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21 Sentences With "in a reverie"

How to use in a reverie in a sentence? Find typical usage patterns (collocations)/phrases/context for "in a reverie" and check conjugation/comparative form for "in a reverie". Mastering all the usages of "in a reverie" from sentence examples published by news publications.

Black kids often don't have the luxury of living in a reverie.
She looks dreamy yet determined: the woman is caught in a reverie, but she is also making her mark.
He seemed to be watching in a reverie as terrain emerged—tundra, ocean, blankness, covering the paths he'd just travelled.
After a while it was no longer a literal experience, for my mind was lost in a reverie of complete peacefulness.
At some moments on this album, she's lost in a reverie of frustration and anger, her verses giving up structure in exchange for loose but pointed exhaustion.
Ensimismada is the way someone else sees you: You've been caught in a reverie, and now your very relationship with yourself becomes the object of someone else's interpretation.
Nowadays, I often flick on a news podcast when I'm eating alone, but that would have taken too much work with the retro setup, so instead I chewed in a reverie.
They have big dreams about repairing the house and the store their parents once ran, but instead they spend their days caring for cattle and their nights lazing in front of the television (Billy) or off in a reverie (Francis) in the mobile home they've shared for 18 years.
I will not allow your Genius the slightest approach to inspiration, and I can admit no verisimility in a reverie which is fixed on a foundation you now allow to be so weak.
In a Reverie, is the debut studio album by Italian gothic metal band Lacuna Coil. The album was released 8 June 1999 through Century Media Records. In 2005, the album was re-released with new artwork and a new cover.
Manifesto of Lacuna Coil is a compilation album by Italian alternative metal band Lacuna Coil, released on 27 February 2009. Tracks are taken from the first four studio albums; In a Reverie, Unleashed Memories, Comalies & Karmacode, as well as from their two EPs; Lacuna Coil & Halflife.
The man educates himself with the hermit's books. He finds himself in a reverie in which he and the hermit battle a slave-owning capitalist. The man returns to his former place of employment and rouses a workers' rebellion. During the fray, he fantasizes that he decapitates his employer's head; when he raises it, he discovers the head to be his own.
Following a second European tour, the band recorded their debut full-length album In a Reverie and added second guitarist Marco Biazzi. The band supported the album with another European tour, co-headlining with Skyclad. Allmusic rated the album 4 stars, saying it was "a fine debut by a band that bears watching." The band toured mostly around Europe, generally as a support act.
Starring Bharat Dabholkar and Ria Patel, Flowers and Lap of a Rose is a story of an established poet and the magic of his verse. It's a story of finding a world in your dreams. One odd day something deep and romantic sensation pushed him and he decided to pen a new sonnet. As the poet started writing this new poem he began to sail in a reverie with this charismatic girl of obsession.
He then steals a flashy car from a resort hotel and drives it aimlessly around the countryside in a reverie. Pedro then advises Ivan to escape to Cuba. A rendezvous with a vessel bound there is arranged, but Ivan is ambushed by a police assault team while seeking to approach it and is unable to drag himself up a boarding ladder thrown over its stern. He passes out from his wound and finds himself beached ashore.
Following their debut, In a Reverie, the EP Half-Life was released in 2000 with five songs: "Half Life," "Hyperfast," "Stars" (a cover of a Dubstar single), "Trance Awake" and a demo version of "Senzafine." The final version of the latter was included in the 2001 album Unleashed Memories. While the studio album contained 10 songs, later re- releases included the Halflife EP. That same year, the band toured the United States for the first time, supporting Moonspell.
As O. Henry describes events, the small church has a working organ and a practicing organist. As Soapy listens to the church organ play an anthem, he experiences a spiritual epiphany in which he resolves to cease to be homeless, end his life as a tramp afflicted with unemployment, and regain his self-respect. Soapy recalls that a successful businessman had once offered him a job. Lost in a reverie, Soapy decides that on the very next day he will seek out this potential mentor and apply for employment.
Their debut album In a Reverie was released in 1999 with a style that bore "some similarities to contemporaries like the Gathering and Moonspell". Lacuna Coil's music was also "more accessible than many of their peers". A second album, Unleashed Memories, arrived in 2001, but it was their third full-length, Comalies, that became their breakthrough album, "highly praised by the metal world after its release in October 2002". On the strength of Comalies, Lacuna Coil became the most successful artist in the history of their label Century Media Records as well as the highest selling rock act in their home country Italy.
The series had featured other brushes with kisses between the two leads: in the fourth season episode "Small Potatoes", a shapeshifter, disguised as Mulder, nearly kissed Scully; in the 1998 film, the two's "lips brushed slightly before Scully got stung by a virus-carrying bee"; and in the sixth season entry "Triangle", Mulder kissed a Scully-lookalike from the 1930s in a reverie. John Shiban developed the idea for a Mulder–Scully kiss, which was described by series creator Chris Carter as a "present for the fans." Shiban noted that the episode's kiss felt like "the logical culmination of their relationship. They had been heading toward the kiss for years".
The date of the John the Baptist in the Galleria Borghese is disputed: it was long thought to have been acquired by Cardinal Scipione Borghese some time between his own arrival in Rome in 1605 and Caravaggio's flight from the city in 1606, but Roberto Longhi dated it to the artist's Sicilian period (a date post-1608) on the basis of similarities in handling and colour. Lonhi's view has gained increasing acceptance, with a consensus in favour of 1610 emerging in recent years. The painting shows a boy slumped against a dark background, where a sheep nibbles at a dull brown vine. The boy is immersed in a reverie: perhaps as Saint John he is lost in private melancholy, contemplating the coming sacrifice of Christ; or perhaps as a real-life street-kid called on to model for hours he is merely bored.
His father was a figurative style painter, while his mother had an interest in abstract expressionism. From 1942 to 1946, Klein studied at the École Nationale de la Marine Marchande and the École Nationale des Langues Orientales. At this time, he became friends with Arman (Armand Fernandez) and Claude Pascal and started to paint. At the age of nineteen, Klein and his friends lay on a beach in the south of France, and divided the world between themselves; Arman chose the earth, Pascal, words, while Klein chose the ethereal space surrounding the planet, which he then proceeded to sign: > With this famous symbolic gesture of signing the sky, Klein had foreseen, as > in a reverie, the thrust of his art from that time onwards—a quest to reach > the far side of the infinite., Yves Klein, 1928–1962: Internacional Klein > Blue, translated by Carmen Sánchez Rodríguez (Cologne, Lisbon, Paris: > Taschen, 2001), 8. . Between 1947 and 1948, Klein conceived his Monotone Symphony (1949, formally Monotone Silence Symphony) that consisted of a single 20-minute sustained chord followed by a 20-minute silence.

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