How to use indecipherability in a sentence? Find typical usage patterns (collocations)/phrases/context for "indecipherability" and check conjugation/comparative form for "indecipherability". Mastering all the usages of "indecipherability" from sentence examples published by news publications.
But at a minimum, the indecipherability of Pozanti's simple shapes will persist.
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"Bunnies" (1966) reproduces a hugely enlarged photograph of Playboy hostesses in grainy dots that blur the image almost to the point of indecipherability.
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One afternoon, I unloaded my vast anxieties about the universe's indecipherability during an ample Italian lunch at Patsy's on 56th Street (pasta goes well with despair).
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Invisibility, indecipherability, and repetition tie up this exhibition which ultimately asks that we find new ways to use language, reconsider the power structures embedded within, and allow for new meanings to emerge and break down said structures.
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A little dissonance need not be destructive, if you can harness its potential productively, and that in turn will help affirm the language of storytelling in video games: both for those who know it fluently, and others who've previously been alienated by its surface-level indecipherability.
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Typically of Woodring's work, Congress is layered in metaphorical meaning and rewards repeated reading. Sean Rogers, at The Comics Journal, suggests that, as Manhog in the past has had the opportunity and insight to attempt to better himself (especially in the short story "Gentlemanhog" and in Woodring's previous graphic novel, Weathercraft), now Frank for the first time may have such an opportunity. The story is more linear than the ones Woodring has drawn in the past, with a clear story arc, less focused on "[t]he mystery, ambivalence, and indecipherability" of his past stories with their "thinness of character and event".
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Ronell questions the operations that such ordinary objects as the telephone and book dictate. She signs the text as the operator of the switchboard alongside Richard Eckersley, operator of design, and Michael Jensen, operator of compositor. Eckersley's design departs from his "typographic subtlety and restraint" towards a computer design, marked by new page-making software programs to interpret the text typographically.Don Mills, "Deconstructed the conventions of graphic design: Obituary of Richard Eckersley," National Post, 21 April 2006: PM.11, [Toronto Edition] Eckersley dislodges the text from presumed conventional settings and shifts the focus of reading with inexplicable gaps, displacements between sentences and paragraphs, mirror imaging of pages facing one another, words blurred to the point of indecipherability, and a regular exaggeration of negative line spacing, spilling sentences over into each other.
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