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45 Sentences With "hideousness"

How to use hideousness in a sentence? Find typical usage patterns (collocations)/phrases/context for "hideousness" and check conjugation/comparative form for "hideousness". Mastering all the usages of "hideousness" from sentence examples published by news publications.

There are plenty of wearers for whom this hideousness doesn't matter.
The hideousness that Upton Sinclair described in that book  prompted food inspection reforms.
They feel like they have the ability to voice these bigotries and this hideousness.
But the facts here are simply not compelling enough to outweigh the hideousness of two spaces.
And its hideousness will likely and unfortunately dull with every use, becoming less and less jarring.
Ovid's "Metamorphoses" recounts the birth of Medusa's hideousness: She is raped by Poseidon in Athena's temple.
So it's unclear why companies continue to push products that seem to revel in their own hideousness.
It was hideousness — not merely as a visual aesthetic, but as an overwhelming version of the world.
The peaks—like the nail-gun-through-a-chalkboard opening of "Transmission"—almost feel cathartic in their hideousness.
It's not true, and its full hideousness did not hit me until after it was out of my mouth.
Despite the hideousness of racism, there is a persistent notion that we should get over it and move on.
In Multiple Maniacs, David Lochary was trash, Divine was filth, and together, they reached a new level of comic hideousness.
It's like stepping backward through the internet and emerging into the neon frontier town of cheerful hideousness that existed a decade ago.
Not even a badass 16-year-old, record-setting explorer can escape the hideousness of men cowering behind avatars from thousands of miles away.
But Johnson doesn't shy away from coming clean, giving words and shape to such hideousness because that's what he is there to do as a journalist and as a writer.
The British electorate looked up and down at the shit and decrepitude, the sheer quotidian hideousness of it all, and said No. Anything is better than this; nothing is better than this.
Instead of undergoing a Beauty and the Beast-esque transformation set to the sounds of Celine Dion and Peabo Bryson, Shrek learns to embrace his own hideousness and finds himself an equally grotesque ogre bride.
In endorsing the hideousness of Shady and Lentelli's sculpture, which is kitschy and sentimental in its depiction of a "noble" general bestride his very favorite horse, Trump invites us to come together as a nation.
Toward the end of her speech, Winfrey told the story of civil rights activist Recy Taylor, laying out the hideousness of what happened to her in plain speech that would normally have no place at an awards show.
Empowered to grasp as deeply as they please into the darkest possibilities of their imaginations, these artists merge Felker-Martin's ideas of great horror and great porn into a chimera of hideousness so lovingly detailed that it becomes beautiful.
You gape at the hideousness of the Twins' strikeout rate, a still-life of (ineffective) times gone by, and you stare agog at the brutality of the Phillies pitching staff, all twisted metal and home runs allowed along a rural highway.
Hail to Selina (Julia Louis-Dreyfus) one last time; say farewell to Jonah (Timothy Simons) and his gleeful hideousness; let the zingers wash over you; think about ineptitude and psychopathic cruelty in politics, but don't think about it too hard.
Previously, to access your most commonly used apps you still had to go through the main menu or sift through the Google Play store for a separate widget app or comb through the thousands of Wear OS watch faces for one that lets you customize complications without melting your eyes with its hideousness.
Under Donald Trump, the Republican Party, at least as we once understood it, has become a fantastical entity, a creature not wholly unlike the Abominable Snowman, or the Chupacabra, or the mythical Squonk of central Pennsylvania, the imaginary creature that spends its days deep in the forest, weeping in despair at its own hideousness.
He used to say that when in his childhood he saw the hideousness of drunken people, he – a man inseparably connected with a beauty – decisively discerned this aspect of ugliness.
"Quoted in Broyles (2004), p. 78. Others were less analytical: "We have never suffered from such insufferable hideousness, expressed in terms of so-called music." Ornstein's follow-up performance provoked a near-riot: "At my second concert, devoted to my own compositions, I might have played anything. I couldn't hear the piano myself.
Ugliness is a property of a person or thing that is unpleasant to look upon and results in a highly unfavorable evaluation. To be ugly is to be aesthetically unattractive, repulsive, or offensive. There are many terms associated with visually unappealing or aesthetically undesirable people, including hideousness and unsightliness, more informal terms such as turn-offs.
When he changes to a human form, he looks oddly handsome compared to his lord. (Who looks like a dirty old man.) In return for the help Yoshimori gave him, he gave him a feather that calls crows, and allows Yoshimori to understand them. ; : :: Can disguise themselves as cute, harmless-looking creature until they cannot hide their hideousness. Badly injured Tokine.
Mencken observed that Bok showed an irrepressible interest in things artistic: > When he looked at the houses in which his subscribers lived, their drab > hideousness made him sick. When he went inside and contemplated the > lambrequins, the gilded cattails, the Rogers groups, the wax fruit under > glass domes, the emblazoned seashells from Asbury Park, the family Bible on > the marble-topped center-table, the crayon enlargements of Uncle Richard and > Aunt Sue, the square pianos, the Brussels carpets, the grained woodwork—when > his eyes alighted upon such things, his soul revolted, and at once his moral > enthusiasm incited him to attempt a reform. The result was a long series of > Ladies' Home Journal crusades against the hideousness of the national scene > - in domestic architecture, in house furnishing, in dress, in town > buildings, in advertising. Bok flung himself headlong into his campaigns, > and practically every one of them succeeded.
After Finn and Jake regain consciousness only to faint due to Princess Monster Wife's hideousness, she beings to doubt her normality, leading the Ice King to throw a fashion show. All of the kingdom's penguins are in attendance, but one of them vomits due to Princess Monster Wife's ugliness. Distraught, Princess Monster Wife locks herself in her room. The Ice King desperately tries to show her that she is beautiful by revealing that he made her out of the parts of the princesses he found most attractive.
Lily treats her niece Marilyn as her own daughter, but shares the family's concern that Marilyn's "hideousness" is going to condemn her to a spinster's life. As such, she is very much in favor of Marilyn dating, and is very accommodating to Marilyn's fleeting beaus despite their "rudeness." (What Lily is perceiving as lack of manners is in fact the young man's terror of seeing Marilyn's monstrous relatives). Lily is very supportive of her son, Eddie, and keeps a close eye on his activities and social circle.
The magazine focused upon the social issues of the day. The mother of H.L. Mencken was one of those busy and amiable housewives who read Edward Bok’s Ladies’ Home Journal year after passing year. When Bok’s autobiography, The Americanization of Edward Bok, appeared in 1920, he reviewed it with an interest based on long acquaintance with the magazine. Mencken observed that Bok showed an irrepressible interest in things artistic: > When he looked at the houses in which his subscribers lived, their drab > hideousness made him sick.
A supply of shaganappi and wood are brought; a cart can break a half-dozen axles in a one-way trip. The axles are ungreased, as grease will capture dust, which acts as sandpaper and can immobilize the cart. The resultant squeal sounds like an untuned violin, giving it the sobriquet "the North West fiddle"; one visitor wrote that "a den of wild beasts cannot be compared with its hideousness."This noise can be heard by listening to a recording of a modern reconstruction of a full-scale cart.
Joshua explains the psychology of the zombies: realizing that they are in a liminal state between life and death, the zombies kill humans out of envy. They are repulsed by mirrors because it reminds them of their own hideousness, and attack when they sense fear. The zombies can be tricked into believing they are dead by wounding and then dismembering them, but they must be left unburied. They can also be destroyed by trapping them in an enclosed space, which causes them to enter a psychotic state and cannibalize one another.
Castle Eaton Bridge is a road bridge across the River Thames in England at Castle Eaton in Wiltshire. It carries a minor road between Cricklade, 4 miles to the southwest, and Kempsford 1½ miles to the east. The iron girder bridge with brick piers was built in 1893 with materials supplied by iron founders E Finch & Sons of Chepstow. It was described by Fred Thacker in 1920 "The present deplorable iron trough ... The Conservancy is often blamed for its hideousness; their responsibility amounts only to acquiescence; I understand the Swindon District Board was the actual artist".Fred.
This is apparently done purely for humor, based on comments made regarding Takaaki by his "victims," and in many cases these taunts actually increase the marketing "buzz" surrounding the artists. Particularly well known is Ishibashi's fascination with accusing of anything from simple hideousness, to outright alien or supernatural evil, which started back when the group debuted. Numerous CG images will depict her as a hag or Kappa or show her in some maniacal facial expression while doing the activities she is speaking of in the interview. Both Kei and her mother apparently credit this humorous "abuse" with Kei's popularity as a member.
The Phantom remarks that she is lucky not to come to that kind of music yet, as his Don Juan "burns" with fire not from heaven and would consume anyone who came near it. Whereas Mozart's and Lorenzo da Ponte's original Don Giovanni, inspired by vice and love affairs fueled by pettiness, will only make one "weep". After the Phantom is unmasked and his hideousness is revealed, Erik spitefully, and probably sarcastically, remarks that he is the same kind of man as Don Juan, because once a woman sees him, she loves him forever. He yells to her that he is "Don Juan triumphant".
Leterrier cited An American Werewolf in London as the inspiration for Banner's transformation, wanting to show how painful it was for him to change. As a nod to the live action TV series, Banner's eyes change color first when he transforms. Leterrier changed the Abomination's design from the comics because he felt the audience would question why he resembled a fish or a reptile, instead of "an über-human" like the Hulk. Rather, his hideousness is derived from being injected multiple times into his skin, muscles and bones, creating a creature with a protruding spine and sharp bones that he can use to stab.
The turning point of the battle occurred when the Scythed chariots led by Archelaus dived into Nicomedes army. According to Appian, the chariots caused wounds of such a hideous nature that they caused fear and confusion among Nicomedes' troops, "...cutting some of them in two, and tearing others to pieces." So horrified was the army at the spectacle of men being cut in half while still breathing, or their mangled bodies hanging in parts on the scythes that, "overcome rather by the hideousness of the spectacle than by the loss of the fight, fear took possession of their ranks." This gave Neoptolemus time to regroup and attack what was now the rear of Nicomedes' army.
It is possible to dance in front of such people without compromising oneself. Living in exile in the United States in the 1940s, the German writer Thomas Mann was concerned with the issue of German responsibility for World War II and the Holocaust. He wrote several essays on the subject, including "Deutsche Schuld und Unschuld" ("German Guilt and Innocence") and "Über Schuld und Erziehung" ("On Guilt and Education"). After reading about the liberation of the Nazi concentration camps in 1945, Mann said in a German-language BBC broadcast: :Our disgrace lies before the world, in front of the foreign commissions before whom these incredible pictures are presented and who report home about this surpassing of all hideousness that men can imagine.
In a 1997 interview on Charlie Rose, Wallace said that the notes were to disrupt the linear narrative, to reflect his perception of reality without jumbling the narrative structure, and that he could have jumbled the sentences "but then no one would read it". Max has described Wallace's work as an "unusual mixture of the cerebral and the hot-blooded", often featuring multiple protagonists and spanning different locations in a single work. His writing comments on the fragmentation of thought, the relationship between happiness and boredom, and the psychological tension between the beauty and hideousness of the human body. According to Wallace, "fiction's about what it is to be a fucking human being", and he said he wanted to write "morally passionate, passionately moral fiction" that could help the reader "become less alone inside".
When he went inside and contemplated the > lambrequins, the gilded cattails, the Rogers groups, the wax fruit under > glass domes, the emblazoned seashells from Asbury Park, the family Bible on > the marble-topped center-table, the crayon enlargements of Uncle Richard and > Aunt Sue, the square pianos, the Brussels carpets, the grained woodwork—when > his eyes alighted upon such things, his soul revolted, and at once his moral > enthusiasm incited him to attempt a reform. The result was a long series of > Ladies’ Home Journal crusades against the hideousness of the national scene > - in domestic architecture, in house furnishing, in dress, in town > buildings, in advertising. Bok flung himself headlong into his campaigns, > and practically every one of them succeeded. ... If there were gratitude in > the land, there would be a monument to him in every town in the Republic.
The narrator, Charles L., is an unremarkable cashier seemingly bereft of personality, a man condemned to live forever a larval existence. However, once he is confronted with the crushing stupidity and overwhelmingly hideousness of his fellow-beings (beginning with those of his wife and in- laws), he withdraws into his own inner world, into the realm of the imagination and dream, which Mirbeau saw as so important, and which established the author's affinity with his contemporary, Sigmund Freud. Alienated from others and from himself, Charles L. develops a capacity for pitiless observation, which allows him to detect all of society's absurd and ignominious features in their petrifying horror. Thereafter, he makes pity and revolt against a homicidal society « the bases of his moral life », as he testifies in his confession, which constitutes an instrument of revenge for his shabby, wretched life.Cf. Arnaud Vareille, « Les Mémoires de mon ami », in Dictionnaire Octave Mirbeau .
Luther thought it did not make sense that the two types of merit could be gained by similar actions when the benefit of condign merit is so much greater than the benefit of congruent merit. Commentary on the Sermon on the Mount translated by Charles A. Hay, 1892, page 97 According to the doctrine of Calvin (Instit., III, ii, 4) good works are "impurities and defilement" (inquinamenta et sordes), but God covers their innate hideousness with the cloak of the merits of Christ, and imputes them to the predestined as good works in order that he may requite them not with life eternal, but at most with a temporal reward. Apart from earlier dogmatic declarations given in the Second Synod of Orange of 529 and in the Fourth Lateran Council of 1215 (see Denzinger, 191, 430), the Council of Trent upheld the traditional doctrine of merit by insisting that life everlasting is both a grace and a reward (Sess.
He had made Weston recognise the "hideousness" of what he had done and made him promise to desist from further attempts upon the prisoner's life. Although Helwys maintained that he kept a close watch on Overbury after this event, he nevertheless suspected that the "thing was done" the moment his vigilance had been relaxed. On 18 November, – Helwys, Weston, Turner and Franklin – were found guilty as "accessories before the fact done" and, lacking powerful connections, were sentenced to death. On the day of his execution on the following Monday, 20 November at Tower Hill, Helwys gave an impassioned speech to the crowd in attendance protesting his innocence: > I was so far from thinking myself foul in the fact, that until these two > Gentlemen, (Doctor Felton and Doctor Whiting, the physicians for my soul) > told me how deeply I had imbrued my hands in the blood of (Overbury) making > me, by God’s law, as guilty in the concealing (of it) as if I had been a > personal actor in it.

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