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64 Sentences With "hoofing"

How to use hoofing in a sentence? Find typical usage patterns (collocations)/phrases/context for "hoofing" and check conjugation/comparative form for "hoofing". Mastering all the usages of "hoofing" from sentence examples published by news publications.

Lucas and Abelson don't think twice about hoofing two miles out of here.
He's someone who's hoofing around this dark, abandoned city trying to figure things out.
Health-minded supervisors organize walking meetings, in which employees discuss business while hoofing along hallways.
HOOFING IT On Sundays I want to be outside and walk to all my appointments.
Giannoulas's hopes to incorporate break dancing are dashed: Johnson's hoofing experience peaked with show choir.
Hoofing down stairs in the event of an elevator failure would probably not feel so luxurious.
Hoofing down stairs in the event of an elevator failure would probably not feel so luxurious.
A video showed the brown and white cow hoofing it past shops and restaurants on Thursday afternoon.
If you're hoofing it for 90 minutes or longer, take in another 30 to 60 grams each hour.
Mr. Fairchild kept up with Ms. Dorrance's hoofing and Lil Buck mirrored her in his own breathtaking fashion.
Ocasio-Cortez spent the last week of the campaign going door to door, hoofing it to the end.
Argentina's dribblers scarcely dribble; England passes the ball out from the back rather than hoofing it aimlessly upfield.
Headly flared one right into that empty space and Schwarbs got on his horse and started hoofing for the line.
Gigi Hadid got back on the horse Thursday night after her breakup with Zayn Malik ... hoofing it with Kendall Jenner.
Colombia doesn't seem to have many ideas on offense aside from hoofing it to Juan Cuadrado on the right side.
You're saving the driver the trouble of parking the truck, getting out, finding the package, and hoofing it to the door.
Hoofing to exuberant choreography by Savion Glover, she earned a featured actress Tony Award nomination and a surge of industry attention.
The other one was less congenial and ended up hoofing it to safety by following the beam to the bridge's end.
Some scenes, like James Cagney's spontaneous hoofing in "Other Men's Women" or the frontier shivaree in "The Purchase Price," are choreographed.
I didn't know how much they actually tapped and what the style was, but it really showed me they were really hoofing.
After my diagnosis, I took advantage of the delayed progression of my disease to continue hoofing through cities, seeking out style and soul.
Another intervention in a Scarpa building, which became a word-of-mouth success among the art-world types hoofing across the stones of Venice, is already over.
While the runners made their way through a field, a group of deer charged across the area at the same time, hoofing straight through the clump of runners.
The aide-de-camp carrying the 45 pound satchel took an anxious half-an-hour to catch up with the commander in chief after hoofing it across town.
The slo-mo of the movie scene fits in perfectly with the (I'm pretty sure) real-time footage of the New York Mets Wonderboy hoofing it around the bases.
To ensure the runaway goats are retrieved safely, the MTA diverted southbound N Trains to the D Line in the section of Brooklyn where the animals are hoofing it.
"Thought you should know now," he adds, before hoofing it back to Mr. Van Bergen (Steven Pacey), who sits at the other end of the table, chewing a spoonful of pudding.
After the four dancers departed, Fairchild began a solo in which he incorporated and interpreted the movement he had just been besieged by — flailing, spinning, hoofing, jabbing his arms in spidery lunges.
It was the golden age of the Sunday newspaper exclusive, in which tabloids frequently broke stories of the sexual misadventures of MPs and royals, all while editors were hoofing up gear and downing champagne.
The only way his intentions could've been more clear is if he'd started to take two steps forward and one step back while going through his various tasks before hoofing the ball back into play.
I would say you could even separate the tap influences: Rhythm tap and hoofing meets Fred Astaire soft-shoe, and Gene Kelly classical tap-film movements meets ballet, which is definitely the backbone of the piece.
They are better at acting than the other stuff, able to express emotion in nonmusical scenes with candor and conviction, but a little stiff-limbed and wobbly-voiced when the moment arrives for hoofing and chirping.
Part of Tap Explorations, a new family series from the American Tap Dance Foundation, this event will celebrate Lee, an extraordinary performer who died last month at 97 — and was happily hoofing as recently as July.
For a shorter fighter, hoofing the taller man's leg to get it off the floor (by force or by them attempting to check) will often give the shorter man a good chance to get in and punch.
The savvy among you will note that getting off the MiniPRO and just hoofing it is far cheaper and better for you but we must also remember that we should boldly hover into a bright, battery-powered future.
She'd been cooped up there for the church's annual crèche, but apparently couldn't jive with the whole Jesus thing—fleeing her cell at about 2:30 AM and hoofing it to a nearby highway, snarling the local traffic.
That, however, doesn't perturb the Argentines who are hoofing up canapés, getting trashed at the open bar, taking selfies, and already starting to pair up (after all, where better to get lucky than at someone else's wedding night?).
The most compelling explanation is that high-quality games involve teams who are good at retaining possession, and low-quality ones feature those who spend most of the time hoofing the ball in the air and tackling each other.
Yes, it's exciting and impressive, but it overshadows Indigo and Joey's warming to each other romantically ("Your music, Joe, it's food for us who starve for love"), or the frenzy of dancers hoofing up a storm, performing the ample but serviceable choreography of Daphné Mauger.
While the idea of athleisure started as kind of a joke within the fashion industry, something crafted by beleaguered fashion editors who were tired of hoofing it from one runway show to the next in an array of ankle-breaking stilettos, the trend has shown surprising staying power.
Occasionally I'd stay awake all day, and though I stubbornly told myself I "didn't do regrets" about the lost afternoons whittled away, hoofing coke and ranking and re-ranking Little Mix singles on friend's sofas, I'm a grown man and know all this is shitty for my health.
" The credits take up two pages of tiny type in the program, a testament to what must be one of the great producing feats in recent Broadway history, and the score has been updated so that, along with Labelle's "Lady Marmalade," we now get a big hoofing ensemble rendition of Lady Gaga's "Bad Romance," and Olivo belting out Beyoncé's "Single Ladies" and Katy Perry's "Firework.
Doug Pullen, "Wayne Lamb: still hoofing after all these years," Arts & Entertainment, Kalamazoo Gazette, August 11, 1985.
In 1998, the New York Committee to Celebrate National Tap Dance Day and the Young People's Tap Conference honored Sandman Sims for his contributions to the art of hoofing.
The dance was featured in the 1927 Austrian silent film Café Elektric. Judy Garland repeats vocal refrains from the song while hoofing in some chorus girl lines in a montage sequence from A Star Is Born (1954 film).
" Part of the culture of street challenges, as in Los Angeles, was that competing dancers would also learn from one another. A significant change to Sims's dancing style came about as a result of his interaction with Harlem's hoofers, practitioners of a variation on the tap he had learned on the west coast. Sims would later define the main difference between tap and hoofing as being that tap focuses on the heel and toe whereas hoofers "use the whole foot". As a result of the synergy between hoofing technique and his unique use of a sandbox, his routines were described as being "as rich in sounds and textures as they were in steps.
Satin and Spurs is a 1954 American TV variety special with Betty Hutton.Television in Review: Betty Hutton: N. B. C. Stages First of Color 'Spectaculars' ' Satins and Spurs' Has Some Lusty Hoofing V. A.. New York Times 13 Sep 1954: 31. This was the first NBC special broadcast in color. The special originated from NBC's color studios in the Midwood section of Brooklyn.
But with Gene Kelly hoofing like a dervish, Judy Garland character was to show it was bouncing and how beautiful was." The Chicago Tribune thought, "Certainly no effort was spared; the cast is star-studded, and the settings and costumes are strikingly handsome. Yet The Pirate is disappointing, especially in regards to its music. The film has its moments, especially those in which Kelly dominates the screen.
Raft's screen debut was in Queen of the Night Clubs starring Guinan, who insisted Raft have a small role. Although Raft's scenes were cut, a Variety review said "...a nite club scene introduces George Raft, the hot' stepper, as the m. c. and band leader, being brought down for one of his rip- snorting hoofing specialties." Raft also appeared in stage shows supporting the film.
The motto for the series was "Making the World Safe for Musical Comedy," and many issues of the comic book feature the characters singing and dancing. When the characters are shown hoofing it, it is to original choreography. Collins had a vaudevillian approach, changing the format of the comics several times within each issue. This variety act included the comic strip, comic book stories, illustrated stories, originally composed sheet music, crossword puzzles, joke pages and more.
George Henry Tranter (24 February 1886 – 18 October 1958) was a professional footballer who is best known for his time with Aston Villa. Before playing for Villa (1906–1918) Tranter played for Stourbridge. In Tony Matthews' book Who's Who of Aston Villa he was described as "as hard as nails, he never shirked a tackle, was totally committed, had an infallibly cool temperament and was a good passer of the ball, very rarely hoofing it downfield."Matthews, Tony.
"Survive or die" was the credo. In an eccentric fusion of > imitation and innovation, young dancers were forced to find their style and > rhythmic voice. It was said that on the wall of the Hoofers Club was > written: "Thou shalt not copy each other's steps — Exactly." Though he frequently took opportunities to explain the difference between tap and hoofing to the press in later years, and tended to refer to himself as a hoofer rather than a tap dancer, Sims did practice both forms of dance.
In 1954, TV producer Max Liebman, of comedian Sid Caesar's Your Show of Shows, fashioned his first "Color Spectacular" as an original musical written especially for Hutton, Satins and SpursTelevision in Review: Betty Hutton: N. B. C. Stages First of Color 'Spectaculars' ' Satins and Spurs' Has Some Lusty Hoofing V. A.. New York Times 13 Sep 1954: 31. Hutton's last completed film was a small one, Spring Reunion (1957). It was a financial disappointment. She also became disillusioned with Capitol's management and moved to RCA Victor.
Reggio “The Hoofer” McLaughlin, tap dancer, instructor and choreographer started his artistic career in the subways of Chicago, where he had developed his unique style of tap dance hoofing, characterized by raw form of African American Tap. The combination of African foot stomping, Irish step and his lengthy experience contributes to the world of tap dancing. Reginald “The Hoofer” Mc Laughlin performed in various theatre shows and he worked with the pioneers of tap dance. As a principal tap dancer he was seen in two Duke Ellington Musicals: "Jump for Joy" and "Beggars Holiday".
Smith finally gained a regular place at left back, after Scott suffered a series of injuries and Barnes switched sides to cover for him. Smith was known for his pace and the quality of his distribution (whenever possible, he eschewed "hoofing" the ball up the pitch), and finally picked up a medal when he played in the Gunners' FA Cup final victory over Liverpool in 1950. Smith got international recognition when he was picked for England for a match against Wales on 15 November 1950, making his debut at the relatively late age of 30.
Lamb appeared in six Broadway musicals. He first appeared as a solo dancer in the 1946 revival of the Franz Lehár operetta Yours is My Heart at the Shubert Theatre, lasting two months;Doug Pullen, "Wayne Lamb: still hoofing after all these years," Arts & Entertainment, Kalamazoo Gazette, August 11, 1985. This article names the musical as 'Yours is My Heart Alone.' Bloomer Girl, also at the Shubert Theatre starring Celeste Holm with choreography by Agnes Demille, and the musical revue Make Mine Manhattan (1948–1949) at the Broadhurst Theatre with Sid Caesar, which ran for 429 performances.
The 1945 touring production closed in Chicago after three days due to a crippling coal strike.Pullen, Doug. "Wayne Lamb: still hoofing after all these years," Arts and Entertainment, Kalamazoo Gazette, August 11, 1985 The show then opened at the Shubert Theatre, Boston, Massachusetts on October 30, 1945, with the Billboard Magazine critic writing "Lerner and Loewe look like potential supermen."Pearson, Barbara. "Out-of-Town Openings:'The Day Before Spring'" Billboard Magazine, November 10, 1945, p. 38 The musical opened on Broadway on November 22, 1945 at the National Theatre, and closed on April 13, 1946 after 167 performances.
Sean-nós dance has made a significant contribution to American traditional informal freeform solo folk dancing, which includes flat foot dance (or "flat-footing"), hoofing (or "hoofin'"), buck dancing, soft shoe (casual tap dancing performed in shoes without metal taps), clogging (in its older non-show form), Irish sean-nós dance, and the Irish jig. Various other names may be applied for this category of dance, depending upon the specific regional, language, cultural, or social group involved.A Brief History of Clog Dancing. Jeff Driggs, Double Toe Times Clogging Magazine] Solo Southern dancing and solo mountain-style dancing show strong influences from sean-nós dance.
"Hoofing is not a dying art form," he asserted in 1977, and subsequent events would prove him right. 1979 saw the release of No Maps on My Taps, which featured Sims facing off against fellow tap stars Chuck Green—who had served as Sims's mentor during his early years in New York—and Bunny Briggs, in a three-way dance challenge. The documentary also reunited him with bandleader Lionel Hampton, whom he had toured with in years past. In 1980, a far cry from the tiny venues he had been lucky to play just a few years earlier, Sims performed before a crowd of 2,600 fans at the Lincoln Center during the Newport Jazz Festival.
In the movie, he appeared as himself dancing with Joan Crawford. On his return to RKO, he got fifth billing after fourth billed Ginger Rogers in the 1933 Dolores del Río vehicle Flying Down to Rio. In a review, Variety magazine attributed its massive success to Astaire's presence: > The main point of Flying Down to Rio is the screen promise of Fred Astaire > ... He's assuredly a bet after this one, for he's distinctly likable on the > screen, the mike is kind to his voice and as a dancer he remains in a class > by himself. The latter observation will be no news to the profession, which > has long admitted that Astaire starts dancing where the others stop hoofing.
Peck opted the dancers to wear sneakers in the ballet, which had been used in a few ballets in NYCB's repertory and another ballet by Peck. The use of sneakers allowed him to incorporate elements of tap dance. He described the ballet as "rhythm tap and hoofing meets Fred Astaire soft-shoe, and Gene Kelly classical tap-film movements meets ballet". A tap number danced by Robert Fairchild and Peck himself was inspired by the video game Dance Dance Revolution, which the two played when they were roommates at the School of American Ballet, and Peck planned the sequence to look like the two dancers are "following along" the game's level track.
That night Benny Goodman, who had been playing at the RKO Theater next door, was drawn to Izzy Ort's by the sound of Braff's playing. Goodman asked Braff to join him on the road, but the boy's mother insisted he finish high school. Other musicians who played there include Sam Rivers ("You'd get the Navy and the Marines in there, and they could destroy the place in five minutes"), Hal Galper ("The safest place was on the bandstand"),, Dick Johnson, Jaki Byard, Roy Haynes, Nat Pierce, Herb Pomeroy, Dick Twardzik, and Larry Willis. Popular entertainer Sammy Davis, Jr., who lived for several years in Boston's South End, reminisced years later about "hoofing and singing" at Izzy Ort's.
These regions coincide with Colonial frontier areas where America's earlier English settlers found the land less desirable and subsequently were more available for newer immigrants. Thus there is a stronger influence of the Irish and Scottish peoples in those regions from their migration during Colonial and later eras. Sean-nós dance in America has made a significant contribution to the American traditional informal freeform solo folk dancing that includes Hoofing (AKA Hoofin'), Buck Dancing, Soft Shoe, Clogging (in its older non-show form), and the Irish Jig. (Various other names may be applied for this category of dance, depending upon the specific regional, language, cultural, or social group.) Solo Southern dancing and Solo mountain-style dancing show strong influences from sean-nós dance.
Later that year, Sims was one of the instructor-performers of the By Word of Foot "teach-in" series, spending a week demonstrating his hoofing techniques for a new generation of tap enthusiasts. As part of New York's leg of the 1981 Newport Jazz Festival (which spanned both NYC and its home city of Newport, Rhode Island, that year), he performed with former Cotton Club bandleader Cab Calloway in a production called Stompin' at the Savoy. A few weeks later, Sims was on stage at the American Dance Festival, dancing both with and without his sandbox. By 1982, Sims was part of a promotional tour reviving interest in No Maps on My Taps with co-stars Bunny Briggs and Chuck Green, their pre-screening performances backed by Cab Calloway.

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