78 Sentences With "in ribbons" | Random Sentence Generator

No, the story was given to them in ribbons and bows.

Nearly all the Chanel hats are novelties in ribbons or taffetas with simple ribbon trimmings.

One man, covered in ribbons, plays the part of the "ribbon fool," a prankster in traditional mummering.

An angelic hook exudes positive energy in ribbons, and is complimented by a deep but joyful bassline.

Images span the screen in ribbons, which expand with a subtle parallax effect as you scroll through the page.

She shows this with the boxing gloves covered in lace and satin, in intricate beadwork, in flowery filigree, in ribbons and bows.

Halfway down the route, which stretches from West 77th Street to 19423th Street, his left leg fluttered deflated, his shoe in ribbons.

It's exactly as it sounds: Similar to a foaming cleanser or mousse, the formula is solid and comes out in ribbons of color.

In "Ribbons of Hope," Lily's family moves into an apartment and she tells Elmo that her mother made her bracelets out of ribbons.

In 2009, the government appointed a trio of 'cute ambassadors', three women in ribbons and babydoll dresses whose task was to represent the country abroad.

So these songs also fall short of Dion's inspiring vulgarity, prettily puttering along instead, tied up in ribbons and bows, bathed in high-fructose corn syrup.

Joachim Slugocki and Katarzyna Malejka's Horizontal Interference wraps the trunks of trees in ribbons of colored lights, creating a rainbow out of the tiny city forest.

The first lady was led to a stage area by another group of young girls dressed in brightly colored kente cloth outfits, blowing traditional horns wrapped in ribbons.

It's served fried in ribbons, but it is most glorious (and treacherous) eaten from the bubbling vat, volcanic velvet with the crunch of sea salt that has just been added.

O'Connor advises painting highlights in ribbons two to three inches from the scalp in an irregular vertical pattern — an inch apart — and framing the face to give long lasting and natural-looking results.

But this time it was the setting for a different kind of eerie displacement: nearly 600 Austen enthusiasts, many wearing Regency costumes, decked out in ribbons and bonnets, and carrying reticules, fans, and parasols.

Virtue is a long, tranquil soak in the tub on a Sunday morning, a cleansing both physical and metaphysical, enveloping yourself in ribbons of color from your favorite bath bomb while Chopin plays softly in the background.

The brief ceremony occurs at the registration office, which is called AHAZH (, ). The wedding also features a procession of cars decorated in ribbons, which stops to take pictures along the way.

Habit in Kalgoorlie, Western Australia Eucalyptus krueseana, commonly known as book-leaf mallee, is a mallee that is endemic to inland Western Australia. It has smooth bark that is shed in ribbons, a crown of sessile, juvenile leaves, glaucous flower buds and greenish yellow flowers.

Winged snail Clione limacina, a sea angel. Opisthobranchs are hermaphrodites and have complex reproductive strategies, typically involving reciprocal sperm transfer and storage until the eggs are ready for fertilisation.Debelius, Helmut (2001) Nudibranchs and Sea Snails Indo-Pacific Field Guide p. 7 Ikan, Frankfurt Eggs are commonly laid in ribbons of varying structure.

She picked strawberries which she described as "an agony of bending" and "pulled up flax with your bare hands. The Government did supply strong leather gloves, but they were in ribbons after the first 3 days. The flax was needed for making the fabric required for the cockpits and wings of aircraft".

Cooper's aldisa is a small dorid nudibranch, growing to a length of 25 mm. Its mantle has a yellow to orange color, with some black spots spread over it. It has a smooth body covered with sparse, low tubercles and gills clustered on the posterior part of its body. It lays its eggs in ribbons.

Regarding them, he said: "Obviously, those are buildings that require negotiation. I couldn't be too bad." The completed design resulted in a curving structure standing five stories tall with of space. The bottom two floors are covered in glass and house offices, while the top three floors are covered in ribbons of steel and primarily house courtrooms.

Micromyrtus grandis grows as a shrub with an erect habit, reaching 1–4 metres tall. The orange bark is stringy and shed in ribbons, which frequently curl. The tiny leaves are 0.5 to 4 mm long by 0.5 to 1.5 mm wide. When held up to the light, their oil dots can be clearly seen in the leaf blade.

426 In the ensuing action the French captured Berwick. At 11 am, close off Cap Corse, the French frigate Alceste passed to leeward and opened fire within musket-shot on Berwicks lee bow. Minerve and Vestale soon took their stations on Berwick's quarter. By noon, her rigging was cut to pieces and every sail was in ribbons.

Eucalyptus pauciflora subsp. acerina is a mallee or tree that typically grows to a height of and forms a lignotuber. It has smooth, shiny, white, cream-coloured, grey and green bark that is shed in ribbons. Young plants and coppice regrowth have dull bluish green, egg-shaped to elliptic leaves that are long and wide and petiolate.

Eucalyptus cunninghamii is a mallee that typically grows to a height of and forms a lignotuber. It has smooth grey bark, often with insect scribbles, that is shed in ribbons. Young plants and coppice regrowth have sessile, linear to narrow lance-shaped leaves long and wide. Adult leaves are glossy green, linear to narrow lance-shaped, long and wide on a petiole long.

Gados are tall, thin, furry sapients with long limbs and a worm-like head. Most of a Gado's inner organs are stretched out in ribbons that run throughout their body; thus, any injury can be life-threatening to a Gado. Gados are native to the planet of Abregado-rae. They formerly spoke a language called Gados, but now mostly speak Basic.

Eucalyptus imlayensis is a mallee that typically grows to a height of and forms a lignotuber. It has smooth bark that is shed in ribbons, curling over near the base. The bark is green when fresh, ageing to orange, brown then grey. Young plants and coppice regrowth have stems that are more or less square in cross-section with wings on the corners.

Stems and lignotuber of cultivated specimen in Burnley Gardens, Melbournefruit Eucalyptus saxatilis, commonly known as the Suggan Buggan mallee or Mount Wheeler mallee, is a species of mallee or small tree that is endemic to southeastern Australia. It has smooth bark that is shed in ribbons, lance- shaped to curved adult leaves, flower buds in groups of three, white flowers and bell-shaped fruit.

Eucalyptus buprestium is a mallee that typically grows to a height of and forms a lignotuber. It has smooth greenish brown and cream-coloured bark that ages to grey and is shed in ribbons. Young plants have dull green, elliptic, sessile leaves arranged in opposite pairs, long and wide. Adult leaves are arranged alternately, greyish green, narrow lance-shaped, long and wide on a petiole long.

Eucalyptus phenax is a mallee or shrub that typically grows to a height of and forms a lignotuber. It has smooth, creamy grey bark that is shed in ribbons. Young plants and coppice regrowth have egg-shaped to lance-shaped leaves that are long and wide. Adult leaves are the same glossy green on both sides, lance- shaped, long and wide on a petiole long.

Eucalyptus foliosa is a mallee that typically grows to a height of and forms a lignotuber. It has a dense crown of glossy green leaves that reaches to the ground. The bark is smooth and greyish with brownish patches and sometimes hangs in ribbons. The adult leaves are narrow lance- shaped or narrow oblong, the same colour on both sides, long and wide on a petiole long.

Eucalyptus synandra is a mallee that typically grows to a height of with a width of and forms a lignotuber. The bark is smooth, white to grey, sometimes powdery, and is shed in ribbons to reveal pink and brownish new bark. It has an open canopy that allows some light through. Young plants and coppice regrowth have dull greyish green leaves that are long and wide.

He was born in Potters Bar, Hertfordshire.Biography at Kuchen website During Masters' tenure with Pale Saints, the group released The Comforts of Madness and In Ribbons as well as several EPs. The recordings displayed a mix of Masters' choirboy-like vocals along with dark atmospheric and noisy pop tunes. Masters, who wasn't interested in touring, left the group to pursue music of a more experimental nature.

Eucalyptus kruseana is a straggly mallee with smooth coppery to dark grey bark that is shed in ribbons, but rough and fibrous near the base. It typically grows to a height of with white, waxy branchlets. Juvenile leaves are arranged in opposite pairs, sessile, heart-shaped to more or less round, long and wide, and the same dull grey colour on both sides. Adult leaves rarely develop in the crown.

Eucalyptus paliformis is a tree that typically grows to a height of but does not form a lignotuber. It has smooth greyish bark that is shed in ribbons to reveal yellow new bark. Young plants have glossy, dark green leaves that are long and wide. Adult leaves are lance-shaped to curved, the same shade of glossy green on both sides, long and wide tapering to a petiole wide.

Eucalyptus peninsularis is a mallee that typically grows to a height of and forms a lignotuber. It has smooth, greyish to brownish bark that is shed in ribbons. Young plants and coppice regrowth have sessile, dull green, elliptical to egg-shaped leaves arranged in opposite pairs. Adult leaves are arranged alternately, the same shade of glossy green on both sides, lance-shaped, long and wide, tapering to a petiole long.

Eucalyptus frenchiana is a mallet that typically grows to a height of but does not form a lignotuber. It has smooth light grey over cream bark that is shed in ribbons. Young plants and coppice regrowth have slightly glossy light green leaves that are a paler colour on one side, egg-shaped and petiolate. Adult leaves are narrow lance-shaped, the same glossy green on both sides, long and wide and petiolate.

Eucalyptus talyuberlup is a mallee that typically grow to a height of or a tree to and forms a lignotuber. It has smooth pale grey to pinkish bark that is shed in ribbons. Young plants and coppice regrowth have egg-shaped to elliptic leaves that are long and wide. Adult leaves are arranged alternately, the same shade of glossy green on both sides, narrow lance-shaped, long and wide tapering to a petiole long.

A cookie press with different plates. A cookie press is a device for making pressed cookies such as spritzgebäck. It consists of a cylinder with a plunger on one end, which is used to extrude cookie dough through a small hole at the other end. Typically the cookie press has interchangeable perforated plates with holes in different shapes, such as a star shape or a narrow slit to extrude the dough in ribbons.

Eucalyptus utilis is a mallet or mallee that typically grows to a height of and has a spreading habit. There is doubt about whether or not the species forms a lignotuber. (A mallee has a lignotuber but a mallet does not.) It has a short trunk with smooth grey bark that peels off in ribbons revealing smooth pale brown bark underneath. The crown is relatively close to the ground, dense and spreading.

Eucalyptus xanthonema is a mallee that typically grows to a height of and forms a lignotuber. It has smooth grey and brownish bark that is shed in ribbons that sometimes accumulate near the base. Young plants and coppice regrowth have soft, thin, bluish green, linear to lance-shaped leaves that are long and wide. Adult leaves are the same shade of green on both sides, linear, long and wide, tapering to a petiole long.

The Russian ecologist V.V. Alexin stated that "in general taiga in the western siberian sense has three principal characteristics: strong shade, swampiness, and absence of elements of the broad-leaf forests". Poor drainage inhibits some forest growth. Dark taiga (Siberian spruce, Siberian fir and Siberian pine) is mostly found in ribbons along the rivers where the drainage is better. Because the environment is harsh and there are no mountain refuges in the ecoregion, biodiversity in plants is low.

Eucalyptus rhomboidea is a mallet that typically grows to a height of but does not form a lignotuber. It has smooth greyish to brownish bark that is shed in ribbons. Young plants have stems that are square in cross-section and egg-shaped to elliptical leaves that are sessile, glaucous and arranged in opposite pairs. Adult leaves are lance-shaped, the same shade of green on both sides, long and wide, tapering to a petiole long.

Eucalyptus rosacea is a mallee that typically grows to a height of and forms a lignotuber. It has smooth greyish bark that is shed in ribbons to reveal pinkish or yellowish new bark. Young plants and coppice regrowth have dull, greyish, linear leaves that are long and wide. Adult leaves are arranged alternately, the same shade of dull greyish to bluish green on both sides, linear to narrow oblong, long and wide, tapering to a petiole long.

Eucalyptus fraseri is a tree or mallet that typically grows to a height of but does not form a lignotuber. It has smooth white to greyish bark that is shed in ribbons, sometimes with rough, dark bark near the base. Young plants and coppice regrowth have dull bluish to glaucous, petiolate leaves that are egg-shaped, long and wide. Adult leaves are the same glossy green on both sides when mature, lance-shaped or curved, long and wide on a petiole long.

The brand was established in 1979 by Perseverance Mills Ltd., primarily an industrial textile manufacturer specialising in ribbons for dot matrix printers along with parachute canopy fabrics and other products. The mill was approached by Hamish Hamilton, a climber and mountaineer, with a concept for a new fabric. Hamish's original idea for Pertex was a high density fabric, woven from multifilament synthetic yarns, with the goal of providing a wind resistant, shell fabric capable of transporting moisture through capillary action.

Eucalyptus cretata is a mallee, sometimes a straggly tree, that typically grows to a height of about and forms a lignotuber. The bark is smooth, grey over coppery underbark, shedding in ribbons, and the branchlets are shiny red or brownish green and glaucous. Young plants and coppice regrowth have glaucous, egg-shaped to broadly lance-shaped leaves that are long and wide. Adult leaves are lance-shaped, the same colour on both sides, long and wide on a petiole long.

After being acquired by a private company during its second bankruptcy in 2000,"New Bankruptcy Filing by Smith Corona", The New York Times Smith Corona briefly moved all typewriter manufacturing and typewriter supplies manufacturing to Cleveland, Ohio. Within five years Smith Corona quit manufacturing all typewriters. As the typewriter supply business continued to decline, Smith Corona decided to leverage its expertise in ribbons and thermal technologies it had previously used in the typewriter business in the growing thermal label market.

Eucalyptus platycorys is a mallee, rarely a small tree, that typically grows to a height of and forms a lignotuber. It has rough, dark grey, fibrous and flaky bark on the lower part of the trunk, smooth greyish bark above that is shed in ribbons. Young plants and coppice regrowth have dull bluish green leaves that are lance-shaped, long and wide. Adult leaves are the same glossy green on both sides, lance-shaped, long and wide, tapering to a petiole long.

Eucalyptus froggattii is a mallee that typically grows to a height of or a tree to and forms a lignotuber. It has rough, crumbly blackish bark on the trunk, smooth grey to brown bark that is shed in ribbons above. Young plants and coppice regrowth have glossy green, petiolate, lance-shaped to curved leaves that are long and wide. Adult leaves are the same glossy, light green on both sides, lance-shaped to curved, long and wide on a petiole long.

Eucalyptus badjensis is a tree that grows to a height of and has hard, rough, greyish brown bark near the base of the trunk and smooth grey, green to light brownish or grey bark on the branches and upper part of the trunk. The upper bark is often shed in ribbons. The leaves on young plants and coppice regrowth are lance-shaped, long, wide and lack a petiole. The adult leaves are linear to narrow lance-shaped, long and wide on a petiole long.

Eucalyptus pyrocarpa is a tree that typically grows to a height of but does not form a lignotuber. It has rough, short fibrous to stringy, greyish brown bark on the trunk and larger branches, smooth white to grey bark above that is often shed in ribbons. Young plants and coppice regrowth have stems that are more or less square in cross-section, glaucous, sessile and arranged in opposite pairs. The juvenile leaves are lance-shaped, a lighter shade of green on the lower side, long and wide.

The son of colonel Pierre Cartier and of Augustine Louise Renée Françoise de Launay de Villemessant, Hippolyte de Villemessant began his career trading in ribbons. After his business fell apart, he left to become an insurance inspector in Tours then in Nantes. Moving to Paris in 1839, he launched a weekly magazine on fashion, literature, theatre and music entitled La Sylphide, which was impregnated with perfume from his advertisers. In 1841 he set up the Le Miroir des dames, which only lasted two years.

Eucalyptus polybractea is a mallee that typically grows to a height of and forms a lignotuber. It has rough, fibrous or flaky, greyish to brownish bark on the lower part of the trunk, smooth greyish to brownish bark above that is shed in ribbons. Young plants and coppice regrowth have bluish to glaucous, linear to lance-shaped leaves that are long and wide. Adult leaves are the same shade of bluish green on both sides, lance-shaped, long and wide, tapering to a petiole long.

Eucalyptus phaenophylla is a mallee that typically grows to a height of and forms a lignotuber. It has smooth grey to brownish bark that is shed in ribbons and sometimes accumulates near the base. Adult leaves are linear to narrow lance-shaped or narrow elliptical, the same shade of glossy green on both sides, long and wide, tapering to a petiole long. The flower buds are arranged in leaf axils in groups of up to thirteen on an unbranched peduncle long, the individual buds on pedicels long.

Eucalyptus pauciflora is a tree or mallee, that typically grows to a height of and forms a lignotuber. It has smooth white, grey or yellow bark that is shed in ribbons and sometimes has insect scribbles. Young plants and coppice regrowth have dull, bluish green or glaucous, broadly lance-shaped to egg-shaped leaves that are long and wide. Adult leaves are the same shade of glossy green on both sides, lance-shaped to curved or elliptical, long and wide, tapering to a petiole long.

Eucalyptus fruticosa is a sprawling mallee or a shrub that typically grows to a height of and forms a lignotuber. It has rough fibrous or flaky bark on the trunk, sometimes extending to the larger branches, smooth pale brown bark shedding in ribbons above. Young plants and coppice regrowth have heart-shaped to elliptic leaves long, wide and glaucous at first. Adult leaves are linear or narrow lance-shaped to narrow elliptical, the same glossy green on both sides, long and wide on a petiole up to long.

Eucalyptus copulans is a tree, often with several main trunks and with smooth grey or green bark that is shed in ribbons. Young plants have narrow elliptical leaves that are dull greyish green, up to long and wide on a petiole long. Adult leaves are lance-shaped, the same glossy green on both sides, long and wide on a petiole long. The flower buds are arranged in groups of eleven or more in leaf axils on a peduncle long, the individual buds sessile or on a pedicel up to long.

Eucalyptus benthamii is a tree that grows to a height of with a trunk diameter attaining and forms a lignotuber. It has smooth bluish grey or white bark which is shed in ribbons, except for about of rough brownish bark at the base of the trunk. The leaves on young plants and on coppice regrowth are arranged in opposite pairs, egg-shaped to heart-shaped, long, wide and sessile. Adult leaves are lance-shaped to curved, long, wide on a petiole long and the same colour on both sides.

Eucalyptus olsenii is a tree that typically grows to a height of high and forms a lignotuber. It has smooth white to cream-coloured bark that is shed in ribbons, sometimes with rough, fibrous or flaky bark at the base of the trunk. Young plants and coppice regrowth have glossy green leaves that are a paler shade on the lower side, egg-shaped to lance-shaped or elliptical, long and wide. Adult leaves are the same shade of glossy green on both sides, lance-shaped to curved, long and wide on a petiole long.

Eucalyptus sturgissiana is a mallee that typically grows to a height of and forms a lignotuber. It has smooth, mottled greyish to brownish or pink bark that is shed in ribbons. Young plants and coppice regrowth have glaucous stems and sessile leaves that are dull green to greyish, egg-shaped to round, long and wide, arranged in opposite pairs and often persist in the crown. Adult leaves are sometimes arranged in opposite pairs, the same shade of glossy green on both sides, narrow lance-shaped, long and wide, tapering to a petiole up to long.

Elliot C. Cowdin was the son of Angier and Abiah (Carter) Cowdin. He born in on August 8, 1819, in Jamaica, Vermont, but grew up mainly in Boston, Massachusetts, where the family moved to after his father's death. Cowdin became involved in the silk trade in the 1840s and, in 1852, he moved to New York City to establish his own business, Elliot C. Cowdin & Company, an importing firm that specialized in "ribbons, silks, flowers and other Paris novelties." The business had a branch office in Paris, France and Cowdin maintained a second home there.

Barham contributed backing vocals and guitars to the Chris Allison produced Half-Life EP, then joined permanently for the Nancy Sinatra cover "Kinky Love", which gave the band a minor hit single as part of Flesh Balloon EP. In 1992 the band recorded their second full-length album, In Ribbons, which was produced by Hugh Jones. Ian Masters left the band in 1993. Former Heart Throbs bassist Colleen Browne joined afterwards. Sticking with producer Hugh Jones, the group released the EP Fine Friend in mid-1994 followed by their third album Slow Buildings.

She also appears as a construction girl in front of the metal fence and she, except her arms, is still tied up to the chair in ribbons under the light having her face unwrapped while he broadcasts on the radio station inquiring in German. She then appears as a countess holding the English dogs on the leashes with a quick scene where she has been locked up in jail even when she is portrayed an innocent lady. This ends with all scenes cutting rapidly with footages from the 1940s and 1950s, portraying scenes of Stalin's USSR and the Cold War terror.

Eucalyptus stenostoma is a tree that typically grows to a height of , often with a leaning trunk, and forms a lignotuber. The bark on the lower trunk is rough, fissured, shortly fibrous and greyish black, the bark above smooth, white or yellow with insect scribbles and is shed in ribbons. Young plants and coppice regrowth have leaves that are green to greyish, slightly paler on the lower surface, egg-shaped to lance-shaped, up to long and wide. Adult leaves are arranged alternately, glossy green, lance- shaped to curved, long and wide on a petiole long.

The main focus on management throughout the Dearne Valley complex is on its key habitats: wet grassland, open water and reed bed. Although the first reeds were planted at Old Moor in 1996, their establishment has been slow because the topsoil had been stripped off leaving only hard sterile clay subsoil for planting. Bringing fertile mud from Blacktoft Sands RSPB reserve has helped, although the reeds still stand in ribbons rather than solid blocks. The reed beds are cut when mature to encourage new growth, and are divided into four sections which can be separately drained.

Eucalyptus bakeri is a mallee that typically grows to a height of or a tree to . It forms a lignotuber and has grey to brown, compact fibrous to flaky bark on the trunk and smooth white or grey bark above that sheds in ribbons through the year. Leaves on young plants and on coppice regrowth are arranged in opposite pairs, linear to narrow lance-shaped, long, wide and lack a petiole. The adult leaves are arranged alternately, linear to narrow lance-shaped, long, wide with a petiole long, and the same green or yellow-green, glossy appearance on both sides.

Eucalyptus yumbarrana is an erect to sprawling mallee that typically grows to a height of , rarely a tree to , and forms a lignotuber. It has fibrous- stringy bark on the trunk and lower stems, smooth grey to cream-coloured bark above and that is shed in ribbons that often hang in the upper branches. Young plants and coppice regrowth have stems that are square in cross-section, and leaves that are dull bluish green, elliptical to egg-shaped, or round, long and wide. Adult leaves are the same glossy green on both sides, egg-shaped to lance-shaped or broadly lance-shaped, long and wide on a petiole long.

Up to 1969, shōjo manga was drawn primarily by adult men for young female readers. Two very popular and influential male-authored manga for girls from this period were Tezuka's 1953-1956 Ribon no Kishi (Princess Knight or Knight in Ribbons) and Mitsuteru Yokoyama 1966 Mahōtsukai Sarii (Little Witch Sally). Ribon no Kishi dealt with the adventures of Princess Sapphire of a fantasy kingdom who had been born with male and female souls, and whose sword-swinging battles and romances blurred the boundaries of otherwise rigid gender roles. Sarii, the pre-teen princess heroine of Mahōtsukai Sarii,Sarii is the Japanese spelling and pronunciation of the English-language name "Sally".

On November 30, 2011, the Trial Lawyers Association of British Columbia held a Rally in Ribbons and Robes, a province-wide protest on the steps of regional and provincial courthouses to raise awareness about the state of legal aid in British Columbia. The Association carried out job-action protests from January to April, 2012. The primary component of the job-action impacted the duty counsel services outlined above; these services were withheld for one week in January 2012, two weeks in February, three weeks in March, and throughout all of April. On December 30, 2011, the Minister of Justice and Attorney General of British Columbia, the Honourable Shirley Bond, announced an augmentation of LSS funding, by $2.1 million annually.

Bono has stated that he originally didn't know whether the song was about Ireland or the United States, but eventually dedicated it to the Statue of Liberty. The song characterises the United States as a "desert rose" and a siren whose dress is torn in "ribbons and bows," a depiction both "sad and seductive". The lyric speaks of a lack of political ideas in the West which Bono later contrasted to the revolution in Nicaragua where he had travelled during the recording of The Joshua Tree. Along with "Where the Streets Have No Name," the lyrics and sound of "In God's Country" reference the desert in accordance with the band's wish for The Joshua Tree to have a "cinematic" sense of location.

Now nearly 150 yaks are entered into the race, as against 50 in the past. The race is a very colourful event with both the yak and its rider dressed in strikingly attractive clothing and decorations; the yak's head is adorned with red tassels, the horns are wrapped in colourful silk cloth, the ears are draped in ribbons and the tail is covered with cloth in fan shaped cloth with Tibetan designs. The riders and herdsmen also turn up wearing very colourful attire suitable for the occasion as lucky symbols so that their yaks could get to win the first place, The race has the same degree of risks as is involved in horse racing. The race track is nowadays of 2000 metres length in open fields and racing yaks would cover this distance in about 8 minutes.

The Turra Coo painted with the slogan "Lendrum to Leeks" Sheriff's Officer George Keith poinded the only piece of property which was easily mobile: Paterson's white milk cow, which was set to be sold in Turriff on 9 December, the delay being due to the fact that both of Turriff's agricultural marts supported Paterson and refused to handle the sale, requiring a special licence to be granted for a public sale and an auctioneer to be brought in from elsewhere. On the appointed day, the cow was taken from Paterson's farm and led to Turriff on foot. The citizens of Turriff found the cow tied in the village square, decorated in ribbons and painted with the words 'Lendrum to Leeks' in reference to Lloyd George's Welsh origin, and representing the sheriff's and government's victory over the hostile farmers. The cow was put up for auction.

Ilieva made her senior official debut in 1999, and later competed as part of the Bulgarian women's rhythmic gymnastics team at the 2000 Summer Olympics in Sydney, where she placed seventh in the group all-around tournament with a composite score of 38.432 (19.166 for five clubs and 19.266 for two hoops and three ribbons). At the 2002 World Rhythmic Gymnastics Championships in New Orleans, Louisiana, United States, Ilieva and her Bulgarian team finished fourth in the same program with a score in 47.050, missing out the medal podium by 350-thousandths of a point. The following year, at the 2003 World Rhythmic Gymnastics Championships in Budapest, Hungary, Ilieva pulled off the second highest score both in ribbons and in hoops and clubs to hand the Bulgarians a silver medal in the group all-around tournament (a score of 50.175), and a qualifying ticket to her second Olympics.

Kezhova made her official worldwide debut, as a 15-year-old teen, at the 2000 Summer Olympics in Sydney, where she placed seventh for the Bulgarian squad in the group all-around tournament with a composite score of 38.432 (19.166 for five clubs and 19.266 for two hoops and three ribbons). At the 2002 World Rhythmic Gymnastics Championships in New Orleans, Louisiana, United States, Kozheva and her Bulgarian team finished fourth in the same program with a score in 47.050, missing out the medal podium by 350-thousandths of a point. The following year, at the 2003 World Rhythmic Gymnastics Championships in Budapest, Hungary, Kozheva pulled off the second highest score both in ribbons and in hoops and clubs to hand the Bulgarians a silver medal in the group all-around tournament (a score of 50.175), and a qualifying ticket to her second Olympics.