The scroll and the ideogram died out because of their simplicity, only to have been revived for that reason.
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Beside some of the squares, Florian has placed a yellow rectangle bearing a partial representation of a Chinese ideogram (or series of stylized lines).
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The scroll, one of the earliest technologies for reading, returned, as did the oldest form of writing, the ideogram, reincarnated in the emoji panel.
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During the battle I had "bass clef" for ALTO CLEF, "noteworthy" for NEWSWORTHY, and "infogram" instead of IDEOGRAM, so my second version of this puzzle was still a mess.
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Müller taps into this by combining a strong and potent color sensibility with an undoing of the harsh and drastic modernist ideogram; she adds flair and drama that earlier modern artists would never have allowed.
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" Generally, you can't use a pictograph, an ideogram, a number, an obscenity, or a name that is excessively long, but the regulations vary wildly from state to state and are often the domain of randomly applied "desk-clerk law.
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This ideogram, using a red oval, depicts the location of NBEAL1 on human chromosome 2.
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Kanji in MangaLand (マンガで漢字) is a series for learning 1,006 basic kanji (ideogram) characters.
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Also an ideogram in 'puff', 'wind', Egyptian (tsh)3w-(ṯau).Betrò, 1995. Hieroglyphics: The Writings of Ancient Egypt, Sail, p. 220.
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"In all likelihood," gabr derives from the Aramaic gabrā, spelt GBRʼ, which – in written Middle Iranian languages – serves as an ideogram that would be read as an Iranian language word meaning "man." (for the use of ideograms in Middle Iranian languages, see Pahlavi scripts). During the Sasanian Empire (226-651), the ideogram signified a free (i.e. non-slave) peasant of Mesopotamia.
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Biliteral: B19, p. 110-111. The sign is also an ideogram for 'face', and related words.Betrò, 1995. Hieroglyphics: The Writings of Ancient Egypt, section Face, p. 53.
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The ideogram "Chi" meant a medium tank, "Te" a tankette, "Ke" a light tank, "Ho" (artillery) a self-propelled gun, "Ka" an amphibious tank. There was a second ideogram to distinguish the models. The Type 97 Chi-Ha is a medium tank introduced in 1937, the Type 2 Ke-To is a light tank introduced in 1942. There is sometimes a surname to supplement or replace the ideograms.
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There was a pattern on the front side which looked like ideogram. Ancient Mordovian embroidery beadwork with coins, buttons, medals and cowry shells usually decorated a festive folk dress.
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The Achaemenid winged sun- disk has in its entirety also been occasionally been interpreted as a representation of khvarenah.cf. . That khwarrah – in addition to its significance as "royal fortune" – also signified "fortune" in a general sense is demonstrated by the use of an Aramaic ideogram GDE in the Middle Persian texts of the Sassanid and post-Sassanid periods. The custom of using this Aramic ideogram to represent khvarenah is probably inherited from Achaemenid times.
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Atkinson calls contemporary road movies an "ideogram of human desire and a last-ditch search for self" designed for an audience that was raised watching TV, particularly open-ended serial programs.
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Although the n phonogram is a representation of waves on the surface of water, it was never used as an ideogram or determinative for the word water (mw), or for anything associated with water.
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She has been actively working with animated and featured films and studio studies for Studio, Gold Digi Net, Mobi, Ideogram, Saundlate, Wocaw and Bozomiks. She died on September 30, 2018, in Belgrade, at the age of 40.
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Egyptian hieroglyphs have a large inventory of solar symbolism because of the central position of solar deities (Ra, Horus, Aten etc.) in ancient Egyptian religion. The main ideogram for "Sun" was a representation of the solar disk, N5 (Gardiner N5), with a variant including the Uraeus, N6 (N6). The "Sun" ideogram in early Chinese writing, beginning with the oracle bone script (c. 12th century BC) also shows the solar disk with a central dot (analogous to the Egyptian hieroglyph); this character later evolved to have a different shape (modern 日).
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Base of "Funerary Cone", with details of hieroglyphs. (clay) The Egyptian hieroglyph representing a honey bee (𓆤 Gardiner L2). It is used as an ideogram for "bee" (bjt),Betrò, 1995. Hieroglyphics: The Writings of Ancient Egypt, p. 117.
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Betrò, 1995. Hieroglyphics: The Writings of Ancient Egypt, "City Plan", p. 190. It is used in Egyptian hieroglyphs as a determinative in the names of town or city placenames. Also, as an ideogram in the Egyptian word "city", niwt.
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Lusona is an ideogram that functioned as mnemonic devices to record proverbs, fables, games, riddles and animals, and to transmit knowledge.. They originate in what is now eastern Angola, northwestern Zambia and adjacent areas of the Democratic Republic of the Congo.
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Red Cross and Red Crescent emblems The current era of logo design began in the 1870s with the first abstract logo, the Bass red triangle. , many corporations, products, brands, services, agencies, and other entities use an ideogram (sign, icon) or an emblem (symbol) or a combination of sign and emblem as a logo. As a result, only a few of the thousands of ideograms in circulation are recognizable without a name. An effective logo may consist of both an ideogram and the company name (logotype) to emphasize the name over the graphic, and employ a unique design via the use of letters, colors, and additional graphic elements.
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The common Chinese word zhen "true; real; authentic" is linguistically unusual. It was originally written with an ideogram (one of the rarest types in Chinese character classification) depicting "spiritual transformation". It originated in the Daoist Dao De Jing and does not appear in the early Confucian classics.
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This ideogram is listed only on the bird list as G16, and overlooked on the deity list and the reptile list. Other subcategories included by Gardiner are abbreviations and personalized forms, and also a complete subset, used on papyrus, specifically for the Book of the Dead.
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Relief with 3- and 4-jug hieroglyphs. The ancient Egyptian Water-jugs-in- stand hieroglyph, is Gardiner sign listed no. W17, W18, within the Gardiner signs for vessels of stone and earthenware. The hieroglyph is used as an ideogram in (kh)nt-(ḫnt), for 'a stand (for vases)'.
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Early signs often include weakness of tongue and mouth muscles, fasciculations, and gradually increasing weakness of limb muscles with muscle wasting. Neuromuscular management is supportive, and the disease progresses very slowly, but can eventually lead to extreme disability. Further signs and symptoms include: Ideogram of human X chromosome.
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The Ancient Egyptian Road-with-shrubs hieroglyph is Gardiner sign listed no. N31 for a road, "street", or pathway. It originally was a curving hieroglyph, but became a standardized straight form as well. The Road hieroglyph is used in Egyptian hieroglyphs as an ideogram or determinative in the word w3t-(uat), for 'road'.
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The university's motto can be read inside the book, Por una vida científica, por una ciencia vital. Which means “For a scientific life, for a vital science”. The graphic style of the ideogram is given by the pictorial and educational tradition of the ancient Mexicans. The glyph: In Náhuatl called the cuicatl.
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UNUGKI=URIM2KI, is itself derived from the theonym, and means "the abode (UNUG) of Nanna (LAK-32)". He was also the father of Ishkur. The pre- classical sign LAK-32 later collapses with ŠEŠ (the ideogram for "brother"), and the classical Sumerian spelling is DŠEŠ.KI, with the phonetic reading na- an-na.
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Varieties exist: for example, Amarna letter EA 271 shows 4 hortizontal long strokes, with 2 short strokes, between the two long ones, (see here, 2nd line from bottom (tablet Obverse): . The Hittite language version of tu, (and ideogram TU) is identical in common form to the Sumerian.Held, Schmalstieg, Gertz, 1987. Beginning Hittite.
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The Sujagi is a flag with a Hanja (Chinese ideogram) 帥, pronounced su in Korean, that denotes a commanding general. The whole term literally means, "Commanding general flag". Only one sujagi is known to exist in Korea. The color is a faded yellowish-brown background with a black character in its center.
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From the late 1960s on, he studied Chinese and employed ideograms increasingly in his writings. He especially exemplifies this view in the subtitle of Lois, a Chinese ideogram representing both "France" and "Law." His writings bear a particular focus on musicality. Vocalisation, or his preference for the spoken word, is seen a priority for Sollers.
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US sign warning that a stop sign is ahead A pictogram, also called a pictogramme, pictograph, or simply picto,Gove, Philip Babcock. (1993). Webster's Third New International Dictionary of the English Language Unabridged. Merriam-Webster Inc. . and in computer usage an icon, is an ideogram that conveys its meaning through its pictorial resemblance to a physical object.
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Both styles of the papyrus roll, "-tied" or "-open", are an ideogram for "roll of papyrus", with a phonetic value of m(dj)3t.Betrò, 1995. Hieroglyphics: The Writings of Ancient Egypt, p. 237. Some artistic versions of the papyrus roll show the laminations, or grid-work, the cross-hatching of the papyrus fibers, for example on Thutmose III's cartouches.
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Nickelodeon () is the Serbian version of Nickelodeon, launched on April 28, 2013 along with Nickelodeon (Slovenia). It broadcasts in Serbia, North Macedonia, Bosnia and Herzegovina and Montenegro. All animated and live-action shows are dubbed into the Serbian. Dubs are made by Gold Digi Net studio, but the channel also airs some dubs made by B92, Happy TV, Ideogram and Loudworks.
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This article is about historical treatises on tea. Tea as a beverage was first consumed in China. The earliest extant mention of tea in literature is the Classic of Poetry, although the ideogram used (Tu, 荼) in these texts can also designate a variety of plants, such as sowthistle and thrush. Chinese literature contains a significant number of ancient treatises on tea.
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An ideogram or ideograph (from Greek "idea" and "to write") is a graphic symbol that represents an idea or concept, independent of any particular language, and specific words or phrases. Some ideograms are comprehensible only by familiarity with prior convention; others convey their meaning through pictorial resemblance to a physical object, and thus may also be referred to as pictograms.
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Wilkinson postulated that the cups may have been derived from inverting the Chinese and Jurchen ideogram for myriad (). The Mamluk court cards showed abstract designs or calligraphy not depicting persons possibly due to religious proscription in Sunni Islam, though they did bear the ranks on the cards. Nā'ib would be borrowed into French (nahipi), Italian (naibi), and Spanish (naipes), the latter word still in common usage.
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In the alphabets of most modern Romance languages (excepting far northern French and Walloon), is used mostly in foreign names and words recently borrowed (le week-end, il watt, el kiwi). The digraph is used for in native French words; is or . In Spanish, Italian, and Portuguese, is a non- syllabic variant of , spelled . The Japanese language uses "W", pronounced , as an ideogram meaning "double".
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The ancient Egyptian Branch hieroglyph, also called a Stick,Kamrin, 2004. Ancient Egyptian Hieroglyphs: A Practical Guide, Appendix C, Key to Sign List, M. Vegetation, M3, stick, p. 241. is a member of the trees and plants hieroglyphs. The branch is an Egyptian language biliteral with the value (kh)t, (khet)-(ḫt); it is an ideogram-(determinative),Schumann-Antelme, and Rossini, Biliterals, (B1-B83), B23, khet, p. 118-119.
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Gold coin of Khosrow II, minted in 625/6. Khosrow, during his second reign, added the ideogram GDH, meaning xwarrah ("royal splendor") on his coins. He combined this together with the word abzōt ("he has increased"), making the full inscription thus read as: "Khosrow, he has increased the royal splendor" (Khūsrōkhwarrah abzōt). The title of King of Kings–missing since the reign of Peroz I ()–was also restored on his coins.
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The ideogram for shell () was incorporated into the ancient character for "coin"/ "treasure" () Hō in Japanese (right). Chinese shell money, 16-8th century AD. Before the 7th-8th centuries AD, Japan used commodity money for trading. This generally consisted of material that was compact and easily transportable and had a widely recognized value. Commodity money was a great improvement over simple barter, in which commodities were simply exchanged against others.
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Naganuma died on September 10, 1957 and was buried at Kosei Cemetery. At her funeral thousands of members came to pay their respects. In honor of her the ideogram for "Ko" in Kosei was changed to that of "ko" in Myoko. She is still highly regarded and respected by members of Risshō Kōsei Kai and her picture, along with that of Nikkyō Niwano, appears by every church altar.
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The Egyptian hieroglyph representing gold (𓋞 Gardiner S12), phonetic value nb, is important due to its use in the Horus-of-Gold name, one of the Fivefold Titulary names of the Egyptian pharaoh. In its determinative usage, it identifies any precious metal, Betrò, 1994, Hieroglyphics: The Writings of Ancient Egypt, p. 176. and as an ideogram in "gold" specifically (Egyptian nbw, whence Coptic nūb).Betrò, 1994, p. 176.
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Ideogram was a stainless steel sculpture in New York City by American sculptor James Rosati, completed in 1972. The work consists of a number of intersecting beams with reflective surfaces. Located between the Twin Towers, in front of the Marriott World Trade Center, the work was lost in the September 11 attacks. Though the sculpture may have survived the attacks and collapse of the buildings, its steel material was indistinguishable from the Ground Zero rubble.
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Most of the cuts have been made using the "martellina" technique and lesser numbers obtained through graffiti. The Camunian rose The figures are sometimes simply superimposed without apparent order. Others instead appear to have a logical relationship between them; for example, a picture of a religious rite or a hunting scene or fight. This approach explains the scheme of images, each of which is an ideogram that is not the real object, but its "idea".
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Pot, with Pick hieroglyph at bottom, middle column (reads from right-to-left, Columns 3-2-1). The ancient Egyptian Pick hieroglyph, Gardiner sign listed nos. U17, U18 is a portrayal of a 'pick upon the side view of a block'; it is in the Gardiner subset for agriculture, crafts, and professions. In the Egyptian language, the pick hieroglyph is used as an ideogram or determinative for grg, the verb "to pick through",Betrò, 1995.
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Mycenaean palace states Mycenaean pottery is an assemblage of terra cotta ceramics and ceramic styles originated, manufactured, or heavily used by the civilization termed Mycenaean in Greek history and prehistory.The Mycenaeans also manufactured a repertoire of metallic pans, typically bronze. These they referenced in the Linear B documents with the same symbols they used for ceramics but with the BRONZE ideogram. These are not considered here, except insofar as they imitate ceramic styles.
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The Palace of St. Michael and St. George, which hosts the Museum lacquer. Relief décor and the ideogram of spring on a green background, 17th-19th century. The Museum of Asian Art of Corfu is a museum in the Palace of St. Michael and St. George in Corfu, Greece. The only museum in Greece dedicated to the art of Asia, it has collections of Chinese art, Japanese art, Indian art and others.
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Visually, hieroglyphs are all more or less figurative: they represent real or abstract elements, sometimes stylized and simplified, but all generally perfectly recognizable in form. However, the same sign can, according to context, be interpreted in diverse ways: as a phonogram (phonetic reading), as a logogram, or as an ideogram (semagram; "determinative") (semantic reading). The determinative was not read as a phonetic constituent, but facilitated understanding by differentiating the word from its homophones.
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Their casings are painted in camouflage green with a Union Jack replacing the identifying ideogram on the dome front. Canvas ammunition pouches are fixed around the shoulders and in one scene a Dalek is shown operating outdoors with opaque fabric covers fitted over its dome lights. The Daleks are also seen carrying a tea tray and box files with their plungers angled upward, an ability not previously demonstrated. These Daleks are referred to as "Ironsides" in the story.
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Both the Da-Qing Baochao cash notes and Hubu Guanpiao tael notes employed a device which used a series index, or prefix ideogram. This index of characters was based upon an early classical Chinese literary work known as the Thousand Character Classic (千字文, Qiānzì Wén). The Chinese character used as a prefix that would appear in the series block which preceded the serial number on each Hubu Guanpiao tael note was one of these thousand ideograms.
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It appears only twice in relief inscriptions depicting ceremonial processions of priests and standard bearers. Egyptologists such as Toby Wilkinson, Bernhard Grdseloff, and Jochem Kahl read Iry-Netjer, meaning "divine guardian". During the Old Kingdom period, this word is written with uniliteral signs of a netjer flag (Gardiner-sign R8) and a human eye (Gardiner-sign D4) nearby the ideogram of the man. Some contemporary ivory tags show the Nebty name written with the single eye symbol only.
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A phonetic complement is a phonetic symbol used to disambiguate word characters (logograms) that have multiple readings, in mixed logographic- phonetic scripts such as Egyptian hieroglyphs, Akkadian cuneiform, Japanese, and Mayan. Often they reenforce the communication of the ideogram by repeating the first or last syllable in the term. Written English has few logograms, primarily numerals, and therefore few phonetic complements. An example is the nd of 2nd 'second', which avoids ambiguity with 2 standing for the word 'two'.
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A five-pointed star A five-pointed star (☆), geometrically a regular concave decagon, is a common ideogram in modern culture. Comparatively rare in classical heraldry, it was notably introduced for the flag of the United States in the Flag Act of 1777 and since has become widely used in flags. It has also become a symbol of fame or "stardom" in Western culture, among other uses. If the collinear edges are joined together a pentagram is produced.
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Khosrow II (), during his second reign, added the ideogram GDH, meaning xwarrah ("royal splendor") on his coins. He combined this together with the word abzōt ("he has increased"), making the full inscription thus read as: "Khosrow, he has increased the royal splendor" (Khūsrōkhwarrah abzōt). The title of King of Kings was also restored on his coins. His two successors, Kavad II () and Ardashir III (), refrained from using the title, seemingly in order distance themselves from Khosrow II.
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Expanding on both these points, Deshimaru (1982, p. 11; p. 46) > reports that the ideogram for bu means to “the cease the struggle” and that > “in Budo the point is...to find peace and mastery of the self” The iaidō, in its transmission and its practice, is the martial art which takes up in its entirety Bushido by the etiquette, the code of honor, the dress, the carrying of the sword and the fight against oneself rather than against the opponent.
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A determinative, also known as a taxogram or semagram, is an ideogram used to mark semantic categories of words in logographic scripts which helps to disambiguate interpretation. They have no direct counterpart in spoken language, though they may derive historically from glyphs for real words, and functionally they resemble classifiers in East Asian and sign languages.Rude, Noel, "Graphemic classifiers in Egyptian hieroglyphics and Mesopotamian cuneiform", in Noun Classes and Categorization, edited by Colette G. Craig, pp. 133-138. Amsterdam: John Benjamins, 1986.
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Ideograms, on the other hand, could convey more abstract concepts, so that for example an ideogram of two sticks can mean not only 'legs' but also a verb 'to walk'. Because some ideas are universal, many different cultures developed similar ideograms. For example, an eye with a tear means 'sadness' in Native American ideograms in California, as it does for the Aztecs, the early Chinese and the Egyptians. Ideograms were precursors of logographic writing systems such as Egyptian hieroglyphs and Chinese characters.
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The traditional interpretation of the character, dating back to the (121 CE) Shuowen Jiezi dictionary, was a rare huiyi "compound ideogram" or "ideogrammic compound". The combination of chuo "go" and shou "head" (numbers 162 and 185 in the Kangxi radicals) signified a "head going" or "to lead the way". Dao is graphically distinguished between its earliest nominal meaning of dao "way; road; path;" and the later verbal sense of "say". It should also be contrasted with dao "lead the way; guide; conduct; direct; ".
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Each band is divided into twelve boxes, making up 12 "weeks" for each season. Each of the little boxes contains an ideogram of celestial objects that lie at a certain point on the horizon right after twilight. The place of reference on the horizon is the point at which (in those days) the Orion's Belt disappeared from view at the end of winter, which meant the beginning of a new year. The pictographs in the boxes represent: Orion, the Sun, Cassiopeia, Cygnus, Gemini, Pegasus, and the Pleiades.
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Alabaster votive relief of Ur-Nanshe, king of Lagash, showing Anzû as a lion-headed eagle in a Master of Animals motif, ca. 2550–2500 BC; found at Tell Telloh the ancient city of Girsu, (Louvre) The name of the mythological being usually called Anzû was actually written in the oldest Sumerian cuneiform texts as (AN.IM.MIMUŠEN; the cuneiform sign 𒄷, or MUŠEN, in context is an ideogram for "bird"). In texts of the Old Babylonian period, the name is more often found as AN.IM.DUGUDMUŠEN.
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Early translators of Akkadian believed that the ideogram for the god called in Sumerian Enlil was to be read as Bel in Akkadian. Current scholarship holds this as incorrect, but one finds Bel used in referring to Enlil in older translations and discussions. Bel became especially used for the Babylonian god Marduk and when found in Assyrian and neo-Babylonian personal names or mentioned in inscriptions in a Mesopotamian context it can usually be taken as referring to Marduk and no other god. Similarly Bêlit mostly refers to Bel Marduk's spouse Sarpanit.
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In computing, an icon is a pictogram or ideogram displayed on a computer screen in order to help the user navigate a computer system. The icon itself is a quickly comprehensible symbol of a software tool, function, or a data file, accessible on the system and is more like a traffic sign than a detailed illustration of the actual entity it represents. It can serve as an electronic hyperlink or file shortcut to access the program or data. The user can activate an icon using a mouse, pointer, finger, or recently voice commands.
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For this music Puccini adapted a fifteen-year-old student exercise by his late brother, Michele, stating that in this way his brother could live again through him. In the dialogue with Spoletta, the "torture" motif—an "ideogram of suffering", according to Budden—is heard for the first time as a foretaste of what is to come. As Cavaradossi is brought in for interrogation, Tosca's voice is heard with the offstage chorus singing a cantata, "[its] suave strains contrast[ing] dramatically with the increasing tension and ever-darkening colour of the stage action".Newman, pp.
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Pig toilets ( zhūquānmáokēng) were once common in rural China, where a single Chinese ideogram () signifies both "pigsty" and "privy".Ancestors for the Pigs: Pigs in Prehistory, Sarah M Nelson, University of Pennsylvania Museum of Archeology and Anthropology, Museum Applied Science Center for Archaeology, 1998, ISSN 1048-5325 (p.16) Funerary models of pig toilets from the Han dynasty (206 BC to AD 220) prove that it was an ancient custom.Minneapolis Institute of Art: Han Dynasty Pig Sty-Latrine These arrangements have been strongly discouraged by the Chinese authorities in recent years,Sanitation Without Water, Uno Winblad and Wen Kilama, MacMillan 1985 (p.
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Ideogram of human chromosome 16 Links between autism and schizophrenia have been studied. From clinical observation, both conditions cause a disruption in normative social functioning which may be mild or severe depending on the individual's position within the spectrum. Social cognition is under-developed in autism and highly developed in psychoses. Four genetic loci are diametrically opposed in terms of diagnoses of autism and schizophrenia, with corresponding deletions for one condition or duplications for the other. Researchers examining chromosome 16 (16p11.2) identified a heredity area on the short arm of human chromosome 16 (16p11.2) which contains microduplication and microdeletion of genome variation.
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The Linear B ideogram depicting armour of this type makes the neck-guard clearly discernible, and protection by a high bronze collar was a typical feature of Near Eastern body armour. Three pairs of curved plates hang from the waist to protect the groin and the thighs. All these pieces are made of beaten bronze sheet and are backed with leather and loosely fastened by ox-hide thongs to allow some degree of movement. The complete panoply thus forms a cumbersome tubular suit of armour, which fully protects the neck and torso, and extends down to the knees.
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A Sumerogram is the use of a Sumerian cuneiform character or group of characters as an ideogram or logogram rather than a syllabogram in the graphic representation of a language other than Sumerian, such as Akkadian or Hittite. Sumerograms are normally transliterated in majuscule letters, with dots separating the signs. In the same way, a written Akkadian word that is used ideographically to represent a language other than Akkadian (such as Hittite) is known as an Akkadogram. This type of logogram characterized, to a greater or lesser extent, every adaptation of the original Mesopotamian cuneiform system to a language other than Sumerian.
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The building is similar to another circular building in Shenyang, although, unlike the other, the central core is open, with no glass. It is the world's tallest circular buildingDesignboom AM project rounds out double disk guangzhou circle mansion and with the unique feature of its almost fifty meters wide empty hole in the center (48 mt). The designer stated he was looking for a design based on Oriental psychology and perception, finding in the Chinese use of logographic symbols sinogram in its writing, as an inspiration. In fact, the building is also called an "urban ideogram".
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Linguists are doubtful whether the inscription is sufficiently long to be unambiguously interpreted. It is possible that one of these decipherments is correct, and that, without further material in the same script, we will never know which. Mainstream consensus tends towards the assumption of a syllabic script, possibly mixed with ideogram, like the known scripts of the epoch (Egyptian hieroglyphs, Anatolian hieroglyphs, Linear B). Some approaches attempt to establish a connection with known scripts, either the roughly contemporary Cretan hieroglyphs or Linear A native to Crete, or Egyptian or Anatolian hieroglyphics. Solutions postulating an independent Aegean script have also been proposed.
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The Ge'ez writing system of Ethiopia is considered Semitic. It is likely to be of semi-independent origin, having roots in the Meroitic Sudanese ideogram system. Most other alphabets in the world today either descended from this one innovation, many via the Phoenician alphabet, or were directly inspired by its design. In Italy, about 500 years passed from the early Old Italic alphabet to Plautus (750 to 250 BC), and in the case of the Germanic peoples, the corresponding time span is again similar, from the first Elder Futhark inscriptions to early texts like the Abrogans (c.
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During later Babylonian times, slaves who worked in Ishtar's temples were sometimes branded with the seal of the eight-pointed star. On boundary stones and cylinder seals, the eight-pointed star is sometimes shown alongside the crescent moon, which was the symbol of Sin (Sumerian Nanna) and the rayed solar disk, which was a symbol of Shamash (Sumerian Utu). Inanna's cuneiform ideogram was a hook-shaped twisted knot of reeds, representing the doorpost of the storehouse, a common symbol of fertility and plenty. The rosette was another important symbol of Inanna, which continued to be used as a symbol of Ishtar after their syncretism.
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In contrast, for example, the Budge Reference has about 1000 hieroglyphs listed in 50 pages, but with no size variations. Gardiner does not cross-index signs; once put on the list, other significant uses may be overlooked. One example of this is G16, nbtỉ, the ideogram for the Two Ladies, goddesses Wadjet as the cobra and Nekhbet as the white vulture. These are the protective and patron goddesses of the separate Egyptian kingdoms that joined into ancient Egypt, who were both then displayed on the uraeus of Wadjet when the unification occurred and afterward considered jointly to be the protectors of Egypt and the pharaohs.
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For each of Darden's projects he would take a set of four images that were meaningful and inspiration for him concerning the project, and then overlay those four images into what he would call the ideogram, and that, in turn, would become the parti pris of sorts—i.e. the overall basis of the form of the architectural design. This process of compiling, overlaying, and deriving from inspirational images Darden called Dis/continuous Genealogy. The term originates with a friend of Darden's from The GSD, Ben Ledbetter, who termed a similar design process archaeologies; Darden said that it would be better termed "genealogies", and then later called it "Discontinuous Genealogy".
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The standard "New Series" Dalek design incorporates additional detailing to many of the components including the dome, gun, appendage boxes, plunger and eyeball. The fender is larger with a bevelled edge, the lower collar is integral to the casing and the upper collar and mesh are omitted, being replaced by a raised shoulder section beneath the neck bin. The slats have an indented central channel running down their length and the neck bin mesh has a denser, more complex design. The dome lights are substantially larger and enclosed in metal cages and the eye stalk pivot is surrounded by a cowl, below which is a horizontal oblong depression containing an ideogram unique to each Dalek.
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Canto L, which again contains antisemitic statements, moves from John Adams to the failure of the Medici bank and more general images of European decay since the time of Napoleon I. The final canto in this sequence returns to the usura litany of Canto XLV, followed by detailed instructions on making flies for fishing (man in harmony with nature) and ends with a reference to the anti-Venetian League of Cambrai and the first Chinese written characters to appear in the poem, representing the Rectification of Names from the Analects of Confucius (the ideogram representing honesty at the end of Canto XLI was added when The Cantos was published as a single volume).
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Then, if there remains more than one possibility, the desired ideogram is selected, either by typing the number before the character, or using a graphical menu to select it. The computer assists the typist by using heuristics to guess which character is most likely desired. Although this may seem painstaking, East Asian input methods are today sufficient in that, even for beginners, typing in these languages is only slightly slower than typing an alphabetic language like English (where each phoneme is represented by one grapheme). In Japanese, the QWERTY-based JIS keyboard layout is used, and the pronunciation of each character is entered using various approximations to Hepburn romanization or Kunrei-shiki romanization.
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Dedicated CGH software is commercially available for the image processing step, and is required to subtract background noise, remove and segment materials not of chromosomal origin, normalize the fluorescence ratio, carry out interactive karyotyping and chromosome scaling to standard length. A "relative copy number karyotype" which presents chromosomal areas of deletions or amplifications is generated by averaging the ratios of a number of high quality metaphases and plotting them along an ideogram, a diagram identifying chromosomes based on banding patterns. Interpretation of the ratio profiles is conducted either using fixed or statistical thresholds (confidence intervals). When using confidence intervals, gains or losses are identified when 95% of the fluorescence ratio does not contain 1.0.
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54 M23:t-L2:t-G16-A21A Scribes and priests of the Ramesside era were also confused, because the archaic ideogram that was used during Semerkhet's lifetime was very similar to the sign of an old man with a walking stick (Gardiner sign A19). This had been read as Semsu or Sem and means "the eldest". It was used as a title identifying someone as the head of the house. Due to this uncertainty, it seems that the compiler of the Abydos king list simply tried to imitate the original figure, whilst the author of the Royal Canon of Turin seems to have been convinced about reading it as the Gardiner- sign A19 and he wrote Semsem with uniliteral signs.
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Because of this, this inscription has been dated to approximately 850 C.E. The association of the carving of a sun with the word sól along with the use of an anachronistic d-rune may suggest that the inscription is a ritualistic comparison of the winter sun and the bright summer sun, and represents an encrypted magical call for the sun to shine. The d-rune of the second line has been transcribed into Old Norse as an ideogram that uses the name for this rune, which means "day," as the personal name Dagr. This name also appears spelled out in the runic texts on inscriptions Vg 101 in Bragnum and Vg 113 in Lärkegapet, and Dagr is also the personification of day in Norse mythology.
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Henri Gaudier- Brzeska, 1914, Boy with a Coney (Boy with a rabbit), marble Seated Figure, The Singer, Caritas, Head of Ezra Pound In 1913, he assisted with the illustrations of Haldane Macfall's book The Splendid Wayfaring along with Claud Lovat Fraser and Edward Gordon Craig. In 1913 Henri Gaudier-Brzeska met Alfred Wolmark, the Jewish artist and modelled a bronze bust of the young artist, and the two remained close friends. Gaudier-Brzeska's drawing style was influenced by the Chinese calligraphy and poetry which he discovered at the "Ezuversity", Ezra Pound's unofficial locus of teaching. Pound's interaction with Ernest Fenollosa's work on the Chinese brought the young sculptor to the galleries of Eastern art, where he studied the ideogram and applied it to his art.
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Opium poppy, Papaver somniferum The Sumerians are said to have cultivated and harvested the opium poppy (Papaver somniferum) in lower Mesopotamia as early as 3400 BC, though this has been disputed. The most ancient testimony concerning the opium poppy found to date was inscribed in cuneiform script on a small white clay tablet at the end of the third millennium BC. This tablet was discovered in 1954 during excavations at Nippur, and is currently kept at the University of Pennsylvania Museum of Archaeology and Anthropology. Deciphered by Samuel Noah Kramer and Martin Leve, it is considered to be the most ancient pharmacopoeia in existence. Some Sumerian tablets of this era have an ideogram inscribed upon them, "hul gil", which translates to "plant of joy", believed by some authors to refer to opium.
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This continuity suggests the impressiveness of petroglyphs of the facades of caves and rocks reflected to ancient Iranian artisans. This continuity can be traced from eighth millennium BC by the potteries in Ganj Dareh (near Qeysvand, Harsin in Kermanshah Province), to the third and first millennium BC, considering the bronze period in Lorestan. Iran provides exclusive demonstrations of script formation from pictogram, ideogram, linear (2300 BC) or proto-Elamite, geometric old Elamite script, Pahlavi script, Arabic script (906 years ago), Kufi script, and Persian script back to at least 250 years ago. The most recent chronology of petroglyphs in Iran was done employing the General Antiparticle Spectrometer in 2008 that helped gather data from random samples; though, this is a demanding job that needs a systematic and comprehensive supported effort.
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Then the canto returns to Adams' notes on the practicalities of funding the war and the negotiation of a loan from the Dutch. Canto LXIX continues the subject of the Dutch loan and then turns to Adams' fear of the emergence of a native aristocracy in America, as noted in his remark that Jefferson feared rule by "the one" (monarch or dictator), while he, Adams, feared "the few". The remainder of the canto is concerned with Hamilton, James Madison and the affair of the assumption of debt certificates by Congress which resulted in a significant shift of economic power to the federal government from the individual states. Canto LXX deals mainly with Adams' time as vice-president and president, focusing on his statement "I am for balance", highlighted in the text by the addition of the ideogram for balance.
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The basic usage of the papyrus stem hieroglyph is as an ideogram, (graphic picture), in the word for "papyrus stem", the w3dj, or the older representation of "uatch". As the papyrus plant is from the Nile Delta, and is a symbol of Lower Egypt and its green and productive quality of food growing, the usage of the papyrus stem is also used to represent growth, vigour, youth, all things fresh, new and growing. The green color, or the Nile Delta's connection to the Mediterranean Sea, gave rise to the word the "Great Green", the Mediterranean, and thus its hieroglyphic spelling of the sea, using the papyrus stem hieroglyph-(green, great, or green-great-sea-"w3dj- wr"). Other words in the family of 'w3dj' , or "uatch" words are related to: green, yellow green, green stones, eyepaint; also trees, plants, and amulets, to name a few.
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Although Habiru (a Sumerian ideogram glossed as "brigand" in Akkadian), and sometimes ' (an Akkadian word) had been reported in Mesopotamia from the reign of the Sumerian king, Shulgi of Ur III, their appearance in Canaan appears to have been due to the arrival of a new state based in Asia Minor to the north of Assyria and based upon a Maryannu aristocracy of horse-drawn charioteers, associated with the Indo-Aryan rulers of the Hurrians, known as Mitanni. The Habiru seem to have been more a social class than an ethnic group. One analysis shows that the majority were, however, Hurrian (a non-Semitic-speaking group from Asia Minor who spoke a language isolate), though there were a number of Semites and even some Kassite and Luwian adventurers amongst their number. The reign of Amenhotep III, as a result was not quite so tranquil for the Asiatic province, as Habiru/'Apiru contributed to greater political instability.
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These issues were controlled using two different ideogram systems for the indexes and prefixes, the Chinese characters utilised by these systems were based on the Thousand Character Classic (千字文, Qiānzì Wén). The prefixed Chinese character (which would appear in the series block preceding the actual serial number on each banknote) was actually one of these thousand classical ideograms, it is known that the first 320 characters from this series were reserved for the Peking Metropolitan District. By contrast, early Hubu Guanpiao tael notes of the Xianfeng era, which were issued through the Peking Metropolitan District, the provincial treasuries of China, and the Chinese military commissaries, used a different prefix character system, this system was based upon the Five Confucian Virtues as opposed to the thousand character classic-based system of the Da-Qing Baochao. In the markets of Beijing the new Xianfeng banknotes could not be used, so as people could not purchase any actual goods with them in the capital market many Bannermen lost a large part of their disposable income because of this inability to actually purchase things with their salary.
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The Yi script (Yi: ; ) is an umbrella term for two scripts used to write the Yi languages; Classical Yi (an ideogram script), and the later Yi Syllabary. The script is also historically known in Chinese as Cuan Wen () or Wei Shu () and various other names (), among them "tadpole writing" ().中国少数民族文化遗产集粹 2006- Page 9 "... 汉文史料中分别称彝文为"夷字"、"爨文"、"韪书"、"蝌蚪文"、"倮倮文"、"毕摩文"等,中华人民共和国成立后随族称的规范,统称为彝族文字,简称为彝文。" This is to be distinguished from romanized Yi (彝文羅馬拼音 Yíwén Luómǎ pīnyīn) which was a system (or systems) invented by missionaries and intermittently used afterwards by some government institutions.秦和平 基督宗教在西南民族地区的传播史 2003 - Page 49 "另外,基督教之所以能够传播于民族地区,民族文字的创制及使用起到关键作用。据调查,传教士创制的文字有苗文、摆夷(傣)文、傈僳文、怒文、景颇文、佤文、彝文、拉祜文等等。它们利用罗马拼音字母系统对该民族语言或文字加以注音所产生,..."Benoît Vermander L'enclos à moutons: un village nuosu au sud-ouest de la Chine 2007 Page 8 "Si les Nuosu vivent sur le territoire chinois, s'ils sont citoyens chinois et gouvernés de fait par le Parti-État chinois, l'univers culturel dans lequel ... Par ailleurs, un système de transcription formé sur l'alphabet latin a été également mis au point ..." There was also a Yi abugida or alphasyllabary devised by Sam Pollard, the Pollard script for the Miao language, which he adapted into "Nasu" as well.
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