100 Sentences With "in classical style" | Random Sentence Generator

The style was intended to emphasize a woman's beauty in classical style — with Venus-like breasts — and fecundity.

The building, which is in classical style, became part of the cantonal psychiatric hospital in 1947.

The narrative is a chain of cause and effect with the characters being the causal agents – in classical style, events do not occur randomly.

Ziemeri Manor () is a manor house in the historical region of Vidzeme, in northern Latvia. It was built between 1786 and 1807 in Classical style.

Current manor building was built near the end of the 18th century in Classical style. A large Neo-Gothic tower was added near the end of the 19th century.

Hranovnica is one of the startpoints to Slovenský raj mountain area. The village has a good tourist infrastructure. Cultural sightseeings are Roman Catholic and evangelical churches, both built or reconstructed in classical style.

Przeworsk has some 60 historic buildings, including two fortified Gothic abbeys, a town hall, the Lubomirski Palace in classical style, a baroque monastery, and an open-air museum (skansen). The town covers an area of .

The font, dated 1717, is in classical style and painted cream. It is by John Morfitt. In the apse on each side of the east window are panels containing the Ten Commandments and prayers. Also in the church are monuments dedicated to past incumbents.

At the tower wall a two-story pulpit was built, which was carried out in classical style. The church is enlighted by high arched windows. Corinthian pilasters and a friezed entablature dominate its interior, as well as three articulated ceiling stucco cartridges in classical design.

Noted by J. D. Beazley, "The World of the Etruscan Mirror" The Journal of Hellenic Studies 69 (1949:1–17) p. 3, fig. 1. On Etruscan mirrors in Classical style, Usil appears with a halo. Usil has been syncretised with the Roman Sol and Greek Helios.

He is a professor at the Franz Liszt Academy of Music, where he specializes in classical style, Haydn, and Béla Bartók. He has also taught at the City University of New York and the University of California, Berkeley. Among his work is the BB catalogue of Bartók's compositions.

Châteaucreux was built in 1855 in classical style by architect Joseph-Antoine Bouvard for the PLM. The building is a sculpted metal structure filed with coloured bricks. It was built this way due to the subsidence of the ground. The station's passenger hall has kept its original features.

Elsewhere there are 19th-century monuments in Classical style, and brasses dated 1692 and 1872. The reredos is in alabaster and dates from 1897. The stained glass in the west window dates from 1891. It depicts archangels, was designed by Carl Almquist, and made by Shrigley and Hunt.

Arany Sas Gyógyszertár (Golden Eagle Pharmacy) operated here until 1745. Frames of the Tárnok utca side door are from around 1780. The facade was rebuilt in Classical style in 1820 but the Baroque statue niche was left in place. In 1974 Margit Kovács’s sculpture Madonna with Her Child was placed here.

Originally designed by Enrico Del Debbio, construction was completed in 1928. It has Carrara marble steps lined by 59 (60 in the original project) marble statues in classical style portraying athletes that perform various sporting disciplines. Each statue was offered by the provinces of Italy. The stadium was inaugurated in 1932.

Henry Blundell was a collector, of paintings, statues and antiquities. () The collection amounted to over 500 items. In order to house them at Ince Blundell, he constructed various buildings in the grounds of the hall to house his pieces. In 1790–92 he built the Garden Temple, a building in Classical style.

Manholes in the floor of the cellar are reputed to allow entrance to a former lead-mine under the Hall. Hassop Hall was extensively rebuilt in Classical style between 1827 and 1833. It is now a private hotel. The Church of All Saints was built in 1816-18 for the Eyre family.

The House was built In the second quarter of the 19th century in classical style. In the 1840s the house was owned by German Ebergard Karlovic Lorentz, who was registered as an outdoor adviser. Lorentz taught Latin and German at a men's gymnasium before the 1860s. Ebergard Lorentz's spouse was Adelaide Lyudvigovna.

Three Indian tales, The Daily Telegraph. 3...b6 increases Black's control over the central light squares e4 and d5 by preparing to fianchetto the , with the opening deriving its name from this maneuver. As in the other Indian defenses, Black attempts to control the with pieces in hypermodern style, instead of occupying it with pawns in classical style.

Miyake so understood "what it means to sing for people as a member of the SDF". The first three years were frustrating for Miyake. She had studied classical music, and thought she could continue to work in that genre. However, the demands of the band meant that she could not sing Japanese popular songs in classical style.

The three movements of the sonata are as follows: #Moderato #Andante dolce. Tema con variazioni #Con brio. Allegro precipitato The work is composed in Classical style and its melodies are largely diatonic. The first movement is in sonata form, the second movement is a theme with five variations, and the third movement has characteristics of a mazurka.

This was a beautiful but relatively modest building with a columned portico, including Doric and Ionic features, in classical style. Johann Wolfgang von Goethe praised the building on one of his many visits. During the 19th century, the benefits of the spa attracted the upper classes. The number of spa visitors, 20,000 in 1840, had increased tenfold by 1910.

The population density was 49/km², in 2001. The economy of the town is based on doors manufacturing and agriculture. La Villa de don Fadrique is located in the southeast of the Toledo province between Cigüela and Riánsares rivers. Buildings of interest are Nuestra Señora de la Asunción church, built in classical style, and Laras House.

The miniatures are set within the text column, although a few miniatures occupy a full page. The human figures are painted in classical style with natural proportions and drawn with vivacity. The illustrations often convey the illusion of depth quite well. The gray ground of the landscapes blend into bands of rose, violet, or blue to give the impression of a hazy distance.

Davie, Margaret News Journal (Daytona Beach, FL), "Innovator interprets sacred music for guitar", Mar 16, 1996, page 51. Playing in classical style, but with country flavoring, he has recorded several albums, appearing on Bread & Honey Records, Chapel Records and Edensong Records. He has been nominated for a Dove Award by the Gospel Music Association.,Orlando Sentinel, February 2, 1996, page 4.

Staatsoper Hannover is a German opera house and company in Hanover, the state capital of Lower Saxony. Its season runs from September to June. The venue of Staatsoper Hannover is a theatre built in classical style between 1845 and 1852 based on a plan drawn by Georg Ludwig Friedrich Laves. The building was badly damaged in World War II and rebuilt in 1948.

Derby Hall Derby Hall Dining hall Derby Hall () provides accommodation for over 300 students. The hall is named after the local city of Derby. The hall, completed in 1963, was designed by the New Zealand architect, Brian O'Rorke, in classical style around a central quad. An extension block named Matlock was later added, greatly increasing accommodation by adding 96 rooms.

The present cathedral was designed in classical style and was larger than the two earlier buildings. It is now 59.4 metres long and 38 metres wide, including the new transept, which did not previously exist. The cattle and nave are 22.86 metres wide. The interior height of the nave is 14.25 metres excluding the tower, and 52.85 metres including the tower.

Lahlum published his first crime novel, The Human Flies (In Norwegian: Menneskefluene), in 2010. The next novels in the series were Satellite People (Satelittmenneskene) in 2011 and The Catalyst Killing (Katalysatormordet) in 2012. The novels are written in classical style, take place in the late 1960s, and feature inspector Kolbjørn Kristiansen as the protagonist, assisted by the young and disabled Patricia Louise Borchmann.

Drabeši Manor () is a manor house in the historical region of Vidzeme, in northern Latvia. The place-name Drabeši is derived from the Polish officer's surname Drobisz, the owner of the manor at the beginning of the 17th century. Since 1794 the estate belonged to the Blackenhagen family. The current manor was built in Classical style during the first quarter of the 19th century around 1820.

The Du Monts significantly improved the castle by adding six towers and laying out gardens and fish ponds. Couwelaar changed hands several times in the following years. Pedro de Man, a former schepen (alderman) of Antwerp, had the castle thoroughly restored in 1766, in classical style. Four of the towers were in poor repair and were demolished and a new moat, among other things, was added.

The balcony, supported on plain columns, has a panelled front with rich plaster scrolls. The walls at both levels are simply decorated with panels. The balcony is now divided into two areas separated by a barrier approximately two feet high. The disused entrance on the Esplanade (dated 1907) is in three bays, modestly detailed in classical style with a segmental pediment over the centre.

It is blueprinted after the library of Mafra Convent in Portugal, decorated in classical style. It contains around 18,500 books and specialises in collecting foreign language books in dating from 17th century to the 1950s, in particular those of Portuguese history in Africa and the Far East. The building has retained all its original master walls and primary layout, including the courtyard garden in the back.

Sekito made an appearance at this event in 1991 and played with an EL 90 Electone, rearranging pieces made by Mozart and Beethoven. The concert was attended by one thousand individuals for one hour and a screen placed above the concert allowed the audience to watch Sekito play. Sekito started the event off by playing Concierto de Aranjuez by J. Rodorigo rearranging it in classical style.

Taking in the floor above, he transformed the original five rooms into three vast halls: the Concert Hall, the Great Hall and the Great Ante-Room. They were decorated in classical style with faux marbre and columns supporting life size statues. Following a disastrous fire which destroyed most of the Winter Palace's interiors in 1837, the halls were recreated in similar style by the architect Vasily Stasov.

Khru is the Thai form of the Sanskrit word guru meaning 'teacher'. Ram is the Thai word for dancing in classical style, and muay means 'boxing'. The full term can therefore be translated as 'war-dance saluting the teacher', but Thai speakers generally shorten it either to wai khru or ram muay. The ram muay shows respect and gratitude to the boxer's teacher, parents, and ancestors.

The two folios are stained gold, an attribute even rarer than purple-stained folios such as are in the Vienna Genesis. The arches and the columns of the arcades are filled by brightly coloured abstract ornamentation. This ornamentation causes the arcade to lose much of its structural sense. Below each of the arches, there is a medallion with a portrait painted in classical style.

Litene Manor () is a manor house in Litene parish, in the historical region of Vidzeme, in northern Latvia. It was built during the first half of the 19th century in Classical style for Baron Otto von Wolff on the banks of the Pededze. Manor was burned down during revolution of 1905 but was later restored in simplified forms. After Latvian agrarian reforms in 1921 manor house was nationalized and lands partitioned.

Vecbebri Manor (; ) is a manor house in the historical region of Vidzeme, in northern Latvia. It was built during the first half of the 19th century in Classical style. Severely damaged by fire in 1905, the manor was later restored under the supervision of architect Vilhelms Bokslafs. It became a school building in 1922, and has housed the Bebri comprehensive boarding primary school (Bebru vispārizglītojošā internātpamatskola) since 1996.

Some Shakespeare sonnets in Marshak's translation have been set to music (in classical style by Dmitry Kabalevsky, in pop style by Tikhon Khrennikov, Mikael Tariverdiev, Alla Pugacheva and others, even in rock style — Kruiz). His translations are considered classics in Russia. But many of Marshak's poetic translations became so entrenched in Russian culture, that it was often quipped that he was not so much a translator as a co-author.

Caldwell made her debut in FIS Cross-Country World Cup in Quebec's sprints in December 2012 with 14th place in the individual competition. At the 2013 World Ski Championships in Val di Fiemme Caldwell finished 20th in classical style sprint. In 2014 in Lenzerheide, Switzerland, she placed sixth in the freestyle sprint. On March 1, 2014, Caldwell finished third in the Lahti, Finland freestyle sprint World Cup, for her first podium.

Temple Emanu-El is a Conservative synagogue in Port Richmond, Staten Island, New York. Designed by Pelcher and Zobel and constructed in 1907, its building was listed on the National Register of Historic Places in 2007. The domed, wooden, clapboard-sided synagogue is built in Classical style. A Pedimented front porch is supported by a pair of columns, a design that repeats inside in the design of the Torah Ark.

Oswald was born in Crail, Scotland in 1710, being baptised on 21 March, and died in Knebworth, Hertfordshire on 2 January 1769. As a young man he worked in Dunfermline, Fife as a musician and dancing master. Throughout his career he maintained an interest in traditional Scottish music, but he also composed in classical style galant forms. In 1741 he left Edinburgh, eloping to London with Mary Ann Melvill.

The building is designed in the Victorian Classical style. It features a symmetrical facade with a central tower and Corinthian columns supporting pediments over the ground floor windows, with elaborate classical detail in Corinthian pilasters, string courses and pediments. The City of Maitland describes it as a "good example of Victorian civic architecture in Classical style", an "important landmark in High Street and contributor to the unique townscape of Central Maitland".

The front gate of the church, in Classical style, dates to 1647. The church, consisting of a central nave and a northern semitransept, was extended in 1661 with a southern semitransept. The revocation of the Edict of Nantes in 1685 led to another wave of Protestant refugees from France, greatly swelling the Walloon community in Amsterdam. In order to accommodate the larger community, the church was extended with galleries on three sides.

The Philosophical Hall, built for the books coming from the southern Moravian Louka Convent (abolished in 1784) In 1779 Václav Mayer occupied the abbot's throne and was the last to carry out great building activities. His most outstanding work was the building of the new library,Mary-Ann Gallagher, Matthew Gardner, Sadakat Kadri, Vienna Prague Budapest, 2nd, pg. 156, Cadogan Guides (2007), now in Classical style. Today it is called the Philosophical Hall (Filosofický sál).

The town is situated within the historic Greater Poland region, located on the small Dojca river, a headstream of the Obra, about southwest of Poznań. The municipal area includes a large lake ('; Wolsztyn Lake), next to which is a former palace built in Classical style in the early 20th century, now used as a hotel and restaurant, and a park. Nearby tourist destinations include the Pszczew Landscape Park and the Przemęt Landscape Park.

The hall was originally a town house built in 1676 for Lady Mary Calverley. She had petitioned the City Assembly for permission to demolish her house, which contained a section of the Chester Rows, and replace it with a new house. This was granted, but as it led to the loss of a portion of the Rows she was fined £20 (). It was the first building in central Chester to be designed in classical style.

Pedal harp by Jean-Henri Naderman, The MET Jean-Henri Naderman (baptised 20 July 1734 – 4 February 1799) was one of the leading harp-makers in Paris in the 18th century, and also a music publisher. He supplied the Royal Household with his instruments and wrote his music in classical style, with a large influence of the baroque. He had two sons, François Joseph Naderman, renowned harpist, and Henri Naderman, harp maker.

Albanian Mountains with Corfu in Distance. 1830s These sketches were successful on their own right, but also they formed a basis for his large-scale landscape oil paintings which firmly established his reputation as a leading landscape artist in classical style. W. Miller after W. Linton. Delos. 1831, from a drawing in the collection of Benjamin Hick Linton's large-scale architectural phantasy 'Delos' (Wolverhampton Art Gallery) was engraved by William Miller in 1831.

Main entrance Richard Morris Hunt designed Ochre Court, modelling the mansion on the chateaux of France's Loire Valley. The design is in the Louis XIII-style of architecture, with high roofs, turrets, tall chimneys and elaborate dormers. Elaborate decoration is seen inside and out in classical-style ceiling paintings, heraldry, carved emblems and statues, and a profusion of stained glass. The Goelet's daughter, May, married Henry Innes-Ker, 8th Duke of Roxburghe, taking with her an $8 million dowry.

Nikolaus II, the spendthrift son of Anton, launched a program to convert the residence into Classical style. Nikolaus succeeded in acquiring the services of one of the best known French architects of the classical revolution, Charles Moreau. Moreau wanted to keep only the core of the building in baroque style, and extensively renovate and add to the palace in classical style. The eastern side would accommodate the theatre and the opera, the western the Esterházy picture gallery.

Following this successful project he went on to design a further 28 chapels in London and South East England. Of his chapels 16 remain, though some now have different uses. Those at Hinde Street in Marylebone (1887), Beckenham (1887), Sevenoaks (1904) and Tenterden (1885) might be said to be the ones that have been least altered. Most chapels utilised the Gothic style, but a few, in particular Weir’s most accomplished chapel, Hinde Street Methodist Church, were in classical style.

Born Andreya Proychev - Bulgarian Volunteer from IV Company, IV Company. He took part in the battles of Shipka and near Stara Zagora. For his exceptional bravery during the Russo-Turkish War he was awarded the St. George's Cross - a high Russian military award and a gilded cup - personally by Emperor Alexander II. Stoyanka Gruycheva - competitor in academic rowing Rangel Gerovski - Bulgarian wrestler in classical style Ilian Kaziiski bronze medalist at the World Volleyball Championship 1986. Father of Matei Kaziiski.

Also in the Great Hall is a fireplace decorated with the head of Apollo. In the west wing are the surviving rooms from Charles Legh's extension, the dining room on the ground floor and the drawing room above it. Both rooms are panelled and decorated in Classical style, with pediments over the doors and chimneypieces. The dining room is the simpler of the two, and contains a white marble fireplace that has been dated to 1742.

The Church has a recessed, rectangular main entry surrounded by a round-arched secondary entry on the west, and a rectangular bay with basket arched openings on the east. At the second floor, a central rose window surmounted by a mosaic figure is flanked on both sides by arched niches containing sculpted figures. The entire church, including the ceiling, is covered with paintings in classical style. The illustration of the Last Supper shows a rich variety of facial expressions.

Exterior photographs and floor plans, Berliner Architekturwelt 8 (1906), pp. 93-98. Over the southern entrance is a sculpture of a group of men in classical style with the motto "Einer für alle--alle für einen" (One for all--all for one).Berliner Architekturwelt 8, Plate 105, p. 97. The building originally had a tower, which was destroyed in World War II. After the war it was the headquarters of the East German Social Security Administration.

The small auditorium of the conservatoire features walls richly decorated in classical style. The main auditorium of the conservatoire The original building was designed by Aleksander Szymkiewicz and built in 1901-05. Unlike most buildings of the same style in the given period, the conservatoire's column decorated main portal is not centrally located. Rather, along with the main facade it is built near the left corner of the building in order for it to face the main entrance from the Rustaveli Avenue.

The Peristyle The Peristyle, a 1,750-seat concert hall in the east wing, is the principal concert space for the Toledo Symphony Orchestra and hosts the Museum's Masters series. Added in 1933, it was designed in classical style to match the museum's exterior. Seating is divided into floor and riser seating, with the riser seating arranged in a half-circle, similar to a Greek theater. At the back of the riser seating are 28 Ionic columns that give the concert hall its name.

De Frasnay worked in the finance department of local government. He began his career as a writer by publishing genre poems in classical style in the Mercure de France. Among these was his Fayence (chinaware), written as a boost to the Nevers pottery trade and soon translated into Latin as Vasa Faventina, also in the 1735 Mercure.Édouard Garnier, Histoire de la céramique, poteries, faïences et porcelaines chez tous les peuples depuis les temps anciens jusqu'à nos jours (Tours, 1882), p.

It was built between 1734 and 1743 for Joachim Pastorius, a doctor and royal historian, as a four-storied facade. Since the mid-17th century it was owned by Warsaw juror K. Waltera, and from 1666 by Mikołaj Prażmowski, the Crown Chancellor and Polish Primate. In 1754, after being purchased by the Leszczynski family, it was rebuilt as a rococo palace with a five-story facade, designed by Jakub Fontana. From Senatorska Street, it is the second home frontage in classical style.

This was to apply not only to Protestant children but also to Roman Catholic ones.Ordnance Survey of the County of Londonderry, Volume I, Colonel R.E. Colby (1837). In accordance with a codicil to his will the capital sum he had bequeathed for the poor boys was held in trust until it had grown to £50,000. Then ten acres of land were purchased, a park was laid out and a handsome school building in classical style was erected in it, the whole project costing a little under £10,000.

Gully was fond of gardening. He also built a large studio which became a gathering place for his friends and family. He was encouraged by the geologist Julius von Haast, who commissioned him to complete 12 watercolours of Canterbury mountains and glaciers to illustrate a lecture given by Haast at the Royal Geographical Society in London in 1864. He became the part-time drawing master at Nelson College, but because he was self-taught and not schooled in classical style he was not popular with the principal.

The Our Lady of the Visitation Cathedral Cathedral of the Visitation of Our Lady in Szombathely () also called Szombathely Cathedral or Cathedral of the Visitation of Our Lady is the name given to a religious building affiliated with the Catholic Church in the city of Szombathely in Hungary, it is the principal church of the Diocese of Szombathely. With the establishment of a diocese in 1777 the construction of a cathedral became necessary. A Baroque building in classical style began in 1791 and was completed in 1797. However, the interior work continued until 1814.

Cremonensium orationes III, frontispiece, 1550 Vida wrote a considerable amount of Latin poetry, both secular and sacred, in classical style, particular the style of Virgil. Among his best-known works are the didactic poem in three books, De arte poetica (On the Art of Poetry), partly inspired by Horace, and Scacchia Ludus ("The Game of Chess"), translated into many languages over the centuries. Both poems were first published in 1527. His major work was the Latin epic poem Christiados libri sex ("The Christiad in Six Books"),See Marco Girolamo Vida, Christiad, trans.

Just west of the village is the former St George's Hospital, built in 1836–38 as a workhouse for the Melksham poor law union to designs of H. E. Kendall. The nine-bay north front in classical style has two storeys and a three-bay pediment; behind this, further ranges of one, two and three storeys surround four courtyards. The front is limestone ashlar and the rear ranges are dressed limestone. Pevsner writes: "It is typical of the coming of the Victorian age how the classical and Grecian motifs get clumsy and extremely heavy".

An old picture from the congregation Later the church served as a center of social and religious activities during World War I and World War II. It was designed by architect Robert Mills in the Romanesque style. Mills was also Presbyterian, and was an elder in the First Presbyterian Church in Columbia, SC. The church sanctuary was built in 1809–12. The church was finished and dedicated in 1812 in Classical style. The church was significantly changed in 1847 to incorporate Romanesque round- arched windows and doors and crenellated parapet walls.

That year, the Royal Institution held a competition for the design of what would later be known as the McGill College Building (today the Arts Building). In 1839, the competition was won by John Ostell, a British architect known for designing the Old Custom House (1836) in Montreal, and soon after, construction began on the McGill College Building. The McGill College Building, around 1875. By 1843, the central and east sections of the building were constructed in Classical style, but a lack of funds prevented any further construction.

There has probably been a prison in Winchester, mainly known as Winchester gaol, since the thirteenth century. A substantial part of the former County Gaol, rebuilt 1788 and 1803 of three storeys in Classical style, the predecessor of the present Winchester Prison and now converted to commercial use, survives in Jewry Street. Winchester Prison was built between 1846 and 1850 to a Victorian radial design, with five 'spokes' radiating from a central hub carrying a turret prominent on the Winchester skyline. Four of these wings are now used for prisoner accommodation and one for administration.

Saumell used to write a prima in classical style, followed by a segunda in creolized Cuban folkloric style. :"Saumell is absolutely prophetic in fixing certain rhythms which would be mined in the future under different names... Saumell is the father not only of the contradanza... but also the habanera (the prima of La Amistad), danzón (La Tedezco), the guajira (segunda of La Matilde), the criolla (the segunda of La Nené), the clavé (La Celestina)... Everything done after him would amplify or distinguish elements plainly exposed in his works." Carpentier, Alejo 2001 [1945]. Music in Cuba.

The notable buildings of the period include the (rebuilt) Cathedral of Holy Trinity (1658), the Church of the Dormition of Our Lady (the Uspensky Church) with the large attached refectory (trapeznaya) (1651), the bell tower (1651), the Church of St. Michael the Archangel above the southern gate, and the monastic cells. The refectory is a large (420 m²), two-storied building. The Church to St. Macarius was built in classical style in 1808. Eventually, the monastery had seven churches and one cathedral where the remains of St. Macarius were venerated.

Chad also gives his name to a parish church in Lichfield (with Chad's Well, where traditionally Chad baptised converts: now a listed building). Dedications are densely concentrated in the West Midlands. The city of Wolverhampton, for example, has two Anglican churches and an Academy dedicated to Chad, while the nearby village of Pattingham has both an Anglican church and primary school. Shrewsbury had a large medieval church of St Chad which fell down in 1788: it was quickly replaced by a circular church in Classical style by George Steuart, on a different site but with the same dedication.

All that remains of the ruins of Belvidere Hospital is the imposing, Administration Building, in classical style and of the same grey sandstone. Red sandstone flats in Tollcross Road Overlooking Tollcross Road, and set in its original grounds, is Tollcross House, built in 1848. It was built (of gray ashlar) for one of the partners of Clyde Iron Works, James Dunlop. The architect was David Bryce who also designed Fettes College in Edinburgh and Balfour Castle in Orkney which shares with Tollross House the Scots Baronial style of crowstepped gables, circular towers with conical caps, massed chimneys and mullioned windows.

Willem de Keyser was a son of the prominent Amsterdam architect Hendrick de Keyser. He was the brother of architect Pieter de Keyser (1595–1676), sculptor Hendrick de Keyser II (the Younger; 1613–1665), and painter Thomas de Keyser (c. 1596–1667). Around 1623 he left Amsterdam to settle in London, where he found employment with his brother-in-law, the English architect Nicholas Stone, who had married Willem's sister Maria. Stone had been charged with the construction of a number of buildings in classical style designed by Inigo Jones for King Charles I of England.

In the 18th century the village was cleared to make a park for the estate of the Heathcote family with the population mainly re- housed in Empingham. In the 1970s much of the parish was flooded by the construction of the Rutland Water reservoir. St Matthew's Church is a Grade II listed building, built in classical style. The tower and the western portico were built by Thomas Cundy Jr between 1826 and 1829, based on the design of St John's, Smith Square in Westminster, while the nave and apse were constructed in 1911, by J. B. Gridley of London.

The limit of Chiswick (thus now also the London Borough of Hounslow) is the westernmost garden fences where there is a lane called British Grove. St Peter's Church, Hammersmith, the substantial Grecian Ionic structure that was completed in 1829Edward Walford British History Onlline Old and New London Volume 6 The Southern, British History. occupies the south eastern corner of the site and is opposite 22 St Peters Square, a Grade II listed architect's studio and office building, that was formerly Island Records headquarters and is now named Island Studios. The houses are a good example of 19th century squares architecture, with paired villas in classical style arranged around a central space.

In the 16th century, Philippe de Lévis, the first commendatory abbot of the monastery, initiated the construction of a great bell tower, which was left unfinished after his death in 1537. A revival of its religious life took place in the 17th century, when the monastery joined the Congregation of Saint Maur in 1663. In the 18th century, it benefited from the architectural undertakings of its commendatory abbot, Bishop Armand Bazin de Bezons (1701–1778), enriching it with a ceremonial cour d'honneur and a cloister in classical style. In 1789, with the beginning of the French Revolution, the abbey was confiscated by the state and sold in two lots.

The facades of the estate buildings faced the Tverskaya and B. Dmitrovka Street. The thoroughfare through the estate led from one street to another - and the inner part of the grounds was occupied with stables, barns, kitchens with kitchen gardens, greenhouses and dwelling houses. The final estate layout was established under Pyotr Saltykov's heir - Ivan Saltykov, when a neighboring court and a vast umbrageous garden were adjoined to the estate. The mansion itself was rebuilt in Classical style. In 1804 it was renewed: a second floor was added and the wings were connected to the outhouses. The building wasn’t damaged in the fire of 1812.

After 1817, Dahl was an independent settlement, with its own mayor, within the district of Breckerfeld, but by order of the government of the Kingdom of Prussia was administratively subordinate to the district (Kreis) of Hagen. In 1823, Felix Gerstein, the local governor, had a residence built in classical style, Haus Dahl. The estate included of land, a mill, and 32 smallholdings and farms on both sides of the River Volme. In the course of increasing industrialisation and the associated economic expansion, in 1844-47 the country road in the Volme valley was expanded, and around 1850 a stone bridge was built across the river to accommodate the increased traffic.

The manor of Thirkleby was acquired in 1576 by William Frankland, a wealthy London merchant. It passed down in the Frankland family to William Frankland, who was made a baronet in 1660. It afterwards descended through the Frankland Baronets to Sir Thomas Frankland, 5th Baronet in 1783 (after the death of the 4th Baronet's second wife), who was an Admiral of the White in the Royal Navy and MP for Thirsk, but who died the following year. His son Sir Thomas Frankland, 6th Baronet commissioned James Wyatt to build a new house, stables and triumphal arch in classical style; it was completed in 1790.

New Hampshire Marine Memorial The New Hampshire Marine Memorial is a mid-sized statue of New England granite on a tiered granite base. Designed in Classical style by Concord, New Hampshire design expert Alice Ericson Cosgrove and sculpted by Vincenzo Andreani, the memorial, dedicated to all New Hampshire servicepersons lost at sea due to warfare, is located in Hampton Beach, New Hampshire and was dedicated May 30, 1957. The statue depicts a kneeling woman gazing out to sea, a laurel wreath in her hands. Close by the statue is a quarter-circle of granite into which are cut the names of men lost to the sea.

By the 1990s, some Master of Arts degrees – and even a PhD degree – were awarded in collaboration with universities in Australia and New Zealand. Dr. Helu not only administered his institute but – like Thomas Jefferson at the University of Virginia in early 19th century America – designed its classrooms, laboratories, and libraries, often in classical style. Whilst small contractors were, of course, employed in Atenisi's construction, in the early days its director was not above roofing a new building after class. In 1992 Dr. Helu joined Tonga's Catholic bishop, Patelisio P. Fīnau, and the former president of the Free Wesleyan Church, Dr. Sione Amanaki Havea, in sponsoring a conference advocating Tonga's transition from a feudal to parliamentary monarchy.

In 1743, after his first visit to Mukden (present-day Shenyang, Liaoning), the Qianlong Emperor used Chinese to write his "Ode to Mukden," (Shengjing fu/Mukden-i fujurun bithe), a fu in classical style, as a poem of praise to Mukden, at that point a general term for what was later called Manchuria, describing its beauties and historical values. He describes the mountains and wildlife, using them to justify his belief that the dynasty would endure. A Manchu translation was then made. In 1748, he ordered a jubilee printing in both Chinese and Manchu, using some genuine pre- Qin forms, but Manchu styles which had to be invented and which could not be read.

The design presented a light lounge with pillar supports that flourished into scroll curves, and the back rest was characterized by curvilinear motifs that created interesting and eye-catching negative space between the wood frame and the couch cushion itself. Twelve of these lounges are known to exist today, and are believed to have been crafted between 1845 and 1860; they are more or less detailed and stylized depending on customer price range, but all have the pillar and scroll designs as well as some form of curvature. Day's use of the scroll motif found inspiration from scrolled volutes on column capitals in classical style. As his work as a craftsmen developed through the years, so did his style.

The Queensland Government made available $2,000 for a monument additional to the cairn, to be erected and maintained by the Department of Local Government. The site selected for the new monument was about a mile nearer the tip of Round Hill Head on the western or inshore side, overlooking the spot where the Endeavour had lain. The new monument was not to imitate the existing cairn as simply a marker for the site of Cook's landing, but was intended to symbolise that in landing at this place, the British first opened the door of opportunity in Queensland. A four-sided concrete portico in classical style was erected, with the words Doorway to Destiny on the top- piece.

The Shrine of Remembrance (commonly referred to as The Shrine) is a war memorial in Melbourne, Victoria, Australia, located in Kings Domain on St Kilda Road. It was built to honour the men and women of Victoria who served in World War I, but now functions as a memorial to all Australians who have served in any war. It is a site of annual observances for ANZAC Day (25 April) and Remembrance Day (11 November), and is one of the largest war memorials in Australia. Designed by architects Phillip Hudson and James Wardrop, both World War I veterans, the Shrine is in classical style, based on the Tomb of Mausolus at Halicarnassus and the Parthenon in Athens, Greece.

From 1823 to 1862, he served as the pastor of Union Chapel in Brighton, East Sussex, succeeding John Styles. The chapel had been enlarged during Styles' 15-year incumbency, and immediately grew in popularity when Goulty took over. Its earlier debts of £1,000 were settled, and in 1825 the chapel was redesigned in Classical style with Greek Revival and Egyptian Revival elements. The exterior was designed on a "grand scale", as was its interior: below a domed ceiling ran a deep balcony supported on ornate iron columns. The architect has been the subject of much disagreement: Amon Wilds is usually credited, but Charles Busby produced and signed an architectural design in 1825 and the men probably worked together on it.

Twenty-seven of the sonnets had already been printed at the end of Sir Philip Sidney's Astrophel and Stella without the author's consent. Several editions of Delia appeared in 1592, and they were very frequently reprinted during Daniel's lifetime. Dedicated to "The Right Honourable the Lady Mary Countess of Pembroke", we learn that Delia lived on the banks of the River Avon—not Shakespeare's, but the one which flowed through "where Delia has her seat" at Wilton in Wiltshire—and that the sonnets to her were inspired by her memory when the poet was in Italy. To an edition of Delia and Rosamond, in 1594, was added the tragedy of Cleopatra, written in classical style, in alternately rhyming heroic verse, with choral interludes.

The construction was begun by Gian Giacomo Dolcebuono and Giovanni Battagio in 1493, to house a miraculous icon of the Madonna, initially on the central plan. The first part to be built was the octagonal dome, covered externally by a tambour with a loggia and arcades decorated by twelve brickwork statues by Agostino De Fondulis, designed in Lombard style by Giovanni Antonio Amadeo (1494-1498). Façade. In 1506 to the original edifice a complex with nave and two aisles was added, the former covered by a monumental barrel vault also by Amadeo; the presbytery received a polygonal ambulatory inspired to that in the Duomo. In the 16th century also the square portico in classical style was added, perhaps designed by Cesare Cesariano or Cristoforo Lombardo (il Lombardino).

On the north side of the courtyard there is a building dating back to 1626, with a portico of undressed stone in classical style, with grotesque faces on the keystones of the arches, and a loggia. The east doorway (1610) is perfectly aligned, along the line where the antique decumano stretched, with the west door, which opens onto Piazza Paolo VI. Entering by the east door a few steps further in, on the left, before the second doorway (1626) into the courtyard, you will find the Scalone de Lezze (1610), which leads to the registrar's offices. Peace of Berardo Maggi. A stairway and the corridor with ceilings decorated by Tommaso Sandrini and Francesco Giugno (1574–1651) lead into the Chamber of the Podestà, divided into four rooms in the 16th century.

Lord with Deep Purple on tour at the Niedersachsenhalle, Hanover, Germany, 1970 Purple began work on Deep Purple in Rock, released by their new label Harvest in 1970 and now recognised as one of hard rock's key early works. Lord and Blackmore competed to out- dazzle each other, often in classical-style, midsection 'call and answer' improvisation (on tracks like "Speed King"), something they employed to great effect live. Ian Gillan said that Lord provided the idea on the main organ riff for "Child in Time" although the riff was also based on It's a Beautiful Day's 1969 psychedelic hit song "Bombay Calling". Lord's experimental solo on "Hard Lovin' Man" (complete with police-siren interpolation) from this album was his personal favourite among his Deep Purple studio performances.

The station was built in 1872 in classical style for the Compagnie des Chemins de fer du Nord (Nord company) and opened on 11 May 1872 with the section of line to Longroy-Gamaches. In 1873 the line was extended to Abancourt, permitting the company to run "seaside trains" from Paris via Amiens.Le réseau ferré de la Côte picarde: Historique , Inventaire du Patrimoine Culturel de Picardie, Région Picardie, 2002 The station was renamed Gare du Tréport-Mers in 1887 after the Syndicate of Property Owners of Mers petitioned for Mers to be mentioned on signs and posters. Until 2 October 1938, Le Tréport-Mers was also connected to Dieppe by the Eu – Dieppe line; part of this closed line, between Saint-Quentin-au-Bosc and Eu, has since become a footpath, the chemin vert du Petit Caux (Petit Caux greenway).

The McCall MacBain Arts Building (also known as the Arts Building, formerly the McGill College Building) is a landmark building located at 853 Sherbrooke Street West, in the centre of the McGill University downtown campus in Montreal, Quebec. The Arts Building is the oldest building on campus, and was designed in Classical style by John Ostell beginning in 1839. The building's central block and east wing were completed in 1843, and the west and north wings were completed in 1861 and 1925, respectively, after involving multiple architects, including Alexander Francis Dunlop and Harold Lea Fetherstonhaugh. Today the Arts Building is made up of three distinct wings around a central block: Dawson Hall (east), Molson Hall (west), and Moyse Hall (north), and currently houses the Department of French Language and Literature, Department of English and the Department of Art History and Communication Studies.

In 1418 at the time of the conquest of Normandy by Henry V of England, the title of Count of Tancarville was given to John Grey, while in the kingdom of France it was used by the House of Harcourt who recovered the castle after the departure of the English. In 1709, a wing in classical style was added to the medieval parts of the building by the Count of Evreux. After the French Revolution in 1789, the castle was looted and partly burned down. For 29 years, from 1910 to 1939, the castle was rented by Mr. Fernand Prat and his wife born Jehanne Leblanc (sister of Maurice Leblanc) who received many personalities of the arts and letters such as Maurice Maeterlinck and his companion Georgette Leblanc, Colette, Margaret Caroline Anderson, James Joyce, Bertrand de Jouvenel, Pierre Lecomte Nouy and Louis Fabulet.

The monastery has two cloisters, each built around a garden. The older of the two has more genuinely Renaissance decoration: seven arcosolia in the style of chapels, richly adorned in classical style, configure a funerary space that was originally intended to receive the Great Captain's remains into the monastery. The second cloister, now the enclosure of the monastery's community of monks, was the residence of the Empress Isabella of Portugal on her wedding voyage after her marriage to Charles I of Spain (Holy Roman Emperor Charles V). The gateway that separates the grounds of the monastery from the Calle Rector López Argueta is, indeed, original to the monastery, but had disappeared in the 19th century and was only returned to its position in the 1960s after being found abandoned in a courtyard of in the Vega de Granada. The sculpture of the Virgin of Sorrows on the gate is not original.

Thereafter, Virashaiva and Brahmin writers have dominated the Kannada literary tradition.Narasimhacharya (1988), p17 Some of the earliest metres used by Jain writers prior to 9th century include the chattana, bedande and the melvadu metres, writings in which have not been discovered but are known from references made to them in later centuries. Popular metres from the 9th century onwards when Kannada literature is available are the champu-kavyas or just champu,Poems in verse of various metres interspersed with paragraphs of prose (Narasimhacharya 1988, p12) vachanaVirashaiva poetic prose in simple and lucid Kannada from the 12th century (Narasimhacharya 1988, p17) sangatya,sung to the accompaniment of a musical instrument and introduced in 1232 by Sisumanayana (Sastri 1955, p359) shatpadi,Six liners popular in later Jain, Brahminical and Virashaiva works (Narasimhacharya 1988, p17) ragale,lyrical poems with refrain (Sastri 1955, p361) tripadi,Three line poetry (Sastri 1955, p361) and kavya.A poem in classical style.

Clare College Bridge The oldest of Cambridge's current bridges, this bridge in classical style was built in 1639–40 by Thomas Grumbold (d.1659)About Clare: History from Clare College's website, retrieved 25 June 2007 It is one of two bridges left standing by the Parliamentarian forces in the Civil War (the other being the Great Bridge, a wooden bridge which has since been destroyed) when Cromwell used the stone from other bridges to refortify the castle. Many different stories are told to explain the missing section of the globe second from the left on the south side of the bridge. One rumour is that the builder of the bridge received (what he considered to be) insufficient payment, and in his anger, removed a segment of the globe; another is that complete bridges were subject to a tax at the time it was built, and the missing segment made the bridge incomplete and hence untaxed.

All the stonework above the level of the baths is from more recent periods including the 12th century, when John of Tours built a curative bath over the King's Spring reservoir, and the 16th century, when the city corporation built a new bath (Queen's Bath) to the south of the spring. The spring is now housed in 18th-century buildings designed by architects John Wood, the Elder and John Wood, the Younger; visitor access is via an 1897 concert hall by J M Brydon, which is an eastward continuation of the Grand Pump Room with a glass-domed centre and single-storey radiused corner. A head of "Sulis-Minerva" found in the ruins of the Roman baths Beside the baths, a temple, in classical style with four large, fluted Corinthian columns and dedicated to Minerva The temple remained in use for worship until around the 4th century, but the site is now occupied by the Grand Pump Room. The city was given defensive walls, probably in the 3rd century, but they disappeared during subsequent redevelopments.

Regency-style features as a bow-fronted stuccoed façade, fluted Ionic pilasters, decorative capitals and a parapet. The first development outside the four-street boundary of the ancient village was in 1771–72, when North Row (soon renamed Marlborough Place) was built on the west side of the open land. Some tarred cobble-fronted buildings survive there. At the same time, inns were becoming established as fashionable venues: the Castle (demolished) and the Old Ship both had "uncommonly large and expensive" assembly rooms for dancing and high-class socialising. The Castle's assembly rooms of 1754 were redesigned by John Crunden in 1776 in Classical style; in 1761 Robert Golden designed Palladian-style rooms for the Old Ship, later redecorated in a "[Robert] Adamish" style after Crunden's work at the Castle. Robert Adam himself redesigned Marlborough House in 1786–87: with its elegant Neo-Palladian façade and "spatially arresting interior", it has been called the finest house of its era in the city. The Prince Regent visited Brighton regularly from 1783 and soon wanted a house. A building near the Castle Inn was found, and Henry Holland extended it in "a stilted Classical style" in 1786–87.

The English Cemetery in Málaga, where St George’s Anglican Church stands, is the result of the inspiration and concern of William Mark, who was British Consul in Málaga from 1824 until 1836. In the eight years he had lived in Málaga before his appointment as Consul, he had looked “with great disgust” on the way Protestants had to be buried on the sea shore at dead of night, because those who professed a creed other than Catholicism could not be buried in consecrated ground, namely in the parish churches, monasteries and cemeteries of Málaga. Due to his persistent efforts, Mark was finally given permission to create a permanent cemetery on the Vélez road outside the walls of the city, thanks to the Royal Order of Ferdinand VII, issued on 11 April 1830. The adjoining mortuary is now the church library. During the years immediately after 1830, the cemetery was greatly extended, and in 1839–40 a “lodge temple” was built in classical style with a small chapel and incorporating the cemetery guard’s dwelling. With its fine Doric columns, this structure was adapted and enlarged in 1890–91 to become the present St George’s Anglican Church.