134 Sentences With "infinite space" | Random Sentence Generator

Neopets had the infinite space of the internet at its disposal.

Infinite space, in the end, might be just a nutshell's worth of emptiness.

The infinite space offered by the tech giants has made us all digital hoarders.

Even with their seemingly infinite space, celebs including Kourtney Kardashian suffer from overstuffed vanities.

Staring into the seemingly infinite space for a while had a similar effect on my vision.

In the dark, barren, low-poly void of infinite space, there is a nameless planet and its creator.

This work represents an experiment, "with the feeling of perception and infinite space," they write in the video's description.

"Gardening on the Moon #2," which is 22 by 30 inches, recalls Caspar David Friedrich's views into infinite space.

Using mirrors and LEDs, Saturn Submerged "creates an illusion of infinite space in an actually finite volume," according to Pulecio.

As it turns out, attempting to regulate an infinite space outside of any real unilateral government agency's control is pretty tricky stuff.

I could be bounded in a nut-shell, and myself king of infinite space, were it not that I have bad dreams.

His knowledge is esoterics and, at times, mind-bending: He explains lucid dreaming, impermanence, non-self, cessation, equanimity, infinite space, and nothingness.

But the emperor was also interested in international innovations, such as European trompe l'oeil painting, which he admired for its illusion of infinite space.

This young woman's eyes radiated a sparkling kindness, like two universes gazing out from some impossibly vast and infinite space hidden behind her face.

While the park scene shimmered, here you feel utterly alone and lost, as if in a tunnel with no exit, drifting in a dark, infinite space.

Upon death, this footage of the father is projected into his empty study, and recording it again, creating an infinite space where different segments of time intersect.

"It opens up the infinite space of human music, and the dancelike qualities of musical performance," says Matt Wright, a longtime SLOrkian and one of the orchestra's instructors.

"I was able to program infinite numbers of random combinations, creating an illusion of infinite boxes within an infinite space that is self contained in a box," writes Pulecio.

Drawing on a sound library composed by the high-drama post-rock band 65daysofstatic, the score feels alternately anxious, lonesome, and reflective of the unrestrained joy of infinite space travel.

And yet The Young Pope somehow gets into the nervous system and under the skin and maybe — by somehow penetrating those infinitesimally small crevices that reveal infinite space — even into the soul.

The grandeur of "2001"—the product of two men, Clarke and Kubrick, who were sweetly awestruck by the thought of infinite space—required, in its execution, micromanagement of a previously unimaginable degree.

Takami Nakamoto and Noemi Schipfer, the duo known as Nonotak Studio, take us inside the process of making Hoshi, an infinite space that echoes the precise design of the all-new Prius.

Where Making a Murderer lives and breathes is on the internet — in forums like Reddit's, which allows for in-depth examinations of the smallest facets of the show and infinite space for discussion.

There is literally no situation it doesn't work well and securely; as Hamlet put it, I could be "bound in a nutshell and consider myself a king of infinite space" with this setup.

"Dreams of a Sleeping World" doesn't use optical illusions to create an infinite space, and his surreal landscapes painted in black ink are simultaneously too detailed to echo Haring and too minimal to match Dali.

We chat about our very own "forever" games, from the endless appeal of immersive sims to the promise of near-infinite space in No Man's Sky, and Patrick gets a very special surprise at the end!

In truth, it's perhaps closer in spirit to Mizuguchi's woefully underrated Child of Eden, trading Rez's sharp edges and ominous beats for brighter, more uplifting themes in an infinite space filled with glowing particles of light.

"Diamonds," one of the signature works Balanchine made for Ms. Farrell, displayed the heroic scale of her dancing; though the role has Imperial Russian qualities, she often seemed to be dancing it with unparalleled freedom in infinite space.

Related: Future Forward NYC Presented a Glimpse into Tomorrow These Responsive Installations Made Us Feel Like Magicians Inside the Design of Nonotak's Infinite Space The Making of Doris Sung's Heat-Responsive Chandelier Building VT Pro Design's Hybrid Living Wall

Clinton had crisscrossed the country on her own plane, cocooned with aides at 36,000 feet as the journalists who cover her campaign trailed in their own chartered jet, with clouds and sky and seemingly infinite space between the two.

As we know, the argument between "Specific Objects" (Judd) and space, infinite space, and the fourth dimension (di Suvero and the Park Place painters) was won by those who sided with actual objects and the formalist insistence on flatness.

No Man's Sky developer Hello Games has broken its silence after a tumultuous launch in August by revealing a major update to the infinite space exploration game that makes some fundamental changes to how and what players can do in its universe.

But maybe there's some room in the infinite space that is online media and in 24/7 cable news to put aside what's most profitable for a few minutes and cover anything else but the drama -- overdone, sensationalized or otherwise -- surrounding the incoming administration.

In awe I watched the waxen moon ride across the zenith of the heavens like an amber chariot towards the void of infinite space wherein the tethered bolts of Jupiter and Mars hang forever in their orbital majesty; and as I looked at all this, I thought, 'I must put a roof on this lavatory.

Digital Eel is best known for its Infinite Space series of space roguelikes, Strange Adventures in Infinite Space (2002), Weird Worlds: Return to Infinite Space (2005) and Infinite Space III: Sea of Stars (2015). Strange Adventures and Weird Worlds pioneered the space roguelike subgenre, inspiring later efforts like FTL: Faster Than Light.

Its sequels, the IGF award-winning Weird Worlds: Return to Infinite Space (2005, Windows, Mac, iPad) and the crowd-funded Infinite Space III: Sea of Stars (2015, Windows, Mac), each feature more content and options.

Since September 28, 2009, Strange Adventures In Infinite Space was made available as freeware, including the game content.strange-adventures-in-infinite-space-free on Rock, Paper, Shotgun (2009-10-07) Due to the source code availability ports to alternative platforms emerged, for instance for the ARM and Linux based OpenPandora.strange-adventure-in-infinite-space-v1-5-0-01-pandora-game-port on pdroms.desais on github.

Infinite Space was known as Infinite Line, during its production.SEGA Unravels the Mystery of the Universe with Infinite Space Legendary anime mechanical designer Kazutaka Miyatake of Studio Nue -famous for his work in the Macross science fiction series- made several spaceship designs for the game.

The group was formed in 2001 by Rich Carlson (Ion Storm, Looking Glass Studios), Iikka Keränen (Looking Glass Studios, Valve) and Bill "Phosphorus" Sears (KnowWonder, GameHouse). In April 2013, Digital Eel announced plans for the third installment of the Infinite Space series, Infinite Space III: Sea of Stars, and turned to Kickstarter.com to crowdfund the project. Funding was successful.

In 2009, Lautner was the subject of a documentary feature film direct by Murray Grigor, Infinite Space: The Architecture of John Lautner.

November 7: I cannot possibly describe the sublime experience of blastoff — the fulminous roar of the engines, the craft's upjut into infinite space.

Reiche is listed in the credits for ToeJam & Earl under "Invaluable Help". as well as in "Inspiration" section of credits for Strange Adventures in Infinite Space.

Strange Adventures In Infinite Space was created by the independent game development group Digital Eel and released on March 15, 2002 by boardgame developer-publisher Cheapass Games.

In December 2005, Iikka completed "Argentan", a map for the multiplayer video game Day of Defeat: Source. His Digital Eel credits include design, programming and art. He co-designed all Digital Eel games to date (Plasmaworm, Strange Adventures in Infinite Space, Dr. Blob's Organism, Digital Eel's Big Box of Blox, Weird Worlds: Return to Infinite Space, Eat Electric Death!, Soup du Jour, Goblin Slayer and Brainpipe) with Rich Carlson.

Digital Eel is a self-funded independent video game development team located in the Seattle, Washington area. Digital Eel is best known for its Infinite Space series of space roguelikes.

On November 11, 2005, the source code became freely available under the GNU GPL,source on digital-eel.comsais on infinitespacegames.com "After being sold for several years by Cheapass Games, Strange Adventures in Infinite Space was released as free software and its source code was made available under the GNU General Public License. Go to the Strange Adventures in Infinite Space website to download the game, source code and various other goodies" though without the other game content.

The piece explores toxic masculinity and the role men ought to be playing during the current cultural reckoning of misogyny. Gideon and O’Neill collaborated with JD Samson, visual artist Jennifer Myers, and Teen (band) to create Out There. The piece has been cited as innovative. 2019 There Is Not an Infinite Space between Two Points There Is Not an Infinite Space between Two Points is a video performance piece with an accompanying exhibition of light boxes, window murals, and paintings on wood.

Ernest Adams, writing for Gamasutra in 2005, described Strange Adventures In Infinite Space as "The perfect short game"."A Perfect Short Game" in Gamasutra (September 15, 2004) Strange Adventures In Infinite Space was a 2003 Independent Games Festival finalist."IGF Competition Finalists" on igf.com in 2003 The game has been considered to be one of the first "rogue-lite" games, games that took core roguelike such as permadeath and procedural generation but adopted them to different gameplay styles that forewent the tile-based and hack-and-slash gameplay.

"Sheets, Hilarie M. Illuminated Void. Comp. C. Grimaldis Gallery. Baltimore: C. Grimaldis Gallery, 2011. Print. As a pillar in the resurgence of light art, "Ahn creates sculptures utilizing light, color and illusion as physical representations of his investigation of infinite space.

Ananta is the infinite space, the infinite space is Brahman. According to the Yoga School, Ananta is the serpent of infinity who eavesdropped on the secret teaching that was being imparted to Goddess Parvati by Lord Shiva; the secret teaching was Yoga. On being apprehended Ananta was sentenced by Lord Shiva to impart that teaching to human beings for which purpose Ananta assumed the human form and was called Patanjali. In his Yoga Sutras, Patanjali stresses upon the use of breath to achieve perfection in posture which entails steadiness and comfort, by making an effort, the effort meant is the effort of breathing.

Crowley, Aleister. The Law is for All. Commentary on III:15. The first mention reads thus: > Now ye shall know that the chosen priest & apostle of infinite space is the > prince-priest the Beast; and in his woman called the Scarlet Woman is all > power given.

Rodchenko); or as a depiction of multidimensional (infinite) space, a fulfillment of illusionistic painting, representing a new evolution--a new beginning--in Western painting's history (Malevich). Additionally, many have pointed out that it may be difficult to deduce the artist's intentions from the painting itself, without referring to the artist's comment.

During the first week following its release in Japan, Infinite Space sold 38,000 units and was the highest selling game in Japan during that period. Sales tracking company Media Create predicted that the game would have a 92% sell-through rate, indicating that it could continue to perform well on the market.

He highlighted the white ground and clear skies, making the shadows black. Dark tones were "overpowered" by light ones, creating a sense of "infinite space". For faces and structures, Howe used light reflected from the ground. The contrast between the environment and objects silhouetted against the background provides a sense of depth.

The path integrals are usually thought of as being the sum of all paths through an infinite space–time. However, in local quantum field theory we would restrict everything to lie within a finite causally complete region, for example inside a double light- cone. This gives a more mathematically precise and physically rigorous definition of quantum field theory.

His work has also been influenced by the work of the American abstract artist Donald Judd. McElheny has also expressed interest in glassblowing as part of an oral tradition handed down generation to generation. He has used the infinity mirror visual effect in his explorations of apparently infinite space. His work also sometimes deals with issues of museological displays.

A battle sequence. The player's ship is shown in the center of the top screen, while controls are displayed below. Infinite Space is a science fiction role-playing video game that allows the player to design and control a spaceship. The player can customize the ship with over 150 different design models, along with over 150 possible crewmembers.

Indie games are recognized for helping to generate or revitalize video game genres, bringing new ideas to either stagnant gameplay concepts or creating whole new experiences. The expansion of roguelikes from ASCII, tile-based hack-and-slash games to a wide variety of so-called "rogue-lites" that maintain the roguelike procedural generation and permadeath features bore out directly from indie games Strange Adventures in Infinite Space (2002) and its sequel Weird Worlds: Return to Infinite Space (2005), Spelunky (2008), The Binding of Isaac (2011), FTL: Faster Than Light (2012) and Rogue Legacy (2012). Metroidvanias resurged following the releases of Cave Story (2004) and Shadow Complex (2009). Art games have gained attention through indie developers with early indie titles such as Samorost (2003) and The Endless Forest (2005).

In 2007 Tallis published Unthinkable Thought: The Enduring Significance of Parmenides. His book The Kingdom of Infinite Space: A Fantastical Journey Around Your Head, which explores the range of activities that go on inside the human head, was published in April 2008.Catherine O'Brien, "Why we kiss, laugh, yawn and cry" – interview with Raymond Tallis in The Times, 25 March 2008.

Medium density fiberboard is a common material out of which loudspeaker enclosures are built. In some respects, the ideal mounting for a low-frequency loudspeaker driver would be a rigid flat panel of infinite size with infinite space behind it. This would entirely prevent the rear sound waves from interfering (i.e., comb filter cancellations) with the sound waves from the front.

The journal's name is that of the sun-god Phoebus, generally associated with the Greek Apollo. The frontispiece of the first issue, designed by Ferdinand Hartmann, shows Phoebus in a chariot, drawn by sun-horses over the town of Dresden. Kleist wrote: "Thunder on, O thou, with thy flaming steeds, / Phoebus, bringer of day, into infinite space!" The periodical was modelled on Friedrich Schiller's journal Die Horen.

The mystery of the Hebdomad there unfolded (Hom. xvii. 10) is an independent exposition of the six days' work of creation, and the seventh day's rest; illustrated by the six directions, into which infinite space extends, viz. up, down, right, left, backward, forward, together with the central point considered as making a seventh. The mysteries of the number seven are treated of by Clem. Alex. (Strom. vi.

Strange Adventures In Infinite Space is a roguelike video game created by the indie developer Digital Eel and released for Windows and Mac on March 15, 2002 by boardgame developer-publisher, Cheapass Games. It was later released for Pocket PC and Palm by British developer-publisher Astraware. Strange Adventures is considered one of the first rogue-lite games, a hybrid of roguelikes and other types of games.

Akasha is space in the Jain conception of the cosmos. Akasha is one of the six dravyas (substances) and it accommodates the other five, namely sentient beings or souls (jīva), non-sentient substance or matter (pudgala), principle of motion (dharma), the principle of rest (adharma), and the principle of time (kāla). It is all-pervading, infinite and made of infinite space-points.Acarya Nemicandra; Nalini Balbir (2010) pp.

The roguelike genre saw a resurgence in Western markets after 2000 through independent developers who created a new subgenre designated "rogue-lite", though the games are also sometimes called "roguelike-likes". Indie developers began to incorporate roguelike elements into genres not normally associated with roguelikes, creating games that would form the basis of this new subgenre. Two of the earliest cited examples of rogue-lites are Strange Adventures in Infinite Space (2002) and its sequel Weird Worlds: Return to Infinite Space (2005) by Digital Eel, both space exploration games that included randomly generated planets and encounters, and permadeath. Digital Eel based their work on the space exploration game Starflight along with roguelikes like NetHack but wanted to provide a shorter experience that would be easier to replay, akin to tabletop beer and pretzels games like Deathmaze and The Sorcerer's Cave that has elements in common with roguelikes.

Hybrid stochastic simulation is sub-class of stochastic simulations, designed to simulate part of Brownian trajectories avoiding to simulate the entire trajectories. This approach is particularly relevant when a Brownian particle evolves in an infinite space. Trajectories are then simulated only in the neighborwod of small targets. Otherwise, explicit analytical expression are used to map the initial point to a distribution located on a imaginary surface around the targets.

Mantak and Maneewan Chia Awaken Healing Light of the Tao (Healing Tao Books, 1993), ch.13 The lower dantian at or below the navel transforms essence, or jīng, into qì. The middle dantian in the middle of the chest transforms qì into shén, or spirit, and the higher dantian at the level of the forehead (or at the top of the head), transforms shen into wuji, infinite space of void.Andy James.

The former are in a white background with toned-down saturation to prevent other narrative stories from conflicting the latter, and to represent an infinite space. Teasers for the music video were released in mid-July 2009, hinting at a possible kiss scene between members Ga-in and Narsha. Hwang, Yun- jeong. `브아걸` 손가인-나르샤, 아슬아슬 `키스씬` 화제 (Brown Eyed Girls' Son Ga-in and Narsha, Loitering "Kiss Scene" Sparks Discussion) .

The company's second game was Infinite Space. Announced as Infinite Line, it is a role-playing video game with real-time strategy, and space simulation elements. Inspired by the works of Arthur C. Clarke and Greg Egan, PlatinumGames collaborated closely with Nude Maker while developing the game. Produced by Inaba, the title was released in June 2009 in Japan, and its localized release for western territories was in March 2010.

Reprinted as Appendix II in noted independently that the assumption of an infinite space filled uniformly with stars would lead to the prediction that the nighttime sky would be as bright as the Sun itself; this became known as Olbers' paradox in the 19th century.. Reprinted as Appendix I in Newton believed that an infinite space uniformly filled with matter would cause infinite forces and instabilities causing the matter to be crushed inwards under its own gravity. This instability was clarified in 1902 by the Jeans instability criterion. One solution to these paradoxes is the Charlier Universe, in which the matter is arranged hierarchically (systems of orbiting bodies that are themselves orbiting in a larger system, ad infinitum) in a fractal way such that the universe has a negligibly small overall density; such a cosmological model had also been proposed earlier in 1761 by Johann Heinrich Lambert.Misner, Thorne and Wheeler, p. 757.

Six massive Baroque pillars, girded with ornamental cornices divide the White Hall into three parts. An oval opening in ceiling appears to connect the White Hall with the Small Hall above it, and thereby conveys the Baroque concept of infinite space. A remarkable portrait of King Stanisław August Poniatowski is positioned in the centre of the tympanum. The portrait is surmounted by allegorical figures of the sitting women representing Diana and Urania.

He has also taught at the Iowa Writers' Workshop, the University of Michigan, Miami University, and Grinnell College. Hynes received a B.A. in philosophy from the University of Michigan and an M.F.A. from the Iowa Writers' Workshop at the University of Iowa. His first novel, The Wild Colonial Boy, deals with terrorism in Northern Ireland. Hynes' three subsequent books, Publish and Perish, The Lecturer's Tale and Kings of Infinite Space, combine satire and horror.

Artists mastered the formula of creating intricate and realistic scenes placed in the foreground, while the background retained qualities of vast and infinite space. Distant mountain peaks rise out of high clouds and mist, while streaming rivers run from afar into the foreground.Morton, 105. Song ding ware porcelain bottle, 11th century. There was a significant difference in painting trends between the Northern Song period (960–1127) and Southern Song period (1127–1279).

The company had not revealed anything about upcoming projects for a year, until 2008, when Sega announced that it would be publishing four PlatinumGames' titles. According to Minami, the titles were unique and creative, and it was courageous of Sega to publish these risky titles. Minami added further that the partnership with Sega allowed them to bring these titles to Western markets. The four games included: MadWorld, Infinite Space, Bayonetta and Vanquish.

1) #779 (July 2001) Kelex is featured in an issue of 'Superboy'; he transcribes his impressions of Krypto, who is helping people endangered by an alien invasion.Superboy (vol. 3) #91 (October 2001) The fortress was later restored within a Tesseract (an infinite space within a finite containment), and Kelex is once again its caretaker. Natasha Irons reprograms Kelex so that he would speak more in slang, such as calling Superman 'Big Blue'.

They had no choice but to let me [stay]. The people who had studied in Paris or London could not accept the idea that a man with the face of an Indian like me could draw, engrave, paint." —Santos Chávez "I am a particle in the cosmos, what are we in the planetary system, in infinite space? …Balance, harmony, sense, symbolism, poetry… It is my entire childhood, alone in the country, the world I interpret in my work.

Thillai Natarajah Temple, Chidambaram is considered as one of the most ancient and most celebrated of Shiva temples in India. Chidambaram TempleSaivites attach great religious as well as historic and cultural significance with this temple. In this temple Lord Shiva is an embodiment of the infinite space. Chidambaram temple is associated with Lord Nataraja, or Shiva in his Ananda Tandava pose (the Cosmic Dance of bliss) in the cosmic golden hall (Ponnambalam) and the hall of consciousness (Chit Sabha).

She then used resin cement to create circular patterns, and then airbrushes the circles with resin and lacquer. No panel is the same, as each piece denotes a different sphere, color or texture. Ultimately, Nasaka places each panel side by side, and fits them into a grid like formation, expanding the grid so fully that it covers an entire wall akin to that of a mural. The expansion of concentric circles creates an effect of infinite space.

Her goddess form, Ultimate Madoka, was also designed by Aoki. Aoki designed her costume based on white theme color and cherry blossoms, and designed her hair to be longer and her eyes to change from pink to gold, suggesting Madoka's divinity. Ultimate Madoka's form has been described as "the ultimate form that has undergone a super evolution by fighting infinite space-time" and was called "Hyper Ultimate Madoka" in the series draft, but was later changed to "Ultimate Madoka".

The visualizations often seen of the universe growing as a bubble into nothingness are misleading in that respect. There is no reason to believe there is anything "outside" of the expanding universe into which the universe expands. Even if the overall spatial extent is infinite and thus the universe cannot get any "larger", we still say that space is expanding because, locally, the characteristic distance between objects is increasing. As an infinite space grows, it remains infinite.

He should surrender his Atman (soul) to Paramatman, the Supreme Soul. In order to realize Atman, he should not pay any attention to his impure body, a parental burden, which is to be shunned like an out caste. As a confined space becomes one with the infinite space, one should absorb his atma (self) with the Supreme Soul. The Macrocosm and microcosm, which are the storehouses of all impure things, are to be rejected to become the "self-luminous Substratum".

The user's body is essentially plugged in within the avatar world, thereby creating the illusion of infinite "space" behind the computer screen. As a result, they provide the opportunity for users to manipulate their worlds and the spaces and objects with which they interact. Participation in online communities has resulted in the creation of a virtual economy based on the semantic value of digital products. This form of online consumerism is centered on the creation of avatars as extensions of the self.

Siddharth's next independent production, the musical drama The Infinite Space, is a story of a young Buddhist monk who accidentally discovers the secret to infinity. The film featured music of the well known Grammy Award nominee, Tibetan flute player Nawang Khechog, and had its local premiere at the Gaiety Theatre, Shimla. The film was selected to compete at the IDSFFK 2015 International Film Festival of Kerala and was also selected by the University of Manchester UK for their Insight Film Curation scheme 2015.

The proportion of space filled by the spheres is called the density of the arrangement. As the local density of a packing in an infinite space can vary depending on the volume over which it is measured, the problem is usually to maximise the average or asymptotic density, measured over a large enough volume. For equal spheres in three dimensions, the densest packing uses approximately 74% of the volume. A random packing of equal spheres generally has a density around 64%.

"Loom" is a re-working of "The Infinite Space Octave" by YMO computer programmer Hideki Matsutake, and features a slow, upward glissando similar to the Deep Note, THX's audio logo. A similar sound was previously used by YMO members Haruomi Hosono and Ryuichi Sakamoto for their 1978 album Cochin Moon. Like most YMO albums, song titles were printed in both Japanese and English, as listed below. "来たるべきもの" more accurately translates to "What should come".

Game play was performed similarly to most point and click adventure games of its time, featuring clicking and dragging as a mechanic for direction based puzzles. Inventory items were kept in the presumably infinite space of Granny's Bra, which is the first item the player must retrieve to complete the tutorial zone. The touted "logically illogical" game play resulted in some extremely esoteric puzzle solving, requiring the player to think laterally, or even non sequitorally. There were no death mechanics.

The expression "in a nutshell" (of a story, proof, etc.) means "in essence", metaphorically alluding to the fact that the essence of the nut - its edible part - is contained inside its shell. The expression further gave rise to the journalistic term nut graph, short for nutshell paragraph. In Hamlet (Act 2, Scene 2) the title character exclaims: "O God, I could be bounded in a nutshell, and count myself a King of infinite space". Older uses of this have been reported, too.

Often grouped into the jhāna-scheme are four other meditative states, referred to in the early texts as arupa samāpattis (formless attainments). These are also referred to in commentarial literature as immaterial/formless jhānas (arūpajhānas). The first formless attainment is a place or realm of infinite space (ākāsānañcāyatana) without form or colour or shape. The second is termed the realm of infinite consciousness (viññāṇañcāyatana); the third is the realm of nothingness (ākiñcaññāyatana), while the fourth is the realm of "neither perception nor non-perception".

The New Barbarians, 1997-9In 1997, Tim Noble and Sue Webster commissioned a sculptor from Madame Tussauds to help them create a life-size sculpture of themselves as australopithecines. Called 'The New Barbarians' (left), the work is based upon a diorama at the American Museum of Natural History, New York, which shows a reconstruction of two early ancestors of the human species. The Chisendale Gallery website The artists produced a version of these figures overlaid with their own facial features. The sculptures are installed so that they stand in isolation in an apparently infinite space.

The Elrod House's most notable appearance was as Willard Whyte's mansion in the 1971 James Bond film Diamonds Are Forever. The living room, swimming pool, and an interior room were displayed in the film.Scene of James Bond's Diamonds Are Forever in Elrod House (YouTube) The house has also been the site of photo shoots for adult publisher Playboy, and was featured in a 2010 tabloid from Yale University graphic design student Benjamin Critton. The Elrod House was also showcased in the 2013 architecture documentary Infinite Space: The Architecture of Lautner.

The secondary output of the research conducted in the Arachnid Research Lab are the 'Hybrid Webs' - the collective term for a series of sculptures devised by Saraceno. Each sculpture, made entirely of spider silk is designed to appear as a unique, geometric galaxy floating in infinite space. Creating the sculptures means incorporating webs woven by spiders who are social, asocial or between the two. During the building period, the sculptures are turned onto each side, allowing gravity to aid the interweaving of silk from different sorts of spider.

Infinite Space (2009) by PlatinumGames is a hybrid of tactical RPG, real-time strategy, and space simulator. The 3rd Birthday (2010), the third game in the Parasite Eve series, features a unique blend of action role- playing game, real-time tactical RPG, survival horror and third-person tactical shooter elements. Dead State (2014) is a turn-based RPG developed by DoubleBear Productions and Iron Tower Studios set in a zombie apocalypse scenario. Players are tasked with leading a group of survivors living in a shelter in the fictional town of Splendid, Texas.

In the event, Lautner's load calculations proved flawless and in fact the instruments recorded more deflection in the concrete from the change in temperature when the sun went down than they did from the weight of the sandbags loaded onto the ramp to test it.Frank Escher, quoted in Infinite Space: The Architecture of John Lautner (Googie Films, 2009) The project then sat unfinished for some time. When it became available through bankruptcy in 1974, Philip and Jacklyn Burchill bought the home. They worked with Lautner to complete the home and moved in 1976.

Randomization of starting conditions is a technique common in board games, card games, and also experimental research, which fights back against the human tendency to optimise patterns in one's favor. The downside of randomization is that it takes control away from the player, potentially leading to frustration. Methods of overcoming this include giving the player a selection of random results within which they can optimize (Scrabble, Magic: The Gathering) and making each game session short enough to encourage multiple attempts in one play session (Klondike, Strange Adventures in Infinite Space).

Infinite Space contains themes from the novel Childhood's End by Arthur C. Clarke. The plot is divided into two main storylines; both are centered around Yuri, a starship captain-in-training, and take place ten years apart. The game is set tens of thousands of years in the future, when mankind has spread across several galaxies. While faster-than- light travel using "inflation inverter" engines is the standard for all spaceships, ancient constructs called Void Gates are necessary to travel wider distances that would still take years to cross.

Ruined, inactive Void Gates called Dead Gates can also be found, but are seen as nothing more than scientific curiosities. Infinite Space focuses on Yuri's quest to discover the ultimate purpose of the Epitaphs, artifacts scattered throughout the universe. Most of the game takes place in two galaxies: the Small Magellanic Cloud and the Large Magellanic Cloud. In the first part of the game, which takes place in the SMC, Yuri becomes aware of the Lugovalian Empire, a very large and powerful intergalactic empire, which is ruled by an iron fist by Emperor Taranis.

Infinite Space begins as Nia Lochlain, a "launcher" who helps people leave their homeworlds to travel in space, assists her client Yuri leave his homeworld Ropesk and break the ban on space travel there. Ropesk's ruler Demid Panfilov takes Yuri's sister Kira hostage to force him to return. Yuri pawns his Epitaph, which he believes to be a gift from his father, to buy his own ship, then confronts Panfilov and rescues Kira. Sometime later, Yuri hears that the pawnshop holding his Epitaph has been attacked by pirates.

The company employs many former key members of Clover. In May 2008, PlatinumGames announced a four-game deal with Sega. The games involved in the development and publishing deal include Bayonetta, a "stylish action game" for the PlayStation 3 and Xbox 360 directed by Hideki Kamiya and featuring "a witch battling angels", a science-fiction RPG for the Nintendo DS called Infinite Space, MadWorld, an "ultra ultra violent" action game for the Wii with black and white Sin City-inspired graphics., and Vanquish, an action heavy third-person shooter directed by Shinji Mikami.

In September 2006, GameShadow announced the GameShadow Innovation in Games Awards.MS backs GameShadow awards News (10 November 2006) by Rob Fahey - Eurogamer - Games Reviews, News and More These aim to identify the most innovative games of 2006, whether they come from major publishers or small development teams. Categories include Best Machinima Movie, Most Innovative Gameplay and Best Script. Over 50 games were nominated, ranging from Sony's God of War and Atlus's Trauma center through to independent games like Darwinia, Weird Worlds: Return to Infinite Space, Samorost 2, and Rag Doll Kung Fu, to completely free games including Dad 'N Me, and Stickman Madness.

Transcendentalists have a deep gratitude and appreciation for nature, not only for aesthetic purposes, but also as a tool to observe and understand the structured inner workings of the natural world. Emerson emphasizes the Transcendental beliefs in the holistic power of the natural landscape in Nature: > In the woods, we return to reason and faith. There I feel that nothing can > befall me in life, — no disgrace, no calamity, (leaving me my eyes,) which > nature cannot repair. Standing on the bare ground, — my head bathed by the > blithe air, and uplifted into infinite space, — all mean egotism vanishes.

Falkenstein first worked in the San Francisco Bay Area, then in Paris and New York, and finally in Los Angeles. She was involved with art groups as radical as the Gutai Group in Japan and art autre in Paris and secured a lasting position in the vanguard, which she held until her death in 1997. An interest in Einstein's theories of the universe inspired Falkenstein to create sculptures from wire and fused glass that explored the concept of infinite space. Falkenstein's current reputation rests on her sculpture, and her work in three dimensions was often radical and ahead of her time.

In the mythical Greek cosmogony of Hesiod (8th to 7th century BC), the origin of the world is Chaos, considered as a divine primordial condition, from which everything else appeared. In the creation "chaos" is a gaping-void, but later the word is used to describe the space between the earth and the sky, after their separation. "Chaos" may mean infinite space, or a formless matter which can be differentiated.This is described as a large windy-gap, almost unlimited (abyss) where are the roots and the ends of the earth, sky, sea and Tartarus: online The Theogony of Hesiod.

Each node in an octree subdivides the space it represents into eight octants. In a point region (PR) octree, the node stores an explicit three-dimensional point, which is the "center" of the subdivision for that node; the point defines one of the corners for each of the eight children. In a matrix based (MX) octree, the subdivision point is implicitly the center of the space the node represents. The root node of a PR octree can represent infinite space; the root node of an MX octree must represent a finite bounded space so that the implicit centers are well-defined.

Bleu II exemplifies his distinct style; the artist uses sparse, uniform brushstrokes all across the canvas, giving the enormous expanse of the painting an even more empty feeling, which is emphasized even further by the distinguishable dreamy blue of the background. Bleu II is probably the painting in Miró’s portfolio that most definitively expresses his obsession with dreamscapes and vacant, infinite space. In 1958, during which he was working on the Bleu I, II, III triptych and similar abstract murals in Paris, he was quoted saying: “The spectacle of the sky overwhelms me. I’m overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun.

The Firehouse features an open kitchen. The restaurant interior is designed by Paris-based Studio KO. The Independent's restaurant critic Tracey MacLeod described the interior by saying that "they've kept the huge firehouse doors, giving an almost rustic feel, while cleverly-placed mirrors create the illusion of infinite space." Londonist reported: > The look of the space is unique. A ceiling clad with fabric that would feel > at home on the seats of the Bakerloo line, carpeted corridors your gran > would like, and a scattering of pot plants and nic-nacs lend a feel that's > simultaneously homely and nothing at all like a home you could imagine.

The cosmological interpretation of quantum mechanics, proposed by Anthony Aguirre and Max Tegmark, is an interpretation of quantum mechanics that applies in the context of eternal inflation, which arguably predicts an infinite three-dimensional space with infinitely many planets and infinitely many copies of any quantum system. According to this interpretation, the wavefunction for a quantum system describes not some imaginary ensemble of possibilities for what the system might be doing, but rather the actual spatial collection of identical copies of the system that exist in our infinite space. Its collapse can be avoided. Moreover, the quantum uncertainty that you experience simply reflects your inability to self-locate in space, i.e.

From 1984 to 1992 Norton lived, worked and exhibited in France, Germany, Italy, and New York. Norton’s work has been exhibited at institutions including the Sunshine International Museum and the Fifth Beijing International Biennale at the National Art Museum of China, Beijing; Albissola/ America/Arte” Museo Civico d’Arte Contemporanea, Albissola, Italy, the Torrance Museum of Art, Torrance, California, the San Francisco Museum of Art, San Francisco, California. It has been reviewed by prominent art publications including Art in America, which called Norton's paintings "architecturally structured, with an allover interplay between hard-edged forms and flat yet infinite space indicated by areas of raw canvas,", ARTnews, and Artcritical,Artcritical.

The Chinese often were fundamentally opposed to this as well, since the Chinese had long believed (from the ancient doctrine of Xuan Ye) that the celestial bodies floated in a void of infinite space. This contradicted the Aristotelian view of solid concentric crystalline spheres, where there was not a void, but a mass of air between the heavenly bodies. Of course, the views of Copernicus, Galileo, and Tycho Brahe would eventually triumph in European science, and these ideas slowly leaked into China despite Jesuit efforts to curb them in the beginning. In 1627, the Polish Jesuit Michael Boym (Bu Mige) introduced Johannes Kepler's Copernican Rudolphine Tables with much enthusiasm to the Ming court at Beijing.

In 2008, Grigor produced seven film loops for Los Angeles' Hammer Gallery exhibition Between Earth and Heaven about the architecture of John Lautner, which coincided with the premiere of his documentary Infinite Space on the same subject. Since the 1980s, Grigor widened his film focus to cover more international, and particularly American subjects, such as the 1986 landmark 8 part series Pride of Place with Robert A. M. Stern for the American television channel PBS. In 1997, he directed the PBS series "The Face of Russia" with James Billington, the Librarian of Congress. "Contemporary Days" on the British designers Robin and Lucienne Day for Design Onscreen of Denver Colorado, was premiered at the Glasgow Film Festival in February 2011.

The second half of Infinite Space, subtitled "Yuri the Man", begins 10 years after the Lugovalian conquest of the Small Magellanic Cloud. The Galactic Federation of the Large Magellanic Cloud has suppressed all information about the fall of the SMC and imprisoned all SMC refugees, but the Lugovalian Empire is close to discovering a new route to the LMC. Yuri has been imprisoned on the prison asteroid Lari, but manages to escape with some friends and later rescues his old crew. Soon after he is surrounded by fleets from the nations of Libertas and Regeinland and chooses to surrender to the Regeinlandics, who enlist Yuri to help them prepare for the Lugovalians.

6–14 The first fully materialistic philosophy was produced by the atomists Leucippus and Democritus (5th century BCE), who attempted to explain the formation and development of the world in terms of the chance movements of atoms moving in infinite space. Euripides (480–406 BCE), in his play Bellerophon, had the eponymous main character say: > “Doth some one say that there be gods above? > There are not; no, there are not. Let no fool, > Led by the old false fable, thus deceive you.” A fragment from the lost satyr play Sisyphus, which has been attributed to both Critias and Euripides, claims that a clever man invented "the fear of the gods" in order to frighten people into behaving morally.

The Chinese had multiple theories of the processes and components of the cosmos. The most popular of these beliefs was the Xuan Ye theory, the astronomical view of the cosmos as an infinite space with floating pieces of condensed vapor. The Chinese believed that the Earth consisted of condensed yin and the heavens of yang; and that these properties coexisted in constant relation to each other, with yin and yang being used together to explain processes on Earth as well of those relating the Earth in conjunction with the heavens. This idea was described by Joseph Needham as a cosmos that functioned similarly to a complex organism, with discernible patterns in an ever-changing structure.

This immaterial world of the imagination, spiritual, or psychic space is conceptually related to Surrealist automatism, yet much of Q. Wang's work is somewhere between a cool quiet abstraction and a color infused and simplified Fauvism such as Volcano.J.H. Matthews The Surrealist Mind, Susquehanna University Press, 1991.Christian Zervos on Matisse: Automatisme et espace illusoire', Northumbria University, May 2012 Charles Harrison, Francis Francina, Gillian Perry, Primitivism, Cubism, Abstraction: The Early Twentieth Century, Yale University Press, 1993. Color is the key expressive tool, as seen in Q. Wang's examination of the persistence of the cycle of life in the abstract and mysterious picture Life in which a seemingly hapless but determined tiny green sapling sails in a sky like expanse of infinite space of rich blues and purples.

Also featured was an exploration of infinite space in her Infinity Mirror rooms. These typically involve a cube-shaped room lined in mirrors, with water on the floor and flickering lights; these features suggest a pattern of life and death. In 2015-2016 the first retrospective exhibition in Scandinavia, curated by Marie Laurberg, travelled to four major museums In the region, opening at Louisiana Museum of Modern Art in Denmark and continuing to Heine Onstadt Museum, Norway, Moderna Museum in Sweden, and Helsinki Art Museum in Finland. This major show contained more than 100 objects and large scale mirror room installations. It presented several early works that had not been shown to the public since they were first created, including a presentation of Kusama’s experimental fashion design from the 1960s.

In 1990, The Spirit in Architecture by director Bette Jane Cohen was produced by Aluminum Films. It featured interviews with Lautner filmed for the production. In 2009, the Googie Company released the documentary feature film Infinite Space: The Architecture of John Lautner, directed by Murray Grigor. It features extensive contemporary and archival images of many of Lautner's key buildings (most of which are not open to the public), excerpts from Lautner's 1986 oral history recordings, interviews with Lautner's family, colleagues and clients, Lautner archivist Frank Escher and longtime Lautner fan Frank Gehry, as well as a moving on-site reunion of the three surviving principals who built the Chemosphere – Lautner's assistant Guy Zebert, original owner Leonard Malin, and builder John de la Vaux (who was 95 years old at the time of filming).

Her sculpture conceptualized infinite space, which was to be seen as uniform and without focal or reference points (such as the origin of a coordinate system). Therefore, she strove to organize space in such a way that it would not be divided into space enclosed within form and excluded from it, but instead for the work to coexist with space and to allow space to penetrate it. Kobro's unique spatial compositions had a considerable impact on various modern artists, among others on the Belgian sculptor and painter Georges Vantongerloo whose sculptures evolved in the course of the 1920s and 1930 under the influence of Kobro's work. Her works have been exhibited in a number of museums around the world including Centre Pompidou, Museo Reina Sofia, Museum of Modern Art, Moderna Museet Malmö, and Whitechapel Gallery.

In electromagnetic radiation (such as microwaves from an antenna, shown here) the term "radiation" applies only to the parts of the electromagnetic field that radiate into infinite space and decrease in intensity by an inverse-square law of power, so that the total radiation energy that crosses through an imaginary spherical surface is the same, no matter how far away from the antenna the spherical surface is drawn. Electromagnetic radiation thus includes the far field part of the electromagnetic field around a transmitter. A part of the "near-field" close to the transmitter, forms part of the changing electromagnetic field, but does not count as electromagnetic radiation. Maxwell's equations established that some charges and currents ("sources") produce a local type of electromagnetic field near them that does not have the behaviour of EMR.

Warming was raised in a Christian Protestant home and he continued to be religious throughout his life. He accepted the evolution by descent of living beings, but believed that laws governing planets’ orbits and other laws governing organic evolution were God-given. In his popular book Nedstamningslæren (translated title: Evolution by descent), he concludes the section on hypotheses about the origin of life writing that, no matter what hypothesis is considered, it just “defers the grand question: how did life first come into existence, »in the beginning«? ... as if we human beings thereby obtained understanding and explanation for anything at all, or circumvented the almighty power that, incomprehensibly to our mind, must have created matter, force, time and infinite space. Science has not disproven the Bible that says: »In the beginning God created …«!”. Warming shared this view with many prominent contemporary naturalists, e.g.

His distinctive application of the principles of Organic Architecture was, of course, profoundly influenced by his apprenticeship under Frank Lloyd Wright. Speaking of his time at Taliesin, he recalled: Throughout his life Lautner was a passionate admirer of his mentor (to whom he typically referred as "Mr. Wright") and he remained a dedicated practitioner of Organic Architecture. His oral history interviews reveal that he had little regard for the International Style and its leading architects: Nevertheless, even during the time he worked under Wright, Lautner sought to established his own individual and distinctive style: Although his earlier works not surprisingly displayed some of the influence of his mentor,Frank Gehry, quoted in Infinite Space: The Architecture of John Lautner, Googie Films, 2009 Lautner gradually developed his own style and consciously avoided anything that could be classified as "Wright-influenced".

As de La Vaux recounted in the 2009 Lautner documentary, the project was briefly halted by a rare snowstorm that dumped more than six inches of snow on the Hollywood area.John de la Vaux, quoted in Infinite Space: The Architecture of John Lautner (Googie Films, 2009) Lautner's design incorporates many innovative features: He used external steel cantilever beams to support the roof of the hexagonal main living area, creating a completely open space, free of any internal columns. This design, and the house's hillside situation, combine to afford 360-degree views across Los Angeles. Another striking feature is the movable wall-seat – one entire wall section of the living area, with a built-in couch, is hinged on one side and supported by a caster on the other, allowing the entire structure to swing out, opening the room out to the adjoining terrace.

In electromagnetic radiation (such as microwaves from an antenna, shown here) the term "radiation" applies only to the parts of the electromagnetic field that radiate into infinite space and decrease in intensity by an inverse-square law of power so that the total radiation energy that crosses through an imaginary spherical surface is the same, no matter how far away from the antenna the spherical surface is drawn. Electromagnetic radiation includes the far field part of the electromagnetic field around a transmitter. A part of the "near-field" close to the transmitter, is part of the changing electromagnetic field, but does not count as electromagnetic radiation. Microwaves are electromagnetic waves with wavelengths ranging from as short as one millimeter to as long as one meter, which equates to a frequency range of 300 MHz to 300 GHz.

I neither believe nor disbelieve the > qualities which many attribute to Him; before theologians' and philosophers' > definitions and lucubrations of this ineffable and inscrutable being I find > myself smiling. Faced with the conviction of seeing myself confronting the > supreme Problem, which confused voices seek to explain to me, I cannot but > reply: ‘It could be’; but the God that I foreknow is far more grand, far > more good: Plus Supra!...I believe in (revelation); but not in revelation or > revelations which each religion or religions claim to possess. Examining > them impartially, comparing them and scrutinizing them, one cannot avoid > discerning the human 'fingernail' and the stamp of the time in which they > were written... No, let us not make God in our image, poor inhabitants that > we are of a distant planet lost in infinite space.

Nutshell received generally positive reviews from book critics. Book Marks, the review aggregator of Literary Hub, assigned the book an average grade of B+. In The Guardian, Kate Clanchy began by admitting: "This may not sound like an entirely promising read: a talking foetus could be an unconvincing or at least tiresomely limited narrator, and updatings of Shakespeare often strain at their own seams. From the start, though, McEwan manages to establish both the groggy, gripping parameters of the uterus – 'My limbs are folded hard across my chest, my head is wedged into my only exit. I wear my mother like a tight- fitting cap' – and that this foetus, Hamlet-style, is 'king of infinite space'". She found the book’s retelling of Hamlet to have "a strong forward momentum" and to be not only a "brutally effective" thriller, "but many other sorts of book too".

As it turns out, at least for spacetimes which are asymptotically flat (roughly speaking, which represent some isolated gravitating system in otherwise empty and gravity-free infinite space), the ADM 3+1 split leads to a solution: as in the usual Hamiltonian formalism, the time direction used in that split has an associated energy, which can be integrated up to yield a global quantity known as the ADM mass (or, equivalently, ADM energy).. Alternatively, there is a possibility to define mass for a spacetime that is stationary, in other words, one that has a time-like Killing vector field (which, as a generating field for time, is canonically conjugate to energy); the result is the so-called Komar massCf. For a pedagogical introduction, see . Although defined in a totally different way, it can be shown to be equivalent to the ADM mass for stationary spacetimes.This is shown in .

Prime Minister Jawaharlal Nehru of India praised the Soviet Union for "a great victory of man over the forces of nature" and urged that it be "considered as a victory for peace." The Economist voiced worries that orbital platforms might be used for surprise nuclear attacks. The Svenska Dagbladet in Sweden chided "free countries" for "splitting up and frittering away" their resources, while West Germany's Die Welt argued that America had the resources to have sent a man into space first but was beaten by Soviet purposefulness. Japan's Yomiuri Shimbun urged "that both the United States and the Soviet Union should use their new knowledge and techniques for the good of mankind," and Egypt's Akhbar El Yom likewise expressed hopes that the cold war would "turn into a peaceful race in infinite space" and turn away from armed conflicts such as the Laotian Civil War.

The pumpkin came to represent for her a kind of alter-ego or self-portrait. Kusama's later installation I'm Here, but Nothing (2000–2008) is a simply furnished room consisting of table and chairs, place settings and bottles, armchairs and rugs, however its walls are tattooed with hundreds of fluorescent polka dots glowing in the UV light. The result is an endless infinite space where the self and everything in the room is obliterated. left The multi-part floating work Guidepost to the New Space, a series of rounded "humps" in fire-engine red with white polka dots, was displayed in Pandanus Lake. Perhaps one of Kusama's most notorious works, various versions of Narcissus Garden have been presented worldwide venues including Le Consortium, Dijon, 2000; Kunstverein Braunschweig, 2003; as part of the Whitney Biennial in Central Park, New York in 2004; and at the Jardin de Tuileries in Paris, 2010.Yayoi Kusama: Flowers That Bloom Tomorrow, 7 October – 13 November 2010 Victoria Miro Gallery, London.

Crosse, 2009, p. 6 The following year, he was assigned to what became a two-year project supervising a Wright- designed house in Marquette for MaryBud's mother. In 1937, he agreed to oversee the construction of the Johnson residence "Wingspread" (his personal favorite among the Wright projects he worked onJohn Lautner oral history excerpt, quoted in Infinite Space: The Architecture of John Lautner, Googie Films, 1999) near Racine, Wisconsin and traveled with Wright to supervise photography of the Malcolm Willey House in Minneapolis, Minnesota, which became a key source for his own small houses. He was also deeply involved in the construction of the Drafting Room at Taliesin West – which influenced the design of his Mauer House (1946) – collated photographs of Wright's work for a 1938 special issue of Architectural Forum and later briefly returned to Taliesin to help assemble models and materials for a 1940 Museum of Modern Art exhibition.Olsberg, 2008, p.

222 Like many Buddhist modernists, Taixu was interested in using tactics such as cultural translation (a method of explaining Buddhism) so that non Buddhists can better comprehend the complexity of the tradition. For example, in his essay "Science and Buddhism," Taixu makes a translation of the Buddha's teaching that inside of every drop of water, there are 84 thousand microbes, a Buddhist teaching that basically states that within our world there are many more worlds. He goes on to explain how that when one looks inside of a microscope one will be able to see these tiny microbes and that each one is a life of its own. In his writings he connected the scientific theory that there is infinite space with no center of the universe to the Buddhist Sutras that states "Space is endless and the number of worlds is infinite, for all are in mutual counterpoise like a network of innumerable beads."p.

The screening of Wavelength in 1967 was, according to filmmaker Jonas Mekas, "a landmark event in cinema."Enright, 23 Considered a canonical avant-garde film along with Léger and Murphy's Ballet mecanique (1924), Buñuel and Dalí's Un chien andalou (1929), Maya Deren's Meshes of the Afternoon (1943), Stan Brakhage's Mothlight (1963) and Kenneth Anger's Scorpio Rising (1964),Michael Zryd, "Avant-Garde Films: Teaching Wavelength" Cinema Journal Vol. 47 Issue 1 (Fall 2007): 111 Wavelength's 45-minute running time nevertheless contributes to a reputation for being a difficult work:Zryd, 110 > [G]iven the film's durational strategy, we feel every minute of the time it > takes to traverse the space of the loft to get to the infinite space of the > photograph of waves—and the fade to white—at the film's end. The film > inspires as much boredom and frustration as intrigue and epiphany.... The film won the Grand Prix at the 1967 Knokke Experimental Film Festival, Knokke, Belgium.

The concepts behind No Man's Sky, allowing for a "grail-like feedback loop" around the exploration of near- infinite space according to Times Matt Peckham, created a great amount of anticipation for the game from gamers, as such lofty goals were often seen as a dare for them to challenge. In a specific example, Hello Games had first claimed their system would achieve 4.3 billion planets (232) through the use of a 32-bit key; when players expressed doubt that this scope could be done, Hello Games altered their approach to use a 64-bit number as to create 18 quintillion planets to prove otherwise. Many commentators compared No Man's Sky to 2008's Spore by Maxis, which had promised similar ambitions to use procedural generation to construct new creatures and worlds. However, by release, the extent of the use of procedural generation was scaled back during the course of production, and the resulting game was not as well-received as anticipated.

However, the studio only produced two new IPs before Capcom closed it in late 2006, following the resignations of Atsushi Inaba, Hideki Kamiya, and Shinji Mikami. These resignations were part of a series of high-profile departures from Capcom, including Yoshiki Okamoto in 2003 and Keiji Inafune in 2010. The former Clover developers charged that Capcom's corporate management was reluctant or actively opposed to risky new ideas, a complaint shared by Inafune. They would go on to found PlatinumGames with members of their old studio. In 2008, they announced the "Platinum Three", referring to MadWorld, Infinite Space, and Bayonetta, which would attempt to carry on the Capcom Five's ambitious and creative original spirit. Outside of Capcom, Killer7 served as a turning point for Suda51 and his studio, Grasshopper Manufacture, effectively launching his career. With Capcom as publisher, Killer7 was his first game to be released outside Japan. While its sales were not up to Capcom's standards, the game's cult success encouraged the director to remake two of his older Japan-only games, The Silver Case and Flower, Sun, and Rain, for Western release.

The house is octagonal in plan and lozenge-shape in section, and is often described as a "flying saucer". Since there are effectively no solid external walls – the entire outer "face" of the house is eight large picture windows – the Chemosphere enjoys a panoramic view over the San Fernando valley. The massive, radiating glued laminated timber roof bearers and crossbeams, which echo the keel and ribs of a ship hull, were built by de la Vaux using the same type of mortise joints he had used in his boat building.John de la Vaux, quoted in Infinite Space: The Architecture of John Lautner, Googie Films, 2009 Construction of the highly unusual project saw the initial $30,000 budget blow out to over $100,000, but fortunately Malin and Lautner were able to cover the shortfall by obtaining corporate sponsorship, including funding from the Southern California Gas Company and support from the Chemseal Corporation of America, who provided sealants, plastics and other materials, in return for use of the house for promotions and the right to name the house the "Chemosphere" for advertising purposes.

Of the forty objects meditated upon as kammatthana, the first ten are 'things that one can behold directly', 'kasina', or 'a whole': : (1) earth, (2) water, (3) fire, (4) air, wind, (5) blue, (6) yellow, (7) red, (8) white, (9) enclosed space, (10) bright light. The next ten are objects of repulsion (asubha): : (1) swollen corpse, (2) discolored, bluish, corpse, (3) festering corpse, (4) fissured corpse, (5) gnawed corpse, (6,7) dismembered, or hacked and scattered, corpse, (8) bleeding corpse, (9) worm-eaten corpse, (10) skeleton. Ten are recollections (anussati): : First three recollections are of the virtues of the Three Jewels: ::(1) Buddha ::(2) Dharma ::(3) Sangha : Next three are recollections of the virtues of: ::(4) morality (Śīla) ::(5) liberality (cāga) ::(6) the wholesome attributes of Devas : Recollections of: ::(7) the body (kāya) ::(8) death (see Upajjhatthana Sutta) ::(9) the breath (prāna) or breathing (ānāpāna) ::(10) peace (see Nibbana). Four are stations of Brahma (Brahma-vihara): :(1) unconditional kindness and goodwill (mettā) :(2) compassion (karuna) :(3) sympathetic joy over another's success (mudita) :(4) evenmindedness, equanimity (upekkha) Four are formless states (four arūpajhānas): :(1) infinite space :(2) infinite consciousness :(3) infinite nothingness :(4) neither perception nor non-perception.

The Atlus title Shin Megami Tensei: Devil Survivor (2009)Shin Megami Tensei: Devil Survivor, GameDaily blended together both traditional and tactical RPG gameplay along with non-linear adventure game elements.Shin Megami Tensei: Devil Survivor - NDS - Review , GameZone It also featured an innovative demon auction system and a death clock system where each character has a specified time of death, with the player's actions and choices having consequences on who lives and dies.Devil Survivor And The Countdown Clock To Death, Siliconera, May 27, 2009 Infinite Space (2009) by PlatinumGames, for the Nintendo DS, is a hybrid of tactical role-playing, real-time strategy and space simulator elements, and features a non-linear branching narrative with numerous choices that can have dramatic consequences, and an epic scale spanning hundreds of planets. Radiant Historia, released by Atlus for the Nintendo DS in 2010, combined the gameplay of traditional RPG titles with a highly tactical grid combat system, with several unique features such as a queue allowing party members to switch turns and perform combo attacks when near each other on the queue, and the manipulation of enemy positions by knocking a target onto another grid space and attack multiple targets when enemies fall onto the same grid space.