Catharina van Eetvelde draws in full awareness of the fragility of her works.
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I'd do it in full awareness that the E.U. is deeply dysfunctional and shows few signs of reforming.
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The photos approach portraiture and identity from a decolonized lens, portraying Chicanx people in protest, in nature, and in full awareness of their power.
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Perhaps the United Nations is still clinging to the notion of moderation under President Rouhani, a man who appointed two consecutive justice ministers in full awareness of the roles they had played on death commissions in 1988.
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Out on disc from Olive Films in a director's cut some 25 minutes longer than its United States release version, "Dead Pigeon on Beethoven Street" was the first movie that Mr. Fuller — a prolific writer-director of offbeat, wildly energetic action films — made in full awareness of his paradoxical status.
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The utopian drive of these futuristic hallucinations is punctuated with a radical pessimism about our current condition, both social and political, so that the imagination of a distant future becomes a loud Messianic cry for salvation, in full awareness that none will come — the personages are only glancing into a speculative moment of possibility.
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In Umm Sa'ad (1969), the impact of his new revolutionary outlook is explicit as he creates the portrait of a mother who encourages her son to take up arms as a resistance fedayeen in full awareness that the choice of life might eventuate in his death..
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She asks Tom's favorite teacher to speak to him on the subject of the notebook. Dennis takes Tom driving, and they talk about the death of a woman named Marita Hasselgard, in full awareness of Dennis' motives for driving him around. Under Tom's orders, Dennis stumbles upon the car in which Marita was shot and killed. Tom sees Lamont von Heilitz at the scene and then leaves.
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Unlike their first trip, they bring a far larger force, in full awareness that the Lost Oasis will no longer be a secret no matter what the outcome of this expedition. It soon becomes apparent that the Emersons are not the only ones interested in the Lost Oasis. They run into too many people who are interested in their travel plans, and ultimately bring some unexpected guests with them. These include a British adventurer who has in his company a mysterious young woman.
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In the end, two boats filled with these two different families row towards their futures: In one boat, a technologically produced family of Irvin and the clones; In the other, a rationally envisioned family containing Miette, One, and the abducted children. This leaves the audience to question precisely what the future will hold for these two differing visions of humanity. As The City of Lost Children "proceeds in full awareness that the past to which it is committed never really existed," the film has been classified as an example of the steampunk genre.
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An apparition of Ygraine appears in "The Sins of the Father", in which Arthur learns the secret of his birth through Morgause, with Ygraine claiming that Uther went to Nimueh without her knowledge and in full awareness that her life would be the price paid for Arthur's birth. The precise truth of this bargain was never answered beyond doubt in the show, so it is possible the apparition was Ygraine's real spirit, or an illusion partly or entirely devised by Morgause. Ygraine also appears in "The Tears of Uther Pendragon, Part 1" as one of Uther's hallucinations, grabbing and hanging on to Uther's arm in a well. She is also the sister of Lord Agravaine.
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" He faces his death unflinchingly, pairing life's hard-won pleasures with the ravages of age and extinction in an almost off-hand fashion, each tempering the other. Life is to be lived to the fullest in full awareness of the inevitability of death, while death can be borne with a certain satisfaction in the light of a life fully lived. The central repeated image is of Conan traveling along a "long" and "hard" road with the company of a number of friends or companions emblematic of the kinds of people he knew in life. Included are "thief and harlot, king and guard / Warrior, wizard, knave and bard," and "Rogue and reaver and firebrand.
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For example, A Warning to the Curious frequently deviates from its literary source. The screenplay avoids the convoluted plot structure of M. R. James's original, opting for a more linear construction and reducing the number of narrators. In addition the central character, Paxton, is changed from a young fair-haired innocent who stumbles across the treasure to a middle-aged character driven by poverty to seek the treasure and acting in full awareness of what he is doing. To take another example, in his screenplay for The Signalman Andrew Davies adds scenes of the traveller's nightmare-plagued nights at an inn, and reinforces the ambiguity of the traveller-narrator by restructuring the ending and matching his facial features with those of the spectre.
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As originally written and shot, when Apollo (Jamie Bamber) fires on Olympic Carrier, it was made clear that he sees people inside. Moore wrote the scene to be strong and clear that the characters were making the decision to fire on the passenger liner in full awareness of the consequences to illustrate and emphasize "the uncompromising nature of the show." This was an "enormous fight" between Moore and the network, with the latter feeling this was another scene that was "too dark" and had the potential to turn away audiences; the network further implied that if the scene were left intact, they may have been compelled to air the episodes out of order. To placate the network, Moore and Eick changed the ending of the episode and "cheated".
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Dunne wrote in 1898 that Dooley "reads the newspapers with solemn care, heartily hates them, and accepts all they print for the sake of drowning Hennessy's rising protests against his logic". Norris Yates, in his The American Humorist (1964), argued that Dooley is entirely reliant on the papers for information, and has understood them badly. He wrote that Mr. Dooley is intended to be the opposite of the well-informed citizen sought by the Progressive Movement, and that his comments contain more truth than he knows. John O. Rees, in his journal article on Mr. Dooley, suggested that the barkeeper is intended to act in full awareness of how fantastic his words can be; he is expanding on what he has seen in the papers, turning it into a pointed story for the entertainment and edification of Hennessy, and himself.
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Right away, Constantin Stoica, the spokesperson of the Romanian Patriarchy denied that Teoctist has had any doings with Securitate, and said that the Patriarchy would not ask CNSAS to verify informations regarding the alleged connections between the high-ranking people in the Church and the former secret police, because "it would mean to give too much importance to this information".Preoţi colaboratori ai fostei securităţi, BBC Romanian, July 28, 2006 In November 2006, however, Stoica has announced that the Sinod of the Romanian Orthodox Church has decided to form a commission, whose members would be young historians and not clergy, which would work in parallel with CNSAS, so that "once CNSAS identifies cases of representatives of the Church that have collaborated with the Securitate, [the Sinod] would take measures in full awareness of the facts. Every particular case would be subject to a court of the Church, in respect with the Canons of the Church.""Masuri canonice" pentru preotii colaboratori ai Securitatii , Kappa.
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