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8 Sentences With "holds in high regard"

How to use holds in high regard in a sentence? Find typical usage patterns (collocations)/phrases/context for "holds in high regard" and check conjugation/comparative form for "holds in high regard". Mastering all the usages of "holds in high regard" from sentence examples published by news publications.

Some of the biggest losers have been companies that David Kostin, the chief US equity strategist for Goldman Sachs, holds in high regard.
"Trump wanted his Roy Cohn," a person close to Barr said, referring to the disgraced former mob lawyer who Trump still holds in high regard.
This ability to be resourceful is a trait that Jeff still holds in high regard and one that his wife of 25 years works hard to instill in their four children.
Zaheer is well-versed in Air Nomad spiritualism, philosophy and history; in particular, the teachings of the legendary airbender, Guru Laghima, whom he holds in high regard. Through meditation, Zaheer can enter the Spirit World and freely teleport himself and others to various places in that realm. Due to having practiced, trained, and meditated for decades, he can still communicate with his body in the physical world while his soul is in the Spirit World.Ian Graham on the spirit of an episode commentary for "The Stakeout".
As a game developer, Itagaki has defined his philosophy as being able to extract the strengths of a game machine, and integrate them together to develop games to a level no one else can reach. He defines a game developer's satisfaction with a game machine as dependent upon these criteria. With this philosophy, he continually expresses happiness in developing on the Xbox 360, proclaiming it to be more 'software friendly' than the PlayStation 3. Furthermore, he admires the Nintendo Wii's dedication to innovation, which he holds in high regard for the spirit of gaming.
Although it is normal among Somalis to call one another by their given name, in more formal situations, honorific terms may be used as well, such as adeer to males senior to oneself, or sheekh to a religious figure, or mudane, an individual one holds in high regard. There are also terms of endearment which are used, such as huuno (gender-neutral), other gender-neutral terms of address for one's peers, such as jaale, saaxib, eebow, aado, or boowe. There are also terms of address for significant others, such as gacalo and terms of address for younger people, i.e. maandhow (lab / masculine), maandhey (dhedig / feminine), or igaarkey (lab / masculine) and igaartey (dhedig / feminine).
Taylor also opposes anti- miscegenation laws as impinging on the freedom of association of private citizens.. Taylor believes that the multi-racial American society is "doomed to failure", and that non-white groups should not constitute a significant part of the American population, especially Hispanics, Africans, Afro- Caribbeans and Middle Easterners, although he also includes Northern Asians, who he holds in high regard. He thus supports immigration policies that would favor white immigrants over other groups. Taylor has said: "Whites deserve a homeland," and when questioned about the US immigration laws passed in 1965, under the Hart-Celler Act, said that "Whites are making a terrible mistake by setting in motion forces that will reduce them to a minority."Jared Taylor, in an interview with ABC News' Amna Nawaz, on 26 March 2017; Jared Taylor, ABC Interview 2017.
For this album and subsequent releases, Alpert recorded with the group of L.A. session musicians known as The Wrecking Crew, whom he holds in high regard. Alpert in 1966 By the end of 1964, because of a growing demand for live appearances by the Tijuana Brass, Alpert auditioned and hired a team of crack session men. Alpert used to tell his audiences that his group consisted of "Four lasagnas, two bagels, and an American cheese": John Pisano (electric guitar); Lou Pagani (piano); Nick Ceroli (drums); Pat Senatore (bass guitar); Tonni Kalash (trumpet); Herb Alpert (trumpet and vocal); and Bob Edmondson (trombone). The band debuted in 1965, and became one of the highest-paid acts then performing, having put together a complete revue that included choreographed moves and comic routines written by Bill ("José Jiménez") Dana. An album or two was released each year throughout the 1960s.

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