29 Sentences With "I beg your pardon" | Random Sentence Generator

"I beg your pardon," McCaskill quickly replied, bringing up Spicer's comments again.

You know, it's-- I beg your pardon, we never promised you a rose garden.

As I've gotten older, I've definitely caught myself saying, "I beg your pardon" and "Sorry, what?" more often.

Of course we value trade -- Oh, I beg your pardon, there is one guy who is talking about building a wall.

" Apparently cued by chuckling in the audience, he quickly added, "Oh, I beg your pardon, there is one guy who is talking about building a wall.

I would reply 'I beg your pardon?' and they would lean over the bar and grab me by the testicles and say the exact same thing, only louder.

That was the cornerstone of our data base together with political data — voter file data, I beg your pardon — which again is commercially available in the United States.

SS: Your business seems to be, and I'll be honest with you, I was a former floor man myself, not from Lloyds I was on the LIFFE floor, and you guys still with your slipcases and what have you, having you tottering off down to the Leadenhall, I beg your pardon, the place next to Leadanhall and, it's the Lamb isn't it – and basically it just seems anachronistic.

Kon Kan sampled the song in their 1988 song "I Beg Your Pardon".

In 1989, he participated in the recording "I Beg Your Pardon" by Canadian synthpop band Kon Kan, which was an international hit single.

"I Beg Your Pardon", eventually re-released in the spring of 1989, was a worldwide hit, and reached the Top 5 in several countries (including the UK) and the Billboard Top 20 in the US. The song earned Kon Kan a Juno Award for Best Dance Recording in 1990.

Kon Kan is a Canadian synthpop project conceived and formed in 1988 by Barry Harris in Toronto, Ontario. Kon Kan were awarded a 1990 Juno for the song "I Beg Your Pardon" and nominated for a 1991 Juno Award for the single "Puss N' Boots/These Boots Are Made for Walkin'".

Move to Move is the debut album by Kon Kan, released in 1989 on Atlantic Records. It spawned the singles "Harry Houdini", "I Beg Your Pardon", "Puss N' Boots" and "Move to Move". The album is mostly group member Barry Harris' creation. He produced the set, and wrote or co-wrote all but one cut.

Barry Harris is a Canadian record producer, DJ, remixer, singer and songwriter. He created the synthpop act Kon Kan in early 1988 which had worldwide success with "I Beg Your Pardon". The song, initially issued on the now defunct Toronto-based indie label Revolving Records, was quickly discovered and signed by Atlantic Records' A&R; rep, Marc Nathan.

The appeals court held that the juror's dismissal violated Symington's right to a fair trial, since he was entitled to that juror's vote. Before the government could retry him, Symington was pardoned in January 2001 by President Bill Clinton, terminating the federal government's seven-year battle with the former governor.Rudin, Ken (January 26, 2001), "I Beg Your Pardon" The Washington Post. Retrieved January 12, 2017.

He took the occasion to make apologies, taking on "the responsibility of my country, according to what we have learnt afterwards in the name of my country and of my people, I beg your pardon.""Le mond durant le génocide: l'ONU, la Belgique, la France et l'OUA [The world during the genocide: the UN, Belgium, France, and the OAU]." Ch. 15 in Rapport de l'OUA sur le génocide au Rwanda. § 52.

In 1994, Barry Harris teamed up with fellow DJ and Canadian compatriot, Terry Kelly, and formed the house music project, Top Kat. They released a series of independent singles (on the Stickman label) and one album, Hi-Energy House on the Hypnotic label. The album featured revisits of Kon Kan's "I Beg Your Pardon" ("Pardon Me/Rose Garden"), "Liberty" ("There's a Voice in My Heart") and "S.O.L." ("Come Unto Me...Sing").

In the 40 Years on Coronation Street special, she recounted an incident that had happened years previously: while she was shopping, a fan asked if she was Hilda. She responded in her normal accent, "I beg your pardon?" Taken aback, the fan said, "Oh, don't you talk funny!" The British League for Hilda Ogden was established in 1979 by Sir John Betjeman, Willis Hall, Russell Harty, Laurence Olivier and Michael Parkinson, among others.

136-43 (142), in Readings on Pride and Prejudice ed. Clarice Swisher, San Diego: Greenhaven Press, 1999. After hearing Wickham's account disparaging Darcy's character, and being advised by her sister Jane not to jump to conclusions, Elizabeth confidently tells her "I beg your pardon – one knows exactly what to think". However, Elizabeth is able to see, albeit belatedly, that Wickham had misled her about Darcy, admitting she was too influenced by "every charm of air and address".

Marc Nathan, a New York-based Atlantic Records employee (and radio promoter) who was on vacation in Toronto, heard "I Beg Your Pardon" in a dance club, where Barry Harris was DJing. Nathan bought several copies of the single from a record store around the corner from the club and took them back to New York. The single was sent to four radio stations and was received particularly enthusiastically in Houston. By fall of 1988, Kon Kan were signed by Atlantic Records, and marketed as a duo.

Jack Benny tries to pitch his song. Pictured here are the Westons, Ed Wynn and Benny Weston and Stafford appeared on television twice as Jonathan and Darlene Edwards. In 1958, they were guests on Jack Benny's television program Shower of Stars, and in 1960 on The Garry Moore Show. Their appearance on Benny's show involved a sketch in which they played the roles of the Edwards to avoid recording a song Benny had written titled "When You Say I Beg Your Pardon, Then I'll Come Back To You".

Although released to radio stations, the song did not become a hit and failed to chart any major music publications. In 1972, American comedian and entertainer Carol Burnett released a version of "Rose Garden" on her studio album, Carol Burnett Featuring 'If I Could Write A Song'. A decade later, Canadian synthpop group Kon Kan sampled Lynn Anderson's version of "Rose Garden" for their song "I Beg Your Pardon." The song became a major hit in several countries including the United States, where it reached the top 20 on the Hot 100.

As well as "I Beg Your Pardon", it also spawned the singles, "Harry Houdini", "Move to Move" and another original/cover combination, "Puss N' Boots". The latter track included recreations (rather than samples) of Led Zeppelin's "Immigrant Song" and Nancy Sinatra's "These Boots Are Made for Walkin'". The album also featured collaborations with Bob Mitchell (who had co-written Cheap Trick's number one hit, "The Flame"), Jon Lind (co-writer of Madonna's "Crazy for You") and Dennis Matkosky. The album also featured a cover version of the smash hit "Bite the Bullet" by fellow Canadian group They Never Sleep.

Harris also continued to release singles in his own name, such as "Why'd Ya Let Her" and the tribal dance anthem, "Dive in the Pool". Two Thunderpuss albums were released, Dancemania 20 (2001) and Thunderpuss (2002), while Harris has released a couple of "continuous mix" albums, as part of 4-Play's Circuit Session series. Volume 3 (released in 2000) included the single "Beg for It", another reprisal of Kon Kan's "I Beg Your Pardon". Concurrent to his remixing activities, Harris also resumed his DJing career, securing regular employment in clubs in New York, Los Angeles, San Francisco and other major cities.

It sold over one million copies and was awarded a gold disc by the RIAA. His fourth Liberty single, "You're Sixteen" (written by the Sherman Brothers) backed with "I Beg Your Pardon" (Liberty F-55285), released on October 5, 1960, did even better, reaching number 8 on the Hot 100 and number 3 in the UK Singles Chart, and earned him another gold record. Burnette went back into the studio and under Snuff Garrett's direction recorded "Little Boy Sad". This was released on January 3, 1961, backed with "(I Go) Down to the River" (Liberty F-55298).

"Harry Houdini" (titled as "Arts in 'D' Minor/Harry Houdini" on the album) is a song by Canadian synthpop band Kon Kan, released as the second single from their 1989 debut album Move to Move. The song did not match the success of their previous single "I Beg Your Pardon", managing to just scrape into the top forty in their native Canada at No. 39 and peaking at No. 88 in the UK, although it was a bigger hit in New Zealand, where it reached No. 14 in September 1989. The song contains a sample of "White Lines" by Grandmaster Melle Mel and a vocal interpolation of Blondie's "The Tide Is High".

He began dancing with the prettiest girl of the zone. Later, amidst dancing, a carau's comrade hindered him about a notice, telling: "I beg your pardon Carau, my friend, my condolences... your mother just died..." Carau responded "It doesn't matter my friend, mum already died, I'll have time to cry later..." Later in the night when the dawn was coming, he asked the lady to go with her to her house, and she coldly responded: "My house is far away from here, and I won't be visited by one who doesn't care for his own mother…" Afterwards, saying goodbye, with his heart utterly broke, moving to home imbibed in tears, the young carau was transformed into a bird and tupa (god) condemned him to bear mourning black feathers and cry forever, just like the bird lament: caráu.

When Alice sees the White King next, in a later chapter, he is, along with many other characters in the story, the size of a normal adult. Humpty Dumpty, as a chesspiece, is "taken" (symbolised by his notorious fall from where he sits) and the White King appears with his soldiers, presumably in hopes of putting him back together. He and Alice begin characteristic Wonderland/Looking-Glass banter, as well as the usual Carrollian word play ("I only wish I had such eyes...to be able to see Nobody"). His imperial status as a king, as well as his tendency to take things literally, is reflected in such statements as "it isn't respectable to beg" when Alice simply says "I beg your pardon" and he also remarks that he needs his two messengers Hatta and Haigha: "one to come and one to go... one to fetch and one to carry".

It includes poems of Espriu (Nous cants de llibertat and the ironic swing I beg your pardon), Ausiàs March (Si em demanau and On és lo lloc), and his own texts: Als matins a ciutat, L'última llum, Un sol consell, No el coneixia de res, Fou un infant, Perquè ningú no em contarà els seus somnis, I després de creure tant Andreu, amic, dedicated to the sculptor Andreu Alfaro. This album displayed a maturation in his poetic style. In order to regroup all his work, in 1981 he re-recorded all his songs with new arrangements by Manel Camp and Antoni Ros Marbà. The result was a set of ten discs, whose songs were grouped thematically: Orígens, Cançons d'amor, Ausiàs March, Dedicatòries, Cançons de la roda del temps (Espriu), He mirat aquesta terra (Espriu), Poetes dels segles XV i XVI, Amb els silencis i les nostres paraules and L 'aigua del temps que vius.