97 Sentences With "infernal machine" | Random Sentence Generator

Her mind raged like an infernal machine, or folded into inertia.

Grab your whip and fedora and join Indy in a globe-spanning race to unearth the mysterious 'Infernal Machine.

Made between 1988 and 2002, these ranged from the generally commendable ("Ash," with its marvelous Michael Torke score) to the ghastly ("The Infernal Machine").

That was framed by two pieces by City Ballet's ballet master in chief, Peter Martins, "Ash" (1991) and "The Infernal Machine" (2002), each led by a different pair of company soloists at the two performances.

"The Infernal Machine" takes its name from its score by Christopher Rouse; despite its intensity, it's vacuous — though it would be twice as effective if Catherine Barinas's dark costumes and Mr. Stanley's dark lighting didn't make it semi-invisible.

People ready to sink their savings into euro assets should keep an eye on that, and think of this: The Europeans have put in place an infernal machine that is supposed to lead them to a united continent of peace and prosperity.

Among her other books are "The First Professional Revolutionist" (1959), about the utopian socialist Philippe Buonarroti; "Grub Street Abroad: Aspects of the French Cosmopolitan Press From the Age of Louis XIV to the French Revolution" (1992); and "Divine Art, Infernal Machine" (2011), which charts the public reception of the printed word in its various incarnations from the age of Gutenberg to the present.

Retrieved 6 November 2011 He performed in the Lyric Theatre in Hammersmith, London in Jean Cocteau's The Infernal Machine (with Maggie Smith and with Simon Callow directing, 1986–87)."Rob Wilton Theatricalia: Leading Actors S-Z, Maggie Smith (b. 1934)" in www.phyllis.demon.co.uk/theatricalia/06lead/leads-z.htm. Retrieved 7 November 2011"The Infernal Machine" in theatricalia.

Her final stage appearance was in a 1958 off-Broadway production of Jean Cocteau's 1934 play, The Infernal Machine, appearing alongside John Kerr and June Havoc.

She accompanies Jones during his search for the Babylonian Infernal Machine. In the game's finale, she is possessed by the god Marduk, but Indiana frees her.

The Infernal Machine: Program Note by the Composer. 1981. Retrieved March 9, 2015. Though "The Infernal Machine" was originally intended as a stand-alone piece, Rouse later decided to make it a second movement in an orchestral triptych at the suggestion of Joseph Schwantner; thus, it was the first completed movement of Phantasmata. The piece derives its title from the eponymous play by Jean Cocteau, though the actual narrative had no influence on Rouse's composition.

DS Brewer, 2008. p40–41. It was translated into English by W.H.Auden as The Knights of the Round Table. Translation has been published in The Infernal Machine and Other Plays (1963).

Divine Art, Infernal Machine: The Reception of Printing in the West from First Impressions to the Sense of an Ending is a 2011 book by Elizabeth Eisenstein published by the University of Pennsylvania Press.

Cocteau's fondness for mythological subjects is shown in this piece (as in The Infernal Machine (1934)). Antonin Artaud played the role of Tiresias. It is dedicated to Genica Athanasiou, who played the title role.

The Infernal Machine, or La Machine Infernale is a French play by the dramatist Jean Cocteau, based on the ancient Greek myth of Oedipus.David Bradby. "Cocteau, Jean" in The Cambridge Guide to Theatre, ed. Martin Banham, 1988.

In "The Infernal Machine", he became disgruntled that his technological efforts were being taken for granted. Roland's strongest wish is to get into the Ivy League and become a doctor. He's a very staid, square personality, slow to anger, though he came close to striking one of the racists in "The True Face of the Monster"; it is implied he has had to deal with racist attitudes before. Roland has twice come under the mental control of villains, the Siren in "Sonic Youth" and Luko in "The Infernal Machine".

A few days after the purchase by the U.S. government of Port Victor, an "infernal machine"—a bomb consisting of 30 lbs of dynamite—was reportedly discovered and disarmed on board the vessel."Attempt To Blow Up American Steamer: Discovery Of Infernal Machine", The Mercury, 1898-07-27, p. 2."Dynamitards And The War", The West Australian, 1898-07-27, p. 5. Port Victor was thereafter quickly put into operation, transporting Red Cross ambulances and mules to Cuba; unfortunately, the shipment came too late to assist the wounded after the battles for Santiago.

Indiana Jones and the Infernal Machine is an action-adventure video game by LucasArts released in 1999. The first 3D installment in the series, its gameplay focuses on solving puzzles, fighting enemies, and completing various platforming sections. The story is set in 1947, after the events of Indiana Jones and the Iron Phoenix, and puts the eponymous protagonist, the adventurer Indiana Jones, against the Soviet Union. In a race for a mythological Babylonian power source, he joins forces with the Central Intelligence Agency and collects four pieces of the Infernal Machine, an ancient device that allegedly opens a portal to another dimension.

The Infernal Machine, as translated by Albert Bermel, was first played at the Phoenix Theatre, New York, on February 3, 1958, under the direction of Herbert Berghof, with scenery by Ming Cho Lee, costumes by Alvin Colt, and lighting by Tharon Musser.

Angelique's personality traits resemble McCracken's and she appears dressed just as McCracken was in The Infernal Machine, her final stage appearance.Sagolla, pp. 7, 258 McCracken is played by Susan Misner in Fosse/Verdon, a television limited series about the relationship between Fosse and Gwen Verdon.

Pokolgép is a Hungarian heavy metal band formed in the early 1980s (around 1982). They were among the first heavy metal bands in Hungary along with Moby Dick. The name "Pokolgép" literally means Infernal Machine, but is the Hungarian word for a home-made bomb.

Infernal Machine is a 1933 American pre-Code thriller film, released by Fox Film Corporation, directed by Marcel Varnel, and starring Chester Morris, Genevieve Tobin and Victor Jory. The film was based on a novel by Karl Sloboda.Infernal Machine notes, ftvdb.bfi.org.uk; accessed July 25, 2015.

Cambridge: Cambridge Univ. Press, 225 pp. . The play initially premiered on April 10, 1934 at the Theatre Louis Jouvet in Paris, France, under the direction of Louis Jouvet himself, with costumes and scene design by Christian Bérard.Jean Cocteau, The Infernal Machine & Other Plays, New Directions, 1964. .

The infernal machine () is a homemade 25-barrel volley gun built by Giuseppe Marco Fieschi and used in Fieschi's failed assassination attempt on King Louis Philippe I of France on July 28, 1835. The original gun is now on display at the Musée des Archives Nationales in Paris, France.

He was later tried, and acquitted of the murder of an Austrian soldier. In 1830, he took part in the July Revolution that put King Louis- Phillipe in power.Harsin (2002),p.150 The two contrived the plan for an "infernal machine", a volley gun with 25 gun-barrels which could be fired simultaneously.

Lum and his Infernal Machine have been featured in the computer games Baldur's Gate II: Throne of Bhaal, as being imprisoned in Watcher's Keep, and briefly at the end of Planescape: Torment when the final boss refers to a time when the Nameless One "danced sorceries with Lum the Mad".Bloch, Joseph. "See the Pomarj -- and Die!" Dragon #167.

Louis Philippe I of France on July 28, 1835 On July 28, 1835, Fieschi attempted to assassinate King Louis Philippe I using the infernal machine. The gun was positioned on the windowsill in Fieschi's three-room lodging on the third floor of N. 50 Boulevard du Temple in Paris, overlooking the street on the route that the king and his convoy were expected to take as part of the yearly Paris National Guard inspection. When the convoy was passing directly below, Fieschi, waiting in ambush, fired the infernal machine. The gun fired a volley of approximately 400 projectiles, even though four barrels misfired, four barrels burst, and one of the 25 barrels was not loaded as it did not have a touch hole and could not be fired.

Retrieved March 9, 2015. Rouse originally composed the second movement "The Infernal Machine" as a stand-alone piece in 1981, though he later elected to make it the second part of a larger work. Phantasmata was commissioned in full by the St. Louis Symphony and a fellowship grant from the National Endowment for the Arts and completed March 22, 1985.

"The Infernal Machine" was composed for the University of Michigan Symphony Orchestra and completed March 21, 1981. It premiered May 9, 1981 at the Evian Festival in France, with Gustav Meier leading the University of Michigan Symphony Orchestra. Rouse dedicated the work to his friend and fellow composer Leslie Bassett, who was also a professor at the University of Michigan.Rouse, Christopher.

In July 1835 he was badly wounded by Giuseppe Marco Fieschi's infernal machine in an assassination attempt against King Louis Philippe I. Pelet became a Peer of France in 1837. He became president of the General Staff's consulting committee in 1841. He was secretly sent to advise King Charles Albert of Sardinia in 1849. He was elected to the Legislative Assembly in 1850.

Automatism, invented by Andre Breton, was important for the Surrealists as a means of channeling their subconscious through art. Dominguez's style influenced many artists including Max Ernst, Hans Bellmer, Remedios Varo and Dutch poet and translator Gertrude Pape. His 1937 oil painting The Infernal Machine sold for 2 770 000 FF (US$404,375) on June 8, 2000 at Drouot-Montaigne in Paris.

During his tenure, the orchestra performed contemporary works by Christopher Rouse (Infernal Machine), John Adams (The Chairman Dances), and Gabriela Lena Frank (Latin American Dances for Orchestra).Kosman, Joshua (23 March 2010). "Music review: S.F. Symphony Youth Orchestra". San Francisco Chronicle In 2012, the SFSYO won a 2011-12 ASCAP Award for Adventurous Programming of American Music on foreign tours.

On July 28, 1835 a Corsican member of the Society Giuseppe Marco Fieschi, together with two compatriots, attempted to assassinate King Louis Philippe I using an "infernal machine" consisting of 20 gun-barrels bound and detonated together. Although 17 people died, the King survived. Fieschi himself was injured, captured, then nursed back to health only to be sentenced and subsequently guillotined.

The gun barrels had been sold as scrap by a government arsenal after being labelled as defective and four of them burst when fired. was badly injured and was quickly captured. He and two others involved in the plot were condemned to death and guillotined in 1836. His volley gun, known as the Infernal machine (weapon), is preserved at the in Paris.

Dubbed European language versions of the fully voice-acted game were released by THQ in Germany, Ubisoft in France, Electronic Arts in Spain and CTO in Italy. An intended PlayStation version was canceled early after the game's announcement. However, a team of eight Factor 5 employees teamed up with artists, level designers and a programmer from LucasArts to port Infernal Machine to the Nintendo 64.

Reaktion books, 2008. It was translated into English by Mary Hoeck as Bacchus. The translation has been published in The Infernal Machine and Other Plays (1963). In 1952 the work was translated into German by Charles Regnier and Gerd von Rhein; the first German performance has been in the Düsseldorfer Schauspielhaus in Düsseldorf on 18 October 1952, directed by Gustaf Gruendgens, attended by the author and with Martin Benrath as Bacchus.

Electronic Arts planned to release it in Europe, but the title then saw a change of publisher to THQ. Originally scheduled for March 2001, the PAL version became subject to continuous monthly delays and was eventually canceled in September 2001. A 2D version of Infernal Machine with top-down perspective gameplay was developed for the Game Boy Color by HotGen also in early 2001. In October 2018, GOG.

After her stage debut, Bogaert joined the company at the Théâtre du Vieux-Colombier and then worked with Louis Jouvet at the Théâtre des Champs-Élysées where she played the role of The Sphinx in Jean Cocteau's The Infernal Machine. On film she was often cast in the role of mothers such as in Robert Bresson's Les Dames du Bois de Boulogne and in Julien Duvivier's Voici le temps des assassins.

Fieschi's infernal machine Pelet was placed on half pay in inactive status for three years, then he was appointed to the Royal General Staff through the efforts of Marshal Laurent Gouvion Saint-Cyr. From 1821 to 1830 he was again put in inactive status. During this time he worked in the archives at the Dépôt de la guerre (War Depot). In 1826 he published Mémoires sur la guerre de 1809, en Allemagne.

Coleman was charged under an arcane statute, which had not been used since the 1800s, citing him for "possession of an infernal machine". He was fined $5000 for possessing and exploding fireworks and a further $300 for eating mice. The terms of his probation stipulated that he "not eat any Massachusetts mice for a year". Since 2017, Coleman has embarked on a series of spoken word performances accompanied by projections of the paintings.

Each version of the game was developed around the same ideas. Indy begins his adventure in all three versions; PC, Nintendo 64, and Game Boy Color, by sliding down a slope and proceeding to the character's right across the edge of a cliff. His weapons in all three versions also function in the same way. Infernal Machine project leader, designer and writer Hal Barwood always thought of Indiana Jones as an action hero.

Benni Bødker (born 1975) is a Danish writer. He holds a Master's Degree in Danish Literature and Philosophy and works as a publishing editor and teaches creative writing. He has published the novels Helvedesmaskinen (2004, The Infernal Machine) and Besættelse (2005, Occupation) for young adults and the children's vampire series Nattens Børn (2006, Children of the Night) along with several easy reading titles. His books in English include Halloween (2004) and The Ghost Rider (2005).

However, his most important, career-defining role came in 1934, when Jean Cocteau's play, La Machine infernale (The Infernal Machine), was staged. While his film and stage career began rising quickly, World War II broke out. Aumont remained in France until 1942, when he realized that as a Jew he would have to flee the Nazis. He migrated from the unoccupied zone of Vichy France to New York City, then to Hollywood to pursue his film career.

The station in San Vito dei Normanni, served by the Adriatic railway, is currently active with passenger service, but it served by only a few regional trains. The station is located ten kilometres () from the city. The legend says that at the time of construction of the railroad, the prince did not want the "new infernal machine" to pass on its territories. The local service stations is ensured by the ESF in Ceglie Messapica and Francavilla Fontana.

Bill Tiller was hired by LucasArts adventure games by Colette Michaud in 1992 as an animator for Brian Moriarty's version of The Dig. He stayed with the project through all of its incarnations, and was ultimately the lead artist and art director on the final version of the game. He was the lead background artist of The Curse of Monkey Island, and the lead artist of Indiana Jones and the Infernal Machine. In 2001, he left LucasArts to work at ArenaNet.

In 1955, Troy first appeared off-Broadway in The Infernal Machine. She made her Broadway debut in the musical Pipe Dream (1955). She received critical acclaim for her role opposite Edward Woodward, Tammy Grimes, Carol Arthur, and the legendary Beatrice Lillie in the 1964 musical High Spirits, which was based on Noël Coward's comedy, Blithe Spirit. She was also known for her guest appearances on the television show Hogan's Heroes, on which her then husband Werner Klemperer starred as "Colonel Klink".

The editors of Eurogamer nominated Faust for their Gaming Globes 2000 awards in four categories: "Cinematography", "Adapted Storyline", "Male Lead Character" and "Male Supporting Character". Mephistopheles ultimately won the editors' choice in the final category; the other awards went variously to Outcast, Final Fantasy VIII and Indiana Jones and the Infernal Machine. In Russia, Game.EXE named Faust the best-localized game of the year, praising Nival's "fanatical professionalism" compared to other Russian game translators' loose and informal work at the time.

Furthermore, several human, animal and supernatural enemies are encountered during the course of the game, which the player can fight off with numerous firearms, the aforementioned whip, and a machete. In addition to these obstacles, the game largely focuses on solving puzzles and discovering treasures. Some levels include vehicle-themed portions such as rafting, jeep treks, and mine cart chases. The main objective of the game is to collect four machine parts in order to complete the titular Infernal Machine.

Indiana Jones and the Infernal Machine was the first Indy-based game presented in three dimensions, as opposed to 8-bit graphics and side-scrolling games before. There is also a small game from Lucas Arts Indiana Jones and His Desktop Adventures. A video game was made for young Indy called Young Indiana Jones and the Instruments of Chaos, as well as a video game version of The Young Indiana Jones Chronicles. Two Lego Indiana Jones games have also been released.

Bill Tiller is an American computer game designer, writer, and artist. At LucasArts, he was the lead artist and art director of The Dig, the lead background artist on The Curse of Monkey Island, and the lead artist on Indiana Jones and the Infernal Machine. He created the games A Vampyre Story and Ghost Pirates of Vooju Island for Autumn Moon Entertainment, a studio he co-founded with Mike Kirchoff in 2002. He worked as a game designer on the iOS title Perils of Man.

Baron Lum the Mad is a mighty Oeridian warlord whose power was at least partially due to his possession of the artifact known as the Infernal Machine. Lum was betrayed by his former general, Leuk-o, when the latter came to possess the artifact later known as the Mighty Servant of Leuk-o. Their final conflict left a large area wasted. A mysterious mist appeared, and Lum plunged through a dimensional rift to the plane of Limbo, where Lum waited for centuries, his connection to the machine leaving him unable to die.

Coventry Street was mostly made up of retail properties by the 19th century. In 1835, an exhibition named the "Parisian infernal machine" was set up on Coventry Street, that depicted a murderer attempting to assassinate the French royal family. During 1851, a French wizard known as Robin performed in a building on Coventry Street. Coventry Street was widened between 1877 and 1881 by reducing the frontage to properties on the southern side, as part of general traffic improvements in the area that also saw widening of Charing Cross Road and Shaftesbury Avenue.

Over the years, his works have become increasingly larger, often with a sacred look, simultaneously inducing fascination and disgust. The Gate (1988) presents an infernal machine of steel, sound, light and movement, representing a confrontation with death. The direct confrontation of work and nature is also apparent in his gigantic Elia (1989–2001) in Herning, conceived as a fire-spitting temple of dark steel. His fascination with machines also produced works with animal bones, bird wings and skin, juxtaposing nature with culture and creating visions combining primitive elements with modern technology.

Another veteran of acting, Ellen Corby, also appears in this same Get Smart episode, which takes place in "Spy City," a retirement community for former agents. Between 1961 and 1970, Taylor guest starred in four episodes of the western TV series Bonanza, in which he portrayed the following characters: Horace Ogleby ("The Infernal Machine", 1961), C. R. Lively ("A Real Nice, Friendly Little Town", 1966), Eggers ("Judgement at Olympus", 1967) and Bert Taylor ("Is There Any Man Here?", 1970). In 1966 and 1968, Taylor made guest appearances on Petticoat Junction.

After two years at the Royal Academy of Dramatic Art, Tafler first appeared on stage in London's West End in 1936, with Sir Seymour Hicks in The Man in Dress Clothes. His other stage roles included Goldberg in a production of Harold Pinter's The Birthday Party, directed by the playwright, a role he later took in the 1968 film version. On British television he appeared alongside Sid James in Citizen James. His other television work included Angel Pavement, The Gentle Killers, The Infernal Machine, Focus, Dixon of Dock Green and Hadleigh.

At this time, the title was changed to Indiana Jones Adventure World. Hal Barwood, the co-writer and co-designer of Indiana Jones and the Fate of Atlantis and writer and designer of Indiana Jones and the Infernal Machine worked on Indiana Jones Adventure World in the area of narrative design. Game writer Jonathon Myers has provided narrative support in the wake of Hal Barwood's contribution. Indiana Jones Adventure World was one in a slew of titles shut down by Zynga at the end of 2012 as part of a cost-cutting measure.

The title was designed, written, and directed by Hal Barwood, who considered the Indiana Jones franchise a perfect fit for the action-adventure genre. Initially developed for the Microsoft Windows operating systems, the game later received an enhanced Nintendo 64 port jointly developed with Factor 5 released exclusively in North America, as well as a 2D version for the Game Boy Color created by HotGen. Infernal Machine received generally favorable reviews, having been praised for its detailed storyline and sophisticated level designs, though widely criticized for its unwieldy control scheme.

Hal Barwood, who had previously worked on the LucasArts adventure game Indiana Jones and the Fate of Atlantis, returned as project leader, designer and writer for Infernal Machine. Developed for Windows 95 and 98, the game uses a modified version of the Sith engine adapted for a third-person view by lead programmer Paul LeFevre. Eventually, lighting, collision, rendering and tools underwent drastic rewrites to the point that the code was renamed the Jones engine. The levels were principally designed by Steven Chen, and later conceptualized with illustrations by lead artist William Tiller.

The PC version of Infernal Machine received generally favorable reviews with an average score of 73.60 percent at GameRankings. Although some critics found it to be too similar to Tomb Raider, the game was noted for setting itself apart from the aforementioned series due to being based on the Indiana Jones franchise, and relying more heavily on puzzle-solving. IGN commended the game for its intricate and intriguing storyline. Eurogamer shared the opinion and stated the plot to be "excellently woven", enhancing the feel of "being part of a big blockbuster movie".

In 1982, Atari released Raiders of the Lost Ark for the Atari 2600 console. Although the game sold well, it underperformed against Atari's expectations. Released in 1993, Indiana Jones: The Pinball Adventure is a pinball game featuring elements inspired by the original trilogy of films. Factor 5 developed a platformer game, Indiana Jones' Greatest Adventures, for the Super Nintendo Entertainment System in 1994. The 1999 game Indiana Jones and the Infernal Machine includes a bonus level that returns players to the Peruvian temple from Raiders of the Lost Arks opening scene.

He came out of the burning wreckage saying "I don't understand it." During a deathbed conversation with Commander Charles Emery Rosendahl, he said "it must have been an infernal machine." Lehmann's two-year-old son had died on Easter Sunday, 28 March 1937, a few weeks prior to the Hindenburg's last crossing and he did not really want to make the voyage. Lehmann accepted the assignment with the hope that by doing so he might have the opportunity to speak to US authorities about the use of helium gas in the German airships.

Now wandering around to avoid Hugh and Yvonne, he finds an unoccupied ride called the Infernal Machine and is pressured by a gang of children to take the ride. He loses all of his possessions on the ride, which the children gather and return to him. The Consul still has more time to waste, so he stumbles into the Terminal Cantina El Bosque, wherein he chats with the proprietor, Senora Gregorio, and has at least two more drinks. The pariah dog follows him inside but is scared off when he rises.

At one o'clock in the afternoon, as Louis-Philippe and his entourage were passing the Café Turc on the Boulevard du Temple, an "infernal machine" of multiple gun barrels was fired from a window. Maréchal Mortier, duc de Trévise, riding with the king, was killed, and six generals, two colonels, nine officers and 21 spectators were wounded, some mortally. The king was grazed by a projectile, but gave the order to continue the parade. The organizer of the attack, Giuseppe Marco Fieschi, and his two accomplices were arrested and later guillotined.

Nathan Stapley started his career at LucasArts as an artist on Indiana Jones and the Infernal Machine and Star Wars Episode I: Racer. He left LucasArts to work at LucasArts-alumnus Tim Schafer's studio, Double Fine Productions, as an artist. He created a comic while at Double Fine called My Comic About Me. This comic spawned a free Flash sports game parody called My Game About Me: Olympic Challenge, which was developed by Klint Honeychurch with art by Stapley. He was working on Broken Age in the role of lead artist and is currently working on Psychonauts 2.

GameSpot thought the control system was too jerky, unresponsive, and unnecessarily slow because of delays between the moves. Tom Russo reviewed the PC version of the game for Next Generation, rating it three stars out of five, and stated that "Despite a fantastic storyline, the execution just doesn't merit a higher rating." The graphics, while low on polygons, were received well for its detailed textures and the diverse locations presented. Eurogamer called Infernal Machine "one of the best looking third person adventures", and applauded the in-engine cutscenes, claiming them to be "bordering on film quality at times".

Bouffes du Nord theatre, Paris Brook directed Dr Faustus, his first production, in 1943 at the Torch Theatre in London, followed at the Chanticleer Theatre in 1945 with a revival of The Infernal Machine. In 1947, he went to Stratford-upon-Avon as assistant director on Romeo and Juliet and Love's Labour's Lost. From 1947 to 1950, he was Director of Productions at the Royal Opera House in London. His work there included a highly controversial staging of Richard Strauss's Salome with sets by Salvador Dalí, and an effective re-staging of Puccini's La bohème using sets dating from 1899.

On 15 October 1805, while in England, Fulton put on a public display of his "infernal machine", sinking the brig Dorothea with a submerged bomb filled with of gunpowder and a clock set to explode in 18 minutes. However, the British government refused to purchase the invention, stating they did not wish to "introduce into naval warfare a system that would give great advantage to weaker maritime nations". Fulton carried out a similar demonstration for the US government on 20 July 1807, destroying a vessel in New York's harbor. Further development languished as Fulton focused on his "steam-boat matters".

The Thunder in the Orient comic, set in 1938, has Sophia asked for Indiana's help securing a tablet by Buddha, which can help the reader achieve nirvana: The Empire of Japan wants it to unify Asia's 500 million Buddhists under its rule. Sophia is briefly captured by bandits in Afghanistan, before battling Japanese soldiers for the tablet on the Yangtze River and losing it. In the 1999 video game sequel Indiana Jones and the Infernal Machine, Sophia, voiced by Tasia Valenza,Indiana Jones and the Infernal Machine's credits. is a Central Intelligence Agency officer in 1947.

She has described the IMF as "an infernal machine at the service of the ultraliberal ideology" and "an extremely harmful institution", arguing that the IMF's structural adjustment plans "systematically result in privatization of public utilities, dismantling of the state, a drop in salaries and pensions, and removal of protections at borders". She expressed the view that "citizens are always the first victims of the IMF", using the examples of Argentina in 2001 and Greece in 2010-11. She argued that the IMF is responsible for "disastrous results" including "rising debts and a sharp increase in the rate of financial crises for two decades". She thus advocates the abolition of the IMF.

While there, he collected an arsenal of 105 blasting cartridges and 125 detonators, causing him to admit to his interrogators, "I knew two or three detonators were sufficient for my purposes, but I thought the surplus will increase the explosive effect." Living with the Schmauder family in Schnaitheim he made many sketches, telling his hosts he was working on an "invention". In July, in a secluded orchard owned by his parents, Elser tested several prototypes of his bomb. Clock movements given to him in lieu of wages when leaving Rothmund in Meersburg in 1932 and a car indicator "winker" were incorporated into the "infernal machine".

Volodnikov says that it was probably better this way, as Marduk would have his revenge on those who desecrated the machine. Alarmed, Indiana travels back to the Room of the Tablets in Babylon, and finds a now-opened gate leading further into the ruins, to the core of the Infernal Machine. He catches up with Sophia and Turner, the latter of which intends to convince the other dimension to cooperate with the United States, and uses the machine parts to activate the engine. He pushes the unwilling Sophia into a mystical cage as a means of sending her to the Aetherium as an ambassador.

In his haste, he forgot to mind the wall trap he had witnessed Indy test and is killed; Indiana makes it out. In an early script of the film, written by Lawrence Kasdan, Satipo flees the boulder with Indy, only to be met with Barranca's ultimate fate in the finished film and killed by the Hovito tribe, but the script was scrapped. He appears in the video game Indiana Jones and the Infernal Machine (1999) in the secret level "Return to Peru", where Indiana returns to the same temple and finds the second idol. His name is based on that of a Peruvian town, Satipo in Satipo Province in Junín Region.

The Liz is a power trio comprising Liz Allbee (amplified trumpet, voice, text, video, stage design), Liz Kosack (synthesizer, voice, masks, puppets) and Korhan Liz Erel (computer, electronics, sound design, voice). The projects is the story of transformations and multiples: a maiden Sphinx, Anubis the dog of death, and Oedipus, as narrated by Kathy Acker. Drawing from traditional Greek myth, as well as Jean Cocteau's 'Infernal Machine' and Acker's 'Blood and Guts in High School', The Liz translates the riddles of the Sphinx into an engine for the musical re-production of resistance, and of subliminal and mythic resonance. The Liz premiered "Book of Birds" at Quiet Cue on 30 April 2016.

He thought nothing of barrages of fire that annihilated large numbers of his own troops, so long as he carried the day. His reign was one of cruelty and horror, but it is credited in part for the impressive Oeridian successes in the days before their victories over the rival Suel and Flan were assured. Lum's reign approached its twilight when his formerly loyal subordinate, General Leuk-O, discovered the Mighty Servant artifact in the Belching Vortex that would become known by his name. Some believe the Mighty Servant and the Infernal Machine were created by the same otherworldly artificer, and the appearance of them both so close together was no coincidence.

The Coronation of Napoleon by Jacques-Louis David (1804) During the consulate, Napoleon faced several royalist and Jacobin assassination plots, including the Conspiration des poignards (Dagger plot) in October 1800 and the Plot of the Rue Saint-Nicaise (also known as the Infernal Machine) two months later. In January 1804, his police uncovered an assassination plot against him that involved Moreau and which was ostensibly sponsored by the Bourbon family, the former rulers of France. On the advice of Talleyrand, Napoleon ordered the kidnapping of the Duke of Enghien, violating the sovereignty of Baden. The Duke was quickly executed after a secret military trial, even though he had not been involved in the plot.

In 1945 Fein rejoined the ensemble of actors at the Schauspielhaus playing such characters roles as Ranjewskaja in Anton Chekhov's The Cherry Orchard, Sichle in the German language premiere of Paul Claudel's The Humiliation of the Father, a mother in Oscar Wilde's A Woman of No Importance, and the title role in Franz Grillparzer's Medea. In 1948 Fein toured Switzerland with Heinz Woester in their adaptation of Somerset Maugham's Theatre, and the following year played Clytemnestra to the title role of Maria Becker in Jean Giraudoux's Électre. In a subsequent Swiss tour Fein played the title role in George Bernard Shaw's Mrs. Warren's Profession and at the Lucerne Festival revived her role as Jocasta in The Infernal Machine.

She acted in the plays and theatrical adaptations of Maurice Clavel, such as The Isle of Goats and The Noon Terrace. She was directed by Roger Planchon at Villeurbanne in 1959 in Love's Second Surprise and by Luchino Visconti in Paris in 1961 in 'Tis Pity She's a Whore beside Alain Delon and Romy Schneider. She made appearances in Summer and Smoke (1953) and Suddenly, Last Summer (1965) by Tennessee Williams. She incarnated the Sphinx of Cocteau's The Infernal Machine in festivals as well as on television with Claude Giraud in 1963. She was The Respectful Prostitute of Jean-Paul Sartre (1965) as well as The Duchess of Malfi beside Raf Vallone (1981).

In the 1960 season premiere of the ABC/Warner Brothers detective series, 77 Sunset Strip, the then 10-year-old Kelman appeared as Randolph in the episode "Attic", set in a remote mountain hideout. The episode stars Roger Smith as Jeff Spencer and features Kathleen Crowley, Cynthia Pepper, Lee Van Cleef, and Gary Vinson. He appeared in 1961 on NBC's Bonanza, with Lorne Greene, in the episodes "Many Faces of Gideon Flinch" and "The Infernal Machine." In 1961, Kelman was cast in conflicting roles as John and Oliver Hadley in the episodes "The Bully" and "The Sissy", respectively, of NBC's National Velvet family drama series, starring Lori Martin as the teenaged equestrian Velvet Brown.

Computer and Video Games, Eurogamer, and IGN also praised Infernal Machine for its levels, calling them "excellently designed" and including "some of the most brilliant layouts [...] seen in a game of this type". While IGN thought the variety of puzzles provided was sufficient and applauded the inclusion of a hint system, GameSpot found many of the puzzles in the game to focus too heavily on platforming and went on to state that they become "quite repetitive - even predictable" after the first few levels. The most criticized aspect of the PC game across the majority of reviews, however, are the controls. Eurogamer described them as "infuriating at times", mostly due to their faulty collision detection when performing certain actions.

Served by a narrow gauge railroad from Norfolk, which operated a steam locomotive named the "Walter H. Taylor", Ocean View blossomed as both a popular resort area and streetcar suburb of the City of Norfolk, which annexed the area in 1923. In April 1907, while Taylor was the attorney for the new Virginian Railway, then under construction, he met the founder, millionaire industrialist Henry Huttleston Rogers and humorist Mark Twain when they arrived in Hampton Roads aboard Rogers' steam yacht Kanawha. They were in Norfolk to attend the opening ceremonies of the Jamestown Exposition held at Sewell's Point. According to published newspaper reports of the day, Twain drove off with Taylor in an "infernal machine," better known in modern times as an automobile.

Indiana Jones and the Staff of Kings is a historical fantasy video game published by LucasArts for the Wii, PlayStation 2, Nintendo DS, and PlayStation Portable. It was released on 9 June 2009, and focuses on Indiana Jones as he searches for his former mentor Charles Kingston, while working to prevent the Nazis from acquiring the "Staff of Kings", said to be the same staff used by Moses to part the Red Sea. The game is the third in the series of original 3D Indiana Jones games, preceded by Indiana Jones and the Emperor's Tomb, and Indiana Jones and the Infernal Machine. The Wii version also includes a copy of a previous LucasArts game, Indiana Jones and the Fate of Atlantis, as an unlockable.

In Boilly's painting, the café's demure façade offers little in a very recognizable Turkish vein to the boulevard save the device of the crescent moon. Opposite the entrance in boulevard du Temple, General Mortier was killed, 28 July 1835, by the "infernal machine", a bomb intended for Louis-Philippe, with whom he was riding. The proprietor of the Jardin Turc, Bonvallet, was among the Marais citizens who strenuously objected to Louis Napoleon's coup d'état of 2 December 1851, calling themselves "Montagnards" to recall the heady days of the First French Republic. One harangued the people in the boulevard from a balcony of "citoyen Bonvallet, restaurateur", declaring that president Napoléon had placed himself beyond the law; the police soon appeared, and the radicals beat a hasty retreat.

The Plot of the Rue Saint-Nicaise, etching The best-known assassination attempt against Napoleon occurred in Paris on the evening of December 24, 1800. Napoleon was heading to the opera to see Joseph Haydn’s oratorio The Creation when a cart exploded in the street shortly after his carriage had passed. The attack was carried out by royalists linked to the Chouan leader Georges Cadoudal, who was in the pay of the British government. The conspirators bought a horse and cart from a Parisian grain dealer, attached a large wine cask to the cart, and loaded the cask with shrapnel and gunpowder. They drove this “infernal machine” to Rue Saint-Nicaise (which no longer exists), near the intersection with Rue Saint-Honoré, on Napoleon’s route to the opera.

Alchemy, occultism, Swedenborgianism, and various other eccentric interests were pursued by Strindberg with some intensity for periods of his life. In the curious and experimental 1897 work Inferno — a dark, paranoid, and confusing tale of his time in Paris, written in French, which takes the form of an autobiographical journal — Strindberg, as the narrator, claims to have successfully performed alchemical experiments and cast black magic spells on his daughter. Much of Inferno indicates that the author suffered from paranoid delusions, as he writes of being stalked through Paris, haunted by evil forces, and targeted with mind-altering electric rays emitted by an "infernal machine" covertly installed in his hotel. It remains unclear to what extent the book represents a genuine attempt at autobiography or exaggerates for literary effect.

Based on this notion, he decided for the game to be an action-adventure, as he was particularly fond of the genre and its use of 3D worlds. Barwood also considered the Nazis to be overused as villains in the series and so instead set the title in the Cold War era with Russians as the antagonists. Originally, UFOs were planned to be used as a plot device, though George Lucas vetoed the idea, still reserving it for a then undeveloped fourth movie. In lieu thereof, Barwood became interested in ancient technology like the Antikythera mechanism, conceived the Infernal Machine as the MacGuffin, and placed it in the biblical Tower of Babel, which is believed to be identical with the Etemenanki, a temple dedicated to the god Marduk.

177 and to British special operations during World War II.Hugh Dalton letter to Lord Halifax 2/7/1940 article by Matthew Carr Author The Infernal Machine: A History of Terrorism The IRA are considered by some the innovators of modern insurgency tactics as the British would replicate and build upon the tactics used against them in World War II against the Germans and Italians. Tony Geraghty in The Irish War: The Hidden Conflict Between the IRA and British Intelligence wrote: From January 1939 to March 1940, the Irish Republican Army (IRA) carried out a campaign of bombing and sabotage against the civil, economic, and military infrastructure of Britain. It was known as the S-Plan or Sabotage Campaign. During the campaign, the IRA carried out almost 300 attacks and acts of sabotage in Britain, killing seven people and injuring 96.

Francis J. Ellison, a commissioned officer of the Colorado National Guard, was assigned by General Sherman Bell to the Cripple Creek District for "special military duty". Although Ellison acquired "certain evidence in regard to the perpetrators of the Vindicator explosion," which "would have led to the arrest and conviction of the men who are responsible for the placing of that infernal machine," Sherman Bell failed to follow up on that evidence.Louis Freeland Post, The Public, November 5, 1904, page 487 On January 26, 1904, a cage full of non-union miners broke from the hoist at the Independence mine, and fifteen men fell to their deaths. The coroner's jury found that management was negligent, having failed to install safety equipment properly,Mark Wyman, Hard Rock Epic, Western Miners and the Industrial Revolution, 1860-1910, 1979, pages 101-102.

Described as a "supergun", the infernal machine was designed to fire 25 rifle barrels at the same time. Each barrel was originally believed to have been loaded with eight bullets and twenty lead pellets, but a thorough inspection of the misfired barrels by Jean Le Page, Arquebusier Ordinaire to the King, showed that each barrel contained about of gunpowder, 6 to 8 balls, two layers of wadding, and 13 to 14 slugs. The weapon, built of wood and metal, was constructed in a room overlooking the street on the third floor of N. 50 Boulevard du Temple, where it was later used for the failed assassination of Louis Philippe I. The barrels were mounted side-by-side with each touch hole in line with the next. In combination with a trail of gunpowder, the barrels could all be fired at once with a single fuse (in Fieschi's case, charcoal was used).

Quetzalcoatl was fictionalized in the 1982 film Q as a monster that terrorizes New York City. The deity has been featured as a character in the manga and anime series Yu-Gi-Oh! 5D's, Fate/Grand Order - Absolute Demonic Front: Babylonia, Beyblade: Metal Fusion and Miss Kobayashi's Dragon Maid (the latter depicting Quetzalcoatl as a female dragon deity); the Megami Tensei video game franchise; the video games Fate/Grand Order, Final Fantasy VIII, Final Fantasy XV, Sanitarium, Smite (as an alternate costume for his Mayan counterpart, Kukulkan), and Indiana Jones and the Infernal Machine; as the main antagonist in the Star Trek: The Animated Series episode "How Sharper Than a Serpent's Tooth"; and in the last of The Secrets of the Immortal Nicholas Flamel books. Quetzelcoatl also appeared on (Season 3) of the Animal Planet mockumentary Lost Tapes in an episode entitled "Q the Serpent God".

Mitterrand defined his doctrine during a speech at the Palais des sports in Rennes on February 1, 1985. Mitterrand excluded still active terrorist from this protection. On 21 April 1985, at the 65th Congress of the Human Rights League (LDH), he declared that Italian criminals who had broken with their violent past and had fled to France would be protected from extradition to Italy: > "Italian refugees (...) who took part in terrorist action before 1981 (...) > have broken links with the infernal machine in which they participated, have > begun a second phase of their lives, have integrated into French society > (...) I told the Italian government that they were safe from any sanction by > the means of extradition".Les réfugiés italiens (...) qui ont participé à > l'action terroriste avant 1981 (...) ont rompu avec la machine infernale > dans laquelle ils s'étaient engagés, ont abordé une deuxième phase de leur > propre vie, se sont inséré dans la société française (...).

Callow's immersion in the theatre began after he wrote a fan letter to Sir Laurence Olivier, the Artistic Director of the National Theatre, and received a response suggesting he join their box office staff. It was while watching actors rehearse that he realised he wanted to act. Callow made his stage debut in 1973, appearing in The Thrie Estates at the Assembly Rooms Theatre, Edinburgh. In the early 1970s, he joined the Gay Sweatshop theatre company and performed in Martin Sherman's critically acclaimed Passing By. In 1977, he took various parts in the Joint Stock Theatre Company's production of Epsom Downs and in 1979, he starred in Snoo Wilson's The Soul of the White Ant at the Soho Poly.Snoo Wilson, Plays 1, Methuen 1999 Callow appeared as Verlaine in Total Eclipse (1982), Lord Foppington in The Relapse (1983) and the title role in Faust (1988) at the Lyric Hammersmith, where he also directed The Infernal Machine (with Maggie Smith) in 1986.

Jones is also featured in several Disney theme park rides, including the Indiana Jones Adventure, Indiana Jones et le Temple du Péril, Indiana Jones Adventure: Temple of the Crystal Skull, and Epic Stunt Spectacular! attractions. Jones is most famously portrayed by Harrison Ford and has also been portrayed by River Phoenix (as the young Jones in The Last Crusade) and in the television series The Young Indiana Jones Chronicles by Corey Carrier, Sean Patrick Flanery, and George Hall. Doug Lee has supplied the voice of Jones for two LucasArts video games, Indiana Jones and the Fate of Atlantis and Indiana Jones and the Infernal Machine, David Esch supplied his voice for Indiana Jones and the Emperor's Tomb, and John Armstrong for Indiana Jones and the Staff of Kings. Jones is characterized by his iconic accoutrements (bullwhip, fedora, satchel, and leather jacket), wry, witty and sarcastic sense of humor, deep knowledge of ancient civilizations and languages, and fear of snakes.

The character has appeared in several officially licensed games, beginning with adaptations of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, two adaptations of Indiana Jones and the Last Crusade (one with purely action mechanics, one with an adventure- and puzzle-based structure) and Indiana Jones's Greatest Adventures, which included the storylines from all three of the original films. Following this, the games branched off into original storylines with Indiana Jones in the Lost Kingdom, Indiana Jones and the Fate of Atlantis, Indiana Jones and the Infernal Machine, Indiana Jones and the Emperor's Tomb and Indiana Jones and the Staff of Kings. Emperor's Tomb sets up Jones's companion Wu Han and the search for Nurhaci's ashes seen at the beginning of Temple of Doom. The first two games were developed by Hal Barwood and starred Doug Lee as the voice of Indiana Jones; Emperor's Tomb had David Esch fill the role and Staff of Kings starred John Armstrong.

During the Crimean War (1853 - 1856) and the Indian Mutiny of 1857, marines and sailors from the Royal Navy used Congreve Rockets. "Bluejackets" armed with rockets from HMS Shannon and HMS Pearl, under the command of Captain William Peel, were among the Naval Brigade participating in the force led by Sir Colin Campbell at the Second Relief of Lucknow. There is an eye- witness narrative of the taking of the heavily-fortified Shah Janaf mosque written by William Forbes Mitchell: at a late stage Captain Peel had ... brought his infernal machine, known as a rocket battery, to the front, and sent a volley of rockets through the crowd on the ramparts.. After a second salvo from the rocket battery, many of the rebels fled and the mosque was finally taken by storm. When Forbes-Mitchell entered the enclosure he found only numerous dead defenders. According to a modern historian, "Peel’s rockets had tipped the scale and the Shah Najaf fell to the British just as they had been about to fall back"..

The reasons for the game's cancellation included the clash between the drawing styles of the characters (art deco) and of the background (realistic), the retiring from the project of Aric Wilmunder, the main programmer, and finally, the problems with distribution in Germany, where censorship laws prohibit the sale of any products with explicit depictions of Nazi symbols. Earlier games could get away easily by simply removing the Nazi flags and references to them, but this could not be done with this game, as they were an important part of the plot and Hitler was featured as a central villain. After this game, LucasArts briefly considered making a game named Spear of Destiny (involving the spear of Longinus). They eventually abandoned the idea of creating a classical adventure game in the Indiana Jones series, instead focusing on Tomb Raider-style 3D action games, thus, ending it with the release of Indiana Jones and the Infernal Machine, followed by Indiana Jones and the Emperor's Tomb and Indiana Jones and the Staff of Kings.

Deep in the ruins of the Etemenanki, Indiana translates some ancient tablets with cuneiform writing explaining the true story behind the Tower of Babel: 2600 years ago, Nebuchadnezzar II was inspired by Marduk to build a great engine, but the frightened Babylonians tore the tower housing it down, leading four of the god's disciples to escape with some parts of this "Infernal Machine". Indiana embarks on a journey to find these machine parts before the Soviets do, and retrieves all four of them from a monastery in the mountains of the Kazakh Soviet Socialist Republic, an active volcano on Palawan in the Philippines, an Olmec valley in Mexico, and a tomb near Meroë in the deserts of the Anglo-Egyptian Sudan. He is confronted by Volodnikov and Turner who both demand him to hand over the parts as they think they would not be safe with the other side. Untrusting of his fellow Americans, but opting for the lesser evil, he gives the parts to Sophia and Turner.

Clarice Blackburn (February 26, 1921 - August 5, 1995) was an American actress who portrayed three different characters on Dark Shadows. She was born in San Francisco, California but because her father was a salesman, Blackburn and her family moved around a great deal and made their home in Wisconsin, Arizona, Louisiana and Texas after California. She earned a Bachelor's Degree in speech and drama at the Texas State College for Women. She studied acting at HB Studio.HB Studio Alumni She then made her professional debut in 1947 on Martha's Vineyard in The Circle of Chalk. An outstanding performance in an Equity Library Theater production of The Great Big Doorstep in 1950 led to a job as understudy for Eva Gabor in The Happy Time on Broadway. The Happy Time starred Shirley Booth, with whom Clarice would appear again on Broadway in Desk Set in 1955. Clarice's other stage credits included a lead role in a 1953 revival of The Glass Harp, a critically acclaimed lead in American Gothic, also in 1953 and also performed at Circle in the Square; The Infernal Machine in 1958; Juno on Broadway in 1959; The Miracle Worker on Broadway in 1961; and The Queen and the Rebels and Good Day!, both in 1965.