91 Sentences With "here, there, and everywhere"

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They are here, there and everywhere, as all sorts of things.
Here Be Monsters Monsters are here, there and everywhere in film and literature.
"Somewhere between 'Stand by Me' and 'Here, There and Everywhere,' my mom passed away," he said.
My body started to change once I hit my mid-30s, filling out here, there, and everywhere.
He popped up here, there and everywhere, and his sixth pass of the play was the decisive one.
"My body started to change once I hit my mid-30s, filling out here, there, and everywhere," says Bryant.
Darting here, there and everywhere was Mr. Schachter, who, before things unraveled, repeatedly championed Mr. Philbrick in his Artnet columns.
Here, there and everywhere From the Last Supper to the moon landing, Twitter users seem convinced that Ivanka Trump is everywhere.
Aching here there and everywhere, she drives home and tells her family that Grandma needs to lie down for a little bit.
When the maverick Frenchman blazed away, firing winners from here, there and everywhere, to take the third and fourth sets Murray was wobbling.
They now spend much of their time inspecting operations—dropping in here, there and everywhere to see what the accounts mean in practice.
For people like me, it's not good for us to be sent here, there and everywhere every day giving away a piece of ourselves.
Some of them are masterpieces, like Revolver's tender "Here, There and Everywhere" or "Maybe I'm Amazed," his passionate post-Beatles tribute to his wife Linda.
The idea here is that autonomous cars will operate constantly, delivering passengers here, there and everywhere all day, and that the need for parking will diminish.
The standout individual was Benfica's left winger, Nicolás Gaitán, who was here, there and everywhere, combining industry with artistry as he tried to inject urgency to break the deadlock.
"Working with The Beatles was unlike working with any other artists," Emerick wrote in his 2006 memoir Here, There, and Everywhere: My Life Recording the Music of The Beatles.
You've got all these bigwigs all doing it, but I think if you're earning your money in the UK, you shouldn't be able to send it here, there, and everywhere.
Today, at 22016, Ms. Campbell is ubiquitous once again, walking her signature walk here, there and everywhere, while enjoying a career peak seldom seen in the youth-obsessed fashion world.
And it immediately inspired the Beatles' recording of "Here, There, and Everywhere," which would appear on their own classic, Revolver, when it was released a few months later, in August 2200.
"It was hard to get any rhythm because Phil was here, there and everywhere, so I was waiting a lot," Northern Irishman McIlroy told reporters after a steady one-under-par 70.
The interpolation of the Beatles' "Here, There and Everywhere" on "White Ferrari" stuck out on first listen but the bit-crushed snippet of the band's 1967 instrumental "Flying" buried in "Seigfried" probably didn't.
And many of us could hang around our friend's house, waiting for him to wake up, but few could bang out "Here, There and Everywhere" on the guitar while waiting, as Paul did.
" The Beatles reference is even harder to pick out; attentive listeners will notice that Ocean's "White Ferrari" and The Beatles' "Here There and Everywhere" both feature the line, "each day of the year.
"After the initial panic and all the cancellations we've been inundated with calls from clients asking us to organise events connecting virtually people here, there and everywhere," he said, adding that demand had "exploded".
The song is sprinkled with a variety of influences—the heavy Bon Iver and James Blake-esque verse is unmistakeable and stirring, and pieces reimagine "Here, There and Everywhere" from The Beatles (who are credited as contributors).
The result often feels like the show's writers are elementary school kids learning how to cuss for the very first time, inserting fucks here, there, and everywhere, as if said fucks were going to be taken from them.
His genius is evident in the baroque-style piano bridge he wrote and played for "In My Life", in Paul McCartney's deftly multi-tracked lead vocal in "Here, There and Everywhere", and in his thunderous orchestral crescendo for "A Day in the Life".
She's totally squared the past with the present, is admired by all, and is not only seen to be good but actually does good in the world for many people, providing clean water and equitable job creation and maternity leave and plenty of other inarguable benefits for women here, there, and everywhere.
In his memoir, "Here, There and Everywhere: My Life Recording the Music of the Beatles" (203), written with Howard Massey, Mr. Emerick described his second day on the job, when he watched as the producer George Martin brought in his newly signed foursome — Paul McCartney, John Lennon, George Harrison and Ringo Starr — for an early recording session.
Playlist: "Maybe I'm Amazed" / "And I Love Her" / "Here, There and Everywhere" / "Two of Us" / "My Love" / "Silly Love Songs" / "My Valentine" / "Here Today" / "I've Just Seen a Face" / "Love in Song" / "I Will" / "I'm Carrying" Spotify | Apple Music One of the worst misconceptions about Paul is that he can't rock as hard as John Lennon could, that he lacks grit and is all love songs and pretty melodies.
T. Hadley, "Janet"Tupac, "Dear Mama"Outkast, "Ms Jackson"Eykah Badu, "Hello"Rufus & Chaka Khan, "Your Smile"Frank Ocean, "At Your Best (You Are Love)"The Beatles, "Rocky Raccoon"The Beatles, "Here, There and Everywhere"Frank Ocean, "White Ferrari"The Flaming Lips, "Yoshimi Battles the Pink Robots, Pt 1"Micachu, "Go" (With Tirzah)MssingNo, "Fones"Dam Funk, "Mirrors"Andres, "You're Still The One"Kuedo, "Whisper Fate"Caribou, "Hannibal"LCD Soundsystem, "American Dream"Crying, "Well and Spring"Miley Cyrus, "Rooting For My Baby"Metronomy, "This Could Be Beautiful (It Is)"Frank Ocean, "Nikes"Shawty Pimp, "Kickin' Pimpin'"Juvenile, "Ha"A$AP Rocky f.
But there is such a thing as physical courage, real, persistent, very hard to explain, existing in tiny pockets here, there, and everywhere, and though almost always useless it is still something you don't easily forget once you've seen it—like a very beautiful face or a giant mountain range, it sets a limit somehow on your own hopes for yourself—and, sensing this, maybe, the tall dim one raised his gleaming machete and, with the same fluid yet effortless gesture with which you might take the head off a flower, separated the boy from his life.
Beatles producer George Martin also highlighted it among his favourite McCartney songs. Lennon reportedly told McCartney that "Here, There and Everywhere" was "the best tune" on Revolver. In a 1980 interview for Playboy magazine, Lennon described it as "one of my favourite songs of the Beatles". In 2000, Mojo placed "Here, There and Everywhere" at number 4 on its list of the greatest songs of all time.
Hamilton, Frederick Spencer. (1921). Here, There and Everywhere. Hodder and Stoughton. pp. 40-42 Bernard described taking photographs of the boy climbing the rope, disappearing and reappearing at a courtyard in Calcutta.
The Beatles recorded "Here, There and Everywhere" in June 1966, towards the end of the sessions for Revolver. Having recently attended a listening party for the Beach Boys' Pet Sounds album, McCartney drew inspiration from Brian Wilson's song "God Only Knows".
He won four Grammy Awards for his work in the music recording field. His 2006 memoir Here, There and Everywhere: My Life Recording the Music of the Beatles caused controversy for its factual errors. In 2018, Emerick died from a heart attack at the age of 72 in Los Angeles, California.
A performance of The Beatles' "Here, There and Everywhere" entered the pop charts at #65. Harris' eclectic musical tastes were reflected in her choice of material by Hank Williams, The Beatles, Gram Parsons and Buck Owens. Harris' vocals on the album earned her the Grammy Award for Best Country Vocal Performance, Female.
When discussing his song "Here, There and Everywhere", Paul McCartney has often cited Brian Wilson's "God Only Knows" as his main source of inspiration. The latter track appeared on the Beach Boys' 1966 album Pet Sounds and was itself inspired by Wilson repeatedly listening to the Beatles' Rubber Soul album. On 17 May 1966, the day after the new Beach Boys album had been released in America, McCartney and John Lennon attended a private listening party for Pet Sounds held at London's Waldorf Hotel. In 1990, McCartney told Beach Boys biographer David Leaf that it was "just the introduction that's influenced [by the Beach Boys]", referring to the harmonies he and Lennon devised for the opening lines of "Here, There and Everywhere".
The New Deal on Data also provides for the aggregate, anonymous use of location data for the public good, such as predicting Tuberculosis outbreaks in Africa. "If you can find and identify an outbreak just one week earlier, you’re saving thousands of lives".Tsai, Jessica. "Here, There and Everywhere" , DestinationCRM, San Francisco, January 2010.
He said that the album was the primary impetus for Sgt. Pepper and influenced his Revolver composition "Here, There and Everywhere". Among the distinguishing musical features of Pet Sounds that the Beatles adopted throughout Sgt. Pepper were the upper-register bass lines, a larger emphasis on floor toms, and more eclectic and unorthodox combinations of instruments (including bass harmonica).
Miss Gentry's singing is particularly beautiful here, creating moods of haunting fragility." A review from Record World said, "With a voice as soft as fur, Bobbie sings about the people who people her life. About half of the material is her own rich work. Other songs are "Come Away, Melinda", "Eleanor Rigby" and "Here, There and Everywhere".
The rest is loyalty. Decades of pain." Art has said his all-time favorite pop song was The Beatles' "Here, There and Everywhere" and his all-time favorite album was Rumours by Fleetwood Mac. When asked about his musical preferences, he answered, "I have a very sure-footed sense of what I like, and exactly how much I like it.
It was produced by Steve Tyrell and executive produced by David Foster. It features covers of The Beatles' "Here, There and Everywhere" and Maroon 5's "This Love," both arranged and performed in a relaxed jazz/lounge style. Its first week sales put it into the top 10 of the Billboard jazz charts. It sold 18,000 copies as of March 2006.
Paul Matthew Gambaccini (born April 2, 1949) is an American-British radio and television presenter and author in the United Kingdom. He has dual United States and British nationality, having become a British citizen in 2005. Known as "The Great Gambo"Burrell, Ian. "Paul Gambaccini: Here, there and everywhere," The Independent (09 April 2007) and "The Professor of Pop",Topping, Alexandra.
The album's second Beatles cover is "Eleanor Rigby"; with its story of small-town loneliness and death is the only Beatles cover that fits well with Gentry's own songwriting. Track ten is a cover of Kenny Rankin's "Peaceful". The album closes with the final Beatles cover, "Here, There and Everywhere" which features a gorgeous vocal from Gentry and a '60s lounge style arrangement.
He is both wonderfully agile and fast for a man of his size. In our game with Michigan, we had two men instructed to play against Schulz and at times three and four were opposed to him. For some time, he handed out as much as we passed to him in the roughing end of the game. He was here, there and everywhere.
Pepper's Lonely Hearts Club Band had the treatment and it is still widely used for instruments and voices. Nowadays, the effect is more often known as automatic double tracking. ADT can be heard on the lead guitar on "Here, There and Everywhere" and the vocals on "Eleanor Rigby" for example. The technique was used later by bands like the Grateful Dead and Iron Butterfly, amongst others.
"Here, There and Everywhere" is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of all the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time.
They would appear on the band's second release "Psycho" b/w "Here, There, and Everywhere", again both covers. Gannon would not be involved in the group's further releases, but remained their live drummer. Hocko's vocals on "Psycho" was an example of scream-singing. The band produced several more singles on the same label which sold well in Pittsburgh, and they performed in Lee's dance clubs with revolving lineups.
Send tape echo echo delay (more commonly known as STEED, alternatively known as single tape echo and echo delay) is a technique used in magnetic tape sound recording to apply a delay effect using tape loops and echo chambers. In 2006, while publicising his memoir (Here, There, and Everywhere: My Life Recording the Music of The Beatles), recording engineer Geoff Emerick stated that "God only knows" how the effect worked.
Spin magazine's Dan Weiss compared his vocal treatments to those of Prince's aborted Camille album. The Daily Telegraph also suggested that Ocean's voice and melodies obscured the experimental nature of his compositions. The album have elements of spoken word. The track "Seigfried" interpolates a spoken word part by Elliott Smith and "White Ferrari" borrows musical elements from the Beatles' song "Here, There and Everywhere", while "Close to You" incorporates a Stevie Wonder sample.
The song was recorded as a demo during the same session that produced other "White Album" songs "Mother Nature's Son" and "Wild Honey Pie". McCartney recorded one take of the song while waiting for session musicians to arrive. After the take was recorded, the tape was taken away by George Martin's assistant, Chris Thomas. The recording is said to have lyrics, a bridge, and an introduction that is reminiscent of "Here, There and Everywhere".
The Beatles recorded "Here, There and Everywhere" towards the end of the sessions for their 1966 album Revolver. The band worked on the song at Abbey Road Studios over three session dates – on 14, 16 and 17 June. Before carrying out overdubs, they taped 13 takes before achieving a satisfactory basic track. The recording is noted for its layered backing vocals, which McCartney, Lennon and George Harrison spent much of the three days attempting to perfect.
Molotov, like Stalin, was pathologically mistrustful of others, and because of it, much crucial information disappeared. As Molotov once said, "One should listen to them, but it is necessary to check up on them. The intelligence officer can lead you to a very dangerous position... There are many provocateurs here, there, and everywhere." Molotov continued to claim, in a series of published interviews, that there never was a secret territorial deal between Stalin and Hitler during the Nazi–Soviet Pact.
Lord Frederick also wrote the books Here, There and Everywhere, The Days Before Yesterday and Vanished Pomps of Yesterday which was first published in 1920 by Hodder and Stoughton Ltd, London. These give vivid accounts of his life in the diplomatic service. While serving as aide- de-camp to Lord Lansdowne, then Governor-General of Canada, in Ottawa, Lord Frederick was the first person to introduce skiing to Canada. From 1896 to 1900, he was editor of the Pall Mall Magazine.
Star Tribune, June 11, 2015 beginning as a series of series of one-on-one dances and winding up with a full-length production at the Red Eye Theater."Top dance of 2015: Dazzling moments here, there and everywhere". By SHEILA REGAN Star Tribune December 20, 2015"In BodyCartography's 'closer,' audience becomes a dance partner". Star Tribune, SHEILA REGAN August 14, 2015 They also sold these one-on-one performances at the Walker Art Center Shop as part of the Intangibles Collection.
The album was recorded from May to July 1968. The first two tracks to be recorded were "Peaceful" and "Here, There and Everywhere" on May 10. "Come Away, Melinda", "Papa's Medicine Show", and "Eleanor Rigby" were recorded on May 13, 14, and 15, respectively, with the latter two titles being overdubbed on May 29. "Sweete Peony", "Ace Insurance Man", and "Sittin' Pretty" were recorded in June at EMI Studios in London, during sessions booked around Gentry's filming schedule for her first BBC series.
For example, he obtained the biting string sound that characterises "Eleanor Rigby" by miking the instruments extremely closely—Emerick has related that the string players would instinctively back away from the microphones at the start of each take, and he would go back into the studio and move the microphones closer again.Emerick, Geoff, with Howard Massey (2006). Here, There and Everywhere: My Life Recording the Music of The Beatles. . The recording of George Harrison's acoustic guitar in "Here Comes the Sun" was another incidence of close miking.
In contrast to the verse of a song, the chorus tends to be simpler, more memorable and singable and it often uses repetition of lyrics (e.g. "She loves you yeah, yeah, yeah..."). In the 19th and early 20th centuries into the 1940s, the term "chorus" described what is now defined as an "intro", sung only once at the beginning of the song. As an example from 1966, the three measure introduction to the Paul McCartney song "Here, There and Everywhere"... "to lead a better life" etc.
Softer sounds in rock music could be heard in mid-1960s songs, such as "A Summer Song" by Chad & Jeremy (1964) and "Here, There and Everywhere" by the Beatles and "I Love My Dog" by Cat Stevens (both from 1966). By 1968, hard rock had been established as a mainstream genre. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock,R. B. Browne and P. Browne, eds, The Guide to United States Popular Culture (Popular Press, 2001), , p. 687.
The appearance of the main saloon is really > charming. Here, there, and everywhere, are flowers and birds, the one, in > some cases, just appearing to blossom and the other, apparently, just > waiting to spring from a branch, whereon it is perched, so naturally is > everything done. In the main saloon, ladies' saloon, and social hall, may be > seen very delightful specimens of good taste in the selection of the new > velvet carpets, rugs, mats, silk curtains, lace curtains, etc., all of which > are of the very costliest kind.
This technique was used on the stereo mixes of "I'm Only Sleeping", "Love You To", "And Your Bird Can Sing", and "Doctor Robert" (on "Here, There and Everywhere", the similar effect heard is actually two different vocals manually double-tracked and panned; on "Eleanor Rigby", the effect is obtained by a combination of manual double-tracking and ADT). This technique could also be applied to instrumental parts as well: on "Love You To", the same use of ADT was applied to the acoustic guitar track, giving the impression of multiple guitars panned left and right.
Whereas most of the Band on the Run album was recorded in Lagos, Nigeria, "Jet" was recorded entirely at Abbey Road Studios in London after the group's return (according to engineer Geoff Emerick in his book Here There and Everywhere). Instrumentation used in the song includes electric guitars, bass, Moog, drums, piano, horns and strings. A closer listening reveals the Moog is used for the bass line during the verse and is simply Linda holding the root note.Luca Perasi, Paul McCartney: Recording Sessions (1969–2013), L.I.L.Y. Publishing, 2013, , p. 113.
Beatles historian Erin Torkelson Weber said that, apart from Lennon's account in Lennon Remembers, the book also presents arguably the most negative depiction of Martin as a record producer. The publication led to an Internet flame war, as former Beatles engineer Ken Scott challenged the accuracy of Emerick's recollections and stated that, before writing the book, Emerick had contacted him and other EMI technical staff saying he had limited memory of the events. Scott's 2012 autobiography, From Abbey Road to Ziggy Stardust, sought to correct Emerick's statements in Here, There and Everywhere, especially with regard to Harrison's musicianship and character.
By October, at least ten of the LP's songs had been covered by other artists and reviewed by Melody Maker. Among these, Cliff Bennett and the Rebel Rousers' version of "Got to Get You into My Life", which McCartney co-produced, was a top ten hit. McCartney's ballads "Here, There and Everywhere" and "For No One" became highly popular among mainstream recording artists. In the UK, Revolver was the second highest-selling album of 1966, behind The Sound of Music. In the NME readers' poll for 1966, Revolver and Pet Sounds were jointly recognised as the magazine's "Album of the Year".
Although he admires the psychedelic tone, he considers that this experimentalism renders the more standard pop songs, such as "Got to Get You into My Life" and "Here, There and Everywhere", "seemingly out of place" within the collection. Writing for Rough Guides, Chris Ingham describes it as "clearly brilliant" but adds: "There's an edge to the sound and a danger in the air ... that makes listening to it an uncomfortable trip. It's easy to admire, even to be awed by, but some listeners find Revolver a little harder to love." In retrospect, Christgau says he prefers Sgt.
In the TV series Friends, this song is played on steel drums when Phoebe Buffay walks down the aisle during her wedding. It was the second time a song written by McCartney was used in a wedding sequence in the series, the first being "My Love" when Chandler and Monica married. Gary Sparrow sings the song at the piano in an episode of Goodnight Sweetheart. Geoff Emerick, who engineered many of the Beatles' recordings, used the title of the song for his 2006 memoir Here, There, and Everywhere: My Life Recording the Music of The Beatles.
" James Chrispell of AllMusic found it was "a decidedly updated version of good-time music. Song after song comes along with a great melody and some interesting hippie-esque lyrics; here, there, and everywhere, there are hooks, hooks, and more hooks." The album provided their first single, "Apple Green Slice Cut", in August 1998, which was followed by a five-track extended play, Down in Your Dreams. Alongside the title track, Chrispell felt the group "enhance their musical knowledge of pop by adding four extra tracks that vary in length and sound... A very nice added bonus for anyone who has picked up on one of Australia's little secrets of joy.
They agreed to a usage payment which she donates to PETA. Hynde's most popular non-Pretenders collaboration with another artist, chartwise, was her 1985 collaboration with UB40 on a cover of Sonny and Cher's "I Got You Babe." The track topped the UK singles chart and went as high as No. 28 on the Billboard Hot 100 in the U.S. Hynde in 2007 On April 10, 1999 Hynde led the memorial concert "Here, There and Everywhere - A Concert for Linda" for her late close friend Linda McCartney at the Royal Albert Hall, London, organised by Hynde and Carla Lane. Proceeds went to animal rights charities.
", and similar in mood and form to McCartney's 1966 song "Here, There and Everywhere". He also views it as lacking in genuine emotion, however, due to the lyrics and musical arrangement, and concludes: "This is one of the few instances in which the restraint Paul typically brought to his ballad singing blanches into something that sounds like simple indifference. 'Who knows how long I've loved you?' he asks, and it's tempting to think, 'Who cares?'" Howard Sounes welcomes the diversification of McCartney's non-rock White Album contributions such as "Martha My Dear" and "Honey Pie" but he says of "I Will": "[It] exemplified Paul's weakness for the soft-centred love song.
His only experiences playing professional baseball were brief roster appearances with minor league teams in Waltham and Lawrence, Massachusetts, in 1884. Thereafter his only professional role was as manager. He was noted for his ability to assess and hire talented players, which helped earn him five NL titles with the Beaneaters, three of which were consecutive (1891 to 1893). After he left Boston, he managed in Chicago, where he built the basis for the Cubs' later success by signing and developing the talents of Frank Chance, Joe Tinker, and Johnny Evers. Baseball historian David Nemec wrote that Selee had “a flair for bending players acquired from here, there and everywhere.
Ian MacDonald calls it "a sparkling novelty song impossible to dislike". By contrast, Thomas Ward of AllMusic says it interrupts the "consistent brilliance" of Revolver and while highly effective as a children's song, "after a few listens, it becomes tiresome, just as happens with many of McCartney's other 'fun' songs (such as 'When I'm Sixty Four')." Alex Petridis of The Guardian views "Yellow Submarine" as "lovable but slight" and considers it "faintly mind-boggling" that the Beatles chose the song as the lead side of their first single culled from an album over not just "Eleanor Rigby" but also "Taxman" and "Here, There and Everywhere".
Commercial Records include George Gershwin BBC Records REB 156 (Reissued under title Gershwin's Greatest Hits, BBC Records REC 32) and Here There and Everywhere BBC Records REB 168. As a composer, John Fox was a prolific writer of library music, particularly for Sonoton Production Music, for who he would record his original compositions with orchestras in Leipzig, Budapest and London. These recording made his compositions available to a worldwide market, for use in television, radio, film and advertising productions, gaining additional wide exposure from usage on SpongeBob SquarePants. In 1994, Fox won a STEMRA Music Award for the best film music in the Netherlands.
This was difficult work involving around 12 stockmen, including his adult sons Harry Aplin and Arthur Aplin. Five stockmen were assigned to keep the herd on camp, one to mind the drafted cattle and six to ride here, there and everywhere in the herd and chasing wild bullocks by galloping at top speed with stockwhips volleying vicious reports. After the first 20 cattle were drafted off and steadied, the work proceeded more rapidly but sometimes a rogue (known colloquiall yas a gunner) bullock would charge and bore in on the stockhorse, sending horse and rider crashing to the ground. William Aplin diversified into horse breeding and raised fine herds of up to 500 head of stockhorses.
Winningham began her career as a singer-songwriter. In 1976 and 1977, she got her break singing The Beatles song "Here, There and Everywhere" on The Gong Show. Though Winningham received no record contracts as result of the appearance, she was signed to an acting contract by Hollywood agent Meyer Mishkin, and received her Screen Actor's Guild card for doing three lines in an episode of James at 15. That year she was offered a role on Young Pioneers and Young Pioneers Christmas, pilots for the short-lived 1978 drama The Young Pioneers. Though the series ended with just three episodes being broadcast, a number of television projects followed, including parts on Police Woman in 1978 and Starsky and Hutch in 1979.
Author Kenneth Womack describes "Here, There and Everywhere" as a romantic ballad "about living in the here and now" and "fully experiencing the conscious moment". The verse is based on an ascending major chord sequence, while the middle eight (being 4 bars in fact), which modulates to the relative major of the tonic – if it had been minor, creates a telling contrast. The introduction beginning "To lead a better life" opens in the key of G and involves a I–iii–III–ii–V7 chord progression. The III (B chord) on "I need my love to be here" (arpeggiated in the melody line) is a dissonant substitute for the more predictable VI (E7) that would normally lead to the ii (Am) chord.
The book includes archive interviews and photographs as well as extensive transcripts from a Granada TV documentary, which was also titled It Was Twenty Years Ago Today and for which Taylor served as consultant. As Time Goes By: Living in the Sixties (Rock and Roll Remembrances Series No 3) (Popular Culture Ink) was published in June 1990 in the US, while in the UK Bois Books published What You Cannot Finish and Take A Sad Song in 1995, coinciding with the release of the Beatles Anthology (Taylor was extensively interviewed for the TV program). Posthumous volumes include Beatles (Ebury Press 1999). In addition, an audio CD, Here There and Everywhere: Derek Taylor Interviews The Beatles, was released on the Thunderbolt label in 2001.
Billboard’s review of the album, published in the issue dated September 7, 1968, said, "Bobbie (Billie Joe) Gentry deserts the Delta for Beatle land, including a stunning "Eleanor Rigby" as well as her own dusty Delta dramas. Mississippi melodies includes the self-penned "Sweete Peony" and "Ace Insurance Man", both sensitively set against the Beatles' "Here, There and Everywhere” and Kenny Rankin’s "Peaceful" – all with lush arrangements tuned in on the charts." Cashbox published a review on September 7 also, which said, "Bobbie Gentry bids fair to reestablish herself on the best-seller charts with this sensitive album of song and story. The artist has written four of the eleven tunes on the set, including "Sweete Peony", "Casket Vignette", "Ace Insurance Man" and "Recollection".
McVitie's digestive biscuits have become known among fans of the rock group The Beatles because they were the cause of an argument between George Harrison and John Lennon during a recording session for the group's 1969 album Abbey Road. The incident was recounted by recording engineer Geoff Emerick in his book Here, There, and Everywhere: My Life Recording the Music of The Beatles. Gotham Books, According to Emerick, Lennon's wife Yoko Ono was in the recording studio and at one point helped herself to Harrison's box of McVitie's while the Beatles were in the control room listening to a playback of the song they had just recorded. Harrison became angry at Ono, and his subsequent outburst caused Lennon to lose his temper in response.
He also arranged her other two albums on A&M;, Colours (1968) and Run Wild, Run Free (1970), as well as We've Only Just Begun on Barnaby. She had hit singles in America on the Billboard Adult Contemporary chart. Her charting singles include her cover version of "Here, There and Everywhere" (music and lyrics by John Lennon and Paul McCartney), "Hello, Hello" (composed by Terry MacNeil and Peter Kraemer), "Good Day Sunshine" (composed by Lennon and McCartney), "Small Talk" (music and lyrics by Garry Bonner and Alan Gordon), and "Love is Blue", a 1967 Eurovision Song Contest entry that gained fourth place (music by André Popp and French lyrics by Pierre Cour [Pierre Lemaire]). Another song, "Wanderlove" (music and lyrics by Mason Williams), went to #7 on the singles charts in Singapore.
That McCartney's songwriting on Revolver retained elements recognisable as both adult-oriented pop and reflective of the new psychedelic aesthetic ensured that his songs were the most widely covered. The Tremeloes recorded "Good Day Sunshine" in 1966 soon after parting company with singer Brian Poole. Released as a single, it failed to become a hit. Beatles biographer Robert Rodriguez views this as surprising, given that McCartney's songs "Here, There and Everywhere", "Good Day Sunshine" and "Got to Get You into My Life" "were all the stuff from which hit singles are made", yet only the last of the three was immediately successful when covered by another artist. In 1967, a recording by Claudine Longet peaked at number 100 on the Billboard Hot 100 in the US and number 36 on Billboards Easy Listening chart.
On 18 April 1963, the 17-year-old Asher interviewed the BeatlesMiles. p102. at the Royal Albert Hall in London, England, and began a five-year relationship with Paul McCartney. In December 1963, McCartney took up residence at Asher's family Wimpole Street town house and stayed there until the couple moved into McCartney's own home located in St John's Wood in 1966. McCartney wrote several Beatles songs inspired by her, including "And I Love Her", "You Won't See Me", "I'm Looking Through You", "We Can Work It Out", and "Here, There and Everywhere". McCartney and Asher announced on Christmas Day 1967 that they were engaged to marry, and in February and March 1968, Asher accompanied the Beatles and their respective partners to Rishikesh to attend an advanced Transcendental Meditation training session with the Maharishi Mahesh Yogi.
In 2006, Emerick released his memoir, Here, There and Everywhere: My Life Recording the Music of the Beatles, co-authored by music journalist Howard Massey. The book caused controversy for its factual errors, and for its allegedly unfavourable portrayal of Harrison, bias towards McCartney, and belittling and dismissal of Harrison and Starr's contributions. According to Beatles biographer Robert Rodriguez, Emerick's recurring theme that Harrison lacked prowess as a guitar player until the late 1960s is more reflective of Emerick's personality, and is countered by several other sources, and some of his descriptions of the Beatles' recordings are negated by the availability of bootleg compilations of the band's multitrack masters. An interview from 1979, where Emerick admits his inability to remember many details about his work in the recording studio with the Beatles, makes the content of the book even more questionable.
While most of his work is based on traditional street photography until 2006 as seen in his Momento series, which was mostly in black and white, he later changed to color photography and started to focus on conceptual themes such as in his Movements in Adagio series. His latest work is called 12 Panels of Life in Gozo and evolves around the seemingly culture of conflict in Victoria, the capital of Gozo in Malta. This project, which is a collaboration between Nour and Norbert Francis Attard has been juried by Transcultural Exchange, to be shown in April 2009 as part of a simultaneous global exhibit, titled Here, There and Everywhere: Anticipating the Art of the Future. The purpose of the proposed project is to encourage artists to work with others in different parts of the world to create collaborative artworks.
Meanwhile, the album gained markedly improved sales over their previous two and rose to No.12 in the UK charts - their second highest position in the album charts and remained in the top 50 for nine weeks. Unlike their previous releases, this album didn't feature any compositions by the group themselves, but was made up of original tracks interspersed with cover versions covering a variety of genres. Included were covers of The Beatles songs "Here, There and Everywhere" and "With a Little Help from My Friends", Buck Owens' "Crying Time" and Blue Mink's "Melting Pot" - a song which Graham had been offered to record 1n 1969. A review in Disc magazine saw favourable mention of a number of tracks with the reviewer commenting that "there's no denying that what they do tackle is seldom less than well-executed and often considerably better than that".
On balance, Los Angeles Times jazz writer Leonard Feather is favorable in his assessment, awarding the album three and a half stars, notwithstanding some ill-advised commercial trimmings: > Recorded several years ago, inexplicably shelved and now belatedly released, > this is neither the ill-advised venture one might fear nor a vital part of > musical history. Produced and arranged by the father and son team of Marty > and David Paich, it has its moments of superior Vaughan, notably on "Eleanor > Rigby" and "Here, There and Everywhere." What went wrong is mostly the fault > of the producers: overdressed arrangements ("Fool on the Hill"); overdubbed > background singers of which Vaughan was not even made aware; a tiresome > tenor sax and rigid rhythm on "Come Together." For the most part, though, on > the strength of her indomitable musicianship and the inherent virtues of > some of the tunes, Vaughan overcomes.
At the latter concert, Jimmy Fallon joined Paul on stage to sing "I Saw Her Standing There" after "Mull of Kintyre". The second Washington, D.C. concert from August 10, held at the Verizon Center, saw a slightly modified set-list, wherein "Letting Go" was replaced with "Jet", and in the encore, they were played as one continuous act, "Hi, Hi, Hi" was replaced by "I Saw Her Standing There." On October 8, for the first Desert Trip show, Paul made numerous set changes. First, "Save Us" was swapped with "Jet", "Temporary Secretary" was replaced by "Day Tripper", "Here, There, and Everywhere" was not played, "You Won't See Me" was swapped with "I've Just Seen A Face", "A Day in the Life", "Give Peace A Chance", and for the first time ever live, "Why Don't We Do It In The Road?" were played with Neil Young for the latter three.
Therefore, the philosopher Socrates of Athens asks his fellow citizens: "Are you not ashamed that you give your attention to acquiring as much money as possible, and similarly with reputation and honour, and give no attention or thought to truth and understanding, and the perfection of your soul?"(29e) ;Provocateur Granting no concession to his precarious legal situation, Socrates speaks emotionally and provocatively to the court and says that the greatest good to occur upon Athens is his moral concern for them as fellow citizens. He thinks that material wealth is a consequence of goodness; that the god does not permit a better man to be harmed by a lesser man; and that he is the social gadfly required by Athens: "All day long, I will never cease to settle here, there, and everywhere — rousing, persuading, and reproving every one of you." In support of the moral mission assigned him by the Oracle at Delphi, Socrates tells the court that his daimonion continually forbids him to act unethically (implicitly validating Meletus' accusation that Socrates believes in novel deities not of the Athenian pantheon).
The tour resumed in April 2017 with the Japan shows, revisiting the Budokan like in 2015. Before and after, Paul announced another 2 US legs; a Latin American leg, returning to Brazil after 3 years and Mexico after a 5 and a half years absence; and the first visit to Australia and New Zealand in 24 years, having last visited those countries in 1993 on the New World Tour. This year has seen a couple of changes in the set list, which are "Save Us" and "Letting Go" switching with "Junior's Farm" and "Jet" respectively concert after concert, "Here, There, and Everywhere" dropped out, and "I Wanna Be Your Man" and "Sgt. Pepper's (reprise)" added, with the former added after being successfully performed at the Desert Trip, and the latter reappearing since the Up and Coming Tour, 6 years after the last performance on the last show of that tour in Las Vegas, but now, though it's been inserted in the encore like before, it's not the culminating number of the show and is not attached in a medley with The End.
Unterberger highlights Emmylou Harris among the notable artists who have recorded "Here, There and Everywhere". Harris' version became a minor hit in 1976, reaching number 65 on the Billboard Hot 100 and number 13 on the Adult Contemporary chart in the United States. Other noted performers of the song include Beegie Adair, Clay Aiken, David Benoit, George Benson, Gina Jeffreys on Old Paint, Peter Breinholt, Petula Clark, Perry Como, Count Basie Orchestra, Darren Day, John Denver, Romina Power, Céline Dion (for a George Martin/Beatles tribute album), Arik Einstein, Episode Six, Matt Monro, Jose Feliciano (instrumental), The Fourmost, Jerry Garcia and Merl Saunders (instrumental), Bobbie Gentry, Stéphane Grappelli, Ofra Harnoy, The Flying Pickets, Jay and the Americans, The Lettermen, Locksley, Kenny Loggins (on Kenny Loggins Alive), Claudine Longet, John McDermott, Carmen McRae, Olivia Ong, Maaya Sakamoto, George Shearing, The Singers Unlimited, Sissel, Göran Söllscher, Marina Verenikina, Jose Mari Chan, Camilo Sesto, John Williams (instrumental),Classic Guitar Greatest Hits CD Andy Williams, David Gilmour, Umberto Tozzi and Boulou Ferré (on Pour Django, instrumental). Bruce Welch of The Shadows claimed in his autobiography that McCartney offered the tune to Shadows lead guitarist Hank Marvin before the Beatles' recording.
1975: Så spiller vi harmonica 1976: Music for two Harmonicas (with Tommy Reilly) 1977: Musikk for en lang natt (with Ketil Bjørnstad) 1979: Motlys 1981: Musikken inni oss (with Arve Tellefsen) 1981: Kom sol på alle mine berg (with Geirr Lystrup) 1981: Lævandes dikt (with Ove Røsbak, Iver Kleive) 1983: Songar utan ord (with Henning Sommerro) 1986: Colour Slides 1988: Aria 1988: Sigmund Groven (compilation) 1990: Nordisk natt 1991: Nattønsker (compilation) 1993: Siesta 1995: Til Telemark 1996: I godt lag (compilation) 1998: Harmonica Album 2000: Innunder jul (with Iver Kleive, Anne Vada) 2001: Vi på Langedrag (TV documentary soundtrack) 2003: Over the Rainbow 2004: Here, There and Everywhere (with The Norwegian Radio Orchestra under the direction of John Wilson) 2005: PhilHarmonica (with The Norwegian Radio Orchestra under the direction of Christian Eggen) 2007: Grieg Album (with Ivar Anton Waagaard, Kåre Nordstoga, and The Norwegian Radio Orchestra under the direction of Peter Szilvay) 2010: HarmOrgan (with Iver Kleive) 2012: Classical Harmonica 2014: Sigmund Groven Collection vol. 1: Harmonica Hits (compilation) 2015: Sigmund Groven Collection vol. 2: Tradition (compilation) 2016: Sigmund Groven Collection vol. 3: Concerto (compilation) 2018: Bønn for drømmen 2019: Songs for harmonica 2020: The sound of Telemark (with Knut Buen) There are three recordings with the Norwegian Radio Orchestra.

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