Critic's Take The imperative mood can be so intimate in its rudeness, like a mother or a friend speaking plainly: Skin the chicken.
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Regardless of the chain of command, the real authority in Lemnowice is Sister Margarete, a rifle-wielding nun and virtuoso of the imperative mood.
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There are several words used in the imperative mood, like "as", "bas", "res", "bhislo".
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In Sanskrit, लोट् लकार (lōṭ lakāra) is used with the verb to form the imperative mood. To form the negative, न (na) or मा (mā) (when the verb is in passive or active voice respectively) is placed before the verb in the imperative mood.
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The imperative mood expresses direct commands, requests, and prohibitions. In many circumstances, using the imperative mood may sound blunt or even rude, so it is often used with care. Example: "Paul, do your homework now". An imperative is used to tell someone to do something without argument.
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The imperative mood is a grammatical mood that forms a command or request. An example of a verb used in the imperative mood is the English phrase "Go." Such imperatives imply a second-person subject (you), but some other languages also have first- and third-person imperatives, with the meaning of "let's (do something)" or "let him/her/them (do something)" (the forms may alternatively be called cohortative and jussive). Imperative mood can be denoted by the glossing abbreviation .
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The synthetic series consists of three simple tenses—the present, imperfect and aorist—and the imperative mood.
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There are four moods: indicative, conditional, imperative and precative. Indicative mood has no suffix. Imperative mood exists only in the second person.
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Verbs had an indicative mood and an imperative mood. Tenses were present and past. The past tense had an active voice and a passive voice.
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Xenophon, Cyropaedia 4.6.10 : . : The gods be witnesses for us. The imperative mood can also be used in the perfect tense, as the following example shows: : .
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Ukrainian Verbs ending on -вісти (розповісти-to tell, perfective and відповісти-to answer, perfective) lack imperative mood forms; imperfective verbs are used instead (for example, відповідай).
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Skynd is the name of a troll in a Danish fairy tale. "Skynd" - the imperative mood of the Danish verb "skynde" (to hurry) is the name of the troll in...
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The imperative mood was used for commands directed towards other people, and therefore only occurred in the second and third person. It used its own set of special imperative endings.
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The Burmese language makes prominent usage of particles (called in Burmese), which are untranslatable words that are suffixed or prefixed to words to indicate the level of respect, grammatical tense, or mood. According to the Myanmar–English Dictionary (1993), there are 449 particles in the Burmese language. For example, is a grammatical particle used to indicate the imperative mood. While ("work" + particle indicating politeness) does not indicate the imperative, ("work" + particle indicating imperative mood + particle indicating politeness) does.
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Arsa ("says") can only be used in past or present tenses. The copula is lacks a future tense, an imperative mood, and a verbal noun. It has no distinct conditional tense forms either, but conditional expressions are possible, expressed using past tense forms; for example Ba mhaith liom é, which can mean both "I liked it" and "I would like it". The imperative mood is sometimes suppletively created by using the imperative forms of the substantive verb bí.
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Late Quenya verbs have also a dual agreement morpheme -t: :Nai siluvat elen atta. "May two stars shine."Vinyar Tengwar (49), p. 43. In the imperative mood, plurality and duality are not expressed.
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Imperative mood has only one tense (present) and three persons (II singular, I and II plural). The paradigm is the following: person I class verbs (ending in -à) II class verbs (ending in -ì / -er) II sing. I plur. II plur.
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An independent clause in the imperative mood uses the base form of the verb, usually with no subject (although the subject you can be added for emphasis). Negation uses do-support (i.e. do not or don't). For example: ::Now eat your dinner.
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Verb first clauses in English usually play one of three roles: 1. They express a yes/no-question via subject–auxiliary inversion, 2. they express a condition as an embedded clause, or 3. they express a command via imperative mood, e.g. ::a.
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Morphemes are used to indicate an imminent action, while suffixes are used to indicate supposition, hearsay desire, and negation. Sentences can be either assertive, interrogative, or imperative. While the assertive and interrogative moods are marked by suffixes, the imperative mood is unmarked.
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Imperatives are expressed with the base form of the verb, normally with no subject: Take this outside! Be good! It is possible to add the second person pronoun you for emphasis: You be good! More details can be found in the article Imperative mood.
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First person imperatives (cohortatives) can be formed with let us (usually contracted to let's), as in "Let's go". Third person imperatives (jussives) are sometimes formed similarly, with let, as in "Let him be released". More detail can be found in the Imperative mood article.
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Related to the latter reading is the suggestion that the poem addresses the relationship of a poet to the reader, who is enjoined to match the poet's imaginative response to the world. Stevens endows the poem with pace by use of the imperative mood.
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Grammatical mood is used to express modality, or the speaker's attitude toward whatever he/she is saying. In Yatzachi Zapotec, there are three moods: the indicative, which is used for factual statements, and also the imperative mood, used for commands, and the interrogative mood, used for questions.
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The French language consists of both finite and non-finite moods. The finite moods include the indicative mood (indicatif), the subjunctive mood (subjonctif), the imperative mood (impératif), and the conditional mood (conditionnel). The non-finite moods include the infinitive mood (infinitif), the present participle (participe présent), and the past participle (participe passé).
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The imperative mood is used to issue orders and is always combined with the second person. The optative is used to express wishes or exhortations and is never used with the second person. There is a negative imperative form used to issue prohibitions. Both optative and imperative have transitive and intransitive paradigms.
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Imperative logic is the field of logic concerned with arguments containing sentences in the imperative mood. In contrast to sentences in the declarative mood, imperatives are neither true nor false. This leads to a number of logical dilemmas, puzzles, and paradoxes. Unlike classical logic, there is almost no consensus on any aspect of imperative logic.
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Although several verbal categories are expressed purely morphologically in Basque,King, Alan R., The Basque language: A practical introduction, University of Nevada Press, 1994: pp. 362ff. . periphrastic verbal formations predominate. For the few verbs that have synthetic conjugations, Basque has forms for past tense continuous aspect (state or ongoing action) and present tense continuous aspect, as well as imperative mood. In the compound verbal constructions, there are forms for the indicative mood, the conditional mood, a mood for conditional possibility ("would be able to"), an imperative mood, a mood of ability or possibility, a mood for hypothetical "if" clauses in the present or future time, a counterfactual mood in the past tense, and a subjunctive mood (used mostly in literary style in complement clauses and purpose/wish clauses).
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Each verb has a grammatical voice, whether active, passive or middle. There also is an impersonal voice, which can be described as the passive voice of intransitive verbs. Sanskrit verbs have an indicative, an optative and an imperative mood. Older forms of the language had a subjunctive, though this had fallen out of use by the time of Classical Sanskrit.
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When a negative sentence is formed, the main verb goes into the imperative mood and gives all of its inflections to the negative verb ei, e.g. tuemme → emme tue. Usually the word mitään ("anything") and an expletive is added to the sentence. This means that even if the negative verb ei is left out, the meaning is indicated by this context.
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A process essay is used for an explanation of making or breaking something. Often, it is written in chronological order or numerical order to show step-by-step processes. It has all the qualities of a technical document with the only difference is that it is often written in descriptive mood, while a technical document is mostly in imperative mood.
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Use of weak pronouns varies significantly across the Catalan linguistic area. Northern Catalan (particularly as spoken in Northern Catalonia) and the Balearic dialect do not generally use the reinforced forms (e.g. te veig instead of et veig). In the imperative mood in Northern Catalan, the reduced form of the pronoun is replaced by a tonic form (thus, not strictly being a weak pronoun anymore).
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E. Segal. Roman Laughter: The Comedy of Plautus. Cambridge: Harvard University Press, 1968, p. 122 The imperative mood is therefore used in the complete role- reversal of the normal relationship between slave and master, and "those who enjoy authority and respect in the ordinary Roman world are unseated, ridiculed, while the lowliest members of society mount to their pedestals...the humble are in face exalted".
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The poem reflects Stevens's affection for the Caribbean, and it is as light as a feather compared to other poems added to the 1931 edition of Harmonium, like "Sea Surface full of Clouds". Direct address and imperative mood ("Ask us not....", "Sing a song....", "Wear the breeches...", "Hang a feather....") keeps the pace brisk in the poem's four stanzas, enhanced in the fourth by the unusual rhyming.
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The term comes from the New Testament's First Epistle of Peter (5:8, νήψατε, γρηγορήσατε. ὁ ἀντίδικος ὑμῶν διάβολος ὡς λέων ὠρυόμενος περιπατεῖ ζητῶν τινα καταπιεῖν — NIV: Be alert and of sober mind. Your enemy the devil prowls around like a roaring lion looking for someone to devour). There nepsis appears in a verb form, in the imperative mood, as an urgent command to vigilance and awakeness: "be alert and awake".
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The majority of class time in TPR lessons is spent doing drills in which the instructor gives commands using the imperative mood. Students respond to these commands with physical actions. Initially, students learn the meaning of the commands they hear by direct observation. After they learn the meaning of the words in these commands, the teacher issues commands that use novel combinations of the words the students have learned.
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It does not give students the opportunity to express their own thoughts in a creative way. Further, it is easy to overuse TPR-- "Any novelty, if carried on too long, will trigger adaptation." It can be a challenge for shy students. Additionally, the nature of TPR places an unnaturally heavy emphasis on the use of the imperative mood, that is to say commands such as sit down and stand up.
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All Yukulta verbs are either transitive or intransitive, with each group having a different conjugation pattern. The intransitive groups can be split into purely intransitive verbs and semi-transitive verbs, which take a dative object and an absolutive subject. There are three moods: indicative, imperative and desiderative. There is a further distinction within the imperative mood between imperative and hortatory, and within the desiderative mood between intent and desire.
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He does this, according to some scholarship, using monologue, the imperative mood and alliteration—all of which are specific and effective linguistic tools in both writing and speaking. The specific type of monologue (or soliloquy) in which a Plautine slave engages is the prologue. As opposed to simple exposition, according to N.W. Slater, "these...prologues...have a far more important function than merely to provide information."N.W. Slater.
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Words of a law are never presumed to be superfluous. Words must be considered in their context. An interpretation of words that renders the law in question futile is a false interpretation. When words are in the future tense, and even when they are in the imperative mood regarding the judge, but not regarding the crime, the penalty is understood to be incurred not ipso facto but only upon judicial sentence.
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Various languages have been shown to have clausal nominal TAM.Rachel Nordlinger and Louisa Sadler, "Tense as a Nominal Category", 2000. In the Niger-Congo language Supyire, the form of the first person and second pronouns reflects whether the clause has declarative or non- declarative mood. In the Gǀwi language of Botswana, subject pronouns reflect the imperative or non-imperative mood of the clause (while the verb itself does not).
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Portuguese declarative sentences, as in many languages, are the least marked ones. Imperative sentences use the imperative mood for the second person. For other grammatical persons and for every negative imperative sentence, the subjunctive is used. Yes/no questions have the same structure as declarative sentences, and are marked only by a different tonal pattern (mostly a raised tone near the end of the sentence), represented by a question mark in writing.
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All verbs (with the exception of class 6 have a mood marker). The realis mood (mood marker 'a-') concerns events that have happens in the past and present. The irrealis mood (mood marker 'u-') concerns future events and events that did not happen in the past (such as in the case of a mistaken memory). The imperative mood (used for commands) and interrogative mood (used for questions) are formed by clausal transformations.
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Many languages, including English, use the bare verb stem to form the imperative (such as "go", "run", "do"). Other languages, such as Seri and Latin, however, use special imperative forms. In English, second person is implied by the imperative except when first-person plural is specified, as in "Let's go" ("Let us go"). The prohibitive mood, the negative imperative may be grammatically or morphologically different from the imperative mood in some languages.
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The Lie is a political and social criticism poem probably written by Sir Walter Raleigh circa 1592. Speaking in the imperative mood throughout, he commands his soul to go "upon a thankless errand" and tell various people and organizations of their misdeeds and wrongdoings. And if they object, Raleigh commands, publicly accuse them to be lying, or "give them the lie." To "give the lie" was a common phrase in Raleigh's time of writing.
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In computer science, imperative programming is a programming paradigm that uses statements that change a program's state. In much the same way that the imperative mood in natural languages expresses commands, an imperative program consists of commands for the computer to perform. Imperative programming focuses on describing how a program operates. The term is often used in contrast to declarative programming, which focuses on what the program should accomplish without specifying how the program should achieve the result.
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Plautus in Performance: The Theatre of the Mind. Princeton: Princeton University Press, 1985, p. 152 Another way in which the servus callidus asserts his power over the play—specifically the other characters in the play—is through his use of the imperative mood. This type of language is used, according to E. Segal, for "the forceful inversion, the reduction of the master to an abject position of supplication ... the master-as-suppliant is thus an extremely important feature of the Plautine comic finale".
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As well as the indicative mood illustrated above, which is used for stating and asking facts, and an imperative mood, used for direct commands, Latin has a subjunctive mood, used to express nuances of meaning such as 'would', 'could', 'should', 'may' etc. (The word mood in a grammatical sense comes from the Latin modus, and has no connection with the other meaning of 'mood', in the sense of 'emotional state', which comes from a Germanic root.)Woodcock (1959), p. 83.
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For the perfective aspect, suffixes are used to indicate the past tense indicative mood, the subjunctive mood, and the imperative mood. The perfective subjunctive is twice as common as the imperfective subjunctive. The subjunctive mood form is used in dependent clauses and in situations where English would use an infinitive (which is absent in Greek). There is a perfect form in both tenses, which is expressed by an inflected form of the imperfective auxiliary verb έχω "have" and an invariant verb form derived from the perfective stem of the main verb.
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Maimon was born in Haifa, Israel, to Israeli parents of Sephardic Jewish (Moroccan-Jewish, Syrian-Jewish, and Greek-Jewish) descent. She raised in the neighborhood of Kiryat Haim by Mazal and Natan Maimon, with her older brother Rami, her older sister Livnat, and her younger brother Asaf. In Hebrew, her first name could mean either "sing" (in imperative mood) or "my song". Maimon made her debut at the age of ten, when she performed at the Festigal as one of the Festival's children, and sang the song "BeChol Matzav" (In Any Way) by Si Heiman.
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In computing, a command is a directive to a computer program to perform a specific task. It may be issued via a command-line interface, such as a shell, or as input to a network service as part of a network protocol, or as an event in a graphical user interface triggered by the user selecting an option in a menu. Specifically, the term command is used in imperative computer languages. The name arises, because statements in these languages are usually written in a manner similar to the imperative mood used in many natural languages.
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However, extreme derivations similar to ones found in typical agglutinative languages do exist. A famous example is the Bulgarian word непротивоконституциослователствувайте, meaning don't speak against the constitution and secondarily don't act against the constitution. It is composed of just three roots: против against, конституция constitution, a loan word and therefore devoid of its internal composition and слово word. The remaining are bound morphemes for negation (не, a proclitic, otherwise written separately in verbs), noun intensifier (-ателств), noun-to- verb conversion (-ува), imperative mood second person plural ending (-йте).
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Like most pidgins Kyakhta pidgin lacks many morphological categories - there are no cases, numbers or gender of nouns. Russian pidgins in general tend to have clear verb indications. In Kyakhta Pidgin, similarly to other Siberian pidgins, most verbs have ending -j/-i: болей ("to be sick"), выгони ("to turn out"), захорони ("to bury"), гоняй ("to drive"), незнай ("to be unaware"), ругай ("to scold"), сади ("to seat"). This ending makes verbs similar to the imperative form of Russian verbs: for example, болей is the Russian verb болеть ("to be sick"), but in the imperative mood.
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Upon crossing the Rubicon, Caesar, according to Plutarch and Suetonius, is supposed to have quoted the Athenian playwright Menander, in Greek, "the die is cast".Plutarch, Caesar 32.8 Erasmus, however, notes that the more accurate Latin translation of the Greek imperative mood would be "alea iacta esto", let the die be cast. Pompey and many of the Senate fled to the south, having little confidence in Pompey's newly raised troops. Pompey, despite greatly outnumbering Caesar, who only had his Thirteenth Legion with him, did not intend to fight.
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Polynesian languages are almost devoid of inflection, and use particles extensively to indicate mood, tense, and case. Suggs, discussing the deciphering of the rongorongo script of Easter Island, describes them as all-important. In Māori for example, the versatile particle "e" can signal the imperative mood, the vocative case, the future tense, or the subject of a sentence formed with most passive verbs. The particle "i" signals the past imperfect tense, the object of a transitive verb or the subject of a sentence formed with "neuter verbs" (a form of passive verb), as well as the prepositions in, at and from.
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Designit (imperative mood, meaning 'design it' and pronounced 'dɪˈzʌɪn ɪt') is an international strategic design firm founded in Aarhus, Denmark, in 1991 by Anders Geert Jensen and Mikal Hallstrup. Designit headquarters is located in Copenhagen, Denmark, with 17 offices in Aarhus, Barcelona, Bengaluru, Berlin, Stockholm, Sydney, Lima, London, Madrid, Medellín, Munich, Oslo, San Francisco, Tel Aviv, Tokyo and New York City. Designit offers integrated strategic design and innovation services, including product design, service design, and experience design, with an emphasis on mobile and digital media. The company recently expanded its services to include consulting in business design.
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The imperative mood can express both a wish or an order to finish a certain action. The imperative only has forms for the second person and is formed using the suffixes -ј (пеј; sing) or -и (оди, walk) for singular and -јте (пејте, sing) or -ете for plural (одете, walk). The first and third subject forms in singular and plural express indirect orders and are conjugated using да or нека and the verb in present tense (да живееме долго, may we live long). In addition to its primary functions, the imperative is used to indicate actions in the past, eternal truths as is the case in sayings and a condition.
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They both have the same moods and tenses: #Indicative mood: present (esu nešamas/neštas), past (buvau nešamas/neštas), past iterative (būdavau nešamas/neštas) and future (būsiu nešamas/neštas) #Indirect mood: present (esąs nešamas/neštas), past (buvęs nešamas/neštas), past iterative (būdavęs nešamas/neštas) and future (būsiąs nešamas/neštas). #Imperative mood: present (type I only: būk nešamas), past (type II only: būk neštas). #Subjunctive / conditional mood: present (type I only: būčiau nešamas), past (type II only: būčiau neštas). Lithuanian has the richest participle system of all Indo-European languages, having participles derived from all simple tenses with distinct active and passive forms, and two gerund forms.
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Because Latin verbal groups do not have perfect English equivalents, it is often the case that the same word can be translated in different ways depending on its context: for example, can be translated as 'I did', 'I do', and 'I am doing', and can be translated as 'I have done' and 'I did'.cf. Wigtil (1992). However, occasionally Latin makes a distinction which is not made in English: for example, and both mean 'I was' in English, but they differ in Latin (the distinction is also found in Spanish and Portuguese). Participles in Latin have three tenses (present, perfect, and future) and the imperative mood has two tenses (present and future).
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In each voice there are forms for the indicative mood and the subjunctive mood for each of the simple past, the simple non-past, the perfect, the past perfect, the future, and the future perfect, and there are a non-past conditional mood form and a past conditional mood form, as well as an imperative mood. The perfect form is used for a past event with reference to the present or stretching to the present, or for a past event about which there is doubt, so the perfect form represents aspect or modality and not tense. The future tense form is seldom used. The non-past subjunctive form expresses a wish or command; the past subjunctive form expresses possibility.
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HawaiianPukui, Mary Kawena, and Samuel H. Elbert, New Pocket Hawaiian Dictionary, U. of Hawaii Press, 1992: grammar section, pp. 225–243. is an isolating language, so its verbal grammar exclusively relies on unconjugated auxiliary verbs. It has indicative and imperative mood forms, the imperative indicated by e + verb (or in the negative by mai + verb). In the indicative its tense/aspect forms are: unmarked (used generically and for the habitual aspect as well as the perfective aspect for past time), ua + verb (perfective aspect, but frequently replaced by the unmarked form), ke + verb + nei (present tense progressive aspect; very frequently used), and e + verb + ana (imperfective aspect, especially for non-present time).
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These verbs are not strictly irregular verbs, because all Hebrew verbs that possess the same feature of the gizra are conjugated in accordance with the gizra's particular set of rules. Every verb has a past tense, a present tense, and a future tense, with the present tense doubling as a present participle. Other forms also exist for certain verbs: verbs in five of the binyanim have an imperative mood and an infinitive, verbs in four of the binyanim have gerunds, and verbs in one of the binyanim have a past participle. Finally, a very small number of fixed expressions include verbs in the jussive mood, which is essentially an extension of the imperative into the third person.
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Imperative mood of second person in singular has no additional affixes: штэ "take", кӏо "go", тхы "write"; in plural the affix -шъу is added in front of the verbs: шъу-къакӏу "you (plural) go", шъу-тхы "you (plural) write", шъу-штэ "you (plural) take". Conditional mood is expressed with suffix -мэ: сы-кӏо-мэ "if I go", сы-чъэ-мэ "if I run", с-шӏэ-мэ "if I do". Concessive mood is expressed with suffix -ми: сы-кӏо-ми "even if I go", сы-чъэ-ми "even if I run", с-шӏэ-ми "even if I do". Optative mood is expressed with the complex suffix -гъо-т: у-кӏуа-гъо-т "would you go", п-тхы-гъа-гъо-т "would you write".
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His second marriage in 1898 was to Dorothy Maud, a daughter of Sir William Bower Forwood, with whom he had a daughter, and a son Jorian Jenks. Jenks wrote a number of books and essays dealing with law, politics and history. He was the principal editor of A Digest of English Civil Law (1905–1917) which led to receipt of an honorary doctorate from Paris. After two further editions in his lifetime (1921 and 1938), the fourth edition (1947), edited in his place by P. H. Winfield, retained Jenks's Prolegomena, with its opening remark that a digest uses the indicative mood rather than the imperative mood of a code, and differs from an encyclopaedia in that it aims at economy of words.
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Verbs are conjugated with a subject prefix and with suffixes and infixes expressing aspect (continuous, immediate); tense (past, present, future) and mood (imperative, desiderative, interrogative). For example: :Past -nábé :Future -nátu' ::dubitative -náhitu' :Conditional -'náno' '' :Present ::imperfect -náka ::negative -kaná ::continuing -né' :Interrogative ::past -yáa ::future -pî' ::conditional -no'pî' ::present -ráa' :::negative -ka :Desiderative -iná- ("perhaps") :Planeative -ɨí' - ("to plan" an action) :Repetitive -pî- ("repeatedly") :Agentive -rít ("because", "due to") The imperative mood is formed by duplicating the last vowel of the verb stem, after the root final consonant or semivowel. The vowels [u] and [i] are pronounced as semivowels [w], [j] when duplicated after the final consonant. The past imperfect is formed by suffixing to the stem the duplicate of the last vowel in the stem plus [p]: (-VC-Vp).
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