It's the closest you can get to the Obscure Object of Desire in material form.
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If a person tried to create, in material form, a pause, it would look like a snow pit.
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Diverse in material, form, and construction, these readymade sculptures punctuate the landscape with a story that is menacing and amusing.
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Events like storms, and cold nights followed by warm days, were stabilized in material form, until a person, crossing the surface, released them.
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One of the things I've come to appreciate most about Nintendo's games is the company's capacity for building worlds you can imagine existing in material form.
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In attempting to capture the rich, tactile qualities of the ceramics in material form, the duo have pushed their fabric experimentation to the fore with knitwear in felted cashmere and two-tone dyed sheepskin.
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SMITHSONIAN NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY AND CULTURE Starting with a collection of nearly 37,000 items — and still soliciting donations through its website — this new museum will exhibit art, craft objects, letters, photographs and anything that can help narrate in material form the African-American experience.
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The consequence was a radical expansion in the buildings, funding and personnel of associated Church establishments throughout the 4th century. The first cathedrals represent this expansion in material form.
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Edition Axel Menges, Stuttgart/London, 1998, His later works are characterised by using colour sparingly in objects in material form of coloured paraffin. He developed his own style of having light be the medium of the work itself. It allows his work to be independent of connections to any kind of representation.Norbert Müller- Everling, Diaphainon – Ausstellungskatalog, Hrsg.
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On the day of Danh Gem's arising, the brotherhood meets in the circle of Imokoi and lays down the five things needed. All but Kirin are turned to stone. Danh Gem materializes as a ghost like form Kirin tries to kill him but cannot as he is not in material form. Danh Gem reveals to him, in style reminiscent of star wars, that he is actually Kirin's father.
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The use of symbolism in religion is a universal established phenomenon. Archeologist Steven Mithen contends that it is common for religious practices to involve the creation of images and symbols to represent supernatural beings and ideas. Because supernatural beings violate the principles of the natural world, there will always be difficulty in communicating and sharing supernatural concepts with others. This problem can be overcome by anchoring these supernatural beings in material form through representational art.
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The Hogarth Press, founded by Virginia and Leonard Woolf, was a printing press intent on publishing items that encouraged free exchange of ideas. Leonard Woolf himself was an anti-imperialist. He also believed intellectual exchange was the same as economical exchange in material form; Dobb’s publications were both intellectual exchange through introduction and defense of Marxism, as well as a pieces of work that could be sold. Publications possibly reflected the opinions of Leonard and Virginia Woolf.
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If a person sincerely believes in the gods' powers and accumulates the energy of piety, the gods are confident in his faith and reveal their efficacious powers. At the same time, for faith to strengthen in the devotee's heart, the deity must prove his or her efficacy. Worship consists of the display of reverence or respect (jìngshén ) for the gods, honoring them through the fulfillment of vows (). In most of the cases, vow-fulfillment is expressed in material form, for example jingxiang offering rituals.
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The requirement of fixation in material form is a precondition for copyright to subsist in a work. As to the works in which copyright subsists Generally, in the common law countries, the principle of fixation in copyright law is followed. For subsistence of copyright in a literary, dramatic or musical work, the UK Act makes recording, in writing or otherwise, a precondition Section 3 (2) of Copyright, Designs and Patents Act, 1988 (CDP Act) whereas the Indian Act does not have such a qualifying clause for literary or other works for copyright subsistence in them.
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COPYRIGHT > (2) BASIC PRINCIPLES OF COPYRIGHT LAW > B. ORIGINALITY > [185.020] Fixation in material form. To illustrate, the original extempore speech is protected as a literary work, As to the meaning of ‘literary work’. See, University of London Press v University Tutorial Press [1916] 2 Ch 601 at 608; Jagdish Prasad Gupta v Parmeshwar Prasad Singh AIR 1966 Pat 33; Satsang v Kiron Chandra Mukhopadhyay AIR 1972 Cal 533; Agarwala Publishing House Khurja v Board of High School and Intermediate Education, Uttar Pradesh, Allahabad AIR 1967 All 91. provided some record of it is maintained.
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In summary, Delville believed that art is the expression of the Ideal (or spiritual) in material form and is founded on the principle of Ideal Beauty, in other words Beauty that is the manifestation of the Ideal, or spiritual realm, in physical objects. Contemplating objects that manifest Ideal Beauty allows us to perceive, if only fleetingly, the spiritual dimension and we are transfigured as a result.For a detailed discussion of Delville's theory of art and Beauty, see: Brendan Cole, Jean Delville, Art between Nature and the Absolute., especially the detailed chapter four, pp. 150ff.
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Map of traditional Osage lands by the late 17th century Brief Overview of Osage Spirituality Osage people viewed themselves as only one component in a broader universe. Therefore, ceremony and social organization sought to represent what was observed around them which was created by Wakonda. Everything created has the spirit of Wakonda within it, from trees, plants, the sky to animals and human beings. Based on the observances of Osage spiritual leaders, it was determined there were two main divisions to life, consisting of the sky and earth as life is created in the sky, then descends to the earth in material form.
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Delville believed that the purest expression of Idealist art was to be found in the Classical Tradition of ancient Greek art and the High Renaissance. For him, Classical art was the purest expression of the spiritual in material form. Delville sought to reinterpret the Classical idiom in a contemporary context, to suite, in other words his specific Idealist style of art that he was formulating during the 1890s; not simply, in other words, to copy or imitate classical modes of artCole, pp. 191ff. The expression of harmony and equilibrium, which he saw as an essential aspect of Classical art, were fundamental in the expression of the spiritual in natural forms.
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In 1995, Yoh's grandmother Kino suggests that Yoh be engaged to her apprentice, Anna Kyoyama. Accompanied by the spirit Matamune, Yoh went to Aomori and fell in love with Anna at first sight.Shaman King, volume 19, chapter 164-166 However, her unchecked ability to read minds resulted in Anna closing her heart off and developing a hatred of humanity, which manifested as powerful demons. Matamune, who had once been the original Hao's greatest friend, used his power to help Yoh save Anna; Anna began to open her heart again out of the love she had developed for Yoh and Yoh resolved to become strong enough to summon Matamune again in material form.
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Sony's second submission in the High Court was that the device fell within the terms of the definition of "technological protection measure" because it prevented PlayStation users from reproducing copyrighted game code “in material form” in the Ram of the PlayStation console. “Material form” was defined, in section 10 (1) the Act, as including “any form (whether visible or not) of storage from which… a substantial part of the work can be reproduced.” In cross-examination, Mr Nabarro from Sony conceded that the game code could not be reproduced “without developing particular hardware to extract [the code] back from RAM.” Sony argued that the dissenting judgment of Finkelstein J in the Full Court of the Federal Court correctly applied the law.
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Material form has been interpreted to mean "palpable, tangible, perceptible" and not merely ephemeral.Eros-Equipe de recherche operationnelle en sante Inc v Conseillers en gestion et informatique C.G.I. Inc (2004), 35 CPR (4th 105 at para 113 Yet in 2009, the Copyright Board of Canada concluded that 4-6 second buffer of copyrighted material stored on the RAM of satellite receivers satisfied the material form requirement of a reproduction despite being imperceptible to the user. That the user could potentially retrieve a more permanent ephemeral copy was noted.Statement of Royalties to Be Collected by SOCAN, NRCC and CSI in Respect of Multi-Channel Subscription Satellite Radio Services [2009] CBD No 4 at para 102 Thus, ephemeral copies (including streaming, caching and temporary downloads) are considered to be in material form.
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Computer Imports, the High Court of New Zealand then considered these prior decisions and sided with the Canadian decision in ruling that, although object code is not an original literary work in its own right, it is a reproduction of source code in material form and therefore an infringement of copyright takes place if it is copied without the authorization of the copyright owner. Such legal conflicts affected not only Apple, but all other software companies as well, and the conflicts remained unresolved until the creation of an international legal regime embodied in further changes to national copyright laws, which ultimately made object code subject to copyright law.The 1994 Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPs), the 1991 European Economic Council Directive on the Legal Protection of Computer Programs ("EC Directive"), the Copyright Act of Canada, the New Zealand Copyright Act 1994, and other national copyright law revisions. These revisions of law in favor of making object code subject to copyright law are still controversial.
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Copyright is the protection from unauthorized use of author’s original creative expression. For the purpose of copyright protection, the work concerned has to be Original work of authorship Copyright Act 1957, S. 13(1)(a) read with s 2(y)(i). and Fixed in material form. A work is fixed in a tangible medium of expression when it’s written down, recorded, or otherwise made permanent so that it can be perceived and reproduced by others. Berne Convention provides that the copyright subsists in literary and artistic works “whatever may be the mode or form of its expression” Berne Convention for the Protection of Literary and Artistic Works, Article 2(1) & 2(2) allowing each signatory to determine whether it will require fixation “in some material form.” Gallia, Carrie Ryan,To Fix, or Not To Fix: Copyright’s Fixation Requirement and the Rights of Theatrical Collaborators, Minnesota Law Review, (2007) Indian regime follows the fundamental rule of copyright law, laid down in Article 9(2) of TRIPS and Article 2 of WCT, 1996, that copyright does not subsist in ideas and only protects original expression of the ideas.
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