The idea of an oversight board has rankled residents, however, who say it has overtones of colonialism.
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"I think it's a silly rule and I think it has overtones of racial profiling," Johnson, who owns 165 hotels, said to the news station.
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In the Second District on Long Island, Ms. Grechen Shirley's challenge to Mr. King has overtones of the Democratic primary upset in Queens, where Alexandria Ocasio-Cortez defeated the longtime incumbent, Representative Joseph Crowley.
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The British Transport Police has also revealed that the explosion occurred in the foyer area of the Manchester Area, which JTIC analysts suggest illustrates the vulnerability of mass gatherings such as Monday evening's concert which had hosted 21,000 attendees and has overtones of other recent tragic attacks.
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The case has overtones of a scandal in 2003, when Sun Zhigang, a recent college graduate who had arrived in Guangzhou for a job as a designer in a garment factory, was beaten to death in police custody in Guangdong Province after being detained for not having a valid residence card.
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The Koran also has a lot to say about "fear of God" and there is a positive word for that state of mind, takwa, which has overtones of "protection"; it suggests that to live in correct fear of God is to enjoy a state of protection from other dangers, above all the danger of falling into sin.
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The adjective Völkisch () is derived from the German word Volk (cognate with the English "folk"), which has overtones of "nation", "race" or "tribe".James Webb. 1976. The Occult Establishment. La Salle, Illinois: Open Court. . pp.
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The adjective völkisch derives from the German concept of Volk (cognate with English folk), which has overtones of "nation", "race" and "tribe".James Webb. 1976. The Occult Establishment. La Salle, Illinois: Open Court. . pp. 276–277 The Völkisch movement emerged in the mid-19th century, influenced by German Romanticism. Erected on the concept of Blut und Boden ("blood and soil"), it was a racialist, populist, agrarian, romantic nationalist and, from the 1900s, an antisemitic movement.
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However, he pays a price for his choices: his beautiful lover Wani is a self-hating homosexual, and the Feddens' home (in which Nick Guest remains a guest) is filled with both exquisite art and vile hypocrisy. The novel also deals with the "coming out" experience of Nick and of gay men in general. The novel explores the question of whether a gay man can remain apolitical in a homophobic society. Nick's dance with Margaret Thatcher has overtones of a dance with the devil.
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Many props and sets were donated or bought with thrift store materials and modified to fit the film's needs. The offline edit was done on an Avid system and the camera negatives were cut to match the video edit and followed a traditional optical post-production. The entire film has overtones of isolation and segregation especially between men and women and has a stark sense of avant-comedy in the vein of Guy Maddin or William Klein films. The American Astronaut was workshopped in 1998 at the Sundance Writers’ Lab while still in screenplay form.
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Zero Visibility Corp is a contemporary dance company based in Oslo, Norway which was founded in 1996 by its choreographer Ina Christell Johannessen and lighting and set designer, Jens Sethzman. Their productions are developed from improvisation with a stylistic approach that has overtones of martial arts and acrobatics, between art-dance and pop-dance, "pure dance" and theatrical dance, humorous and serious dance. With its particular choreographic style, their work is based on films, literature and news stories which combine to generate an intentional ambivalence about diverse themes, creating material in close dialogue with everyone involved. Zero Visibility works with artist within experimental electronic music.
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"Dr Stubbs and his adherents of the 'Historical Society', winter of 1882-83" The society's 'Transactions', largely extant from 1894 in the Bodleian Library, reveal much about its early character; but the society resists easy characterisation. The early model has overtones of the gentleman's club, with one blackball in six enough to prevent election as a member and the Society colours being "claret, cider and coffee – the only drinks that were permitted at its meetings."Saravanamuttu, M., (1970), The Sara Saga, p. 28 The constitution, too, declared the Society would "honour its toast to Clio in mulled claret."Fernández-Armesto, F. (2009), History, tragedy, farce, Times Higher Education, London Yet when the idea of a club tie was mooted, only one member voted in its favour, and women were invited to join with alacrity.
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