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31 Sentences With "incrusted"

How to use incrusted in a sentence? Find typical usage patterns (collocations)/phrases/context for "incrusted" and check conjugation/comparative form for "incrusted". Mastering all the usages of "incrusted" from sentence examples published by news publications.

What I think happens is bureaucracy builds on bureaucracy and it gets incrusted on top of itself... STEWART: Right.
Since she hates to drink water, she's bought two Swarovski crystal-incrusted cups from TaylorMade Bling, a company she discovered via Instagram.
Some looks included bead-incrusted jackets with a motif drawn from 1939 movie The Wizard of Oz and featuring its heroine Dorothy, who is transported in the film into a color-infused dream world from her black-and-white life.
The cap cuticle is composed of interwoven septate hyphae, which are often finely incrusted.
They can have crystals incrusted at the apex. Cystidia are very important to separate species within this genus. Pileipellis is a trichoderm, sometimes a cutis. Hymenophoral trama parallel.
Under the microscope, the spores appear narrowly ellipsoid to fusiform (spinde-shaped) and measure 13.5–22 × 5–6 μm. The cap cuticle is a trichodermium of septate cylindrical hyphae, often finely incrusted.
It is a magnificent fireplace with a white marble mirror top with incrusted, multi-coloured decoration as well as tabletops of the same design for two consoles, which the Elector commissioned in 1719.
The spores are olive-brown in mass. When viewed under the microscope they are ellipsoid to fusiform (spindle-shaped), measuring 10–15.5 by 4–5.5 μm. The cap cuticle is a trichodermium of septate cylindrical hyphae, sometimes finely incrusted.
The Mushrooms and Toadstools of Britain and North Western Europe. Microscopically, it has ellipsoid to fusiform spores measuring 11.5–14 × 4–5.5 μm. The hyphal structure of the cap is a trichodermium of interwoven septate hyphae, often finely incrusted.
There are fillings, or filunge and overlay locks on the doors. The exception are the doors upstairs, which are done with „incrusted“ filunges. The floors are, depending on the purpose, made of bricks or wood. The chimneys were walled up.
The interior walls are painted grey stone over plaster. The walls are lined with wall arcades. Facing the aisles, an etching of a gothic window profile is incrusted on each of the wooden benches. At the back of the cathedral are lacquered wooden sculptures.
Paris Modes, New York Times, 3 January 1932, pg. X11. Paris fashion releases in the late spring were replete with frocks made of heavy black wool. Borea's black wool crepon frock had an incrusted collar and top sleeves of white shaved lamb.Nonchalance Is Now Chic, New York Times, 22 May 1932, pg. X9.
Leohumicola incrustata is a species of fungi. It was named after the appearance of its terminal conidial cells, incrusted with a crust-like slime. It was first found in the Cape of Good Hope Nature Reserve, from heated soil. Large warts or the production of slime on its terminal cell are this species' defining characteristics.
The church and tower are examples of Aragonese Romanesque and Mudéjar architecture. The brick bell tower is incrusted with glazed ceramic tiles. The exterior of the church is also decorated with tiles, and has a polygonal apse reinforced with tower structures. The interior comprises a single nave with an ogive vaulted ceiling, and side chapels.
Still in 1515, Oruç sent precious gifts to the Ottoman Sultan Selim I, who, in return, sent him two galleys and two swords incrusted with diamonds. In 1516, joined by Kurtoğlu (Curtogoli), the brothers besieged the Castle of Elba, before heading once more towards Liguria, where they captured 12 ships and damaged 28 others.
The reception hall, also known as the Ocean Hall, is a room of square plan which is situated beside the Hall of Mosaics. Incrusted in one of the walls is a Roman mosaic, dedicated to the God Oceanus. Also within the hall are found some seats of honor of the ancient chapter choir which date back to the 17th Century.
The plinth is ornamented with mosaics of black and yellow marble arranged in geometric patterns. An ebony "chhaparkhat" enclosure surrounds the marble cenotaph, which is usually covered by a green cloth. A wooden canopy incrusted with mother-of-pearl inlay mosaic over it. The door to the main chamber is intricately carved with arabesque patterns and bears inscriptions from the Quran.
Auriporia are characterized by crust-like fruit bodies with a yellowish pore surface that grow on dead wood. They have a monomitic hyphal system with generative hyphae that are clamped, and thin to thick-walled. The cystidia are smooth with short side branches or protuberances, and are typically incrusted at the apex. The spores produced are hyaline (translucent), oblong, and ellipsoid in shape.
Its habitat often has giant kelp Lessonia nigrescens. It is generally quite common, with average densities in appropriate habitat typically being from about 1.5 individuals per square meter to 2.5 per square meter. The species is omnivorous, feeding on a wide range of algae and invertebrates. It has radular teeth that are quite large, allowing it to eat heavily incrusted things like coralline algae.
The genus was circumscribed by American mycologist William Murrill in 1905 with Microporellus dealbatus as the type species. Murrill intended to the genus to contain polypores with stipes. The generic concept was emended in 1985 by David and Rachenberg. After examining the type of Polyporus dealbatus, they reported for the first time the presence of dextrinoid skeletal hyphae and incrusted cystidia, a unique combination of characters in the Polyporales.
He discovered two ways to work the wool: handmade in order to enhance the authentic aspect of traditional work around wool; and using Jacquard and incrustation to skilfully sculpt the body with perfect finishing touches. He likes playing around with the contrast between material and techniques. He is looking for « mixing the extremes ». Thus, we can see Alpaca wool incrusted with Swarovski crystals, the mix between leather and fur.
Fine gold and silver wire is used by craftsmen in Oaxaca, Yucatán, Guerrero and Chiapas to create earrings, necklaces and bracelets with intricate designs. In the Tierra Caliente region of Michoacán, they make a type of dangling gold earring with the name of “siete lunas” or seven moons. In Yucatán rosaries made with gold or gold plated filigree are popular often made with red and pink coral. Turtle shell jewelry is incrusted with gold and silver.
Instead, he shifted his focus to decorative picture frames, incrusted with dried flowers affixed with resin. To start the business, he asked local carpenters to lend him the wood, promising to pay them as soon as the company started making money. In 1999, he created a business plan to expand the business, entering it in the Venture Challenge 2000 international business plan competition at San Diego State University. He was the seventh student from Monterrey Tech to compete, but the first to place, coming in third.
His compositions, far from being descriptive, narrative or literary, are true plastic records of thoughts expressed in two- or three-dimensional surfaces. These works of art or “collages” look like accurate maps where we can find a path to think as well as reflect about our own spiritual life. This late series is also characterized by colors extracted from the soil – from brown to red oxide – and incrusted objects – keys, nails, washers, piece of fabrics, threads - which become powerful symbols and metaphors. Each symbol carries a profound spiritual message.
According to Correia, regular soldiers received over 4,000 cruzados each, Captains received up to 30,000;Gaspar Correia, Lendas da Índia Volume 2, p. 248 At the time, 1,000 cruzados was roughly the equivalent of the annual income of a Count in Portugal.João Paulo de Oliveira e Costa, Vítor Luís Gaspar Rodrigues (2012) Campanhas de Afonso de Albuquerque: Conquista de Malaca, 1511 p. 61 Albuquerque recovered from the expedition a stool incrusted with jewels, four golden lions and even a golden bracelet which was said to have the magical property of preventing the wearer from bleeding.
Malmidea apothecia are sessile, with a more or less rounded shape, and have a distinct margin. They have a biatorine structure, meaning that they have only a pale, not blackened proper margin and always lack a margin on the thallus. The excipulum is usually paraplectenchymatous (a cell arrangement where the hyphae are oriented in all directions), made of radiating hyphae, partly with medullary layer or chambers composed of loosely arranged, periclinal hyphae (i.e. lined up in parallel adjacent to another layer of hyphae) with constricted septa and incrusted with hydrophobic granules.
Its conidiogenous hyphae are hyaline, measuring approximately 1.5–2.0μm wide, often found in fascicles in aerial mycelium. These are reduced to a single denticle that is 1.0–3.0μm long and 1.5–3.5μm wide. Conidia are two-celled, either solitary or distributed side by side in clusters. Its terminal cell is 4.0–5.5 by 4.0–5.0μm, being globose to subglobose, transitioning to a pale brown to dark brown colour; its conidial walls are slightly thick, smooth or verrucose, with warts measuring 0.75 to 1.5μm, incrusted with a brown-coloured slime that is 1–2μm thick around the apex.
Most tourists to this event come from the state of Puebla but it has started to attract visitors from other parts of Mexico and abroad. Although families with these altars are in mourning, most are also proud to show this particular custom to visitors and talk about the deceased's life. The altars were declared part of the Cultural Heritage of Puebla in 1977. One major festival is that of the Feast of the Holy Cross, which dates back far into the colonial period. It has a community cross made from basalt called the “Cruz de Huaquechula” which is incrusted with various relics related to the original cross of Christ.
Nathaniel P. Langford gave this account in his 1871 Scribner's article: > "The Castle," situated on the summit of an incrusted mound, has a turreted > crater through which a large volume of water is expelled at intervals of two > or three hours to the height of , from a discharging orifice about in > diameter. The architectural features of the silicious sinter surrounding it, > which is very massive and compact, indicating that at some former period the > flow of water must have been much greater than at present, suggested its > name. A vent near it is constantly discharging a large stream of boiling > water, and when the geyser is in action the water in this vent boils and > bubbles with great fierceness.
The ceiling of the chamber is a large wooden dome, probably composed of hundreds or thousands of small wooden pieces fitted together to create a star-like pattern, as is typical of Moorish-Moroccan architecture. The tomb itself is covered by a wooden baldaquin incrusted with gold and copper and elaborately decorated with gold Arabic calligraphy. The mausoleum can also be directly accessed through a set of cedar-wood doors on the west side of the building, via an equally richly decorated vestibule. (These doors are also the closest that non-Muslims can get to the Mausoleum's interior.) The east side of the complex, adjacent to the courtyard and the mausoleum, is a roofed hypostyle space for prayer, including the mosque space built by Sultan Abd al-Rahman in 1824.
The temple's doors are made of granadilla wood, carved by Jesús Gómez Velazco, and they are incrusted with bronze high reliefs made by master Benito Castañeda. The three tympana on the church's facade are embellished with Italian mosaics created in the Vatican's Mosaic Factory. The central one represents the Paschal Lamb; the east, Saint Tarcisius; and the west, St. Pius X. They were designed by painter and expert on the Vatican Museums, Francisco Bencivenga, who also oversaw the placement of them. The church clock, imported from Germany has four lighted dials, and was brought along with a carillon of 25 bells playing 25 pieces both religious and popular music, such as: Ave María, the Mexican National Anthem, Las Mañanitas, Guadalajara, Adiós Mariquita Linda, Las Golondrinas, México Lindo y Querido, and the March of Zacatecas.

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