From time to time it hiccupped and stuttered, as streams often do.
|
|
Celeste hiccupped or burped and it turned into a small retch, but nothing came up.
|
|
When the generator hiccupped and the lights went out, there was barely a shrug; when it came back on there was applause.
|
|
More From VICE: Doctors Explain Why US Healthcare is So Expensive Davis says she knows of a few cases where people have hiccupped themselves off this mortal coil.
|
|
The stock market hiccupped in morning trading, with the Dow dipping nearly 22578 points, but it later closed down just 220 at 21.7,23.065, its third loss in four sessions.
|
|
In some cases both alternatives are acceptable, e.g. dialog → dialogued or dialogged†, hiccup → hiccupped or hiccuped, program → programed† or programmed. Note however catalog → cataloged†, pyramid → pyramided, format → formatted (but combat → combat(t)ed). Other variations not entirely consistent with these rules include bus → bused† or bussed, bias → biased or biassed† and focus → focused or focussed.
|
|
He gained much acclaim for his rendition of the sentimental ballad, "Zargay Mey Laywanai De", in which Akif slurred, hiccupped and sang like a drunkard, sniggering at the hopelessness of his lovelorn fate. By the end of 1969, television producers had caught on to Akif's growing fan base and he was invited to perform on television.
|
|
" Dancing Astronaut's Christ Stack described the song's hook as a kind of "conviction that lifts octopuses to space and then the beyond as demonstrated by her music video." EDM Identity's Jayce Ullah-Blocks compared "Life & Death" to the previous song, "Flying Octopus", stating that the former was a different story and that with "hiccupped wubs and chilling alien gargles, this collaboration with Deathpact is a hip-shaking tune that rejuvenates the soul before it's snatched away with each staccato wobble." Noiseporn's Jeanette Kats wrote that Rezz "proves her production ability knows no limits", calling it the "most surprising single on the album." Cassie Sheets for Nest HQ, Cassie Sheets described the song as one of the most memorable productions, writing that "the pair dodge expectations and present the unpredictable.
|
|
" (Ratliff wrote that the piece "just vaults into being," and is "remarkable for the way it starts at absolute full intensity and retains that level without peaking or deflating.") According to Ratliff, in his solo, Coltrane "trips up the internal 12-bar logic. He causes patterns to change every bar, or stretches a single pattern across the 2nd and 3rd bar, or the 4th and 5th, or three in a row. In under a minute, Garrison, walking in hiccupped phrasing... loosens himself from the 12-bar structure; Coltrane (and Jones) still demarcate the end of the 12 bars by the beginning of a new melodic idea and an emphatic cymbal crash... at two and a half minutes in, Coltrane starts to disregard the 12-bar markers, and he's off, at large, exploring texture, fooling with short, sweet melodies..." Aspects of the solo reflect the influence of John Gilmore's "run-on language of short motivic cells", which Coltrane confirmed, stating: "I'd listened to John Gilmore kinda closely before I made 'Chasin' the Trane'... So some of those things on there are really direct influences of listening to this cat.
|
|