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51 Sentences With "in the Christian Era"

How to use in the Christian Era in a sentence? Find typical usage patterns (collocations)/phrases/context for "in the Christian Era" and check conjugation/comparative form for "in the Christian Era". Mastering all the usages of "in the Christian Era" from sentence examples published by news publications.

In the Christian era, it was renamed Stauropolis () 'city of the cross'. In later Byzantine times, it assumed the name of Caria, a name preserved by the village of Geyre.Siméon Vailhé, v. Stauropolis, in Catholic Encyclopedia vol. XIV, (New York City, 1912).
At note 52 in English online-version (translated from the Hebrew by Inbal Karo).) Whether or not Jewish settlement goes back to a time as early as King David, both Aleppo and Damascus certainly had Jewish communities early in the Christian era.
The titular resided at Agathopolis. Eubel (Hierarchia catholica medii ævi, I, 194) mentions four Latin bishops of the 14th century. Fishermen's boats in Sozopol The bishopric is included in the Catholic Church's list of titular sees as Sozopolis in Haemimonto and as a suffragan of Hadrianopolis in Haemimonto. Art flourished in the Christian era.
The Johann Gutenberg entry of the Catholic Encyclopedia describes his invention as having made a practically unparalleled cultural impact in the Christian era. and is one of the defining moments of the Renaissance. The Printing Revolution which it sparks throughout Europe works as a modern "agent of change" in the transformation of medieval society.
In the Christian era, Oxyrhynchus was the seat of a bishopric, and the modern town still has several ancient Coptic Christian churches. When Flinders Petrie visited Oxyrhynchus in 1922, he found remains of the colonnades and theatre. Now only part of a single column remains: everything else has been scavenged for building material for modern housing.
Their dates are still a matter of dispute, but it is beyond question that they reigned early in the Christian era. To this period may be ascribed the fine statues and bas-reliefs found in Gandhara and Udyana. Under Huvishka's successor, Vasushka, the dominions of the Kushan kings shrank to the Indus valley and the modern Afghanistan.
Even in the Christian era, lamps were lit in nurseries to illuminate sacred images and drive away child-snatching demons such as the Gello.According to Leo Allatios, De Graecorum hodie quorundam opinationibus IV (1645), p. 188 as cited by Karen Hartnup, On the Beliefs of the Greeks: Leo Allatios and Popular Orthodoxy (Brill, 2004), p. 95.
Sarapion of Alexandria was an ancient Greek athlete listed by Eusebius of Caesarea as a victor in the stadion race of the 204th Olympiad (37 AD).Eusebius of Caesarea, Chronicle . He was the fifth winner of the stadion race from Alexandria in Egypt and the first in the Christian era. Another Sarapion of Alexandria won the boys boxing in 89 AD.
The Abbey of Île Barbe was an Abbey built very early in the Christian era, on Île Barbe, outside of Lyon, France. History of Barbe Island.Louis le Pieux à l’abbaye de l’Ile-Barbe. The abbey was founded on the island in the 5th century and was the first monastic establishment in the Lyon region and one of the oldest in Gaul.
The town wall was long but was impracticable for defensive purposes and was doubtless intended as a display of the status of the city. In the Christian era Aventicum was the seat of a bishopric. The most famous of its bishops was Marius Aventicensis. His terse chronicle, spanning the years 455 to 581, is one of the few sources for the 6th-century Burgundians.
According to Snorri, the Yngling stemmed from the gods Yngve-Frey and Odin. This kinship, a euhemerism, is not left in the poem; only Snorri's words support this. Finnur Jonsson said he thought this song originally contained several verses and started with Yngve. Religion historian Walter Baetke said Yngligatal was free of euhemerism—the notion of lineage of gods was added in the Christian era.
In the first half of the 6th century the mosaics of the northern aisle and the eastern end of the southern aisle were installed. They depict native as well as exotic or mythological animals, and personifications of the Seasons, Ocean, Earth and Wisdom. Mosaic covered churches prove that the towns along the Nabatean spice road in the Negev Desert flourished in the Christian era. In Mamshit two great churches survived.
Two tombs of broken stone columns lie on the ground in the interior. Perhaps, in the Christian era, this edifice served as a church. As for the houses, there was scarcely anything left, except for the cisterns and caves dug in the rock which a number of them contained. I also observe a small birket about ten · paces by four wide; it is partly built and partly dug in the rock.
The Sultanate of Sulu in the southernmost islands engaged actively in barter trade with the Arabs, Han Chinese, Bornean, Moluccan, and British traders. The Sultans issued coins of their own as early as the 5th century. Coins of Sultan Azimud Din that exist today are of base metal Tin, Silver and alloy bearing Arabic inscriptions and dated 1148 AH corresponding to the year 1735 in the Christian era.
The opposition between substance and relation was given a theological perspective in the Christian era. Basil in the Eastern church suggested that an understanding of the Trinity lay more in understanding the types of relation existing between the three members of the Godhead than in the nature of the Persons themselves.Thomas Aquinas Summa Theologiae (Blackfriars, 1967) p. 30 (note); cf. St. Augustine The Trinity (Catholic University of America Press, 1963) p.
30 Sept. 2011. In the Christian era of the late Empire, from 350–500 AD, wall painting, mosaic ceiling and floor work, and funerary sculpture thrived, while full-sized sculpture in the round and panel painting died out, most likely for religious reasons.Piper, p. 261. When Constantine moved the capital of the empire to Byzantium (renamed Constantinople), Roman art incorporated Eastern influences to produce the Byzantine style of the late empire.
As the birth of Horus became more intimately associated with the resurrection of Osiris, so Heqet's role became one more closely associated with resurrection. Eventually, this association led to her amulets gaining the phrase I am the resurrection in the Christian era along with cross and lamb symbolism. A temple dedicated to Horus and Heqet dating to the Ptolemaic Period was found at Qus.Porter, Bertha and Moss, Rosalind.
In most denominations, women have been the majority of church attendees since early in the Christian era and into the present.David Murrow (2005, 2011), Why Men Hate Going to Church. Nashville, TN: Thomas Nelson. . Later, as religious sisters and nuns, women came to play an important role in Christianity through convents and abbeys and have continued through history to be active - particularly in the establishment of schools, hospitals, nursing homes and monastic settlements.
The Johann Gutenberg entry of the Catholic Encyclopedia describes his invention as having made a practically unparalleled cultural impact in the Christian era.; ; ; In Germany, around 1440, goldsmith Johannes Gutenberg invented the printing press, which started the Printing Revolution. Modelled on the design of existing screw presses, a single Renaissance printing press could produce up to 3,600 pages per workday, compared to forty by hand-printing and a few by hand-copying.
The Pilgrim's Road was a route through Asia Minor to the Holy Land.1963 S. Frederick Starr, "Mapping Ancient Roads in Anatolia" Archaeology, 16:165 In Volume 4 of Roman Roads & Milestones of Asia Minor, author David H. French reports that the road stretched from Chalcedon to Syria. The surface was paved with small pebbles covered with gravel shortly after the Roman conquest.ibid. It was widened from 21.5 feet to 28 feet in the Christian era to accommodate commercial travel.
Some evidence of Roman civilization has been found. During the year of Muslim occupation it was a very important "alqueria" owned by Xàtiva. Then in the Christian era, in 1244, king James I of Aragon gave Dionís of Hungary the tower and the small village of Canals and created the new lordship of the Señorío de Torre de Canals. Dionis of Hungary gave the king the castle in the valley of Veo and also the castle of Ain and other territories.
Roman art was commissioned, displayed, and owned in far greater quantities, and adapted to more uses than in Greek times. Wealthy Romans were more materialistic; they decorated their walls with art, their home with decorative objects, and themselves with fine jewelry. In the Christian era of the late Empire, from 350 to 500 CE, wall painting, mosaic ceiling and floor work, and funerary sculpture thrived, while full-sized sculpture in the round and panel painting died out, most likely for religious reasons.Piper, p.
He is also seen as the first high king in the Christian era. The Mound of the Hostages has a passage aligned with the sunrise around the times of Imbolc (the Gaelic festival marking the start of spring) and Samhain (the festival marking the start of winter).Knowth.com photo of Samhain sunrise at the Mound of Hostages "The Stone Age Mound of the Hostages is also aligned with the Samhain sunrise." The sun rises from the same angle on Imbolc.
The known history of the Tumkur district begins with the Gangas. The Ganga family ruled over the southern and eastern districts of the state from early in the Christian era to 1025 AD. The earliest record of The Ganga family found in this district belongs to about 400 A.D. After the Gangas, Tumkur was ruled by the Rastrakutas and The Chalukyas. The Nolambas under these rulers ruled the area for a long time. The cholas also ruled some parts of the district.
She worked to increase the rate at which works of art by women are among museum collections. She helped found and was an active member of the Heresies Collective, which published the Heresies journal, to show and promote art made by women. She also joined the feminist cooperative gallery, A.I.R. Gallery (Artists In Residence), which held exhibits of Edelson's work, including The Memorial to the 9,000,000 Women Burned as Witches in the Christian Era. In that exhibit, the intention was to empower women attendees.
In England attacks continued into the eighteenth. ;Chapter 4 From "Signs and Wonders" to Law in the Heavens Comets, meteors and eclipses were widely seen as portents of doom by most early civilizations. Although natural explanations for eclipses were understood in the Christian era, comets and meteors continued to be regarded as warnings by Bede, Aquinas and others and they could not be reconciled with conceptions of the heavenly spheres. Till the end of the seventeenth century there were attempts to keep astronomical explanations of comets from the university curriculum and church congregations.
BBC News - Tenbury Wells: Centuries-old romance with mistletoe Hanging mistletoe was part of the Saturnalia festival. In the Christian era, mistletoe in the Western world became associated with Christmas as a decoration under which lovers are expected to kiss, as well as with protection from witches and demons. Mistletoe continued to be associated with fertility and vitality through the Middle Ages, and by the 18th century it had also become incorporated into Christmas celebrations around the world. The custom of kissing under the mistletoe is referred to as popular among servants in late 18th century England.
Seeds of what would become known as contemplation, for which the Greek term theoria is also used, were sown early in the Christian era. The earliest Christian writings that clearly speak of contemplative prayer come from the 4th-century monk St. John Cassian, who wrote of a practice he learned from the Desert Fathers (specifically from Isaac). Cassian's writings remained influential until the medieval era when monastic practice shifted from a mystical orientation to Scholasticism. During the 16th century, Carmelite saints Teresa of Avila and John of the Cross wrote and taught about advanced Christian prayer, which was given the name infused contemplation.
The piece was commissioned by the Chancel Choir of First United Methodist Church in Omaha, Nebraska, for their conductor Mel Olson in 1978. Rutter, an Anglican, set many biblical texts for Christian services. The format of the text is based in a similar format to that found in some Celtic Christian prayers and songs, such as those found in the Christian- era Scottish Gaelic collection, the Carmina Gadelica. Rutter has said that his English-only composition is based on "an old Gaelic rune", and that he added a line mentioning Jesus and the word Amen, to make it also a Christian anthem.
Tumkur in History The known history of the Tumkur district begins with the Gangas. The Ganga family ruled over the southern and eastern districts of the State from early in the Christian era to 1025 A.D. The earliest record of the Ganga family found in this district belongs to about 400 A.D. After the Gangas, Tumkur was ruled by the Rastrakutas and the Chalukyas. The Nolambas under these rulers ruled the area for a long time. The cholas also ruled some parts of the district. The Vijayanagara Empire ruled supreme for the later part of the 13th to 17th century.
Early in the Christian era, the district appears to have been a part of the kingdom of the Satavahanas. The Vakatakas, who reigned during the 3rd and 4th centuries A.D., seem to have held sway over Raichur for sometime, after which it appears to have been included in the Kadamba dominions. The next dynasty of importance, which ruled over this region, was that of the Chalukyas of Badami. According to an inscription from Aihole, Pulikeshi-II having defeated the Pallavas, occupied this area and made it a province in his empire under the governance of his son Adityavarma.
This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the feminist art movement." Proposals for: Memorials to the 9,000,000 Women Burned as Witches in the Christian Era, a 1977 performance piece, had the same objective. New York's Museum of Modern Art acquired the original work Some Living American Women Artists / Last Supper along with four other original collage posters in the series. Among the works in the 22 Others exhibitions in 1973 and 2013, it is declared her "most famous work" by Karen Rosenberg of The New York Times.
The Roman Empire took possession of the coast in the 2nd century BC and made it their provincial capitalSt. John - History in the early years of Christianity. Saint John the Evangelist and (according to Roman Catholic sacred tradition) the Virgin Mary both came to live in the area, which in the Christian era became known as "Ania". As Byzantine, Venetian and Genoese shippers began to trade along the coast, the port was re-founded (by the name of Scala Nova or Scala Nuova, meaning "New Port"), a garrison was placed on the island, and the town centre shifted from the hillside to the coast.
The conception of mermaids in the West may have been influenced by the Sirens of Greek mythology, which were originally half-birdlike, but came to be pictured as half-fishlike in the Christian era. Historical accounts of mermaids, such as those reported by Christopher Columbus during his exploration of the Caribbean, may have been sightings of manatees or similar aquatic mammals. While there is no evidence that mermaids exist outside folklore, reports of mermaid sightings continue to the present day. Mermaids have been a popular subject of art and literature in recent centuries, such as in Hans Christian Andersen's literary fairy tale "The Little Mermaid" (1836).
103 The most touching scenes are on eitherside of the doorway where Ramesses is shown as a child being suckled by Isis and Anuket; however, the statue niche was destroyed later perhaps in the Christian era. The exquisite reliefs of Beit el-Wali and its unusual plan differentiates it from later temples by this pharaoh which are located further south in Nubia. The temple of Beit el-Wali is small, and was built on a symmetrical level. It is made up of a forecourt, an anteroom with two columns and a sanctuary cut into the surrounding rock, with the exception of the entrance and the doorway.
In the Christian era Padenghe depended on the Parish of Desenzano and the first church, San Cassiano, was built next to the town center by the lake. This first village was abandoned because of the Hungarian invasions, straddling the 9th and 10th centuries, which forced the inhabitants to fortify a hill, where the castle was erected. In 1154 Padenghe is mentioned in the document with which Frederick Barbarossa, after the Diet of Roncaglia, recognizes the rights of Theobald, Bishop of Verona on certain territories in province of Brescia. In the Middle Age, the castle turned it into a Ghibelline fortress and was contested between Brescia and Verona.
Figures vary considerably as to the demographics of Palestine in the Christian era. No reliable data exist on the population of Palestine in the pre-Muslim period, either in absolute terms or in terms of shares of total population. Although many Jews were killed, expelled or sold off into slavery after the AD 66–70 and the 123–125 rebellions, the degree to which these transfers affected the Jewish dominance in Palestine is rarely addressed. What is certain is that Palestine did not lose its Jewish component. Goldblatt concludes that the Jews may have remained a majority into the 3rd century AD and even beyond.
1 on their "People of the Millennium" countdown. In 1997, Time–Life magazine picked Gutenberg's invention as the most important of the second millennium ; the same did four prominent US journalists in their 1998 resume 1,000 Years, 1,000 People: Ranking The Men and Women Who Shaped The Millennium . The Johann Gutenberg entry of the Catholic Encyclopedia describes his invention as having made a practically unparalleled cultural impact in the Christian era. It played a key role in the development of the Renaissance, Reformation, Age of Enlightenment, and Scientific Revolution, as well as laying the material basis for the modern knowledge-based economy and the spread of learning to the masses.
Religions of Rome: A History, Mary Beard, John A. North, S.R.F Price, Cambridge University Press, p. 234, 1998, In the Christian era, when Christianity became the state church of the Roman Empire, the Church came to accept it was the Emperor's duty to use secular power to enforce religious unity. Anyone within the church who did not subscribe to Catholic Christianity was seen as a threat to the dominance and purity of the "one true faith" and they saw it as their right to defend this by all means at their disposal."The First Christian Theologians: An Introduction to Theology in the Early Church", Edited by Gillian Rosemary Evans, contributor Clarence Gallagher SJ, "The Imperial Ecclesiastical Lawgivers", p.
He argues that some of the 'invasions' depicted in LGE are based on these, but that others were invented by the writers. He also argues that many of Ireland's 'pre-Gaelic' peoples continued to flourish for centuries after 100 BC. In The White Goddess (1948), British poet and mythologist Robert Graves argued that myths brought to Ireland centuries before the introduction of writing were preserved and transmitted accurately by word of mouth before being written down in the Christian Era. Taking issue with Macalister, with whom he corresponded on this and other matters, he declared some of the Lebor Gabála's traditions "archaeologically plausible". The White Goddess itself has been the subject of much criticism by archeologists and historians.
The original spatial connotation of the word is still reflected in its use as an epithet of the river Tiber and of god Terminus that was certainly ancient: borders are sancti by definition and rivers used to mark borders. Sanctus as referred to people thus over time came to share some of the sense of Latin castus (morally pure or guiltless), pius (pious), and none of the ambiguous usages attached to sacer and religiosus. In ecclesiastical Latin, sanctus is the word for saint, but even in the Christian era it continues to appear in epitaphs for people who had not converted to Christianity.Nancy Edwards, "Celtic Saints and Early Medieval Archaeology", in Local Saints and Local Churches in the Early Medieval West (Oxford University Press, 2002), p.
Brendan discovering the Faroes and Iceland Stamp sheet FR 252–253 of Postverk Føroya Issued: 18 April 1994 Artist: Colin Harrison An immram (; plural immrama; , , voyage) is a class of Old Irish tales concerning a hero's sea journey to the Otherworld (see Tír na nÓg and Mag Mell). Written in the Christian era and essentially Christian in aspect, they preserve elements of Irish mythology. The immrama are identifiable by their focus on the exploits of the heroes during their search for the Otherworld, located in these cases in the islands far to the west of Ireland. The hero sets out on his voyage for the sake of adventure or to fulfill his destiny, and generally stops on other fantastic islands before reaching his destination.
In The Servile State, written after his party-political career had come to an end, and other works, he criticised the modern economic order and parliamentary system, advocating distributism in opposition to both capitalism and socialism. Belloc made the historical argument that distributism was not a fresh perspective or program of economics but rather a proposed return to the economics that prevailed in Europe for the thousand years when it was Catholic. He called for the dissolution of Parliament and its replacement with committees of representatives for the various sectors of society, an idea that was also popular among Fascists, under the name of corporatism. He contributed an article on "Land-Tenure in the Christian Era" to the Catholic Encyclopedia.
Turdeanu E. Apocryphes slaves et roumain de l'Ancient Testament, Leiden 1981 4 Baruch is usually dated to the first half of the 2nd century AD. Abimelech's sleep of 66 years, instead of the usual 70 years of Babylonian captivity, makes scholars tend toward the year AD 136, that is, 66 years after the fall of the Second Temple in AD 70. This dating is coherent with the message of the text. 4 Baruch uses a simple and fable-like style, with speech-making animals, fruit that never rots, and an eagle sent by the Lord that revives the dead. Some parts of 4 Baruch appear to have been added in the Christian era, such as the last chapter; due to these insertions, some scholars consider 4 Baruch to have Christian origins.
The oldest known pills were made of the zinc carbonates hydrozincite and smithsonite. The pills were used for sore eyes and were found aboard the Roman ship Relitto del Pozzino, wrecked in 140 BC. The manufacture of brass was known to the Romans by about 30 BC. They made brass by heating powdered calamine (zinc silicate or carbonate), charcoal and copper together in a crucible. The resulting calamine brass was then either cast or hammered into shape for use in weaponry. Some coins struck by Romans in the Christian era are made of what is probably calamine brass. Strabo writing in the 1st century BC (but quoting a now lost work of the 4th century BC historian Theopompus) mentions "drops of false silver" which when mixed with copper make brass.
It has been pointed out by modern commentators that even though the original Gello was a young woman who died a virgin, the gelloudes which became synonymous with stryggai or "witches" in the Christian era, were generally regarded as being old envious crones.Johnston, Sarah Iles (1997), "Corinthian Medea and th Cult of Hera Akraia," in Medea: Essays on Medea in Myth, Literature, Philosophy, and Art, Princeton University Press, p. 58. Equating gelloudes with the striggai, which occurred by the 7th–8th century with John of Damascus as already noted, still continued in the times of the 17th century Leo Allatius who said that Striges (in the sense of "witches") was also called Gellones (Latinized form) according to popular belief.Allatius, quoted in translation in Allatius also recorded many variant forms, such as gelu, gello, gillo (in the singular).
Following Constantine the Great's victory on Milvian Bridge, which he attributed to a Christian omen he saw in the sky, the Edict of Milan declared that the empire would no longer sanction persecution of Christians. Following Constantine's deathbed conversion in 337 all emperors adopted Christianity, except for Julian the Apostate who, during his brief reign, attempted unsuccessfully to re-instate paganism. In the Christian era (more properly the era of the first seven Ecumenical Councils, 325-787) the Church came to accept that it was the emperor's duty to use secular power to enforce religious unity. Anyone within the Church who did not subscribe to Catholic Christianity was seen as a threat to the dominance and purity of "the one true faith" and emperors saw it as their right to defend this by all means at their disposal.
" For example, Edelson invited visitors to ritually enter through a flaming ladder installation titled Gate of Horn for her 1977 show at A.I.R. Gallery memorializing the 9,000,000 Women Burned as Witches in the Christian Era. On Halloween, adopted as the Woman’s New Year, another public ritual took place in the gallery and outside street. The artist's own naked body acts as a stand-in for the divine feminine in Women Rising (1973), Moon Mouth Series (1973-4), and later Goddess Head (1975) photomontages, for which the artist documented herself performing private rituals in nature and altered the images with a grease pencil to resemble mythological women such as Wonder Woman, Kali, the Wiccan Spiral Goddess, and Sheela-na-gig. She explains her conception of the goddess as "an internalized, sacred metaphor for an expanded and generous understanding of wisdom, power and the eternal universe.
American Federal Period sofa with lyre arm design circa 1790 A lyre arm is an element of design in furniture, architecture and the decorative arts, wherein a shape is employed to emulate the geometry of a lyre;On-line furniture glossary the original design of this element is from the Classical Greek period, simply reflecting the stylistic design of the musical instrument. One of the earliest uses extant of the lyre design in the Christian era is a 6th-century AD gravestone with lyre design in double volute form.Archaic Attic Gravestones, Gisela Marie Augusta Richter, 1944, Oberlin College Press In a furniture context, the design is often associated with a scrolling effect of the arms of a chair or sofa. The lyre arm design arises in many periods of furniture, including Neoclassical schools and in particular the American Federal Period and the Victorian era.
The Julian calendar handles it by reducing the length of the lunar month that begins on 1 July in the last year of the cycle to 29 days. This makes three successive 29-day months. The saltus and the seven extra 30-day months were largely hidden by being located at the points where the Julian and lunar months begin at about the same time. The extra months commenced on 3 December (year 2), 2 September (year 5), 6 March (year 8), 4 December (year 10), 2 November (year 13), 2 August (year 16), and 5 March (year 19). The sequence number of the year in the 19-year cycle is called the "golden number", and is given by the formula :GN = Y mod 19 + 1 That is, the remainder of the year number Y in the Christian era when divided by 19, plus one.
The idea of nature is that of a particular ordering of natural objects, and the study of nature the systematic investigation of that order.” The notion of order in nature implied a structure to the physical world whereby relationships between objects could be defined. According to Harrison, the twelfth century marked an important time in the Christian era when the world became invested with its own patterns of order—patterns based on networks of likeness or similarities among material things, which served to determine the character of a pre-modern knowledge of nature. While God has made all things that reside in the Book of Nature, certain objects in nature share similar characteristics with other objects, which delineates the sphere of nature and “establishes the systematising principles upon which knowledge of the natural world is based.” Thus, the Book of Nature was acquiring a table of contents and its subject matter could now be indexed.

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