Freeman shook them to show how they dance around in a breeze.
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There was no one in line, so I got through in a breeze.
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Another clever trick: the power button has an integrated fingerprint scanner that makes logging in a breeze.
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The Spark bounces around in a breeze, and that seems to confuse the infrared sensor to no end.
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In a breeze, the flowing air carries the silk threads along with it, as the spider rides beneath.
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I blow through customs in a breeze with Global Entry, which is so worth it if you travel internationally.
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The Day-Glo symbols crawling up the side of the barn, clothes on a line ghosting in a breeze.
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When large herds graze in unison, the effect is that of a many-tubed wind chime swaying in a breeze.
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Practice this one before the event you plan to wear it to, so you can quickly apply it in a breeze!
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This parchment paper is cut in a unique shape that lets you lift your baked goods out of the pan in a breeze.
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Democrats have won three of the last four gubernatorial races, the last four U.S. Senate contests, and the last three presidential contests here in a breeze.
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Whether you're correcting a typo, filling out a form, signing a contract, or changing a section of a document altogether, the app lets you do it in a breeze.
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And the laundry has been cleansed of sweat, mold, bacteria and other potential odor-causing substances and dries quickly in a breeze, removing the moisture on which such smells feed.
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A dancer twirls around it, inverts their body, kicks their legs out, and suspends themself, letting their skirt, composed of long red and white strips, sway like the American flag caught in a breeze.
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Little of this was borne out in the skin-deep score, influenced by jazz and full of too many obvious turns of phrase, such as the word "air" being given a lofty melody, like a feather in a breeze.
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Even in a breeze olive trees seem to shimmer in alternations of green and blue and silver, the undersides of the leaves showing mat gray, and the angled, resinous upper surfaces reflecting the sun in flashes of burnished bronze.
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The Rectify sound stages, for instance, are right next door to a leather tanning business, and on hot days, when their neighbors open the doors to let in a breeze, Rectify's personnel can see alligator skins hanging up to dry.
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Unsurprisingly, some of the show's most beautiful images come from the museum there: the sandstone figure of a bodhisattva wrapped in a breeze-ruffled cloak, and the carved foot-high head of a gender-fluid spiritual being lost in a dream of peace.
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Sound components in a sensory garden are often things that make sounds naturally in a breeze. This includes plants like bamboo, grasses, trees, as well as non-living elements like bells and wind chimes. Water features and birds are also common sound components. Less common sound components include things like hand instruments (such as drums), echo spaces, and chiming stepping stones.
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The class has a register of boats in New Zealand, Australia and Great Britain. New Zealand has national champions recognised by Yachting New Zealand (formerly NZYF) dating back to 1974. These yachts will plane upwind and downwind in a breeze of 12 knots or more. In 8 knots they will plane easily on reaches but are sailed in a displacement mode upwind and downwind.
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Some of the characteristics of the flowers of midge orchids, such as small size, dull colours and hairy parts waving in a breeze, suggest pollination by small flies. Some studies have suggested that the flowers are pollinated exclusively by flies of the Superfamily Chloropoidea (now in the Family Milichiidae). A few species, such as the New Zealand G. nudum appear to exclusively self- pollinate.
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An "ice slinger" produced authentic-looking ice and snow that "drifts, packs, whirls in a breeze and can be made into real snowballs". Fine river sand was laid directly on the floor and covered with ice-cold water to produce a smooth skating surface. The actors' breath is plainly visible in the low-temperature environment. Dunn reportedly engaged in figure skating to keep warm between takes on the 22°F set.
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The film opens with a montage of scenes of elemental violence—crashing waves and falling trees alternate with images of trees speeding past as if viewed from a motorcar. The imagery gradually changes to more tranquil vistas of clouds, grass swaying in a breeze, and rippling water. The first interior shot shows a woman silhouetted against a window. There are several shots of a fireplace and of clocks and their pendulums.
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The reflective glassy surface of the water is rippling in a breeze, under cloudy grey skies. The figures, pier, boat and sea are finely rendered, almost as if the work was made in oil paint, showing Zorn's skill as a watercolourist. Less attention is paid to the other side of the lake, sketched roughly in the background. It is signed and dated in the lower left corner, "Zorn 86".
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Amongst his later productions were 'Gil Blas in the Robbers' Cave,' in 1843, and the 'Arrival of the Steamer at Folkestone,' in 1844. The Gallery of the Old Royal Naval College, Greenwich, possesses his 'Napoleon on board the Bellerophon,' painted in 1816, and in the Sheepshanks Collection at the South Kensington Museum are 'Village Gossips,' painted in 1815, and 'Hastings, Fishing Boat's making the Shore in a Breeze,' painted in 1819.
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The lateral sepals are often joined near their bases and the lateral petals are shorter and narrower than the sepals. As is usual in orchids, one petal is highly modified as the central labellum, much different from the other petals and sepals. The labellum is above the column and joined to it by a flexible attachment, so that the labellum vibrates in a breeze. The edge of the labellum sometimes has fine teeth, glands or hairs.
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Pyrus calleryana, or the Callery pear, is a species of pear tree native to China and Vietnam, in the family Rosaceae. It is most commonly known for its cultivar 'Bradford', widely planted throughout the United States and increasingly regarded as an invasive species. Pyrus calleryana is deciduous, growing to tall, often with a conical to rounded crown. The leaves are oval, long, glossy dark green above, on long pedicels that make them flash their slightly paler undersides in a breeze.
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In April 2015 the filly was entered in a "breeze up" sale (in which the horses are publicly galloped before being sold) at Doncaster and was bought for £44,000 by the trainer Karl Burke. Burke sold a half share to the Ontoawinner syndicate and a 35% share to Hubert Strecker, retaining a 15% share for himself. The filly went into training with Burke at Middleham in North Yorkshire. Quiet Reflection has suffered from fragile hooves and has received regular treatment from the specialist farrier Andy Grant.
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Franklin noted a principle of refrigeration by observing that on a very hot day, he stayed cooler in a wet shirt in a breeze than he did in a dry one. To understand this phenomenon more clearly Franklin conducted experiments. In 1758 on a warm day in Cambridge, England, Franklin and fellow scientist John Hadley experimented by continually wetting the ball of a mercury thermometer with ether and using bellows to evaporate the ether. With each subsequent evaporation, the thermometer read a lower temperature, eventually reaching .
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When driving, he is often heard playing Pat Benatar songs, including the hits "Hit Me With Your Best Shot" and "Heartbreaker". He is also notable for playing music from the band Foreigner, such as "Hot Blooded" and "Double Vision". John Redcorn is often seen reading a book about Native American rights in North America, entitled This Land is Our Land. A recurring gag is that when he begins speaking about matters related to Native traditions and their spiritual meanings, his long black hair is dramatically whisked up in a breeze.
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It is not heavy enough to prevent the kilt apron from blowing open in a breeze. It should never be pinned through both aprons, since this would result in distorting the proper hang and action of the kilt and at worst could result in tearing the kilt. Of course, Highland dancers do not wear the pin through both aprons (when they wear one at all) since the action of the kilt is an essential part of the dance. Often, a clan crest badge will be pinned to the left side of the Balmoral or Glengarry.
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The "SOD" or "Shannon" as the class is often called requires three people to race and this produces a very sociable form of sailing. Sailing SODs has always attracted families, and generations in many cases have been involved in campaigning the same boat down through the years. Indeed, many of the same family names that attended that first meeting in 1920 still feature in SOD racing today. The SOD is an exciting boat to sail in a breeze of wind, and a serious challenge to sail well in any conditions.
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The prairie grass in many places was several feet high with only the hat of a traveler on horseback showing as they passed through the prairie grass. In many years the Indians fired much of the dry grass on the prairie every fall so the only trees or bushes available for firewood were on islands in the Platte river. Travelers gathered and ignited dried buffalo chips to cook their meals. These burned fast in a breeze, and it could take two or more bushels of chips to get one meal prepared.
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Travelers gathered and ignited dried cow dung to cook their meals. These burned fast in a breeze, and it could take two or more bushels of chips to get one meal prepared. Those traveling south of the Platte crossed the South Platte fork at one of about three ferries (in dry years it could be forded without a ferry) before continuing up the North Platte River Valley into present-day Wyoming heading to Fort Laramie. Before 1852 those on the north side of the Platte crossed the North Platte to the south side at Fort Laramie.
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Sands of Mali is a dark bay colt with no white markings bred in France by Simon Urizzi. In September 2016 the yearling was consigned to the Osarus sale at La Teste-de-Buch, and sold for €20,000 to the bloodstock agent Con Marnane. The colt was put up for auction again in April 2017 at Ascot when he was entered in a "breeze-up" sale, in which horses are publicly galloped before being sold. He was bought for £75,000 by Peter Swann's Cool Silk Partnership and sent into training with Richard Fahey at Musley Bank in North Yorkshire.
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Hastings- Boats making the Shore in a Breeze, by John James Chalon, 1819 The first mention of Hastings is found in the late 8th century in the form Hastingas. This is derived from the Old English tribal name Hæstingas, meaning `the constituency (followers) of Hæsta'. Symeon of Durham records the victory of Offa in 771 over the Hestingorum gens, that is, "the people of the Hastings tribe." Hastingleigh in Kent was named after that tribe. The place name Hæstingaceaster is found in the Anglo-Saxon Chronicle entry for 1050,Eilert Ekwall, The Oxford Dictionary of English Place Names, Oxford University Press, 1936.
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A piece of music can also be composed with words, images, or computer programs that explain or notate how the singer or musician should create musical sounds. Examples range from avant-garde music that uses graphic notation, to text compositions such as Aus den sieben Tagen, to computer programs that select sounds for musical pieces. Music that makes heavy use of randomness and chance is called aleatoric music, and is associated with contemporary composers active in the 20th century, such as John Cage, Morton Feldman, and Witold Lutosławski. A more commonly known example of chance-based music is the sound of wind chimes jingling in a breeze.
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In contrast, other cursorial spiders generally have difficulty moving on webs, and web-building spiders find it difficult to move in webs unlike those they build: sticky webs adhere to cursorial spiders and to web-builders of non-sticky webs; builders of cribellate webs have difficulty with non-cribellate webs, and vice versa. Where the web is sparse, a Portia will use "rotary probing", in which it moves a free leg around until it meets a thread. When hunting in another spider's web, a Portia′s slow, choppy movement and the flaps on its legs make it resemble leaf detritus caught in the web and blown in a breeze.
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Because the Olson 30 is so light for its length and has a relatively overpowered (for its design's age) sail profile, the Olson 30 excels at light-air sailing. In moderate conditions the sailing performance is unremarkable. In heavy conditions upwind the Olson 30 suffers from the lack of weight to drive the bow and the boat through waves, however downwind in a breeze the Olson 30 surfs and planes readily, and it was for these conditions the boat was ultimately designed. The stock rudder tends to be underpowered in heavy air, leading to difficult driving downwind especially in short waves and big wind.
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He served as apprentice to his father, a house-painter at Danzig. He was not twenty when he moved to Berlin, where he was taken in hand by Wilhelm Krause, a painter of sea pieces. Several early pieces exhibited after his death—a breakwater, dated 1838, ships in a breeze off Swinemünde (1840), and other canvases of this and the following year—show Hildebrandt to have been a careful student of nature, with inborn talents kept down by the conventionalisms of the formal school to which Krause belonged. Capri Accident made him acquainted with masterpieces of French art displayed at the Berlin Academy, and these awakened his curiosity and envy.
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Where the web is sparse, a Portia will use "rotary probing", in which it moves a free leg around until it meets a thread. When hunting in another spider's web, a Portia′s slow, choppy movements and the flaps on its legs make it resemble leaf detritus caught in the web and blown in a breeze. P. schultzi and some other Portias use breezes and other disturbances as "smokescreens" in which these predators can approach web spiders more quickly, and revert to a more cautious approach when the disturbance disappears. A few web spiders run far away when they sense the un-rhythmical gait of a Portia entering the web - a reaction Wilcox and Jackson call "Portia panic".
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For example, a sculpted draped towel will have all the folds of a real one, but it does not move. In a series called “Clothesline,” Mexican indigenous clothing hangs and looks as if it is blowing in a breeze. In the new millennium she developed installations like "Realidad Alterada" ("Altered Reality" 2011), a garden made of recycled tires, or "Lluvia de jacarandas" ("Seed Rain", 2003), representing a rain of jacaranda seeds, both pieces made in mesaures that can be adapted to big spaces of variable dimensions. Most of her work is life-sized but she has created monumental works in steel and bronze, along with a mural at the National Auditorium in Mexico City.
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Quwwatli could not dismiss Sultan Pasha's threat. The military balance of power in Syria was tilted in favor of the Druzes, at least until the military build up during the 1948 War in Palestine. One advisor to the Syrian Defense Department warned in 1946 that the Syrian army was "useless", and that the Druzes could "take Damascus and capture the present leaders in a breeze". During the four years of Adib Shishakli's rule in Syria (December 1949 to February 1954) (on 25 August 1952: Adib al- Shishakli created the Arab Liberation Movement (ALM), a progressive party with pan-Arabist and socialist views), the Druze community was subjected to a heavy attack by the Syrian government.
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In the story each of the Seven Bison charges at Bones Together, but break their legs in their attempts due to Bones Together's pure bone armour. Finally it is the turn of the bison's human ally, who before attacking Bones Together prays to God and is blessed by an eagle, who gives him the Baaxpée to turn into a feather. With this power the man confronts Bones Together, who charges four times, each time missing the man as he turns into a feather and wafts unharmed out of the way as though caught in a breeze. After the fourth charge the man shots an arrow up the rectum of Bones Together, piercing his heart and killing him.
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Richmond p. 125 and a Spanish pilot had been brought aboard the British fleet to help to carry the British ships into the harbour. Dent, whose Plymouth has been selected to lead the attack, was ordered to shoot the pilot or throw him overboard if he raised any objections.Richmond p. 127 Canterbury was decided to be anchored off the end of the Apostle's battery to help the leading ships by shelling the Spanish fortifications with a 10´´ mortar taken at Fort Louis and mounted upon her quarter deck. The flag was then hoisted aboard the Worcester, and when the sea breeze came in, was given the order to attack. The squadron stood in a breeze at S.E., giving it about four knots.
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Antique Baccarat closepack millefiori paperweight made in France in the mid 1800s. A paperweight is a small solid object heavy enough, when placed on top of papers, to keep them from blowing away in a breeze or from moving under the strokes of a painting brush (as with Japanese calligraphy). While any object (like a stone) can serve as a paperweight, decorative paperweights of glass are produced, either by individual artisans or factories, usually in limited editions, and are collected as works of fine glass art, some of which are exhibited in museums.Hollister, Paul and Lanmon, Dwight P. Paperweight: "Flowers which clothe the Meadows" Corning Museum of Glass, (1978) p 22, Selman, Lawrence H. and Pope-Selman, Linda Paperweights for Collectors Paperweight Press (1978) p 144.
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Thomas Luny, A Packet Boat Under Sail in a Breeze off the South Foreland (1780) Marine art was especially popular in Britain during the Romantic Era, and taken up readily by British artists in part because of England's geographical form (an island).Brook-Hart, 1-7. This article deals with marine art as a specialized genre practised by artists who did little or nothing else, and does not cover the marine works of the leading painters of the period, such as, and above all, J.M.W. Turner. The tradition of British marine art as a specialized genre with a strong emphasis on the shipping depicted began in large part with the artists Willem Van de Velde the Elder and his son, called the Younger in the early 18th century.
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Fladry Line illustration Fladry is a line of rope mounted along the top of a fence, from which are suspended strips of fabric or colored flags that will flap in a breeze, intended to deter wolves from crossing the fence-line. Fladry lines have been used for this purpose for several centuries, traditionally for hunting wolves in Eastern Europe. They are effective temporarily, as the novelty may soon wear off, usually between three and five months, and can be used to protect livestock in small pastures from wolves. This technique is sometimes also used to alert horses and cattle to the presence of a fence, as the use of smoothwire fences and one strand of electric may not be seen by an animal unfamiliar with a new home.
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Attention restoration theory (ART) asserts that people can concentrate better after spending time in nature, or even looking at scenes of nature. Natural environments abound with "soft fascinations" which a person can reflect upon in "effortless attention", such as clouds moving across the sky, leaves rustling in a breeze or water bubbling over rocks in a stream. Philosophically, nature has long been seen as a source of peace and energy, yet the scientific community started rigorous testing only as recently as the 1990s which has allowed scientific and accurate comments to be made about if nature has a restorative attribute. The theory was developed by Rachel and Stephen Kaplan in the 1980s in their book The experience of nature: A psychological perspective,The restorative benefits of nature: Toward an integrative framework.
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By his will he left to the trustees of the National Gallery, London, such of his oil paintings, not exceeding one hundred, as they might choose to select, and in case of their declining to accept the gift wholly or in part, then the same right of selection to the department of science and art at South Kensington. He also bequeathed to South Kensington any of his water-colours, sepia or charcoal drawings which they might be pleased to select, not exceeding one hundred. The trustees of the National Gallery selected only three, ‘Fishing Boats in a Breeze off the West,’ by J. M. W. Turner, and two paintings by P. J. Clays of Brussels. The department of science and art in June 1870 selected ninety-two oil and forty-seven water-colour paintings.
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A piece of music can also be composed with words, images, or, in the 20th and 21st century, computer programs that explain or notate how the singer or musician should create musical sounds. Examples of this range from wind chimes jingling in a breeze, to avant-garde music from the 20th century that uses graphic notation, to text compositions such as Aus den sieben Tagen, to computer programs that select sounds for musical pieces. Music that makes heavy use of randomness and chance is called aleatoric music, and is associated with contemporary composers active in the 20th century, such as John Cage, Morton Feldman, and Witold Lutosławski. The nature and means of individual variation of the music is varied, depending on the musical culture in the country and time period it was written.
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Mature trembling aspen trees (Populus tremuloides) with young regeneration in foreground, in Fairbanks, Alaska The genus has a large genetic diversity, and can grow from tall, with trunks up to in diameter. Populus × canadensis The bark on young trees is smooth, white to greenish or dark grey, and often has conspicuous lenticels; on old trees, it remains smooth in some species, but becomes rough and deeply fissured in others. The shoots are stout, with (unlike in the related willows) the terminal bud present. The leaves are spirally arranged, and vary in shape from triangular to circular or (rarely) lobed, and with a long petiole; in species in the sections Populus and Aigeiros, the petioles are laterally flattened, so that breezes easily cause the leaves to wobble back and forth, giving the whole tree a "twinkling" appearance in a breeze.
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The Scipion on entering the harbour ran aboard the brûlot, chalk drawing, one of 12 sketches by Reinagle of the Battle of Navarino George Philip Reinagle (1802 – 6 December 1835) was an English marine painter, youngest son of Ramsay Richard Reinagle. He was a pupil of his father, but he gained much facility in the treatment of marine subjects by copying the works of the Dutch painters Ludolf Backhuysen and Willem van de Velde. He exhibited first at the Royal Academy in 1822, when he sent a portrait of a gentleman; but in 1824 he contributed a 'Ship in a Storm firing a Signal of Distress', and a 'Calm', and in 1825 'A Dutch Fleet at the Seventeenth Century coming to Anchor in a Breeze', and other naval subjects in the following years. In 1827 he was present on board the Mosquito at the battle of Navarino and on his return he drew on stone, and published in 1828, 'Illustrations of the Battle of Navarin,' which was followed by 'Illustrations of the Occurrences at the Entrance of the Bay of Patras between the English Squadron and Turkish Fleets 1827.
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