You generally don't have to worry about getting stuck with some harsh-sounding old digital transfer or an overly-loud remaster if it's got the Mastered for iTunes badge.
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"Brodsky, Rachel (May 3, 2017). "Charly Bliss: The Best of What's Next". Paste. Retrieved February 10, 2018. The bright tone of her vocals juxtaposes the harsh-sounding instrumentals, which led a Hyperallergic writer to categorize the album as "Grimes singing for Roomrunner.
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Plank used multi-track recording facilities. He favored sometimes harsh-sounding effects and contrasting audio for each element in the mix. Plank used combinations of echo, reverberation and other electronic, mixing, editing and tape-based effects to create mixes. Plank favored a very 'live' production sound, especially on drums.
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The blue griffin emblem of House Harkonnen. Frank Herbert wanted a harsh-sounding name for the antagonistic family opposing House Atreides in Dune. He came across the name "Härkönen" in a California telephone book and thought that it sounded "Soviet", though it is in fact Finnish. In earlier drafts of Dune, the character was called "Valdemar Hoskanner".
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A performer playing "outside" will use arpeggios ansd scales that are harmonically distant and thus more dissonant-sounding, such as a D arpeggio and a D major scale. Playing "inside" is more relaxed-sounding. Playing "outside" is more tense and even harsh-sounding. Conductors, bandleaders, or producers may ask performers to play "more inside" for certain songs, sections, or recordings.
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For a several bar section where the rhythm section is playing in C7 chord, a soloist playing "outside" might play a D arpeggio and a D major scale. Playing "inside" is more relaxed- sounding. Playing "outside" is more tense and even harsh-sounding. Conductors, bandleaders, or producers may ask performers to play "more outside" for certain songs, sections, or recordings.
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The Klingon language was first conceived by actor James Doohan, who played Montgomery Scott ("Scotty") in the original Star Trek television series, for Star Trek: The Motion Picture (1979). He created some harsh- sounding words to be spoken by Klingon characters. The producers hired linguist Marc Okrand for the sequels to expand this into a full-fledged language with its own unique vocabulary, grammar, and idioms.Shiga, David.
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The decision started a dispute as many perceived the "new" word Česko, which before had been only rarely used alone, as harsh sounding or as a remnant of Československo. The older term Čechy was rejected by many because it was primarily associated with Bohemia proper and to use it for the whole country was seen as inappropriate. This feeling was especially prominent among the inhabitants of Moravia. The use of the word "Česko" within the country itself has increased in recent years.
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The severity and exact phenotype of these symptoms may vary between types of SCA. SCA 1 dysarthria may vary in severity depending on the task and is often associated with more strained, strangled or harsh sounding vocalization than that of other disorders. Because of the significant variance between cases of SCA1, typical signs and symptoms may appear alongside more subtle or rare symptoms. Maculopathy has been reported in rare cases, and may be linked effects from the mutation on the ATXN1 locus on genes in neighboring loci.
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"More Than a Woman" is a song performed by American recording artist Aaliyah. It was written by Static Major and Timbaland, who produced the song for her self-titled 2001 album. While the song incorporates a sample from Syrian singer Mayada El Hennawy's 1993 song "Alouli Ansa", El Hennawy and her songwriters remain uncredited on "More Than a Woman". A pop, electro and hip hop song, it was one of three records Timbaland produced for Aaliyah and features digital strings, harsh-sounding synthetic bass, and guitar sounds.
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Makino's team created samples, matched them against prototype promotional videos, then consulted sound staff at Capcom to blend the ethnic, orchestral and rock elements. The first completed track, the game's main theme, was favorably received by Kobayashi and Makino used the fusion of elements for the entire score. When creating his plan for the music, Makino decided to move away from the typical harsh-sounding action soundtracks Capcom games were known for, which used many high and low-pitched notes. Instead, Makino chose a softer sound for Dragon's Dogma.
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Hybrid bass amplifier heads typically pair a tube preamplifier with a solid-state power amplifier. This provides the player with the best elements of both amplifier technology. The tube preamp gives the player the ability to obtain tube amplifier tone, which tube enthusiasts state is "warmer" than a solid state (transistor) preamp. As well, tube users state that tube preamps have a more pleasing-sounding, natural tone when the preamp's volume is pushed up so high that the bass signal becomes overdriven; in contrast, a solid state preamp that is pushed to the point of signal "clipping" can be harsh-sounding.
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Experienced organists will usually vary their use of stops throughout a hymn tune, but most change them for the last verse. They will usually pull out stops that emphasise the bassline, or that are particularly loud, rich or harsh sounding. If the organ has a tuba stop, then this will often be used with the pedalboard, as it provides the loudest bass notes on the organ, and reeds are also useful (if available). Sometimes hymnals and other compilations of tunes (such as Carols for Choirs) that publish last verse harmonisations will indicate suitable stops to be pulled out for them, but organists are generally assumed to know the instrument well enough to discern for themselves which stops to use.
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Despite its lack of industry, the company still found itself with thousands of acres of land that could be developed. William M. Ladd, who had succeeded Reed as President of Oregon Iron and Steel and his father as President of Ladd & Tilton Bank, formed the Ladd Estate Company to manage these real estate assets. The newly formed Ladd Estate Company converted the depressed company town into a prestigious suburb complete with country club, golf course, polo field, and even worked to rename the harsh-sounding Sucker Lake to Oswego Lake. The company existed as a shell until 1960, when in its final act, it deeded its powerhouse and dams to lake shareholders.
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Gud has done remix work for songs by artists including Tinashe. In 2014, Yung Gud released two remixes of "No Excuse", a track by Canadian producer Jacques Greene. On 30 May 2014, The Fader premiered the recut that was a part of a remix extended play for Greene's three-track record Phantom Vibrate. The magazine described it as a "ecstatically pattering" rework of the song that alleviates "the jagged turns and gun shot sounds of the original to reveal its lushest sonic innards." Joe Price, writing for Complex magazine's website Pigeons & Planes, said that with this remix, Yung Gud had "proven once again that he has legs beyond what many coin as “meme rap.”" Later on, Yung Gud did a much more harsh-sounding "VIP" remix of the track, which starts off alike to Yung Gud's first remix, and then it dives "into a deep chasm of rumbling bass complete with a hammering rhythm that rarely lets up", Price wrote.
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