Ziegfeld Follies of 1927, Glorifying the American Girl, an act featuring 12 white baby grands as well as various combinations of brass bands, strings and woodwinds. The group specialized in jazz, Tin Pan Alley, light classical works and Dixieland.

Pickford, like all actors at Biograph, played both bit parts and leading roles, including mothers, ingenues, charwomen, spitfires, slaves, Native Americans, spurned women, and a prostitute. As Pickford said of her success at Biograph: > I played scrubwomen and secretaries and women of all nationalities ... I > decided that if I could get into as many pictures as possible, I'd become > known, and there would be a demand for my work. She appeared in 51 films in 1909 – almost one a week – with her first starring role being in The Violin Maker of Cremona opposite future husband Owen Moore.

Gish in Jed Harris's Broadway production of Uncle Vanya, 1930 Her debut in talkies was only moderately successful, largely due to the public's changing attitudes. Many of the silent era's leading ladies, such as Gish and Pickford, had been wholesome and innocent, but by the early 1930s (after the full adoption of sound and before the Motion Picture Production Code was enforced) these roles were perceived as outdated. The ingenues diametric opposite, the vamp, was at the height of its popularity. Gish was increasingly seen as a "silly, sexless antique" (to quote fellow actress Louise Brooks's sarcastic summary of those who criticized Gish).

In the Jazz Age and during the 1930s, all-female bands such as The Blue Belles, the Parisian Redheads (later the Bricktops), Lil-Hardin's All-Girl Band, The Ingenues, The Harlem Playgirls, Phil Spitalny's Musical Sweethearts and "Helen Lewis and Her All- Girl Jazz Syncopators" were popular. Ina Ray Hutton led an all-girl band, the Melodears, from 1934 to 1939. Eunice Westmoreland, under the name Rita Rio, led an all-female band appearing on NBC Radio and for Vitaphone and RKO. Ivy Benson's "All Girls Band" was the BBC's resident dance band in 1943 and toured until the 1980s.

Cinesound Productions were looking for someone with wrestling skills to play the part of a gorilla in Gone to the Dogs (1939), so Taylor auditioned. He did not get the part but met Alec Kellaway who persuaded him to join Cinesound's Talent School.'New Romantic Lead', Sydney Morning Herald, Thursday 15 February 1940, p24 Ken G. Hall said that one of the problems of the Australian industry of this time was they "were consistently short of trained juveniles and ingenues".Ken G. Hall, Directed by Ken G. Hall, Lansdowne Press, 1977p 157 Cinesound in particular had a great deal of trouble finding male romantic leads.

Though in her first sound picture, Night Birds (1930), she got to sing a number, most of her films did not use her musical talents. The sweet-natured actress who played both ingenues and 'other woman' roles co-starred with husband Stuart in No Exit (1930), Eve's Fall (1930) and Hindle Wakes (1931), and appeared with British star Monty Banks in some of his film farces, including My Wife's Family (1931) and So You Won't Talk (1935). Muriel received a career lift with the glossy musical London hit Balalaika. She also acted in the British serial Lloyd of the C.I.D.. She portrayed Adriana in the original Broadway production of The Boys From Syracuse (1938), and Marie Sauvinet in the Broadway production of Sunny River (1941).

O'Sullivan appeared in six movies at Fox, then made three more at other movie studios. In 1932, she signed a contract with Metro-Goldwyn- Mayer. After several roles there and at other movie studios, she was chosen by Irving Thalberg to appear as Jane Parker in Tarzan the Ape Man, opposite co- star Johnny Weissmuller. She was one of the more popular ingenues at MGM throughout the 1930s and appeared in a number of other productions with various stars. In all, O'Sullivan played Jane in six features between 1932 and 1942. In Pride and Prejudice, 1940 She was featured with William Powell and Myrna Loy in The Thin Man (1934) and played Kitty in Anna Karenina (1935) with Greta Garbo, Fredric March, and Basil Rathbone.

Lorella De Luca (17 September 1940 – 9 January 2014) was an Italian film, television, and voice actress. One of the most recognized ingenues of Italian cinema during the mid-to-late 1950s, she is best known for having played naive young girls in dramas and comedies. She was born in Florence, Italy and, following her "discovery" at age 14, made her acting debut in the Federico Fellini film Il bidone (1955). De Luca's breakout role, however, came a year later following her performance in Dino Risi's comedy Poor, But Beautiful (1956) and continued on in the genre, with appearances in Mario Monicelli films A Tailor's Maid (1957) and Doctor and the Healer (1957), as well as in Duccio Tessari's Spaghetti Westerns A Pistol for Ringo (1965) and its sequel The Return of Ringo (1965) with Giuliano Gemma.

At Fox that same year, she appeared in director Allan Dwan's now lost romantic adventure The Far Call opposite Charles Morton. The quality of her parts continued to improve as the decade turned, including a role as Robert Montgomery's sister in the prison drama The Big House (1930) with Chester Morris and Wallace Beery, for which Hyams once again received positive reviews. She then appeared in Surrender (1931) in which Warner Baxter and Ralph Bellamy desperately competed for her attention.Hyams in 1932 Although she succeeded in films that required her to play pretty ingenues, and developed into a capable dramatic actress in 1930s crime melodramas, she is perhaps best remembered for two early 1930s horror movies, as the wise- cracking but kind-hearted circus performer in Freaks (1932) and as the heroine in the Bela Lugosi film Island of Lost Souls (1932).

A cast also rapidly shaped up around Crawford with the input of the new director and choreographer in a fresh set of auditions, with then-ingenues Mandy Gonzalez and Max von Essen in the young lead roles of Sarah and Alfred, René Auberjonois (after similar prolonged negotiations to Crawford's) as Professor Abronsius, Ron Orbach (late of the out-of-town run of The Producers) as Chagal, and Leah Hocking as Magda, among others On paper, put together by talented people, Dance of the Vampires looked like magic. A celebrated rock composer, a critics' darling who had authored several Off-Broadway plays, a Tony-winning director, and a high-wattage Broadway star were the captains of this ship. However, rehearsals proved just how unsteady the ship actually was. Rando had never directed a musical of this size, and quickly proved overwhelmed according to cast members.

The film was the second one Gish made under her contract with M-G-M and a departure from the ingénue roles she had performed in service to director D.W. Griffith. (her first M-G-M picture was directed by King Vidor, an adaption of La bohème with co-star John Gilbert in which she played the pathetic consumptive, Mimi.)Durgnat and Simmons, 1988: p. 75-76: In both films Gish plays “the self-sacrificial lover...” She asked production manager Louis B. Mayer specifically to make The Scarlet Letter and he reluctantly agreed, due to M-G-M’s concern that censors would object to a frank depiction of Nathaniel Hawthorne’s character, Hester Prynne, whose romantic indiscretions unleash a wave of reactionary bigotry. Director Seastrom disabused these expectations with an opening intertitle “establishing Pyrnee’s [Gish’s] ordeal as ‘a story of bigotry uncurbed.’”Malcolm, 2004: “Gish was the project’s prime mover as she sought more mature roles after playing ingenues for D. W. Griffith.” And: “...Gish’s wholesome reputation [established under her D.W. Griffith films] put censorship groups at ease [anticipating] a most chaste Hester Prynne.” expected from Gish. And: An opening intertitle reads “a story of bigotry uncurbed.” Shooting took under two months.