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147 Sentences With "impressionists"

How to use impressionists in a sentence? Find typical usage patterns (collocations)/phrases/context for "impressionists" and check conjugation/comparative form for "impressionists". Mastering all the usages of "impressionists" from sentence examples published by news publications.

Later, the Impressionists and Post-Impressionists used it to suggest shade and light.
Although this video's source material is limited, focusing on works by the most famous Impressionists and Post-Impressionists, it highlights interesting connections between the colors and textures of different paintings.
He and the Impressionists see the world with golden eyes.
"Australia's Impressionists" is the collected work of four 29th-century artists.
Such museum-quality works by Impressionists now rarely appear at auction.
" Dana Carvey and Steve Carell cheer on celebrity impressionists in "First Impressions.
I like Russian pianists, like Tchaikovsky and Scriabin, and I like weird impressionists.
Factories even featured in the work of early 20th century Impressionists like Monet.
But can skill overcome the town's reputation as a home of imposter impressionists?
More than the Impressionists, they had a kind of spirituality in their paintings.
If you're up on your Impressionists, you might know this big name outright.
An exhibition of Australian Impressionists will be staged at the end of the year.
"Australia's Impressionists" is showing at the National Gallery in London until March 26th 2017.
Overloaded with talent, they are basketball impressionists following a darker age of rugged realists.
I found myself seeking out Impressionists, surrounding myself with Manets and Renoirs and Pissarros.
"He was also a huge source of inspiration for the Impressionists," Mr. Eaker said.
On the day of that first encounter, for openers, they had chatted about the Impressionists.
Hiroshige's work had a profound influence on the Impressionists and post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige's daring diagonal compositions and inventive use of perspective, while van Gogh literally copied two prints from One Hundred Famous Views of Edo in oil paint.
The exhibition also includes works by other "neo-Impressionists," such as Pissarro and Théo van Rysselberghe.
But the Impressionists rediscovered him in the 238th century, and resurrected Hals as a modern master.
The impressionists had nothing to look at, and so they could really make art out it.
The effect is especially striking with impressionists works like The Port of Rotterdam by Paul Signac.
And, unusual among Impressionists, "There's not a clear hierarchy between Degas's oil and pastels," he said.
GROWING UP WITH THE IMPRESSIONISTS The Diary of Julie Manet Translated and edited by Jane Roberts Illustrated.
"I needed money, so I had to sell all of my Impressionists," he said with a smile.
In June 2015, Sotheby's grossed £178.6 million for its 50-lot evening sale of Impressionists and moderns.
We learn about the Impressionists with whom Renoir traveled and the official Salon against which they sometimes rebelled.
Previous displays have explored flower beds that served as muses for Claude Monet, Frida Kahlo and American Impressionists.
Drawn to the vibrant aesthetic of Matisse and other impressionists, she was skilled at using colour and strong lines.
It allows visitors to judge the exhibition's theory that Impressionists really did capture reality, albeit in an abstract way.
He sacrifices the aesthetic discipline, the detached immersion in the problems of painting characteristic of the leading Post-Impressionists.
Crossing the bridge to the free-form empiricism of the Impressionists, this show delights in the visual spectacle of life.
Absurdist masterpieces like Lucy Gunning's The Horse Impressionists share the stage with Joyce Pensato's unsettling paintings of comic book characters.
Mr. Carvey and the guest hurl challenges at three impressionists (who are not household names) and comment on their performances.
And the latest place to look for inspiration isn't pop culture, iconic Impressionists, or seasonal trends — it's under your shirt.
AMERICAN IMPRESSIONISTS dabbed and flicked paint on their canvases to suggest spires of purplish blue hollyhocks and cascades of poppies.
We ended up doing a little road trip to the South, stopping at all the Impressionists' ateliers along the way.
In 1877 Cassatt joined the Impressionists — a welcome invitation, as female artists weren't allowed to mingle with men in cafes.
And yet they were blind to the lives of the people who originally owned the land the impressionists depicted so lovingly.
Cochineal fell into decline in the 19th century, as synthetic dyes were introduced, but was sought out later by the Impressionists.
By then, Degas and a group of artists, including Claude Monet, Pierre-Auguste Renoir and Camille Pissarro, had formed the Impressionists.
The statuette was in the 1881 exhibition of the Impressionists, a group that Gauguin wheedled his way into as a collector.
When Edgar Degas, Claude Monet, Paul Cézanne, and Camille Pissarro — aka the impressionists — founded the Anonymous Society of Painters, Sculptors, Printmakers, etc.
In the chapter "Chiaroscuro: The Impressionists' Olive Trees," Mr. Mabey describes the easily visible and near-mesmerizing movement of olive tree leaves.
With thousands of masterpieces to choose from, users can switch from impressionists to modern photography on a whim using a complementary app.
The Warriors, above, are "basketball impressionists following a darker age of rugged realists," playing a game in which style is the substance.
The museum contains an encyclopedic collection of art from the old masters to Impressionists to an 11,000-square-foot contemporary design gallery.
Indeed, we see how the Impressionists became so sought after that they were no longer portrayed as struggling but as successful painters.
Coined derisively by a critic, the name was adopted by Monet and his fellow Impressionists, including Pierre Auguste Renoir and Camille Pissarro.
The second difference is the use of large-scale formats by the Abstract Impressionists, while the Non-Figuration canvases remained relatively easel-sized.
They're not all about love, but they're just as intimate, spotlighting the band as masterful musical impressionists, and Yorke as a singular tenor.
I went to all the museums while I waited to go see my family, but each time I got drawn to the Impressionists.
I can accompany my grandsons to museums and delight in their knowledge of the Impressionists they studied in a high school art class.
Among the colorful, freely-painted works of Post-Impressionists like Gauguin and van Gogh, Seurat's dark, mysterious canvas is a decidedly alien presence.
One tactic was to give Op an art-historical pedigree dating at least as far back as the Impressionists, who focused on perceptual experience.
"He had been to Paris in 1906 to see the Impressionists," who may have influenced him; works in the show are muted though vibrant.
Bruce Museum's 'Electric Paris' features approximately fifty paintings, photographs, and drawings that explore the influence of artificial lighting on the Impressionists and their contemporaries.
I mean, you're talking anything from the early Dutch masters through to impressionists, abstract expressionism, hyperrealism, which is still a really important movement today.
"Private Gardens" and "Portrait in the Garden" are home to works by Impressionists who cast their loving gaze over flowers, women, the private sanctum.
His painting, initially under the influence of Pissarro and other Impressionists, grew bolder and more flamboyant, but he found even greater freedom in objects.
The Late Late Show host has previously had his Q&A's interrupted by Neil Patrick Harris, brutal impressionists, and a deeply unimpressed David Spade.
The Impressionists were interested in color and light, but none of them pursued the truth of that experience to the extent that Seurat did.
The around 50 works demonstrate how photographers, Impressionists, and Modernists responded to the changes in the quality of illumination in the famed City of Light.
Jay Pharoah Does Your Favorite Comedians The expert impressionists showcased his skills during a 2016 SNL "Weekend Update," and it was nothing short of incredible.
He then recounts how Paris represents a creative haven for the rest of the world: the place of Rimbaud, Apollinaire, the Impressionists, Surrealists, and Dadadists.
After these "Defiant Beginnings", as the exhibition terms them, Cézanne spent time with the Impressionists, lending his next portraits a looser approach, flecked with light.
Christie's has three big evening sales next week, ranging from Impressionists to contemporary art, with works by Cindy Sherman, Jeff Koons and Jean-Michel Basquiat.
His greatest essay "The Painter of Modern Life" (249) argues that the artist needs to find contemporary subjects; here he anticipates Manet (and the Impressionists).
As an offshoot focused on the so-called "masters" of western painting, things can get quite stuffy with impassible Impressionists and the occasional crusty Picasso.
Although the demand for Impressionists has paled in comparison to the craze over contemporary art, the Rockefeller's holdings in this category nevertheless attracted several bidders.
Fusing elements of Renaissance polyphony and Baroque counterpoint with the gauzy, layered chords of the French Impressionists, it is music of beauty, mystery and power.
If you see a painting from the Italian Renaissance or from the Greek Antiquity or from Impressionists, who thinks how long ago it has been made?
Dana Carvey, the "expert in residence" of this new competition series, guides aspiring celebrity impressionists through a series of improv games, with the winner pocketing $10,000.
As with the early Impressionists Arbus's work was met initially with disapproval; at her first show spit had to be wiped every day off the pictures.
The same thing happens in all artistic genres: Think of how the Impressionists went from scandal to dorm-room poster in the course of a century.
The exhibit at the Legion of Honor Museum includes paintings by Impressionists, along with period hats and bonnets embellished with silk flowers, ribbons, plumes, and feathers.
"The Open-Air Studio: Impressionists in Normandy," an exhibit at the Musée Jacquemart-André until July 25, explores the region of Normandy as the birthplace of impressionism.
He met her when she lent artwork to a 2008 survey of female Impressionists, organized by the Schirn Kunsthalle and later shown at the Legion of Honor.
This is a competition show for impressionists, which means that it invests a lot in a comedic art form that has never ranked high on the prestige meter.
She had also learned, from studying paintings with conservators, that Daubigny was an early adopter of new synthetic pigments and other practices later taken up by the Impressionists.
From then on, her well-being and "somewhat haphazard education" are overseen by her guardian, the poet Stéphane Mallarmé, and by her mother's friends and colleagues, the Impressionists.
There, you'll see the exhibition "Courtauld Impressionists: From Manet to Cézanne," a group of paintings completed a century ago or more that still manage to dazzle the crowds.
His style has been compared to the Post-Impressionists, the Nabis, and the Fauvists, his sincerity of engagement with these eras of painting a rarity among his contemporaries.
The NYBG conservatory exhibition is more a tribute than a recreation, as flowers from various seasons were grown to bloom at once to showcase "signature flowers" of the Impressionists.
The flowers have been propagated to represent the highlights of April to July all at once; the Impressionists would most likely have been overwhelmed by the shapes, colors and scents.
After college, he was exposed to contemporary art through a close friendship with the art collector Charles Ephrussi, who knew the Impressionists and personally introduced many of them to Proust.
Born in 1865, Suzanne Valadon was one of the few female Impressionists with the talent and determination to breach sexist boundaries in an arena controlled by male artists and critics.
Appropriately, Muhlstein informs us of the shifting tides — "The stage now belonged to the Postimpressionists" — and by the time we arrive at Proust, the heyday of the Impressionists is over.
We know for certain that his work reached the eyes of a generation of Impressionists thanks to a posthumous sale in 1864, and that Cézanne was apparently "obsessed" with him.
Since the impressionists got ahead of the audience, followed always more rapidly by one movement after another, criticism, in its attempt to keep up, has sometimes got ahead of the artists.
Saturday Night Live brought out their best impressionists and we have decided that we would much rather have a parade of cast members impersonating famous actors rather than an official host.
"There has been such an emphasis on the sun-dappled landscapes of the Impressionists and the atmospheric effects of natural light on the French countryside," said Margarita Karasoulas, the show's curator.
It pairs some of his pathbreaking paintings with similar ones by Impressionists, and it will travel to the National Galleries of Scotland in Edinburgh and the Van Gogh Museum in Amsterdam.
Amid the ubiquitous fresh faces and ethereal makeup of summer, bold lips stand out like a piece of abstract art among impressionists — and this could explain why we're so into them.
This tidbit about two unexpected Impressionists — a forgotten female artist, and a nearly forgotten male one — is among many discoveries in Canada and Impressionism: New Horizons at the Fondation de l'Hermitage.
Hammond is one of SNL's greatest impressionists of all time, known for his Bill Clinton, Al Gore, Donald Trump, Sean Connery, Dick Cheney...  TL;DR: Hammond can "do" just about anyone.
The French media had also labeled the Wildensteins the "impressionists of finance," a reference to the family's deep collection of art, which included works by Bonnard, Fragonard, Caravaggio, Poussin and Watteau.
Sharing the impulse to express themselves with immediacy using free brushwork and a vibrant palette, they depicted the flickers of light and movement they saw around them just as Europe's impressionists did.
To explore how bereavement affects artists' work, Graddy studied 10,000 paintings produced by 33 French Impressionists and over 2,000 paintings by 15 modern European and American artists born between 1900 and 1920.
Now that Kevin Hart is out of the running for Oscar host, the deft impressionists at Saturday Night Live are putting some names in the hat as to who should replace him.
In his book " Collaborative Circles: Friendship Dynamics and Creative Work ," from 22016, the sociologist Michael P. Farrell made a study of close creative groups—the French Impressionists, Sigmund Freud and his contemporaries.
" The Impressionists, however, discovered "that the whole view is potentially a picture," and so for them "all-over light comes to take the place of the figure-field discriminations that one had relinquished.
In the annals of French art history, the superfan par excellence is Edgar Degas: the most Parisian of all the Impressionists, and an obsessive of the first magnitude over the opera and ballet.
The cultural hybridity was, in a way, a reversal of the one that emerged in Western Europe in the late-19th century, when Japonism swept through the region, captivating the Impressionists in particular.
The latter is considered one of Manet's masterpieces, showcasing his fearless use of black (which was then being avoided by the Impressionists), even using black for the irises of the green-eyed Morisot.
Winsor & Newton boasts a deep connection to art history, including its patenting of a collapsible metal paint tube with a screw cap that enabled the en plein air painting style of Impressionists like Monet.
The landmark exhibitions of the previous 100 years—the first Impressionists collection in 1874 or the Armory Show in 43, where Marcel Duchamp's "Nude Descending a Staircase" shocked America—are remembered primarily for their content.
Gauguin had grown up in Peru and traveled extensively as a sailor, but he came of age as a painter in Paris, during the era of the Impressionists and under the tutelage of Camille Pissarro.
It was that ongoing interest in light which made him not only a significant Romantic landscape painter, but also an inspiration to the Impressionists who followed and the modernism that was born from their work.
The American Impressionists were painting, and often cultivating, a distinct style of garden that was brimming with flowers in all colors, where blooms would appear no matter the season between the picket fences and wooden beds.
Now on View at the Bruce, Electric Paris From May 14 through September 4, 2016, Electric Paris offers a revealing look at the role of new lighting technologies in the work of the Impressionists and their contemporaries.
It is fascinating to see the works of Stalinist impressionists in other rooms of the museum that are devoted to early modern, modern, and contemporary art, demonstrating the porous nature of the ideological framework of official art.
Inspired by the French realist painter, Jean-François Millet, then awakening to color and distinct small strokes among the Parisian Impressionists, van Gogh, an avid collector of of Japanese woodblock prints, was well connected in artistic circles.
As the Post Impressionists were preparing their emotional onslaught, Sisley stuck with what he knew, even if there was slightly more gesture in the riverside grasses and snowy skies he painted toward the end of his life.
" While Muhlstein's book avoids drawing 21st-century parallels, she does foreshadow the evolution that would take place in the last century, describing Zola's technique borrowed from the Impressionists as "creating something like a tracking shot in film.
If you want sentences like "Not only could the pigeons pick out a new Monet or Picasso, they could also tell other Impressionists (Renoir, for instance) from other Cubists (such as Braque)," then this is the book for you.
Advertise on Hyperallergic with Nectar Ads The influence of Japanese woodblock prints on the trajectory of 29.953th–century European art is well documented and visually evident in the tendencies of Impressionists like Claude Monet, Edgar Degas, and Mary Cassatt.
The exhibition features eight paintings by the artist, each depicting the Frank E. Campbell funeral home from different angles in an excruciatingly detailed pointillist style that recalls the work of neo-impressionists like Georges Seurat, Paul Signac, and Henri-Edmond Cross.
Meanwhile, Berthe met Édouard Manet, for whom she modeled, and became part of the Parisian avant-garde, the only woman to show with the group of Impressionists — thus named for their "unpolished" and seemingly "unfinished" work — in their first exhibition.
He had the requisite good looks, shy affability and clean-cut image to appeal to advertisers from the very start, but he also had a series of naff haircuts and mannerisms which were something of a gift to uninspired television impressionists.
Putting Hadid's piece right across from this landmark acquisition is a pointed way of making sure more people see it, that tourists strolling through will be forced to think about the people Trump's ban affects in between the crowd-pleasing Impressionists.
Sometimes, it is even the subject of the work itself, as in the paintings of Berthe Morisot, in many ways the most radical of the Impressionists, in whose melting brush strokes and increasingly abstracted figuration we can see Modernism coming.
The Impressionists, for example, were adamant that true black wasn't found in nature, and Rembrandt, a master of conjured darkness, used so many pigments in his shadows that some have suspected he merely mixed together whatever scrapings were left on his palettes.
Raines was surrounded by art from a young age, spending long hours staring at paintings by Spanish surrealists and French impressionists, finding inspiration in Claude Monet's series on the Rouen Cathedral, which the French artist depicted during different times of day and year.
In 1957 Ms. Niarchos's grandfather, the shipping tycoon Stavros Niarchos, bought what has been called the greatest collection of French Impressionists ever assembled by an American, the Warner Bros.' actor Edward G. Robinson — prompting Vogue to refer to his homes as museums.
For me at least, Puvis de Chavannes — that is, POO-vee de sha-VAHN, or simply Puvis — has always wafted in the background in the history of modernism, sounding exotic, perfumed, and usually cited as an influence on the Post-Impressionists and beyond.
In a nod to the French Impressionists and its founder Claude Monet—in particular the painter's Water Lilies series on display at the Musée de l'Orangerie in France—Quayola filmed the flowers and plants in ultra HD at night during strong winds.
Advertise on Hyperallergic with Nectar Ads As artists like Georges Seurat and Claude Monet were capturing the refinement of European gardens in quick brushstrokes, so did American Impressionists like Childe Hassam and William Merritt Chase turn to the cultivated landscapes around them for inspiration.
In the waning years of uptight Edwardianism, "Manet and the Post-Impressionists" introduced works by Paul Cézanne, Vincent van Gogh, Paul Gauguin and Odilon Redon, all of whom sharpened the gentle haze of Impressionism to a jagged edge with geometric distortion and unnatural palettes.
Gustave and Gustave (Doré and Moreau) make impressive cameos — the former with a shimmering painting of the ascension of Christ, the latter with a dark, apocalyptic landscape called "Arion" — as does the gloppy glory of the Impressionists, including Seine views by Monet and Camille Pissarro.
As the nineteenth century progressed, Impressionists such as Monet and Pissarro continued to divide public opinion—some people thought that the painters should be applying their paint to the canvas differently, while others maintained that the painters were doing the right thing with the paint.
Hammons's ability to make lords of the art world turn somersaults for him is based on the avalanche of money that transformed the art market in the two-thousands, making a few contemporary artists more expensive than Post-Impressionists and more powerful than museum directors.
While Balzac fancied himself more of an art lover than critic, and effectively an observer on the outside looking in, Zola, a childhood friend of Cézanne's, came of age entrenched in the world of painters — specifically among a group of contemporaries known as the Impressionists.
This show, organized by the Fine Arts Museums of San Francisco and the Saint Louis Art Museum, is the first to detail this fascination through the paintings and pastels of Degas as well as fellow Impressionists like Mary Cassatt, Édouard Manet, and Pierre-Auguste Renoir.
The Open Air Studio: Impressionists in Normandy Jacquemart-André Museum, through July 25 In the 1820s, as Europe began to heal from the damage wrought by the Napoleonic wars, British painters like Cotman and Turner poured into Normandy and began to explore its landscapes through painting.
One of the look's great pioneers is Yves Gastou, who, back in 21990 — when rich people were still collecting Impressionists and antique furniture — opened a gallery in Paris decorated by Ettore Sottsass where pieces from the 19500s and 21960s were mixed with the masters of Memphis.
The debate over Japaneseness was itself in part a Western import, since the mid-21972th-century taste, of Impressionists and Art Nouveau enthusiasts, for japonaiserie — for example, the woodblock prints of Hokusai and Hiroshige, folding screens, ivory medicine boxes — transformed the self-perception of the Japanese.
While many other late-night programs have their own recurring Trump impressionists — Alec Baldwin on "Saturday Night Live"; Jimmy Fallon on "The Tonight Show" — "The President Show" will test whether audiences want to spend a whole half-hour with a satirical deconstruction of the commander in chief.
The creative spirit of 103-century Dutch artists like Jan Davidsz de Heem, 210th-century French artists like Jean-Baptiste-Siméon Chardin, 229th-century Post-Impressionists like Paul Cézanne, as well as many of  his own 22017th-century contemporaries, kept him company within the solitude of his studio.
Admired immensely by the Impressionists, and avidly collected by Degas and Picasso, Corot counts not only as one of the great landscape painters of his time but also as one of art history's pivotal characters, marking as he does the bridge between Claude Lorrain's classicism and the Impressionist's free-form empiricism.
Situated 200 meters from the sea, Naturista boasts the remains of two swimming pools (one outdoor pool and one indoor pool that looks like it could be a jacuzzi), rooms with balconies and sea-views, palm trees, and a terrace with scenery that not even the French impressionists could have imagined.
"Color pages and Bendel's window displays gave Smith, fresh from the pinched dampness and grayness of England in the '50s, much the same sense of abundant, amoral pleasure as reflections on water and glowing fruit on a table gave the Impressionists," the critic Robert Hughes wrote in Time magazine in 1975.
The practice of calibrated accuracy between model and image, which Degas dragged like an albatross from the glory days of the French Academy into the chaos of World War I, had been ambushed decades earlier by the Impressionists, with Pablo Picasso's "Les Demoiselles d'Avignon" (1907) delivering the coup de grâce.
With his gift for imitating Sullivan and others, among them Bing Crosby, Groucho Marx and Jack Benny, Mr. Jordan became — along with David Frye, Rich Little, Frank Gorshin, John Byner, Marilyn Michaels and George Kirby — one of an elite group of impressionists who performed regularly on television in the postwar decades.
Well represented is the previously mentioned Spanish painter Joaquín Sorolla, whose luminous pieces demonstrate the range of light and dark effects a garden affords at various times of day; like the distinctive light effects achieved by the Impressionists, here Sorolla's baking-hot Mediterranean climate is conjured perfectly in monumental, eerily still pieces saturated with rich, deep colors.
For instance, in analyzing Matisse's "The Red Studio," Morley touches on the Fauvist movement: he recalls the anecdote in which art critic Louis Vauxcelles identified Matisse as "Donatello parmi les fauves" ("Donatello among the wild animals"), indicating the boldness of the brushwork of Matisse and his fellow Fauvists, which made the Impressionists look tame in comparison.
Choosing to celebrate women artists separately is all well and good, but the fact that traditional academic painters and Impressionists, artists with completely different styles, are all jumbled together under thematic categories — portraits, everyday life, la toilette (ugh!), childhood, landscape, history, and jeunes filles — reeks of exactly the same "feminine" typecasting and dismissal that Cassatt, Morisot, and Bracquemond fought against through their refusal to participate in any group shows or associations specific to female artists.

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