72 Sentences With "Heal's" | Random Sentence Generator

It has been only two years since Heal's first doctor made the first house call on the service.

Heal's cash pile gives it a nice war chest, and the company will need it because competition in this market is fierce.

The actress opened up about not feeling good enough in her own skin in an Instagram post pegged to Project HEAL's initiative #DoneWithDieting.

Bush, who has invested in the company and joined Heal's board in 2018, believes this health-care model has great potential and it could scale nationally.

The lobby is furnished with a mix of authentic vintage and contemporary British craft furniture, featuring original pieces from the 1920s and 1930s manufactured by the historical brand Heal's.

According to investor Jim Breyer, the founder of Breyer Capital, and former managing partner of Accel Partners, Heal's roadmap includes significant investment in applied artificial intelligence to improve patient outcomes and drive down costs.

"It really was sparked by the frustration I have felt as a result of my simultaneous involvement in both the fashion industry and the eating disorder field," says Christina Grasso, Project HEAL's Director of Public Relations.

For the Heal's showcase, his signature mark-making can be seen in smaller form on a series of stacking vessels with lids — part of his Functional 1 collection — each of which is decorated with cobalt blue sketchlike lines.

This month the council is collaborating with Heal's, a British furniture and furnishing brand with a flagship store on London's Tottenham Court Road, to host Design Ireland, a pop-up market showcasing some of the hottest creative talent working in the Emerald Isle.

Quick Heal's flagship technologies - Anti-Ransomware and Signatureless Detection - are patented.

On 16 August 2001, Wittington Investments Limited acquired Heal's plc, reverting it to a private company. The new owner has stated that it supports Heal's "unique character", intending it to continue as a contemporary home furnishing retailer.

In 2010 an online version of the Mansard Gallery opened on Heal's website.

This fabric, Fluellin (1950), marked the start of her long relationship with Heal's, which lasted until 1974.

Following the management buyout the business merchandise range was expanded with most of the product lines changed to ranges designed especially for Heal's. In the second half of the nineties Heal's started to expand and develop, opening a new store on King's Road Chelsea in 1995 and floating the company on the London Stock Exchange in 1997. In 1998 a new store was opened in Kingston, London and then in November 2000 Heal's launched an ecommerce website. The company has stated its intention to become an ‘ecommerce business with showrooms'.

Hobhouse is married to Will Hobhouse, the chairman of Heal's. They have five children. They reside in Soho, London, and Hertfordshire.

In 1984 Heal's was expanded to five stores from the original two. In the recession of the late 1980s the business again incurred losses and after shrinking back to the two original stores the company was the subject of a management buyout. The buyout became effective in September 1990 ending a seven-year period in the Storehouse group of companies. Whilst part of Storehouse, Heal's had been one of a national portfolio of retailers.

William Arthur Hobhouse (born September 1956) is an English businessman and investor, former chairman of the furniture store chain Heal's. He was appointed High Sheriff of Hertfordshire in March 2017.

Heal and Son Ltd., Tottenham Court Road. Spiral staircase Utility Furniture dressing table made by Heal's, 1947. Oak. The sign of the four poster on the façade of the Tottenham Court Road store.

Heal's was run as a family business designing, manufacturing and selling furniture, applied arts, interior decorating and household goods until 1983. The business has subsequently been in a number of ownerships trading as a retailer.

Heal's international career highlights include representing the Australian Boomers at the 1992, 1996, 2000 and 2004 Summer Olympic Games, captaining the team in 2004 in Athens. Heal Also represented Australia at numerous FIBA World Championships. Many consider Heal's best international game came against the USA "Dream Team" in a warm up match for the 1996 Olympic Games in Atlanta. The game, played at the Delta Center in Salt Lake City, was won 118-77 by the US, though Heal topped all scorers with 28 points including hitting 8 of 12 three pointers.

During the second world war the factory at Tottenham Court Road was converted to produce parachutes. Heal's featured at the Festival of Britain in 1951 and in 1977 restored the banqueting table at Buckingham Palace for the Queen's Silver Jubilee.

The original Heal's firm was established in 1810 as a feather-dressing business by John Harris Heal and his son.Alan Crawford, "Heal, Sir Ambrose (1872–1959)", Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 12 Aug 2007 In 1818, the business moved to Tottenham Court Road, London and expanded into bedding, bedstead and furniture manufacture and into retailing. By the end of the nineteenth century it was one of the best-known furniture suppliers in London. In the early 20th century Heal's was one of the first retailers to bring electric lighting to the British market.

Heal's ("Heal and Son Ltd") is a British furniture and furniture retail company comprising seven stores, selling a range of furniture, lighting and home accessories. For over two centuries, it has been known for promoting modern design and employing talented young designers.

When Heal's was established on former farmland, the lease stipulated there must be appropriate accommodation for 40 cows. These cowsheds were destroyed in a fire in 1877. A 17th century farmhouse at the rear of No. 196 Tottenham Court Road was demolished in 1917.

A second store was opened in Guildford in 1972 and the company remained highly profitable until the mid-1970s, when it began to suffer losses, principally in the non-retail businesses. In May 2015, Heal's announced the Guildford store would close prior to the redevelopment of the Tunsgate shopping centre.

Black Leaf tea towel, Lucienne Day, Thomas Somerset & Co, 1959 Following the success of Calyx, Lucienne Day was commissioned Tom Worthington, Heal Fabrics’ managing director, to design up to six new furnishing fabrics each year. Over the course of their 25-year partnership, Lucienne created more than seventy designs for Heal's. Although she designed for other firms as well during this period, her textiles for Heal's form the core of her creative opus and include a string of patterns which typify the forward-looking post-war era, such as Dandelion Clocks (1953), Spectators (1953), Graphica (1953), Ticker Tape (1953), Trio (1954), Herb Antony (1956) and Script (1956). At this date Lucienne's textiles were characterised by energetic rhythms and a spidery, doodle-like graphic style.

Heal's main research concerns the late fifteenth to the mid-seventeenth centuries of early modern Britain. She specialises in the religious history, such as the Reformation, and the social history of that era. She also has an interest in gift giving. From 1970 to 1973, Heal was a research fellow of Newnham College, Cambridge.

Their works were featured in a show called "Handmade Textiles and Pots" at Heal's Mansard Gallery in London.Hazel Clark, "Printed Textiles: Artist Craftswomen 1919-1939" Ars Textrina 10(1988): 53-70. The couple moved their workshop to Hambutts House, Painswick in Gloucestershire in 1930. An outbuilding at their new location became a workshop with a large vat for indigo.

In 1981, the company's shares were floated on the London Stock Exchange and in 1982 it merged with Mothercare Group to form Habitat Mothercare Group plc. The now-listed company bought the furniture retailer Heal's and the Richard Shops fashion chain in 1983. In 1986, the company merged with British Home Stores to form Storehouse plc.

Weston began his career as an investment banker at Morgan, Grenfell & Co. from 1984 to 1987. He was the managing director of Jacksons of Piccadilly from 1990 to 1993, and Ryvita from 1993 to 2000. He was the chairman of Heal's from 2001 to 2012. He was a non- executive director of Carpetright from 2005 to 2011.

Barron and Larcher were featured in a show of "Handmade Textiles and Pots" at Heal's Mansard Gallery in London.Hazel Clark, "Printed Textiles: Artist Craftswomen 1919-1939" Ars Textrina 10(1988): 53-70. Artist Paul Nash said of Barron in 1926, "She is a true designer and a true craftswoman."Paul Nash, "Modern English Textiles" Artwork (January-March 1926), reprinted in Andrew Causey, ed.

Smallbone of Devizes contracted Grey in 1986 to develop concepts for their company, resulting in a collaborative version of the Unfitted Kitchen launched in 1987. In 1990 Smallbone bought designs for a new Inlay Collection that included the bedroom and bathroom.Grey has also worked as a product and furniture designer, producing a bedroom collection for Heal's(1981) and the Conran Shop (1989).

Tomalin worked in the office of architect Ernö Goldfinger and then later worked with Abram Games in the Ministry of Information, creating public information posters. During the 1950s, she set up and ran the textile design studio at Marks & Spencer. Later, she was employed as the colour and design consultant for the Heal's department store. At the age of 62, she graduated in psychotherapy in New York City.

Project HEAL logo Project HEAL (Help to Eat, Accept and Live) is a nonprofit organization that helps people suffering with eating disorders pay for treatment. The organization was founded in 2008 by Liana Rosenman and Kristina Saffran, who had met while undergoing treatment for anorexia nervosa. Project HEAL's grants help to cover inpatient, residential, outpatient, and intensive outpatient treatments. Recipients can apply for treatment grants through the organization's website.

The notability of Heal's rests upon the achievements of Sir Ambrose Heal, who worked in the company as craftsman, designer and finally Chairman, for 60 years from 1893 to 1953. Ambrose Heal's contribution to the business, and to British furniture-making and applied design, was his marriage of the ethos of the Arts and Crafts Movement as to beauty and utility with the techniques and economics of commerce. The combination of 'Good Design' with industrial production was contrary to the moral, hand crafted principles of the Arts and Crafts Movement but was in line with the certain European approaches to bringing high calibre product design to a middle class market. Following the precedent of the Deutscher Werkbund, which had been established in Germany in 1907, Ambrose Heal was one of the group of designers, industrialists and business people who founded the Design and Industries Association in 1915, slogan "Nothing Need Be Ugly".

For the next two decades, Habitat continued its expansion in Europe, opening stores in France, Spain and Germany. In the 1980s, Sir Terence Conran merged Habitat into the Storehouse plc group, which included British Home Stores, Richard Shops, Mothercare, Heal's and a 50% share of SavaCentre. In 1992, Habitat joined the Ikano group. Founded by the Swedish businessman Ingvar Kamprad, founder and owner of IKEA, Ikano consisted of independent companies operating in different sectors.

Petley was only seventeen when he returned to England in 1968. At first, he headed for Belfast, Northern Ireland where the Bell Gallery provided support and encouragement for the young artist. But after some time in Ireland, Petley returned to London and succeeded in exhibiting his paintings in the galleries of the city's high-end shops, such as Liberty's and Heal's. To support his art, he worked in the art department of the Greenwich Theatre.

As a retailer, Hobhouse has worked with high street names such as Tie Rack, Whittard of Chelsea, Jack Wills, and Heal's, to restaurants such as Villandry and Le Pain Quotidien. Hobhouse has been the CEO of Tie Rack, and Whittard of Chelsea, as well as chairman of Jack Wills and Explore Learning among others. In March 2017 Will Hobhouse was appointed High Sheriff of Hertfordshire and his term of office runs until April 2018.

Compound Eye Sessions is an collaboration between Marc Heal (Ashtrayhead, Cubanate) as MC Lord of the Flies and Raymond Watts (PIG, ex-KMFDM). Two songs from the PIG side of the EP titled "Drugzilla" and "Shake" were previously released as rough mixes on Marc Heal's personal SoundCloud page. A limited run of 500 physical copies was released by Armalyte Records on April 13, 2015. The EP is also available digitally through Bandcamp and iTunes.

Heal's first report in 2002 recommended dealing with the child-abuse rings; if the evidence needed to prosecute the men for sex offences was lacking, they could be prosecuted for drugs offences instead, thereby keeping the children safe and getting the drugs off the street. Heal wrote in 2017 that her report was widely read, but she "could not believe the complete lack of interest" in the links she had provided between the local drug trade and child abuse.

Opposite Habitat and Heal's is a small public open space called Whitfield Gardens, built on the former site of a chapel. On the side of a house is a painting, the "Fitzrovia Mural", which is about 20 metres (over 60 feet) high and shows many people at work and at leisure. It was painted in 1980 in a style resembling that of Diego Rivera. The mural has suffered from neglect and has been daubed with graffiti.

An Inland Waterways Exhibition was organised at Heal's Mansard Gallery in London which was so successful that it was taken on a one month's tour of provincial art galleries. By now IWA had attracted a range of talent, including as president, the writer and parliamentarian Sir A.P. Herbert, and as vice-president the naturalist Peter Scott. Scott's wife Elizabeth Jane Howard was part-time secretary, working in the Aickmans' flat in Gower Street. The council included Lord Bingham.

Piper disliked the regime at the Royal College of Art and left in December 1929. Piper and his wife lived in Hammersmith and held a joint exhibition of their artworks at Heal's in London in 1931. Piper also wrote art and music reviews for several papers and magazines, notably The Nation and Athenaeum. One such review, of the artist Edward Wadsworth's work, led to an invitation from Ben Nicholson for Piper to join the Seven and Five Society of modern artists.

It was then that he knew he wanted to be a potter and, after a brief stint as the lead singer of British punk band The Wigs, he became an apprentice for Harefield Pottery in London. This is where he learnt to make modern ceramics. After his apprenticeship, Brymer Jones started out hand-making ceramics for retailers including Conran Group, Habitat, Barneys New York, Monsoon, Laura Ashley and Heal's. Then he began to develop the Word Range for the first time.

In 1920 the former members of the pre-War Vorticist movement abruptly left the London Group, of which they had been part. Six of these artists – Jessica Dismorr, Frederick Etchells, Cuthbert Hamilton, Wyndham Lewis, William Roberts and Edward Wadsworth – were joined by the sculptor Frank Dobson, Charles Ginner, the American Edward McKnight Kauffer and John Turnbull to found Group X. The group exhibited at the Mansard Gallery in Heal's in the Tottenham Court Road from 26 March – 24 April 1920.

Although Heal's were initially sceptical about Calyx, it proved a success, selling in large quantities over many years. Also exhibited at the Milan Triennale in 1951, where it won a Gold Medal, this design generated a new school of pattern-making which became known as the 'Contemporary' style. Calyx was widely emulated by other designers both at home and abroad. Lucienne also designed three wallpapers for the Festival of Britain: Provence, block printed by John Line & Son, and Stella and Diabolo, screen printed by Cole & Son.

Fedden exhibited in one-person shows throughout the UK every year from 1947 until her death in 2012. These included the Mansard Gallery in Heal's Department Store in 1947, Redfern Gallery, London from 1953, the New Grafton Gallery, London from the 1960s, the Hamet Gallery from 1970, the Arnolfini Gallery, Bristol, Bohun Gallery, Henley on Thames from 1984 and at the Beaux Arts Gallery, London in the 1990s. A major exhibition of her work was held at the Royal West of England Academy in 1996.

Since the Wittington acquisition, Heal's has expanded nationally and developed online retailing. New outlets outside the South East of England included stores in the centre of Manchester opened in 2003, although this store closed in 2010, at Redbrick Mill in Batley, near Leeds in 2005 and Brighton in 2007. In 2015 the Kings Road store in London was replaced by a smaller store in Notting Hill, which in 2018 re-opened in the Westfield London shopping centre. In 2017 a store was opened in the Mailbox Birmingham shopping centre.

Initially the main openings were in the field of dress fabrics, where her clients included Stevenson & Sons, Argand, Pasman Fabrics, Silkella, Horrockses and Cavendish Textiles. In the longer term Lucienne's aim was to design furnishing fabrics, so she crossed over into this area at the earliest opportunity. Her first significant client was the Edinburgh Weavers, who produced two screen-printed furnishing fabrics in 1949. Shortly afterwards, she was commissioned to design a stylised floral by Heal's Wholesale and Export (later known as Heal Fabrics), the textile-producing subsidiary of the London department store Heal & Son.

In 2005 a new department of children and young people's services was created, with Councillor Shaun Wright appointed cabinet member for the department, and in March 2006 a conference was held in Rotherham, "Every Child Matters, But Do They Know it?", to discuss children's sexual exploitation. Heal's third report, Violence and Gun Crime: Links with Sexual Exploitation, Prostitution and Drug Markets in South Yorkshire (2006), noted that the situation was continuing and involved "systematic physical and sexual violence against young women". The victims were being trafficked to other towns, and the violence used was "very severe".

Although Heals continued to produce beds and mattresses as its staple, Heal diversified its range to include ceramics, glass, and textiles, as well as products in Art Deco style. He established an art gallery at the Tottenham Court Road premises showing works by Picasso, Wyndham Lewis and Modigliani. Artists such as Claud Lovat Fraser designed the company's posters, and its catalogues contained essays by influential art critics. The overall effect was to promote Heals as an iconic brand. Heal's influence over the company diminished in the mid-1930s, when one of his sons became managing director.

Throughout her career, Lucienne Day won many awards, including a Gold Medal for Calyx at the Milan Triennale in 1951 and a Citation of Merit from the American Institute of Decorators in 1952. In 1954, four of her Heal's fabrics (Ticker Tape, Linear, Spectators and Graphica) won a Gran Premio at the Milan Triennale. In 1957 she won a Design Centre Award from the Council of Industrial Design for her Tesserae carpet for Tomkinsons, the first of three awards. Her second was for three tea towels for Thomas Somerset – Black Leaf, Bouquet Garni and Too Many Cooks – in 1960.

Among their other businesses, members of this branch own or control a number of retailers, including upscale department stores Holt Renfrew in Canada, Brown Thomas in Ireland and Selfridges in the United Kingdom. The main holding company of the British branch of the family is Wittington Investments. 79.2% of this company belongs to a British charitable trust called the Garfield Weston Foundation, with the balance owned by various family members. Wittington Investments owns a majority stake in Associated British Foods (which itself owns the discount clothing chain Primark), and 100% of retailers Fortnum & Mason and Heal's.

In 1957, the Toms left Red House and moved to Blackheath, desiring to live closer to central London. They were replaced by Jean and David Macdonald; Jean was an architect colleague of Edward's who shared his socialist values, while David was an accountant and woodworker. Rearranging the former ownership arrangements, the Macdonalds and Hollambys agreed to legally own half of the property each, while Jones remained as a lodger. Together, the two couples made repairs and restorations to the house; they repaired the leaking roof and added Morris & Co. wallpapers along with furniture from Heal's and Ercol.

He tried to re-invigorate the avant-garde after the war, writing to a friend that he intended to publish a third edition of Blast in November 1919.Quoted in Black (2004), p. 102 He organised an exhibition of avant-garde artists called Group XParticipating artists were Dismorr, Dobson, Etchells, Ginner, Hamilton, Lewis, Roberts, McKnight Kauffer, Turnbull and Wadsworth at Heal's Gallery in March–April 1920, and later published a new magazine, The Tyro, of which only two issues appeared. The further issue of Blast failed to appear, and neither of the other two ventures managed to achieve the momentum of his pre-war efforts.

Heal's has operated since 1818 in Tottenham Court Road, and from the present site since 1840.London's Old Latin Quarter: Being an Account of Tottenham Court Road and Its ... By Edwin Beresford Chancellor - Page 153 Its first purpose-built store, completed in 1854, was then one of the largest in London: the architect was James Morant Lockyer who presented the RIBA with a photographic elevation in May 1855. This is one of the earliest known professional applications of architectural photography in Britain. The central part of the present building was commissioned by Ambrose Heal and designed by his cousin, and best friend, Cecil Brewer of the architectural practice Smith and Brewer.

On 1 October 1910, he married Prudence Stutchbury (1882–1976), the daughter of Edward Stutchbury of the Geological Survey of India. She was a designer and interior decorator, and later a director of Heal's. They had a son who died in 1968. During the First World War, Maufe served in the Royal Naval Volunteer Reserve, and then joined the army in 1917 with Dick Sheppard acting as his guarantor.The National Archives Maufe, Edward National Archives, accessed September 2011 Maufe enlisted in the Royal Garrison Artillery on 9 January 1917 and was commissioned as a staff lieutenant on that April and saw action in Salonika.

Although apparently spontaneous, however, her designs displayed considerable technical skill, particularly their colourways and repeats. As well as pure abstracts, she often created stylised organic patterns incorporating motifs such as skeletal leaves, spindly stems, feathery seed heads and butterflies. Later in the decade, responding to new artistic trends such as abstract expressionism and the architectural fashion for floor- to-ceiling picture windows, Lucienne's designs for Heal's became more overtly painterly and much larger in scale. Dramatic full-width patterns, such as Sequoia (1959) and Larch (1961), both featuring trees, and rugged textural abstracts such as Ducatoon (1959) and Cadenza (1961), reflect a significant evolution in style.

Carder teaches spoon and bowl carving at his shop on the Hackney Road and has run courses at various other venues around the UK including Stepney City Farm, Tate Britain, the Pitt Rivers Museum and Heal's. In May 2017 Carder published his first book, a spoon carving guide entitled Spon: A Guide to Spoon Carving and the New Wood Culture published by Penguin Books. 'Spon' refers to the Anglo-Saxon English word for a wood chip which is believed to be the etymological root of spoon. In it Carder shows techniques and the appropriate use of tools used in creating different types of spoon.

The bottom section of Tilden's "promontory" extension, the dining room contains the original suite of table and dining chairs designed by Heal's to Churchill's exacting requirements – (see box). An early study for a planned picture by William Nicholson entitled Breakfast at Chartwell hangs in the room. Nicholson, a frequent visitor to Chartwell who gave Churchill painting lessons, drew the study for a finished picture which was intended as a present for the Churchills' Silver Wedding anniversary in 1933 but, disliking the final version, Nicholson destroyed it. The picture depicts the Churchills breakfasting together, which in fact they rarely did, and Churchill's marmalade cat, Tango.

In 1921 Nash displayed textile designs at an exhibition at Heal's and in 1925 developed four fabric designs for the Footprints series sold by Modern Textiles in London. Later still, in 1933, Brain & Co in Stoke-on-Trent commissioned Nash and other artists to produce designs for their Foley China range which was showcased at the Modern Art for the Table exhibition at Harrods. In 1931, Margaret Nash gave him a camera when he sailed to America to serve as a jury member at the Carnegie International Award in Pittsburgh. Nash became a prolific photographer and would often work from his own photographs alongside his preparatory sketches when painting a work.

Retail was seen as an opportunity from the early days of KDW and the KDW shop was used to sell prototypes, promote design and provide manufacturers with a working example of the business opportunities around well designed and promoted Irish products. Links were forged with buyers from American and UK retailers. KDW opened a shop in Ghiradelli Square in San Francisco and participated in in-store promotions in Altman's in New York, Heal's in London and Neiman Marcus in Dallas. Design advocacy included seminars and exhibitions, the education of the designers in the workshops led to the potential for good design to spread out of the Kilkenny Graduate Programmes which refined the skills of young designers.

Wittington Investments owns 54.5% of Associated British Foods, one of the largest food companies in the world and the parent company of Primark, the largest discount clothing chain in the UK and Ireland. Further assets include ownership of the British department stores Fortnum & Mason and Selfridges, as well as Heal's, a chain of homeware and furnishing stores in the UK. Wittington Investments also owns Brown Thomas and Arnotts in Ireland, and De Bijenkorf in the Netherlands, which are upscale department stores. Associated British Foods also own British Sugar, processor of the entire UK beet crop and producer of half the UK consumption of sugar. The company has a subsidiary in Canada called "Wittington Investments, Limited".

A true Cockney, born within the sound of Bow Bells in London, Weaver won a scholarship to the Hammersmith School of Art as a teenager but was unable to complete the course because the grant did not cover his living expenses. He began work in the cabinet-making department of Heal's, a furniture shop on Tottenham Court Road, but moved after two years to become a manuscript writer and calligrapher in another department. During this period, he was attending evening classes in art and was able to win a scholarship to the Central School of Arts and Crafts in London, where he became a teacher after he completed his course shortly before the Second World War.

Tottenham Court Road looking north with the Euston Tower in the distance Tottenham Court Road is a significant shopping street, best known for its high concentration of consumer electronics shops, which range from shops specialising in cables and computer components to those dealing in package computers and audio-video systems. Further north there are several furniture shops, including Habitat and Heal's. Another well-known store was the furniture maker Maple & Co. In the 1950s and 1960s, Tottenham Court Road and a few of the adjoining streets became well known for stores selling World War II surplus radio and electronics equipment and all kinds of electro-mechanical and radio parts. Shops such as Proops Brothers (established in 1946) lined both sides of the road at that time.

Heal decided to continue researching the issue and included CSE in her bi-annual intelligence briefings. While Heal was preparing her second report, Sexual Exploitation, Drug Use and Drug Dealing: Current Situation in South Yorkshire (2003), Jayne Senior secretly shared with her Adele Weir's Home Office report from 2002. Heal wrote that she actually felt scared after she had read it, given the level of detail, the lack of interest, and the sidelining of Weir. Heal's 2003 report noted that Rotherham had a "significant number of girls and some boys who are being sexually exploited"; that the victims were being gang raped, kidnapped and subjected to other violence; that a significant number had become pregnant, and were depressed, angry and self-harming; and that Risky Business had identified four of the perpetrators as brothers.

Calyx screen-printed furnishing fabric, Lucienne Day, Heal's Wholesale & Export, 1951 The Festival of Britain, a landmark exhibition held on London's South Bank in 1951, proved a decisive turning point in Lucienne Day's career. Seizing the opportunity to showcase her talents, she created several textiles and wallpapers which were displayed in various room settings in the Homes and Gardens Pavilion. Her most famous design, Calyx, was created as a furnishing fabric for an interior designed by her husband Robin Day. Hand screen printed on linen in lemon yellow, orangey- red and black on an olive-coloured ground, Calyx was a large-scale abstract pattern composed of cup-shaped motifs connected by spindly lines, which conjured up the aesthetic of modern painters and sculptors, such as Alexander Calder and Paul Klee.

Most of the pottery's output was sold directly to the public from the Haworth showroom or its gallery on The Square, at Grassington, North Yorkshire, with the remainder wholesale to other outlets, including Heal's and galleries. Shaw received commissions from Leeds and Bradford churches, she exhibited at the Crafts Council's Crafts Advisory Committee Gallery in Leeds, the Mid-Pennine Arts Association Gallery in Blackburn, the National Media Museum gallery, Bradford Library Art Gallery, Southampton College of Art, York Arts Centre and, as an honorary member of the Yorkshire Guild of Craftsmen at St Martin's in Micklegate, York. Her work was included in an exhibition of Yorkshire Contemporary Arts & Crafts sponsored by the Hammonds Sauce Company and the British Tourist Board which toured the USA. The pottery closed in 1988.

Output ranged from animals (including mice, cats, dogs, sheep, pigs, birds, fish and mythological creatures) to humans (including schoolchildren, judicial figures and classical busts) together with more practical tableware (throwing or moulding primarily by Richard). Highly stylised, distorted, flattened or elongated forms were finished with Susan's monochromatic graphic designs achieved with wax resist techniques, brown and later green-black pigments and gloss or matt glazes. At its peak, there were several assistants, production took place around the clock and Parkinson Pottery was being sold not only in British department stores such as Heal's, Liberty, and Dunns of Bromley but across the Atlantic in America. A series of models of contemporary actors designed and made for the Briglin Pottery featured on the 9/10/2011 broadcast of the Antiques Roadshow and can also be seen on the Victoria and Albert Museum web site.

Watts, Dr. Shinto and John Gosling released a four-song EP Titled Mellan Rummen on November 15, 2010 on Amazon.com. On 8 June 2012 Marc Heal revealed a demo version of "the first new PIG track in eight years" entitled "Drugzilla (Rough As A Hog's Arse Mix)" via Cubanate's Official Facebook page and providing their followers a link to his personal SoundCloud page. The link was reposted by Watts a few hours later. A second demo entitled Shake was released on 15 July 2012; again via Heal's Soundcloud page, this time also noting Dan Abela as engineer. In November 2014 Watts approved mixes for an upcoming joint-release EP. In March 2015 another collaborative EP was announced with Primitive Race entitled "Long in the Tooth" with a worldwide release date of 5 June 2015 through Metropolis Records.

Following the completion of her course at the Central School of Arts and Crafts, Crossley-Holland went back to Leicestershire to do her own pottery work in an independent studio. In 1936, she was offered employment as a designer at Royal Doulton in Lambeth, where she remained until 1939, where she made full-bodied rough textured pots that were praised by connoisseurs for its "simplicity and modernity", and exhibited at Heal's and Liberty and Peter Jones. When the Second World War broke out, Crossley-Holland resigned her career to become a housewife after she got married and raised her children for the following two decades in Buckinghamshire and later Hampstead. She also worked for the Social Survey. Through a mutual friend in the early 1960s, Crossley-Holland was offered the opportunity to work as a personal assistant to the Maharana of Mewar at the Lake Palace Hotel, Udaipur for a year.

Ann Sutton has travelled extensively as part of her work, often in connection with awards, teaching and consultancies. Highlights include a Royal Society of Arts (R.S.A) scholarship for travel and research in Nigeria and Morocco (1971); chairing the Fibre Programme: World Crafts Council conference, Mexico (1975); chairing the “Miniature Textile” convention, University of Athens, Georgia, (1980); a lecture tour of Australia on behalf of the Australian Crafts Council and the British Council (1985); a lecture tour of U.S.A. and Canada including the Rhode Island Institute of Design (1986); International judge: Fashion Fabric Design contest, Tokyo (1988 and 1989); keynote address: Weavers Guild of America, “Convergence 94”, Minneapolis, Minnesota (1994); member of the Examining Committee: Textile School, Rhode Island School of Design, (1995). Sutton's design work for industry includes Heal's, Dunn's and Liberty (1966); Crown Wallcoverings (1978); work on ‘The Wales Collection’ for The Wales Craft Council/Welsh Woolen Association (1984-5); and collections for Early's of Witney (1987).