Happiness, as hymned in these renditions, would never be won easily.
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The all-conquering love hymned in the classic musical was beginning to look like an increasingly flimsy fiction.
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But the wounds sustained and inflicted by cheating hearts, so often hymned by Nashville balladeers, are a specialty of Mr. Lonergan.
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BRANTLEY My principal criterion for jukebox musicals is do they summon the pleasure we once derived from the works being hymned?
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But I have the feeling its meandering charms might be enhanced by access to that long-handled whisky bottle hymned at the show's beginning.
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After all, as long as we've hymned the allure of community, there have been two diametrically opposed visions of what communal life is actually like.
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Two of the credited writers, he says, had probably never even been to West Virginia when they hymned the beauty of its valleys and rivers.
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Rogers was a benevolent, ditty-dispensing educator in civic virtue and human tolerance, who hymned the miracles of beautiful days and kindly friends, while acknowledging the fallibility of us all.
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Hymned Again is the second solo album from MercyMe singer Bart Millard. Like his previous effort, Hymned, No. 1, the album features modern takes on popular Christian hymns. The album was released on August 19, 2008. Country singer Vince Gill, again makes a collaboration on the song "Jesus Cares for Me".
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Hymned, No. 1 (sometimes simply called Hymned) is the first solo album from MercyMe singer Bart Millard. The album features modern takes on popular Christian hymns. The album was released on August 16, 2005. Millard has said that the album is inspired by hymns his grandmother, Ruby Lindsey, used to sing when he was a boy.
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British composer Harold Truscott, for example, who saw the film when he was 28, wrote to Korngold admiring the score. He also saw the film more than thirty times just to hear the score, sometimes with his eyes completely closed. Like Gone with the Wind, Kings Row concludes with the main theme hymned operatically by an unseen chorus.
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14, col. 255. Augustine also appears to refer to No. 4 (to the third verse of the fourth strophe, Geminae Gigas substantiae) when he says: “This going forth of our Giant [Gigantis] is briefly and beautifully hymned by Blessed Ambrose”. Other attributions to Ambrose are due to Pope Celestine V (430), Faustus, Bishop of Riez (455) and to Cassiodorus (died 575). Of these four hymns, only No. 1 is now found in the Roman Breviary.
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Fergusson joined the Cape Club in October 1772. Delighting in its quasi-masonic rituals, Fergusson took on the nickname 'Sir Precenter', and hymned the Cape's exploits. A drawing of him is thought to survive in the Club's Minute Book (National Library of Scotland). At the Cape he mixed with ordinary tradesmen as well as with artistic figures such as David Herd and Alexander Runciman, who painted Fergusson's portrait, now in the Scottish National Portrait Gallery, and to whom Fergusson addressed some comic verses.
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The stories of Minos and Epimenides suggest that these caves were once used for incubatory divination by kings and priests. The dramatic setting of Plato's Laws is along the pilgrimage-route to one such site, emphasizing archaic Cretan knowledge. On Crete, Zeus was represented in art as a long-haired youth rather than a mature adult and hymned as ho megas kouros, "the great youth". Ivory statuettes of the "Divine Boy" were unearthed near the Labyrinth at Knossos by Sir Arthur Evans.
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In his lifetime, [his writings] were hymned in the highest > superlatives... ." It was "altogether too flattering to him."Jean-Paul > Sartre, Critique of Dialectical Reason (Paris 1960, 1985; London: Verso > 2004), p.662. "It is true that Stalin was the Party and the State; or > rather, that the Party and the State were Stalin."Marcuse, Soviet Marxism > (1958, reprint 1961), p. 130: > >> "A straight line seems to lead from Lenin's [notions] to Stalin's personal dictatorship--a road on which 'scientific determinism' gives way (in practice if not in ideology) to decisions on the ground of shifting political and even personal objectives and interests.
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On a rather different note, these finds, i.e. the artifacts specifically concerned with the preparation and consumption of wine, also have an immediate literary relevance. For example, in the Homeric Hymn to Demeter, a celebratory song hymned in honor of the grain goddess (Demeter), Demeter expresses her unwillingness to drink wine until it has been "mixed" with a concoction of mint, water and barley (II.205-210). Thus, although there exists a lack of indisputable evidence proving ritual drinking took place at the Sanctuary, it is nonetheless highly plausible that cups and like vases were left as dedicatory votives after the ritual feast.
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I ask the reason for such confusion, and see them mute; and after a thousand or so burning sighs one thus replies: Revered shepard, be appeased, and on such a day do not force us to confess our shame. On the banks of the Salzach, all our power, all our wisdom was as nothing to that light with which your prince is surrounded. So great and so many are Sigismund's merits that our paltry minds cannot know that illustrious heart. If this compassion is hymned, it is not at the expense of his justice, for every virtue, Excellency, is enthroned in your heart.
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In particular the band focused on up-tempo songs; Millard noted that while the songs are still pop rock songs, the band tried to put a bit more edge into them. Additionally, the band decided to work with producer Brown Bannister, who had produced the group's Christmas record and Millard's solo album Hymned No. 1, as opposed to Pete Kipley, who had produced the band's previous three albums. Bannister's producing style was different from Kipley's; while Kipley was a hands-on producer, "involved in every part of the song", Bannister would wait until the band had "run down all [their] avenues" before giving input. The band felt Bannister was an "amazing encourager" and were satisfied with the Christmas album Bannister had produced with them; although they felt Kipley did a great job on their previous records, improving themselves as a band and as songwriters, they felt it was "time for a change".
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Prominent writers from Ireland and Britain who visited the Soviet Union in 1934, such as George Bernard Shaw and H. G. Wells, are also on record as denying the existence of the famine in Ukraine.Edvard Radzinsky Stalin: The First In-depth Biography Based on Explosive New Documents from Russia's Secret Archives, Anchor, (1997) , pages 256-259. According to Radzinsky, Stalin "had achieved the impossible: he had silenced all the talk of hunger... Millions were dying, but the nation hymned the praises of collectivization". In 1934 the British Foreign Office in the House of Lords stated that there was no evidence to support the allegations against the Soviet government regarding the famine in Ukraine, based on the testimony of Sir John Maynard, a renowned famine expert who visited Ukraine in the summer of 1933 and rejected "tales of famine-genocide propagated by the Ukrainian Nationalists". The height of denial was reached during a visit to Ukraine carried out between 26 August – 9 September 1933, by French Prime Minister Édouard Herriot, who denied accounts of the famine and said that Soviet Ukraine was "like a garden in full bloom".
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